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#short cuts
h3i3h · 1 year
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been a while since i've done this!
Episode 7,8 shortcuts!(following the order written in tfwiki)
E7 - jazz covered in snow(damn cute)(+. he's the only one digital cause i massed up the drawing...😭)
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yep they are all cute
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and E8 the dinobots episode!
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(wheeljack loves his kids😘)
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dk-thrive · 26 days
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One of my favorite things to do in my middle age is lie on the sofa eating crisps while Googling low-effort ways to optimize my life.
— Arwa Mahdawi, from "There is a perfect time to shower – and it’s not when you think" (The Guardian, March 26 2024)
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litsnaps · 6 months
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nyshaamaylinn · 1 year
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bald BITCH! ✨😍
nyshhh_
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actualfucking · 1 month
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Short Cuts (1993)
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filmbook21 · 7 months
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br7man14 · 25 days
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short cuts, 93, robert altman
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لابد أن هناك شيء واحد على الأقل، هو شيء جوهري، يجمع بين كل هذه الشخصيات التي يعرض الفيلم حيواتها الخاصة التي تتقاطع معاً ثم تعود لتنفصل من جديد خلال ثلاث ساعات، هي زمن الفيلم. تحدث أشياء درامية هنا وهناك، خيانة، انفصال، تعري، اعتراف، كشف للذات، وحدة، حزن، قتل، انتحار، وموت. أشياء درامية تعرض حياة الشخصيات للخطر، وتحول مساراتها، وتتلاعب بمصائرها، لكن ثمة شيء يسلب من الدراما حمولتها الثقيلة، القاتمة، والكئيبة، هو ذلك الشيء الجوهري الذي يبقي روبرت ألتمان عليه حاضراً طوال الوقت في الجو العام لعمله الطويل المتشظي أكثر مما يحب الجميع، والمتماسك أكثر مما يتصور الجميع -مثل الوجود الإنساني في العالم- وهو العبث، الذي يحكم قبضته الرخوة على الوجود، يدفعه دوماً إلى الأمام، ويمنعه من الإنجراف إلى نهاية مشئومة، منطقية، وجميلة، يتشوق إليها وينتظرها الجميع.
the last days of disco,98, whit stillman
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«إننا نتقادم؛ لقد عاصرنا فترة من الزمن وقد انتهت. إنه يشبه الموت إلى حد ما.» هذه عبارة على لسان أحد الأبطال خلال مشهد نهاية آخر أيام الديسكو، الذي يمكن اعتباره بشكل ما مرثية لنهاية حقبة الديسكو، أو مرثية لما هو أكثر خصوصية وأعمق أثراً من ذلك؛ فترة الشباب.
الجميل في الفيلم، وهو فيلم جميل على المستوى الفني بأية حال، هي تلك اللمسة الشابة التي تطبع الشخصيات، والحوار، فتجعلها أكثر حميمية وحيوية وجاذبية وصدقاً ، وتجعله مرحاً ومدهشاً وممتعاً، تلك اللمسة الشابة التي يحصل الجميع عليها مرة في العمر، ولفترة من الزمن، قبل أن تذوي بمرور الوقت، وربما تأفل للأبد. هو فيلم تتصور أنك عشته فيما مضى، وتحب أن تصنع مثله يوماً ما، عندما تتقادم إلى الحد الذي تفقد عنده نفسك التي خبرتها جيداً وألفتها تماماً رغم كل شيء قبيح أو أخرق، ويضع الزمن قبضته الغاشمة على حياتك.
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denimbex1986 · 4 months
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'Cillian Murphy isn’t done dropping bombs — Irish F-bombs, that is.
The actor won the Golden Globe for Best Actor in a Drama on Sunday for his work in Oppenheimer, and viewers at home missed a key part of his speech due to censored profanity.
“I’m the luckiest fecking man alive,” he said in a line of his speech that didn’t make it to air.
The Oppenheimer nod marks Murphy’s first win and second nomination at the Globes, following his nom for 2005’s Breakfast on Pluto.
The actor also praised his longtime collaborator Christopher Nolan (who won the Globe for Best Director) as he accepted the award. “I knew the first time I walked on a Christopher Nolan set that it was different,” he said. “I could tell by the level of rigor, the level of focus, the level of dedication, the complete lack of any seating options for actors that I was in the hands of the visionary director and master.”
That last comment seemed to confirm (or simply jokingly reference) Anne Hathaway’s claim that the filmmaker doesn’t allow chairs on set.
Later in the speech, Murphy said “I want to thank Chris and Emma [Thomas] for having the faith in me for 20 years. Thanks so much.” He also shouted out his costars: “One of the most beautiful and vulnerable things about being an actor is that you can’t do it on your own, really. We had the most incredible ensemble cast in this movie. It was magic and some of them are here today. Emily Blunt, Robert Downey Jr., Matt Damon, Gary Oldman. Thank you for carrying me and holding me through this movie.”
Earlier in the evening, Murphy’s costar Robert Downey Jr. won the award for Best Supporting Actor. Downey had previously won three Globes — one as a member of the ensemble of Short Cuts in 2004, one Best Supporting Actor in a Series, Miniseries or Television Film for Ally McBeal in 2001, and a third in 2010 for Best Actor – Motion Picture Musical or Comedy for Sherlock Holmes.'
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cinemajunkie70 · 1 year
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The happiest of birthdays in the afterlife to Jack Lemmon!
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winter-literature · 7 months
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Preparing for #lcweek2023 got me like:
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h3i3h · 10 months
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Season1 episode 9~12 shortcuts!
E9
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E10
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E11
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E12
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manitat · 9 months
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Lily Tomlin & Tom Waits
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passed-out-real · 2 years
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Andie MacDowell Filmography Part 1
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Greystoke: The Legend of Tarzan, Lord of the Apes (1984)
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St. Elmo's Fire (1985)
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Sex, Lies, and Videotape (1989)
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Green Card (1990)
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The Object of Beauty (1991)
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Hudson Hawk (1991)
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Groundhog Day (1993)
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Short Cuts (1993)
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Four Weddings and a Funeral (1994)
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Unstrung Heroes (1995)
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thoughtportal · 1 year
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Josie Long presents documentaries where reality takes on a magical aspect - tales of snake-filled American towns, a visit to a shaman and of crashing back down to earth.
The Curve of the Earth Produced by Stephanie Rowden http://www.stephanierowden.com
The Shaman Produced by Rikke Houd
Snake Pit, Waurika Produced by Sarah Geis
Magical Realism Produced by Phil Smith
Series Producer: Eleanor McDowall
A Falling Tree production for BBC Radio 4 first broadcast in May 2017.
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Rest in peace, Fred Ward (1942-2022).
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891movies · 1 year
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537 to go
Short Cuts (1993, dir. Robert Altman): I know this movie came out earlier but it's basically a less interesting version of Magnolia.
Story of Women (1988, dir. Claude Chabrol): What a brutal movie, absolutely devastated me.
Detour (1945, dir. Edgar G. Ulmer): The main character tries to avoid arrest for a murder he didn't commit by acting in the absolute guiltiest way possible. With every stupid decision, my anxiety grew.
A Matter of Life and Death (1946, dir. Emeric Pressburger, Michael Powell): What can I say, I love a good supernatural romance and this movie is such a charming blend of conventional and experimental filmmaking.
Beau Travail (1999, dir. Claire Denis): Actually I think only women should make movies about men. They're just better at it.
The Last Laugh (1924, dir. F. W. Murnau): It's been a while since I watched a silent movie and man did I miss it! The camerawork and structure of this thing is incredible.
The Docks of New York (1928, dir. Josef von Sternberg): I didn't think I'd like this movie based on the synopsis but it got to me.
All the President's Men (1976, dir. Alan J. Pakula): I understood at best two thirds of what was going on but I was hooked for the ride. And now I finally have the context to fully appreciate that Simpsons episode where Sideshow Bob runs for mayor!
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