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basiclupineurology · 24 days

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why troy & abed were doomed from the start

i'm back to say i've come back to community and i've been thinking a lot about the state of troy and abed's relationship through the seasons and why they work so well comedically but, somehow, the writers weren't able to sustain their friendship to the end. (not even talking about s5 here. the cracks started showing in s3.)

the obvious answer is that sitcoms tend to go down in quality over time, the characters becoming flanderised versions of themselves and losing who they are, but i can't really say that - barring the gas leak season - abed or troy lost who they were for the entirety of the time they were on the show together.

i think what doomed them from the start was that they were not only comedic partners in a sitcom, but best friends. there was a tangible realness that underscored all their actions, beyond the cheesy heightened melodrama of most sitcom relationships (platonic or otherwise) that audiences could recognise and wanted to see develop. so, develop they did.

but troy and abed both appear in the show at a very interesting point in their lives. every member of the main cast, of course, has major change in the trajectory of their lives at greendale, but troy and abed in particular come off several years of being a kind of half-person. troy spends most of his life playing into the character of the popular jock, someone who is still inside him throughout the series but becomes increasingly diminished, a voice in his ear rather than this all-consuming persona. abed is who his father wants him to be. he's never had any friends, spent most of his childhood bullied and most of his adulthood thus far pursuing his interests in a vacuum and inside his own mind, with no one to share them with. for lack of a better term, troy and abed come of age throughout the run of community. they figure out who they are as individuals.

and, frankly, as geothermal escapism put it best, it's impossible to figure out who you are on your own when you're being consumed by another person. i'm not saying that either one of them is guilty of this, but what started as a close but casual 'fling' of sorts between the two of them became increasingly intense to the point of overwhelm, and as they started moving away from their early-season caricatures and becoming complex and flawed and human, things between them naturally became more intense on a deeply emotional level. the writers recognised this. never crossing the line into romance, they had to express troy and abed's love for each other through every other method under the sun. we see them, in their own misguided and silly ways, sacrifice what they want for each other over and over again. until it's too much.

too much to believe? too much to handle?

troy and abed remind me of that very best friend you have as a queer kid. you're stepping out from your parents' or your siblings' shadows for the first time and here's this person to catch you. you love them more than words can say. then they're gone, because nothing so childish lasts, and you can't really explain why it meant what it did. the person they were, maybe, and who they were to you, but you also know that no one, no matter what they're like, will ever be this special again.

and so even though we can't cling onto those people, because we get older, we change, we grow up and we grow apart, it is really fucking hard to let go of the first person you've chosen to let into your life.

and because the community writers are fantastic at their jobs, we get to see that reality play out in front of our eyes.

#yap yap yap #community #community tv #community 2009 #nbc community #trobed #troy and abed #troy barnes #abed nadir #meta #community meta #discussion

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blackbird-brewster · 1 month

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Meta: Jemily Queerbaiting

With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)

Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.

First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)

In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.

Please buckle in, I've got a lot of thoughts on this matter --

What is Queerbaiting?

If you aren't aware of what queerbaiting is, here's a good definition:

Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]

The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.

Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.

The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.

Jemily and Queerbaiting:

Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.

As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.

TVGuide.com: Of course, a band of fans want her to hook up with Hotch.

Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.

This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.

While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.

Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)

Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.

It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.

Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.

It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.

Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.

Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)

So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)

This is all to say --

Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.

That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.

And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.

Sources:

[1] 2022 Digital Spy article about the importance of Tara's coming out

[2] 04/18/24 Paget Tweet

[3] 2017 Queerbaiting article from medium.com

[4] 2009 Broken TVGuide link

[4.a] Tumblr quote from the above TVGuide Interview

[5] 2010 Kirsten interview screenrant.com

[6] 2019 AJ Instagram Post

[7] 2020 Paget video on Twitter (via @karasluthqr)

[8] 2015 Kirsten interview AfterEllen.com

[9] 2016 Paget Interview CriminalMindsFans.com

[10] @PagetPaget search 'Jemily'

#criminal minds #emily prentiss #jennifer jareau #paget brewster #aj cook #cm commentary #queerbaiting #cm meta #criminal minds evolution #cm evolution #my writing #long post

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sophiaforevs · 7 months

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Between the early cancellation of Discovery, Seven/Raffi and Mariner/Jenn being erased in their respective shows, and SNW having queer coded characters but not confirming anything on screen, I'm really afraid that we're entering another "No Gays in Trek" era.

For those who don't know, 90s era star trek featured so few queer characters b/c Rick Berman largely held a policy of not wanting any homosexuality in his shows. And yes, we all remember the handful of episodes that slipped through that addressed it but the fact remains that there were no canonically queer main cast members before Into Darkness in 2016 gave us a five second shot that could be cut when whoever was showing the movie found the idea of two men in a loving relationship disgusting.

Then we got Discovery with multiple queer characters that allowed people to feel seen. And people never stopped bitching about them. The amount of times that I've had to listen to people complain that Adira's only character trait is that they're non-binary despite that literally being a single thirty second scene and never brought up again makes me understand that they very likely don't want to like the queer characters in that show. And it's not that there aren't criticisms to be made about the queer representation in Disco: Discovery Buries it's Gays before the end of the first season. Making your trans characters aliens who already have a history of gender fuckery is problematic b/c it somewhat plays into the idea that queerness is unnatural for human beings. But I never hear those complaints. Only the pronouns. Only the "We get it you're gay but don't shove it down our throats." But I don't want to get too off topic.

Now Discovery is being canceled early. And by early I mean, the writers weren't given proper notice that their show was ending. They were halfway through production and allowed to adjust the end episodes of the season to try to give a satisfying ending.

In Picard and Lower Decks, we got two sapphic relationships ("sapphic" meaning a romantic or sexual relationship between two women who aren't necessarily strictly lesbians) and they were pretty good. People had been asking for Seven to be queer and Jeri Ryan had been playing her as such since her introduction (see again: Rick Berman) and to see her finally get to express that was really healing. Mariner got off to rocky feet when the creators tried to pull a "Dumbledore is gay" where they said she was bi but didn't commit to it, but they she actually got a fairly satisfying relationship in season 3.

But in their most recent seasons, both were completely written out. Seven/Raffi gave us no explanation beyond that they "broke up." They went out of their way to keep them from being on screen together for most of the season. Mattis said in a Reddit AMA that he wanted Seven to be captain and Raffi to be first officer at the end of the season and that Starfleet would have regulations against relationships between the two despite the biggest reason Seven was promoted to captain was that she was a rule breaker. We didn't even get that much for Mariner/Jennifer. Jenn just wasn't in this season except for two background appearances.

And in Strange New Worlds there's just… nothing. SNW is the most recent new show and there's no queer representation. They code Ortegas as gay but don't actually confirm it on screen. There's just… nothing.

And this is how you loose the culture war. The bigots make enough noise that the show that is supposed to be a beacon of diversity doesn't necessarily side with them but they just kinda bow out of the conversation. They decide that it's easier to not bother than to take a stand. And so I and many many queer star trek fans are left wondering:

Does the franchise even want us any more?

#Star Trek #Prick Berman #No Gays In Trek #Disillusionment Trek

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thestrangestthlng · 10 months

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Public Figures Owe You Nothing

Same thing, different fandom. Now, my first soiree into internet fandom was Glee nearly fifteen years ago. Given insane popularity of the show and one of their two main couples, Klaine, and Darren Criss being a straight man, I am no stranger to the "only gay (out) queer actors should play queer roles" argument.

I don't necessarily disagree completely. Queer actors should be highlighted in queer roles. But guess what, the film industry is shit.

Not everyone is out, can afford to be out, is ready to come out publicly, or cares to have anyone in their business. There is a huge number of fans who are way too invested in the parasocial relationships with their "favs" and cross lines.

It's a tale as old as time. Darren Criss' now wife, Mia (Swier), was mercilessly harassed online and honestly in person. I distinctly remember people MAILING her things. There was an incredible amount of hate directed towards her because SHE wasn't a HE and a group of fans were hellbent that he and Chris Colfer were secretly in a relationship, even though both were happily in their own relationships. (Both of them are actually still IN those relationships and I love that for them.)

Someone gave Dannell Ackles (wife of Jensen Ackles) a gift at an event. When she reached it she was cut by a bunch of rusty hooks in a fucking voodoo doll.

One of the NSYNC members (I can't remember if it were Chris or Joey) ended up being broken up with by their partner at the time because of the amount of hate they were getting.

This came up because someone said on instagram that they "will not be watching [RWRB]" because [Taylor and Nicholas] "are not out" and "they are gay for pay". So, me being me, says to them that the actors owe you nothing. Their sexuality/gender identity is no one's concern but their own.

Also, it was really disgusting what alot of Heartstopper did to Kit. He's just a baby and they strong armed him to coming out before he was ready and made him feel like he had to justify it. Cruel irony being that it's the exact opposite of the point of the books, and exact opposite of his character. I'll never forgive them for what they did to my son.

I went on to tell them that Hollywood is shit. It's homophobic, racist, sexist, xenophobic, transphobic, everything phobic. They like beautiful and handsome, classically beautiful, white, straight actors that fit into their perfect mold. As soon as actors come out they get type cast, lose rolls (because how could a homosexual portray intimacy with a woman? It's not like they are actors or anything). I, of course, got blocked because they didn't agree with me and that's fine.

Did you know that many actors in the union don't even make the $26,000 a year that is required to qualify for health insurance? Most actors are working class. Yes, many acquire a net worth, but it's honestly one huge disaster from losing what they have. The median salary for actors in the US is about 60K a year. So why would a working class actor or even a upper middle class actor, want to potentially dismantle their career trajectory by telling something that is really no one's concern anyway?

Not everyone wants to be stuck in a Ryan Murphy rotation. Maybe once we get more queer film and show makers and Hollywood execs start to fuck off we'll get more. I'm 99% sure that RWRB is the ONLY gay romcom without underlying trauma porn. The only other one that comes close is a Christmas movie.

Actors are still human and deserve privacy. They owe fans nothing. Their partners deserve privacy. If they are queer good for them. If they are not, good for them. But fans don't get to dictate who comes out and when. So yes, we want more queer actors in queer roles, but we don't get to decide if the ones who are not open get to have these roles. Sometimes it is who is best for the role.

As far as RWRB: Neither Taylor nor Nicholas have ever made any public statements on their sexuality and are both private people when it comes to their relationships. It's really goofy that people think it's an appropriate question to ASK them personally. Interview or not.

All that matters to me is that they killed that online and the characters they acted were madly in love with each other.

Moral of the story: they can want someone and love some one and not want that life for them. Neil Patrick Harris and David Burtka were together for three years before they came out and that's when NPH came out - at 34 on his terms, as it should be. Some people really missed the message of the book; that queer people deserve to come out when and how THEY want to.

/Ted Talk

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lo-sulci · 10 months

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What are heaven will be mine & coquette dragoon?

oh my goodness, thank you for asking!! the short answer: they are incredibly good visual novels that I highly recommend, especially if you're a fan of mecha, sci-fi, great world building, yuri, and generally just amazing art created by transfems

long answer:

heaven will be mine (aside from being where I got my url) is the second VN made by worst girls games, best known for their first outing, we know the devil (also an absolutely amazing game). hwbm tends to ask a bit more from the reader than its predecessor- while wktd almost exclusively featured three characters and dealt with rather plainly stated themes of alienation, loneliness, and religious trauma, hwbm presents a setting cloaked in metaphor where human will literally shapes the universe and psychic mech pilots read spacetime like a narrative.

the cast is bigger, with the three routes allowing insight into each of the three main girls in addition to members of the factions they belong to, all in service of a beautiful story about queer people connecting with each other and finding/making their place in a world that would want to deny them their happiness (and a lot of other things, but I'm simplifying some here). begging to be replayed over and over, i've had different characters and details stick out every time ive played through the game, while also gaining a deeper understanding of and appreciation for hwbm's characters and setting. I've loved hwbm and wktd for years and expect I will for years and years to come, which, incidentally, is why I got a pair of tattoos based on these games LMAO. in other words: they're fucking fantastic and hit like few other things out there, imo

coquette dragoon is one of those other things, because holy shit does it excel at hitting incredibly specific and relatable emotional beats that are liable to absolutely tear you apart. created by ivy burgeroise, who (by her own fantastic description) makes art for sad perverts, coquette takes place during a seemingly endless war between the lilac fleet and the duchy of lucia, two spacefaring societies inhabited by animal people who have very differing opinions on magic.

focusing (so far) on xiomara rosales of the lilac and lady honey rose of the duchy, coquette explores painfully human stories from both sides of the war. (to that point, I'd be remiss if I didn't advise you to look out for the content warnings- coquette gets into some very heavy stuff and speaks about it very frankly and honestly, which is to its credit imo but i also understand that that is not something that everyone is in a space to deal with.) more than anything else, I feel, coquette is a work that puts words to feelings that you'd never before been able to describe, and, through the vulnerability of its author in making something so emotionally honest, makes me want to be more openly and happily myself. all of this in a story that examines war, exploitation, and the societal structures that prop them up, among many, many, many other things. I could keep talking in circles gushing about it, because I am so so obsessed with what's been released so far and so indescribably excited to see how it progresses in the future, but to keep myself from going on for too too long i'll cap this off with a tweet about coquette that i frequently think of and is one of the best recommendations I can offer:

OH and also coquette has wibbleburger, which, as we all know, is your favorite

#(the joke is that wibbleburger's slogan is ''it's your favorite'' i am not arbitrarily deciding what is or isn't your favorite)#anyways. i dont know how else to say this but theyre both absurdly good and make me cry a bunch #heaven will be mine #hwbm #coquette dragoon

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gealach-in-a-misty-world · 3 months

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Avra Helvaçi, former field agent of the Arasti Ministry of Intelligence, has accidentally stolen the single most expensive secret in the world―and the only place to flee with a secret that big is the open sea. To find a buyer with deep enough pockets, Avra must ask for help from his on-again, off-again ex, the pirate Captain Teveri az-Haffar. They are far from happy to see him, but together, they hatch a plan: take the information to the isolated pirate republic of the Isles of Lost Souls, fence it, profit. The only things in their way? A calculating new Arasti ambassador to the Isles of Lost Souls who's got his eyes on Avra's every move; Brother Julian, a beautiful, mysterious new member of the crew with secrets of his own and a frankly inconvenient vow of celibacy; the fact that they're sailing straight into sea serpent breeding season and almost certain doom. But if they can find a way to survive and sell the secret on the black market, they’ll all be as wealthy as kings―and, more importantly, they'll be legends.

My thanks to the author for providing an ARC copy.

Alexandra Rowland's Running Close to the Wind is a cozy low-stakes pirate adventure set in the same world of the excellent A Taste of Gold and Iron, loosely connected to it by a plot point. The two books couldn’t be more different, as Running Close to the Wind is funny. Hysterically, being-in-stitches, laughing-on-the-floor funny. It’s so funny that it’s too funny sometimes, but it’s a joy to read a book that doesn’t take itself so seriously while simultaneously delivering some very profound reflections in the more serious segments.

The trio of main characters is a delight, their banter on point as the dynamic between Avra and Teveri expands with the arrival of the mysterious Julian and his wiles. The characters are unapologetically horny, but the book is surprisingly chaste in that regard, while also being incredibly tender in parts. I especially enjoyed the few conversations about having and defending one’s boundaries. The rest of the cast, from the colorful crew to the pirates on the island, were all painted in deft strokes, resulting in vivid characters with so much to say. It really was reminiscent of Our Flag Means Death, as it was pitched, and it was an absolute romp.

The world gets expanded in a really clever subversion of what we know from A Taste of Gold and Iron, showing what the outside world thinks exactly of the choice to keep for themselves the only way to sail safely during a certain time of the year. There’s sea serpents and giant turtles and ghosts that need a complex reference guide to be handled, and it’s all so delightful. This choice to have loosely interconnected stories where the world is explored more and more is an intriguing one, and I can’t wait to see what’s next.

Running Close to the Wind is a fun adventure with hidden depths.

✨ 4 stars

[You can find more of my reviews about queer speculative fiction on my blog MISTY WORLD]

#alexandra rowland #running close to the wind #lgbtq books #queer lit #queer books #queer #sff #queer sff #sff books #books #book reviews #reading #gealach reads #gealach writes

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dandelion-jester · 10 months

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Writblr Intro:

Hello All!!!

I've been meaning to do a proper intro so better late then never!

Who Am I?

You can call me Dandelion. I'm 22 years old, I use they/them pronouns, I'm English and I am a queer, trans, neurodivergent fantasy writer. I've not had anything published yet but it's my aim.

I have a background in theatre and circus so performing arts tend to turn up in my work. I also love making maps and studying conlangs! I do a lot of art and reading as hobbies, but my favourite pass time is playing dnd!

What Do I Write?

I write mainly fantasy, but also scifi and historical fiction. I also dabble in poetry and I would like to learn how to write for games and screen at some point. For now though, it's all novel writing as far as the eye can see.

My favourite trope to write is found family (I blame all the dungeons and dragons I play). I also write a lot of queer characters and try to diversify my casts as much as possible. My work tends to be very character driven although I do love world building a lot, especially building different cultures and places. I'm best st dialogue and really struggle with building plots. I also have a deep love for history, specifically the 1700s and Anglo saxon - medieval Britain, so that's usually finds its way into my work as well.

You can find my work on Patreon here

What Do I Read?

Unsurprisingly, it's mostly fantasy. I used to read over 100 books a year, but university has made me hit a massive reading slump. So the main thing keeping me going right now is Robin Hobb. I also listen to a lot of audiobooks.

My WIPs:

Information on my current work is under the break!!

Feypocalypse

Feypocalypse is a queer, fantasy horror comic set in medieval England following the events of a Fey Apocalypse in the 1300s. It follows a group of knights trying to survive in a world that has been turned into a Fey hunting ground, whilst protecting the Changeling child they accidentally adopted. The current plan is eight issues, to be published on Patreon and then printed as a complete novel at the end! It will be written by myself and illustrated by my amazing co-creator @withlovefromthecrowss.

The Legend of The Rat Bastards (vols. 1 & 2)

I recently finished playing in a Curse of Strahd campaign that lasted about 2 years and was one of the best dnd experiences of my life. So of course, I decided to write it up in novel form so that I and the other players could always return to it. Our paladin was an extremely detailed note taker so I've been borrowing their notes. It's currently the longest piece of writing I’ve ever done and I add to it every day. It's from the pov of my character, a human necromancer called Sepulcrave who has a pretty crazy character arc and it's my current main WIP, even though its a personal project.

Eye of the Falcon King (working title)

A secondary-world medieval fantasy novel about identity, rebellion, and manipulation. In a world where some few people have the ability to shape-shift into birds, the king seeks out these people to be his personal servants, messengers and spies. Turik is a young boy able to turn into a falcon and becomes a member of the King's circle. But after a tragedy befalls his best friend it begins to become apparent that the king is not as benevolent as he seems and Turik must come to terms with the knowledge that his reality is a lie. This book is about breaking free from manipulative forces, the ways invisible disabilities are ignored and pushed aside, and mostly about how the monarchy is terrible. Also queer people because all my stories have queer characters.

Otherlings (working title)

It's 1875 and Eliza Farthing's twin brother Alexander has just reappeared in her life after seven years. Except he's not her twin, he's her changeling. And Eliza isn't always Eliza, sometimes he's Francis. The world's of the two twins - one fey, one queer - are about to become very intertwined against their wishes. The two have to fight against their family, the police, a morally corrupt scientist, inter-community distrust, and their own dislike for each other, or both of them will never regain the lives they so desperately need and desire. Also there's a circus. The book deals with identity, secrecy, hatred, and community. It's a book about found family, about accepting yourself and others, about not needing to be seen to exist and be worth something. Mostly it's about sticking together despite your differences.

So that's my current WIPs! I'll add more as I get them, but that's all for now! Thank you for taking an interest in my work and if you have any questions, don't hesitate to send me an ask :)

Tags I use

#legend of the rat bastards, #eye of the falcon king, #ask dandelion-jester #feypocalypse #otherlings novel

#writblr #writeblr #writeblr intro #intro #wips #my wips #writer #author #writing #legend of the rat bastards #eye of the falcon king #feypocalypse #otherlings novel

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salt-apple · 10 months

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Hi all! This is going to be a more serious post than usual! So sorry. Before I start I will say I may edit this post after posting it if new info is added.

This post is not intended to be a callout, rather, a critique of Kasafraz, a member of the Eddsworld staff most popular for their fanart outside of their job.

Kasafraz is a tbatf supporter. They have a cameo within the comic and one of the creators has posted their collaboration with Kas, of which they reblogged with no apprehension. With someone so knee-deep in the Eddsworld community, I doubt they don't know what exactly wrong with TBATF. If you're curious, there are numerous posts about it on this platform that articulate it better than I could.

Another big point I have is that Kasafraz has numerously made comics about Edd going "insane" and playing with puppets due to isolation. This is a callback to 'This World of Edd' (circa 2007). This is mocking psychotic people. It is ableist. The original episode is a product of its time and should have been left alone, and the comics came out in 2022 and 2023 (I will not address the queerbaiting though because that is out of Kas's control). Also, playing with puppets is normal. Making psychotic people the butt of the joke is just harmful, especially with what Matt Hargreaves has said about people with DID/OSDD/UDD/etc.

One more thing before I get to more minor grievances is that for pride month this year, there was a series of posts that was centered around the main cast of Eddsworld at a pride parade. On paper, this sounds good, but the series was entirely focused around them. The canonically queer characters (Kim, Katya, those two unnamed sapphics, (questionably) Mark, Chester) were reduced to background cameos, and that leaves a bad taste in my mouth. These pieces were all, to my knowledge, worked on by Kasafraz.

More minor things will be listed under the cut, as well as screenshots.

Doesn't draw Eduardo because they don't want people thirsting after him. They draw Future Edd for people to thirst after.

When an introject asked to be drawn (albeit masked, so it was not clear, but one click would've been enough to see that I at least existed) they drew the source character essentially dead (ghost) and said they were going to draw a grave.

Says fanmade merchandise is bad, because it's taking their money. Artists have to live too? Additionally, if people are buying merch secondhand/fanmade, they weren't going to buy from Eddsworld anyway. They also alluded to people not buying merch for "disliking a person on the team" as if there's not NUMEROUS posts about Matt H. and Christopher B.'s misconduct (they are the heads of Eddsworld. It is not just some guy on the team.)

screenshots:

#tbatf mention #ableism mention #jon posting #eddsworld discourse #not main tagging this.#will edit if needed

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gay-mafia-stickball · 10 months

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I have mixed feelings about the red white and royal blue movie (red white and royal bluevie, if you will).

let me preface this by saying two things: one, you are entitled to your opinion and so am I so civil discourse is welcome, but hate speech is not, and two, I am a firm believer that book vs movie argument is pointless as long as you enjoy the media, so take the following with a grain of salt. I enjoyed the movie a lot, and if you don’t want to see anything negative, you can scroll past this, but these were things that caught my eye. that all being said, here are my thoughts.

first things first: the change from Raphael Luna to Miguel Ramos felt like it detracted from the story. in the rwrb book, the Alex looks up to Luna and considers him an ally and a role model in the political field, seeing him as a goal to shoot for. this makes his betrayal (working on richards campaign) hurt a lot worse, and it makes his subsequent redemption (him bringing up dirt on richards that not only effected him as a queer man but as a politician) feel a like a big triumph and a loose end that has been tied up. Alex’s relationship with Ramos is already a different kind of relationship, since Alex wants to be a politician, not a journalist, and their connection feels a lot less secure since their only tie is that they’re friends who have hooked up, so when he starts to publish aggressive and harmful stories toward Alex, it feels less like a betrayal and more like pettiness over being rejected. this is only reinforced by the fact that he isn’t given any redemption, and his loose end remains untied and without closure. Lunas story is, in my opinion, just as much a part of the main plot as Alex and Henry’s, because he reflects the struggles of older queer generations fighting the good fight behind enemy lines and the thankless battle that a lot of younger people take for granted. without Luna, President Claremont’s win feels more arbitrary, and a lot of the stress that motivates Alex and his character development as a person and as a politician is flattened.

another thing id love to address is the so called “side characters”- pez, bea, nora, and june. starting with pez, who is meant to be Henry’s best friend and lifeline: he got barely five minutes of screen time, and it felt like he was sidelined as unimportant and a supporting cast member instead of an actually important member of the group. Bea as well was sidelined, and kind of pushed into the role pez had in the books. by ignoring Beas history with substance abuse and her moniker of “powder Princess”, it takes away from her depth as a character and the struggles her and her family have gone through, not even mentioning the fact that their mother isn’t even in the movie. the same thing is true with the lack of Alex’s parents divorce; the trauma from that event led to a lot of important character development and growth, as well as some pretty important plot points (such as the first phone call). Nora and June I can do in one fell swoop: they should not have been combined into one character. they both played different and significant roles in Alex’s life, June as a steadying factor and a shoulder to lean on, and Nora as an experienced confidant that unwinds Alex and allows him to live a little. not only did the combination of their characters take away a healthy polyamorous relationship with pez, but it took away a big piece of Alex’s support system and the factors to a lot of his character growth.

a final thing that I’ll mention in this post is specifically about Alex- sorry, I can’t help it, I love him so much 😭 I just feel like the decision not to focus more on his work life and his personal life was poorly made. the movie did a phenomenal job of outlining Henry’s stressors and backstory and of course I’m so glad that he was given the closure and attention he needed (though I’m a little pissy that his mother wasn’t involved), but without mentioning Alex’s admittedly shitty work-life-balance and his stress as a newly discovered queer biracial politician and the stress from his parents (apparently nonexistent) divorce, the relationship feels toxic and a little one-sided. im not here to throw any pity parties for any characters, but all of the previously mentioned factors, among others, play into Alex’s decision to go to law school and start taking his time with his life, and the fact that that wasn’t even mentioned put Henry and Alex into a position where Alex seems unreasonable and insensitive while Henry is the only one with a good, albeit traumatized head on his shoulders.

like I said, these are just my opinions, and obviously I like the show a lot, though maybe more as a romantic comedy than a true adaptation of rwrb, so if you have thoughts to share, I’d love to see them! be kind and gracious and don’t start stupid fights over book accuracy, I don’t care that there were no monogrammed kimonos or that a different song played in the museum ❤️

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unscharf-an-den-raendern · 5 months

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The Big German Tween Soap Opera Drama (So far)

Here's the writeup for all those of you who don't go here but still love reading about drama from fandoms you're not in.

What is Schloss Einstein?

Schloss Einstein is a German soap opera aimed at ~10 to 14-year-olds. Since it's been on air since 1998 with 26 seasons and over 1000 episodes, it also has fans beyond its target audience who grew up with it and either never stopped watching it or picked it up again at some point.

The show focuses on the live of students at a fictional boarding school with common themes being love, friendship, slice of life and the occasional comedy or mystery story.

Noah and Colin

In season 26, the show got its first mlm storyline. The show already had a wlw storyline in season 23 that was generally well received and so we had hopes.

In the first episode of season 26, Colin gets two new roommates: Noah and Joel. Joel grows suspicious of Noah because he tends to sneak out at night and won't tell anyone where he's going. Eventually, he and Colin discovder that Noah secretly took his dog Freddy with him and hid him in the woods because his parents wanted to send him to the shelter.

Colin offers to help Noah take care of Freddy and Noah slowly starts to trust Colin. But then the headmaster finds out about Freddy and tells Noah that Freddy can't stay in the woods and has to go to the shelter. Colin wants to apologise to Noah and manages to get tickets to a film premier, but Noah pushes him away. He later apologises to Colin after the principal decides to take Freddy in himself and let Noah visit him whenever he wants.

Later, Noah secretly makes a stop-motion film for a project Colin and Joel are working on and plans to make a live-action horror film as well. However, it doesn't go according to plan and ends up being canceled. Colin comforts Noah and ends up kissing him but Noah runs away right after it. Later that evening, Colin tries to hold Noah's hand but Noah tells him that he's not in love with him.

In the final episode of the season, Colin realises that he can't stay friends with Noah because his romantic feelings for him are too strong - he confesses his love to Noah but walks away without waiting for Noah's answer. Noah doesn't follow him.

The first drama - The disappointing final three episodes

The first drama was the reaction to episode 1049 (Noah tells Colin he's not in love with him), episode 1050 (Noah tells Colin "that's what friends are for" and Colin is later seen crying alone in the dark) and episode 1052 (Colin confesses his love to Noah, walks away and Noah doesn't follow him).

There were a lot of angry comments. Not just from disappointed queer people within the show's target audience but also from disappointed adult queer fans who were concerned that this was sending the wrong message to young queer people - that life would always be hard for them if they happened to be gay.

The second drama - The new opening

Traditionally, the show does an Advent calender on social media with pictures from the upcoming season and finally the new opening.

It was already clear that Colin's actor wouldn't be around for the whole season because he landed a role in a film and his schedule would have overlapped with the shooting of Schloss Einstein. But since the first press release for season 27 stated that there would be 19 main characters and being credited as a main character usually guaranteed that said character would appear in the opening, we had some hope.

Well, the new opening was released and guess what? Colin wasn't in it. Cue another round of angry comments, this time mainly from people in the target demographic who thought Colin wouldn't appear in season 27 at all. And why? Because there was no official info. You had to see a picture a cast member posted on BeReal or read the wiki to know Colin would be in season 27. And even those of us who knew Colin would still be around for at least a few episodes doubt that it will be enough to give his story with Noah a satisfying ending.

And then there's the fact that season 27 is going to focus on a mystery plot about a treasure hunt. The last season to do that was season 24 which wasn't well received to the poor execution of the mystery plot. So now people are worried that season 27 will suffer the same fate with a poorly executed mystery plot overshadowing everything else and leaving no room for some much-needed character developement.

Stay tuned!

#schloss einstein

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lover-of-mine · 1 month

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It isn’t lost on me how racist some of these 911 stans are wanting Tommy to have a begins/regular character status when Karen and Ravi don’t even have that and treat the already canon queer rep like they don’t exist I also think some of the way they talk about Eddie and don’t care about him anymore now that a white cardboard cutout of him is here feels racially charged like why are you hyping you this white man but not the other queer canon rep (karen) and poc on the show as well(Ravi karen) they stopped pushing for Eddie to have better written storylines and just feels gross to toss aside a Latino main character away like he doesn’t matter for a white guy who is closely like him who has a screentime of 5 mins they literally just wanted buck to kiss a man and only care about fetishizing two men like let’s call it what it is

You hit the nail in the head, baby. I have no strong emotions towards Tommy or bucktommy and I'm not saying this is what everyone is doing, but since Tommy only has 5 minutes of screentime, Tommy is a character they can just project whatever the fuck they want and make it the "perfect partner" they want for the wobbified version of Buck they see. He's also another white man so it removes all the issues they have with Eddie and kept trying to pretend weren't there because Eddie was the only other option and gives them a nice little white canvas to make the relationship what they wanted. It feels fetishizing when people keep begging for a sex scene when the show doesn't do full blown sex scenes, it feels fetishizing when people are screaming shut up you get to see Oliver Stark make out with a guy as if all that they care about. And this fandom is very racist. Even all the "the gay firefighter show is finally gay" when we always had Hen, Karen, and Michael show that. What do they have in common? Eddie is constantly portrayed in fics as this harsh version of himself that's bad with words, and feelings, and is generally broody, and something straight up incompetent or aggressive to make Buck look better, but we don't have fics that do this the other way around. Because Buck is white. He's a nice blond 6 feet something blue eyed dude so he's always gonna be perfect. Which is boring. But makes it clear that a lot of it is racially motivated. Tommy coming back to the 118 so that he could become a main cast member would be a demotion for him in universe, but people are begging for it anyway. Ravi is right there ready to be moved up to A shift and not getting a third of the noise. It is racist. There's no way around it.

#you're not wrong #911 #i really need a tag for asks #anon 😌

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hartenlust · 3 months

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reading gods worst article on tma (Narrating the (Queer) Gothic in the Podcast The Magnus Archives, Maria Juko) and its so bad that its funny. btw this got published in a book (Rethinking Gothic Transgressions of Gender and Sexuality, edited by sarah faber and kerstin-anja münderlein, 2024) and I can only assume the editors didn't listen to tma themselves because good lord what are these takes. come with me as I read this mess

strong start when it claims the entities seek to torture and destroy humanity. patently untrue. we know they have some sentience, but the focus on humanity does a disservice to gerry explicitly saying "you think people are so special its only our fear that counts?". also "destroy". how are you going to get fear if the entirety of humanity is destroyed. we know what the entities wanted (or at least what the web wanted) it is explicitly stated in mag 200. it says so right there so explicitly that I find it impressive if Juko missed it.

calls the beholding the antagonist? if you want to call Any fear the antagonist id go for the web, but even then, antagonist is not the role id ascribe to a lovecraftian entity

"with the podcast’s final season set in a world dominated by the Eye that Jon et al. ultimately overcome to save the world" / "The world comes to depend on [jonmartins] relationship, with the two of them becoming queer heroes." save the world??? heroes?

4. stupidly funny implications. interesting citation for georgie but that's not important right now. the point is the fight against evil and the reading alleging tma says being queer will get you Heroic Powers. Juko's forgetting about the queer characters that get Evil Powers (all of them. all of the powers are evil. that's the point.) did the archivist utilize ace and bi power when he became the lynchpin of the apocalypse and tortured strangers

5. "As a case in point, inclusivity starts at the level of casting: female police officer Basira Hussain is voiced by Frank Voss, who uses they/them pronouns." very true but idk. frank voss and jonny sims are just pals, ill allow Some implications from this but the author is using it to imply more intentional focus on inclusivity then I think jonny was doing

6. "First, the podcast’s main character, the asexual biromantic Jon, is bestowed with supernatural powers, challenging not just heterosexual but all sexual norms of society." BESTOWED? stop using the word bestowed here oh my God. he is not a superhero!! did Juko listen to the entirety of tma without any moral grayness happening here??? also ?? jons bestowed supernatural powers are in no way related to his asexuality & biromanticism??

7. christ. this isnt a bad tma take but it is reminding me why I wanted to quit my literature analysis bachelor

8. did jon utilize ace and bi power when he betrayed martin. did martin utilize gay power when he stabbed jon. jesus christ what do you mean humanity's salvation. the apocalypse isnt fixed at the end by the power of love.

9. i guess? if you felt like it? tma really isn't a queer narrative in my option but I guess?? you could read it like that. if you wanted to. I'm unsure if you should though because these people are deeply unwell

10. "And particularly in the first seasons, Jon and his colleagues often fail to control the evil entities, losing for example colleague Tim at the end of the second season, which leads to a rift between some of the Institute’s members" yeah because truly they were thriving before that. they were the bestest of friends before tim died. they all held hands and danced in circles

11. unsure how much longer i can take this. this isn't the X-Men

12. "[Jon] could be defined as an asexual biromantic who uses his love for Martin as a form of power to save the world." no he couldn't. next

13. "With this in mind, Jon’s exploration of the Archives becomes a metaphor for accepting his (a)sexuality." HUH. NO IT ISNT? jons asexuality isn't relevant narratively At All. go home.

14. for the love of god can anyone hear me. its so dark in here. were the beholding and jonah magnus asexuality allies when they helped jon become an avatar. the sentence after this calls jon the hero of the narrative again btw. patently untrue

15. "Only by accepting his power can Jon save the world." jon didn't save the world.

Juko discusses melanie & georgie but her takes on them are pretty normal and decent in my opinion. if anyone wants a pdf of this horror let me know & ill send it. I'm so annoyed I'm considering writing an email about this. btw it called jonmartin "enemies to lovers" trope and also said their relationship "starts heteronormative and changes to a more equal footing, whilst retaining heteronormative elements". about the gay couple.

to conclude: I don't know which podcast juko listened to about a heroic narrative about queer love that saves the world, but its not the magnus archives. did you know that the eye is an asexuality ally?

#op #tma #the magnus archives #long post #this was so bad.#tma spoilers

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benjinoff13 · 1 year

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A few days ago I was in the car with my mom and a friend who also loves warrior nun, my friend and I were talking about kty and how awesome it is that she’s doing all those interviews to promote the show while netflix won’t spend a single cent on promotion

We also talked about alba and how we admire her passion and commitment to the show and the fans despite her being less vocal about it than some of the other cast members considering what she’s been facing in her private life

My mom heard a lot of things she didn’t understand so we started to explain the situation to her, we explained that shows (on netflix) that have minorities in the lead role often don’t even get a chance to develop nicely despite their obvious succes and that this is primarily the case with queer female characters and sapphic couples (mind you I’m not out to my mom but I think she knows, we don’t talk about this subject a lot but I needed her to understand)

Then we started discussing whether we thought a renewal was realistic, I told my friend I was carefully optimistic, I knew netflix’s trackrecord with shows like this but I also knew how succesful season 2 was, I considered the 99% and 100% on rotten tomatoes, I considered the amount of weeks it spend in the top 10, I considered the fact that even season 1 reached the top 10 again because so many people started watching it and I thought there was no way in hell netflix could actually be so stupid and cruel to cancel this show

Then I read simon’s tweet last night and I know it sounds dramatic but I actually felt my heart break, I was watching tv with my dad and went upstairs without saying a word, I sat in the dark in my room alone for what felt like hours, I cried, I punched my wall (still hurts like a bitch), I texted my only friend who could possibly understand what I was feeling and then I stayed up for most of the night not being able to fall asleep

This morning I woke up and immediately felt nauseous because of the cancellation again, after hours I went downstairs grabbed my coffee and told my mom what happened, I said

“Remember when we were in the car a few days ago and we talked about that netflix show I love and how shows with minorities in the lead role don’t often get a fair chance”

She said yes and so I told her about the cancellation, I told her it’s the best rated netflix show ever on rotten tomatoes, higher than the crown, higher than stranger things, and that the reviews and viewing numbers were unexpectedly high and she responded by asking why netflix would cancel this show because I told her netflix only cares about money and warrior nun seems profitable, I explained to her that there’s two women who are in love with each other and one of them is the main character, last season this wasn’t the case and then we got a season 2, now their love for each other is confirmed and netflix cancelled the show even though season 2 was way more popular and successful than season 1, to which she responded the following

“It sounds like discrimination to me, it’s almost like there’s someone at the top at netflix who wants to stop all these shows because they don’t want to make stories about gay people”

This is my CATHOLIC mother, my mother who really doesn’t understand queerness, who sometimes still says things about being queer that piss me off so much I consider packing my bags but she understands this

This is obvious to her

It’s obvious to fucking everybody

If you don’t see the problem you’re either in denial or just plain stupid

I am pissed beyond belief, I will never ever forget this

#warrior nun #I know this is long and I won’t blame you if you scroll passed it without reading #I didn’t post this for the notes I just meeded to get it out

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princess-of-the-corner · 6 months

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Okay so, if I could summarize each of the four main characters and what makes them so interesting:

Ruby Rose: She dresses in black and red, has a lot of death motifs, and is the most willing of the four main characters to fight dirty. She's also an altruistic sweetheart who just wants to make the world a better place, is heavily coded as both autistic and asexual, and her entire character arc across the first eight seasons of the show is based around her deteriorating mental health as she holds herself to higher and higher standards until she just can't live up to role she has given herself. She's also seen blushing when talking to a pretty girl in Season 3, and while one boy younger than her is implied to have a crush on her, she has NEVER shown ANY interest in boys outside of the noncanon parody spin-off. Also, while it's never explicitly mentioned in show, analyzing the information we DO have reveals her to be perhaps the SOLE survivor of a HORRIFICALLY thorough genocide, even if Ruby herself doesn't realize until after Volume 5.

Weiss Schnee: Basically Chloe with better writing. She starts out as a seemingly shallow, petulant rich girl with an ego larger than her father's corporate empire. She's also deeply aware of what a monster her father is, comes from a broken home, and even BEFORE her character arc is primarily motivated by a desire to redeem her family name after her father married into the family and turned her grandfather's company into a standard evil megacorp. She's also canonically bisexual.

Blake Belladonna: She's a Faunus, a former member of the civil rights group-turned-terrorist organization known as the White Fang. Her ex boyfriend, Adam Taurus (who is heavily implied to have started courting her when she was 12 and he was 18), has slowly but surely been subverting the White Fang's actual purpose in order to turn it into an instrument of his bloodlust, and thus her driving motivation for much of the first few seasons is to atone for her perceived role in the White Fang's fall (as she unfairly believes herself to be responsible for his fall to the darkside, because he would divert blame to HER whenever she tried to confront him on it), and also try and fight racism. She's also the team's second in command. She was also the first member of the cast to be confirmed queer, and is the closest thing to a harem protagonist the show has, with three characters (not including her abusive ex) all having been confirmed to have fallen for her at different points. Her eyes are the same color as her partner's soul.

Yang Xiao Long: She might wear the image of a hard-drinking party girl, but she has NEVER consumed alcohol on screen, is PROBABLY the best student on her team, built her weapon herself, and is a genius mechanic on TOP of being a berserker who gets stronger the more and stronger hits she absorbs to charge her Semblance with. She's both the tank AND the team mom, because all three of her parents AND her uncle have let her down in some way, shape, or form since she was a child, forcing her to grow up so her sister wouldn't have to. Her birth mom walked out on her when she was a baby, her actual mom mysteriously disappeared on a secret mission, her uncle's too drunk to be much help around the house and is usually absent on top of that, and her father is very clearly not up to the task of raising two children on his own, no matter how much he may try and genuinely loves his girls. Also, she's Ruby's older half sister, and a good chunk of her arc is dedicated to the fact that it takes her until season 9 to realize that she's gay and in love with her best friend. Her eyes' default color is the same as her partner's soul.

GOD that's gay.

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