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#source: gods of egypt
writingwithcolor · 4 months
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How can non-Jewish writers include Jewish characters in supernatural stories without erasing their religion in the process?
Anonymous asked:
I have a short story planned revolving around the supernatural with a Jewish character named Danielle (who uses they/them pronouns). Danielle will be one of a trio who will be solving the mystery of two brides' deaths on the day of their wedding. My concern with this is the possibility of accidentally invalidating Danielle's religion by focusing on a secular view of the afterlife. At the same time, I don't want to assume that Jewish people can't exist in paranormal stories, nor do I want to use cultural elements that don't belong to me. So, how do I make sure that Danielle is included in the plot without erasing their Jewishness?
Okay so to start with I think we need to ask a question about the premise: what is a secular afterlife? I’m not asking this to nitpick or be petty, but to offer you expanded ways of thinking through this issue and maybe others as well.
A Secular Afterlife
What is a secular afterlife? To begin with, I get what you mean. The idea of an afterlife we see in pop culture entities like ghost media owes more to a mixture of 19th-century spiritualist tropes drawn from titillating gothic novels than to anything preached from the pulpit of an organized house of worship. Yet those tropes--the ominous knocking noises from beyond, the spectral presences on daguerrotype prints, the sudden chill and the eerie glow, all of those rely on the idea of there being something beyond this life, some continuation of the spirit when the body has ceased to breathe. For that, you need to discount the ideas that the consciousness has moved on to another physical body and is currently living elsewhere, and that it was never separate from the body and has now ceased to exist. Can we say that this is secular?
More so: Gothic literature, as the name suggests, draws heavily on Catholic imagery, even when it avoids explicit references to Catholicism. Aside from the architectural imagery, Catholic religious symbols permeate the genre, as well as the larger horror and supernatural media genres that grew from it: Dracula flinches from a crucifix, priests expel demons from human bodies, Marley’s Ghost haunts Ebenezer Scrooge in chains. The concepts of heaven and hell, and nonhuman beings who dwell in those places, are critical to making the narratives work. 
The basis also draws from a biblical story, that of the Witch of Endor. The main tropes of Victorian spiritualism are present: Saul never sees the ghost of Samuel, only the Witch of Endor is able to see “A divine being rising” from wherever he rises from, and her vague description, “I see an old man rising, wearing a robe,” evokes the cold readings of charlatan mediums into the present (Indeed, some rabbinic sources commenting on this assert that this is exactly what was going on).
While neither of these views of its origin define the genre as the sole property of Catholicism--or of Judaism for that matter--it would be hard exactly to categorize them as secular.
A Jewish Perspective on ghosts
However, it’s not the case that ghost media is incompatible with Jewishness, assuming that it doesn’t commit to a view of heaven and hell duality that specifically embraces a Christian spiritual framework. 
Jewish theology is noncommittal on the subject of the afterlife. The idea of a division between body and soul in the first place is found in ancient Egypt, for instance, earlier than the earliest Jewish texts. In Jewish text it’s present in narratives like the creation story, in which God crafts a human body out of earth and then breathes life into it once it’s complete. It also appears in our liturgy: the blessings prescribed to be recited at the beginning of the day juxtapose Elohai Neshama, a blessing for the soul, with Asher Yatzar, expressing gratitude for the body, recited by many after successfully using the bathroom. 
Yet it’s not clear that this life-force is something separate than the body that lives beyond it, until the apparition of the Witch of Endor. The words we use to describe it, whatever it is, evoke the process of breathing rather than that of eternal life: either ruach (spirit, or wind) or neshama (soul, or breath): neither is a commitment to the idea that it does--or that it doesn’t--go somewhere else when the body returns to the earth. 
Jewish folklore, however, leans into the idea of ghosts and other spiritual beings inhabiting the earthly plane (and others). Perhaps most famous is the 1937 movie The Dybbuk, in which a young scholar engaging in kabbalistic practices calls upon dark forces to unite him and his fated love, only to find himself possessing her body as a dybbuk. It appears that he is about to be successfully exorcized, but ultimately when his soul leaves her body, hers does as well. 
More relevantly to your story, a Jewish folktale inspired the movie The Corpse Bride. In the folktale version, a newly-engaged man jokingly recites the legal formula he will soon recite at his wedding, and places his ring on the finger of a nearby corpse--a reference to a time when antisemitic violence is said to have gotten worse not only at Jewish and Christian holidays as it does still to this day, but around Jewish weddings as well. The murdered bride stands up, a corpse reanimated complete with consciousness, and demands that the bridegroom honor his legal obligation. 
In the movie, the bride gives up her demand willingly: her claim on him is emotional rather than legal, and she finally accepts that he has an emotional connection with another person, that he doesn’t love her. In the folk tale, the dead woman takes him to court to decide whether their marriage is legal, since he spoke the legal words to her in front of witnesses as is required, and the court rules that the dead do not have the right to make legal demands on the living. In this version, the moral of the story is that a legal formula is an obligation; that when he jokingly bound himself to the corpse, he not only disrespected the dead but also the legal framework that structures society, and by so doing risked being obligated to keep his side of a contract he never intended to enact. 
This speaks to the ways that a Jewish outlook can differ from a Christian-influenced “secular” one. Christian-influenced cultural ideas can often focus around feeling the right thing, while Jewish stories will often center on doing the right thing. Does the Corpse Bride leave because she realizes she is not the one he loves? Because she--or he--learned a valuable lesson? Or because she loses her court case? It’s not that the boy’s emotions are irrelevant to the story--the tension, the suspense, the horror of the story takes place primarily within the boy’s emotional landscape--but emotions on their own are not a solution. The question “should he marry her” can be answered emotionally, but “has he married her” can only be answered by a legal expert, and once it has been the deceased bride may not have changed her emotional attachment to him, but she no longer has legal standing to pursue her claim. 
Centering legal rectitude over emotional catharsis isn’t a requirement for having Jewish characters in your story, but it’s worth thinking about what is and isn’t universal, what is and isn’t actually all that secular. 
Meanwhile, back at the topic:
Where does any of this place Danielle?
Well, unless you’re positing a universe in which Christian or other deities or cosmologies are confirmed to exist (See Jewish characters in a universe with author-created fictional pantheons for more on that topic), there’s no reason why they shouldn’t be perfectly fine interacting with whatever the setting you’re building throws at them. 
My wishlist for this character and setting runs more to the general things to consider when writing fantasy settings with Jewish characters: 
Don’t confirm or imply that Jesus is a divine being. That means no supernatural items like splinters of the cross, grails, nails, veils, etc. There’s nothing particularly powerful or empowering about this one guy who lived and died like so many others.
Don’t show God’s body and especially not God’s face, or confirm that any other gods or deities exist, whether that’s Jesus, Aphrodite, or Anubis, or someone you made up for the context. 
Don’t put Danielle in a position where they’re going to play into an antisemitic trope like child murder, blood drinking, world domination, or financial greed. If you have to, name it and let Danielle express discomfort with or distaste for those actions both because Jewish values explicitly oppose all of those things but also because Danielle as a Jewish character would be painfully aware of these stereotypes as present and historical excuses for antisemitic violence. 
Do consider what Danielle’s personal practice might look like. What does Danielle do on Shabbat? What do they eat or refrain from eating? What are their memories of Jewish holidays and how is their current holiday observance different than their childhood? I know I say “Jewishness is diverse” on every ask, but it is, and these questions--which also underscore how very much Judaism is rooted in one’s actions during this life--will help you develop how Judaism actually functions to inform Danielle’s character, even if you don’t spell out the answers to each of these questions in text. 
Do let Danielle find joy, comfort, and identity in their Jewishness not just in contrast with Christianity but simply because it’s part of the wholeness of their character. I know the primary representation of Jewishness is a snappy one-liner in a Christmas episode followed by the Jewish character joining in the Christmas spirit, blue edition, but make room for Jewishness to inform how Danielle approaches the events of your story, or why they decide to get or stay involved.  
-Meir
Hi it’s Shira with some Jewish ghost story recs written from inside–
When The Angels Left the Old Country by Sacha Lamb (deliriously good queer YA Jewish paranormal, mainstream enough that it’s got a good chance of being at your local library and won all kinds of awards)
The Dyke and the Dybbuk by Ellen Galford (sorry for the slur, warning for a paragraph of biphobia in the book but it’s an older book. I read this right before my divorce so my memories are super fuzzy but it’s about this modern day lesbian who gets possessed by the ghost of a different lesbian from hundreds of years earlier in Jewish history.) Nine of Swords Reversed by Xan West z’L of blessed memory - another queer Jewish paranormal.
The general plot is that two partners are struggling with how to be honest with each other about the effect disability is having on them. It’s got a very warm and fuzzy cozy vibe but kink culture is central to the worldbuilding so if that isn’t your vibe I didn’t want you to go in unaware.
The Dybbuk in Love by Sonya Taaffe. I don’t remember the details but I remember loving it, it’s m/f and romance between possessor and possessed.
I wrote a really short one called A Man of Taste where a gentile vampire woman and a Jewish ghost/dybbuk get together.
~S
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cryptotheism · 5 months
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wtf even is hermeticism? I heard of a comic book that showcases hermeticism, and it turns out it was mostly cabala and some stuff about higher dimensions, and the fuzzy line between stories and reality.
The thing about the fuzzy line between stories and reality cropped up in a youtuber's analysis of a different comic book series that revolved around hermeticism, like empowering yourself by telling a story.
Is it like, tricking reality into being a different way by acting on the basis of the Nous?? Is that how Hermes Trismegistus became a god, by ascending to and becoming one with the Nous/Monad/whatever?
If he never existed, the stories about him created him, on the basis of the Nous?
Hermetica is a body of ancient texts attributed to Legendary Sage Hermes Trismegistus. They're extremely difficult to date, and you see guesses anywhere from the 4th century BCE to the 4th century CE.
Hermeticism is quite eclectic. It exists as a blend of Greek, Egyptian, and Jewish, and other north-African mythologies and philosophies all rolled into one. The important thing to remember, is that Trismegistus is portrayed as being the source of all wisdom ever forever. All knowledge came from him. Everything cool or interesting about Egyptian, Greek, or Jewish theology is supposed to be his doing.
Hermeticism is a blend of several different religious currents that would be difficult to summarize in a tumblr post, but Hermetic doctrine is honestly less important than HOW Hermeticism syncretizes these disparate currents into a single theology. Its VERY good at sniffing out similarities between theologies, and gluing them together. Additionally, it really likes math. Hermeticism is really good at using math and science to reinforce its mythology.
So when people say "Hermetic" they generally mean one of three things:
1 - Classical Hermetica, as in the ancient body of work attributed to Hermes Trismegistus.
2 - Renaissance Hermetica. The theology was lost for a hot minute, and reintroduced to Europe in the 15th century via a weird Italian named Ludovico Lazzarelli. This was the first guy to identify as a "Hermetic Christian." (There were also some Islamic mystics around the 8th-10th century who really liked Hermetica, but they're oddballs even by the standards of Islamic mystics. #isma-ilimoment)
3 - "Neo-Hermeticism" This is the version of Hermetica that came back in the 17th-18th century. This is where you got folks like the Hermetic Order of the Golden Dawn, who rediscovered just how good Hermetic theology was as a conceptual mortar. They just went hog-wild with it. That's where you get "Hermetic Quabbala." Europe at the time had just seen an explosion of interest in ancient Egypt, and thats why a lot of Quabbalistic texts have a bunch of Egyptian stuff.
So the stuff about higher dimensions and the lines between reality and fiction? That sounds like 1970s Chaos Magic, which itself was highly influenced by Hermetica, specifically Neo-Hermeticism.
As for the nature of Trismegistus himself, even classical Hermetica has like nine different backstories for him. Depending on the text, hes Hermes, Thoth, a combination of Hermes and Thoth, a normal sage who was very wise, a man who achieved godhood, the tutor of Moses, etc, etc. There's no set mythology for Trismegistus beyond "Legendary Sage of Sages."
I'm gonna plug my patreon here because I'm writing about Trismegistus in an alchemical context on Patreon right now.
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One thing I noticed about twst is the similarities between Sebek and the Egyptian god Sobek. Sobek is an arrogant and aggressive protector god with the head of a crocodile. He also protects Ra, the king of and strongest of the gods, as he travels through the underworld every night. With them both being crocodiles, the similarities in the name, and the slight similarities of their role and temperament, I don’t think it is too much of a stretch to say that Sebek might be inspired by him. Have you noticed anything else in twst that might be inspired by Egyptian mythology?
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I do find it interesting that the TWST team took a generic crocodile minion of Maleficent’s and combined it with ideas (potentially) from Egyptian mythology to create Sebek. Very different sources for inspiration, married together beautifully.
Below you’ll see the crocodile minion I’m referring to; it’s holding a halberd, which is the same weapon that Sebek wields in a limited card (Armor of Eternal Night):
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I’m not familiar with Egyptian mythology, so I’m afraid I don’t have much to say on this matter 😅 But!! I did notice that Baul (also written as Bal/Baul in the fandom; we won’t know the official spelling until the English localization gets to it), Sebek’s grandpa, is also named after a god that was brought into Egypt from other areas, Baal. More specifically, Baal is said to be the god of storms and thunder. This doesn’t feel like a coincidence considering that Baul is related to Sebek.
I believe Baal is also described to be an aggressive and vigorous warrior, which matches up with Baul’s profile. Sebek is said to get a lot of his personality (and most notably, his stubborn hatred of humans) from his grandfather, so that checks out.
Interestingly, the physical descriptors for Baal could also be considered to mirror Baul’s; long hair and a beard:
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lottiematthews · 7 months
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COURTNEY EATON GIF PACK. #67 gifs of courtney eaton in her role in gods of egypt (2016). feel free to use for whatever roleplay you like but please do not repost as your own or edit for public use. the colouring/quality may be inconsistent because i started these ages ago for personal use and only recently came back to finish the pack. link to the gifs in the source.
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tiredwitchplant · 7 months
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Everything You Need to Know About Crystals: Black Obsidian
Black Obsidian (The Regal Warrior of Stones)
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Color: Black, Dark Brown
Hardness: 5-5.5 (softer than quartz)
Rarity: Easy to Acquire
Type: Igneous Rock (Comes from a Volcano)
Chakra Association: Root
Angel: Uriel
Deities: Pele, Tezcatlipoca, Itzpapalotl and Sekhmet
Element: Fire, Earth
Astrological Signs: Sagittarius, Scorpio, Aries
Planet: Saturn, Pluto
Origin: Anywhere with Volcanic Activity
Powers: Protection, Grounding, Clarity, Releasing Blockage, Drawing out Stress, Creativity, Divination and Scrying, Negativity Banishment, Transformation and Absorption
Crystals It Works Well With: Howlite, Malachite
How is it Created: Obsidian is a black volcanic glass, formed when molten lava hits cold water or air and solidifies. It is composed of silicon dioxide (quartz) and many impurities which allows it to take different shapes and colors. Black obsidian gets it coloring from iron and magnesium.
History: The earliest obsidian tools can be dated back to the Oldowan, at the dawn of the Paleolithic/Stone Age (2.6 million- 10,000 BCE). Different origins of this rock can be found in Britain, Italy, Mexico, and the USA. In Egypt, obsidian knives were used in ceremonial circumcisions, as well as making mirrors (scrying mirrors for most) and other decorations in tombs. The word “Obsidian” was first used by a Roman explorer, Obsius, who “discovered” it in Ethiopia. In the Americas, Obsidian was used as a symbol of Tezcatlipoca, the chief god of the Aztec religion. Tezcatlipoca means “smoking mirror” which is why a lot of the Mayan priest used the glass rock for scrying mirrors like the Egyptians did. On the Eastern Islands, obsidian was used to make the eyes of the Moai statues before they were lost. The indigenous tribes of North America used pieces of obsidian to make arrowheads, spears and even knives by using an antler in order to carefully form different shapes.
What It Can Do:
Grounds the soul and spiritual forces into the physical plane, making it possible to manifest more spiritual energy
Increases one’s self control
Forces you to face your true self
Brings imbalance and shadow qualities to the surface to release them
Repels negativity and disperses self-hating thoughts
Powerful meditation aid
Great for scrying and divination as the glass allows you to look to see the “clear truth”
Can heal you after a spiritual or mental attack
Was used in the past during ritual for healing physical disorders
How to Charge:
Sit with the stone in the palm of your hand and enter a light meditation. Use your thoughts to charge the stones with desires of protection and make sure the thoughts are clear and concise.
Use high vibration to amplify the crystal
Use a singing bowl to send sound energy into it
Place it in a bed of Himalayan salt and let it sit for 48 hours
If you work with a sun or moon deity, I have noticed charging it in the sun or moonlight with the idea of protection helps to charge it as well
How to Cleanse:
Run under water (not hot just lukewarm) for a minute
Create a saltwater solution and submerge it for up to 24 hours
Burn herbs or incense over the obsidian with the intention of cleansing (I personally use sandalwood incense for this)
Leave your stone under the full moon to cleanse and retrieve in the morning
Bury your obsidian in your garden for 48 hours
How to Get the Best Out of It:
Wear a black obsidian bracelet. The wrist area is a highly energetic zone because it has nearly direct access to the bloodstream. This (in my opinion) is the best place to have obsidian to create a powerful shield and help with manifestation.
For lighter dosage, use an obsidian ring.
Crystal Grid:
Letting Go (Triangle Grid)
Mantra: “I release everything that no longer serves me”
Center Stone: Smokey Quartz Tower
Secondary Stones: Obsidian, Malachite, Rhodonite, Citrine
Best Moon Phase: Waning or Dark Moon
Best Day: Saturday
Sources
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Dear anti Zionists
I will try and make this brief and to the point since you often attack me without reading the entirety of my posts :
I’ve seen your recent posts about the trials in Haag, and the mockery you’ve made of the events of October 7th. That’s just disgusting. Freeing Palestine has nothing to do murdering Israeli civilians.
- This war was initiated by Hamas , a terrorist organisation on October 7th.
- You cannot deny that they invaded Israel and then massacred thousands of civilans , raped and mutilated women and children, kidnapped civilians , shot thousands of rockets, destroyed homes ….
There are currently 136 Israeli hostages still held in captivity, for almost 100 days. They’re held in underground tunnels and being withheld medical care and medications. The women are raped and the man tortured.
There are currently also hundreds of thousands of Israelis displaced from their homes due to the war.
-I will say it again: Literally every war or operation in Israel’s history was not initiated by Israel. It is always a matter of retaliation to foreign military invasion or terror attacks .
I’m only 22 and I have personally lived through one intifada, 4 wars and countless military operations.
We are all suffering because of Hamas. Once again- my city is often under attack and people I know are dead. And some of you here have absolute nerve to say that I’m privileged????
-Intifadas aren’t cute civilian uprisings. They’re violent terror attacks against civilians. Children’s Buses blowing up, restaurants blown up, shootings, stabbings, running over people…
read a damn book or something before you chant “Globalise the Intifadas🥹”.
-Have any of you here ever spoken to a Palestinian or an Israeli in your life? Do you even know anyone Jewish?
- Please give me actual example of the apartheid in Israel, I’m waiting. My Druze / Arabic colleagues , friends and I literally frequently joke about this claim.
-No, blockades between the West Bank/Gaza and Israel do not count.
There are ISIS affiliated/ Hamas terrorists in the West Bank and Gaza, territories that are not governed by Israel > there are borders check point. Israel has the right to defend itself against terror.
-by the way, Jordan and Egypt both have those blockades btw- I don’t see any of you attacking them? The hypocrisy…
- While I am not questioning the death and suffering of Palestinians , this has to be said:
The amount of Palestinian casualties during the Hamas-Israel war is estimated by unconfirmed sources , and isn’t corroborated by any neutral official organisation.
It was also proven that most of the casualties are terrorists.
The Gaza ministry of health= Hamas .
Al Jazeera= not credible &has been time and time again proved to be biased and anti-Semitic.
Furthermore, It’s been proven time and time again that Hamas terrorists work at UWNRA, and that Palestinian reporters in both Al Jazeera and western media outlets are in fact Hamas members/ supporters.
One of them literally joined the Al Qasam forces in their attack on October 7th, and was reporting rather enthusiastically on the murder of Israeli civilians. As the massacre continued around them.
You would rather believe terrorists & terrorists sympathisers than Jewish/ Israeli victims’ testimonies and the concrete evidence they provide.
-It seems like you’re ignoring what Gazans are saying in your attempts to “free Palestine”.
If Gazans themselves are saying Hamas are to blame for their terrible living conditions and war , why are you defending Hamas?
Why are you assuming that you know better than the people who are actually living this conflict?
-The IDF has been trying every tactic under the sun to alert civilians from incoming strikes. There are whole unites devoted to texting calling Gazan civilians. They have made millions of calls this war alone.
And yes, even the infamous flyers you joke about are used.
Do you know any other army that does that?
God I am so tired of the misinformation, lies and hatred here. So many of you are showing your true colours- ignorance and antisemitism.
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alpaca-clouds · 7 months
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Let me talk Sekhmet
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Okay, I wanted to talk about Elohim today, but fuck it, no, I am going to talk Sekhmet, because Castlevania Nocturne is out and if you know, you know!
And I wanted to talk Egyptian gods sooner or later either way. Also, if you have not read my other mythology thingies: I talk about mythology a lot and about comparative mythology. Which is where we go and learn about history and specifically history of religion by finding motifs and their spread in myths.
So let me talk Sekhmet.
 𓌂𓐍𓏏𓁐 Sekhmet is a solar deity. And if you are confused about the female sun goddess: Yeah, there are actually a ton of female sun gods. (Again: Apollo and Artemis are kinda the exception for when there is a male/female sun/moon pairing. Usually in those cases there is a female sun and a male moon.)
She is the daughter of the (male) sun god Ra. And while he is associated with the good things coming from the sun (like it making plants grow and such), she is very much the Wrath of Ra. The scorching sun, that kills you when you keep in it too long. As the Eye of Ra she is a war goddess, who brings distruction and drinks the blood of men.
Now, once again it should be said: The Egyptian culture lasted for 3000 years. So Sekhmet and her meaning have shifted. At times Hathor was an aspect of Sekhmet, at times Hathor was her sister or her daughter. The same goes with Bastet, who usually gets depicted as an aspect of Sekhmet - but more often is her sister.
The defining myth of Sekhmet though comes from the myths that a long time ago the gods lived among the humans. But there was a conflict between gods and the humans (or in some versions between Egypt and other gods). So Sekhmet as the goddess of war went out to fight. But she got so cruel that after a while she did not care anymore about friend or foe and just lay waste to all the lands. She would not even listen to her father when he called her back.
So the other gods divised a plan: They filled a lake with beer and colored it red, so that Sekhmet thought it was blood. She went to the lake and drank it all, so she became drunk and peaceful. In some versions of the myths she then returned to her father Ra, in other versions she left Egypt with a groll against the other gods.
The common believe is that she as a goddess has probably the same Indo-European roots as Kali in Hindu mythology. Though there are other sources that attribute a West African origin to her. It should be said, though, that both can be right at the same time. (At some point I gotta talk about the entire Black Athena thing, don't I?)
Personally, reading through the oldest stuff we have about Japanese mythology, I find it interesting that some really old stuff about Amaterasu also mirrors her.
But yeah. Interesting goddess. And I am kinda psyched that this confirms that for the Castlevania canon the old gods ARE REAL. Fuck yeah!
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alatismeni-theitsa · 2 months
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https://www.tumblr.com/cardassiangoodreads/722229585723424768/im-just-going-to-say-right-now-that-i-dont-think?source=share
Just curious about your thoughts
The post and the tags because this person has blocked me preemptively - and they're lucky cause I wouldn't shat all over them. This person is a USAmerican very removed from Italian culture.
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My Answer:
Ooooo coloniser rhetoric in the 21st century! That's a sight for sore eyes! (Which became sore cause they see such takes all the time).
Funny how this person talks about how objects belonging to Greece right after saying that our heritage figures (like our gods and heroes) don't belong to us. If Greek culture is a global culture why can't foreigners keep the objects? Hmmm I wonder…. They still put the "Greek" or "Roman" to characterise the stories but the moment Greeks and Italians speak up, then all of a sudden "the stories akksuually have no culture, they belong to all of us!" 😂😂😂
I wonder if this person understands what the term "heritage" means, because gods and heroes are definitely part of one's heritage and we never stopped preserving the texts that spoke about them, and they are still part of our living culture.
I'm all for listening to the members of the diaspora but when we are at the point when one of them is regurgitating imperialist points, not only there's a big divide with current opinions in Italy, but I also cannot leave such points unanswered. Also, many Italians, like Greeks, are sick of how their myths are treated but this person didn't even check, they just spoke over them. Because they didn't bother to ask people, obviously.
Ancient Greek heroes and gods still mean a lot to us. They always meant. They were born from visions, dreams, and other sacred methods, or oral traditions from our ancestors, reflecting specifically the ancient Greek culture. It's good that foreigners can access them and relate to a degree but divorcing any folk story from its origin is always negative. Especially when this culture is still ongoing.
Our Christianity is revamped ancient Greek religion, I wonder, does this person know that? Our temples have the same parts. We still have home altars, and divinities presiding over domains. Our hagiography is how we used to paint our gods and creatures. We still have almost the same nature creatures. The customs have remained and have persisted, and I won't have someone who clearly ignores this say "They gave the religion up". Ftou.
Also when it comes to our gods and their symbols (and yes btw we call them "our" gods lots of times), we can deduce things from our local tradition and environment, whereas an Anglophone who worships the gods or is interested in them but doesn't know stuff about the country of origin of those gods has no idea about our history, methods and environment. Example: Foreigner refuses to accept that there's a pine cone on Dionysos' thyrsos (although it looks like a pinecone) because "it doesn't make sense" and very excitedly suggests another plant instead. Greek lets them know that it is actually a pine cone not only because it looks like a pinecone but because the pinecone has been used in our winemaking process forever, and Dionysos also presided over this process. Guess Greece and its environment and it's people are still relevant to the religion, and it also turns out that the symbols of the gods derived from the Greek reality. Who knew!
Now onto another point. Op says that the Greek stories became "global culture" because they got shared everywhere. Them being shared is not a bad thing! However just studying them and be taught about them is not culture. By this logic, and since Egyptians "gave their old religion up", ancient Egyptian gods are now MY ancient gods because I can find books about ancient Egypt at my local bookstore. woww 😂 What about this? Almost every Greek knows 100 and 1 nights. We have made it into a play also. SOO... these are our cultural stories now, right? West Asians and Arabs in general shouldn't speak if they ever see us and other nations being ridiculous about the stories, and stereotypes and changing the characters a lot but still claim we are doing great, right? Got it.
The way this post is written it's like Germans and Brits kept the ancient Greek myths alive since ancient years or something. Greeks themselves never stopped preserving their own ancient texts, and they escaped with them in Europe after the fall of Constantinople, so NW Europeans REDISCOVERED them 1500 years later. They had lost interest by then.
Funny they mention different nations that were Hellenized or became Roman territories because people living in these nations are exactly those who don't speak about Greek and Roman culture as "a global culture". It's always North Westerners who start these discussions, I wonder why…..
People from the aforementioned nations already interact healthily with their ancient heritage - which is not Greek or Roman culture but always a local version with Greek or Roman elements, and that's great too. I haven't heard a Pakistani say "Theseus is our hero too!" or a Tunisian say "Zeus is our local ancient father of the gods!" Because they know exactly how the mix happened and what their national identity is. And I'm getting more and more tired of seeing Westerners erase these experiences too, and just make assumptions for other nations.
I swear I mostly see USians getting butthurt about other people getting conquered 2.000 years ago. The nations themselves don't give a shiiit. Guys, I know our antiquities are the only interesting thing about us in your eyes but Please Make An Effort to understand people from ancient cultures and how we don't give a shit about these conquests cause they happened Two Thousand Years Ago, and we had other tragic stuff in the meantime. Thanks
Also, as I said, these conquests are not why Greek myths are popular today. The conquests were so incredibly old that the average person in these countries (Balkans, the Mediterranean, West Asia) - and Greece - had no idea who built the ancient ruins they saw around! Does this person think Greek myths were handed down from Moroccan grandma to Moroccan grandchild from 300 BCE to 2024 continuously or something?
Greek myths are very popular in most parts of the world today because the West (meaning not Greece, especially at the time when we were "cattle") popularized them non-stop the last few centuries. And they did a shitty job, at that. In fact, Greeks abroad have been cringing about this treatment of our myths since the 15th century but, as usual, we were not being heard.
And what does "global culture" even mean?? As if you see any culture to how the US (because OP focuses on the US and the retellings there, from the looks of it) interacts with our stories. As if they care about the meaning of the story. (There are a few notable exceptions ofc but they remain FEW) People with such arguments just want to feel guilt-free when using our myths out of context. That's why Western academic cycles often run in circles about "what the myths mean" while Greeks have told you exactly what they mean.
The US audience is still not free of the coloniser WASP approach. They see our myths STILL as a product of modern White Supremacy instead of an ancient Greek product, and they often condemn the myths and "better" them by completely pushing them into USian lens to the point they don't look or feel like the original myths anymore. (All the above you don't dare to do with cultural stories and figures from nations you want to respect, by the way.) Is this the cultural "exchange" they're talking about?
I'm done hearing in the international spaces that my culture is "boring" because USians have seen horrible adaptation after horrible adaptation. I'm tired of USians making wild assumptions about how "horrible" our gods are because whoever told them the myths didn't give a simple explanation about our ancient societies. (Don't start crap about accessibility, there are very accessible ways to talk to kids, teens, and adults about other cultures and teach them age-appropriate tales) I'm tired of my heritage being commercialized to that degree. All Greeks roll their eyes in USAmerican movies about our culture and we call them Amerikaniés. And don't worry, I'm getting to the real stuff.
How our ancient culture is treated and how we are sidelined has real consequences on our lives abroad AND inside our culture, on how we are perceived, on how our surnames are perceived, on how we "don't look like Greeks", on how our Greek myth retellings don't get published abroad! They speak in front of us about our own words as if they are magical and mythical and strange! The opinions and perspectives of Greeks are not sought abroad, and you are a masterclass on why this happens. We make y'all uncomfortable. You feel better if you forget about us.
Another exhibit: All the hurtful comments of foreigners who centered the HUGE milestone of same-sex marriage in Greece because all they could imagine - while queer Greeks suffered a lot these last few months - was their wedding in Gay Mykonos and Lesbian Lesbos. This was their first reaction. They didn't possibly think that Greeks were seeing that because we are far away and irrelevant, right?
Obviously culture-mixing is not bad but the West didn't mix our culture with theirs. They just took it for entertainment and their popular culture never saw the depth or the meaning of it. OP speaks about how our stories were spread while actively avoiding speaking in depth about the problematic elements of that spread. They recognize to a small degree how Greeks feel about the matter but they dismiss most of our concerns in such a nonchalant way that all that comes to my mind is "privilege".
And speaking of power… Greeks have less systemic power than the countries of the West. We are the US' puppet, are you kidding me?? Our armies get deployed wherever the US wants. Our politicians don't even fart without a telephone from the US. We are the whores of the German, Belgian and French governments. Greeks abroad still face discrimination for their customs and how they look, and how their food smells, and how our religion is and how our hymns sound, and other ridiculous stuff. Our infrastructure is slowly being bought out by Germans and USians to various degrees. There are different scales to exploitation and bigotry, I agree, but that doesn't mean that only the roughest bigotry cases are worth discussing.
"We could also talk about the additional level of exploitation in how imperial powers used Greek mythology as an argument for the "superiority of the West," while at the same time plundering Greece's resources and treating it like it exists only as a tourist site" They are SO close to getting it, and yet their post says otherwise.
Fetishism of a culture makes the members of the actual culture feel alienated and hurt. As a person of Italian ancestry you should know how this specific "global culture" argument has been used to strip Greeks and Italians of any claims, so the "dirty Greeks" can be separated from the "pure WASP" USian upper class of the time who deemed themselves more suitable to engage with the material.
"Greeks spreading their culture through military force all over (eventually) most of Europe" what the hell?? Sorry, guys, (side-eyes the other Greeks) we conquered Romania??? wow!
Plus, this person doesn't know the difference between the Greek colonisation of Italy and Sicily and the recent European colonisation, and - to say it very politely - they should open a book.
By The Way
You can still interact with the Greek culture without having a colonial attitude! Nobody is barring you! I want to make this abundantly clear!
Most importantly, you don't have to make arguments for "global culture" when it's simple to place the myths inside their original context while interacting with them! You just have to read a bit more books that are on the internet and your library for free! Recognising that a foreign culture is not yours, and that you engage with it because it's just popular, doesn't stop anyone from interacting with it. You simply refuse to interact with them at the proper, deeper level, because you always want to center them around yourself. You want to interact with foreign stories just how the colonisers did it. Congrats.
I'm talking about the majority of cases. Of course people in the US can take all sorts of inspiration from foreign myths and adapt them to their reality. And it's a good result when they're being respectful and have studied the stories beforehand.
All we ask is to engage with the material in context so you can understand what our ancestors wanted to express. If your only view of Greek myths has come from other Americans and NW Europeans then you see them through coloniser lens. That's non-negotiable. I had people from other countries recite to me USAmerican viewpoints about the Greek gods, as if they were fact. Cause it's the only exposure that's happening worldwide right now.
You can interact with Greco-Roman myths whether Greece and Rome touched your country or not, we don't care. But please don't get your source from the pop US culture. These people think that it makes sense for nymphs to look like trees (that's an Anglo-Saxon and Celtic nature creature depiction. Ancient Greece was very anthropomorphic). It's not a crime if you change some stuff in a retelling but why willingly ignore the original depictions and what they have to show you for the ancient people who created them?
Pfff... Thank you anon for bringing this trash to me. I needed to - metaphorically - throw something in the trash. It took me a few hours to answer this but well... I do write a lot and this post was full of shit I had to shovel.
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ender-reader · 8 months
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DP X DC/Marvel Prompt 1#
sooo I've had this mind obsession about giant fluffy monsters so why not jam Danny and DC/Marvel into this mess to make a cool prompt?
Summary: Danny's been sealed away in an ancient temple. someone (could be a hero or a scientist that deals with ancient stuff, i forgot what they're called) finds the entrance but cant go past that. they call Batman/Tony and/or Constanaine/Dr.strange for help(probably along with one of the batkids or Spiderman). Chaos ensues.
What exactly happened to Danny: Danny's been sealed away in an ancient temple during a a time mission from CW that caused him to go in his eldritch horror form and getting sealed away in a temple using chains and of course: Blood blossoms but not to the extent that they continually hurt him, just enough to keep him sealed away, after all: if you hurt a baby ghost, it probably wont end well.
Note: this can be ghost king danny if you want.
and i know i got the characters wrong but im trying, its been a while since i watched marvel
onto the somewhat detailed prompt:
DP/Marvel(or DC, just change who the characters are):
Wang (i think that was his name? the guy that always doubts dr.strange but helps him anyways) has picked up a strange magic signature somewhere around Egypt, after he decided to go and investigate himself, he found an entrance to a sealed ancient temple with a few dead bodies nearly hidden by sand. When he tried to enter, he felt death magic pulse through him and he quickly moved his hand away, whatever was in there, whoever put the seal on this temple wanted to either keep whatever's outside out... or whatever's inside in. he didnt like this not one bit, he does the one thing that would make sense (kinda in his deep opinion): he goes to Steven Strange.
"So your telling me, that you found an ancient temple that's radiating 'infinite realm' kind of death magic and tried to enter it ON.YOUR.OWN?" Strange said rubbing his nose bridge with a sigh. "I dont get whats wrong with that? Death magic's still magic and you two are wizards." Tony said raising a judgemental eyebrow at Strange.
"yes thats true, BUT, infinite realm magic's not like normal magic, not even normal death magic." Wang explained raising a finger at the 'but'. "so? its still magic? or does it have diffrent properties?" Peter, tired of only listening decided to start asking some questions to understand the situation better.
"to understand infinite realm magic, first you need to know what are the infinite realms" Strange countered with a heavy tone, looking at Tony and Peter.
"Strange, we are not to speak of the dead so openly" Wang hissed turning to look at Steven. "oh come on, they're gonna find out eventually and you know it, better they know or one of them gets killed trying to find out." Strange said furrowing his brows glancing around him as if expecting something to attack him. Wang only grumbled sitting on a chair that was not there before.
"the infinite realms is a realm between worlds, like a pocket dimension. it is also known as the realm of the dead, the realm of ghosts, souls, and spirits. it is neither heaven or hell, it is were the dead go when they have too strong obsessions that keep them going, it is where the dead go when they don't want to let go of their life. it has its culture, rulers, ghost types, Gods and Goddesses called Ancients, islands of different shapes and sizes. it also has: A Ghost King, one who rules all the kingdoms, tribes and all ghosts in the infinite realms. they have the title of High King. They run on a substance called ectoplasm, which can be considered the main source of infinite realm magic.
Do not mess with the dead and they will not mess with you. Don't engage with infinite realm inhabitants because the risks are far too high. The last high king was Piriah Dark, he went mad and devoured worlds, not much is known about the new High King, all we know is that he was only around 2 death years old which in on its own baffling." Strange said crossing his arm, his voice was heavy with danger and seriousness.
"so we DON'T mess with the temple?" Peter asked curiously. "..." Wang and Strange didn't know how to answer that.
i cant help but imagine this scene happening:
Danny: *giant chained eldritch horror* *narrows eyes and hisses*
Bruce/Tony, Constantane/dr.Strange and Zatanna/Wang: "..." *intimidated and are ready to fight if needed*
one of the batkids/Peter: "...omg its like a giant kitten!" *proceeds to pet said giant eldritch horror*
the adults: "..." *horrified
Danny: "..." *purrs*
if someone uses this please tag me and maybe send the link please?
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queenie-blackthorn · 7 months
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tips for writing muslim characters
except im a muslim, born and raised
dont mix it up with arab characters, yes a muslim can be arab and muslim but theres a difference. the link to my post abt writing arabs is here
first and foremost, not all muslims are arabs, and not all arabs are muslims. yes, most terminology and the holy book is in arabic, but that doesnt mean its exclusively arabs
indonesia (not an arab country) has the highest population of muslims worldwide
the arab country with the most christians is egypt, but the arab country with the highest population of christians is lebanon 
not all practicing muslim women wear hijab (some extremely religious women might not wear a hijab)
five prayers a day: fajr (before sunrise), zuhr (midday), asr (afternoon), maghreb/maghrib (sunset), ishaa (nighttime)
call to prayer is known as 'azan', you can listen to it on youtube
muslims use the lunar calendar (known as the hijri calendar), which also has 12 months but its around two weeks shorter than the gregorian calendar. most people only remember the ninth month: ramadan
fasting consists of not eating/drinking from fajr until maghrib. you stop as soon as the azan for fajr sounds, and you can start again as soon as the azan for maghrib sounds. you fast for the entire month of ramadan, but its also encouraged to fast on mondays, thursdays, and the 14th/15th/16th days of each month of the hijri calendar
allah isnt the name of god. allah is the arabic word for 'god'
women dont have to cover up completely until puberty, athough some girls cover up before then and other women dont cover up at all
women can be religious and not cover up
the word 'hijab' doesnt show up in the quran, its 'khimar'. hijab is to cover up completely, not just hair. you cant wear a headscarf with a short sleeved shirt
men have to cover up too. from their navel to their knees absolutely has to be covered up, and (in most islamic cultures, not necessarily exactly religious) they cover up their chests as well 
also men are told to avert their gazes from women more than women are told to cover up. youd find a lot of men in muslim countries not looking up from the floor when walking, especially in areas w a lot of women
kids by the age of eight can usually recite at least four chapters from the quran (the first one and the last three, mostly. it doesnt matter if theyre not arab)
if you want to use verses from the quran for whatever reason, i recommend quran.com
theres only one version of the quran. the same copy thats existed for 1400 years and millions of people have memorized it
on that note, people who memorize the quran are called hafiz, and there isnt a particular age. theres a three year old hafiz and a woman who didnt memorize it until age eighty three
there are two different sources for islamic law: the quran (holy book), and hadith (quotes of the prophet). dua' is completely different, its a prayer used to ask help from god, but unlike the five prayers, it doesnt really require a specific ritual. you just sit, face the direction of mecca, and say the dua'
superstitions are haram, but muslims do believe in black magic (its sihr in arabic and its one of the biggest sins) and djinn (there are djinn muslims but theyre widely regarded somewhat like monsters who encourage/help you to do black magic)
allahu akbar means "god is greater" or "god is the greatest". it isnt used as a signal to blow people up, and it isnt a term used purely by islam extremists
assalamu aleikum / waaleikum assalam mean, respectively, "peace be upon you" and "and peace be upon you too" basically just our way of just saying "hi" along with the reply
subhanallah means "glory be to god" usually when witnessing a miracle or when amazed
mashaallah - there arent any exact english equivalents but it means "what god wills". usually for compliments or to protect someone from evil eye
insha'allah - simply "god willing" but we use this when talking about the future (like "will you come to school?" "insha'allah" or "we'll get the gift, right?" "insha'allah"). can be replaced by the lesser used "bi'ithn illah"
alhamdu lillah - "praise be to god" or "thanks be to god. used in the way you might imagine, but also as a way to express that youre doing fine. "how are you doing today, sister?" "alhamdu lillah" (also when finishing a meal / finishing drinking water)
astaghfir ullah - "i seek forgiveness from god" whenever we see someone do something haram or when we ourselves do something haram and wish to repent
bismillah - "in the name of god" we use this whenever we begin something. a lot of arab literature starts with this. every chapter im the quran starts with this. every meal starts with saying this before eating
you can submit asks if you have any questions, but try to be a lil specific !!
feel free to rb with more info :)
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ancientcharm · 8 days
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Antinous, the beautiful young man who gave his life for love to emperor
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Antinous was favorite and lover of emperor Hadrian.
"Antinous died in Egypt after falling into the Nile, according to what Hadrian wrote or, according to what really happened, because he was offered as a sacrifice. Hadrian was a great enthusiast of all kinds of divinations and enchantments. Thus, Hadrian honored Antinous - because of his love for him or because he would have agreed to die freely - since the voluntary surrender of a life was necessary for to achieve what he intended." (Cassio Dio)
"The reason for this would have been that Hadrian wanted to prolong his life and that upon asking a magician to take his place, everyone backed off but Antinous offered to do so." (Aurelius Victor)
Emperor Hadrian (reign: 117-138)
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Born on January 24, 76, he was the nephew of his predecessor, Trajan. He was married to Vibia Sabina, grandniece of Trajan, with whom he had a terrible relationship but curiously he loved his mother-in-law, Salonia Matidia (Trajan's niece) like a mother. He is the third of the so-called "Five Good Emperors", however Hadrian was the only one of the five who was not popular either among the people or in the Senate, because:
He was the one who stopped - forever - the expansion of the Empire. This was not welcomed at that time because territorial expansion was the soul of Rome since its founding.
He had an obsessive admiration for Hellenism, the Romans did not like this either. He was the first to wear a beard, something that the Romans associated with barbarism and "weird people"( only some gods would wear a beard without problems) Later this Hadrian novelty would prevail as a fashion in Rome for more than a century, but for his contemporaries it must have been shocking.
He used to have sudden attacks of anger becoming aggressive, and hours later he would lament bitterly and try to repair any damage done. This "bipolarity" was seen as a non-Roman attitude.
No one before or after him toured the entire empire as Hadrian did, which is why he is known as 'The Traveling Emperor'. His endless tours were not well regarded by the Senate.
His relationship with Antinous, considered inappropriate because he was not a slave and Hadrian had him in public concubinage
But during his long reign of 21 years there were no conspiracies nor rebellions because despite everything, he was a good emperor.
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Unfortunately there are no historical sources about the life of Antinous but, thanks to his sculptures, it is known that he was a very handsome young man. As a teenager - but let us remember that the notion of adolescence did not exist in the ancient world - he met Hadrian in Bithynia. From that moment until the day of his death, when he was around 20 years old, he did not separate from Hadrian.
What really happened on the Nile
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Antinous as Osiris- Vatican Museums.
After listening to a lecture and reading, I discovered that shortly before the death of Antinous, the emperor began to feel ill to the point that he feared an imminent death. But as was his custom, instead of looking for medicine, he looked for "magic spells" in the East.
When he arrived in Egypt with Antinous on October 24, 130, the arrival coincided (and was not so coincidental) with the religious festival that commemorated the death of Osiris, drowned in the Nile and then resurrected by his wife Isis. Goddess Isis was invoked in healing incantations.
Cassius Dion's suspicions are the same as other Roman historians as well as modern ones, because the death of Antinous was "coincidentally" during that religious ritual.
But those same historians agree that it was not Hadrian who asked Antinous to sacrifice himself. As the Roman historian Aurelius Victor wrote, he asked a magician for the sacrifice, but that man and the others backed away, so Antinous voluntarily decided to enter the Nile.
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It is very likely that he really believed in those practices, that is, he believed that by doing this, his emperor could heal and live longer. Following the death of Antinous, Hadrian deified him.
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sakurangelll · 1 year
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intuitive channeled reading: Which Disney character represents your future spouse?
it is the first time that i do a reading/message about future spouses so i am super excited!!! the energies of each pile are so wonderfully beautiful. remember that it's a general message so take what resonates and what doesn't just let it go
it would be a pleasure for me if you let me know if the reading/message resonated with you so do not hesitate to send me a message, comment or reblog, it will make me immensely happy
choose the image with which you feel most connected/attracted
Pile 1… 2… 3…
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♡ pile 1
the energy of your fs is like that of a child in love, your future spouse reminds me a lot of milo thatch. they will respect every decision of yours, they will not be able to believe that someone like you exists. i don't know if your fs believes in god or in a divine source but they thank the universe for having met you. i see them laughing with you for anything, even if you think your jokes are bad they will laugh and believe that those are the best jokes in the world. i see them looking at you admiring your beauty but in a philosophical, historical and spiritual way? they admires every inch of your face, your fs is madly in love with you. they will love to kiss you on the cheek, your future spouse will love to hold your hand, your fs will love to give you letters with his favorite poems or poems made by themselves. they will like to give you rose petals, daisies and dandelions, your fs will love picnic and dinner dates.
i feel that you are going to know them through your friends, it is as if one of them told you "a friend is coming with us, you don't know them but i don't feel that you will like them, is a bit serious/introverted" and then it will be like BOOM “we are a couple” haha.
in their eyes you are someone out of this world, they see you as a super kind person, people turn to you to listen to them because they feel that you understand them and that will fascinate your fs, you are perfect in their eyes. i feel that you are a person who transmits a lot of peace, your energy is like the energy of a siren, you hypnotize everyone with your presence and i don't think you realize that.
physically your fs looks a lot like milo thatch, they is a very cute person but them intellect makes them so damn sexy. your fs will not only be your fs but will also be your best friend.
angel numbers of this pile:
1023. tells you that your intuition has a role to play in your life.
8. this number strongly resonates with the concept of karma. everything you put on in this world will definitely come back to you in a form or another.
111. try to choose love more often and stay away from low vibration feelings and emotions such as jealousy, anger, sadness, loneliness.
songs that have the same energy of this relationship:
cariño by the marias
fireproof by one direction
swing by danny ocean
what makes you beautiful by one direction
love of my life by harry styles
lover by taylor swift
cigarette daydreams by cage the elephant
channelled stuff of this pile:
round glasses . italian/european vibes . orange . green . feminine and masculine energy very well balanced . libra . cancer . gemini . blue as favorite color . pear-shaped body . straight and bleached hair . ethereal . sea . cave with water . geography . dress with white and beige . blonde hair with waves . compass . anthropology . egypt
thanks for your time pile 1 <3
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♡ pile 2
i can't get your future spouse out of my head making the same face as flynn haha. your fs is so damn sarcastic. i really feel that your future spouse is a man since this person has a very strong masculine energy and visually i see a man, but remember that this is a general reading so i will refer to your fs as they.
i recently did an intuitive reading of who your spirit guide is and what they wants to tell you in this new year 2023, the pile 2 of that reading can resonate a loooot with you, if it catches your attention you can check it here: X. i really feel that it is the same person from that reading and i say that because i can smell the same perfume as when i did that reading. they smells so good. your fs will be so kind and respectful with all the members of your family, your mother will be fascinated that this person is your spouse.
they gives me a lot of sugar daddy vibes buuut i don't think they is much older than you, i see 2-5 years of age gap. they is going to want to have a lot of dates with you before being an official couple (and of course they will also love dating you after being an official couple). your fs is going to try to get your attention a lot without being invasive. they will treat you like a princess and will want to help you in everything they can, in your work, in your school projects, they will want to pick you up from work or wherever you are. your fs will love to dance with you. i just heard "that's my girl" they will be so proud of you. you two are so alike. they will love to tease you but when you do it they will be very shy and nervous, they will not accept it but they will love it. you two will be a successful and luxurious couple, they will love to spoil you, your fs will love to give you gifts and let me tell you that their gifts to you will be so expensive. the dates that they will love to have with you are going to eat at a fancy restaurant and drink champagne, dates on a yacht? i repeat it to you one more time, they are so wealthy.
without a doubt you two are soulmates and i would venture to say that you are probably twin flames, but not that kind of chaotic twin flames. i feel that you two individually have reached such a high point of healing and spirituality that the only word to describe your connection is peace, and you will only come together to enjoy each other's company and spend the rest of your lives in such a peaceful and happy way.
angel numbers of this pile:
1122. is all about striking out on a new life path with the knowledge that you will be fully supported and assisted by your angels and spiritual protectors.
321. this number comes your way to remind about the importance of rest. yes, work is good, and you need to work hard. but, ever so often, you need to take a step back to relax and enjoy the fruits of your labor. working too hard without rest is a sure way to burn out.
1111. seeing this number is a clear message from the universe that it is time to find your own truth and align it with your life, your thoughts and your actions.
songs that have the same energy of this relationship:
suga suga by baby bash, frankie j
the boy is mine by brandy
into you by ariana grande
34+35 by ariana grande
finesse by bruno mars, cardi b
that’s my girl by fifth harmony
love me harder by ariana grande, the weekend
channelled stuff of this pile:
taurus . sagittarius . gemini . north of italy. business . lawyer . black suit . white and flowery dress . honey . very well worked masculine energy
thanks for your time pile 2 <3
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♡ pile 3
i feel that you can be a person who does not believe in love? or you think it's something silly and that it doesn't exist? but inside you know well that your soul deeply desires to find your true love. if you do not identify with what i just said then those may be the thoughts of your future partner. am i channeling a twin flame connection?😯😳🤭
this energy is so chaotically beautiful, the same soul that is in two different bodies that all they want is to learn from each other in order to heal each other to their maximum level. i turned to look at the clock and it's 12:21, literally you are each other's mirror.
the energy/idea that your FS has of love is exactly like the song that megara sings "i won't say i am in love" but not from the perfective of negation, they see love from a sad perfective. they believe that love exists but it does not exist for them, they do not feel worthy of being loved and believe that if they are loved, no one will love them as they wish but then you will come into their life, making them known that there is someone in this world who loves them exactly as they wish. i must say that no one else is going to be able to heal you more than yourself, but in this case you will be that "healing" part and above all you will help them to open their knowledge related to love.
from your point of view, you see love from a perspective of teaching, companionship and growth. when you meet your fs your soul will be so happy to find who you always wanted to have as a spouse, you will not see any negative part in your fs but it will be hard for them because they will believe that they are not worthy of this love, this phase of the relationship reminds me a lot of steve lacy’s song called dark red, having a constant fear that your partner could replace you, that's what you fs is going to think although that replacement thought will never pass through your head. this person is your dream come true.
but don't worry, that phase of the relationship is just a point of learning and healing, after this everything will be fine. your fs will understand that they is worthy of this love that you will give them and they will be able to see life and especially love from a point of view of happiness. you love each other from the soul, your love was written in the stars. i must admit it, this pile 3 is my favorite.
angel numbers of this pile:
1203. take care of your partner. through words and actions, let them know that you don’t take them for granted. love is a beautiful thing; a special gift from heaven. your angels are asking you to appreciate this special gift.
1221. the journey of twin flames is not always a smooth one. it is laden with hardships and difficulties, and only the very strong can withstand the kind of challenges it presents. angel number 1221 encourages you to devote yourself to this journey because it could be just what you need to make your life better and more fulfilling. your connection with your twin flame will be stronger than it has ever been.
6. this message might represent your desires to have your own family, to have a child or something related to your home or family that needs your attention.
songs that have the same energy of this relationship:
505 by arctic monkeys
don’t give up on us by journey
another love by tom odell
fine line by harry styles
what is love? by twice
i wanna be yours by arctic monkeys
give you the world by steve lacy
channelled stuff of this pile:
curly hair . south of asia . glasses . phone in hands . “they love me or they don't love me”. one is taller than the other . hugging while walking . "i'm proud of you" . "i want to marry you" . ring . strong feminine energy . arab
thanks for your time pile 3 <3
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ancientegyptdaily · 11 months
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Female pharaoh Hatshepsut as the god Osiris at her mortuary temple. [random egypt photos] [source]
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egypt-museum · 3 months
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“The sun god who was the ultimate source of light, energy, and life. The first sunrise, when the sun emerged as a shining bird or golden child from dark watery chaos, was the most important event in Egyptian myth. Ra merged with the primeval form of the creator to make the cosmos and its laws. He ruled as King of the Gods, first on earth and later from the heavens.
Ra was born to his mother the sky goddess each morning. He passed through many transformations before being absorbed back into her each evening. Alternatively, the progress of the sun was pictured as a voyage across the skies above and below the earth. Each night the divine crew of the solar barque had to overcome the forces of chaos so that Ra could revive the sleeping dead and renew the world.”
― Egyptian Mythology: A Guide to the Gods, Goddesses, and Traditions of Ancient Egypt, by Geraldine Pinch
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talonabraxas · 2 months
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In Masonic lodges, Sirius is known as the “Blazing Star” and a simple look at its prominence in Masonic symbolism reveals its utmost importance. The Masonic author William Hutchinson wrote about Sirius: “It is the first and most exalted object that demands our attention in the Lodge.” The same way the light of Sirius made its way into the Great Pyramid during initiations, it is symbolically present in Masonic lodges.
“The Ancient Astronomers saw all the great Symbols of Masonry in the Stars. Sirius glitters in our lodges as the Blazing Star.” [7. Albert Pike, Morals and Dogma]
In Freemasonry, it is taught that the Blazing Star is a symbol of deity, of omnipresence (the Creator is present everywhere) and of omniscience (the Creator sees and knows all). Sirius is, therefore, the “sacred place” all Masons must ascend to: It is the source of divine power and the destination of divine individuals. This concept is often represented in Masonic art.
“This ancient people (Egyptians) knew that once every year the Parent Sun is in line with the Dog Star. Therefore, the Great Pyramid was so constructed that, at this sacred moment, the light of the Dog Star fell upon the square “Stone of God” at the upper end of the Great Gallery, descending upon the head of the high priest, who received the Super Solar Force and sought through his own perfected Solar Body to transmit to other Initiates this added stimulation for the evolution of their Godhood. This then was the purpose of the “`Stone of God,’ whereon in the Ritual, Osiris sits to bestow upon him (the illuminate) the Atf crown or celestial light.” “North and South of that crown is love,” proclaims an Egyptian hymn. “And thus throughout the teaching of Egypt the visible light was but the shadow of the invisible Light; and in the wisdom of the ancient country the measures of Truth were the years of the Most High.” --Marshall Adams, The Book of the Master
Temple of the Blue Star Talon Abraxas
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mapsontheweb · 4 months
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The world of Abraham, 18th century BC.
via cartesdhistoire
Source: « Histoire universelle des Juifs », Élie Barnavi, Hachette, 1992
Abraham, the father of monotheism, is with Isaac and Jacob one of the three patriarchs who founded the Jewish people. The biblical story of Genesis describes the wanderings of the Patriarchs across the Fertile Crescent, from the mouth of the Euphrates to the land of Canaan. The Bible places the Patriarchs in space but not in time, even if we can assume that Abraham lived in the 18th century. av. AD
Judaism constitutes the first expression of monotheism, but this appearance, far from being sudden, was the result of a slow evolution. Already in Mesopotamia, each state favored one deity among the many that populated its pantheon. In Egypt, the pharaoh Akhenaten (1353-1337 BC) had decided to worship only the god Aten and to do so had launched a vast iconoclastic campaign intended to eradicate all traces of worship of the god Amon. Here we see the outline of a shift towards henotheism, namely the idea that if there are several divinities, one of them is superior to the others.
From henotheism comes monolatry, namely the fact of worshiping only one god without denying that there are others. The development of henotheism stems from a form of nationalization of the gods which was notably encouraged by the Achaemenid Persians within their empire. In the biblical story of the Exodus, the alliance that the prophet Moses concluded with Yahweh was conditioned by the latter on the fact that the people of Israel made him their sole and exclusive god and renounced honoring others, which clearly shows that the existence of other gods is then recognized.
It was only around the 6th century. av. BC that Judaism asserts itself as a monotheism, that is to say that it postulates the existence of a single and universal god and therefore considers any other religious belief to be false. The true innovation introduced by monotheism is not so much the idea of divine unity as that of exclusivity and, with it, of truth.
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