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samdunn · 6 months

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New official poster for Marvel Studios / The Marvels

Thank you to the Marvel team and Poster Posse for getting me on board with this very fun project ❤️🐈✨

#Marvel #marvel art #marvel studios #sam dunn #sam dunn illustration #drawing #art #illustration #flerken #goose the cat #flerkens #the marvels #captain marvel #monica rambeau #ms marvel #poster art #poster design

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sofikiii · 9 months

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DAISY AND BILLY🌼🎸

#digital art #illustration #digital illustration #fanart #digital fanart #fan art #art #artists on tumblr #taylor jenkins reid #book fanart #daisy jones and the six fanart #daisy jones fanart #daisy jones #daisy jones and the six #billy dunne #daisybilly #riley keough #sam claflin

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hoslunix · 3 months

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Wip Billy Dunne art yatta��

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vintagewarhol · 2 years

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#tropical heat #tv shows #sam egan #rob stewart #carolyn dunn #ian tracey #illustration #vintage art #alternative movie posters

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megandugger · 2 years

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Sam Fine

Sam Fine has been in the business of makeup artistry for about thirty years. He started his career as a fashion illustrator with little interest in the technicalities of sewing. He translated his skills of art, detail, and strokes of a brush or pencil to the art of makeup. This transition brought him endless opportunity to work with talents in the fashion industry. Sam Fine was the first African American brand ambassador for both Revlon and Covergirl Cosmetics. He has also worked with with supermodels such as Tyra Banks, Naomi Campbell, Iman, and Jourdan Dunn. Sam Fine and Tyra Banks met when they were both at the start of their careers, opening them up to a long-standing relationship. With freelance work comes a variety of clientele. With this, Fine has worked with musicians such as Jennifer Hudson, Mary J. Blige, and Queen Latifah. His work has been printed on covers and in pages of magazine such as Cosmopolitan, Harper’s Bazaar, Essence, Vibe and Marie Claire. His covers for Essence being some of his most prized work.

At the beginning of Sam Fine’s career, he developed a broad level of expertise and experience. There were no limitations around his area of interest in the makeup industry. Because of this he developed a wide set of connections or relationships. Although he may say this is the most important thing you can do in any industry, this freedom in work also gave him a diverse set of skills and experience. He developed the understanding of makeup in general before honing in on his focus. Because of his diversity in skill and experience, Sam Fine had an understanding of the industry that allowed him to recognize the areas that make him unique. I am learning that one of the best ways to identify areas of individuality is by first identifying areas of connection. This can be done through broadening our areas of interest and focus. With this experience in the industry, Sam Fine began to find his focus toward makeup for women of color. With this focus, he published a book titled, “Fine Beauty: Beauty Basics and Beyond for African American Women.” This book went on to help develop an instructional DVD for on the artistry of “fine” makeup for women of color. These educational resources are still being used as a resource for beauty school curriculum today

Creative arts such as makeup, hair, and fashion all compliment and aid each other in the final product. These arts are used to balance and emphasize a desired area. In the world of fashion, certain products are typically being marketed on their own but not without the use or addition of other aspects of fashion. By this I mean, if the makeup is being marketed the clothing or hair may be toned down to emphasize the face. If the clothing are bold, bright, or extravagant, the makeup may also be bold but only enough to compliment the clothing while still emphasizing them. Each area of creative arts in fashion are used together to showcase and market whatever area is being focused on in that moment.

The big picture is that each of these elements, when used correctly, will balance each other. One without the rest is an unfinished project. Makeup is a beautiful art that translates to many areas of fashion. Sometimes it is the element being emphasized and sometimes it is aiding in the emphasis of another element. This is also true of a career. If we look only at certain events in someone’s career we are missing the combination of elements that support their success. Sam Fine not only has had amazing moments in his career but has also developed a diverse and focused entirety of a career. Because of this he will continue to evolve, succeed, and connect with the industry of makeup and fashion.

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kellex-lover · 5 years

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sifullframe: To commemorate the @uswnt fourth Women’s World Cup championship win, @sportsillustrated presents 24 digital covers, featuring all 23 players and manager Jill Ellis!

📸 Photos by Erick W. Rasco

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frankinberrii · 5 years

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“Your friendship has brought glorious technicolor to my life. It’s been there even in the darkest of times, and I am the luckiest person alive for that gift. I hope I didn’t take it for granted. I think, maybe I did, because sometimes you don’t see that the best thing that’s ever happened to you is sitting there, right under your nose. But that’s fine, too. It really is, because I’ve realized that no matter where you are, or what you’re doing, or who you’re with, I will always, honestly, truly, completely love you.”

#art #illustration #ink #quotes #love #movie quotes #books #love rosie #lily collins #chasing rainbows #rosie dunne #sam claflin #movies #alex stewart #book quotes #sad #photography

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its-halloween-night · 2 years

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Some of my collection of tapes, dvds & books. If you haven’t ever checked out Austin Pardun or Sam Dunn I highly recommend them for their illustrations related to halloween.

There’s also my booklet & shirt from ‘21 (bottom of photo) still available.

Checkout my shop HERE

#personal photos #halloween

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lesstalkmoreillustration · 7 years

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SAM DUNN @samdunn

Check us out on Instagram: @Lesstalkmoreillustration

#Illustration #drawing #ink #tattoo #artists on tumblr #SAM DUNN

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samdunn · 7 months

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Pleased to reveal my latest design for Ghost 🇦🇷 Available now from the merch bus at the Movistar Arena in Buenos Aires 🚎👕

Hope everyone in Argentina has a great time at the show! 🇦🇷🩵

#Illustration #drawing #art #merch #ghost #the band ghost #Tobias forge #cardinal copia #papa emeritus iv #papa emeritus #band merch #argentina #band art #ghost bc #sam dunn illustration

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jacobwalkerjacob · 3 years

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One of the most renowned Native American painters and Modernist sculptors of the 20th century.

In 1848, Mexico surrendered more than 500,000 square miles of land to a quickly developing United States in the Treaty of Guadalupe Hidalgo. Despite the fact that the deal finished the moderately short Mexican-American War, it denoted the start of a long battle for the Apache clans who lived on the surrendered land. Resulting from this battle was Allan Capron Haozous or Allan Houser the child of Chiricahua Apache detainees and a craftsman who might proceed to rethink Indigenous workmanship in the twentieth century.

Hindman offered a 1986 bronze sculpture from Haozous, who was known professionally as Allan Houser.

Houser's folks, Sam and Blossom Haozous, grew up after the Treaty of Guadalupe Hidalgo was set up. Neighborhood agrarian Apache people group had since a long time ago opposed movement, in the end effectively neutralizing the expulsion endeavors of the American government. By the last part of the 1880s, the Chiricahua Apache opposition was wrecked and held in bondage. The U.S. Armed force moved them from their properties in present-day New Mexico to detainment facilities in Florida. Sam and Blossom Haozous were among those held for more than 20 years. The craftsman was the principal youngster brought into the world after their delivery. Allan Houser sculpture are available for online auction even today.

Allan Houser started investigating craftsmanship since the beginning yet held up until his young adulthood to seek after it. "I was twenty years of age when I at last concluded that I truly needed to paint," he said. "I had taken in an extraordinary arrangement about my ancestral traditions from my dad and my mom, and the more I took in the more I needed to put it down on material."

He went through quite a while at the Santa Fe Indian School learning workmanship under Dorothy Dunn prior to making his mark as an autonomous craftsman. After a short time, Houser's work was shown at the Museum of New Mexico, the Art Institute of Chicago, and the New York World's Fair. He would in the end start to mix his Indigenous legacy with the style of Modernist form.

One work that outgrew this viewpoint was Earth Mother (1986). The bronze piece, offered in the coming Hindman occasion, shows a Native American lady sitting with her legs crossed. In her lap is a little youngster who sticks to the mother's chest. This was one of a release of six and is offered with a gauge of USD 20,000 to $30,000. Another illustration of Earth Mother is held by the Smithsonian Institution's National Museum of the American Indian.

Earth Mother was made during the most dynamic and productive time of Houser's profession, when he was trying different things with methods and materials. Mike Leslie, the associate overseer of the National Cowboy and Western Heritage Museum, noticed the adaptability of the craftsman's later vocation. "Numerous specialists, when they acquire a specific degree of acknowledgment, lock themselves into a thin, agreeable style of creative articulation, and their works give the presence of dreariness—having a similar look and feel," he told HistoryNet in a meeting. "In the event that you take a gander at Houser's work over his life expectancy, you see an expansive extent of imaginative style and innovativeness."

From a similar period is Hunting Song II, a steatite stone model brought to sell in July of 2020. The figure was made in 1987 to look like a lady singing and thumping a drum. Houser's utilization of steatite was educated by social convictions connecting the stone with self-change. This piece sold for $32,500, one of the craftsman's most noteworthy acknowledged costs as of late.

Bidders have generally preferred Houser's models over the works of art and drawings he finished in his prior years. Closeout costs for the models have likewise been on the ascent since the mid-2000s. Christie's sold a bronze model for $9,600 in 2006 against a gauge of $8,000 to $12,000. Later deals have set his functions admirably above $13,000. There are more yet to come, browse auction calendar to know more about the auctions.

In spite of the fact that Houser is as yet perceived after his passing in 1994, he was viewed as a critical figure in twentieth century American craftsmanship during his lifetime. He was the primary Native American to get the National Medal of Arts and finished work for the United Nations. "Craftsmanship was my dad's methods for conveying," Bob Haozous, one of Houser's children, said in 2014. "That was the instrument he picked, and he made lovely workmanship. I'm a stone carver, yet I don't see anyone near him."

Media source: Auctiondaily

#Artist #Auctions #Auction Houses #vintage #Antique

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declencurran98 · 4 years

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New Artist Research- Sam Dunn

Sam Dunn is a freelance Illustrator based in South East London / Kent. She grew up in Hartlepool, a fading seaside town in the far North East of England and spent her weekends exploring the dense forests of the Lake District National Park. Whilst studying at Cleveland Collage of Art and Design in 2007, she began creating Gig posters and T-shirts for both local and national bands and continued throughout her time at Central Saint Martins College of Art and Design. She graduated in 2011 with a 1st class honours in Graphic Design and Illustration. Since then, she has worked with a wide range of clients including international bands, brands and charities. Her work is delicately crafted by hand with pen and inkthen coloured digitally with many layers of found and forged textures.

Trash Boat- Nothing I Write You Can Change What You’ve Been Through

Screenprint for “A Perfect Circle” at Brixton Academy.

South Paw- White Lighter Myth

Becks Oktoberfest 2013 packaging. (Available on 500,000 limited edition packages and 1,000,000 bottles across the US)

Customised Shoes

GiffGaff Gifs

#bm_hndcpm1

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xattractive · 1 year

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Classic crew neck sweatshirt with skull and skateboard

Do you like skateboarding and skulls? Then why not add some of these clothes to your wardrobe or gift them to your friends or family who love to skate

Classic fit, unisex

Materials Cotton-Poly blend

For more luxury apparel, visit our website - use code "attractive" to get 10% off all products

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ipekkomurcu · 7 years

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Are you watching Veep tonight? www.instagram.com/ipekkomurcu

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lisagaffet · 5 years

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Good evening, everyone!

To clarify a little bit my ideas about my research topic, let me explain a little: I would like to rely on the book by the American musicologist Robert Walser, entitled "Running With the Devil: Power, Gender, and Madness in Heavy Metal Music" (1993), as you will have understood, devoted to heavy metal music. I haven't finished reading it yet, but for the moment, I'm really fascinated and excited by the topics covered, the way the study is treated... Robert Walser has really immersed himself into the world of metal, even if he is rather specialised in jazz at the base (although it is often said that the metalheads are inspired a lot by classical music, blues and jazz) to offer us this rich and complete study. Walser is also a guest interviewed as a specialist in the documentary film I have already told you about: "Metal: a headbanger's journey". I would also like to use this documentary by the anthropologist and metalhead Sam Dunn to complete and 'illustrate' my research, because although both are very complete, it is more recent than Walser's book and may allow us to see an evolution (let's see if this is possible).

I'll tell you more about the contents as I read !

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illustratedtapes · 5 years

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Illustrated Tapes 019: Bad Influence Curated by Kraggy 6 November 2018

➔ spoti.fi/2Op2EN2 Listening in order recommended

Kraggy is a designer and artist based in London.

What’s up Kraggy! Can you tell us a little bit about your tape and your song selections?

It’s gig season! Nights are getting colder, no more day festivals, we’re moving inside to the dark mood lighting and confined space of a venue; I love it. I Listen to loads of different genres, mainly more chill electro / hop stuff most of the year, but something about it getting darker makes me go see actual bands more. Proper fuzz, high energy, improv, raw sound, maybe even… a pit?

It seems like a lot of the bands I see with mates around this time are Aussie or from West Coast and I think this brings a different enthusiasm than local artists, something the audience picks up on, I hope this comes through in the playlist. Essentially what I’m trying to curate here is ‘The Gig’; fast openers, followed by long jams, slower songs, then bringing the pace back up at the end and maybe a fun encore. [finishing with the last two tracks for after the gig]… Perhaps a taster of the bands I’ve seen recently and some I’m yet to.

How did you go about the artwork for the tape?

I guess the obvious inspiration is the gig paste ups all around us; I knew I wanted to incorporate the ‘tearing down’ element as a canvas after walking passed some accidental poster layering the other night. From there I also wanted to convey some of the shapes and textures that I’d picked up from seeing Khruangbin last week, like the smoke clipped into bold spotlights from above and below.

I play a lot with type and vector drawings in my own work, and wanted to add a rough texture to this, taking influence from decaying posters.

Do you have any favourite album covers, or any that you think have a great combo of music and artwork?

Ergh so many… too many. All in different genres. I’m still in awe of anything Leif Podhajský makes (The Horrors special edition vinyl he made is permanently on my desk). Yeah too many… so I’m going to narrow it down to ‘from bands on the playlist only’ to help me.

DZ Deathrays - “Shred for Summer” [single] I Oh You, 2017 Tasty little illustration there.

Car Seat Headrest - Twin Fantasy Self-released, 2011

:)

Fidlar - FIDLAR Mom + Pop Music, 2013

Great raw type.

Violent Soho - Hungry Ghost I Oh You, 2013 Artwork: Sam Dunn

I never make anything like this, so I really respect this style. What did you listen to growing up?

Nu Metal. You know it. We all know it. No Shame. And yes I still have those sessions.

What’s happening in your creative world at the moment?

Recently I’ve finished quite a few apparel and merch designs for brands. The best I’m still yet to post but will soon, but was given a lot of freedom which is always great.

After that I’m still continuing to make apparel graphics and some single covers for artists, alongside starting a new personal project exploring mental health and expectations. For this I’m going right back to re-looking at how I work and rediscovering my own visual experimentation. 

Where to find Kraggy:

➔ instagram.com/kraggy ➔ twitter.com/kraggy ➔ kraggy.co.uk (photo collage work)

#music #illustration #playlist #mixtape #design

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