#shipping culture is very different too | Explore Tumblr Posts and Blogs

unfriedough · 3 months

Note

Hey sorry if your request aren’t open but I had a thought about Zuko x water tribe/bender reader!Like three years after the war he wants to propose to reader and So he ask Katara and Sokka about marriage traditions within the tribe and he carves a betrothal necklace for her?? And the readers reaction!! Thank you

An: HEY. Sorry this took like, so long I think you requested last summer, however I’ve kinda lost most of my determination to write and this account became more of a chore than what I had initially wanted. Either way, maybe somehow I’ll be able to be more consistent soon but I also don’t wanna make myself hate writing so :(

Thank you for requesting, I really do appreciate it, hope you enjoy :)

Zuko’s nose twitched as the cold nipped away at his extremities, huddled up in a few too many jackets. There’s a striking difference between cold and cold and right now he wished he was on fire.

Your gloved hand was intertwined with his as you lead him off of the fire nation ship and onto the white snow of the southern water tribe. This trip was planned as a way to visit Sokka and Katara, but Zuko had another plan in mind.

Finally, after three years of struggling to settle down, the fire people finally relaxed and he was able to make more time. In that time, he realized he’d wanted to marry you more than anything. So here he was, in a nation far too cold for someone like him, with a goal in mind.

He had exactly 5 days (and a half if you’re counting from now) to get ready a betrothal necklace. Why a necklace? Well, Zuko had watched you for days on end in the castle library, a book bigger than your head on the table being analysed by your eyes. You’d smile brightly when you locked eyes, and call him over. He’d sit next to you, shoulder to shoulder, attempting to read with you. The books were always about old water tribe traditions, tales, legends, history, everything of the sort. You’d wanted to stay connected to your culture and upbringing - it made you who you were today.

And so that brings you to today, here, the water tribe.

“Katara!” You squealed, running forward and pulling her into a hug. You two squeezed each other tightly, excited noises being expressed.

Zuko and Sokka nodded to each other, trying to be kinda nonchalant but Sokka couldn’t hold it much longer, he sprinted at Zuko and tackled him to the ground into an oh-so-warm hug. You laughed at the site, Katara too. Zuko felt a twinge of pink on his cheek, from the cold or embarrassment he couldn’t really tell, but he still wrapped his shaking arm around his buddy. After a few more ‘I missed you!’s and giggles, Zuko and Sokka got back up. Katara grabbed your hand and pulled you deeper into the village, you laughed the entire way, giddy from being back home here with your family. You threw a glance backwards at the fire lord, there was something very slightly off about the way he was smiling, you brushed it off as just the cold getting to him.

It was most definitely the cold getting to him.

Sokka led him to the ice on the outskirts of the village and brought some chairs along. They were gonna go fishing while they talked. As they both sat, another shiver ran up the poor fire bender’s back.

“How do you guys survive the cold?” He groaned.

Sokka chuckled, handing him a rod, pushing the bucket of bait closer to him, “You get used to it… I could ask you the same thing about the heat,”

“I’m a fire bender it’s in my blood,”

“Yeah well you learn a thing or two when your lovely sister starts learning how to bend and suddenly you’re always wet,” he cast the line, leaning back, putting one leg over the other.

“I guess,” he laughed.

They sat in a suffocating silence for a minute, Zuko just awkwardly holding the pole and Sokka staring into the sky.

“Are we going to address the camelephant in the room?”

Zuko looked to him from his peripheral, “I’m kinda nervous I guess, I don’t know what to do,”

Sokka sat up a little straighter, getting up to help Zuko with his fishing issues. He stood behind him and helped his arm into the correct place, slowly to be sure he understood.

“Just like fishing, you have to be precise and confident to get what you want, and if you cast your line just right, you’ll catch the fish,” he winked once the bob hit the water, stepping back to admire his own work.

“Not sure that’s the best metaphor,”

“Say you love it, he's been working on it ever since you wrote to him,” Katara rolled her eyes, holding your hand as you both struggled to not slip on the ice.

“KATARA.”

Zuko couldn't help but laugh, then he was met with the puzzled look on your face.

“I thought this was a surprise trip, when’d you write to them,” you tilted your head, eyes narrowed suspiciously.

“…needed to make sure they were free,”

“Yeah?”

“Yeah…”

“That totally checks out,” you rolled your eyes, getting a serious case of FOMO.

Sokka coughed to try to clear the awkwardness, “So fishing…”

“What’re you trying to catch anyways?”

“Does it matter, it’s about the process YN get with the times,”

“Since when did you fish for fun?”

“Since now.”

“I thought you hated fishing,” you were all standing up by this point, including Sokka and Zuko.

“Only because Miss Katara always splashed me,”

“And I won’t hesitate to do it again!” She bent a small stream into his face, giggling when he stumbled back.

“Oh it’s on Katara,” he paused, “As soon as I get snow,” he waddled away to get to the snow on shore.

You laughed when the waterbender used more ice to cause him to slip.

“I’ll go help him up,” you laughed, moving towards him as he laid helplessly on the ice, not even bothering to get up anymore.

Zuko watched your figure, missing the way Katara turned to look at him.

“I think you should do it here,”

“What?”

“The proposal,”

“That’s not enough time, it’s barely enough for me to learn how to carve the necklace,”

“Lucky for you, Sokka’s pretty efficient with plans, he’s been plotting since you told him,”

The fire bender smiled, shoving his hands into the pocket of his jacket. “Okay, maybe, but how can I get started when she’s with us all the time?”

“Don’t worry, I’ll handle her,” she smirked.

“Are you sure this is safe?” You shivered, standing in your bathing suit on top of a huge rock, below it freezing water.

“No!” Katara, “But let’s do it anyways,”

“I don’t know, what if I freeze?”

“Good thing we have a fire bender with us,” she pointed to Zuko, who was in the distance learning about what tools to carve and what stones to use, he’d settled on one that reminded him of your eyes, and the band matching the deep royal blue usually used. He wanted to alter the pattern as a way of commemorating both elements. Currently, he and Sokka were doodling designs on the snow with sticks.

“Look at those dorks, I wonder what they’re doing,”

“You know Sokka, they’re probably drawing,” she laughed nervously.

“Hmm, that kind of looks like a-“ you were cut off as she pushed you off of the rock. You shrieked as you first dropped, then as you got more air time you changed into a more streamlined position with your head downwards. Instant regret when you hit the water though.

You resurfaced, drenched and in pain from the cold. Your fingers felt like they were gonna fall off any second now. Before you got to dwell on it, Katara joined you, also screaming in fun-agony.

“WHY’D YOU PUSH ME?” You splashed her.

“You were talking for too long…” she giggled, going under and pulling you down.

You inhaled a large amount of air before going under, making sure to keep her under with you as well. After a few seconds of freezing cold, you resurfaced, feeling pain in all your joints from the water.

“Why did I ever think this was a good idea?”

“I’m honestly not sure,” she shrugged, waterbending herself back up to the ledge so she could jump again, “But it sure is fun,”

Sokka and Zuko heard a splash in the distance.

“I think Katara is torturing your wife,”

“What?” he mumbled, looking at where you were very clearly lecturing her about something, “What’re they doing?”

“Ice bath, Katara tricked me into doing it once… I never fully recovered,”

Zuko chuckled, using his stick to doodle another design. Which he then stared at for a while.

“This is it.”

“Oh?” Sokka glanced at it, “It’s perfect.”

The men stared at each other proudly, as if they’ve just completed a super hard mission.

Immediately, Sokka took him inside a tent, quickly teaching him methods of carving with different tools. A few more splashes could be heard and you and Katara had fun.

“I wonder what he’s doing to Zuko,”

“Boy stuff,”

You furrowed your brows, “what does that even mean?”

After a lot of time (and a few cuts) Zuko finally had a necklace ready. Sure, it needed to be refined, but his hands were tired and shaky. Sokka patted him on the back, watching the fire bender weave the blue band into the loops.

What they failed to notice was you approaching, now covered in a warm coat.

“What’re y'all up to?” You breathed out, still cold but beginning to gain your senses.

Zuko panicked, hiding it under his leg. You looked at him weird.

By this time, Katara had joined the group, and behind her the sun fell into a pink and purple type hue. Zuko didn’t miss the way your breaths were so laboured, and he took it upon himself to lead you back to where Sokka said you two were staying. You changed into some clothes while he surveyed the room, moving around nervously.

“You’ve been acting weird all day,” you pulled a sweater over the thermal shirt, reaching over to grab an undercoat.

He walked up to you, fingers working shakily to button up the buttons. “Just cold,”

“No, the cold doesn’t make you avoid me.”

“I’m not avoiding you,”

“Really? It feels like Katara and Sokka are trying to keep us apart.” He grabbed another, heavier coat and draped it over your shoulder, you inserted your arms in the holes.

“I didn’t notice,”

“You’re lying,” you stepped back, putting your boots back on and tucking your pants into them.

He frowned, reaching out to you, but you stepped back.

“It’s weird, the letter thing as well- why didn’t you tell me you sent it to them? I thought it was last minute?”

“It was!”

“You’re lying again,” you frowned, folding your arms.

“I promise it’ll all make sense soon,”

“How soon? What’re you hiding?”

“I-“

“Actually. Don’t tell me. I don’t wanna know.” You huffed, storming out of the room, leaving a different kind of cold lingering.

Zuko sat down on the large bed, dropping his head into his hands. He sighed deeply, reaching over multiple layers of clothing to his pocket to pull out the carved stone. Truly, it was mediocre at best. And after this misunderstanding, the sinking feeling of impending rejection poisoned his thoughts. He couldn’t help but trace his finger over the patterns, wondering what could’ve been- he was half sure he was single now.

“I forgot-“ you gasped as you walked back in the room, catching a glimpse of the rock in his hand.

“Yn!” He quickly shoved it behind him.

“Zuko… what was that?”

“What was what?” He said, looking so suspicious it was stupid.

You took a few steps closer, inching towards him slowly, “In your hand,”

“My hand’s empty…”

“Liar…” you dragged on, standing right infront of him now.

“Zuko,”

“Yn,”

You tried pulling at his arms, but he wasn’t budging.

“Cut it out! What’s behind you?”

“Nothing!”

You sighed, walking away in defeat, just as he let his guard down, you pounced, having to grab it and rolling onto the bed. He barely had time to process it when your face immediately changed.

You sat up, moving on your knees towards him on the bed, patting his bicep, “Zuko light,”

The fire lord frowned, embarrassed that he was about to get rejected, although that’s no foreign feeling. A small, dancing red flame illuminated the carved necklace.

“It’s…” you covered your mouth with one hand, tears welling in your eyes.

“Tacky- I know, I just thought- you don’t have to do a-“

“Beautiful…” he glanced sideways at you, “Zuko…”

“This isn’t at all how I wanted this to go…” he sighed, dropping his head.

“No… probably not,” you sniffled, “but it was perfect,” you laughed, he chuckled as well.

He got up, lighting an oil lamp for better lighting. Zuko circled the bed and stood next to you, still nervous and fidgety.

“Yn,” he breathed out, shakily.

You nodded, glossy eyes meeting his.

“The years you’ve spent by my side, against me, with me- those have been the best years of my life. When I’m with you, I feel like I’m truly myself. I’ve never,” he swallowed harshly, “I’ve never felt more at home,” he paused again, looking up at the ceiling, “then when I’m with you.”

You let out a small noise of excitement, bouncing your legs.

“I’ve made so- so many mistakes in my life, every single day of it, but I think… I think letting you go would be my biggest mistake, Yn-“

“YES!!” You pounced on him, hugging him so tight as your heartbeats both skyrocketed.

You giggled as he looped the necklace around your neck, it was simple, and dainty, but most of all it was so Zuko. The more someone could stare at the imperfections in the craftsmanship, the more they’d love it. A man carved it with love and intention.

You held each other for a while, just swaying in the dimly lit room. You leaned back, cupping his face in your hands.

“Is this why we're here? You wanted to carve the necklace?”

“Yeah, pretty much, you ruined my plans though,”

“I did, didn't I?” You giggled.

“I had a lot planned for us, with the help of Sokka of course,”

“Ohh now that makes sense,”

“What makes sense,”

“Literally everything, you were being so weird,”

“I’m not great at keeping secrets,”

“Good, never keep one again,” you kissed his cheek.

“I suppose we should tell Katara and Sokka,”

“Yeah, I suppose we should.”

And so, hand in hand, you walked out to the bonfire, where the siblings sat.

Sokka was so mad his plan foiled.

#atla #atla zuko #avatar the last airbender #fluff #avatar zuko #prince zuko x reader #prince zuko #zuko angst #zuko #zuko atla #zuko x Reader #fire lord zuko x reader #zuko x female!reader

981 notes · View notes

am-i-the-asshole-official · 21 hours

Note

Am i the A-hole for trying to protect a women focused space?

I'm the mod from the super one sided retelling of the "Refusing to change OC's sexuality to bi/pan" situation. Shin (the person who wrote that post) know i don't use tumblr so of course he bring the drama here so that people would judge "Laura" and me without knowing the full truth. Thankfully, a dear friend of mine who followed this blog told me about this and was kind enough to allowed me to send this ask using her account.

First of all, it's pretty clear that Shin is lying about his identity. Shin said he is a trans man but he admitted that he don't want to transition beside wanting flat chest. Shin also said that he is south east asian but his display name and his OC's name are all japanese, which is a huge sign of white weeb fetishizing japanese culture. The fact that his english and understanding of slangs is way too good to be south east asian.

Secondly, Shin joining this server knowing that 90% of the members are yumejoshi, he should be grateful of the fact that we even allowed those yaoi characters invading what basically a space for women. I know we advertised the RP as a non-shipping focus death game story but you should have read the room and know what type of people this space is catering to and not bring your gay character in if you didn't want him to be shipped with women.

Thirdly, if Shin was uncomfortable then he should have made it clear from the start instead of letting "Laura"s character flirting with his, like having him respond rudely or out right rejecting her or something. Shin said he is having undiagnosed autism in his bio then he should have understand how it feel when people don't state what they mean clearly. His OC still being nice to "Laura"'s OC even if he didn't like the flirting, of course she would misunderstand that his OC developed romantic feeling for her OC.

Fourthly, Shin said before that he didn't count alternate timeline versions of a character from a visual novel he likes the same as the original timeline version because of their different life experiences then why can't he do the same to his OC? Why can't he just agree to let "Laura" make an alternate version of his character if in his logic they are completely different people? Hypocrite much?

And finally, "Laura" was very upset about this and it took her a while to move on, she could have hurt herself back then because of you. Also, we had to revised our server's rules and banned all the non-yumejoshies, which cut several RPs short.

So who is really the A-hole here?

#aita #am i the asshole #misgendering cw

414 notes · View notes

olderthannetfic · 8 days

Note

As someone who accidentally achieved BNF status in two separate fandoms, I'll let you in on the secret cheat code (but beware being a bnf comes with a price and you won't know what it is until it's much too late)

It's commenting. And I don't just mean on the juggernaut fics or ships. Both times I came into a fandom in the first two years of their run. There were already a decent number of fics, lots of kudos (or favorites on ffn) but rare comments. Even the most popular fics, the ones ending up on rec lists, would have maybe 2-3 comments total.

I came from a fandom with a culture of commenting and I brought it with me. If I read a fic, it got a comment. Before anyone starts whinging nonsense about diluting the value of a comment, there is almost always something positive that you can find to comment on. I think back to my earliest writings and the way the elders and bnfs of my fandom encouraged my writing when I know from looking back on it, it wasn't great. But they found the seedlings of my strengths and they nurtured them through commenting. Encouraged the things that worked well in my stories, and yet somehow, rarely if ever offered concrite.

Everything I read gets a comment.

At the very least, the idea was creative enough for me to click into the story. Often there was a line or even a word choice that stuck with me and I would comment on. (and if six different people comment on how they liked "this bit" but no one comments on "that part" the authors are going to start realizing what worked and what didn't without anyone getting their feelings hurt)

After a few weeks, I was known for my comments. I had people replying to my comments about how excited they were: "yes! it's you! I got one!". And when I published my first work in the fandom, it seemed like everyone who had ever received a comment from me showed up to leave one for me.

I didn't set out to become a BNF. That was an unfortunate side effect and one I said I wouldn't repeat a few years later in my new fandom. (I did)

Turns out the fastest way to make friends is to hype their work. Reblog their work on tumblr and give a little non-spoilery shout out. Reply to reblogs and start conversations in the posts or in the tags.

A fandom lives and dies not only by the creative works made by the fans, but also by the response to that work.

225 notes · View notes

fanby-fckry · 21 days

Text

You know what, I’m just gonna say it. I think that Alastor being aroace is part of the reason he’s so shippable to me.

Before you come at me, check the flag in my pfp; I’m aroace-spec.

Maybe it’s me projecting, maybe it’s because I love exploring relationships through an aroace lens, but goddamn. I ship him more than any other character and every time I do, his aroaceness is a major component in the ship.

Examples below the cut because it’s gonna get long:

📻🍎 || RadioApple:

There are so many versions of this dynamic and I am here for all of them.

We have the pre-canon kinky QPR that I show in UH3. I could talk about that all day, but to summarize:

Aroace x genuinely respectful allo is a dynamic that heals my soul.

Lucifer is less tied down by human constructs like amatonormativity, having never been human himself.

The Devil values consent.

Kinky cannibalism, kinky cannibalism, kinky cannibalism, kinky ca- *I am removed from the stage with a comically large hook*

Then we have the Evil and fucked up QPR dynamic:

And of course, trying to get along for Charlie’s sake and eventually bonding over their shared love of dad jokes and musical theatre, both being violinists (yup, Alastor plays violin too, check the wiki) with niche hobbies/interests (ducks, furby organ) and accidentally winding up in a loving, healthy QPR.

📻🕸️ || RadioDust:

There’s something about an aroace and a sex worker who very rarely falls in love.

Angel would know that Alastor isn’t with him for sex, would know that he values Angel beyond his body.

With greyro Alastor, Angel and Alastor would both be inexperienced with romance, but in wildly different ways. Angel has never had a healthy romantic relationship and therefor tries not to fall in love. Greyro Alastor has probably experienced romantic attraction like less than three times in his 100+ years of existence.

And if Alastor never gains romantic attraction for Angel, that’s a whole other level to the dynamic.

It’s got some great angst potential with Angel wondering if he’s not good enough to love romantically or Alastor feeling guilty or confused as to Why It Hasn’t Happened Yet when he cares for Angel so deeply, and eventually it gets resolved with the two of them accepting that their attractions don’t have to match up for them to love/appreciate/care for each other and they smash the amatonormative relationship hierarchy as queer platonic partners.

Or, Angel’s just totally cool with it from the start because he’s spent decades in the kink scene and has potentially been exposed to more relationship anarchy than Alastor.

Kink and queerness have a great deal of historical and cultural overlap, and that includes aroace queerness. Because Angel’s had way more canon exposure to both, it’s possible he knows more about Alastor’s orientation than Alastor does, and I love the idea of Angel introducing him to terms or just being super chill about not labeling things.

📻♥️ || RadioHusk:

Drawing like 90% from pilot dynamic and headcanon on this. They’re just two old men. They get drunk and cuddle. Alastor is one of the few people who knows Husk can purr and takes advantage of this fact. Alastor considers Husk a friend in a fucked up, possessive way. Husk considers Alastor a pain in the ass, but does care about him on some level.

It’s Fucked Up and Evil QPR: Remix Edition.

And the versions where the author puts them through fanfic couple’s therapy and actually gets them into a healthy point in their relationship? One where Alastor no longer owns Husk’s Soul? *chef’s kiss*

📻🌹 || RadioRose:

For me, personally, this is an exclusively nonsexual, non-romantic ship. They’re besties; they’re QPPs. They’re married for the tax benefits and so that they cannot be forced to testify against each other in court.

Rosie knew Alastor was aroace before he did and rather than sit down and explain it to him, she decided to make ace puns.

📻💋 || RadioSiren: [edit, context here] RadioFemme

Ok, so this is entirely based on non-canon-compliant Lilith. Or, I guess, non-series-compliant Lilith. More of the old WOG stuff from the pilot era, with a healthy dose of headcanon for flavor.

I love the idea of Lilith and Lucifer having an open marriage; I love the UH3 style polycule dynamic.

Lilith being the original seductress and Alastor being aesthetically but not sexually or romantically attracted to her is very near and dear to my heart.

I’m an aroace with a voice kink who is aesthetically attracted to Lilith and I think Alastor is an aroace with a voice kink who would be aesthetically attracted to Lilith, ok?

📻📺 || RadioStatic:

I’m gonna be real with you, 90% of my interest in RadioStatic is in the one-sided version where Vox is a pathetic little incel simp and Alastor is either oblivious, mildly annoyed, or finds the whole thing hilarious.

Whenever there’s any reciprocation on Alastor’s part, I always imagine it being in a very aroace, very Alastor-esque way. He needs to be get something out of it completely unrelated to sex/romance. And he needs to be manipulative and sadistic in the process.

Whether that something is kink-related, a business transaction, or simply the quality entertainment provided by Vox being a cringefail TV-headed little bitch, I love to see it.

#hazbin hotel #alastor #radioapple #radiodust #radiohusk #radiorose #radiofemme #radiostatic #onewaybroadcast #fanby’s fuckery #osha violation #suggestive

216 notes · View notes

specialagentartemis · 1 year

Text

Something always fascinating to me is the "character who thinks they're in a different genre" phenomenon. The theme of the story you are telling determines what the right and wrong actions to take are; but the characters, reacting in-universe to the situation, don't know what story they're in, and the exact same responses can be what saves you or damns you depending on what kind of story the author is telling and what the story's message is about what life is like.

In Wolf 359, Warren Kepler approaches the mysterious and powerful aliens with threats; he kills their liaison and tries to position himself as a powerful opponent. However, he's shown to be wrong and making things worse: his preemptive aggression is unwarranted and unhelpful and bites him in the ass. The aliens want to communicate and understand humanity and share our music. It's Doug Eiffel, the pacifistic (and kind of scaredy-cat) communications officer who loves to talk and share pop culture, who talks to them and understands that the aliens are scary not because they want to kill us but because they don't understand the concepts of individuals and death. Talking to them, communicating with them, understanding where they're coming from and and bringing them to understand a human point of view, is what succeeds. Openness rather than suspicion, trust rather than aggression. Kepler thinks he's a dramatic space marine protecting the Earth from the alien threat by showing them humans are tough and can take them, but that's not the kind of story this is.

Conversely, in Janus Descending, Chel is in awe of the strange and beautiful alien world around her. She wants to touch it, understand it, get up close to it. When she sees a crystal alien dog, she wants to befriend it, despite Peter's warning. But when she gets close to it, extending her arm in greeting, it attacks her and drags her down into the cave to try to eat her. This sets the inevitable tragedy in motion. Suspicion is warranted; trust will get you killed. Because this is a sci-fi horror, with a major running thematic reading about how racism and sexism will destroy your brain and your society, and how the people who think they're too smart to be prejudiced don't see their own prejudice and will end up ruining the lives of the people they still don't fully see as equals, this kind of trust that Chel shows this strange alien is tragic. However it is also a horror story where there are very real hibernating space snakes ready to wake up and eat the fresh meat that has landed on their planet, and by being too trusting Chel has accidentally introduced herself to one.

Kepler, suspicious and ready to shoot any alien he doesn't understand, would likely have survived Janus Descending; Chel, with her enthusiasm for learning about and meeting aliens, would have been a wonderful and helpful member of the Wolf 359 crew.

In a similar manner, in Alien, Ellen Ripley yells to the rest of her crew not to bring the attacked crewmember with the alien on his face back on the ship and into the medical bay, you don't know what contamination that thing might have; she's ignored. She tells them not to let the crewmember out of quarantine even though he seems fine; she's ignored again. Ripley is the one person protesting this isn't safe, we don't know what's going on, and she is consistently ignored, until an alien bursts out of her crewmate's chest and then eats everyone and Ripley is proven to be right and also the only survivor. (And it turns out that the science officer consistently overriding her protests was an android sent by the company that contracted them, and said android was given orders to bring the alien back so the company could study it and do weapons development with it, try not to let the crew find out about it, and kill them if he had to in order to do so!)

Ripley's paranoia and mistrust of the situation was correct, because Alien is a space horror and the theme is in space no one can hear you scream (also corporations consider you expendable).

Conversely, in All Systems Red, we have a damaged and almost-combat-overridden Murderbot being brought back into the PreservationAux hab medical bay after being attacked by other SecUnits. Gurathin becomes the one person protesting this isn't safe, we don't know what's going on, he doesn't want to let Murderbot out because it's hacked and probably sabotaging them for the company contracted their security and sent it with them. Gurathin thinks he is the Ellen Ripley here! He is trying to warn his teammates not to make a dangerous mistake that will get everyone killed!

However, All Systems Red is a very different story than Alien, and Murderbot is neither a traitor on behalf of the company to sabotage them and steal alien remnants for weapons development, nor a threat to the humans - it's a friend, it's a good person, and it wants to help them against both companies willing to screw them over. Trusting it and helping it is the right thing to do and is what saves their lives. Gurathin is proven to be wrong.

If everyone on the Nostromo crew had listened to Ellen Ripley, they would still be alive (except Kane. RIP Kane), because this is a horror story about being isolated and hunted and going up against this horrifying thing that wants to kill and eat you and just keeps getting stronger. If everyone on the PreservationAux team listened to Gurathin, they would all be dead, because this is a story about friendship and teamwork and trust and overcoming trauma and accepting the personhood of someone very different from you.

Same responses. Different context. And so very different moral conclusions.

Warren Kepler was about how the brash violent over-confident approach to things you don't understand is wrong, and that openness and developing that understanding between people is what's important; Chel was about the tragedy of trust destroying a Black woman who wanted so much to believe in a world that could be kind and beautiful. Ripley was about a woman whose expertise and safety warnings were ignored and brushed aside and everyone who did so died because of it; Gurathin was about how even justified fear shouldn't mean you make someone else a scapegoat and mistrust them because they seem scary.

Sometimes you're in the wrong genre because you need to be, because the author is trying to show how not to react to the situation they set up in order to build the mood and the theme they're trying to convey.

#Wolf 359 #Janus Descending #Alien #The Murderbot Diaries #Murderbot #meta #my meta #it's about what the author is saying about the nature of the world and how to respond to it

2K notes · View notes

tizzyizzy · 6 months

Text

Seen some talk around the interwebs about how Izzy is a totally different, or his arc happened too fast, whatever. He is my argument to the contrary.

There are three major factors driving the change in Izzy's behavior.

Default Pirate Culture → Gentleman Pirate Culture

Izzy spent his entire pirate career before Stede acting like, well, a pirate. There wasn't room for softness. Being tough was expected. Blackbeard's crew's culture in particular discouraged weakness to such an extent crew were expected to kill their pets before joining.

In S1, Izzy's relationship to the crews and captains was ambiguous. Was he training the Revenge crew to be proper pirates? Was he in charge when the captains weren't on board? Was Ed planning on killing Stede and everyone aboard, or not? So it's unsurprising Izzy held himself away from Stede's crew instead of becoming part of it, and tried without success to make the Revenge crew follow his lead.

In S2, Izzy ends up in Stede's crew, and Izzy isn't in a place emotionally or socially to try to push to change the culture of the ship. He's outnumbered. Izzy has to adapt. At the very least, all of the expectations he has been living up to his entire pirating career are gone.

Taking Care of Ed → No More Ed

Izzy said he'd been cleaning up Ed's messes his whole life. Scenes from S1 and S2 suggest that is the case. In S1, Izzy is dealing with Ed making strange choices on his search for meaning, which requires him to manage restless crew members and deal with the risky spots Ed puts them all in. Once Stede arrives on the scene, Ed is contradictory and non-communitive, leaving Izzy to wonder if the plan to kill Stede and the promised captaincy were bullshit (they were).

And because Izzy has no emotional intelligence, he thinks that Stede is seducing Ed into losing everything, and he desperately tries to pry the pair ppart.

I mean, we all know what happened in the early S2 episodes. Emotional, off-the-rails Ed trying to himself and everyone else while Izzy desperately tried to protect Ed and the crew, until he was forced to give up on Ed.

After breaking up with Ed via bullet, though, Ed is officially Not Izzy's Problem. Ed isn't a threat to the crew. Stede is incompetent, but was clever and brave enough to escape Zheng's ship and rescue them. Izzy is free to have a drunken breakdown. After, well, he gets to do whatever he wants.

What does Izzy want? Well, he's finding out.

No Trust → Trust

The major reason pirates put on such a tough facade is to protect themselves. Being tough keeps enemies from messing with you. It keeps your crew too afraid to mutiny. It's easy to recognize that Ed puts on a persona of Blackbeard, but Izzy put on a persona too. A weak link can be targeted and broken.

Just look at the scene where Izzy finally breaks down and is comforted by the crew. Izzy doesn't make the choice to be emotionally vulnerable. He is behaving the same way he always with crew who question his orders. He yells, he curses, he commands. It is only the level of his emotional distress and the crew's acknowledgement of it that make him incapable of hiding his pain.

I think it's safe to say that has been hiding grief, frustration, confusion, sadness, etc. behind the "Get back to work!" facade for years. It only crumbled under extreme pressure.

But when Izzy breaks, and is at his most pathetic and vulnerable, the crew have his back. Under Blackbeard, they comfort him, hide him away, and treat his injuries at the risk of the captain's wrath. Under Stede, when he's at his most pathetic, the crew make him a new leg and accept him into the crew without judgement.

There's almost nothing Izzy could do in front of the crew now that would make him look more weak than he was when he was crawling across the floor drunk and repeating "You're born alone, you die alone" over and over. He hit rock bottom and there was a pillow there to catch him.

So, Izzy is in the "talk it through" culture of Stede's Revenge. He is free from obsessing about Ed as a man and as a captain. He is surrounded by people who saw him at his worst and showed him compassion.

Izzy's worst behaviors in S1 were motivated by fear. Fear of the new, fear Ed was losing it, fear of what would happen if he showed weakness. In a "safe space", where he has nothing to worry about? Of course Izzy calms way down. This is the Izzy that swaggered up to Stede on the island and at Spanish Jackie's in S1. Dry, sarcastic, sassy. Some flair for the dramatic with the swordplay.

It is because Izzy feels so safe that he can put on that makeup and perform. Wee John is doing it, and Wee John wouldn't let him do anything embarrassing. He's clearly got confidence in his ability to sing.

He's still Izzy. He says fuck constantly. He's kind of a dick. He offers good advice. He's a dramatic, whether he's cutting his name into someone's shirt or singing in French from a balcony. He's just an Izzy that can be whatever he wants without fear.

#izzy hands #izzy hands meta #ofmd #our flag means death #ofmd s2 #ofmd s2 spoilers #ofmd season 2 spoilers #ofmd spoilers

405 notes · View notes

comradekatara · 1 month

Note

The hate that aang gets in the fandom is, uniquely, buddhaphobic. Trying to point out to racist ATLA fans that the air nomad genocide is based directly off the very real tibetan genocide is beyond frustrating alone. Pointing out that aang and the avatar are based off the tulku system is a whole other thing too...

There's a really specific type of anti Asian racism that Buddhists and Buddhist themed characters get online. Which interprets Buddhists as backwards, misogynistic and stupid. Alot of the time also insisting they are being selfish or in some way malevolent.

I have no idea how to constructively word this beyond that aangs hate online is anti Asian and buddhaphobic.

right. the way people talk about aang, whether it’s to criticize or even simply trivialize his pacifism and other cultural values, to dismiss the effects of genocide, to joke about genocide (don’t even get me started on that one post that jokingly called aang a holocaust victim, as if that isn’t egregiously disrespectful to literally everyone implicated), or to otherwise mock or demonize him for displaying cultural values that do, in fact, have a very explicit real-world analogue is actually vile. aang may never actually say “im a buddhist” in the show, but it’s still evident to anyone with a brain. he also does call himself “a simple monk.” do they think he means christian monk??? are people just out here like “where’s his tonsure!!!!” because it’s incredibly obvious that aang’s genocide is meant to reflect the tibetan genocide; whether or not you think it’s handled well, that’s what it is. and people either don’t know, or don’t care. either way, i think people simply lack an understanding of how imperialism functions and the ideologies that underlie it, because if they did, they’d all be talking about this show very differently. but you’re right. even if people “only” hate aang because he “gets in the way” of the “most obvious” ship, they are nonetheless insistent on using post hoc justifications to rationalize why their critiques of aang are logical rather than a mere preference…by nonetheless demonstrating how their preferences are, in fact, deeply rooted in cultural bias and eminently disrespectful to his real world counterparts. because it’s not actually about shipping. when shipping becomes a platform through which to propagate culturally disrespectful notions steeped in colonial bias, it no longer matters which ship has more chemistry, but rather becomes yet another a vehicle through which the implementation of genuinely violent and harmful ideas is facilitated. and it’s sickening.

#almightycaliborn #asks #aang #hot takes #i try not to get into this too much because it’s honestly so awful that i don’t want to talk about it #esp considering that i can only assume everyone already agrees with me #but like. if we’re going there let’s go there i guess

233 notes · View notes

lilacargent · 2 months

Text

As im currently dealing with the loss of a loved one, this is my way of coping.

Grief

Grief is an interstellar concept. Almost every species in the galaxy has its own traditions and practices. Humans are no exception, like with most of their emotions their grief is all encompassing. Traditions vary from one culture to another, even people deal with it in different ways.

Kilare as part of a flocking species wonders about the human crewmates when one is lost in a battle. She knew the passed human Ellie very well. Turns out they grieve like a flock, huddled together weeping, almost giving into the urge to join she turns away, expecting this to last for a long time she leaves them be. When she checks next the little unit is drinking and laughing, she can hardly believe it, carefully stepping into the room “i am sorry, may i ask something?” The humans look up some still blotchy from crying, the human she knows as liz nods “you were all weeping just now, but you seem happy? Im confused…” fluffing her feathers Kilare backpedals “not to be insensitive, im just trying to understand your process.” Evan gets up and walks to her “that is okay, you knew Ellie well right? We are talking about her and how we miss her, laughing comes with the tears.” Motioning for the taller feathered woman to join the little group Moira makes eye contact and starts explaining “i know you are from a species that grieves as a group, if i remember correctly mostly weeping and spread ashes on the wind to join in every flight” impressed by the womans knowledge she nods Moira goes on “humans have many different traditions, but every one grieves their own way and time. Mostly in five stages, denial, anger, bargaining, depression and acceptance. No two people go through it the same or even through all of them. There is times we grieve as a collective, sometimes you need time and process as an individual. We are now reminiscing Ellie, but i already know im gonna have a cry later and ill never forget her.” Kamare could understand and respect that so she joined in. It soothed her soul.

It was years before she saw human grief again so up close.

When the Ri’ktil attacked they committed what humans called warcrimes without batting any of their eighteen eyes. The horror of the people quickly turned to fear. It was when they blew up a human colony Kimare saw the unified grief. Human governments trying to bargain with the Ri’ktil, families travelling to the floating remnants of the colony trying to find survivors, denying that what had happened killed everyone man, woman and child. A month passed and humanity had grown silent and passive, the Ri’ktal took this as victory and broad cast it to the rest of the species in the galactic counsel. A warning that they would stop at nothing and break them like they broke the humans. Kimare remembered her conversation all those years ago and realised that anger was still coming, she could almost seeing it brewing under the surface.

A month was what it took. A month for humans to start walking upright again. Not only humans on their planets but everyone, on every world and every ship seemed to have shared in the depression. So when the fog cleared the whispering began, then came the talking, when it turned to yelling the Ri’ktil took notice. It was too late for them though. Because humanity started screaming, unified rage became a spearhead of humans all over the galaxy, noone even considered not helping. The tsunami of humans that could not wait to tear their enemy apart surprised them, no matter their way too many eyes, this they did not see coming.

The counsel joined the humans in their fight, and quick as the Ri’ktil had invaded were they beat back aswell. The defeat of their enemies did not dismiss their grief. But instead of on a specie scale individuals began their own process. Four years later Kimare noticed a change, they had made a monument out of the destroyed colony, it seemed to signify an end point. Humans went there to process and make peace, they had accepted what had happened moved past it. But never forgotten.

Humans didn’t forget when they grieved, they remember and accept.

~~~~~~

Tadah

#humans are space orcs #humans are space oddities #humans in space #humans are deathworlders #humans are space capybaras #humans are space australians #humans are insane

258 notes · View notes

jasmines-library · 3 months

Note

Hi !

This might be specific but would you consider writing like Batfam x Polish reader? In a platonic ship way?

Basically tomorrow (Feb 8th) is Fat Thursday, its a huge polish holiday where you eat traditional polish donuts they're usually stuffed with either rose jam, caramel or custard!

Could you write their reactions to reader coning over, and giving them some traditional polish donuts? And maybe what their favourite filling is pls?

I don't mind if it's late, I realise it's short notice :)

Hello! Thanks so much for trusting me to write this for you! I'm sorry it's a little short but i really wanted to get this out for you in time. I had to do a little research but it has been so interesting to learn about! I hope I have done you and your culture justice :)

⛤ BATFAM MASTERLIST ⛤

"What are you doing?" Damian strolled into the kitchen, head held high as he peered around the room. He had smelt whatever you had been cooking from the other side of the house and it had made is mouth water so he decided to check it out.

There were various kitchen tools scattered around the room alongside trays of doughnuts set out in little rows. The room was warm and smelt like a fresh bakery.

"Baking pączki." You answered, setting aside another tray on the side.

Damian walked around the room with his arms behind his back as he eyed up the sweet treats wanting to just reach out and snatch one. You caught his glance and smiled, turning to hand him one off of the plates.

"Here, try one. It's good luck."

He reached out eagerly to take a bite of the pastry. The flavours melted over his tongue and he took another bite straight away.

"Mmm. This is so good. What is in this."

You beamed. "That's rose jam. But I have other flavours too."

Moving around the table as you began to clean away the last of the mess. "Rose jam is traditional, but I have also made caramel, custard and chocolate."

Damian's eyes widened a fraction at the mention of the delicacies. He licked the powered from his top lip.

"Please," You gestured to them, "Try another. I made them to share."

He reached for another, selecting one you had filled with a chocolate ganache and after taking a bite, he sighed in content.

"You know," he said through a mouthful of food, "You should make these more often."

"What's going on?" Dick made his way into the kitchen.

"Oh Grayson! You have to try these." Damian exclaimed to his brother "They're amazing."

"They're different flavours." You told him, explaining to him which tray belonged to which. Damian was already sneaking for another. "Incase you wanted to try something different."

The eldest Wayne delved into a custard filled pastry. He had the same content look on his face as Damian did.

"Oh...these are good. Really good. What are they for?"

"Tlusty Czwartek. Or Fat Thursday. It's a Polish tradition. We share sweet treats that we give up during lent."

"Huh, that's cool. I never knew. Tell me more about it?" Dick asked keen to find out more about your tradition.

Balancing the tray on one had was a lot harder than you thought it would be as you made your way down the hall to knock on Jason's door. When he heard the knock, he answered contently and invited you in. He was sprawled out across his bed but moved to sit when you walked in.

"Hey Y/N. You okay?"

You nodded, offering him the plate of doughnuts. You has selected a couple of each for him to try. "I brought you something to try. "pączki- doughnuts."

"These look amazing, thank you."

"Anytime. I'm glad to share these with you."

Jason opted to for a caramel filled one, though also seemed very keen to try the rose jam as it was something he had never tried before. Like Damian, Jason also made you promise to make these again and was keen to help finish any leftovers off.

Tim practically melted into his seat the second the pastry filled his tongue. You had found him in the library indulging in some last minute homework. Like all of the others he was super keen to try them. First he tried the tradition flavour, intrigued as he too had never tried it before. A second followed quick after that, along with questions about how you made them.

Tim had a keen eye for cooking and he was interested to find that you had made them yourself. After explaining it to him, he was keen to help you next time the event rolled around. Well it was that and he wanted an excuse to be cooking in the kitchen. It was a rare occurrence for Alfred to allow one of the boys to be allowed to cook.

Speaking of which, he and Bruce would be in awe of your cooking. Alfred would ask you for a recipe and after claiming that he wouldn't have anymore, you would occasionally catch Bruce sneaking one.

It was safe to say that they all loved you giving them doughnuts and couldn't wait until the event rolled around again so they could engulf on them again.

BATFAM TAGLIST:

@aestheticdaisies

@hell-o-kittys

@xxrougefangxx

@mamapucket

@hearts4robs

@harleycao

@devotedlyshadowytheorist

212 notes · View notes

problematicbyler · 3 months

Text

an incomplete history of byler sexuality discourse

and how widespread fandom purity culture and homophobia created a flourishing nsfw sub-fandom

some may call me chronically online, but i call myself a fandom historian. i've been a member of some fandom or another since i was about thirteen, and i've always been interested in the rise and fall of fandom discourse. though it's annoying in the moment it's happening, i think it's very interesting and telling to look back at the overall arcs and trends.

so, let's talk about the many times the fandom has cancelled people over byler sexuality, and how each level of "hornygate" has contributed to the growth of the proship/byler smut community.

(i use the term proship in its intended definition, which is to say, not "problematic shipping," but rather being pro-fiction, anti-censorship, and anti-harassment; it is a position of believing the fiction one creates or consumes doesn't reflect a person's real life beliefs or morals.)

i have been a stranger things lover since season 1, a byler shipper since season 2, and an active part of the byler community on tumblr since season 4. i'll mostly be focusing on post-season 4 discourse because that's what i've really been most present for and that was the period that really marked a turning point in the fandom.

seasons 1-3

i wasn't as plugged into fandom discourse back in the day, but the broad strokes of early discourse was mostly thinly veiled homophobia. claiming that it was sexualization to assume will or mike could be queer despite blatant queer coding, implying that analysts were no better than will's bullies to assume his sexuality, etc etc. people were criticized for shipping byler at all because they were so young (but these people naturally had no issue with mileven, so, again, homophobia).

season 4 (may-july 2022)

now, season 4. this is where byler was brought to the attention of a lot more fans, and stranger things' viewership reached wider than ever. the byler fandom on tumblr booms from 4k to 100k over the course of season 4's release.

this brought a lot of new people who have never been in fandoms before, people who never learned don't like don't read or your kink is not my kink and that's okay or ship and let ship.

or, a lot of times, people who had only been in fandoms for celebrities and bands, which tend to have different rules when it comes to shipping and sex, because they're real people. hence a lot of young antis' conflation of character with their actors, but that's a different rant.

so with a rapidly growing fandom, a show ripe for analysis, and the art of media literacy bleeding out on the ground in front of us, the hellscape of the fandom post-season 4 in 2022 followed as such:

august 2022

jo/kendra gate where two extremely popular analysts were called out for "sexualizing" byler while being adults (early to mid 20s). they were dogpiled and harassed because one of them said that will was giving mike "bedroom eyes" (he was) and one of them said mike was checking will out (he was):

pyshiie and moogate. the proship side of byler twitter rose up and started to divide itself. i'll credit my own joining-the-dark-side to pyshiie and moo, formerly barbjeanisms, who were two popular artists called out respectively for sexualizing byler and generally being proship. similarly, people were called out and criticized for even following or interacting with those accounts after this discourse.

september 2022

hosegate is the most famous across the byler fandom, and it's when some users proposed that the scene in the pizzeria uses phallic imagery to imply mike turns will on (or vice versa) and a lot of people thought that was too sexualized, it caused a divide, and more fanpolicing, etc.

october 2022

the artist noodlesandtea was harassed for having liked arguably nsfw bakudeku art (they were shirtless, it wasn't explicit) on the same account where they draw characters who are minors. they also drew byler kissing, which was a problem for some? anyone who defended them was also called a pedo, naturally. noodles also got called out for having drawn fanart of the popular e-rated fanfiction....

the unmarked mixtape. a massively popular sequel to a massively popular fic, the red envelope. for a long time, those were the most widely recommended byler fics, but it very soon became taboo to even admit to reading them because the sequel has explicit sex and the first has them making out.

sonnet116 gate is another fic that was beloved and then rapidly turned on by byler twitter because it had implied, fade to black sex scenes. it was about them hooking up but had no smut. and even the non explicit idea of that was offensive and pedophilic of anyone who dared read it. around this time, another fic was called out for having will moaning into a kiss, because writing a teenager moaning was also offensive and pedophilic.

i'm told i (jana / troublebyler gate?) may have influenced a lot of people joining twitter for byler smut after writing illicit affairs and some other smutty oneshots in rapid succession, seeing a lot of byler shippers moving to the proship side of the fandom just to discuss and write byler smut. i also hosted a little fandom gossip column on my curiouscat where a lot of folks confessed to reading or writing smut while pretending to be "normal" in the "main" fandom. it basically revealed/implied that a large amount of popular authors, artists, and accounts were secretly pro byler smut, and that many proshippers were "undercover" in the "main" fandom.

the blocklist era. around this time the "main" fandom also created a "st twt safety" account on twitter which was basically targeted harassment and mass reporting of proshippers. the account does warn of some genuine bad actors sending gore images via dms, being racist, etc. but by far, the majority of it was simply calling out proshippers for sexualizing byler, sharing screenshots they thought were "gross," which only resulted in spreading nsfw content to unintended audiences of minors that likely never would have seen the nsfw accounts otherwise.

november 2022

practice kissing gate is where a handful of popular fic writers were criticized for writing practice kissing fics (such as undertow), and in fact, any amount of byler making out, because adults "fantasizing" about teenagers kissing was "gross."

the proship corner of st twitter continued to grow a lot thanks to so many lovely fan creators, all of whom i couldn't possibly list but who have done a lot for the community! but we continued to get bombarded with endless callout posts and block lists and witch hunting. people were unabashedly policing people's following lists and likes on twitter to call people out for engaging with any questionable users or content. (if you search byler twitter now you can still see the wreckage of so many witch hunts.)

onward through 2023

over time things have mostly calmed down, or at least enough of the folks on "opposing sides" of the fandom have mutually blocked each other to survive. this is likely also influenced by the hiatus leaving the fandom to quiet down, the collapse of twitter-turned-x having many users migrate their fandom content elsewhere, and the mass exodus of many people from the fandom for political reasons. if i had to guess, the ramp-up to season 5 will see all new conflict as more "casual" fans return to the fandom. but who's to say.

which brings us to now:

spicybylerpolls gate, wherein the byler tag on tumblr collectively had to reckon with the fact that people want byler to have sex and it doesn't make them creeps to vote in silly polls about it. people criticized the blog for being overly sexualized and pure fantasy versus more "acceptable" analysis, with many making sweeping moralizing statements about anyone who dared interact with the blog.

this has kicked off tumblr's own sort of horny revolution in encouraging folks to be more open on here, whereas previously we were confined to our corner of twitter.

so in summary:

people over and over again put fan creators on a pedestal just to turn on them when they're "betrayed" when a person's views did not one-to-one line up to theirs.

teens in the fandom especially were "betrayed" by adults in the fandom they thought were "safe" (and i would argue that self proclaimed "safe" adults in fandom are far more dangerous to real life minors than the proship fans who sexualize fictional characters but dont interact with real teens)

most everything has been fueled by widespread ageism at any fan over the age of 18, widespread homophobia and puritanism in regards to exploring queer sexuality or discussing sex at all

so much hate has been over what are essentially "thought crimes", with people watering down serious accusations like pedophilia into a petty insult over disagreements on fiction

and the cycle repeats itself endlessly until things devolve back into witch hunting and policing peoples following and likes etc

the best part to me is that every single cancellation just resulted in more people flooding to the horny side of the fandom to post more freely and without shame. every time a person on twitter posted screenshots of my account to say how "gross" it was (while simultaneously exposing my 18+ nsfw content to their audience of minors) i had a surge in followers. the more the fandom squeezes, the more people slip from its hold.

but that doesn't make the harassment campaigns okay, and it doesn't mean the fandom didn't do massive amounts of harm to real people in an attempt to protect fictional characters.

my hope going forward is that the fandom can coexist as a community where people don't have to like or agree with certain content to treat the people who create it with respect and dignity. and i hope that, while this side of the fandom might grow more on tumblr, we don't have to relive the same old discourses and go through the same cycles we went through on twitter.

and remember kids, the block button is both free and fun.

#byler #spicy byler #fandom discourse #fandom history #stranger things #proship #profiction #proshipping #anti censorship #purity culture #fandom politics

166 notes · View notes

autisticlancemcclain · 8 months

Text

Keith doesn’t miss Earth the way everyone else does.

He does miss it, of course. He had a few months early in their journey that he stubbornly insisted he didn’t, but he’s grown enough now to admit that yeah, wifi was nice. So was non-recycled air. And a yellow sun. (God, it’s so weird to genuinely miss a yellow sun. He never thought that shit mattered.) None of this even covers how much he misses, to his grand shock, the culture of Earth — it’s strange and humbling to have to explain what a car is. Or a country. Or the concept of global warming, which is an embarrassing thing to have to put into words to someone who’s never really heard of it. (Like genuinely very humiliating. Explaining to someone that they very nearly shortened the life span of humanity because of consumerism, essentially, is something he still thinks of and just shudders.)

Mostly, though, he’s happy to be in space. Space is weird as shit and so is he, so he feels like he has an easier time just functioning, really. He likes the untethered-ness of it all, the lack of general structure. He doesn’t spend a lot of time wishing things were different.

Except for right now.

His sword, which he has been boredly slashing and poking at the wall of the Empire ship, gets stuck in the tiny crack where two sheets of metal panelling are pushed together. He huffs grouchily at it, pulling it out, then has to plant his boot on the wall and yank when it refuses to do so. The tip of the blade gets unstuck quicker than he’d expected and the change in force startles him, sending him sprawling on the floor.

He scrambles to his feet, bright red, clearing his throat and trying to roll his shoulders casually, as if he was intentionally on the floor. He looks like a huge massive dork, so thankfully no one was looking his way anyway.

“Are y’all almost done?” he calls, trying really hard to sound like he’s just innocently inquiring and not whining. It is no easy task — he’s bored and he’s hungry and he’s restless and this stupid ship smells like a stale refrigerator and he’s really really bored, in case he forgot to mention.

He scowls when no one answers, sticking out his tongue at the green and yellow paladins, both of whom are hunched over a control pad, wires everywhere, trying to hack in or out of something. Keith’s not sure. They told him and Lance to keep watch at the door and then stopped responding, basically.

This is the part of Earth that Keith has missed. Back home, Keith got to do all the investigative shit, too. Don’t get him wrong, he likes being the stabby one, as Shiro has so patronizingly put it; he likes being the one to run head first into conflict with a smirk on his face and a sword on the ready. It’s fun to be the impulsive one and be rewarded for it. It’s fun to be able to wreck Empire shit and practice witty one-liners to shoot off at annoying generals and sergeants or whatever the Galra equivalent is, just to watch their eyes twitch in rage before Keith cracks them one. All missions are two parts, essentially, fucking around and finding out, and Keith loves having free reign to fuck around.

He just wishes he got to be part of the finding out, too.

He sighs, long and loud and petulant because obviously no one is listening. He knows that his investigative research with Blue was at a very different level than all the stuff Hunk and Pidge do. He understands that on an objective level. If he wants to be part of the find out portion then he has to be prepared, has to put in the effort to learn and keep learning, to know how to recognise red flags and read code and all that nerd shit.

But computer science is just so boring.

Keith is a science person. Duh. He went to pilot school. Physics was eighty percent of that whole spiel, and he’s always had an affinity for chemistry, even if said affinity caused a lot of explosions and also Adam’s blood pressure condition. Science is cool as shit.

But coding is fucking boring. He has tried and tried to sit down and learn it, but every time Pidge tries to explain the basics his eyes glaze right over, and it’s not fair to her to waste her time.

He sighs again. He gets to wait, then.

Deciding that he’d rather not slash a hundred new scratches in the ship’s wall, lest the damn bridge feel more like a prison cell than it already does, he starts to pace, swinging his sword back and forth randomly. He could try to practice a few of the techniques and swordplay choreo he’s been learning, but that’s no fun without a partner. He’s become spoiled with the castle’s training bot. With Shiro hanging back with Coran and Allura, there’s no one around to clash swords with.

He perks up. There is, actually. He forgot that Lance had unlocked a sword when he first got switched to Red.

He spins around, trying to find where Lance ducked off to. He expected to find him leaning on Hunk’s back or pestering Pidge, like he often does — they’ve long since learned to work around him — but he’s nowhere to be found. Keith walks around the area, poking his sword at piles of sentry parts he cut up a few hours ago, peeking behind control panels and various big important chairs. Nothing.

“Lance?” Keith calls softly. Something like worry sours his stomach.

Please, for the love of all things good and holy, don’t let Lance have been hurt or taken this whole time. Keith will never forgive himself.

Thankfully, a hand sticks up by the far end of the bridge, blue armour glinting in the ugly purple lighting. Keith heaves a huge sigh of relief, jogging over. He thought he’d seen Lance before Hunk and Pidge had hunkered down to get info. But in that brief moment of panic, he wasn’t sure.

“Whatcha doing?” he asks as he comes close enough to Lance to speak. The red paladin has wedged himself between some kind of steel storage bin and the wall, in an impossibly narrow sliver of space, which explains why Keith missed him when he was looking.

Lance doesn’t answer right away, instead nudging a roll of wire with his foot. He has something resting in his lap, and wire is looped around his fingers, sliding back and forth as he carefully weaves it into a pattern. Keith watches, intrigued, for several passes of the craft.

“Nicked it from Team Punk when they really started to get wrapped up in their nerd corner,” he explains, finally looking up at Keith to shoot him a wry grin. Keith grins back. “Standing guard is boring as hell, especially when we took out all the sentries and barred the doors. And the castle is parked outside, so hell if I know what we’re guarding for.”

“Fuck, I know,” Keith groans, sitting down in front of him. Honestly, there is no real reason for them to be here. He half suspects Shiro has sent them all out for some peace and quiet, which is rude.

He grabs the spool of wire by Lance’s feet, inspecting it carefully. It’s very thin, and flat instead of a round tube-ish shape that wire usually is. There are two wrapped around the spool, too, one red and one blue. Keith curiously looks back over to Lance’s lap, trying to get a better look at what he’s doing with the wire. He doubts it’s anything mechanical — Lance gets as bored as he does when Hunk and Pidge try to explain stuff — but he’s intrigued on what has kept Lance’s interest for so long.

He’s surprised to find that he recognises what Lance is making, or at least sort of. It’s a long, spiralling chain, like the wire has been woven together to make some kind of mini spiralled staircase. He remembers, although vaguely, seeing other kids at recess in elementary school, sat down all over the place, clambering all over each other with flat plastic string, making boxy keychains or scratching spiral bracelets.

“Oh, hey, I know that stuff,” he says. He scrunches his face, trying to recall the name of the craft and coming up completely empty. It’s not friendship bracelets, the string was too stiff for that. Not that loom elastic thing either. “I don’t know the name, though.”

Lance chuckles lightly, sliding a last piece of string through a loop before tying it all off. He hooks it next a growing collection of them that Keith just notices, with a wide array of colours and patterns, hanging off his utility belt like leaves from a branch.

“I don’t know the name, either.” He tilts his head in consideration. “Well, I do. I googled it once, and I got some strange French name that didn’t fit, so I never used it. No one ever, like, sought it out or anything. Someone just came to school with a pack of the thread and everyone was obsessed with it for a week before forgetting about it.”

Keith tilts his head in acknowledgment. That’s what he remembers, too, but he doesn’t remember ever having any friends who would give him any of the string to try, nor was he ever comfortable enough with whatever foster parents he had to fumble through a request for the string.

“…Can I try?” he mumbles, after watching Lance start and weave a new one. He’s not entirely sure why, but suddenly his cheeks are red, and shyness pricks at the back of his neck. He’s suddenly nervous that Lance is gonna laugh at him, gonna tell him no, gonna give him a weird look for asking at all.

It’s ridiculous. Lance wouldn’t do that, and there’s nothing wrong with Keith asking. But he feels the nerves anyway.

“Sure,” Lance says easily, tugging on the strings and setting his chain aside. He smiles brightly at Keith, brown eyes crinkled and soft, and although the shyness fades away his blush goes nowhere. If anything, Keith feels his face get hotter. “What colours do you want?”

Keith clears his throat, wishing the flush away. He points to the red and blue spool he’d seen first. Lance quickly unravels thread to the length of his arm, matching up both colours before cutting. He sets the spool to the side then carefully lines up both threads, folding them in half and wrapping them over his thumb too quickly for Keith to see what he does exactly.

“I’ll start it for you, ‘cause it’s hard.”

“Hey,” Keith protests immediately. “I can start my own.”

Lance raises an eyebrow. He blinks at him, slowly, for several moments. Keith huffs and looks away.

When he looks back, Lance is grinning, and he holds out the carefully started craft.

“It’s genuinely very difficult to start them,” he promises. “I’m the only one of my siblings who knows, they used to ask me to start theirs all the time. It’s way easier to do rather than start, trust me.”

That mollifies Keith a little. He does trust Lance, and now that he thinks about it he can vaguely recall how one person on the playground would hold court while a million people crowded around them, fielding dozens of requests for starts.

“Okay, watch me first, then I’ll walk you through doing it yourself.” Slower than he was moving before, Lance loops and weaves the thread, taking great care to keep his hands open so Keith can see the entire process. The chain he’s making looks different from the one he made earlier, and Keith says as much.

“Yeah, this one’s a box chain, it’s way easier. The spiral one is hard.” He snorts at Keith’s pout. “Don’t give me that look, doofus. You can work your way up to spiral. Try this one for now, okay?”

He hands the started chain off to Keith, then scoots out from his little nook, settling in beside Keith to help guide his hands.

Right beside Keith. His entire left side is pressed against Keith’s entire right, and he slides one hand under Keith’s arm, accidentally brushing across Keith’s ribs, to help guide his hands. Keith tries everything he can to stay still, breathing shallowly out his mouth, determined not to move even a muscle, either so Lance doesn’t move or does he’s not sure. He’s not sure what’ll make him feel less like he’s going to explode, less like every spot Lance touches isn’t going to burst into flames.

“Okay, start with the loops. See how there’s already kind of a square shape? Flip the red thread in either side of it, yeah, like that. There should be two loops and the extra string should hang opposite of each other. Okay, now take the blue string, and weave it over and under — yeah, just like that! It should create four mini squares in a big square, you nailed it.”

Lance looks up at him to shoot him that big beaming grin again, and Keith tries to muster a weak smile back at him, realising for the first time that he has yet to breathe and he should probably do that before the spots in his vision get any worse and he passes out.

This is fine, this is normal, Lance touches people all the time. He is a touchy person. This is so not worth him going batty about, what is his brain’s deal.

“Alright, now loop the extra thread around your fingers and pull it away from each other. It’s kind of a pain because it’s super smooth so it doesn’t really want to stay together, and it takes a learning curve, but — oh, hey, you got it! Good job. Now do it again.”

Trying to remind himself to breathe every few seconds, Keith repeats what Lance taught him, over and over again until the chain starts to look like an actual chain, to Keith’s pleasure. He’s fascinated by the quick way the squares build, how the layers are so thin but it doesn’t take long at all for them to stack into something longer than his pinky finger.

Keith blinks, startled, when Hunk and Pidge clap their hands, calling out that it’s time to go. He realises that there’s a bit of a crick in his neck from hunching over, the tips of his fingers feel raw, and the chain has become as long as his hand. Although it hasn’t felt like more than a few minutes, he’s clearly been doing this for a while.

This is amazing. A boring mission has never flown by this fast before!

“Looks great,” Lance says, genuine pull of his brows belying the truth to his words — he’s not just saying that at all. “You picked that up fast.”

Keith coughs, standing on wobbly, half-asleep legs. “Uh, yeah. I’m good with my hands.”

Lance makes a strange noise as he bends down and tucks the spools of wire away, a muffled, kind of derisive snicker. “Yeah, I bet you are,” he mumbles to himself, turned away, as if he didn’t mean for Keith to hear it.

Keith stumbles. His jaw drops. Lance is out the door and on his way to his lion before Keith can react.

He twirls his chain in his hands when he finally remembers how to do other things rhan have Lance’s words repeat in his head a bajillion times, walking slowly to his own lion. His right side still tingles ever place Lance touched it. He grins a little to himself, remembering the easy way Lance guided his fingers, smiled at him.

Maybe these boring missions aren’t so bad after all, actually.

347 notes · View notes

sixty-silver-wishes · 1 month

Text

Roasting you based on your favorite of these German Expressionist films

(this post is a joke; don't take it too seriously lol)

Metropolis: You've got spicy political opinions and daddy issues. You were doing great in life until you found out how corrupt capitalism is sometime in high school or college, and it's absolutely mind-boggling to you that nobody else is batting an eyelid at all the injustices of the world because they're too busy defending the concept of a 40-hour work week. You're constantly checking your privilege and everyone else's, too. Or you just want to bang a robot. That's probably it.

The Cabinet of Dr. Caligari: Okay, I could make a joke about you being emo, or you liking the most basic film on the list, but that's not really the issue here. Your Hot Topic fashion sense and shitty drugstore eyeliner are nowhere near as concerning as the fact that you have no idea who the hell you are without them. You constantly overthink everything and are great at solving everyone's problems but your own, and you're averaging like 4 hours of sleep on a good night. You can't get your intrusive thoughts to leave you alone and if you relate to literally any character in this film, you need to get help. It's okay; I promise your therapist doesn't secretly hate you.

M: You're a surprisingly sweet and empathetic person for someone whose favorite film on this list is about a child murderer. You care deeply about others and are very much in tune with yourself, but unfortunately, everything you say is so off-putting that most people don't get that vibe about you. If they actually gave you a chance, they'd find that you have a great personality, but they don't, so instead you're stuck at home stalking your ex's vacation photos on social media.

Dr. Mabuse the Gambler: You like the finer things in life. You're high-maintenance, your tastes are classy and expensive, and you actually know how wine tasting works. However, you're way too into conspiracy theories and pyramid schemes for your own good, and your cultured proclivities are deeply undercut by the fact that you probably got into Bitcoin when that was a thing. Your two career paths are either "businessperson" or "cult leader," and it's concerningly difficult to discern which one you're on.

Nosferatu: Your sense of humor relies entirely on recycling memes that are at least a decade old, and the fact that you communicate nearly entirely in pop culture references is your attempt at disguising the fact that you're really bad at socializing. You think you have lots of great ideas that make perfect sense, but most people don't know what the hell you're going on about. However, you've got one or two ride or die friends who love you for who you are, cringe and all. Keep being you, Nosferatu fan. Never change.

The Student of Prague: I'm not sure this one is actually anyone's favorite film, but if this was yours, you were into shipping the Onceler with himself when that was a thing. You're super competitive, but you have a tendency to overwork yourself and burn out quickly, so now you're living off of Top Ramen and protein bars. People love to tell you that you "have potential" and "just need to apply yourself," but what they don't get is that you're stressed 24/7 and won't give yourself a break because you're trying so hard to satisfy your own impossible standards. Please take a nap.

Der Golem: You're great with children, small animals, and potted plants, but that's because literally anyone else you have to deal with fucking pisses you off. The absolute audacity of everyone around you means you're never not two seconds away from throwing hands, but honestly? You're always right and you should say it. You're actually a really nice person, but people keep pushing you to your limit and you're sick of it. On an unrelated note, you probably work in customer service.

Different from the Others: If this is your favorite film and you're a member of the LGBT community, that's perfectly understandable. It was a monumental achievement in LGBT cinema in the early 20th century and, despite being somewhat dated by today's standards due to the time period it was created in, largely holds up as an educational, yet tragic, piece of cinema. That being said, if you're a straight/cis/allo person and this is your favorite film, what is going on with you. I want to study you in a lab. How did you find this film. Come to think of it, how did you even get into German Expressionist cinema to begin with. I just want to know

Der Januskopf: [REDACTED]

Genuine: You're a "Caligari" fan who doesn't want to seem basic like the rest of the "Caligari" fans, so somehow you ended up here. You don't actually like this film aside from the visuals. Nobody actually likes this film. You want so, so badly to like this film, so you lie to yourself, just like you do about everything else.

#german expressionism #silent films #silent movies #metropolis #the cabinet of dr. caligari #m 1931 #dr. mabuse the gambler #der golem #nosferatu #the student of prague #different from the others #der januskopf #genuine 1920

96 notes · View notes