Fun little silly thought I had about the Lair Games and specifically Leo deliberately losing is all the reasons he could have for doing so.
My favorite headcanon for his main motivation is that Splinter wasn’t proud of him anymore.
I imagine that, in the beginning, winning the Lair Games was Leo’s opportunity to shine. He wasn’t artistic or the baby of the family like Mikey, wasn’t a tech genius who created amazing inventions like Donnie, wasn’t the eldest who was insanely strong and dependable like Raph. So he had to shine somewhere else- anywhere else- and what better way to get attention than to be a winner? A champion?
And then he won too much. And it wasn’t special anymore. He got too big headed, too cocky, he knew this was his element and he ran with it.
Splinter’s words of congratulations slowly petered out. Suddenly, there was no real reason to win.
Winning feels empty when the only one cheering you on is yourself.
So- Leo schemed. And he’s a great schemer, fooling his whole family (and Donnie did deserve a win- people were way happier when he won.)
He even gave up his prized possession! His room!
Though he knows his brothers probably think it’s a bad prize. A terrible one, even.
Leo doesn’t sleep much as is, though. So Dad’s snores were more comforting than anything. It was reassuring to hear him so clearly alive and close by.
Even if the distance between them was larger than Leo’d like.
He’d just have to find something else, something more to show his dad that Leo was someone to trust, to be proud of, to love.
He gets his chance soon after, when he needs to pull off a plan against Big Mama at his dad’s side. Leo can only hope this victory is one that has a lasting effect when his father looks at him with pride once more.
Victory, for Leo, is a pretty loaded term.
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Give me widower Mav who has come to terms with his husband’s death and now gets to make jokes and comments about it which makes people uncomfortable while he finds it hilarious pls
As someone who lost their father a long time ago I have reached that point where I can make jokes and comments and like to my close friends it’s funny but to someone I don’t know it’s… strange cause they don’t know how to react and it’s truly a small moment of absolute joy cause they make it weirder than it needs to be
Here is what I mean:
Fanboy: Hi Mav! I like your hoodie!
Mav: thanks, it belonged to my dead husband
Fanboy:
Mav: he’s not gonna use it so
…
Hangman, pointing at the ring on Mav’s dog tags: you’re married?
Mav: I was, but sadly he died on a terrible accident
Hangman: oh I’m sorry—
Mav: I’m kidding, he didn’t die on an accident
Hangman: oh thank god I thought I—
Mav: he died of cancer
…
Mav: my husband used to hate this movie
Phoenix: what made him change his mind?
Mav: oh he didn’t, he just died
…
Mav: I miss my husband
Coyote: why, where is he?
Mav: I want to say heaven but he was a weird man so honestly I don’t know
…
Cyclone: Maverick where is the paperwork I asked for
Mav: oh I’m sorry? I was mourning the death of my husband, in case you hadn’t noticed, the audacity, I cannot believe you would come for a widower like this—
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Mutant Mayhem spoilers
It’s such a small moment and maybe I just have brain rot or something but in the beginning when Splinter is talking abt why he hates humans it’s Mikey specifically that chimes in with that little “you don’t know that.” And just UGH
Even just by his tone you can tell that he knows his words aren’t going to change anything because they’ve had this conversation too many times. But also Mikey was the one Splinter almost lost that day, like if Splinter was any slower Mikey would’ve been gone.
And you just know in the minds of children Mikey equated their isolation from humans as being his fault because he almost got ran over as a baby.
Like I don’t wanna say it because sometimes leads to unnecessary angst, but children who grow up isolated from everyone else believing that they can’t confide in their parent often blame themselves for their parents decisions.
Donnie and Raph back talk and make fun of Splinter the most but Mikey does it like once and Leo does it never. So you can tell Leo and Mikey don’t get upset with their father, they get upset with themselves for the way things are and I just
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Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.
Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:
Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.
Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.
Mordred.
That night, Arthur holds Mordred and weeps.
There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.
Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.
*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*
**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^
Additional notes below the break:
Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.
I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)
Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*
Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D
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