#there are so many aspects of culture to go down

[thewertsearch]

Mega-Giga Ask Comp: Part 3

@manorinthewoods asked: I'll be honest, I wrote the Locked Tomb ask having not read the Locked Tomb series. I literally only know the starting and ending strokes of the first book. That being said, I do like the half-soul-Sollux idea, and it works pretty well with the Locked Tomb's general theme of Lyctorhood, and how knotted the whole situation with Alecto, Gideon, and Harrow ends up being. (What is even going on with Nona) ~LOSS (4/13/24) @manorinthewoods asked: You know, if you hadn't already read Gideon the Ninth, I'd have recommended it as a good second liveblog. It really does fit your preferred sort of mystery. From all the clues presented, you could probably hit very close to the ultimate solution to the Lyctoral puzzle - as close as anybody could be expected to get. ~LOSS (25/4/24) @manorinthewoods asked: The Locked Tomb's prose is pretty good. On occasion, it happens to chime with a sound of 'Homestuck', but I only recall that twice so far in my reading. I like the skelebook. ~LOSS (27/4/24)

Once again, I'm glad my hidden agenda - convincing this blog's entire readership to check out The Locked Tomb - is bearing fruit.

I agree! TLT does occasionally give Homestuck vibes, presumably because its author is a fan. For the most part, though, its prose style is all its own.

Anonymous asked: Reference to American culture: the sphere of Jade's home dropping and the timer that preceded it are references to the Times Square Ball, an annual event held every New Year's Eve. A giant ball descends down a pole at 11:59 PM and reaches the bottom at 12:00 AM, January 1. I believe that you can figure out why the reference was included in the first place. Anonymous asked: btw the gamzee page was released on new years. ‘the miracle of a new beginning’ is the new year and the lab dropping is supposed to be a reference to the ball dropping in times square

Some America Lore here that I wasn't aware of.

I was wondering exactly what Gamzee meant by 'a new beginning'. Maybe Alternia practices the tradition as well.

@omnilew asked: the way you speculate and go indepth into sburbs features and how it affects the kids, made a silly headcanon that your kidsona is reading the comic while playing out their session though this is mainly because "Eventually, we were bound to cross a couple of wires that should never have been allowed to touch" kinda references chargerkind

I like it! Maybe my 'sonas have access to a more in-depth version of Rose's walkthrough, and are adding their own commentary in quiet moments during their own adventures.

@manorinthewoods asked: Your excitement over the resurrection of Dream Jade gave me a form of suspenseful mirth. Seeing how happy you were at her resurrection, while also knowing exactly what came of it, is perhaps textbook dramatic irony. If only you'd read a panel further… ~LOSS (26/4/24)

She looked so happy to be back, too! That certainly didn't last long.

She was prototyped with a smiling corpse, though. Maybe that was just her 'default' expression, and it vanished as soon as her actual feelings asserted themselves.

@thetinygladiator asked: 'I hadn’t really thought about Sally’s ectobiological parent - but now that I am, I think the funniest possible option is that it’s her landlady.' okay but i just gotta say… this immediately makes me think about how that relates to the house-building aspect. Like, with the giant tower, are they gonna charge the Imps for rent? That might work, honestly. Where do imps even live? Bet they don't have good AC or Wi-Fi, lemme tell ya.

300 GRIST/DAY NO CRUXTRUDER NO ALCHEMY NO PETS

@manorinthewoods submitted: How many computers would you have on your person if you were playing Sburb? Jade recommends at least 5. I say I'd have a laptop, phone, a spare of both of those, and computer gloves if I need to compute really fast. Also spare gloves. Speaking of the phone - is it possible for people to put phones in their pockets? Given Karkat (and a minor gag in Act 6), we can assume that it's difficult or uncommon to carry items without using the Sylladex - or maybe it's just tied to your dexterity, and you have to hold things gingerly to avoid captchaloguing them when you pick them up. On the other hand, there's no issues with accidentally storing something you've unstored and are using - so how does the Sylladex actually work? Do people just instinctively store their items once they're done using them? Is it difficult to avoid storing something you aren't using anymore? Can you stuff phones in pockets? If not, then why develop a PDA in the first place? Given the Sylladex, it should be much more commercially viable to make a tablet. ~LOSS (24/4/24)

Since Karkat can physically pick up a book, you can probably pocket your gear - although maybe there's a difference between holding an object and trying to add it to a physical 'inventory'. Either way, the issue is easily circumvented by employing wearable tech, like the kids do.

As depicted in my alchemy binge, my primary computing device would be the Pocket Holodex, which can remote into any computer in my sylladex.

In addition, my Modular Ring shirt is also a computer, which can presumably be augmented by adding extra mod1ules over time. I'd probably also captchalogue every computer in my apartment, of which I currently have six.

I'd be exploring the Medium with a minimum of seven computers, plus one pseudo-computer, plus a phone. Jade would certainly approve.

@iris-in-the-dark-world asked: the tension in act 5 act 2 is perfect, i love it. maybe even moreso on rereads, the foreshadowing and generally ominous vibes always get to me @heliotropopause asked: You're getting to the part where the comic really starts hitting its stride. This'll be fun.

The ever-present countdown certainly adds a degree of urgency to the situation.

I'm really liking the pacing of this current act, as things slowly progress towards some critical point - one which, for now, is still shrouded in mystery.

Anonymous asked: Forwarding another ask for the person with no account ~DJ: Eridan's deal seems to be based on Wizardry Herbert - a proto-Homestuck work by Hussie. A parody of Harry Potter dealing with whether magic is real. [] But Methods of Rationality began in February 2010, so "Harry Potter but obsessed with science" might have also been an intentional reference to that.-RM @heliotropopause asked: Eridan Ampora and the Methods of Rationality sure is an idea for a fanfic. He'd be so bad at it.

Eridan would be an extremely funny choice for a ratfic protagonist. He'd be so smarmy about it - and thus, a perfect addition to their ranks.

What would the definitive Homestuck ratfic be called, do you think? I think Tool-Assisted Speedrun would be a decent choice.

@killedthekat asked: An interesting thing about doomed timelines is how they serve to prevent stable loop metagaming. As a basic example, in a typical stable time loop scenario, if you observe yourself unharmed in the future, you can throw yourself into high danger high reward situations and know that probability will twist itself into whatever improbable knot it needs to do to keep you safe. But in homestuck if you lean too hard on predestination you just get shunted into a doomed timeline for your trouble.

It's true. Timehopping just isn't fun in Homestuck, as you're constantly walking a tightrope, desperately trying to stay in the one timeline that might not get you killed.

It's a good way to prevent time-travelers from becoming overpowered - something which is probably necessary for a comic which makes such heavy use of the concept.

Anonymous asked: Now that you're updating while HS^2 is, I've realised that while I'm barely keeping up with ^2, I just yelled "Oh! Upd8!" out loud when I checked your blog, so to me? You're the real continuation of Homestuck

What an honor!

For veterans of the comic, this blog is more Homestuck: Revisited than Homestuck 2. As a woman who would much rather watch video essays about old Simpsons episodes than new seasons of the show, I completely understand why some would prefer the latter.

@manorinthewoods asked: I've since finished Worm. I think Sophia's by far the best Vriska candidate. Lisa, Amy, and Colin are less so, I think. ~LOSS (21/4/24)

Oh, nice, you got all the way through it! Worm is an absolute behemoth, and I know a lot of people who started it, and gave up halfway through.

Sophia is likely the closest match to Vriska in personality. I agree with an earlier comment, though, that the most Vriska-like character in terms of audience reaction is probably Amy.

Anonymous asked: Cannot believe someone would propose a Homestuck/Locked Tomb scenario and leave Gamzee as part of a spare pairing, when the Homestuck fic The Serendipity Gospels, written by the author of The Locked Tomb, stars Gamzee and Terezi in the proto-necromancer/cavalier dynamic. Absolutely appropriate to have Gamzee as Ninth though, since his facepaint is the direct ancestor to Harrow's. Gamzee and Terezi is such a funny pairing to go with. I'm certainly looking forward to checking out The Serendipity Gospels when I'm done with the comic - both to compare it to Homestuck and to the Locked Tomb.

As am I. Apparently it was left unfinished - but considering how long this liveblog is taking, maybe Taz will have updated by the time I'm done!

Wishful thinking, of course, but I live in hope.

@bladekindeyewear submitted:

(I started Dragon's Dogma 2 a couple weeks ago and did my best to a Gideon Nav pawn (NPC ally), facepaint and two-hander and all, and the "Jaunty Straightforward" voice selection has been EXTREMELY distracting / game-improving because her voice and attitude chatting beside my player all the time sound almost straight out of the audiobook.)

Damn, you really captured her essence. Pawn is a very fitting title for her, too :(

@manorinthewoods asked: On the topic of blood color names - Blue through Purple were renamed in Hiveswap. Originally, Vriska was Cerulean, Equius was Blue, and Gamzee was Indigo - which I like more than their modern incarnations. I think 'bronze' might also be a Hiveswap thing, although I won't dispute it, and rust might have been renamed to burgundy? Maybe burgundy is a synonym. Idk. ~LOSS (4/13/24)

I think I prefer the likes of olive, indigo and bronze over more generic terms like green, blue and brown, which would quickly lead to confusion.

Vriska's blood, for example, is also a shade of blue, so it would be a little strange if blue blood was an official term, but it didn't apply to her.

@mxamericanblue asked:hi i have been absolutely BINGING your live blog rn and i gotta just get this out this is so so cool watching you react has been giving me so much joy, i don't have a computer so i can't really experience homestuck again casually when i want to but watching you read it and react and THEORIZE??? omg your theories have been so fuckin killer it's given me a new appreciation for Hussie as a story teller and how spectacular this comic truly was thank you for this, i've been having a grand ol' time, and it's all cuz of u

Thank you! I feel like I've been theorizing a lot less since I came back from my hiatus, mostly because the comic hasn't introduced many big mysteries recently - aside, of course, from Aradia's unexplained explosion.

(Pre-posting update: Since first drafting this ask, my statement above is no longer true, as Gamzee has been revealed as Homestuck's most important character. What the actual fuck.)

@lilietsblog asked: re fifth house aradia: she's an archeolodist :)

Oh, shit, you're right.

Maybe she'd be in more danger from the Lyctor than I thought.

@ben-guy asked: Vriska's ascension to god-tier is, in my personal opinion, one of the most visually striking scenes in all of Homestuck. Also, one of the panels you didn't include (which is understandable w/ Homestuck lol. Sacrifices for the sake of brevity) specifically the one where she has him write "[…] plenty of time for that l8r" above her head… Think about the position she would have had to move him to to write that.

…jesus, Vriska. You can't just do that!

@martinkhall asked: "What is treasure but a fortune, waiting to be found?" Or stolen if you're the THIEF of Light.

Son of a bitch. That's why she's a pirate, isn't it?

Because a Thief of Light is someone who steals fortunes!

@manorinthewoods asked: Eidolons. A species purpose-built to play Sburb, while breaking every mechanic you can solely with biology. Eidolons don't sleep, and live in a hive mind. Their psychologies are very poor at recognising distinct things, with Eidolons seeing the world more in terms of a blur of colors and shapes. They thus have a very difficult time understanding Classes and Aspects, never mind that their mythology never involved deities, and they never invented chess, or games of any sort… ~LOSS (15/4/24)

The idea of a species engineered from the ground up to be Players does raise the interesting question of whether there was a first species to play Sburb.

Of course, with all the time-loops we've been working with, there might not have been a first species - unless Sburb was 'created' in some sort of metatemporal space, 'before' any loops were put in place.

@manorinthewoods submitted: You are very good at analysing Vriska's psyche. Vriska's character was executed very well, I think, and I would hate her with a burning passion platonically but to a high degree if I knew her in real life. She's just… really horrible. She's a horrible person. And half her shtick is that she keeps evading consequences in spite of that. All of her mental torture of Tavros, for instance, ends in her becoming the most powerful player in the session. What sort of justice is that, Terezi? ~LOSS (15/4/24)

She hasn't entirely evaded consequences, but it's undeniable that none of the consequences she's experienced have actually stopped her from doing the things she does.

She's lost an arm, an eye, she's been beaten up, she's bled to death, and literally none of it has caused her to let up on Tavros, even a little. Letting up on Tavros, to her, would be worse than any physical harm, because it would be an attack on her worldview.

@sanctferum asked: "Has anything come of this since, actually? I haven’t heard anything about this new comic – although I do scroll in the opposite direction any time I see a reference to Homestuck, so I guess it makes sense that I wouldn’t." - The general feel I've gotten from the community has been largely positive re: the new Homestuck 2 updates, which have indeed been happening. It's being updated once per month for now, so a lot slower going than non-hiatused OG Homestuck. But I'm enjoying it so far!

Once a month seems more sustainable than Hussie's original barely-believable pace for the comic. With Hussie no longer at the helm, expecting daily panels seems like a pretty big ask - most people don't have the time, money or energy do what Hussie did.

Anonymous asked: I don't know if you read UTDR fanfiction, but this Tavros and Vriska situation reminds me a little bit of Flowey Is Not A Good Life Coach. she's trying to push him to his limits and torture him into being someone who will kill, and he just won't. say, what's your read on comparing Flowey : Vriska?

Flowey does what he does because he's lost his emotions, but Vriska does what she does because she's consumed by her emotions.

If anything, Flowey has more in common with Aradia. They're both time-travelers whose ability to feel is somewhat compromised.

Anonymous asked: WHATTTTTT HOW LONG HAVE YOU BEEN BACK???????? I THOUGHT YOU WERE STILL ON A LONG ASS HIATUS BUT I JUST JOW DISCOVERED TUMBLR ISNT GIVING ME POST NOTIFICATIONS FOR YOU ANYMORE EVEN THOUGH I HAVE IT TURNED ON FOR YOU AND IT WORKS FOR OTHER BLOGS???? WHAT THE HELL. IM GOING INSANE.

This has happened before - but before, I was also removed from Tumblr's search function, which doesn't seem to be the case this time.

Is anyone else having issues with Wertsearch post notifications?

@elkian asked: So has anyone mentioned the godhood joke yet? (The God Tiers costumes have hoods. God Hoods. Badum-tish)

LOL, I did miss that.

Anonymous asked: Fun Homestuck fact! After writing Karkat, someone brought up that the writer of the 'Programming For [Expletive]s' book sounded a lot like Karkat. Andrew responded by telling them to imagine that it was actually written in all caps, basically canonizing that the 'Programming For [Expletive]s' book was written by Karkat. At least, I think that's how that went? ~LOSS (28/2/23)

And it could be any Karkat, too. Maybe one of the Karkats from a doomed timeline actually learned to code from Sollux, and became a famous ~ATH developer.

@morganwick asked: So with conversation 8=8 apparently taking place in the immediate aftermath of Rose destroying her gate (even technically during Descend), and Rose's attitude towards Kanaya in the part of it that we see, does that change how much you think her attitude in their previous conversations reflects her genuine mental state?

Oh yeah, no, I’m pretty sure she was genuinely in a bad mood here. Not really so much because of Kanaya, and I think the anger directed at Kanaya specifically was inauthentic, but the bad mood itself was real. She'd recently been injected with several months of traumatic memories, after all.

@manorinthewoods asked: That panel, of John in Vriska's 'fabulous outfit', is actually pretty neat, because you can see from the proportions how young John really is. He's small, not even fully a teenager yet, and he's been thrown into this chaotic world of humans and trolls, quadrants, violence and danger. Everyone in the game must be scared, in some degree, but none of them ever show it. It makes you wonder just how strong Skaia's children really are. ~LOSS (29/4/23)

Seriously. In what universe are 13-year-olds the people most qualified to make universes? Sburb has some very funny ideas about the optimal way it should be played.

I suppose this is something that had to be true, though, for Homestuck to be the coming-of-age story that Hussie wanted it to be.

Anonymous asked: My interpretation has always been that "the Blind Prophets" are actually just Terezi herself, in a time loop-y/predestined way. She's blind, her class is Seer, AKA prophet, and those are her numerals. Also, on an unrelated note, but to weigh in on your last ask, according to Latin conventions, the plural of lusus is lusus. Does Homestuck follow those conventions? Well…

Or, since there are two Seers in Homestuck, maybe they’re Terezi and Rose. She’s a Light Player, so a blinding would be suitably ironic.

Anonymous asked: re: captchalogue codes and the states of objects: it takes a relatively small change in the physical arrangement of atoms and whatnot to turn a ghost dad poster into, say, a little monsters poster, but the two have a relatively large difference between their conceptual nature. on the other hand, it would take a relatively large rearrangement of atoms to make the slime pogo ride be anything other than a slime pogo ride. perhaps this makes the former change state more easily than the latter? alternatively, maybe the captcha system just knows that all it would really take to make the slime pogo ride stop being covered in oil is soap and water and it's happy to do that on its own, but paper is harder to clean so it wants you to jump through more hoops for that one new question: if john had used his posters for alchemy before he was able to see their defacement, would the resultant objects also be beclowned? evidence seems to suggest that players with unawakened dream selves Will draw on their walls in their sleep and not see it until Ready, so there not being mechanisms in place to deal with that seems less likely than the alternative to me, but especially considering people who aren't them Can see the drawings, how??? would that even??? work??? what would've happened if john had done alchemy with the arms cake. i think it would be funny to see that

I think he’d still get the clown posters.

The kids keep accidentally making magic items, so It's clearly possible for someone to alchemize an object with properties they didn't foresee. Therefore, I think John would make what appears, to him, to be a normal poster - but Rose would still see it as it truly is.

Anonymous asked: any thoughts on what the horrorterrors are? beyond their (admittedly vague) intentions?

I think they’re a sign of the wider cosmology beyond Sburb - and, more specifically, a sign that there is a wider cosmology beyond Sburb.

I don't know if we'll necessarily get more expansion on them than we've already had, because their whole shtick is that they're unknowable. Needless to say, I'd love to be proven wrong.

#asks #full liveblog #act 5.2 #ya girl also thought she had more asks to finish. I swear there were like ten but there were actually only two

[noodleblade]

Do you have any favorite headcanon about cybertronians culture or "biology" you like or would want to use in your writing?

HMMMMMMMMM Interesting questions. Sorry for the ramble, I hope it makes sense but it really got me thinking. This became less headcanons and more just a rant fdkjvbefjvskndjnfjfdknvkjasvfn

As far as culture, I like leaning into what's been established a little.

Example: I like the fraught nature of Velocitron prioritizing speed and creating a system that revolves around it. I'm pretty sure the extent of it discussed is political, but I think it would also stem culturally (and maybe it is in the comics but I haven't gotten there yet).

Music having faster rhythms and beats, childhood games centered around racing, courting rituals based on showing off your speed or racing together.

And on the flip side, Velocitron does devalue slower, bulkier bots which creates this caste-type system. I like the idea of those mechs having their own culture, which is stemmed from their physicality but also their political situation of being outcasted.

Like, since Velocitron is all about who is the fastest, I think an interesting cultural attitude is created where you are constantly trying to be better than others, but if you are already limited being able to go fast, proving you are better isn't as important when society tells you differently. It shifts the value of the Importance of Self to the Importance of Community. That in itself creates a shift in culture.

Not to mention the ADA Compliance angle of there are areas of Velocitron that just have structures that allow for bigger, slower bots. I think I wrote something along the lines of Breakdown complaining that going to a convention medic on Velocitron as a bigger bot often ends up with misdiagnosed problems because they are so focused on the idea that you must be fast and smaller that they offer reformatting without looking at what the root of the problem is. (I know many fat people have this issue of doctors suggesting "losing weight" when addressing medical concerns without digging in deeper which is bullshit but aside from the point).

A SIDE THOUGHT: I would love to read (or maybe write???) Cybertronian folk stories/myths. I think that would be a fun avenue of culture to explore. It would be a way to delve into multiple aspects of culture and each city and colony would naturally have different ones or even rival ones. For example, taking the Velocitron culture into consideration, there could be conflicting folk stories alla a tortoise and hare situation. Speedy, conventional mechs would have a story framed around the "hare" being the winner where a slowly, bulkier mechs would have it framed around the "tortoise" being the winner. Idk i think that is so cool and interesting and gahhh.

BIOLOGY THOUGH x---x science was my worst subject in school already and i struggle with anything related to it. Writing such topics is a fun challenge but very difficult for me to broach, especially when we add mechanical components into it. I am writing a fic with the basis of scavenging the parts of deceased/offlined mechs and using them to rebuild another.

#IDK IF THIS IS WHAT YOU HAD IN MIND BUT I SPEND LIKE AN HOUR ON HOLD SPINNING THIS AROUND IN MY BRAIN #anonymous #asks #transformers #cybertronian culture #id love to hear other people's thoughts and opinions because the possibilities are really endless #there are so many aspects of culture to go down #i could talk about this forever #can you tell i used to be a history/literature major?

[jorrated]

Redid my Maya Knux gijinka! Now with notes and sources on how I did the design (It's kinda long, around 2k words jsyk):

The hairstyle:

Knux has pretty long spikes, so I knew I wanted to give him long hair! Braids or dreadlocks look pretty fitting, so I tried looking for references of hairstyles to see if any fit what I was looking for:

Source: Mayavase.com (Photograph by Justin Kerr)

http://research.mayavase.com/kerrmaya_hires.php?vase=1092

http://research.mayavase.com/kerrmaya_hires.php?vase=1453

http://research.mayavase.com/kerrmaya_hires.php?vase=694

http://research.mayavase.com/kerrmaya_hires.php?vase=1340

While all the vases show a variety of interesting hairstyles, I particularly loved the look of the braids in K694 (the third picture). Being tied upwards wouldn’t really fit Knux however, so something like the man in K1340 (fourth pic) with his hair fully down, or the 5th man from left to right in K1092 (first pic) with a cloth holding the hair would be really nice!

I didn’t want to give him a headpiece, if only to not clutter his head, but also I didn’t think it’d fit Knux as a warrior. The ruler’s headpiece in K1453 (second pic) however allows the hair to come off it, and seems to have some dangly adornments on the end of the strands/braids/locks, which I found super pretty. Plus:

“Elite Mayan men and women styled their hair to show off their pointed heads, crafted through the careful head flattening they experienced as children. Women gathered their long hair on top of their heads in flowing ponytails. For special occasions they braided their ponytails and decorated them with ornaments and ribbons. Mayan men grew their hair long but burnt the hair off their foreheads to accentuate their elongated profiles. They would bind their hair into one or many ponytails or tie it in a bundle on top of their head. Mayan slaves had their hair cut short as one visible mark of their inferior status.” p.399

Source: Fashion, costume, and culture: clothing, headwear, body decorations, and footwear through the ages (Sarah Pendergast and Tom Pendergast, Sarah Hermsen as Project Editor), 2003.

https://archive.org/details/fashioncostumecu0000pend/page/n5/mode/2up

Taking all of that! I settled on tight braids with a few adornments made of jade and wood, with a red cloth to keep his hair from his eyes. Almost all of the braids are pulled together into a ponytails, but there are some smaller braids loose.

It’s somewhat of a mixture of styles, combining ornaments of special occasions, with the long hair of elites on a character like Knux. But I kept these ‘contradictory’ aspects of the design to remember that Knux kinda learns about his ancestors on the go, through murals, writings and technology, so I doubt he’d have a great grasp on what he should and shouldn’t wear. I think it adds character as someone who’s trying to figure out himself, his history and his place in the world.

Shoes and Accessories:

For footwear I kept it simple, just turned Knux’s existing shoes into sandals:

“Ancient Aztecs and Mayans of Central America adopted a thick-soled sandal with a protective legging attached at the heel, while the top of the foot and shin remained exposed.” p.135

Source: Encyclopedia of Clothing and Fashion (Valerie Steele), 2005

Although my gut instinct was to cover Knuckles from head to toe in accessories, I also tried to keep it simple like the shoes. He’s a very mobile fellow so he can’t have too much weight or annoying bits flying everywhere and getting in his face. So I kept his moon necklace, like in Fleetway, just adjusted the shape to have a bit more of details:

“The jewelry worn by the Mayan, Aztec and Inca people was rich in variety and quite beautiful. Without metalworking skills, Mayans made jewelry from many materials. Mayan men wore nose ornaments, earplugs and lip plugs made from bone, wood, shells and stones, including jade, topaz, and obsidian. Necklaces, bracelets, anklets and headgear were made with jaguar and crocodile teeth, jaguar claws and feathers.” p.402

Source: Fashion, costume, and culture: clothing, headwear, body decorations, and footwear through the ages (Sarah Pendergast and Tom Pendergast, Sarah Hermsen as Project Editor), 2003.

https://archive.org/details/fashioncostumecu0000pend/page/n5/mode/2up

As stated here, Mayans didn’t have metalwork, so I imagine this is an artifact that his ancestors got from another group of people.

Just a page before they also mention how the Maya people used to file points into their teeth, to make their mouths more appealing. This includes shaping them into pointy teeth, (like the classic shark teeth), but they could also file them into other shapes, like in this picture:

Source: https://www.archaeologynow.org/blog-3/blog-post-title-two-txwxl (I’m pretty sure this isn’t the source of the image, but I couldn’t find an actual source that wasn’t an uncredited blog)

The Maya people are also notorious for their good dentistry, as seen the stone ornaments in the teeth above. I think the filling is something Knux could do on his own, but anything that would involve actual dentistry would be too much. But it’s still interesting to read about!

(Here’s an article named “Mayan Esthetic Dentistry: Using Modern Techniques and Digital Imaging Technologies to Link the Past to the Present” by Yassine Harichane if you want to learn more!)

While a non-permanent version of stones on teeth seemed cool, like Jade incisor-coverings, at the end of the day I don’t think Knuckles is too vain, so I didn’t add that to the design. Although I think he’d definitely try out a bunch of things like this, just to try to understand them.

For additional outfits I gave him a red layered cape and a green huipil! The red cape is just to bring back more red into the design, since I gave him a lot of green. And the huipil is a nod to his poncho in the comics! (Although huipiles are commonly associated with women and girls, I still wanted to give him one, not only to bring up his partial detachment to his ancestors, but also because Knux probably wouldn’t think much about gender in general let’s be honest)

Source: Mayavase.com (Photograph by Justin Kerr)

http://research.mayavase.com/kerrmaya_hires.php?vase=638

Somewhat based the red cape on the 4th man in this picture, from left to right, but I kept it simple, as maybe just some fabric Knux found around the island, nothing too fancy.

For the huipil I wanted to do something more detailed but was having a really hard time coming up with designs. And I didn’t want to straight up plagiarize someone’s else work, so I kept it vague, maybe some day I’ll sit down and give it a more detailed version. I did come across a very nice store/ catalog that sells traditional Maya textiles, and this one was very gorgeous! Highly recommend give this and the other textiles a look!

In the end I made the huipil look vaguely like the ones shown in page 128 of the following book:

“In the Museum collection, costumes that looked very much alike usually turned out to be from villages that shared a language. Among Cakchiquel villages, dialect differences were usually mirrored by costume differences. Working on this principle we were surprised by the striking similarity of style in the huipils of San Antonio Aguas Calientes (fig. 195) and San Martín Jilotepeque (fig. 196). These villages, while both Cakchiquel, spoke very different dialects and were separated geographically (map, below). The similarity of their huipil was so remarkable we felt the need to investigate these two villages more thoroughly and found that a multi-cultural history probably accounted for these unexpected similarities of style. Huipils from these villages may well illustrate the earliest examples of pan-Maya acculturation after the Conquest.”p. 127

Source: Threads of identity: Maya costume of the 1960s in highland Guatemala (Patricia B. Altman, Caroline D.West), 1992.

https://archive.org/details/threadsofidentit0000altm/page/n7/mode/2up

Lastly on accessories, which I don’t know if it counts as an accessory but I didn’t know where to put it: the body paint. Last time I gave Knux a human design I couldn't find a good resource on Maya people painting their bodies. Every source mentioned and was in consensus that some of the people did paint their bodies, but that was the extent of the info. I wasn’t able to find any patterns or meanings of the body paintings, or even good visual reference for it. But! This time I was able to get a bit more:

“Body painting was a common Maya practice. Classic Period murals and polychrome vases depict warriors covered with red or black paint; sometimes their bodies were striped with red paint. Paint was also used around the eyes and nose to give a fierce expression. In the 16th century, these practices continued. Women also applied red paint to their faces and bodies, but presumably to make themselves look beautiful, not fierce. Small paint jars of red hematite mixed with mica were found in the houses at Cerén, and these may have been for cosmetic use. Unmarried young men painted their bodies black, and so did those who were undergoing periods of ritual purification and fasting. Priests often wore blue body paint. “p. 338

Source: Handbook To Life In The Ancient Maya World Lynn (V. Foster), 2002.

Source: Mayavase.com (Photograph by Justin Kerr)

http://research.mayavase.com/kerrmaya_hires.php?vase=2800

http://research.mayavase.com/kerrmaya_hires.php?vase=2573

http://research.mayavase.com/kerrmaya_hires.php?vase=7996

I of course wanted to give him red paint, and I really liked this design of the red lining the cheeks on the face down to the neckline. However in most of these depictions the red on the body is accompanied by the white face, which I can’t actually tell if the face has white paint, or the body has black paint, like described in the quote before. Either way I chose to only use the red, to keep in line with Knux’s original design.

(It’s worth mentioning that these vases shown depict rulers, as you can see the intricate thrones and altars, which isn’t really fitting with Knux. But again, I want to keep some mismatched aspects into his design, not only warrior-related things.)

The main outfit:

Last but not least, the main outfit. Don’t have much notes on this I’m going to be honest, I just tried to keep in line with descriptions of warriors clothing:

“While some warriors may have been resplendent on the battlefield, the common Maya soldier fought with little clothing other than loincloth and body paint, based on battle scenes in the few Maya murals that remain (see figure 2.9, page 54).” p.147

Source: Handbook To Life In The Ancient Maya World Lynn (V. Foster), 2002.

I considered putting him in a loincloth for accuracy, but tbh I was scared people were going to be weird about it, and so I gave him a skirt with some fabric that emulates the look of a loincloth and some scrap fabric around his waist and limbs! He actually ended pulling up a lot from the dude I mentioned in vase K1092 (the very first ref pic in this post) lol!

And that´s all, hope y’all liked it :P

#jo.art #sonic the comic #knuckles the echidna #gijinka

[ao3commentoftheday]

Idk if this is too broad of a scope for this blog, but if you could answer this, it'd be great.

I've been in a writing rut since I started getting serious about writing, and I've identified the issue in the past month or so: I slant heavily on the gardener end of the writing spectrum and all the advice on writing I've ever seen was for architect-style writing. Not once in the eight years I've been serious about writing did I find any guides on gardener-style writing (and if it says it's gardener-style, it'sreally just architect-style with gardner aspects), and my experience has just been more or less jamming a square peg into a circle hole, getting nothing written and feeling bad about it.

Now I'm unlearning all the architect-style habits that are destructive to me as a writer, but I can't find any resources for gardeners aside from Stephen King's On Writing. If you or any of your followers know how to help a gardener's writing, that would be great. I have so many fic ideas I want to write, but can't since I'm learning to write all over again.

For those who don't know what gardener and architect refer to when it comes to writers, a gardener is a writer who starts with the seed of an idea and lets it grow in whatever direction the light shines. They prune it and weed it as they go but otherwise let the idea lead the way. An architect, on the other hand, plans their stories out first and then writes them. They have a structure and the details all mapped out first and then the writing is just executing on that vision.

As a gardener myself, my biggest piece of advice is to avoid writing advice. Like you've said, the majority of it is aimed at people who do things like plan and plot and worldbuild ahead of time. Because of the structure that that writing style enjoys, providing "one size fits most" writing advice works well for it.

I tend to find a lot of that advice to be counter to what I need to do. Planning a story out ahead just makes me feel like it's already written. Building out the world before I start writing it feels like a hollow exercise - more like writing an encyclopedia than developing a land and culture for my characters to inhabit.

What I find useful is taking an episodic approach to writing. The entire story will be like a season of a television show and each chapter is like one episode. I always have my eventual "season finale" end goal in mind, but any particular chapter can meander closer to or further from that goal. It's alright to take a circuitous route, as long as I get to my destination in the end.

It's also alright if my destination changes as I'm writing. Sometimes those meandering paths take me in a more interesting direction than I was originally going down, and that shifts the story. As long as you're vaguely following a three-act structure (or 5 act or 7 act), the flow of it will feel familiar to your readers and they probably won't really notice it happening.

This advice I'm giving might not ring true to you either. You didn't have a specific problem to address, so I've been wandering a bit in my reply. Really what it comes down to is paying attention to yourself and your needs. Figure out what it is that keeps you writing and what it is that makes you stop. Do more of the former and less of the latter - and don't worry if what you're doing is "weird" to someone else.

I write directly into the AO3 window (which AO3 specifically tells you NOT to do, btw) because drafting first in google docs or something takes the fun out of it for me. I post my chapters without previewing them first. I write in 800 to 1500 word sprints, and I focus on dialogue, and I almost always try to end on a joke or a pun or a cliffhanger. These are all things that make writing an activity that I want to do.

I can't really say anything much more specific given your ask, but I hope something in here was helpful. Let's see if any gardeners out there have some resources or advice that might work for you.

#asks and answers #long post

[sarahs-library]

Forgotten: Pretty Eyes

"You have such pretty eyes," Azriel's thumb dragged your lower lip down, his husky baritone stoked the fire of arousal coursing in your veins. "I can't wait to see you looking up at me, with my cock in your mouth."

A/N - Forgotten is giving me serious writer's block right now, so here's a little smutty snippet from the same universe before the story begins. You aren't together yet, the bond has snapped for Azriel but you remain blissfully unaware. Also I love the idea of meddling Nesta. This is also my first time publishing any smut, so hopefully it doesn't seem as cringey to you as it did to me re-reading it.

Word count: 4704

Warnings: Smut

Forgotten Part One ☪ Part Two ☪ Part Three

Your POV

Settled into the plush leather couch, you pulled the blanket up to your chin, creating a cozy nest for yourself. You balanced the book Nesta had given you on your lap, the worn cover a familiar weight against your skin. The floral sundress you wore fluttered around your legs, exposing the delicate skin of your knees, which you instinctively tucked beneath the warm embrace of the blanket. Once comfortable, you flipped open the hardcover to read the synopsis inlaid on the first page and snorted. Gratuitous smut, that much was predictable. But the story revolved around fated mates who couldn’t stay away from each other, despite every glaringly obvious reason to. Her recent recommendations had all centered on this theme, which you found puzzling. You couldn’t understand the Fae’s obsession with them, or Nesta’s for that matter.

Sure, you understood the religious aspect, most cultures had deities or worshipped magic in some form. Prythian’s Mother was no different in your eyes from the innumerable nameless gods you’d encountered in your travels over the years. But even so, the Fae's sanctification of basic biology was unique. You cleared your throat and looked up.

“Excuse me? House?” It felt strange, to address an inanimate object. You hadn’t quite believed Nesta when she first told you the House was sentient, a byproduct of her cauldron-made power. But it had seen to your needs enough over the last few months, often without prompting, that you’d found yourself creating a tentative relationship with it. “Do you have another book for me? Nesta’s been recommending so many of these, I’d rather read something different.” A moment later, a small pile of books dropped onto the table next to you. You thanked the House as you reached for the top book on the pile.

A God cursed to remain locked in his mountain hold until his soulmate frees him…You stopped reading with a frown, setting the book aside with the other before taking the next one. And then the next. You reached the end of the pile, all books about soulmates or fated mates or love pairs. Maybe the House had misunderstood you. You gathered the books up again, this time placing the one Nesta had lent you at the top of the pile and addressed the House again.

“Sorry, I meant do you have anything different than a romance? Maybe something with a bit of action and adventure?” The pile didn’t vanish, no other books appeared either. You waited for a few seconds. “House?” You knew it was close with Nesta, perhaps you’d offended it by inadvertently insulting her reading tastes.

You considered getting up from the comfy nest you’d created in the sitting room to go to the library and pick something off the shelves yourself. You eyed the book at the top of the pile again and sighed. Grabbing it you cracked open to the first page. Only then did the pile vanish, you couldn’t help rolling your eyes. In its place stood a glass filled with fruity, fizzing pink wine from the Summer Court. It knew that you preferred it to the heartier reds more commonly found in the Night Court. You thanked the House and took a sip from the wine glass before turning your attention to the book propped open against your knees.

A dull pain in your neck drew you from sleep. Your dry eyes adjusted to the low lighting as you began to sit up. You groaned and massaged the sore muscles in your neck and shoulder, cursing yourself for falling asleep in such an awkward position. The book, still open at the last page you were reading, slipped from your lap and hit the floor with a dull thud. Fae light housed in a dark glass shade flickered to life on the table next to your empty wine glass. Freeing the blanket from where it was tangled between your legs, you bent to retrieve the book from the floor. The hand you reached out stopped shy of the cover, the tips of your fingers brushing against the shadows that teeming it, burrowing under the pages.  

They didn’t shy away from your touch. Instead, they pushed the book across the floor into your open hand. You grasped at the leather-bound spine, cool shadows curling between your fingers and sliding up the back of your hand.

“Thank you.” You inclined your head and righted yourself on the sofa, expecting them to disperse in search of their master.

“Don’t tell me you’ve joined Nesta’s smutty book club too.” Reflectively you gripped the book tighter as the voice came from behind you. After months of living together at the House, you were beginning to be able to decipher Azriel’s moods. Smooth, dark, and low his tone of voice rarely gave away what he was feeling. But the slight elongation of some vowels and the emphasis on the word smutty told you he was amused. A delicate flush rose on your cheeks, and you resolved not to look at him.         

“I mostly go for the wine. But Nesta said this was one of her favourites, though I’m not sure why.” The shadows that had helped you retrieve the book began to climb up over the edge of the sofa, to investigate further as you held it in your lap. You could feel him inching closer behind you, making the hair on the back of your neck stand up. Satisfied with their investigation, or at whatever silent command Azriel gave them, the shadows began to return to his side. You were unsure of how cognizant they were. As one of them brushed against the soft skin of your thigh, exposed from where your dress had ridden up, you wondered if it was intentional. You were glad to not see his face. Not while his shadows snitched to him about the colour dusting your cheeks and the very long, very explicit description of the mating frenzy between the main characters you’d been reading before you fell asleep.

“Too tame for you, sweetheart?” You’d been playing this game for weeks now. Glances that lingered a hair too long to be appropriate. Comments that bordered on suggestive but still gave plausible deniability. Any excuse to touch, to feel the other’s skin as you passed a dish at family dinner or assisted Azriel with demonstrations for the priestesses.

And you hated it, the effect he had on you. You knew, somewhere deep inside in a place you didn’t want to acknowledge, that he was part of the reason you’d taken advantage of Rhys’ hospitality. Why you hadn’t been itching to leave, to find another place after you landed unceremoniously, bleeding and half-conscious, in the Night Court all those months ago.

You sighed. “No, it’s not that.” Azriel was standing directly behind you now. When you took your next breath his scent, night-chilled mist and cedar, filled your nose. “I know she and Cassian are disgustingly in love, but I’d prefer her to give me at least one recommendation that doesn’t revolve and two people finding out they are mates, and then fucking for the next 100 pages.”

Azriel made a low, humming sound. Not in agreement, but in consideration of what you said. You thought he was going to speak, grace you with a sarcastic remark. Instead, he leaned over the back of the sofa. His face was so perilously close to your neck that you could feel the hot breath he exhaled, as he plucked the open book from your lap. He retreated as quickly as he’d come; you instinctively turned, reaching one hand up to stabilise yourself against the plush leather.

His hazel eyes met yours, and the triumphant smirk he gave you ignited both irritation and something primal. Held aloft in one hand, he lifted the book to his eyeline as the shadows flicked swiftly through the pages. Landing on the passage he wanted, he began to read aloud.           

“His manhood was hot and hard and thick with lust. He pounded into her rough and ready, their gasps puffing in the air, steam rising off their skin.” Your cheeks flushed deeper. You hauled yourself up the back of the sofa, resting on your knees, attempting to use the leverage to lessen the advantage his greater height gave him. Reaching out, you tried to snatch the book from his grasp only for him to move it away just as your fingers brushed against the cover. He took a half-step back, still within arm’s length but not close enough for you to reach without losing your balance.

Azriel arched a brow, eyes alight with thinly veiled amusement as he took in your flushed face. You noticed the way they strayed, just for a moment, following the path of your exposed neck down towards your chest. A traitorous part of you preened under the attention of his gaze. Instinct prompted you to press the advantage he’d unwittingly given you, using the moment of his distraction to vault over the back of the sofa and close the distance between you. Azriel’s wings flared behind him, but he didn’t retreat from the sudden proximity, even as your hand reached up to grasp the book over his own.

Dragging his eyes away from you, he feigned nonchalance as he continued to skim the pages of the book. You realised your mistake then, calf muscles straining to keep your weight steady as you stood frozen on arched feet. His eyes didn’t leave the page even as his other hand came up to rest on your hip. The fabric of your dress felt dangerously thin as the warmth from his palm and slightly splayed fingers seeped through. Thin enough to feel the callouses on the finger that skimmed tantalisingly close to the edge of your underwear.

“The male says such filthy things.” He allowed you to pull the book down but didn’t relinquish his grip. Hazel eyes met yours, darkened even in the fae light. Slowly lowering your weight back onto the balls of your feet, you held his gaze. You were acutely aware of how little space was left between the two of you. Cool shadows brushed against the bare skin of your legs, catching on the hem of your dress and skirting at your waist. The breath you inhaled, made ragged by the proximity, filled your lungs with Azriel’s scent. Lust fogged your thoughts, quietening the voice in your mind that warned you of the precipice you teetered on. Even through the haze, you recognised there would be no going back, not once you acted on this.

“Do you like it when your lovers speak to you like this, sweetheart?” His voice, guttural and slow, seemed to speak directly to the embers now burning within you. He edged closer, enough that the fabric of your dress brushed against the scaled leather on his chest. You backed away, even as you felt your body react, but kept your eyes trained on Azriel’s face. His shadows returned to him, agitating a breeze that carried the unmistakable scent of your arousal. Azriel inhaled deeply, savouring it like a man half-drowned. His gaze became predatory as he prowled closer to you.

You felt the brush of cool leather against the heated skin of your back and the curve of your buttocks. He stepped closer, muscular arms brushing your waist on either side as he rested his hands on the sofa, caging you in. You held his gaze, even as he lowered his face close enough that your breath mingled. You tried to grasp at something, formulate a scathing remark that would disseminate the tension, that would allow you to step out of this room with your friendship still intact. All you could focus on was how easy it would be to reach up, tangle your fingers into Azriel’s hair, and bring his face down to close the distance between your lips. The corner of his mouth quirked up into a smirk and he feigned closing the distance, tilting his head before passing over your mouth and whispering in your ear.  

“You haven’t answered my question.” His breath danced over the shell of your ear, and you fought against the urge to arch your back and press yourself into his chest. His lips ghosted over the skin of your neck as he traced the curve down to where it met your collarbone.

“My preferences regarding lovers are of no concern to you.” He stilled against you.

“Is that so?” The words caressed your skin, drawled and meant to provoke as he made the return journey back towards your lips. You managed a breathy affirmation, even as he trailed fire in his wake. The barest of touches, feeding your desire for more of them, more of him. You didn’t notice the hand until his palm slid up to rest on the side of your neck, gripping your jaw between scarred fingers and thumb. His grip was firm as he pulled back to look at you.  

“Such lies from such a sweet, little mouth.” His thumb stroked a path up, sweeping across your plump lower lip. You parted them on instinct. Lust-darkened eyes met your own, and a moment of clarity passed between you both. One that spoke of more than just base needs or primal instincts. Hiding in his eyes was a promise of more. Something that neither of you were ready to address just yet.

"You have such pretty eyes," Azriel's thumb dragged your lower lip down, his husky baritone stoked the fire of arousal coursing in your veins. "I can't wait to see you looking up at me, with my cock in your mouth." His other hand moved to your hip as he trailed his thumb down, palm splayed as he traced your jaw; your neck to where the cut of your dress lay at the valley between your breasts. He toyed with the edge before moving his hand to trace down your other side, thumb brushing the underside of the swell of flesh you desperately wanted him to pay more attention to.

His grip tightened for a moment at your waist before he hoisted you into the air. You gasped in surprise at the sudden movement before he perched you precariously on the edge of the back of the sofa. The increased height made your face almost level with his, something that Azriel took full advantage of as he captured your lips with his own. Your hands moved to steady yourself on his broad shoulders, fingernails digging into the leather as you swept your tongue against his bottom lip. You opened your thighs in invitation, Azriel stepped closer so that your chest was flush with his. His hips settled between your legs; your thighs clenched on either side as he deepened the kiss. His skilled tongue stroked against your own as you moaned, breathing heavily through your nose.

His fingers tangled into your hair, pulling it aside as his other hand moved down from your waist to trace a path under your dress against the smooth skin of your inner thigh. His mouth left yours, moving to capture the soft skin of your neck, lathing his tongue against it in between delicate bites as his fingers slid higher on your thigh. You rolled your hips, trying to coax him as his fingertips grazed lace. You slid your hands over his shoulders, finding purchase as you pulled him closer. You felt him smile against your neck as he trailed kisses lower, freeing his hand from your hair, as he pulled the delicate fabric of your dress down roughly to expose your chest. You barely registered the sound of it tearing as one hand came up to clasp your breast, thumb running over the peaked nipple as he bent further to capture the other between his lips.

You groaned as he continued to nip and suckle and bite at the pert bud, hazel eyes observed your through dark lashes as you arched into him, bringing one hand up to tangle into his dark locks. He groaned against your skin as you pulled at it, moaning his name in between panted breaths.

“Fuck, Az. Please…” he sucked hard on the nipple caught between his lips, releasing it with an obscene pop and a parting flick of his tongue against the tip.

“Please what, sweetheart?” His mouth moved to capture the nipple under the ministrations of his thumb, the callouses rubbing deliciously against the sensitive skin. Words died on the tip of your tongue as the fingers dancing beneath your skirt finally brushed against sodden fabric, rubbing against the slick folds of your pussy. He grunted in approval as he continued to probe, pushing a finger into your aching hole as much as the lace would allow. You moved your hand from his shoulder, taking advantage of his bent position to trace two knuckles against the dark membrane of a wing.

Azriel’s growl was feral as he bucked his hips. His mouth left your breast to kiss up your neck, teeth scratching against the pulse thrumming at your jugular.

“Has anyone ever told you that you’re a wicked, wicked tease?” His lips once again met your own in a rough, opened-mouthed kiss. You purposely dragged your knuckles back over his wing, it flared out under your touch as he caught your bottom lip between his teeth. You pulled back, your lip catching before he released you. He stared at you, panting and pupils blown wide. You smirked as you put your hand back on his shoulder, resolving to explore the sensitive expanse of his wings further another time. You trailed your fingers down, feeling the hard expanse of muscles on his chest and abdomen before settling on the strings of his leather breeches.   

“I may have heard something like that before.” You pulled at the knot, struggling to undo it with just one hand. Azriel’s hand left your breast, placing it over your own to still the movements. You furrowed your brow, questioning him with a gaze as he made no move to help.

“There’s something I need to do first.” He stepped back, moving out of your reach as you planted your hands on either side of the sofa to steady yourself. His wings flared for balance as he slowly lowered himself to one knee, then the other, maintaining eye contact with you as his hands slid under your dress. Tracing up to your hips he caught hold of the lace of your panties, slowly pulling them over your thighs and past your knees to drop over your bare feet onto the floor. His eyes never left yours as he rucked the thin skirt up to your waist, leaving you panting and exposed under his gaze. His eyes trailed down slowly as if committing the sight of you to memory, taking special note of the flush on your neck and chest, littered with a constellation of bruises he had sucked onto your skin. Lower still, until his gaze came to rest between your legs, fixated on the way your cunt glistened in the fae light.

“I can’t tell you how often I’ve dreamed of this.” He ran the back of his hand down the side of your thigh as you opened your legs wider for him to nestle his shoulders between your knees. “Of how you taste, what you’d look like underneath me, the sounds you’d make when you cum for me.” He made sure to catch your gaze again as he lowered his mouth towards your slick folds. The hand that wasn't tracing your thigh moved to part your lips as his tongue delves between them. He moaned against you at that first taste. Dragging his tongue in a long sensual stroke up, barely brushing the edge of your clit before returning to tease at your entrance. Biting your lip your hands found his hair, wrenching him closer as you slid your knees over his shoulders. He cupped your arse, rough fingers digging into supple flesh as he fucked you with his tongue. Languid strokes that brushed his nose against your clit every time he pushed in deeper.

You moaned, grinding against his face, the hand not tangled in his hair circled at your nipple still coated in his saliva. His tongue slid up through the wetness to toy with your clit, circling dangerously around the edges before he caught it between his lips, suckling on it hard. You cried out his name at the delicious pressure, bordering on pain, his eyes watching you through dark lashes as you writhe and grind against him. He releases your clit, pulling back after a small gentle parting lick.

“Look at you.” His thumb moves up to trace your clit. He looked debauched, lips swollen and pink, chin soaked with your pleasure. “Such a pretty little cunt.” His thumb slides down through your wetness as he teases it through your puffy folds. “So wet for me, just begging to be fucked.” You felt your pussy clench as he traced past the hole, dipping further down in between your cheeks to toy with the wetness around the puckered ring of muscle there. He returned torturously slowly to where you needed him most, before plunging one finger deep inside of you. You moaned at the intrusion as he curled his finger up, rubbing purposely against the sensitive wall before pulling out. He added another finger to the first, inserting them at the same glacial pace, finally looking away from your face as he watched your walls stretch to accommodate his thick fingers. It wasn’t enough, you needed more of him.

“Please,” you begged, tugging at his hair. “Please Az, I need more. I need…” You trailed off as another finger slid into your tight hole, the pace still slow as he watched you grind your hips against his hand, trying to fuck his fingers deeper and faster into you.

“Whatever my beautiful-“He stopped himself, throat bobbing as he swallowed hard, eyes on your face again. “Whatever you want, sweetheart.” And with that promise, he lowered his mouth to your cunt again. The speed of his fingers increased, fucking into you with abandon as he caught your clit between his lips once more, licking and sucking, dragging his teeth gently over the sensitive nerves. He skilfully brought you to the precipice of your release, alternating between curling his fingers and lathing his tongue against your clit before slowing down. You keened, undulating your hips against his face and hand. Shadows bled out the sofa, fixing your hips down as he continued to tease.

“I need to see you cum for me.” He growled against you before pressing himself deeper into your folds. Your legs shook as his fingers fucked you harder, as his mouth latched onto your clit with a hard suck. His hazel eyes were fixed on your face, watching as you climbed towards your peak. Your grip tightened on his hair as your release built. Until finally, it snapped. Sending you careening toward the most exquisite bliss you had experienced in your immortal life.

“Azriel! Oh Gods…” Your legs shifted on his shoulders as your muscles clenched under your release, trapping his head between your thighs. He continued to lick and suck you gently as you came down from your pleasure, fingers moving at a more leisurely pace now as he watched you, eyes filled with lust and awe. You relaxed slowly under his ministrations, enough to begin to bring you towards pleasure again despite how oversensitive your nerves felt. You unhooked your legs from his shoulders as you moved your hands towards them, pulling as his leathers. He released you from his mouth, pulling his fingers out and admiring the wetness left on his hand rolling down towards his wrist. He rose, allowing you to capture his face between your hands in a searing kiss. You groaned at the taste of it, both of you mingled together on the tongue he stroked slowly against yours.

Moving your hands down you broke the kiss, nestling into his neck and tracing the dark marks of his tattoos with your tongue. Under both your hands the knot holding his leathers closed came away easily. You pushed your fingers under the tight band, grazing the head of his cock with your thumb. Azriel panted into your shoulder, his grip on your waist tight as you continued to tease the head, rubbing circles slick with pre-cum into the sensitive skin.

Azriel became rigid under your touch. You pulled away from his neck, from marking him with bruises similar to the ones on your own, to look at his face. A dark tendril curled around his ear, whispering to the shadowsinger. His face darkened and he let out a vicious curse, pulling away from you and turning his attention towards the foyer.

You could hear footsteps now, heading in your direction. Azriel was a picture, rock hard against his leathers, hair a mess from where you’d carted your fingers through it, full lips swollen and red. You looked down at yourself, bare breasts peeking through the ripped fabric of your dress, skirt rucked up still baring your cunt to the room.

“Y/N! I know you’re here. You’re keeping us all waiting.” Nesta was in the hallway now, heading towards the only way in or out of the sitting room. You slipped off the back of the sofa, righting your dress and trying to pull the ripped fabric of the bodice closed with little success. Azriel’s eyes had turned calculating, all trace of lingering lust gone as he ran through possible ways to get you both out of this situation. If you were anywhere else, he could have winnowed you away. You cursed whichever of Rhys predecessors put such stringent security measures on the House to a painful eternity in Hel.

Shadows moved to open the large windows next to the fireplace to let in a breeze, biting cold and pushed through the room as Azriel’s siphons glowed. A fire started to burn, smoking more than normal, its acrid smell filling your nose. Azriel gestured to the sofa, the blanket still coiled on the seats.

“Get under.” You moved quickly, throwing yourself down as you used the blanket to cover up your ruined dress and bruises. Azriel strode toward the window, taking one glance back as you tried to settle yourself before he slipped out into the sky and the fading light. You rested your head against the cool arm of the leather, bringing your legs under the blanket as you feigned sleep.

Nesta’s footsteps stopped at the threshold of the open door.

“Y/N.”

You let out a low groan, stretching as you pretended to drag yourself from sleep. You rose so only your face was visible over the back of the sofa, blanket clutched to your chest as you took in Nesta standing in the doorway. Her silver eyes scanned your face as her nose wrinkled at the smell of the poorly burning fire.

“You’re late.” Silver burned in the eyes she fixed on you, angered at the perceived social slight.

“I’m sorry, I was reading. Must have fallen asleep.” Your heart pounded as she assessed you. You hoped she’d put it down to the shock of being rudely woken rather than your anxiety at being almost caught.

“Everyone’s waiting in the library, let’s go.” You nodded in agreement, mind whirring as you tried to figure out a way out of the room, out of your ruined clothes with the reek of arousal still clinging to your skin, without raising any suspicions.

“I’ll um, meet you there. I just want to quickly freshen up and grab the book from my room.” Nesta’s eyes scanned you, before inclining her head and turning to leave.

“Five minutes,” she ordered as she left, “or we’ll start without you.” You collapsed back into the sofa, relief flooding your veins as you tried to calm your breathing. You hadn’t noticed the way her eyes had fixed on the dark lace half-hidden underneath the sofa before she left.

Thank you for reading, to everyone who asked to be added to the tag-list I think I've included everyone I can but some blogs I couldn't tag so apologies if that's yours.

Tag list: @kalulakunundrum @impossibelle @we-were-beautiful @going-through-shit @mulansaucey @sv0430 @naturakaashi @amygdtjhddzvb @airstrip-0 @acourtofsmutandstarlight @myheartfollower @whyonearthisyourusernamethi-blog @valencia-rou @amysangel @furiousbooklover @phoenixgurl030 @imnotsiriusyouare @i-am-infinite @cat-or-kitten @marvelouslovely-barnes @gretavanbobatea @tothestarsandwhateverend @furiousbooklover @esposadomd @meritxellao @kemillyfreitas @juneangel21 @a-frog-with-a-laptop @luvmoo @originalcrusadetrash @mandowhatnow @bangtanbecks @bookslut420 @goldenmagnolias @inkedaztec @opheliaas-stuff @spongehappy @oingo233 @unstablefemme @minicoffee00 @brujitafantomatico @thelov3lybookworm @naturakaashi @nyenye @fandomarchiveilyd @sunnysideup000 @bunnyredgirl @bloodicka @cirwin2013 @bigcreatorwombatdreamer @magicstrengthandcourage @justdreamstars @hanatsuki-hime @tsumudoll @jasontoddorjasongrace @saltedcoffeescotch @queerqueenlynn @kodokunarisu-blog @4ambagelbites @byyalady @feyres-fireheart @moonslitluna

#azriel x reader #azriel x female!reader #azriel x oc #azriel smut #azriel x you #azriel acotar #azriel shadowsinger #acotar #acotar series #acotar smut #azriel fanfic #azriel spymaster

[dduane]

I graduated with a meteorology degree recently and I’m curious: have you ever thought about how wizards would respond to climate change?

The short answer: very carefully.

The longer answer:

As would befit a wizard setting out to solve a problem, one has to first fully tease out the various associated difficulties attached around the fringes of the problem... so that you don't (a) make the main problem worse when you start to intervene, and (b) make the ancillary problems worse too. (As one of those unwritten rules of wizardry is There is never just one problem.)

The first thing that becomes obvious is that "climate change" is way too big a thing, with too many causes, to just sit down and construct a wizardry to make the whole thing go away. (Or back to some arbitrary "reset" point.) You have to pick a spot—in the problem-solving sense of the term—to start an intervention that's within your power, or the ability of the group of wizards you're working with, to successfully complete. You also need to check that the wizardry you're planning won't interact badly with one that might already be running in the area, or (later) with a different one that's still in the planning stages. You're going to need to find a way to make it self-sustaining, or to channel sustenance into it from some other aspect of the ecosystem that's already working, with no danger of that other aspect's own persistence being threatened. And if your wizardry affects a large enough region, biome, or number of lives, you're absolutely going to have to clear it with Earth's Planetary wizard.

This isn't just a matter of keeping spell logistics from colliding, either. There are always ethical constraints to consider. And one of the main ones, since we're working in a planetary culture that's mostly sevarfrith, is that whatever intervention you're planning must not be liable to attract attention to itself. When running and producing its desired effects, it must appear (at least on the surface) to flow correctly from the presently understood science surrounding climate change.

For example: if it was possible to construct a wizardry powerful enough to immediately reduce the global average temperature by, oh, half a degree Centigrade—leaving aside the godawful storms and other climatic results that would more or less immediately ensue—such an intervention would play straight into the hands of climate change deniers. These people would (with reason, which you gave them!) promptly start bleating triumphantly, "See, we told you it was a blip!" And in the aftermath of this, sure enough, everybody goes back to their naughty carbon-spewing ways, and you've blown a lot of energy on a wizardry that's come to nothing in the long term... and your Planetary is very out of sorts with you.

What would be seen as far better practice would be to find ways to enhance already-working efforts at specific, targeted reductions or repairs. A wizardly intervention that boosts something of this sort into working a little better, a little faster, than it might have otherwise, will potentially attract far less attention than bolder or more speedily effective moves... and will also in the long run prove far less culturally destabilizing.

(There's a throwaway mention of something thematically similar to this approach in A Wizard of Mars. In this brief bit of background, it's revealed that wizards with puffer brushes and carefully-protected cans of "canned air" make a habit of popping up to the Red Planet in the wake of known dust storms, and blowing clean(er) the solar panels of Mars probes that need a little help of this kind to keep running. The dust storms provide perfectly plausible deniability for the improved operational status: the scientists back on Earth are pleased enough that their probes are able to keep running that no one bothers to question the circumstances too closely: and the wizards get to reassure the probes, en passant, that their ongoing efforts are appreciated. It's a win-win situation all round.)

On the other hand: in situations where current science is as yet unable to detect changes occurring, there's still some room for maneuver. For example, again in Wizard of Mars, there's some discussion of the great 19th-century wizardry now referred to as the Gibraltar Passthrough Intervention. At the time the famous hydromage and Planetary wizard Angelina Pellegrino enacted this work, no Earthly science was capable of detecting except in extremely gross detail exactly what had been going wrong with seawater exchange between the Atlantic and the Mediterranean. And no science then extant was capable of detecting what was going on down by the Camarinal Sill to put the problem right... or at least keep it from getting any worse.

Nowadays, of course, the Passthrough (which I gather from the Errantry Concordance entry is still operational in YWverse-canon) has been running for so long that it's routinely mistaken by oceanic specialists for a natural phenomenon: some kind of historical shift in the thermohalic flows between the Atlantic and the Med, kicked off secondary to (insert handwave here) European subsurface tectonics, or previous ill-understood and undocumented solar mechanics, or some other damn thing. ...Sunspots! That's the ticket; let's blame sunspots. At least the flow between the two bodies isn't getting any worse, and that's what counts, isn't it? :)))))

So the whole point, from the wizardly point of view, would be to enact beneficial change to our planet's current nasty situation in some manner that can't be spotted happening... but also won't upend or cast into disrepute what we already know about climate science. Because seriously, there's a lot to do, and as this emergency unfolds, the planet needs all the help it can get. And sometimes the work of nonwizards of good will is the best, and least entropic, intervention available.

Hope this has shed some light!

#Young Wizards meta #wizardry #climate change

[makapatag]

realities, maximalism,and the need for big book™️

some gubat banwa design thoughts vomit: since the beginning of its development i've kind of been enraptured with trying to really go for "fiction-first" storytelling because PbtA games really are peak roleplaying for me, but as i wrote and realized that a lot of "fiction first" doesn't work without a proper sort of fictional foundation that everyone agrees on. this is good: this is why there are grounding principles, genre pillars, and other such things in many PbtA games--to guide that.

broken worlds is one of my favs bc of sheer vibes

Gubat Banwa didn't have much in that sense: sure, I use wuxia and xianxia as kind of guideposts, but they're not foundational, they're not pillars of the kind of fiction Gubat Banwa wants to raise up. there wasn't a lot in the sense of genre emulation or in the sense of grounding principles because so much of Gubat Banwa is built on stuff most TTRPG players haven't heard about. hell, it's stuff squirreled away in still being researched academic and anthropological circles, and thanks to the violence of colonialism, even fellow filipinos and seasians don't know about them

this is what brought me back to my ancient hyperfixations, the worlds of Exalted, Glorantha, Artesia, Fading Suns... all of them have these huge tomes of books that existed to put down this vast sprawling fantasy world, right? on top of that are the D&D campaign settings, the Dark Suns and the Eberrons. they were preoccupied in putting down setting, giving ways for people to interact with the world, and making the world alive as much as possible.

one of my main problems with gubat banwa was trying to convey this world that i've seen, glimpsed, dreamed of. this martial fantasy world of rajas and lakans, sailendras and tuns, satariyas and senapatis and panglimas and laksamanas and pandai... its a world that didn't really exist yet, and most references are steeped in either nationalism or lack of resources (slowly changing, now)

i didn't want to fall back into the whole gazeteer tourist kind of shit when it came to writing GB, but it necessitated that the primary guidelines of Gubat Banwa were set down. my approach to it was trying to instill every aspect of the text, from the systems to the fluff text to the way i wrote to the way things were phrased, with the essence of this world i'm trying to put forward. while i wrote GB mainly for me and fellow SEAsian people, economically my main market were those in the first world countries that could afford to buy the book. grokking the book was always going to be severely difficult for someone that didn't have similar cultures, or are uninterested in the complexities of human culture. thus why GB had to be a big book.

in contemporary indie ttrpg spaces (where I mostly float in, though i must admit i pay more attention to SEAsia spaces than the usual US spaces) the common opinion is that big books like Exalted 3e are old hat, or are somewhat inferior to games that can cram their text into short books. i used to be part of that camp--in capitalism, i never have enough time, after all. however, the books that do go big, that have no choice to go big, like Lancer RPG, Runequest, Mage, Exalted are usually the ones that have something really big it needs to tell you, and they might be able to perform the same amount of text-efficient bursting at the seams flavor writing but its still not enough.

thats what happened to GB, which I wanted to be, essentially, a PbtA+4e kind of experience, mechanically speaking. i very soon abandoned those titles when i delved deeper into research, incorporated actual 15th century divination tools in the mechanics, injected everything with Martial Arts flavor as we found our niche

all of this preamble to say that no matter how light i wanted to go with the game, i couldnt go too light or else people won't get it, or i might end up writing 1000 page long tome books explaining every detail of the setting so people get it right. this is why i went heavy on the vibes: its a ttrpg after all. its never gonna be finished.

i couldnt go too light because Gubat Banwa inherently exists on a different reality. think: to many 3 meals a day is the norm and the reality. you have to eat 3 meals a day to function properly. but this might just be a cultural norm of the majority culture, eventually co opted by capitalism to make it so that it can keep selling you things that are "breakfast food" or "dinner food" and whatnot. so its reality to some, while its not reality to others. of course, a lot of this reality-talk pertains mostly to social--there is often a singular shared physical reality we can usually experience*

Gubat Banwa has a different fabric of reality. it inherently has a different flow of things. water doesn't go down because of gravity, but because of the gods that make it move, for example. bad things happen to you because you weren't pious or you didn't do your rituals enough and now your whole community has to suffer. atoms aren't a thing in gb, thermodynamics isn't a real thing. the Laws of Gubat Banwa aren't these physical empirical things but these karmic consequent things

much of the fiction-first movement has a sort of "follow your common sense" mood to it. common sense (something also debatable among philosophers but i dont want to get into that) is mostly however tied to our physical and social realities. but GB is a fantasy world that inherently doesn't center those realities, it centers realities found in myth epics and folk tales and the margins of colonized "civilization", where lightnings can be summoned by oils and you will always get lost in the woods because you don't belong there.

so Gubat Banwa does almost triple duty: it must establish the world, it must establish the intended fiction that arises from that world, and then it must grant ways to enforce that fiction to retain immersion--these three are important to GB's game design because I believe that that game--if it is to not be a settler tourist bonanza--must force the player to contend with it and play with it within its own terms and its own rules. for SEAsians, there's not a lot of friction: we lived these terms and rules forever. don't whistle at night on a thursday, don't eat meat on Good Friday, clap your hands thrice after lighting an incense stick, don't make loud noise in the forests. we're born into that [social] reality

this is why fantasy is so important to me, it allows us to imagine a different reality. the reality (most of us) know right now (i say most of us because the reality in the provinces, the mountains, they're kinda different) is inherently informed by capitalist structures. many people that are angry at capitalist structures cannot fathom a world outside capitalist structures, there are even some leftists and communists that approach leftism and revolution through capitalism, which is inherently destructive (its what leads to reactionaries and liberalism after all). fantasy requires that you imagine something outside of right now. in essence read Ursula K Le Guin

i tweeted out recently that you could pretty easily play 15-16th century Luzon or Visayas with an OSR mechanic setting and William Henry Scott's BARANGAY: SIXTEENTH CENTURY PHILIPPINE CULTURE AND SOCIETY, and I think that's purely because barebones OSR mechanics stuff fits well with the raiding and adventuring that many did in 15-16th century Luzon/Visayas, but a lot of the mechanics wont be comign from OSR, but from Barangay, where you learn about the complicated marriage customs, the debt mechanics, the social classes and stratum...

so thats why GB needs to be a (relatively) big book, and why I can contend that some books need to be big as well--even if their mechanics are relatively easy and dont need more than that, the book, the game, might be trying to relay something even more, might be trying to convey something even more than that. artesia, for example, has its advancements inherently tied to its Tarot Cards, enforcing that the Arcana guides your destiny. runquest has its runes magic, mythras (which is kinda generic) has pretty specific kinds of magic systems that immediately inform the setting. this is why everything is informed by something (this is a common Buddhist principle, dependent arising). even the most generic D&D OSR game will have the trappings of the culture and norms of the one that wrote and worked on it. its written from their reality which might not necessarily be the one others experience. that's what lived experience is, after all

*live in the provinces for a while and you'll doubt this too!

#gubat banwa #ttrpg #filipino #fantasy #writing #rpg #gamedev #dnd

[thestalkerbunny]

I'm not caught up on kitsune lore, actually.

You have come to the right place, my friend.

All I think about is weird fox based lore.

We'll cover the 3 big ones of Japan, Korea and China.

THE FOX BREAK DOWN.

WHY THE FOX?

The fox in many cultures-in this case countries residing in the Eastern areas of the world-have been symbols of mystery, trickery, transformation and deception. This may account to the fact a fox is naturally a very fast and intelligent animal, that is rather nocturnal and has a way to always evade danger that it finds itself in. They're problem solvers. They also scream like women in distress. Or when they're happy-they scream like cars trying to rev up.

THE KITSUNE: Japanese messanger of the gods and local nuisence

The most popular of foxes in media, art and story, the Kitsune story comes from Japan. It has been the subject of movies, games, animes, mangas and even folk tales for generation. To put it simply, a Kitsune is a fox that possesses paranormal abilities. People already believed that foxes were supernatural in general-but with time and age, they'd grow smarter and wiser. A kitsune grows a new tail for every 100 years it lives-with those that have 9 tails being very powerful and with 10 tails earned, will ascend into GODHOOD.

-sound familiar to someone you might know?-

Kitsune and humans have always lived together and gotten along mostly. Fox Urine actually repels rats-so stones soaked in the urine of foxes would be placed near fields; which most likely led to people finding foxes sacred and becoming a symbol of the Japanese Deity, Inari Okami-the God of agriculture-and eventually being regarded as their messengers.

Kitsunes had the ability to shape shift-often doing so into beautiful women (and sometimes men depending on the story) and getting themselves married, but usually getting run off by their spouses' dogs (which they are afraid of) They also have a tendency to reveal themselves when they get drunk or are careless as the tails are the one part of themselves they can't hide properly (which is tricky if you got 9 of 'em.) Beautiful women with certain face structures and high cheek bones are often called 'fox faced'

Kitsune can be good or evil-some of the more wicked ones going out of their way to possesse humans and have to be exorcised to free them.

THE KUMHIO: Korea's nightmare manic pixie dream girl

The Kumhio is my personal favorite-hailing from Korean, the Kumhio (or Gumhio depending on spelling variation) is a fox similar to the Kitsune in many aspects. It's a very long lived 9 tail fox, it has supernatural powers of illusion, shapeshifting and magic. But the Kumhio is different in it's behavior. The Kumhio's favorite meal-unlike the tofu loving Kitsunes-is human livers. And they go about acquiring it in a very interesting way. They will become women (or men) and manage to get hitched up to whoever is most convenient and begin to systematically prey on everyone in the household. First the animals, then the servants, the family, and often times leaving the spouse for last. They are also known to dig up fresh graves to get the livers. They also sport something similar to the kitsune that was not mentioned-a Bead they keep inside their bodies that they can cough up. This is called a Fox Bead. Putting this bead in your mouth can give you IMMENSE knowledge of the sky land and seas. Often times this is only shared by the Kuhio via a sort of 'deep kiss' where it puts the ball in your mouth and then takes it back with it's long unnatural tongue. But most cases have been people trying to steal it/accidently swallowing it. Although humans are a Kumhio's prey-if a Kumhio abstains from killing and consuming a human for 1000 days, it too will become mortal and then can enjoy all mortal perks (getting married, sharing a life span with someone, not being a literal monster) They are sometimes in mythology (depending on who you ask and which variation of the story you read) regarded as a lesser creature, but still very very dangerous. I wouldn't wanna fuck around and find out with one of these puppies.

FAVORITE PIECE OF MEDIA INVOLVING A KUMHIO:

Laon, it's a great horror read, kinda short, but still great. I love it unironically.

THE HULI-JING: Your friendly neighborhood fox ghost

The Huli-Jing is another Fox Spirit, this time from China. Much like Japan, it has the same properties as the Kitsune; Supernaturally weird, crazy long lived, can become god, people tend to like them. Until they do fucked up stuff. One case had a huli-jing posesses an important woman in power and she and her husband while posessed basically started torturing and murdering people and starting a massive revolt against their dynasty. Unlike Kumhios who suck life essence from the mouth (and eat your liver) The Huli-Jing will go the Succubus route and.....steal semen. That's right, the foxes are turning into hot hot women and are stealing your life force via your jizz boys, keep it in your pants. But despite that, many villages in history love the Fox Spirit-a saying going as far as villages shouldn't be established without a fox spirit milling about. They're seemingly friendly provided you pay them the right respects. Many people would have in home shrined dedicated to them to make offerings right there.

TLDR: Foxes are fuckin' spooky, turnin into women, stealin' your semen, your liver and making your goddamn rice grow. fuckin' foxes doin' FOX SHIT.

#TSB ask #Foxes #Fox #Kumhio #Kitsune #Huli-Jing #Mythology #monsters

[neptunes-sol-angel]

Another pick a card...but make it cunt 😆 im lowkey cringing with myself, but I don't care, I loved this idea and this aesthetic. I've always been a cherry cola kind of gal.

Paid Services | Patreon | Tip Jar

Pile One

You serve cunt in a classy way. Elegance is your niche, beauty and brains IS your motif. There's magic behind your allure that's very old fashioned, an era that's been mimicked by so many, but only truly reincarnated by fewer individuals. It's so nostalgic, and reminds me of this longing that's present in each generation. "I miss the 90s", "There's hardly any superstars in Hollywood anymore", "Where's the talent?", "Video Vixens of today are lacking sex appeal". Aesthetics and "vibes" are easy to wear as a costume, but will always fall short as if something is missing. You have something that isn't ephemeral and can't be cloned because it isn't studied by the naked eye, but is definitely hard to not notice. It's derived from your authenticity, and is most adored by when you're in your element. I'm getting that one of your talents involve visuals, if you're the model when it comes to art, people love your sense of style and the way that you walk, if you're the creator, whether it's digital or concrete, the people love how your creations are like air, it isn't try hard, it doesn't demand to be seen, it's a force to be reckoned naturally. Maybe you guys are enthusiasts, and are the audience that admires the art, but just because of your passion, you generate a following that's interested in how you see things and what you have to say. This could definitely be a pile for cinephiles, anime cosplayers, or even beauty influencers. Continue using your voice, serving cunt is when speak your mind. You're able to strike a nerve in people without being vulgar. Both your stance on things and tone are profound. People are intimidated by your intellect, eloquence, self-efficacy, and mental independence. I'm seeing archivists in this pile, people that are very protective over cultural traditions, history, but also protective over themselves. Even if you're still learning how to set boundaries in a healthy way with others, you demonstrate a lot of vigor by making the first step, which is knowing what's beneath your worth. Your physical attraction is lethal because you create your own category of appeal, what's preventing you from weilding it to its full potential is seeing it for yourself, without needing another person or social construct to point it out for you. Maybe some of you are trying to get out of the grass is greener on the other side mindset when it comes attracting what you want. If it's love in all aspects, recognition, self-worth, manifestation, or just confidence to interact with others as who you are, this relates to your femininity, a misconception that your feminine energy has to be soft, dark, hyper, or even concealed. For some of you, you could have had a rough upbringing, where although you unfortunatelt had to withstand pressure, it turned you into a diamond. Especially if you're ethnic, and resonate with being a historian, scrutiny over your physical and cultural differences, could have taught you to really value yourself, not feel guilty for defending yourself, and recognize how special you really are.

Pile Two

You're approaching a special glow up and it's definitely going to be something "cunty" that'll have some people upset. I don't even see this as a villain era, but more so something very personal. I feel like this pile has dealt with a lot of situations with people cornering you into making you doubt yourself or just outright trying to sabotage your spirit that could convince you out of opportunities that are divinely meant for you. Even though it says a lot about what you're capable of, if people have to kick you down when you're low or can't take you down by themselves, it takes a powerful person to stand up for themselves ten toes down against intimidation. You're going to achieve a milestone that's going to be very important to you but also a big deal to others as well, especially your haters. People that underestimated your might, are going to have to witness these rewards that you've worked so hard for, and it isn't even the peak of blessings that your endurance will reap. You serve cunt, by getting stuff done, accessorizing initiative with your charm, having a lot of endurance and scorching optimism amongst being met with cold situations like betrayal, failure, and people that aren't kind. You serve cunt with your quirks, creativity, and self-awareness, you're like this fountain that doesn't stop pouring when it comes to your capacity to grow and hone your gifts. You serve cunt with the way you keep fighting for your wishes and your stability. Even if it's not on some woo-woo abracadabra shit, you serve cunt in a "witchy" way. You guys are alchemizers, you make peace with your darkness by letting it transform you for the better. You're not afraid to show your scars, your sensitivities, your imperfections, or your mistakes, or your shadow. You wear them like a Picasso painting, abstract, thought-provoking, inspiring, mesmerizing. The way that you serve cunt is only a weapon to those who feel inadequate compared to your range. You could attract a lot of envy, people who feel personally feel like what you're blessed with should be given to them, but this is petty energy, hence why it never prevails against you. It could sting, but it never keeps you down. You could have a strong spiritual team that's protective over you, but part of your protection also comes from understanding that you DO have teasurable qualities that'll bring you success one day. You serve cunt, by the way you empower yourself instead of blaming others for hiccups in your life, you take control by knowing that no amount of evil eye, tower moments, or swords in your back can ruin or take away your abundance, that energy can't be destroyed, it can only be blocked by you, continue to keep your motivation high and always recognize when you're getting in your own way. The magic just doesn't stop, it starts with you and how you create your life by how you apply your actions in your present reality. Keep chasing after what you want, because it's out there, seeking for you too.

Pile Three

"I don't chase—I attract" but make it cunt. The burst of energy in this pile is both chaotic but ironically contained at the same time? It's like how a cat always lands on its feet. The universe LOVES you, and you know it, I'm getting major princess treatment vibes in this pile, but it's not something that you take for granted nor is your life just completely sunshine and rainbows. The struggles that weigh on your shoulders, you carry them well, and you always manage to give others a smile or just the things that you say will make their day or change their way of thinking about life. People admire your confidence, they love your humor, some people just want to BE you entirely because of how other individuals and opportunities just seem to gravitate towards you. People in general just deem you as someone's who is lucky. Words are spells, and people liken yours to the Midas touch. You're great at giving yourself and others, affirmations, and a part of what expands your abundance is how you show gratitude. Even if it's not much, the way that you speak of things, will make others believe that what you have is golden. I'm getting a  hypothetical scenario where you're in a financial bind, that's inevitable and out of your control, but instead of mentally just shutting down or letting this problem consume your day, you order an iced coffee, but do you know what you're gonna do with that iced coffee? You're gonna romanticize the hell out of that coffee! This also applies to how you look as well, doing a baddie on a budget haul at Marshall's? Best believe you're gonna still be serving CUNT in that outfit, name-brand or not. You know that each person's expiration date on life is unknown until it happens, so you really serve cunt by living each day like the world is your oyster. I notice that you're also very clear with your intent which is why the universe meets you half way. When you take a leap, you can fall, you know you're not invincible, but most of the time, you fly, and soar away into the next adventure. When you lose things or people that are not for you, don't resonate with anymore, or take you for granted, you could find yourself immediately seeing your losses being replaced with something better. You treat life like a celebration, and that's why people enjoy your company, others may feel that it's always going to be a fun, pleasant, and memory making moment when hanging out with you. You're wild in a way that may be scary for others, but also induce an adrenaline rush in others because your aura just feels so carefree and like they're being liberated.

#divination #intuitive #psychic #pick a card #tarot #spirituality #pac #tarotblr #tarot community #free readings #tarot readings #the tarot community #pick a pile #pick a picture

[brujahinaskirt]

Okay, I obviously made the above post as a leetle joke, but since it's getting not insignificant traction, I do want to offer a more serious note.

I love this about Arthur. It's probably my favorite thing about him, but let me use this fresh new RDR2 meta post to clarify exactly what I mean. Despite the aspects of his personality & appearance that are traditionally hypermasculine, and despite how often he is annoyed with people (especially incompetents or people who meddle with his plans), Arthur is decidedly NOT annoyed by the social performance of femininity or by traits that are/were frequently stereotyped as feminine. Ever. Regardless of subject. I might go so far as to say he seems to canonically prefer hanging out with women and with "feminine" men.

Your long-winded, bullet-pointed analysis is below!

The Girls. Most noticeably, Arthur actually sits down to talk with and actively confides in the camp Girls (Tilly, Mary-Beth, Karen) more than anyone else around. These three are the most traditionally "girly" (single, 20s, active, pretty, unattached, highly social, feminine, chatty) members of the gang, though of course they are still criminals and don't perfectly adhere to all period-typical standards of feminine comportment. He doesn't mock the girls** like he sometimes does with other auxiliary members of the gang (like Uncle and Pearson, playful or not). Notably, he doesn't even gently tease Mary-Beth for writing her "silly" romance novels, a highly feminized hobby which she speaks about in a self-depreciating manner, much like Arthur speaks about his own artistic hobbies. Rather, he talks to her about writing like a peer and encourages her to write more by going out of his way to get her a nice pen. Crucially, there is no canon romantic or sexual interest in any of the girls on Arthur's behalf. He just feels the most comfortable in their company and seems to value their advice/opinions on life the most. To me, this is much stronger proof than his forever-burning torch for the cultured & ladylike Mary, which is (or was once) rooted in romantic desire. ** Unless the player persists in Antagonizing them, and these lines (while sometimes shockingly cruel and offhandedly sexual in nature; see Arthur teasing Tilly about pursuing Javier) are largely about goading them for laziness or, in Karen's case, her alcoholism. That said, many of the Antagonize lines strike me as clumsily tacked-on & poorly rooted in canon, which could indicate: (1) an Arthur who is deliberately trying to be disruptive (a generous interpretation), or (2) writers instructed to add throwaway content that will make a certain type of childishly misanthropic gamer (think 13 y.o. boys) squeal in glee with relatively low impact on the overall story.

Campmates. Following the above point... who doesn't Arthur hang out with much? The manly men of the gang; the very people social mores suggest he ought to be hanging out with. Bill, Micah, Joe, Cleet, and even Dutch. (To some extent, this includes John and Sean, but I'd say John sort of lives at the edges of gang life anyway, and Sean is, well, Sean.) Conversely, which male gang members does Arthur hang out with a lot? Sweet little bookish Lenny, a wordy, positive-energy, breezy intellectual who has just barely become an adult. Introspective, soft-voiced, long-haired Charles, who is traditionally masculine by some standards (strong, usually calm, can be standoffish) but decidedly NOT so when his appearance/demeanor is judged by the white Christian American male standards that began to dominate masculinity concepts in the later decades of the 1800s.

Algernon. Oh, my, Algernon. Arthur clearly dislikes Algernon's fancy, loud, outrageous clothing. But weirdly, he seems to like Algernon, not just tolerate him. Arthur in fact goes through significant personal discomfort to avoid hurting Algernon's feelings (the awful hat, the POST.MAN. sobbing), and he immediately says yes to having tea with him without any awareness of a coming business proposition, though half the time Arthur clearly has no fucking clue what Algernon is talking about. I am left to conclude that on some level, he just enjoys hearing Algernon talk, which is word-for-word what he says while listening to the Girls argue about romance novels ("I just like listening to you [all] talk." Hello????). I mean, for God's sake, he meets the man while he's choking to death on a nut at a fancy party, and the second thing Algernon does is tell him he looks like a guy who wears a corset. If anything was going to set off the boiling defensiveness of a dude who worships masculinity, thirty seconds with Algie would have done it.

Margaret, Mistress of Fucking Danger. It's pretty clear Arthur doesn't like Margaret. But that has little to do with Margaret's femininity & cross-dressing (this doesn't faze him at all when Charles Châtenay does it; more on that below) and everything to do with Margaret's deceptiveness and highly selective memory. It's not until the bullshittery unveils itself that Arthur starts getting visibly pissed off at Margaret. Conversely, Arthur does seem more positively disposed toward Sally Nash. (That said, this quest has a lot of problems and poorly aged lines that are depressingly easy for a politically motivated jerkoff to soundbite and miscast as Rockstar being pro-bigot. Cue 800 heterobnoxious gamerbro ARTHUR MORGAN ULTIMATE ANTI SNOWFLAKE SIGMA MALE OF THE WEST YouTube videos.)

Albert, my beloved. Rather than goading him to man up, Arthur tries to persuade Albert (whom he very obviously likes) to pick safer animal photography subjects, e.g. horses, and doesn't insult him for his lack of wilderness knowledge (an aspect of traditional manliness that is highly relevant to Arthur's lifestyle). You'd think he would tear into him for this shortcoming, given that they share so many of the same interests and passions, and IMO his genuine eagerness to serve as Albert's protector and facilitate his art is highly convincing evidence that Arthur does not necessarily view masculinity as a net positive.

Arthur is a basic goddamn boyfriend-hater. He pretty much harshly disapproves of every husband, boyfriend, male partner, etc. in the game and is very, very vocal about it... except one extremely unlikely candidate: Beau Gray. Weak, dandy artist Beau Gray, whom Arthur takes one look at and promptly hands the only gun to Penelope. Arthur is curt and impish to Beau at times, but helps him in his relationship troubles willingly (without collecting repayment), and seemingly for no other reason than the fact he can see that soft, fearful Beau is genuinely head-over-heels in love with Penelope. Is he projecting his own young love for Mary onto them? Maybe/probably, but Beau could not possibly be more different from young Arthur, and Arthur seems to believe this difference will make him a good husband for Penelope. A good husband, in Arthur's view, seems to simply be a man who ardently loves his beloved, regardless of his ability to provide for/protect her, and whose only goal in life is to live that life at her side. This is completely antithetical to mainstream late-1800s views on what constitutes a good husband and what it means to be a man.

Châtenay. Arthur shows us some of the most obvious delight and mirth he experiences in the game when he's hanging out with Charles "Allo Boys" Châtenay, who is straight up in drag a third of that time. This baffles Arthur a little, but doesn't disgust or repel him. I've written about this mission elsewhere at greater length because it is one of my favorite disasters, but it's worth mentioning here too.

Trelawny. Arthur clearly enjoys Trelawny despite his grumbly claims to the contrary. Most of these "claims" are just Arthur's established way of affectionate teasing (he does much the same with Uncle and Pearson, both of whom he genuinely likes). His authentic gripes about Trelawny are all about a perceived flightiness/lack of loyalty to the gang, not about his flamboyance. And even these gripes are half-assed, in Arthur's usual way.

Bluegills & Daisy Chains. One of the most genuine moments of softness we have with Arthur in RDR2 is when he takes Little Jack out of the camp to go fishing. Arthur's usually a much truer version of himself when he doesn't have to play the Big Bad Gang Lieutenant role, but this moment of escape is especially important, and not just because Arthur reveals his fondness for children and his natural understanding of how to talk to them. I notice this: Arthur tries to gently teach Jack about fishing, and Jack is completely fucking uninterested. Jack prefers to make flower chains for his mommy. Arthur doesn't scold him for his drifting attention or his lack of attraction to masculine past-times; on the contrary, Arthur goes out of his way to encourage and protect Jack's natural sweetness and innocence. That's a wild stance for a murdering outlaw to have re: the "next generation" of his family. Hell, I've encountered far too many 21st century dads in my own family who flip their shit when their tiny sons prefer hanging out with women & partaking in "womanly" hobbies like art, cooking, and flowers rather than hunting and fishing.

"...and be a god damn man." This seems like classic masculine bluster on the surface, but what does this keynote line mean in the context in which Arthur says it? Well, it's complicated. This statement serves as (a) Arthur's goodbye to John, (b) Arthur's final call to action for John, and (c) Arthur's last wish for his brother's life. But it certainly does not mean standing and fighting or being tough; i.e., "dying like a man." In that moment, it means abandoning all masculine bluster and revenge fantasy, and running away: leaving violence and fighting and brotherhood and all that crap behind to simply be there (alive, present) for your wife and son.

The Best Women People. Who are the best people Arthur knows, by his own crystal-clear declaration? Abigail and Sadie. Sadie's a rough-and-tumble, super-violent gunslinger and Abigail's a stubborn thief & a former sex worker (in the time Arthur has known her), but they are also, critically, two wives: the most traditional feminine role for a woman of the time period (and indeed perhaps most of human history once the concept of "wife" subsumed that of "mother"). It's also important to note that Arthur doesn't truly give up on Dutch until Dutch abandons Abigail, which serves as Arthur's point of no return. The other men left in the gang at this point specifically note that she's "just a woman" and not worth going back for. Arthur is straight-up shocked by all of this; he obviously considers her among the most worthwhile and value-having members of the gang, and certainly one of the most core members of the gang. Without any hesitation or doubt, the instant it's clear Dutch is cutting Abigail loose, Arthur declares: "That's that, then."

tl;dr: Arthur unironically prefers hanging out with women and queens and I love that for them.

#rdr2 #arthur morgan #red dead redemption #i promise to wait an appropriate amount of time before hurling another one of these massive essays at you tumblr #redmeta

[katy-l-wood]

What's your favorite part of disaster research?

Ohohoo. I could go on about this one for HOURS.

But, at it's core: my favorite thing is looking into how and why we tell disaster stories the way we do, both in fiction and non-fiction. As an extension of that, how the fiction and non-fiction aspects intersect. Why do we focus on the elements we do? Why does media coverage of disasters work the way it does? Why do we believe so many myths about disasters like looting and panic behavior and everyone-for-themselves? How can we use fiction to better inform non-fiction, and non-fiction to better inform fiction?

Here's an example of fiction to better inform non-fiction: in Emergency Management, it's a common sentiment that it isn't necessarily the plan you come up with that's useful, it's the act of making that plan. The actual plan you make is probably going to fall apart at some point, because you can never plan perfectly. A plan is fiction. It's fiction heavily based in reality, but it is still imagining scenarios that have not actually happened. But in the act of making it you are going to learn so much about yourself, the people you work with, the place you live, etc. and that knowledge is going to be what saves you.

A perfect example of this is Gander, Canada during 9/11. Gander is a little town that also happens to have the eastern most airport in Newfoundland on the east coast of Canada that can take large passenger jets. In the 90s, as everyone was preparing for Y2K, Gander realized that if we did have a worst-case Y2K, there would be a ton of jets stranded over the Atlantic that would need a place to land immediately, and that meant landing in Gander. So they made a plan. They fictionalized the scenario to figure out what they would need to do to deal with that outcome. But then Y2K didn't amount to much and the plan was thrown away, because they'll never need a plan like that again, right?

Cut to almost two years later when 9/11 occurs and what happens? Air traffic in the US is shut down and suddenly there's tons of jets stranded over the Atlantic with nowhere to go and desperate for a place to land. So what does Gander do? They've thrown out their actual plan for this. But it didn't matter because they'd learned from it, and they remembered what they'd learned. Gander ended up taking in nearly 7,000 refugees from dozens of jets. It nearly doubled their population in just a handful of hours. Everyone in town came together to get these people safe, get them comfortable, and help them figure out what the hell to do next. (There's actually a Broadway musical about it called "Come From Away.")

So how do we make those sorts of plans? How do we develop them to be as helpful as possible in a way that is understandable and digestible so that it can be as effective as possible?

Then, of course, there's non-fiction informing fiction which is a bit more obvious as to how that all works. We've been doing studies since WWII that have told us how people behave in disasters, and it very much does not match the way Hollywood usually portrays it. So why? Why are we so obsessed with these disaster myths? Why are those the core aspects our cultures keep sinking their teeth into?

So. Yeah. :P

That's my favorite aspect of disaster stuff. I may or may not be looking into pursuing a PhD at this point. >.>

#Disaster Media #Disasters in Film #Disaster

[meanbossart]

do you have any thoughts on cazador as a character? personally i really loved the parallels between him and astarion & the way that the master/spawn relationship is used as an allegory for cyclical abuse. the scene with cazador’s master’s skull where you find out that he was once victimized in the exact same way that he later victimized astarion was really a lightbulb moment for me re: what vampirism represents in this game.

BOY DO I, i don't think much of it hasn't already been said, though. He's a tragic character in his own right of course, not that that takes away from the awful man he is.

Me and my boyfriend make fun of him a lot, we call him "the best BG3 character" as a little inside joke between us and come up with ridiculous scenarios of things that might have occurred throughout those 200 miserable years the spawn had under his command lol. Maybe he had a month where he was really specific about the shoes everyone wore, maybe once every other decade he had a weird week where he tried to be "nice" only to become frustrated when his efforts weren't immediately met in kind by the rightfully-terrified spawn, maybe between all the torture and horrific-ness he just did some plain weird shit like making someone crouch by in his fainting couch and wait by open-handed for grapes that he dramatically chewed on and then spat right out since he can't actually eat them lmao

And that's hysterical but I think we also started doing that because when you meet Cazador, when you first hear his voice and see his demeanor in person your immediate reaction is probably somewhere along the lines of "THIS is the clown you were so scared of, Astarion?"

And the answer is, of course, yes. This embarrassing little man stuck in a cage of his making instills fear beyond comprehension in Astarion and all his siblings. This man who undoubtedly showed all these spawn, inadvertently, the strangest, most arguably "human" aspects of himself at some point or another during these two centuries they had together is also an absolute monster. And i really like that! I think its far more effective and fitting for his story than if he was, lets say, a Ketheric type.

(this got very long so, more under the cut)

Look at Ascended Astarion in the epilogue now, for example. Everyone agrees that he's an absolute fucking dork - and I think we all also agree that he will go on to destroy the lives of many people beyond repair, especially his own, until the day he is killed.

In the topic of vampirism as an allegory for abuse, I both agree and also don't, at least not exactly - i just think it's deeper than that. I've spoken about this in another post but i find it incredibly refreshing how, to me, it seems like Baldur's Gate 3 has no interest in painting vampirism as sexy or fun past a surface level. It's a curse that nobody asks for unless put in a situation where they feel as if they have no other way out, and it shapes and haunts you for the rest of your undead existence.

Even if you enjoy its benefits at first, that has a time limit. You will see your family and loved ones die, you will see culture evolve while you stay perpetually the same. You will experience so much hurt and pain because the only thing that makes life truly sweet is knowing that it is finite, and eventually it will wear down all of your humanity. And since you can't die unless you are scorched by the sun, staked, or dismembered, you must live with the knowledge that you will never have a peaceful death - and since you won't have a peaceful death, you better not die - and if you don't want to die, you better not be weak - and if you don't want to be weak, you must seek out power at all cost and slash things like love and friendship out of your life.

And what is funny, is that in his attempt to be more like a mortal - to eat, drink, walk the sun, such incredibly simple desires - Cazador (and Astarion, if he ascends) is accidentally only drawing further away from the person he supposedly once was, because that fear of weakness has already utterly corrupted his soul.

That's quite a grim way to look at it, of course. But I genuinely think that it is the natural conclusion of something like immortality.

That's why I quite like that, even after Astarion has found happiness, even after he finds his peace, he still doesn't exactly embrace being a vampire - because It's not something he should be expected to embrace. I think it's a very unique take on the trope.

I also want to leave here this message written by his character writer, which really got me thinking about him on a deeper level since i saw it months ago. It is specifically about the sexual aspect, but I think it branches beyond it too, when you think about it.

#bg3 #baldurs gate 3 #astarion #text #ask #cazador szarr

[some-thrilling-heroics]

i'm workshopping halsin's past in terms of relationships

considering that halsin was very likely bullied as a kid (thaniel was his only friend) and how he is a prime target for an abusive relationship (you can say all kinds of nasty things to him and he will just look sad but not break up with you or draw any kind of line that next time it's over or anything - and sure player chara lifts the curse so it's all magic on a pedestal and heart eyes but still…)

the way i see it time-wise: he's 350 now and i don't see him having any relationships like that since the shadow curse / taking over as archdruid, so that takes us down to him at 250 - his slavery 3 years were in his youth so im gonna assume that's closer to him either below or just around 100 so let's say ages 20-80/100 he might have had some relationships, then underdark happened at some point and then ages 80/100-250 again he is out and might be in relationships

so with that in mind, i'm trying to picture his past relationships and how they ended, what could be some common threats in most / many of them and were the breakups amicable or not

maybe besides duty and power imbalance and lack of peers / actual friends the reason he didn't have any relationship in the time as archdruid would also be that he was at that point aware enough that when he gets involved with sb he is easily manipulated by them, even if a relationship starts all sunshine and roses it always devolves when the other party(-ies) pick up on that and - not even to keep himself safe from that but to keep the grove safe from the potential dangers of that - he stayed single? that would also fit with him expecting the ship with tav to end even if it's going well and they are living in the commune, he's still waiting for that other shoe to drop, like all the other times

would his past lovers have issue with his relationship with his bear shape? they'd know he's a druid but he's not exactly standard in his approach, whether you go with werebear approach or not. would that have been a point of conflict in some relationships? would he have ended things if it was?

would some of them - either intentionally or through ignorance - hear him say openly he's polyamorous and take it as an open invitation to cheat on him or to involve third parties without properly discussing it with halsin and just assuming he'd be up for anything and with anybody? (i get wood elves are culturally polyamorous so this point might not necessarily apply to them, but clearly halsin doesn't limit himself to just dating wood elves)

on the flipside i don't want him to only have bad relationships, or only ones that in time turn abusive, but what would happen there? imo the simplest would be 'we're just having fun and want different things long term from life' or duty calls and the like that would necessitate a breakup. i would hate the idea that tav is the only / first good happy steady relationship in his long life and thus somehow special - outside of the special aspect being around the curse breaking bc can't argue with that.

thoughts? anybody?

#halsin #baldur's gate 3 #bg3

[pearlprincess02]

scorpio sun, pisces moon, sagittarius rising, scorpio mercury, sagittarius venus

scorpio sun: is a night fixed water sign. a deep and complex sign, both its symbol and its glyph represent the scorpion, its stinger suggesting the potentially stinging nature of scorpio. scorpio represents transformation, depth, emotions, intensity, passion. also represent phoenix, a symbol of rebirth. scorpio is seen as magnetic, powerful, private and sometimes intimidating to others. scorpio is a sign that wants to see through the soul of a person, wants to see and understand the dark sides of a person. scorpio will always want to see the ugly side of a person. scorpio is a sign that is quite individual and likes to focus on a single person. what is also known about scorpio is that it gives each person a different kind of love. scorpio is a sign that has difficulty trusting and has trust issues, as it often feels that people will betray it. therefore, scorpios usually have a small circle of people and only those they really trust. scorpio can also be possessive, jealous and wants to have you all to himself. when a scorpio loves, he loves with all his heart. scorpio will give you his soul and heart. scoprio will sacrifice a lot for the people he loves. but if you betray his love, he will never forgive you. scorpio is also a sign that takes a long time to let go of a person and get over them.

pisces moon: you are too giving, humanitarian, charitable, selfless or not enough. you might take care or help out every close friend, acquaintances or stranger, but NOT your own family members, loved ones or your partner. so try to put that in check. you might be undereating or eat foods that don't nourish your body. again, substance overuse can be present in subtle ways, such as drinking too much coffee in the day.

sagittarius rising: ok legsss fr tho they have stallion legs, also likes the finer things in life and will probably get them because they’re lucky in life and blessed, really funny placement and someone you want to have around all the time to do fun shit with, carefree for the most part but they have certain triggers that they’ll cause a fit over, usually hates commitment (depending on other aspects and planets) because they don’t want to be tied down or have a loss of freedom

scorpio mercury: your thinking is above all intense, deep (you always delve into things and evaluate them from all possible angles). a lot of times you think like the fbi - you investigate all possible things and you want to get to the bottom of the truth. your thinking is never without meaning or control. you are always in control of what is happening. and everything you say is very well thought out, you usually choose with what words you say something and in what way. many times your thinking is a secret, which means that people never find out what you are thinking and that they can often judge you as a person who is a secretive. you read other people very well. also u have very sharp mind.

sagittarius venus: sagittarius venus’s approach love in a playful and fun manner. this is why they prefer their partners to be witty and humorous. they’re optimistic and joyful in love. due to that 9th house energy, sagittarius venus individuals usually fall for those from different cultures and backgrounds. they’re incredibly open minded and prefer dating someone different to them in a way. however, they do get the stereotype that they’re “noncommittal”. this stems from the fact that they value their independence and can get restless if their relationship feels stagnant. they seek a partner who they can experience adventures with and grow together spiritually. above all, they value their freedom and independence so they need a partner who is willing to accommodate that.

(@chaoticlyfzz)

ᵒᵇˢᵉʳᵛᵃᵗⁱᵒⁿˢ ᵃʳᵉⁿ'ᵗ ᵐⁱⁿᵉ

#scorpio sun #pisces moon #sagittarius rising #scorpio mercury #sagittarius venus #astrology #astro notes #astro observations #astro community #astro placements #astro tumblr #astroblr #astrology aesthetic #astrology moodboard #astrology notes #astrology observations #answered #scorpio #pisces #sagittarius

[friendly-alien-fucker]

Cultural Differences

Warnings: non-sexual nudity, fluff

Pairing: yautja x gender neutral! reader

Summary: the beach episode, your yautja and you go for a swim and some shenanigans happen.

___________________________________

For hunters who regularly, and quite literally, bathed in the blood of their enemies, yautia were surprisingly hygienic.

It was one of the first things you noticed when you agreed to explore the galaxy with your lover. They could be rolling around in mud, get beaten up and bruised with blood running down their mandibles, but they always returned home to you clean and smelling completely neutral.

It was pleasant, really. Seeing as you'd already made peace with saying goodbye to your sense of smell when you met them, having only known them as sludge-covered barbarians back then.

You smiled softly as you admired your body in the one-piece bathing suit and swimming trunks you'd picked for today. There were many things you didn't know about their species, in fact you still find yourself surprised by the gentler aspects of their society.

Mothers asking politely if their pups could touch your odd-looking dreads, elders stopping in their tracks to tell you you did a good job when they see the small rodent skulls you cleaned up and hung on your belt, or that group of overconfident youngbloods that promised to teach any yautja that decided your inferior strength was grounds to get touchy a lesson. 

Their species was full of unexpected kindness. And the reason you were getting ready for a swim today was proof of it.

Yautja Prime, their home planet, wasn't quite what humans would call idyllic. The atmosphere was dense and hard to breathe in, the ground rocky with little vegetation. You'd compare it with a desert, except unlike a desert, their planet had a vast amount of water, stored in vulcano-like craters.

Only problem is, the temperature there is just barely below the boiling point of water. Way too hot for any human.

So after complaining to your mate for the upteenth time, they decided to surprise you with a little trip to another, much cooler planet. Your concerns about deadly creatures lurking being quickly shut down when they told you it was a place often sought out by elders to relax after they were done hunting.

So now all you had to do was pack your few things and board the small freighter you and a few other Yautja would be flying to get there.

The thought unnerved you a little, being so close to a bunch of strange Yautja, especially since your mate would be waiting on the planet already and therefore couldn't protect you if something happened. But even through your innate fear, you knew those thoughts were stupid.

These were trusted elders, not only were their hunting days over, but they would never bother trying to take down a lone, unarmed human. Especially since you were basically trapped, with nowhere to run or hide, and therefore way too easy prey, if they could call you prey at all.

So you grabbed your small bag full everything you'd need on your trip and made your way through the long halls until you reached a much smaller ship.

Standing a little further off, you watched as different Yautja conversed with each other and walked on board, feeling your dread rise regardless of wether it was logical or not.

You tried to make out what they were saying, but despite living amongst their people for a while now, their language still only sounded like random clicking to you. You sighed.

"Okay?" a deep voice interrupted your solitude.

You flinched as a big hand grasped at your shoulder, quickly disappearing at your reaction. "Sorry."

It was another Yautja, seemingly a little older than your mate, adorned with battle scars and markings and missing a tusk. Their voice sounded stiff and robotic, like they learned their English from computer recordings, which wasn't too odd. Many youngbloods had started to learn human languages to aid the relationship between your two species.

Which made you silently wonder why this elder was learning it. Regardless, you bowed your head respectfully, and used your basic knowledge in ASL to greet them. Hearing their rapid clicks, you couldn't help but crack a smile.

"Heeelo, hello." They huffed, placing their hand on your chin to make you look up at them. When you faced them again, their mandibles were spread widely - something you've come to understand as a smile of their own.

"Ooman. I know your language, speak with me." They growled, and you nodded sheepishly. Apparently learning the best through doing is a universal experience.

And like that, your little trip seemed just a little less terrifying.

Nin'tui, as you'd gotten to know them, had shared with you stories of their greatest hunts, occasionally switching to sign language when their English wasn't enough. And while, as expected, the other elders on the ship were less enthusiastic about your stay, they didn't bother to complain. There were even a few who'd join in to chat about their own battles and the planet you were about to visit.

All in all, the trip was less unnerving than you'd thought, and a lot shorter too. Your sense of time wasn't the best up in space, but you could swear it wasn't longer than two hours until the ship gradually slowed, before setting down onto rich brown earth.

Once you set your eyes on the surrounding scenery, you couldn't get out of the shuttle fast enough. If not for your traveling companion, you would've probably been scolded for the amount of Yautja you almost tripped by running outside as fast as you did. But there was no helping it- blue skies! Brown earth! And, most importantly, air that you could actually breathe in!

And when your feet finally hit the ground you couldn't help but let out a long and joyous laugh. "Aaaaaah, I can't believe we're actually here!"

"Believe it." a way too familiar voice called from behind you, making you spin around to throw yourself at them in excitement.

Without flinching, they simply caught you, holding you high in their arms as you all but assaulted their face with kisses and thank you's. Or at least that's what the other yautja must've thought, muttering amongst themselves as if they were viewing something scandalous, a few stepping closer to get a better view of the strange ritual.

But your mate simply purred, leaning into your affection as their voice rumbled against you "You should wait to express your gratitude until you've seen the waters!" they laughed, and you shook your head as you gave them a last kiss between the eyes.

"I'm just so happy to be here! Just look!" you jumped out of their arms, gesturing towards the fields of flowers "this planet is beautiful! Almost reminds me of some corners of earth..."

You smiled at the thought, and they chuckled as they put a large hand on your back. "We should walk with the others, the waters are not far."

And so the two of you walked slowly behind the larger group of yautja, them slowing their pace to match yours as you cheerfully took in your surroundings. Beautiful was truly the right word for it.

Tall grass with taller flowers that swayed gently in the wind, going on for kilometers until reaching a distant forest, that you imagined to be just as wonderful.

After about 30 minutes of walking, elongated by your habit of stopping to sniff every alien plant you could reach, you finally made it to the lake. About 500 meters of fresh water that seemed to almost glow in the sunlight.

Standing in awe, you barely registered your mate sliding your backpack down your shoulders and throwing it to the side. It was only when you felt a claw tug at your shirt that you snapped out of it, matching their equally confused expression.

"Don't you want to swim?" They asked, and you chuckled at the misunderstanding.

"Oh, yeah. These are my swimming clothes." you explained, yet their expression didn't seem to lighten.

"No, no. Swimming." they accentuated their words, pointing towards the water as if you simply didn't hear them the first time.

You nooded, dumbfounded, "Yes. Swimming." but as they continued to stare at you like an alien (heh), you shook your head "just- here, come on."

You took their hand, leading them towards the water and to your relief they followed without complaint. At the edge of the lake, you grinned up at them excitedly, before taking a leap, splashing them with the surprisingly mild-temperature water.

Though as you came to the surface and brushed your wet hair out of your face, you were not faced with the annoyed yet amused expression you'd expected on your mate, not that you were registering their expression at all since seeing them stand there in all their naked glory practically fried your brain within seconds.

"WHAT ARE YOU DOING?!" you yelled, making them jump slightly and their mandibles flare.

"What?" they asked, way too calm for your taste.

"You're naked!" you whisper-yelled, and they simply nodded, before jumping into the water next to you.

"Yes. Swimming." They repeated your words back to you with a very deadpan expression.

"But- love, no!" you were furious as you tried to explain this to them "We're not alone out here there are oth-" but as you looked to gesture at the others around you, you were met with even more naked yautja, unashamedly bathing in the sun.

Blood rushing to your face, you try to cover it with your hands, glad to be able to stand at this point in the water. You felt a hand lay itself on your shoulder.

"I'm sorry. Are you okay?" your mate asked quietly, bending down to meet you eye-to-eye. "I didn't know you'd be bothered by this. You were fine with me disrobing, I thought..."

You simply shook your head at them, forcing yourself to be a grown up and pry your hands from your eyes. "No...no." you sighed "I'm fine."

"But a warning would've been nice, I uhm..." you couldn't help but grin at your own embarrassment "I-I guess I just didn't expect to ever see any nude yautja aside from you, you know?"

Thankfully they didn't seem to judge you for it though, as they simply looked at you with that ever present curiosity. "Humans arent nude around each other?"

"We are but....usually just around friends and family, you know." you bite your lip as you dare take another glance at your surroundings "and usually only around our own species."

You can see them nodding from the corner of your eye, "I understand." yet something still seems to bother them.

"You are free to do as you please, however... you always encourage me to partake in your culture. Perhaps you should try and see this as an opportunity to partake in mine."

Their words stung. They were said without pressure or malice, a simple suggestion- but it stung. They had always gone out of their way to make you the most comfortable, this trip was proof of it, and you liked to think you were doing the same for them.

But were you?

"But what if they'll look?" you asked, your face still a shade darker just at the thought. "Then let them look." they replied in earnest "You are very attractive. Let them see what they don't have."

And people did look.

Though, to your surprise, no more than they usually do. Seeing a human walk around and do human things could only get so exciting you guessed, and nudity truly was natural to them.

Over time and with a little coaxing you were even comfortable enough to briefly leave the water, if only to get your towel and wrap it around yourself.

Letting yourself relax in the sun that, even hours later, didn't appear to go any lower, you're interrupted by the low purring of your mate. Smiling, you turn to face them.

"Thank you for bringing me here," you begin, only for them to interrupt "Thank you for coming. And," they truly seem grateful as they incline their head "thank you for 'stepping out of your comfort zone.'"

You chuckle at the human idiom. "My comfort zone is wherever you are." you say earnestly, and they simply purr louder in response.

#yautja #alien vs predator #💚original post💚 #alien #slasher #yautja x human #alien x human #monster fucker #predator yautja #fluff #yautja fluff #requests? no #its a idk how many words post about something no one asked for ever but i wanted to write #didnt end how i imagined it to but yk how sometimed you have half an idea and just start writing?yeah

[euniveve]

𝐌𝐲 𝐓𝐫𝐮𝐞 𝐋𝐨𝐯𝐞 𝐆𝐚𝐯𝐞 𝐓𝐨 𝐌𝐞 — k. ayato

pairings: ayato x reader tags: christmas, modern AU, angst to fluff w.c: 839 a.n: this is a very very very very late christmas present for @fuoon as part of the @2023gisecretsanta event! I never back down never give up (also i was technically sick so i can latch on to that reasoning hahahhahah I'm still very sorry tho) merry christmas, happy new years, hopefully you like your gift!

“Sweetheart, I am so sorry but there’s an emergency meeting that can’t be delayed. I’ll be home as soon as it’s finished.”

You let out a sigh of defeat, looking at the bare Christmas tree in the corner of your living room. The spruce sits there, dreary and gloomy, void of life and celebration, just like your heart. The corner of your lips twitch and you swallow the growing lump in your throat, your eyes shifting back towards the fireplace.

“It’s alright,” you reply, your voice shaky before clearing your throat, “hopefully your meeting goes well.”

“Again my love, I am so sorry, I’ll try to make it up–”

You press the red button before you can hear him say anything more, sparing you the inevitable disappointment it would bring.

Ayato always does this; business before family, or perhaps in his mind it is one and the same. After all, the man has been brought up for the sake of the company, his parents burdening him with the knowledge that it will all be his responsibility someday. That “someday” came 3 years ago and it has been weighing heavily on your relationship.

Last year you were stuck with his sister, Ayaka, and housekeeper Thoma while the head of the Kamisato Corporation ended up coming home after the celebration was finished and the leftovers from the feast stored away. They aren’t bad company per se, you could even say their presence is enjoyable, but they aren’t him.

They are not Kamisato Ayato.

Granted, the previous years he had returned home in time, but this year is no different than that one. The only difference is that Ayaka and Thoma were busy this time of the year, something about helping with the business, so it seems like you will be celebrating alone. 

You suppose you are being selfish, seeing that his enterprise is the one managing the cultural aspect of the Tri-Commision, therefore they would be busy in the time of holidays, it is given. A sacrifice you would have to make, a taste for the coming years undoubtedly.

Wishing for it to change is a childish dream; you are only his fiancee after all. You ought to understand.

You look around the boxes, spotting your headphones before putting them on and arranging your favourite playlist to keep your mind off things, humming along to the tune of a familiar song. 

With absentminded singing, you pick up the tinsel and begin to wrap it around the tree, arranging tiny lights in between the branches. Your fingers twirl the ornaments before placing them in a neat and florid manner. 

Staring blankly at the now fully decorated tree, you took a couple of steps back, trying to admire your own work; that is, before your back pressed against something… warm?

You furrowed your brow, your lips pressed together as your heart began to beat faster in a panic. You quickly contemplate many possibilities; did an intruder manage to get past the property’s tight security? Are you going to get mugged? Will Ayato be sad if a bunch of stuff is missing?

You shook your head; the fiancee of the richest man in Inazuma shouldn’t be scared of such things– so you bite the bullet and turn around, only to be greeted by those dreamy blue eyes and an aloof smile, one you have the pleasure of witnessing every morning.

Ayato reaches over to you, his gaze soft as his hand gently grabs onto your headphones and removes them from your head, your heart beating out of your chest as you watch his every move.

“Ayat-”

Warmth engulfed you both as you felt his soft lips against yours, his arm wrapped around your waist, a tender touch shared only between couples; the happiest couple you know.

“But you said you wouldn’t?” You whisper with bated breath, “How.. why?”

“I will not miss another Christmas with you,” he softly replies before letting one of his mischievous smiles slip in, “After all, there are worse nights to miss than this one.”

“Pfft…”

His blue eyes shift away from your face, that smirk still sitting on his lips before his sights landed on the fully decorated Christmas tree, except for arguably, the most important part. “Where is the star?”

He slightly bent down, resting his chin on your shoulder, kissing your jaw before whispering into your ear, his hot breath fanning over your earlobe almost making you shiver. “Were you waiting for me to put it, darling?”

“As if!” You stifle a chuckle, eyeing the golden star on one of the boxes before tugging the fabric of his suit. “But could you perhaps do it?”

Ayato hummed, his arm’s grip tightened on your waist, peppering kisses on your shoulder before finally loosening and walking over to the boxes, picking up the star and placing it on top of the tree effortlessly. He then suddenly turned around, taking a mistletoe out of his pocket and holding it high up.

“Shall we complete the ultimate Christmas tradition, my love?”

#gixrsecretsanta2023 #☁️◝ the holy codice: little musings #ayato x reader #kamisato ayato x reader #ayato angst #ayato fluff #kamisato ayato