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chanyoungies · 5 years

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millie!!! you used to live in brussels right?? is it nice there?? i'm visiting there with my new school in a (long) while and i'm pretty excited (but also kinda salty cause it'll only be a small 2 weeks while another class is going multiple months to california jsdhs but i'm sure it'll still be great)

YOU WHAT-- GASP-- wait i’m jealous can’t you take me with you

also i’m adding a read more because this got suPER LONG oh my god,, when i say i miss brussels I REALLY MEAN IT (don’t hesitate to ask me more!! i can rant for hours!! and this might not even answered any of your questions so!!)

AAAAAAAAAAAAAAA i might be extremely biased but it’s. amazing. it might not be much of a holiday/vacation or even touristic city (although there are many touristic attractions, don’t get me wrong). it was a nice city to live in!! but it’s also nice to visit!!

the temperatures are mild most of the time, though depending on when you’re visiting it might rain a whole lot (another reason why i love brussels). hmmm some districts are nicer than others, obviously, but i think they all have their charms? i’d love to compare it to danemark to make it easier for you but i’ve never ever been there so,, that’s gonna be hard??

it’s largely a multi-cultural city!! although most of the time their english might not be that great? i’m not sure, since i’ve never spoke english in belgium lmao but the level of english taught in schools is... yeah not that great but it should be fine in touristic places like. guides and stuff should be fine?

i honestly can’t remember if english is prevalent in museums and stuff because. i never looked at that but it might be tricky, since the city’s already bilingual so that takes up space?? don’t quote me on that though

i don’t know if you have a visit plan or something already, but brussels is literally close to everywhere?? every single place on earth?? so you might get the chance to go somewhere else for like. a day or something! thought i doubt you’d go to paris or amsterdam, but other places in belgium are quite nice too!! ghent has a nice vibe and oostende (ostend in english apparently) is on the coast so that’s a nice one too!! (although the beaches are not sandy, they’re shingle beaches i just learned a new word)

what’s really nice about brussels is that is has so many parks what’s there not to love!! it’s also quite easy to find convenience stores, for example all the carrefour express branches!! might be harder to find pharmacies, though, so i advise you not to get sick,

it’s been a full year since i’ve last been there and i miss it terribly but! the old town (with obviously, la grand place) and the european quarter are nice places to visit!! you might want to keep a distance from the less touristic districts but like... they’re still nice to see, for me?? but it might not be as interesting for most people idk also there’s the atomium, obviously, but like, i’d advise you to go there, and see the surroundings and all, but if you don’t specifically have a planned visit there, don’t go in. it’s not worth the money. the outside is pretty enough! another nice thing would be to see the royal garden!! but it’s only open during specific dates so you might not get to. the royal palace is also a pretty sight!

and. just a small suggestion but. the chocolate museum is. nice too. just saying. send me some chocolate when you get back

speaking of chocolate though, it’s a whole new experience, even the normal carrefour chocolate tastes different. believe me, i bought some in spain and it’s not as good. so, for yourself or for your family and friends and me, buying some chocolate, even if it’s not. super expensive brand chocolate. is. a good idea!! (galler & côte d’or have nice chocolates too. i always recommend galler to literally everyone. if you go to a normal supermarket chain, you should see galler’s chocolate bars with different fillings. they’re amazing. i gained so much weight just because of those.)

#mollie 🐇#IM CRYING #TAKE ME W YOU PLEASE #millie's rep

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photos-ok81 · 2 years

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Galler Prensesi Diana ve arkadaşı Dodi al-Fayed'i 31 Ağustos 1997'de Paris tüneline taşıyan aracın enkazı #tarih #history #renklitarih #colorhistory #historylovers #historypictures #historyhd #foto #fotoğraf #fotografia #picture https://www.instagram.com/p/CW25_5yot2h/?utm_medium=tumblr

#tarih #history #renklitarih #colorhistory #historylovers #historypictures #historyhd #foto #fotoğraf #fotografia #picture

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architectnews · 3 years

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Sydney Opera House Projection, NSW

Opera House Projection, Sydney Building, SANAA Architects, Contemporary Art Installation, Photos

Opera House Projection in Sydney

23 Apr 2021

Sydney Opera House Projection

Architects: SANAA

Aboriginal artist Kaylene Whiskey celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Dolly visits Indulkana’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery of New South Wales and Sydney Opera House

150th Anniversary Programme Will Culminate with the Completion of the Art Gallery’s Sydney Modern Project Expansion, Designed by SANAA, in 2022

Aboriginal artist Marlene Gilson celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Ballarat, my Country’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of SydneyOpera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery

First Event Features Collaboration with Sydney Opera House, Works by Six Aboriginal Women Artists Projected onto Sails as Part of Annual Badu Gili Festival of First Nations Culture

Aboriginal artist Judith Inkamala celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Ura kngarra mpintjama (A big fire is coming)’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. Photo credit: Brook Mitchell/Getty Images for Art Gallery of NSW © the artist. Photo credit: Daniel Boud. Courtesy Art Galler

The Art Gallery of New South Wales today kicked off its 150th anniversary celebrations with a burst of colour and light, collaborating for the first time with the Sydney Opera House to mark the annual Badu Gili festival of First Nations Culture by projecting artworks onto the iconic sails of the Opera House.

The work of six leading Aboriginal women artists represented in the Art Gallery’s permanent collection will light up each evening in a six-minute animation on the sails, as the Gallery leads up to the completion in 2022 of its Sydney Modern expansion project, designed by SANAA.

Aboriginal artist Marlene Rubuntja celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Woman with dilly bags and dilly bag hat’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery of New South Wales and Sydney Opera House

Michael Brand, Director, Art Gallery of New South Wales, said, “Badu Gili: Wonder Women celebrates our renowned First Nations artists and their works in the Gallery’s collection, as well as our deep and longstanding relationships with communities across Australia and our curatorial leadership.

“While we work to complete our expanded art museum campus through the Sydney Modern Project that will see First Nations art displayed front and centre, we are proud to share some of our collection highlights with the world on the sails of the Sydney Opera House,” Brand said.

Badu Gili The Sydney Opera House inaugurated Badu Gili in 2017. Badu Gili 2021: Wonder Women, curated by the Art Gallery’s Curator of Aboriginal and Torres Strait Islander Art, Coby Edgar, is a creative collaboration with the Opera House to mark the Gallery’s 150th anniversary.

Badu Gili 2021: Wonder Women weaves together the work of artists from across Australia: Wadawurrung elder Marlene Gilson; Yankunytjatjara woman Kaylene Whiskey; Luritja woman Sally Mulda; Western Arrarnta women Judith Inkamala and Marlene Rubuntja, and the late Kamilaroi woman Aunty Elaine Russell. This is the first all-female line-up for Badu Gili.

The animation of their works brings to life stories of shared histories. From the Battle of the Eureka Stockade, fought between rebellious gold miners and colonial forces and the devastating bushfires of 2019-20, to everyday life in Aboriginal communities and imagined worlds of superheroes that includes the country music star, Dolly Parton.

The spectacular animation of artworks from the Art Gallery’s collection will appear hourly on the Opera House’s eastern Bennelong sails each night from sunset, enabled by the NSW Government’s Culture Up Late initiative.

Aboriginal artist Kaylene Whiskey celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Dolly visits Indulkana’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. Photo credit: Brook Mitchell/Getty Images for Art Gallery of NSW

150th Exhibition Programme The Art Gallery’s 150th anniversary celebrations are notable for the special exhibitions that will be organised and presented. Highlights include:

To 5 September 2021 The National 2021: New Australian Art Staged across Sydney concurrently at the Art Gallery of New South Wales, Carriageworks, and the Museum of Contemporary Art, presenting the work of 39 emerging, mid-career and established Australian artists.

5 June – 26 September 2021 Archie 100: A century of the Archibald Prize One of Australia’s oldest and most prestigious art awards. Judged by the trustees of the Art Gallery of NSW and awarded to the best portrait painting, the Archibald Prize exhibition is a “who’s who” of Australian culture – from politicians to celebrities, sporting heroes to artists. The exhibition tours across Australia until August 2023. The 2021 Archibald, Wynne and Sulman Prizes will run concurrently.

12 June – 19 September 2021 Hilma af Klint: The Secret Paintings The first major survey of this visionary artist’s work to be shown in the Asia Pacific region, more than a century after she painted her most celebrated works. Presented in association with the Heide Museum of Modern Art, Melbourne and in cooperation with The Hilma af Klint Foundation, Stockholm, this new exhibition will feature 100 works.

October 2021 – 2022 Matisse Alive A gallery-wide festival, Matisse Alive, includes four new works by women artists who present contemporary perspectives on Matisse’s imaginings of the Pacific, and his representation of the female figure.

20 November 2021 – 13 March 2022 Matisse: Life and Spirit, Masterpieces from the Centre Pompidou, Paris Part of the Sydney International Art Series, the exhibition offers an extraordinary immersion in the range and depth of the art of Henri Matisse, with more than 100 works spanning six decades.

The Sydney Modern Project The anniversary celebrations will culminate with the grand opening of the Sydney Modern Project, the transformation of Sydney’s flagship public art museum. This major expansion, funded by the New South Wales State government and private donors, is scheduled for completion in 2022. It includes the development of a new standalone building designed by the Japanese Pritzker Prize-winning architects SANAA. It will be connected to the existing Art Gallery building via a public art garden, creating a civic campus on its magnificent site, adjacent to the Royal Botanic Garden and overlooking Sydney Harbour.

The Sydney Modern Project will give prominence to Aboriginal and Torres Strait Islander art, as well as revitalising the Gallery’s much-loved existing building with its unrivalled collection of Australian art from the early 19th-century to the present. For more than half a century, the Gallery has been at the forefront of collecting, displaying and interpreting historic and contemporary Aboriginal and Torres Strait Islander art, and in engaging directly with artists and their communities.

The new building designed by SANAA will sit in contrast to the Gallery’s 19th-century neo-classical building. Light, transparent and open to its surroundings, SANAA’s building responds to the site’s topography with a series of pavilions that cascade towards Sydney Harbour with spectacular views. The expansion will almost double the Gallery’s total exhibition space, from 9,000 to 16,000 sqm (97,000 to 172,000 sq. ft) and will feature galleries specifically designed to accommodate art of the 21st century.

The new building will incorporate a vast, dramatic, columned underground art space repurposed from a decommissioned WWII naval oil tank that will display large-scale contemporary works. The 2,200 sqm (23,700 sq. ft) gallery with 7-metre-high (23 ft) ceilings will be used for specially commissioned installations and site-specific performances, providing public access to this unique space for the first time.

From the time of its founding in 1871, the Gallery has collected and worked with the artists of its time from both Australia and abroad, a commitment that will remain central to the transformed art museum.

To coincide with the anniversary, a new book will be published on 150 years of the Art Gallery of New South Wales.

Aboriginal artist Sally Mulda celebrates Art Gallery of New South Wales’ 150th Anniversary with ‘Tail get cold…’ projection on the sails of Sydney Opera House as part of ‘Badu Gili: Wonder Women.’ Art Gallery of New South Wales celebrates 150th Anniversary with ‘Badu Gili: Wonder Women’ featuring work of six female Aboriginal artists projected onto the sails of Sydney Opera House. © the artist. Photo credit: Daniel Boud. Courtesy Art Gallery of New South Wales and Sydney Opera House

On Gadigal land The Art Gallery of New South Wales acknowledges the traditional custodians of the land on which it is located, the Gadigal people of the Eora nation, and recognise their continuing connection to land, waters and culture.

Art Gallery of New South Wales | Sydney, Australia From its magnificent site in Sydney, the Art Gallery of NSW is one of Australia’s flagship art museums and the state’s leading visual arts institution. The Gallery’s mission is to serve the widest possible audience as a centre of excellence for the collection, preservation, documentation, interpretation and display of Australian and international art, and a forum of scholarship, art education and the exchange of ideas.

Celebrating its 150th anniversary in 2021, as it embarks on a significant expansion, the Gallery remains committed to making art a vital part of everyday life. The Gallery’s transformation – the Sydney Modern Project – will create a new art museum experience across two buildings connected by a public art garden in one of the world’s most beautiful cultural precincts. The Gallery’s new building, designed by Pritzker Prize-winning architects, SANAA, brings together art, architecture and landscape in spectacular new ways with dynamic galleries and seamless connections between indoor and outdoor spaces. It will be a new prominent destination for Aboriginal and Torres Strait Islander art and culture. The expansion is scheduled for completion in 2022.

SANAA Architects

Art Gallery of New South Wales Art Gallery Road, The Domain, Sydney NSW 2000, Australia Visit Sydney #ArtGalleryofNSW

SANAA

Sydney Opera House Projection, NSW images / information received 230421

Location: Museum of Contemporary Art, Sydney, New South Wales, Australia

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Sydney Central Station Development, Henry Deane Plaza, Central Business District Design: SOM and Fender Katsalidis image © SOM | Fender Katsalidis Sydney Central Station Development

Pitt Street OSD and metro station, corner of Park & Pitt streets Design: Foster + Partners image © Foster + Partners Pitt Street Over Station Development

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Comments / photos for the Sydney Opera House Projection, NSW page welcome

Website: Visit Sydney, NSW

The post Sydney Opera House Projection, NSW appeared first on e-architect.

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sofialisbon · 1 year

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A+ 💋

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lovergilmore · 2 years

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reblog/fav if u save 🐇

#taylor swift #taylor swift icons #taylor's version #icons #red taylor’s version #red tv #harry styles #harry styles icons #louis tomlinson #louis tomlinson icons #rory gilmore icons #gilmore girls #rory gilmore #jess mariano #paris galler #series #icon #header

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gazetefisilti · 4 years

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Covid-19 salgınının olası etkileri 1

Büyük bir sağlık sorunu olarak yaşanan ve ülkeler için kriz halini almış olan Yeni Coronavirüs (COVID-19) Salgını, ülkelerin öncelikle medikal sorunu olmakla beraber artık tüm sektörleri etkileyen bir karaktere bürünmüştür. Bir başka deyişle, salgının farklı yansımaları olacak gibi görünmektedir. Bunlar arasında en çok etkilenecek bölgelerden biri Avrupa Birliği bölgesi olup(enerji politik etkilerle de) sancılı bir sürece evrilebilecek gibi görünmektedir. Burada konuyu daha iyi inceleyebilmek için öncelikle Avrupa Birliği (AB) sürecini incelemek yerinde olacaktır. Avrupa Birliği Yapılanması Birleşik Avrupa düşüncesi pek de yeni bir fikir değildir aslında… İlk olarak 17. Yüzyılda dile getirilmiştir. Daha sonra“Pan-Europe” fikri ortaya atılmıştır. 1930’da Fransa tarafından“Avrupa Milletler Cemiyeti” kurulması önerisinde bulunulmuştur. Ancak II. Dünya Savaşı şartlarına doğru gidilirken bu öneri geri planda kalmıştır.1944’te coğrafî ve resmi işbirliğine dayanan Belçika, Hollanda ve Lüksemburg’un birlikteliğini ifade eden “Benelüks (Belgıë, Nederland, Luxemburg)” oluşmuştur.Daha sonra ise Almanya, Fransa, İtalya ve Benelüks ülkelerinin bir araya gelmesiyle1951’de Paris Anlaşması imzalanarak Kömür-Çelik Topluluğu kurulmuş ve bu organizasyon günümüzün Avrupa Birliğinin nüvesini teşkil etmiştir. 1957’de Kömür-Çelik Topluluğu uzantısında Avrupa Ekonomik Topluluğu (AET) olarak ekonomik bir yapılanmaya gidilmiş ve nihayet siyasi nitelik de kazanarak1992’de (Maastrich Anlaşmasıyla) önce Avrupa Topluluğu’na ve nihayet Avrupa Birliği (AB)’ne dönüşmüştür. Başka bir deyişle söz konusu süreçte AB esas itibariyle Kömür-Çelik Topluluğu ile başlamış ve dönüşüm süreçleri yaşanarak Avrupa’nın bütünleşmesine giden bir gelişim göstermiştir. Şekil 1’de Avrupa Kömür Çelik Topluluğu’ndan itibaren AB’nin kronolojik gelişim serüveni görülmektedir. Avrupa Birliği sürecinin kurulum aşamasında Birleşik Krallık (İngiltere, İskoçya, Galler ve Kuzey İrlanda), İngiliz Milletler Topluluğu lideri olarak konuya sıcak bakmamıştır. Daha sonra Avrupa Serbest Ticaret Bölgesi’nin (EFTA)’nın kurulmasıyla Birleşik Krallık konuya olumlu yaklaşmış ve 1961’de üyelik başvurusunda bulunduysa da bu başvuru Fransa’nın muhalefetiyle iki kez geri çevrilmiştir. Nihayet 1973 başında Birleşik Krallık bu yapılanmaya girmiştir. Avrupa Birliği’ne, 1973’te Birleşik Krallık ile birlikte İrlanda veDanimarka’da katılmıştır. Bundan sonra AB’de önemli büyüme atakları görülmüştür. Şöyle ki; 1981’de Yunanistan, 1986’da İspanya ve Portekiz, 1995’te Avusturya, Finlandiya, İsveç, 2004’te 10 ülke (Çekya, Estonya, Kıbrıs (Güney Kıbrıs Rum Yönetimi), Letonya, Litvanya, Macaristan, Malta, Polonya, Slovakya, Slovenya), 2007’de ise Bulgaristan ile (petrolü bulunan) Romanya ve son olarak ta 2013’te Hırvatistan AB’ye katılmıştır. Böylelikle de AB 28 ülkenin oluşturduğu bir yapılanma halini almıştır. Ayrıca, Türkiye gibi bazı aday ülkeler de bulunmaktadır. Hal böyleyken; Birleşik Krallık’da, AB zaman zaman sorgulanır olmuş ve son olarak 2016’da referandumuna gidilerek (yaklaşık % 52 ile) AB’den çıkma yönünde karar alınmış ve BREXIT süreci başlamıştır. Hayli sancılı bir süreçten sonra Birleşik Krallığın Ocak 2020 sonu itibariyle AB’den çıkış işlemi parlamentoda kabul edilerek resmiyet kazanmıştır. BREXIT ile birlikte AB’de ilk çıkış yaşanmış olmaktadır. Halen AB, 27 ülkelik bir birlik durumundadır. Birleşik Krallık’ın ayrılmış olmasına karşın yeni aday ülkeler de bulunmaktadır. Bu durumda Avrupa Birliği’nin coğrafi yayılımı son haliyle Şekil 2’de görülmektedir. Avrupa Birliği enerji-politik olarak ele alındığında, öncelikle üzerinde durulması gereken husus, AB’nin çekirdek yapılanması olan Avrupa Kömür-Çelik Topluluğu (AKÇT)’dur ve bu topluluğun isminin irdelenmesinden başlamak uygun olacaktır. “Avrupa Kömür-Çelik Topluluğu” nitelemesi; temel enerji kaynaklarından olan (ve Avrupa’da çokça var olan) “Kömür” ile sanayinin temel hammaddesi olan “Çelik”ten oluşmaktadır. Burada ilk kelimenin enerji kaynağı olduğunu da vurgulamak yerinde olacaktır. Bu isimlendirme, AB’nin ortaya çıkışında enerjinin yerini ve önemini net olarak göstermektedir. Bu bağlamda, 1950’li yılların başında enerji-sanayi temelli kurulan oluşum hayli hızlı şekilde, yaklaşık 6 yıl sonrasında genel ekonomik bir yapılanmaya, bundan 25 yıl sonra ise Avrupa Birliği’ne dönüşmüştür. Ancak, enerji-politik yönü her ne kadar artık açık olarak isminde yer almasa da Kömür Çelik Topluluğu’ndan bu yana önemini hep korumuştur. Burada üzerinde durulması gereken bir diğer husus ta; AB yapılanması içinde nükleer enerjinin konumudur. Nükleer enerji ile ilgili olarak halen ayrı bir teşkilatlanma söz konusudur. Euratom (Avrupa Atom Enerjisi Topluluğu) adını taşıyan bu yapılanma,Avrupa Ekonomik Topluluğu’na geçildiği Roma Antlaşması ile vücut bulmuştur. Ancak Euratom (Avrupa Atom Enerjisi Topluluğu);Avrupa Kömür ve Çelik Topluluğu AKTÇ)’nunAvrupa Ekonomik Topluluğu (AET)’na geçiş sürecinde oluşumun dışında kalmıştır (Şekil 1). Kömür-Çelik Topluluğu ve AET’yi oluşturan (bir başka deyişle eski üyeler)Euratom’a üye iken, söz konusu AET – AKTÇ birleşmesinden sonra AB’ye giren ülkeler, AB’ye girmekle Euratom’a girmiş olmamaktadırlar. Bir başka deyişle, “yeni üyeler” stratejik bir kurum olan ve nükleer enerji çalışmalarını ve faaliyetlerini yönlendiren ve finanse eden Euratom’un dışında kalmış olmaktadırlar. Avrupa Birliği için enerjinin yeri ve önemini anlamak için yol haritası niteliğindeki dokümanlara da bakmak yerinde olacaktır. Bu bağlamda,2025 öncesi AB için düşünceler ve senaryoların yer aldığı Avrupa’nın Geleceği temalı,AB tarafından yayınlanmış “Beyaz Kitap” bu bağlamda önem taşımaktadır. Bu dokümanda hemen her başlık altında ve senaryoda enerji konuları yer almaktadır. Ayrıca, AB için gelecekteki politikaların oluşumuna basamak teşkil eden önemli bir diğer belge olarak “Yeşil Kitap” yayınlanmış olup, bu dokümanda da yine enerji konularına yer verilmektedir. Bunlardan ayrı olarak Avrupa Birliği’nin (yukarıda özetlendiği üzere) genişleme sürecine bakılacak olursa; AB’nin kurucu ülkeleri olan Almanya, Fransa, İtalya ve Benelüks ülkeleri coğrafyası göz önüne alındığında, AB esas itibariyle enerji kaynağı bölgelerine doğru genişlemiştir. Burada, aday ülke olan Türkiye son derece önemlidir. Zira Türkiye enerji kaynağı bölgeleri ile uzun sınırları olan bir ülke durumundadır. Bir başka deyişle Türkiye’nin AB üyesi olması durumunda, AB enerji kaynağı olan ülkelerle kara üzerinden doğrudan sınırdaş olacaktır. Enerji kaynağı ülkeler, günümüzde önemli sorunlar hatta sıcak çatışmalar yaşamaktadırlar. Bölgeye sınırı olan ülkelerde yaşanan çeşitli olaylardan etkilenmektedirler. Nitekim Türkiye de söz konusu olaylardan etkilenmiş ve müdahil olmak durumları da ortaya çıkmıştır. Bu bağlamda Türkiye’nin AB’ye girmesiyle Birlik enerji kaynağı bölgeleriyle direkt sınırdaş olacak ve ilgili olaylara doğrudan muhatap olacaktır (ve belki de müdahale etmek zorunda kalacaktır).AB buna hiç de hazırlıklı görünmemektedir. Öte yandan BREXIT ile bir başka deyişle Birleşik Krallık’ın AB’den ayrılması ile AB enerji-politik açıdan(pek de konuşulmayan) önemli bir kayıp yaşamıştır aslında… Bilindiği üzere Birleşik Krallık Kuzey Denizinden petrol çıkarımı yapan bir ülkedir. Birleşik Krallık’ın ayrılmasıyla AB (rezervleri azalmakta olan Romanya dışında) artık önemli bir petrol çıkarımı yapan ülkeyi barındırmamaktadır. Kıta Avrupa’sı petrol ve doğal gaz açısından fakir olarak nitelenebilecek durumda olduğundan (Kuzey Denizi) petrol rezerv bölgesinin ayrılması enerji-politik açıdan hayli önem arz etmektedir. Bunlardan ayrı olarak, Birleşik Krallığın ayrılmasıyla AB’den nükleer bir güç de ayrılmış olmaktadır. Bir başka deyişle AB, AB-28 iken stratejik anlamda nükleer güç sahibi olan iki ülkeye sahip iken artık birini kaybetmiş olmaktadır. Böylelikle, nükleer yakıt üretebilen stratejik güce sahip tek ülke, Fransa olarak kalmış bulunmaktadır. Bununla beraber Avrupa Birliği’nde, Fransa dışında da nükleer enerji birçok ülkede (Belçika, Almanya, İsveç, Finlandiya, İspanya, Çekya, Slovakya, Slovenya, Macaristan Bulgaristan, Romanya) nükleer güç santraları bağlamında kullanılmaktadır. Ancak, Fransa dışındaki söz konusu bu ülkeler stratejik nükleer güce sahip değildirler. YAZI DİZİSİ 1 DEVAMI GELECEK SAYIDA Read the full article

#beriltugrul #corona #korona

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carloscabeza · 5 years

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Carlos Cabeza Biographie 1962 -Né au Venezuela - 1980-1985 Ecole des Beaux Arts ,Caracas- Venezurla

1981-Etudes d’arts graphiques, 1981-1983 Assistant de Jésus SOTO 1984

Travail dans le design et dans l’impression textile 1985 Présente un happening intitulé « Mode dans l’art l’art dans la mode »Caracas 1987 S’installe à Paris 1987= Installation permanente pour le hall d’entrée de Firmenich Corporate Center, Genève, Suisse 1993- Grand Palais . Salon de Mai .organisée par Gaston Diehl. 2002 Collaboration : Aluminum group/ Happyness,Chicago,USA 2004 Collaboration: Aluminum group/ More happyness,record,vidéo clip: Mr Butterfly 2004 à 2006 -Résidence Cite Internationale des Arts Paris,France 2005 Video Series, Group exhibition of Video Screenings Curated by Madelane Cllagner and Bettina Johae Goliath visual Space,Brooklyn 2005 A Temporary.O&A, University of Tokyo, Japan.Curated by Segio Calatroni. 2007 -2008 S’installe à New York 2010-Mode de Vie +Légèreté Celal Gallerie .Paris. Curator Carlos Cabeza. 2010The Visionary Eye.O. Ascanio Gallery in the Wynwood Arts District .2013- Movement Thru Colors. O. Ascanio Gallery. 2013-Art Wynwood. Stand O. Ascanio Gallery. Miami, Florida,United States.. 2014-Pinta art Fair Miami O. Ascanio Gallery’s booth, C26 2015- Fluid Formalism: Concepts in Motion . Miami O. Ascanio Gallery ‘2016-Pinta art Fair Miami O. Ascanio Gallery’s booth ,C2-D12017O.Ascanio Gallery 20 janvier 2017 · ART PALM BEACH 2017. Booth 405 2017 -O.Ascanio Gallery , the LA art show 2017 . Booth 532 2018-O.Ascanio Galler Miami. Pinta Booth A6-B7 Expositions individuelles 1983 Galerie graphique / CB2 Caracas , Venezuela 1986 Atelier métropolitain d’arts visuels Caracas, Venezuela 1987 Galerie Oscar Ascanio Caracas Venezuela 1987 Expression Gallery Miami,USA 1988 Galerie Oscar Ascanio Caracas Venezuela 1990 « Sacré » Galerie Oscar Ascanio Caracas Venezuela 1992 Galerie Mostini Bastille,Paris 1992 Galerie Oscar Ascanio , Caracas , Venezuela 1993 Galerie Amy-Jo Rosen, Paris 1995 « Chambre rose » Galerie Rosen, Paris 1998 « Kate is cool » Galerie Diaz Mancini, Caracas, Venezuela 2001 Freud & Company,l’Eclaireur .Paris 2003 Silver Honey , Cappellini,Paris 2004 Pillows, Capellini,Paris 2004 Butterfly,Cappellini,Milan 2005 Cosmic Boogie Boogie,Cappellini,Paris 2007 Hot Couture, Dress Code , Galerie Oscar Ascanio,Caracas, Venezuela 2009 Paramount Picture . GalerieCelal ,Paris France. 2009 POP ABSTRACTION.O.Ascanio Gallery .Caracas 2010 Rhytthmic paintinng .O .Ascanio Gallery Miami’s Wynwood 2011. Conscius Painting O.Ascanio Gallery ,Miami ,Fl2012-Rythmic Flow.Cappellini Paris 2014- Meta Chrome Cappellini Paris. 2015- Silent Materialism .O .Ascanio Gallery Miami’s .

#arte exposition carloscabeza #miami venezuelanart #paris #boulton jesussoto

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