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#yeah im gonna tag this as
cowboylovin · 2 years
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Mmmm bitter exes trope
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ancientbread · 11 months
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David Tennant in interviews is just a Nice Scottish Man and then every director he works with goes you are a SLUT!!! And you are SO SO SAD!!
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jajanvm-imbi · 11 months
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Jaja lol they're iconic for a reason
(I wanted to make my own version of this post but with more pairings lmao)
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theoldkyokodied · 1 year
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One wedding and three funerals
Background paintings under the cut
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#tomgreg#succession#tom wambsgans#greg hirsch#shiv roy#roman roy#kendall roy#yeah no im not tagging everyone thats too much#this is me going 'how much implications themes and symbolism can i fit in one painting'#yes i gave rose shivs haircolor. if we ever find out how she looks like and its not like this im just gonna pass away i guess#but yeah i hope yall connect the dots#i put waaay too much thought and work into this. i was googling pictures of all the actors as kids just for reference (sigh)#honestly kinda wanted to make tom and greg link pinkies as like. a pinkie promise. but that was too hard to draw in this angle#at least not without obstructing the view of the ring which is important to see so ya#my fave is actually the tomshiv wedding pic i went off with that. i love them... they should have run away to become sheep farmers fr fr#anyway im so glad im done with this UGH!! finally i can draw smth else without being like oh noooo i need to finish this#i see a lot of you wondering why there is no portrait of logan but one of ewan#it's bc the placement of the painting represent their standing. logans portray would not hang next to the stairs#his present portrait hangs at the end of it. all the way up at the top. alone and withering away#basically the picture you see underneath ewan to the right? its where toms parents would be. the right side of the wall is tom and gregs#and the left one is the roy siblings theirs. since they grew up rich rich. and tom and greg didn't#but ya thats why ewan hangs here and logan does not :)
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captainswhore · 2 months
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you see price sitting like this when you walk into a room post mission- and you know exactly what it is he needs.
he's licking at you and holding your thighs open with his rough palms- and you can't take it. his calluses and his beard and the fabric of his sleeves are rubbing at your legs just right- but not enough for you to lose focus on his hot tongue rubbing on you and in you and you've never been wetter in your LIFE.
his only problem? you're still moving too much. he can't reach where he wants to inside of you because you keep wiggling out of his way. his hands want to touch you everywhere- not just hold your thighs still. this is when he begins to squeeze at you everywhere, and tell you to rest your thighs on his shoulders.
"b-but price- hhnngh ohmygod- i c-can't. they're too big. thighs are too big"
you whine at the loss of contact, but then you look down and see him staring at you with massive pupils and a wet face. "lovie- my shoulders are broad for a reason. rest your thighs on em and i swear they'll have enough room"
and you listen, and you're crushing his ears with your thighs, and he's never been happier. the next time you look down? he's rutting into the mattress and you see his hips stutter when he groans into you and your vision goes white
(@chamomiletealeaf and i had SUCH A HORNY discussion about this and she told me to post it so here i am- and also omg photo creds to her. we've gotta reign it in lmfao)
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inkedmyths · 2 years
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Ok. Ok so I've seen people do this with Homestuck. But I already read Homestuck. So let's try something else.
*leans in close to the mic*
10k notes and I will watch Supernatural
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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feelo-fick · 1 month
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WHY has no one talked about these panels. fuck it its 12 am (at the time of me "finishing" (<- not even close) writing this, its nearly 2 am) im going to talk about them
ahem.
before i get to the Main Point i wanna discuss chils tendency to spiral into his thoughts
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like, sure, yeah, he's a reasonable guy. real logical-- but he tends to rush through so many possibilities and in this scene even berates himself for his tiny mistake. every thought in this scene goes so fast to me here, just "snap snap snap, call for help, no thatll attract too much attention- wait is there a switch? crap its too far away- nevermind lets just wait for marcille- but can i trust her with that?? god im so stupid, am i just gonna be trapped here until morning???" and it takes a moment for him to stabilise and snap out of it
like... he even has a little pep talk about it
i guess you could take this as him merely being a quick thinker? but i highly doubt it -- look at this fucking guy.
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anyways. hes always got to be eased out of it one way or another, whether that be complainerism (self-explanatory), strategising with another person (that way all the insecure thoughts get pushed to the back in favour of working together), reassuring himself (discussed above) or...
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you. could.
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distract him.
place a brick wall in front of that zooming train of thought and watch it crash and burn :)
he doesnt even respond in that first pic, by the way. in fact, he doesnt say anything for another 3 (and a bit) pages, and by then the topic has been safely switched (granted those three pages are just marcille and laios making the familiars, but i feel it still stands that there was no response at all, not even visually)
secondly, in that other instance -- see how his eyes go wide as saucers when contact is made? and how they turn into pinpricks once he looks back**? god. and. like.
oh. fuck. ive gottta continue this in a reblog since ive reached the picture limit on mobile -- i am not even a THIRD of a way through all my thoughts on this- we didnt even get to my footnote!! sit tight everyone :)
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084392 · 3 months
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ok. i think im done now.
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gunsatthaphan · 9 months
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#attaboy.
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layraket · 4 months
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late but yeah.... it is still 14 i swear....
gay rabits yes sirr
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harbingersglory · 5 months
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{☆} characters arlecchino {☆} notes drabble, fem reader, sub reader, transfem arlecchino {☆} warnings 18+ content, breeding kink, degradation, stomach bulge, dacryphilia, restraints
"Arle, hah..please. I can't– I can't wait any longer."
The pleading, almost pouty, words had her letting out a deep, husky chuckle as she fiddled with the buckle of her belt, admiring your body as she stepped up to the bed. Her knee sank into the mattress as she knelt down, pressing a placating kiss to your brow and gesturing for you to turn over.
"Come on, dove. Be a good girl, or I'll treat you like the whore you are." Arlecchino clicked her tongue, firmly grabbing your hands and tightening her belt around your wrists, giving the leather a firm tug to test its strength– and to make sure it wasn't too tight. "I'm in a good mood. Don't spoil it by being a brat, little dove."
The pout it drew from you made her grin, canines flashing beneath her lips as she settled in behind you, cupping your ass in her calloused hands with an appreciative grumble. Your panties were already sticking to your cunt, the fabric soaked. She couldn't help but drag one of her digits across the fabric, teasing your folds beneath it.
"Lucky I adore that pretty mouth of yours or I'd have cut out your tongue," She gruffly spoke, her tone neither in jest or too serious– perhaps she would, maybe she wouldn't. She liked to keep you on your toes. "Hm. Maybe I'll use your throat after– shut you up properly. You look so pretty gagging on my cock, you know?"
Arlecchino slid her fingers beneath the waistband of your panties, tugging them down just enough to see your slick cunt, her fingers pulling the folds apart. Fuck, she could feel her cock throbbing against her boxers at the sight– she'd never get tired of it, just like she'd never get tired of using you like a toy.
"But in the meantime.." She finally pulled down her own boxers, her aching cock slipping free and slapping against your thigh– she slid right between your thighs, forcing you to squeeze them together around her. "Fuck, that's it." She growled, pumping her hips a few times before she was satisfied, lining up her cock with your entrance.
She had the decency, at least, to sink in slowly at first..let you adjust to her size for a brief moment before she snapped her hips forward and sank fully into your cunt with a sharp hiss.
Arlecchino typically enjoyed teasing you first, making you practically beg just for her to give you her cock at all, but she had other plans tonight– she wasn't going to waste time playing around this time. Her hand slipped down to your stomach pressed against the mattress, a low chuckle building in her chest at the distinct bulge her cock left. It was a wonder she fit at all– but she'd make it fit even if she hadn't.
"Be a good girl now and don't complain." She grumbled, leaning down to press you down into the mattress with her body, nipping at your ear before she pulled her hips back, hissing at the way you clenched around her in response. She took a moment to sit there, letting you ruminate and squirm at the lack of movement– only to grab a fistful of hair and start pounding you into the mattress before you can even think to whine about her lack of movement.
How quickly, how easily, you turn into a blubbering mess as she uses you like a toy for her own enjoyment. Not that you won't enjoy what she has in plan for you– just maybe not as much as she does. The mental image of filling you with her cum..it drives her thrusts harder, faster. She wants to fuck you stupid with her cock, fill you to the breaking point until her cum pools on the sheets, unable to be fully plugged up. Just the idea of watching her cum dripping down your thighs makes her control slip just the slightest bit.
She's already big enough to bulge your stomach with every thrust, but she wonders if she can push it further.
She certainly wants to, and she intends to.
The fat tears rolling down your cheeks only got her more excited, her hands gripping your hips so tight she can already imagine the bruises in the shape of her fingers against your skin.
"That's it, dove, give in," Arlecchino hissed, a low growl rumbling in her chest as she continued to pound into them relentlessly, her thighs already stinging from the sheer force of it. "Fucking take it, you whore."
Her muscles flexed in faint restraint, the shifting of your arms against her as you nearly screamed at the intense rush of pleasure making her sink her teeth into your shoulder in warning– a futile effort, really, as your body twitched when you came so hard she briefly considered if she had to stop..but you were still moaning even through the tears rolling down your cheeks, rocking back into her thrusts weakly, unable to keep up.
She wasn't too far behind, either. Her teeth dug deeper into your skin, muffling the growl as she plunged into your soaking wet cunt, bucking into you in much shorter thrusts until she finally felt her cum spilling into you. It was almost enough to send her over the edge again– fuck, you were practically sucking her in with how tight you were, squeezing around her cock.
Her head slumped against your shoulder as she pulled her teeth from your skin, taking a moment of respite to catch her breath and let the sting and ache settle in deep– she welcomed it, if anything. But she wasn't done.
She was going to fuck you till you were full– fill you up until she couldn't fit another drop.
For now..she pulled out, admiring the way her cum dribbled out of you. She didn't mind all that much..she was going to replace it tenfold, anyway.
She couldn't wait to plug you up and see you squirm during the meeting tomorrow, full of her cum and unable to find relief– maybe she'd make it a toy, see how long you last before someone realizes what's going on. She was going to enjoy it thoroughly.
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nebuladreamz · 8 months
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minehog · 1 year
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TFW your twenty-tonne superior officer faints dramatically into your arms (and then cusses you out for touching him)
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zanukavat · 10 months
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gonna be a bit mentally ill here for a second
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catmanbowser · 1 year
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[throws him a warm wet towel] here you go king <3
[COMPUTER ENHANCE!!!]
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