soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now…
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
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you're cooking when you notice him. you finish dicing the onion on your cutting board, and when you look up, you smile when you see the looming shadow that takes up the space behind your curtains. (mercenary!ghost x fem!reader, 18+)
"hi, spooky skeleton," you giggle, turning around and dropping the onions into the pot. the sizzle warms your apartment, and when you turn back around, you smile wider when he's come out from the shadows, closer, already on the other side of the kitchen island and only a few steps away from you.
he's geared up. vest thick and heavy strapped to his chest, the hood of his rain jacket over his head to further conceal the skull mask he wears. he stands tall, back straight and eyes narrowed, what little you could see of them. you put the cutting board down, twirling the kitchen knife you hold in your hand before holding it out in front of you, putting the sharp tip against the center of his chest.
"slow down there, big boy," you coo. "did you do as i told you?"
he snarls a bit before fishing a phone out of his pocket, tossing it onto the counter. you look down at it, watching the video playing. it's your mark, slobbering in tears, begging for his life. he pleads, holds up his hands, shakes his head, says that he's sorry in every language he knows until there's a satisfying hole in the middle of his forehead, a lone trail of blood making its way down his face. you think it looks like he's crying tears of blood. it's oddly poetic.
you look back at him, meeting his dark eyes, and you draw your hand back, setting the knife down. with your other hand, you drag your knuckles down the side of his masked face, puckering your lips and blowing him a dramatic kiss.
"such a proficient one, you are," you murmur. "what is that? third one this week?"
"want m'prize," he growls, and you step closer hooking your fingers into the collar of his vest and blowing him another kiss. then, you reach for the kitchen drawer next to you and pull it, taking out a thick envelope and handing it to him.
"you're making them very happy, ghost," you tap the plastic of the skull, giggling. "they like you a lot. got time for another?"
he clicks his tongue, tilting his head to the side, and you squeak when he reaches down and grips both sides of your ass with two big hands. you laugh, but it turns into a breathless moan when those hands slip under your skirt and tug at the lace of your panties.
"i want the real prize, want wot 'm owed," ghost says lowly. you stand up on your toes, pressing your mouth to his over his mask. you let your hands fall, pressing on the backs of his hands, encouraging him to slip a few fingers under the lace and prod the entrance of your sticky cunt.
"you want it, baby?" you whimper. "do you?"
"yes--" you feel him bite from under the mask, and you stick your tongue out, licking over the line of his bottom lip, your pride swelling when you feel how shaky he breathes as you tease him. "give it t' me--"
there it is. now i have you.
"well..." you press your pelvis to his, rocking against his fingers, and he hisses when he feels the way you soak the fabric of his gloves. he wants to eat it, he wants to have you, he wants what he was promised. "gotta do somethin' for me first, ghost. gotta job for you. can't pay you for it though, not the way you like."
you think you see him smile under the mask, the corners of his eyes crinkling as if he likes what he hears. as if he knows what it is you will give him if he just does as you say.
"y'know wot it is tha' i want, don't you, swee'eart?"
yes, you think, and you respond by giving the front of his mask a kiss, one you think he reciprocates by the way he cradles the back of your head.
i know what it is that you want because...i want it, too.
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I think when people think of mental illness and what helps, especially with things like anxiety and depression, the treatment involves pushing yourself. Pushing yourself to get out of bed, to exercise, to take a shower, to go out in public, to order your own food from the cashier, etc.
And because the mental health movement has grown so much, people think that's the default of ALL illnesses. That the only way someone will get better is if they push themselves. That practice makes perfect. That you'll become more comfortable or strong over time the more you do something.
But what people need to realize is, with physical disabilities and chronic illnesses, pushing yourself in most cases is DETRIMENTAL. Pushing yourself past your limits can lead to flare ups or further injury. That's why it's important to know your limits, how certain activities may affect your condition, and learn how to either adapt or get help to complete the activity in question.
Also, most of us are already pushing ourselves. Most of us don't have access to the help or equipment we need. Most of us live in places where we frequently encounter inaccessible obstacles. Most of us NEED to rest.
So please don't try to be our physical therapists or doctors. There are people specifically trained to help us navigate our own conditions and limitations. There are people trained to help us strengthen our body's resilience without causing flare-ups or injury. Do not tell us "it'll be good for you" or "you need the exercise" when we say something is too heavy or too far or when we say we need our mobility aid(s). Your friend with depression may need to be encouraged to get out of bed, but your friend with chronic illness definitely doesn't.
Respect our rest.
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
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