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#robert why are you like this
ccbsrmsf1 · 2 years
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We've been blessed with this beach content, I don't know how I'm still alive, Jesus Christ, have mercy on us
Looking respectfully (or not 🤭
Delicious 🔥
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strrwbrrryjam · 30 days
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"we need more complex female characters," you guys can't handle molly o'shea, mary gillis, abigail roberts, sadie adler, tilly jackson, marybeth gaskill, karen jones or susan grimshaw.
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ladystoneboobs · 5 months
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ya ever think about how the lannister sibs all have big secrets kept from each other, like huge life-altering experiences? jaime's is the most obvious, the most talked-about, with the full story of his kingslaying and everything he endured from aerys leading up to it. it's clear enough to me that brienne was the first he opened up to about that, including either sibling. they never asked, but unlike ned stark and the rest deriding him as kingslayer, their lack of curiosity is no offense in itself bc as tywin's other children they would never judge him for turning his cloak purely out of family loyalty. ned's assumption of jaime's motives is directly tied to his judgment of jaime, but it's the judgment that rankles jaime so. choosing your father's life over a king's is hardly the worst crime in itself. how can he explain all the other reasons without prompting when its not just about his crime but all his trauma too? is there any basis for that in his relationship with cersei, who always relied on him for comfort and consolation but seems less adept at providing the same to him? or even with tyrion, his only real male friend for years, but also his baby brother, the one he was meant to protect and take care of, who was only 10 at the time of the kingslaying? even to fully share all with tyrion years later, both adults, could be something of a role reversal, forever shattering tyrion's image of him as the strong invulnerable golden big brother by revealing his own broken inner child. jaime can't break out from those sibling roles and patterns, so neither can ever understand that part of him, never knowing the early life he had at court without either of them with him.
and tyrion, who trusted jaime more than anyone in the world before learning the truth about tysha, still could not confide in him freely even when all that trust was still intact. jaime must have heard some story of what tywin did to tysha to feel the need to confess his lie, but he def didn't hear it straight from tyrion bc imo there's no way he could still think confessing would help anything if he understood how scarred tyrion was by what he witnessed and esp not knowing that tywin ordered him to participate at the end. tyrion could reveal all that to bronn when they barely knew each other but not to his beloved brother, his first and best friend. how can the most abused child explain all his unknown abuse to the golden child, the big brother meant to protect him who couldn't always do so? how does he even begin to reveal the deepest trauma that happened to him when jaime wasn't in the room, esp when the story does start with jaime apparently trying to help him by fixing him up with tysha?
and then there's cersei and all her secrets. she always turned to jaime for consolation, or at least when he knew she needed it, but how many times did he not know? how personally could she confide in him as they grew older and their paths diverged? we know the first big secret was maggy the frog's prophecy, her first big scare, which came on the cusp of puberty, an experience she couldn't share with her twin bc he would prob just laugh and make a joke of it. in their first real scene together, in bran's pov, he mocks lysa's motherly fears and likens her to cersei. ("I think birthing does something to your minds. You are all mad." He laughed.) then he makes light of her marital discord, ("And whose fault is that, sweet sister?"), having no idea of the depth of pain she'd suffered from robert, beyond his infidelities. he later blames her for being robert's queen, not his, only thinking of how she managed to arrange his kg post, that power to forever tie him to her in secret, never grasping her lack of control in marriage, that "a queen is only a woman after all". in her pride it was hard to reveal all she'd suffered as a woman, but she also couldn't rely on jaime's response if he knew of her abuse, knowing he would kill robert and get himself killed too, only making her and their children's lives more precarious. she couldn't trust him to listen about securing the throne before dealing with robert or that as robert's victim it was her right to decide such matters, to choose his fate, not jaime's place to avenge her without her say-so first. all bc they were both too stuck in their idea of jaime as her sword, nothing more, with jaime determined to protect her and tyrion, always a bodyguard before he ever donned a white cloak.
something something tywin did his best to play his children off each other and the most effective thing he did to divide them was by setting jaime up as the golden child and family protector. the designated lannister sword only pointing at threats outside their house. a knight serving his family whose protection was always limited, who could never protect them from the person who first hurt cersei and tyrion and made them who they were at a distance from him, bc ofc he couldn't fight his own father, much less slay him with a sword.
something something maybe the reason that joff+marg+loras was a surer recipe for kingslayer stew than robert+cersei+jaime is all down to that tyrell lack of abusive structure. not that loras cared more about marg, was more willing to kill for her than jaime was to kill robert, but that there wasn't a chance of marg hiding her misery from him if/when her husband abused her in their shared household. it's not like he understood her to the point of mind-reading but when their previous royal marital household involved her bearding for his boyfriend then they prob had a pretty good basis of open communication. in that sense, the lannicest twins with all their sexual and physical intimacy still had less emotional intimacy than the tyrell queen and her kg brother.
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rosiesriiveters · 26 days
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Keep thinking of Rosie allowing everyone else to experience the trauma of war around him in any way they need to. Whether it be after listening to his crew member choke through the Munster story, reaching a hand out to comfort him, making sure the replacements are all settled and feel comfortable with him - establishing that he's someone who can be trusted with any issues - and listening to Crosby tell him he's scared he's becoming a monster and reassuring him, and yet refuses to give himself the same grace.
Thinking about how he doesn't tell Crosby about what he saw after he was shot down, what he witnessed in that camp. He's never really the one telling any stories in the series. He listens and watches, lets others say whatever they need to, all the while keeping his cards close to his chest.
Thinking about Rosie smiling while watching his crew and the other airmen enjoying themselves at the flak house, and yet not allowing himself the same enjoyment. Thinking about how the doctor at the flak house got Rosie to look after himself only when he framed it that looking after himself is looking after his crew.
Thinking about Rosie re-upping, choking slightly on his words as he explains he can't bare the thought of sending some rookie in his place to only get himself and his crew killed.
He won't give himself the grace or patience he deserves, but by god he'll take care of everyone around him.
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sixth-light · 8 months
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ok ok slightly feral post as promised.
first, some context setting: I think it's really interesting to analyse texts in terms of both what the author was trying to do (and whether they succeeded) and what they ended up doing (intentionally or not) and I think their cultural/historical context is vital if you want to do this. I'm not interested in whether Robert Jordan or the Wheel of Time are, like, morally correct in their politics or whatever. I'm interested in what the art is trying to do.
and the thing about Jordan, see, is that he projected this image during his lifetime of a Genial Older Man (see: beard and pipe) but he...wasn't actually that old! He was 42 when EoTW was published. He died at 58. He was a Baby Boomer publishing books at a time when Baby Boomers were the hip young generation taking over from stodgy WWII veterans (Gen Z: It Will Happen To You Too).
What this means is that he was a child and adolescent during the Civil Rights movement, in a then-majority Black city in the Jim Crow South*. He would have gone to segregated schools. The tertiary institutions he attended had only started to desegregate a year or two before he attended each of them. I think his war trauma in Vietnam gets a lot of attention because he did talk about it and also because that's a narrative we understand for white men, but I think we...skim over the impact on white men of growing up at this time because? Civil Rights only happened to Black Americans I guess? but it's his context too. Similarly, he was an adolescent and young man at the time the (white) feminist movement was really kicking off in the US. he was in his mid-20s when banks were first legally *required* to allow women to open accounts and have credit cards in their own names. he went on to marry a woman a decade older than him, who had left her husband to raise her son as a single mother while continuing a professional career in the early 70s; these were issues that must have been incredibly relevant for her.
and what we see in his writing is attempts to grapple with gender and race that are self-evidently of mixed success, but I think have to be contextualised in light of this period of immense change he grew up in. Think about the predominance of women as merchants and bankers in WoT, in the context of how recent their rights to even control their own money were in the US. The...everything...he was trying to do with the Seanchan, making them extra-canonically Southern American-coded. The Whitecloaks as the KKK (among other things, of course).
As an example, I think there's also something probably unintentional but fascinating in the way he presents the pre-Breaking Aiel: bluntly, they are a distinct ethnic group in hereditary servitude (always thinking about how that ancestor of Rand's in the Rhuidean sequence had to get permission from Mierin Sedai to switch to someone else's service so he could marry his girlfriend, this is...uh...super cognate to issues enslaved Black people faced). They're associated with agriculture through the Song sequence. And they're pretty much the ideal of what slave-owning Southern American culture WANTED enslaved Black people to be: completely happy to serve. Then, as the post-breaking Aiel, they become feared as a source of violence, which resonates with the way that enslaved people were feared by their slavers.
I don't think for a second that the intention here was to depict the AoL as a Secret Slavery Dystopia, I think we're meant to take the Rhuidean flashback sections pretty much as they read on the page. But I also think putting Jordan in his historical and cultural context does pose the comparison. Similarly, I find it really interesting that he positions Seanchan as riven by constant revolts and uprisings (because it's a fascist slaver regime) but he never ever goes so far as to link enslaved people in Seanchan (damane and da'covale) to those revolts and uprisings, even though that is fundamentally the deep fear *for real and obvious reasons* of all slavery-based societies.
Or then there's the changes to the Two Rivers in the books - like, both then and now I think it's actually pretty radical to present an influx of Muslim-coded refugees of colour as a thing that enriches the Two Rivers both socially and economically. Various characters are wistful that it's changed, but they don't think it's bad. The text here is really clear that welcoming the Domani and Almoth Plain refugees is both morally right and beneficial. And this is in a book being written and published shortly after the first Gulf War.
There's so many more things like this where I just have no real idea what he was trying to do on purpose and what was accidental and what was fun for him in fiction but did not necessarily link at all to his real-world political beliefs. but gosh it's interesting to turn over and poke at.
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deancasforcutie · 1 month
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everyone: *talking about how Cas' confession demands to be addressed in any Supernatural followup* *still phrasing it like it's an obstacle or accident they didn't think through and not the emotional climax the whole season was building to and the whole text supports, like the trap it laid on the network to demand acknowledgment in this way somehow wasn't always the plan*
Bobo "emotionally invested" *queering-the-text-to-defy-and-expose-censorship-constraints* *wrote-the-confession-to-expose-how-it-was-already-queer-and-pull-fandom's-pants-down-on-heteronormative-bias* Berens:
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pixiecactus · 21 days
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i'm going to call this post book!gendrya for dummies (it's me i'm the dummy): i had always loved the parallel that gendrya share about being the third born child (we are five books in, and still to this moment we don't have another baratheon bastard introduced to us that's older than gendry, so the order for me is: mya, bella and gendry) and (if we go with the r+l=j theory, jon obviously is not ned's son... so we have robb, sansa and arya) but something that has never ocurred to me before, is that we obviously already know the plot point of "the seed is strong" and we have gendry directly telling ned how his mother used to have yellow/blond hair (this is my own headcanon, but i like to think that she had brown eyes as well) meaning that all children sired by robert baratheon shared his hair colour and eyes colour, so gendry in his colouring and looks does not resemble at all his mother and we know exactly the same thing about arya, how of all of the catelyn tully/stark's children, she's is the only one that has none of her mother's looks, she and jon had the stark look, long face and grey eyes, like her father (and jon's mother) and like all of the starks of old time (karstarks included), and meanwhile genetics in asoiaf had always been somehow really wonky if compared to how genetics work in real life, it always interested me this fact about arya, one could simply said that arya having stark's looks and colouring is to help the narrative of arya feeling like an outsider in her own family, just like jon, and to establish even more how deeply the jon/arya bond runs, even when she knows both of her parents, and it's a true-born daughter. so this post was me discovering another gendrya parallel shared between them, i don't think it's really important but hey, it's still there alright
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pinkysberg · 1 year
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whenever people slutshame abigail and the response is "dutch/bill/javier was lying" i kind of cringe. bc while i acknowledge that could be true and i recognize they were saying things to get under john's skin, like...why would it ultimately matter either way. lets say they're not lying and they did all have her, now what? i prefer the stance of "they all had her." "and??" what of it? who cares? john sure doesnt, why do you? i think the immediate jump to deny it doesn't help as much as we think when it comes to slutshaming. abigail doesn't need to be a sexual puritan to deserve respect.
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balladoficarus · 1 month
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thinking about rosie, confidently and UNPROVOKED, telling buck and bucky about him and the boys flying in their skivvies, and the boys backing him up like, yes, we did, in fact, fly in our underwear, majors 😭😭😭😭😭 crying if this interaction – word per word – really happened
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thankstothe · 2 months
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i <3 flustered bob
a/n: i've developed this top gun obsession and i decided i have a crush on bob. so naturally, i wrote this with bob floyd in mind. like imagine how red and wide-eyed this baby would go. this was very self-indulgent. got me drooling and giggling like a menace fr :D hope you enjoy!! ik it's nowhere near marauder stuff but i do what i want <3 :(
warnings: mentions of smut, tattoos, horny bob lmao, gn!reader, not edited!!
"hey bobby, i'm going to the shops in a bit. do you wanna go with me?" you ask as you dig for a shirt in your wardrobe. bob trails behind you into your shared bedroom. his eyes widen as he sees you getting undressed, mouth gaping.
"uh- um, yeah. yeah, okay." he tries to avert his gaze but all attempts fail when the tattoo running down the length of your back catches his attention. the dark ink and its beautiful swirls and shadows between your shoulder blades make his mouth run dry. immediately, his mind leads him to dark thoughts and dirty memories of what the two of you do together. he stares at the dip that runs down the centre of your back and recalls the image of your chest pressed flat to the mattress and your gorgeous tattoo on display just for him. he knows the moans you let out as he fucks you all too well.
bob licks his lips and tries to even his breathing as he feels his jeans begin tighten around his crotch. he closes his eyes as if to calm himself down but the image of your naked back as he takes you from behind is tattooed on the back of his eyelids. with a mind of its own, his hand snakes down to cup his crotch through his jeans. no no no he shouldn't.
"bobby baby?" you call out. "bob are you listening to me?"
the sound of his name draws him away from his thoughts. his head whips up to catch you giving him a knowing look. he gapes like a fish at first, "huh? oh, yeah i'm listening sweetheart." the way you're looking at him makes him feel like he's melting inside, and an easy smile takes hold of his lips.
"really?" you both knew he was lying. "what were you thinking about, bobby?"
his eyes waver. he can't admit to you that he was having such dirty thoughts about you at 2pm on a tuesday. let alone that the sight of your naked back got him so flustered, it's pathetic.
he meets your eyes one more time, "i like your tattoo"
"oh, yeah?"
"mhm," he nodded like an eager puppy.
"good, because it's all for you anyway," you smirked and tilted your head. giving him a teasing look as his struggled to hold eye contact with you. and the laugh you let out made him shake his head as his ears warmed. you loved making him flustered, it wasn't an easy feat. bob was always ready with a quick remark to send you to embarrassment and submission. but for once you were able to override the dominating power he had over you. god it felt good to turn him into a flustered mess choking on their words.
your smirk broke into a wide, adoring smile, "c'mon, bobby." you moved towards him, fully dressed, and looped your arm around his. "let's get going, yeah? wanna make you a nice dinner f'tonight."
bob gave you a curt nod and fell into step with you, "whatever you want, sweetheart." looking up at him one more time as you made your way to the front door, you smiled and stroked his bicep with your thumb. he was already looking at you, but quickly averted his gaze and reached for the door handle.
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ccbsrmsf1 · 1 year
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I'm ridiculously in love with him 😍
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fromtheseventhhell · 5 months
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"What do you mean by targaryen restoration" may sound chiche but it's exactly what everyone says, dany continuing the targaryen lineage and winning back the family throne 😭
I don't think George created a character like her, made her have 3 dragons for nothing btw
It's just so jarring to me that Dany having children has been labeled "Targaryen restoration", but then that's what I expect from a fandom that thinks Dany should have to answer for the "crimes" of her family. There should not be this level of controversy over a character potentially having children, and definitely not to the point where it's being called "neo-nazi rhetoric". Dany is a character integrally associated with motherhood, she's the Mother of Dragons and "Mhysa" to the freedman, but we're supposed to ignore that cause people on tumblr/reddit/twitter/etc. don't like the Targs 😭
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James Badge Dale as Robert Leckie
The Pacific | Guadalcanal/Leckie - screencaps (part 1)
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simonkeyes · 11 months
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old pucci art i posted on my twitter like a long time back
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jameswilsonsupremacy · 3 months
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chase would’ve dressed as westley from the princess bride at some point in his life. westley is the fictional character that chase projects onto. that’s it, that’s the post. that’s all I have to offer for the silly hate crimes md fandom. i will go back to reblogging and keeping house md brainrot to myself, thanks dawgs.
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