In Death's Embrace Pt. 2
Jason Todd x Death!Reader
Part one!
Jason shoots up in bed, his hand stretched out. He’s sweating, drenched in his own panic in fear. His hand falls into his lap, still twitching. He doesn’t remember what he was dreaming about, doesn’t remember what he was trying to grasp.
He knows he failed. He knows it slipped through his fingers like sand. He doesn’t think there’s anything more tragic in the world. He doesn't know why.
“Once again, you amaze me. Breaking the rules of the universe, not once, but twice.”
His hand is wrapped around his gun before you even finish the sentence. It’s pointed between your eyes once you do. To your credit, whoever just broke into his apartment without triggering any of his alarms, you don’t even flinch. No, you just fold your hands behind your back and give him an odd look.
You tilt your head, eyes moving over the scars on his face and catching on the lock of white hair he sports. Then, your face breaks into a smile, and something in Jason’s heart jumps. There’s a knowing in your eyes that he doesn’t like. An understanding.
You see through him, somehow. He doesn’t like it. He’ll shoot you for the offence.
“Who are you? How did you get in here?” Jason demands, assessing you like you assess him. You don’t look like a combatant, in long dark flowing fabrics. Still, he knows not to underestimate someone based on their appearance.
That damned clown never looked like a threat. And now he was standing here, with someone who seemed just as crazy in his bedroom. Only someone that crazy would break into his home.
“Are you going to shoot me?” your words are teasing, eyes fond. Maybe you’re crazier, then. You don’t believe he’ll do it. He will.
He should have already. It’s base curiosity that holds his trigger finger. That’s what he thinks it is, at least.
“I might,” he finally says, “Again, who the fuck are you?”
“It’s interesting talking to you like this. You knew who I was straight away last time, but this time you turn your weapon to me,” you continue, ignoring his threat. A muscle jumps in his cheek, annoyed at your presence, at your blatant disregard for him.
“Last time?”
Your smile turns into a bright grin. He’s momentarily stunned by it.
“So, you really haven’t won just yet. That gives me a small measure of pride,” you say, walking over to the window with your hands still behind your back, “Maybe enough to spare you from my anger.”
You look over at him again. Purse your lips.
“Maybe not.”
“I think you forget who is holding the gun,” Jason reminds you, clicking his teeth at the way you just shrug.
You go quiet. No more teasing words or ominous warnings. Jason should shoot, shoot now. He’d hate the cleanup, hate the mess, hate all the effort, but it was necessary. You were dangerous. That much was obvious.
Instead, he opens his big dumb mouth and asks, “What do you want?”
You sigh, shaking your head. “Is it terrible I don’t know? Rules are rules after all, but this situation is… complicated. You’re not another Sisyphus, you don’t even want to be here.”
“You broke into my home and started threatening me. That doesn’t sound complicated,” Jason insists. This is such a fucking weird conversation. And Sisyphus? Jason had done his homework, he knew about the mythical man who cheated death. He thinks he’s actually quite a lot like Sisyphus.
He still doesn’t appreciate the comparison.
“Yes well, I don’t want to be here either, de-” your voice cuts off, eyes widen in surprise, and then narrow on him like he caused some great offence. Inside him, he feels his dead little heart wither even further at the sight. Like you being upset with him was one of the worst mistakes of his life.
Once again, you broke into his house. All he’d done was tell you to get lost. Oh, and maybe threaten to shoot you, but who cares about that. He soothes the momentary panic, insisting you obviously hadn’t.
Which is dumb. He’s being an idiot. Jason Todd is being an absolute moron right now, and he just needs to shoot you.
Instead of paying attention to the gun trained on you, you stare out his window, at the streets of Gotham’s Hill district below. The sun is rising, rays bursting through the fog. The people are just getting up with it. It’s one of the few times the city is anything close to quiet. Most are still sleeping, and so is crime.
Warm sunlight catches on your cheek, and again, something inside Jason cries out at the sight. It’s worrying.
“I think I want you dead, again,” you confess.
Jason’s breath whooshes out of his lips, and his gun arm twitches for a second. Well, fuck him, that’s certainly a statement. And again, why hadn’t he shot you?
He still doesn’t do it. He must be crazy, too.
“I’m being greedy. I always have been, of course. It’s what I am… But especially this time, I think I’m being too greedy,” you sound sad, your fingers trailing across the wooden window frame, “I think I shouldn’t be here, but it’s the ones like you who make it hard.”
You rub dust against your fingers, and Jason feels embarrassed for the state of his home. He realises a second later what a stupid thought that is, you broke in. He wonders how many times he’ll have to repeat it to remember it. He feels uncomfortable and off-kilter, and he knows it’s because of you.
He needs to get you out.
“I’ve always hated the special ones, you know. The smart ones. You’re too good at pulling me, manipulating me, tugging on my strings like a puppet. You make me human,” you turn back to him, crossing your arms and resting against the sill. You’re comfortable in his home, more so than he usually is. Calm, relaxed, like the world is at peace, and worries are something of the past.
He wonders what that must be like. Fucking delightful, he bets.
“Are you not human?”
You raise an eyebrow in response.
Shit. Ah, fuck it. His finger tightens, and the recoil jerks his arm. The silencer keeps the early apartment quiet. Quiet, if not for the sound of the bullet clattering to the ground.
You both glance down at the crumpled piece of metal sitting pathetically on the floor. You lean over, pick the piece up, and then lift it to your eye, watching that same sunlight reflecting the early morning in the steel. A small rainbow flitters across your skin. You close your fist, and you stroll over to Jason.
It takes him a moment to remember to be wary of you, and by that time, you already have his hand cradled between yours.
You place the remnants of the bullet in his scarred palm.
“I expect an apology for that later,” your voice is soft, sweet. Loving, even after he shot you in the chest. Not like it did anything. Your fingers curl around his, tracing every crack and crevice. You do it with concentration, with precision, like you were made just to touch him, to comfort him.
A memory, gone in a flash. He feels it’s loss like a toothache.
He swallows, “I’m sorry.”
You laugh, and the sun’s not outside, it’s in his bedroom and it’s smiling and it’s everything and it’s here in his grasp and he knows it’ll be okay again. It has to be okay again. You said it’d be okay, didn’t you? He can’t remember. His head’s swirling, spinning, falling right into you. Right back into you.
“Or now, that’s fine too,” you sound delighted. He’s glad.
You let go of him, and move back to the window, drawn by the view outside. Jason's hand clasp and unclasp. The street obviously fascinates you, your eyes flicking back and forth and tracking the movement of every soul outside. He wants your gaze back on him.
Jason clears his throat. You glance back at him, then pointedly, his right hand.
He can feel his face flush, embarrassingly. He’s still holding the gun. He turns the safety off and tucks it back under his pillow.
He clears his throat again. He wants something from you, expects it, really. But he can’t tell what it is. He thinks you know, though. That you’re withholding it, for some reason. He’s irrationally irritated at that. You said you were greedy, but nothing could compare to his greed.
Even if you wanted him dead. He was starting to put together the pieces, but he couldn’t seem to feel alarmed. No, it simply wasn’t necessary, with you here.
Still, it’s not quite enough. He wants more. He wants to know more. So he waits for you to speak again.
“I’ve thought about doing this so many times over the years. It would’ve been selfish, and more than that, outside of my duty. You’re not one of mine anymore. For a little while, at least.”
He wants to be. He wants to be yours. He wants it more than he can breathe. If he’s yours, maybe you can be his.
You glance to the side, thinking out loud, “But then you went and started remembering. I’ve worked very hard to make sure that’s impossible, you know. That the memories from my realm stay there.”
You turn a disapproving glance his way.
“Of course, far be it for me to get in the way of a Wayne and his decision to break the world. You lot do that far too much, give me too much work,” you mutter that last part, hand moving to your brow. Like you’re massaging away a headache. He should be doing that for you.
“But you did it. And you’re here. And now I am, too. And I have to go soon.”
You drift closer to him, and Jason’s breath catches. He’s still. He doesn’t make a single movement, scared he’ll scare you away. He realises that’s stupid. That you caught a bullet to the chest. That you’re stronger than anything he could imagine.
He still thinks he could startle you if he’s not careful. That you’re like the mist outside, incorporeal. But Jason can do anything if he puts his mind to it. He knows how to catch the wind, how to gather steam on the underside of glass, how to cup sand and water and feathers and everything that would ever want to be outside of his reach.
You’re out of his reach. He has to let you step into it.
You stop a foot away from him. He grinds his teeth, and again, you raise a brow at him. He doesn’t move, despite his muscles screaming at him too. You give him a nod and take another step closer. He still doesn’t move, and you give him a satisfied look.
“So, what should we do, Jason?”
“How do you know my name?”
“What? Did dying strip you of any brains?”
The banter is familiar. He doesn’t mean to ruin it.
“Do you have to leave?” again, a voice in his mind whispers. You look sad, again. Again, again, again. All of this is an again.
“Eventually. Sooner rather than later,” you sigh, “You can keep a secret, can’t you, Jason?”
“Not if you leave.”
It’s a bold move. You take a step back, and he winces. Back and forth, back and forth… Still, he doesn’t take the words back. He can’t, because it’s the truth, and now that you’re here, there’s no going back. He’ll do anything to keep you with him, and if you go too far for him to reach, he’ll follow you.
“I think that’s an unfair request,” you say, and he shakes his head.
“It’s fair. You don’t have to stay forever, just a while.” Now that, that is a lie. You seem to know it, too.
You look out the window again. Jason, after a moment's hesitation, moves over beside you. You don’t flee, your attention is on the people below. He opens the window for you, and you give him another smile. He collects them like the rare treasures they are. You lean out into the air, and he freaks, then realises you’d shrugged off a bullet. He stays close, vigilant, anyway.
“I’m curious, I have to admit. What’s this place like?” you ask, resting elbows on the wood. The streets are foggy, as they usually are in the morning. The Hill isn’t the nicest place, not the cleanest either, but you look at it like it’s heaven incarnate. He can see his neighbour down at the local grocer, the old woman who hoards cats seeing her grandson off to school, and one of his guys hanging out on the street, keeping the space safe.
Under his orders. The Hill wasn’t the nicest place, but he liked to keep it as nice as possible.
...Peaceful, he wanted the people here to have their peace. He was obsessed with it, really.
“It sucks.”
You laugh again, music to his ears, “Not the best advertising.”
“I take it back, it’s the best place on earth,” he replies, barely paying attention to his words. He’s seeing how close he can get to you. How many inches he can claim. His face is almost in your neck by the time you lean back, and he curses under his breath.
“It doesn’t need to be,” you say, pushing away from the sill and turning to wander around his room. You take in everything about the space. From the general mess, to the Jane Austen books crammed into his bookshelf, to the mask he’s left half-hazard on his bedstand.
You watch it all, just as fascinated with the world outside as the one inside. He wants to believe that means he’s special to you. And if it doesn’t, that just means he needs to work a little harder.
Finally, you turn to him. You take in every facet of him, once again. Your all-knowing gaze finds his hair again. You seem especially fascinated by that. You lift your hands, and he’s in them before he realises he’s moved.
You map his features with your hands, and he makes a little sound in the back of his throat. Ignoring that, you wipe the bags under his eyes. He feels his sanity slip away under your touch. You trace the scar on his chin, the one above his left brow. The stubble along his jaw. The bump in his nose. The edge of his lips. He wonders at the smirk you give when he groans. And finally, you come to that strand of hair.
You tug on it. A memory fizzles again, and to his frustration, he can’t quite grab it. Can’t quite take it, claim it. It’s not his, not yet.
You haven’t given him permission to remember. He wants it, he wants it, he needs it.
“I think I can stay, maybe. Just for a little, just a little. You want that, right?” your hands cup his face, and he knows, somehow, that you’ve done this a thousand times. And if this is the thousand-and-first time you’ve held him like this, he’s glad. To be back in your embrace is the sweetest pleasure. The greatest relief.
“Yes. Yes, yes… yes, I do,” he’s nodding, he’s begging, he’s pleading with you. Just for a moment more, just a second more. Just a little bit more, before you let him go again. He leans down and presses his forehead to you, sighing in your scent, the wheat reeds in the wind, the warm sun on skin.
He wonders what he has to do to make sure you never let go again. He wonders if you’ll let him do it.
You shake your head, giving him a rueful smile, “You really are too cute, darling.”
That nickname. The key to his heart, his mind. Every single barrier keeping him from you is gone, crumbled by your will. He is thankful you’ve given them back. He is thankful for every moment you ever had with him. And he’ll make a thousand more.
He presses his lips to yours, arms holding you close. When you melt into him, sigh into the kiss, he feels a euphoria he didn’t know could be true. He feels a relief he didn’t know even in his days under, even when you only held him.
He feels alive with it.
“Thank you for coming back,” he whispers against you, and he can feel that familiar, that damning smile spread.
“You left me. I had to hunt you down myself, Jason dear.”
Maybe he couldn’t have his peaceful death. But he had a loving one, and that was all he needed.
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I don’t like Neal.
(2nd installment of rants I should not be writing because I should def be doing other things)
Or in other words: The only bagel I’ll ever like is the New York style kind.
And it’s not even because I’m a CS shipper because when we first found out that Neal existed, Hook was in his womanizer mode (and yes I loved HIM but I didn’t ship CS quite yet, I did start immediately after tho, but that’s beside the point).
First, facts need to be pointed out. Emma was a minor. That’s not arguable, she was a minor and was 17 when she had Henry because she had just turned 28 when Henry was already 10, so there was an overlap when she was 17 and had a baby. So that means during her relationship with Neal, she was a minor.
According to Neal’s wanted poster, he was 23. A 23 year old with a 17 year old is not okay, and it’s logical to assume that Emma was 16 when she met him, but even then, NEAL WAS 22. THAT IS NOT OKAY. THAT IS IN NO WAY OKAY. And if we’re adding two hundred years to it, that’s even MORE not okay.
And I know there’s the argument that Hook is hundreds of years older too, but their age doesn’t matter, it’s their age in relation to EMMA’S. When Emma met Neal, she was 16/17. She was vulnerable and living on the streets and even if Neal wasn’t trying to, he took advantage of her naive state. All Emma wanted was a family, and Neal seemed to give that to her because she believed he was the first person to give a damn about her. When Emma met Hook, she was a mature adult and could properly assess a situation, a skill that she hadn’t yet mastered as a 16 year old. She literally couldn’t because our brains don’t fully develop until 25.
So that’s one thing. Neal took advantage of her. She was a minor, he was an adult. Any person that would condone that relationship AND SAY IT WAS HEALTHY is not okay in my book.
Again I repeat, the only bagel I like is that with cream cheese.
And now moving on: HE LEFT HER IN JAIL??? FOR HIS CRIME?????? WOMEN HAVE DIVORCED FOR LESS! MY MOTHER DIVORCED FOR LESS!
I feel like people brush past that way too easily. Because OUAT is a magical show people try to downplay trauma, but pregnancy is even traumatic for a woman that wanted the baby. Emma did not want to be pregnant. Nobody would want to be pregnant in that situation. She put her livelihood and her trust into Neal and he betrayed her all because of her so called “destiny”. Destiny is destiny. It would happen no matter what and he didn’t need to make her take the fall for his crime in order to get away from her. HE COULDVE CHEATED ON HER AND IT WOULDVE BEEN BETTER. And, he also didn’t want to see his father, which most definitely played a part in his decision to leave Emma. Neal suffered a lot because of his father, but if he loved Emma so much, it would’ve been worth it to stay with her, wouldn’t it??? Neal never chooses the hard path.
But back to the pregnancy thing. Not only is it traumatic for a fully grown woman, but she was a teenager!! A teenager that was alone and afraid in a jail cell, pregnant. That is terrible. That’s so astronomically terrible and I feel like people that love adult Neal don’t understand that. I love little Neal. Not adult Neal because he did that crap because Pinocchio told him to.
And if that wasn’t bad enough, he took the money for himself that was supposed to go to Emma. Imagine how much that would’ve helped her. Money can buy nice clothes and food and a hotel room. It could’ve gotten her a job (she did get one eventually) but that money could’ve helped her so much.
And then years later, when he gets the postcard that the curse is broken, he could’ve gone to check on her and he didn’t. Imagine how much that would’ve meant to Emma, that even after all he did, he was still willing to go back and see her because she meant that much to him. And he would be willing to face all the backlash she would give him because he knew he deserved it.
But he DIDNT. He didn’t come to check on her, he never would’ve gone to see her if not for Rumplestilskin’s deal, and that makes me hate him even more.
And uh HELLO? He also told her if he knew who she was he would’ve never gone near her. Imagine how much a punch in the gut that was for her. One of Emma’s main problems is that she felt like she was never enough for someone. And here Neal is, the first person she really loved and who she believed really loved her back, telling her that she would not be enough for him. She was not worthy of his attention because of where she was from and who she was. That is so terrible to say to someone. So very fricking terrible.
AND HE DIDNT EVEN APOLOGIZE. NOT ONCE. UM WTF? I REWATCHED AND HE DID NOT APOLOGIZE. He said he messed up. But he didn’t mess up, he fucked up. He fucked EMMA up. I am an Emma lover through and through. She is my baby and I will defend her to the ends of the earth. I don’t hate Neal because he ‘stood in the way of CS’ because let’s be honest, we all knew CS would be endgame when the first episode we got with them together was in direct contrast to Tallahassee, aka, Neal’s relationship with Emma. If that’s not foreshadowing I don’t know what is. No, I hate Neal because of how he treated EMMA. That poor innocent 17 year old that suffered so MUCH because of Neal’s actions, intentional or not.
I think the saying “it doesn’t matter if you mean well, it matters if you do well” completely sums up how I feel about that situation. Oh and even after he fucks her up, she goes to Tallahassee and waits for him FOR TWO YEARS because she’s hopeful that maybe it was a mistake, that he didn’t mean to leave her and that he still loved her. That little trooper. I want to give her blankets and hot chocolate and grilled cheese and therapy
There’s no doubt in my mind that Neal does love Emma because how can you not. She’s amazing. And I do believe that Emma loves Neal, but I think they were both in love with the idea of each other. They were each other’s first loves, and that is important, but have you noticed how surprised Neal looked when he learned all the new things about Emma? How he downplayed her superpower? How he didn’t believe her about Tamara when she was right? How he looked almost afraid and disgusted that she had magic? Magic that’s always been a part of her- that’s such a BIG part of her.
Neal loves Emma, but I think it’s startlingly clear that it’s not 28 year old Emma, but 17 carefree happy Emma. And Emma does love Neal, but I whole-heartedly feel like she loved the idea of him and how happy he used to make her before leaving her. And you know maybe I’m wrong, but the look Emma gives him a lot is only what I can describe as the look of a person trying to reminisce. A person trying to remember the good parts about someone after a decade of separation, and here they are a completely different person. I honestly don’t think Emma fully processed what Neal did to her, and that’s why all the feelings flooded to the surface upon seeing him after all those years because she never got closure.
And this actually happened to a friend of mine. He had broken up with his gf of a year, and he loved her a lot he just felt like it was toxic (and it was) and broke up, and then he dove into his work and didn’t think about it at all. Then work started to slow down a few months later and he had a lot of time to sit and think and he called me telling me that he missed his ex and that he wanted to get back together with her. I told him to wait a few weeks and process it to see how he felt before doing anything rash, and sure enough, a few weeks later he said that he didn’t want to get back together with her anymore.
Emma didn’t fully process that relationship for a decade. She hid behind walls and a red leather jacket because the pain was so intense. She told Neal she loved him in the portal because she thought he was going to die, but I really think she was talking to his past self, his past self that she loved and now she would never see that again. But at least now she could move on.
Then flash go echo cave. She literally tells Neal she wished he was dead. She said that she would always love him, but there’s a clear difference to loving someone than being in love with someone. Emma is not IN LOVE with Neal, she loves him, but she is not in love. And the reason for that is because all he put her through. All the pain and the torture that she didn’t want to go through again so she wished he was dead because it would’ve been easier for her to move on finally after all these years. I also thinks that she loved him because he gave her Henry. Emma loves her son. And Neal played a part in creating him so of course Emma would love him for giving her that, but she is not IN LOVE with him.
And I don’t blame Neal for wanting to fight for Emma (I would fight for Emma any day of the week) but I do think in that moment, and judging from her lack of reply, she knows that she is over with that romantic Neal titled chapter of her life.
(and it definitely didnt help that she got the daylights kissed out of her by a sexy pirate)
There are only two things that I respect about adult Neal.
1: he sent the dove to Captain Hook to get Emma back because he knew that he would fight to bring her home. I think that that is very admirable considering he act like a jealous asshole in neverland which really bugged me, and I thought it did develop his character well. He realized that Hook was not the same man he previously knew and I respect that.
2: the quote “I just want you to be happy, even if it’s not with me.” This is important to me because I feel like the writers could’ve portrayed him even further as a selfish person that he did appear to be (and that would’ve made it even easier for me to dislike him) but they didn’t. This was Neal recognizing that Emma moved on, something that she had been doing since Neverland, and commenting on that which I also admire because Emma deserves to be happy without something holding her down.
And honestly I do feel as if the only way she could move on entirely is through him dying because he would always be around, and she would always have that reminder of the most painful part of her life. I think JMO actually commented on that in an interview about how Neal would always be there because he was Henry’s father. And I think that even though Emma loved him, she felt a lot lighter once he died. I feel as if most of her grief was out of empathy for her son because he would have to live without a father just like she did, and she knew how painful that is. That grief was NOT because she would never get to be in a relationship with him because she had already moved on, and the people that can’t see that have not been watching the show, or are too much of a swanfire Stan to see that. And that’s perfectly fine, we’re all free to have an opinion, but Emma’s actions and words clearly showed that she moved on.
And you know, I deeply hated when he told Emma not to go after Hook because it was dangerous because I think it clearly showed the contrast between Emma and Neal and why they would not work out. Emma takes the hard way, Neal takes the easy way. Would it have been safer and easier for Emma to mourn Hook and move on? Yes. Was it more dangerous to go after him to right the wrong and injustice he faced, and to get her literal true love back? Yes, but it was the right choice. But every time Neal is confronted with a difficult choice, he takes the easy path. He could’ve stayed with Emma, he could’ve gone to her after the curse broke, and he could’ve offered a better damn date option than a ‘come to granny’s if you want’ which I can see how that would be respectful, but he also wasn’t fighting for her which is exactly what Emma needed someone to do for her. To climb past her walls and pull her out with them. That’s why I don’t like Neal. He did not treat Emma well, one way or another, his actions traumatized her and again, are you telling me you’d get back together with a person that did that to you? No? Well then why the hell should EMMA? Give the poor thing a break and let her move on.
(Also side note, am I the only one that thinks the ice cave in season four was a metaphor for Emma’s walls? Uhh hello? Impenetrable fortress? Turns a person cold and solid? Surviving not living? You couldn’t force them open with brute force (gold’s magic) because that may damage the person inside of them beyond repair, instead you need to encourage them to come out by themself while you simultaneously break it down so it makes the passage easier, and on the other side there is comfort and warmth. In season four Emma’s walls finally started to come down through her family and Killian and it’s literally shown through that episode. End of side note)
But yeah, I don’t like Neal, really deeply don’t. There are two things that I respect, and that’s it. And I didn’t even get to how he told Emma to lie to Rumple, knowing exactly what he does to liars, and how he was mad at Emma for not telling him about Henry when he left her in prison, and how he moved on way too fast from his FIANCÉ? Yeah she was evil but where were his residual feelings??? Even Emma had a bit with Walsh.
*big breath*
Thank you for coming to my second Ted Talk.
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