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#20190507
bobbie-robron · 8 months
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Stand tall (2019)…
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desyincstuff · 5 years
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都市叢林
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wikimediauncommons · 4 months
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file: Abney Park – 20190507 121046 (40829429243).jpg
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cedrick-lhyton · 1 year
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2 REMARKABLE WRITERS IN DIFFERENT PERIOD
The Post Edsa Revolution
Nicomedes Márquez Joaquin
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What has Nick Joaquin contributed to Philippine literature? Joaquin was regarded by many as one of the most eminent Filipino writers of the English language. He focused most of his writing on the Spanish colonial era, the rich Filipino heritage, and the complexities of the human mind. In 1976, he received the national artist for literature title.The Philippine National Artist for Literature designation and rank were given to Joaquin. Along with José Rizal and Claro M. Recto, he has been hailed as one of the most influential Filipino authors.This story's author, Nick Joaquin, had a unique writing style; he began his narrative with a flashback. Overall, it is still a wonderful and great story. The moral of the narrative was to think about what marriage really means. To have a successful marriage, a wife and husband must communicate with one another.
Nick Joaquin was a very timid and mysterious writer. Even his reclusive nature and preference for anonymity could not conceal the genius behind his pseudonym, Quijano de Manila, when he was asked to fill out a biographical form for the English-language journal Philippine Review in 1943, he simply wrote "25 years old, salesman."
Because of his extreme seclusion, Joaquin refused to reveal his exact birthday up until the day he passed himself, claiming he did not want people to come over to celebrate. His birthdate is given as either May 4 or September 17, 1917, depending on the source. We can infer that he was actually born on May 4 because he was named after Saint Nicomedes, whose feast day is on that day.
Nicomedes Marquez Joaquin, sometimes known as Nick Joaquin, is a towering literary personality with an unrivaled body of work. His short stories, including May Day Eve and The Summer Solstice, are now required reading in high schools in the Philippines. These are short stories he wrote and published soon after the Second World War, an experience that left him visibly unsettled and longing to go to another country.
Source: https://www.esquiremag.ph/long-reads/nick-joaquin-life-a00293-20190507-lfrm
Gilda Olvidado
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Gilda was born on August 9, 1957, in Cebu City. She is the child of Guarda Olvidado and Gregorio Tan. Her primary schooling was completed in Maranding, Lanao del Norte. She spent two years studying journalism at Manuel L. Quezon University and one year studying chemistry at Adamson University, but she did not complete college.
Gilda had a great deal of admiration for Carlo J. Caparas while she was in her teens, and he encouraged her to consider a career in comic book writing.
Works for TV and film Cha Lee's Angels, a comedy that she first published as a serial, was based on a well-liked 1970s American television program. However, when she wrote Kapag Puso ang Komiks, her second komiks novel, she found that she was more comfortable writing romance-drama.
A dramatic love story called Nasakdal was ordered by Atlas Publications.
Because of the success of her earlier works, she was in high demand and wrote romance novels for Valentine Romances, Twin Hearts, and Gemini Pocketbooks as well as Dahlia, a radio serial that was famously broadcast over DWWW. She made the decision to launch her own line of novels in 1993. Gilda publishes erotica for the Abante tabloid, particularly in the Brilgint section, in addition to her more well-known pieces.
She was the author of popular komiks novels including Sinasamba Kita (1982) and Dapat Ka Bang Mahalin? (1984), Ina, Kasusuklaman Ba Kita? Kung Mahawi man ang Ulap (1984), Ina? Pinulot Ka Lang (1986), Huwag Mo Kaming Isumpa (1985), and
Huwag Mong Itanong Kung Bakit (1988), Magkano ang Iyong Dangal (1988), Saan Nagtatago ang Pag Ibig (1987), Saa Lupa (1987), Babangon Ako at Dudurgin Kita (1989), and Huwag Mong Itanong Kung Bakit (1988).
She created the screenplays for the 1990 movies Maya, Bakit Kay Tagal ng Sandali, and Tayo na sa Dilim. Her poems were adapted for some Filipino telenovelas, including Babangon Ako't Dudurgin Kita (2008), Dapat Ka Bang Mahalin (2009), Kung Mahawi Man ang Ulap (2007), and Sinsamba Kita (2007). She also contributed to the writing of a few afternoon melodramas, including Kaputol ng Isang Awit (2008) and My Only Love (2007–2008). She also wrote Ina and Kasusuklaman Ba Kita? 2009, as well as Temptation of Wife (2012–2013).
Source: https://en.wikipilipinas.org/view/Gilda_Olvidado
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https://stat.ameba.jp/user_images/20190507/15/hirochan-lucy/d2/74/j/o0240032014405323039.jpg
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中居正広
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juergenklopp · 5 years
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Walk on.
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catswilleatyou · 5 years
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rem motorcycle
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felipeandletizia · 5 years
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May 7, 2019: Queen Letizia attended the event celebrating World Red Cross and Red Crescent Day 2019.
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beckenbauer1052 · 5 years
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前島亜美さんのツイート
前島亜美
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keldermans · 5 years
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Just rewatched The Music Man
I'm HYPED AF
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darrenfeng · 5 years
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一句經國英文: ice cream冰淇淋🍦🍨 Let's have some ice cream. 讓我們來吃點冰淇淋. Darren ABC-英文教學網站🖥👨‍🏫🔤 現在報名有優惠,只要299,名額有限 https://darrenabc.com/courses/grammar/ #經國英文 #darrenabc #一句經國英文 #學英文 #icecream #20190507 #鴻璽402集 #線上英文教學 #精緻英文家教 #英文教學 #每日英文 #一句英文 (at 三坑自然生態公園) https://www.instagram.com/p/BxKW5F9HTR0/?igshid=vr5uhfkn51k0
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bobbie-robron · 10 months
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It’s about two lads (May-2019)…
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desyincstuff · 5 years
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我可以 自己給自己
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narukiakiyoshi · 5 years
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#3 『都市への権利』(原題 : Le droit à la ville) アンリ・ルフェーヴル(Henri Lefebvre) 著、森本和夫 訳、ちくま学芸文庫、[1969]2011 「そんなわけで、都市的なものは、ひとつの体系として、すなわちすでに完結した一冊の本として、市民たちに押しつけられるのではなくて、多かれ少なかれ、市民たちの作品なのだ」(p102) 人生の主体性について���えるようになったのも、物事を運動体的に見るようになったのも、使い手や利用者の側に重きを置くようになったのも、どこか左寄りになったのも、間違いなくここからだと思う。 文章の要点がどこにあるのか、何が肝なのか。これもか、あれもか?ルフェーヴルの筆致に翻弄され尽くした線、線、線。読み返すたびにより濃くまた線、線。序列をつけるためと書き加えた丸印、星印、もっとわかりやすくと貼った付箋。期せずして混沌と層をなす都市的な(殊に東京的な)様相でぐちゃぐちゃ。開くたびに真っ黒にされたページを見て笑ってしまう。 一番線を引いた本。いや、線を引くことがいいことかどうかは別の話で、読んだ時その瞬間の感心や興奮、葛藤、疑問の痕跡を残すことに意味がある、と思う。言い聞かせてる。形式どうあれ、本を読む時にはなにかしらその瞬間のリアクションを書き込む。後々の自分にその瞬間の感覚やらなんやらを伝えるため。自分のことだからいつ引いた線かくらいわかる。その時どきの反応は覚えてる、思い出す。この本に関しては、あまりに節目のあからさまな一冊だからことさら特に、よく覚えてる。 なんにせよ本は汚し尽くす。本に限らず、ものを手放しやすくなった時代にあえて手放せなくする、持ち主=自分と分かち難く結びつける。分霊箱。あえて荷物を増やしてたくさんをひきづって容赦なく蕩尽すること・されるものに豊かさを、魅力を感じてやまない。この一冊は死ぬまでひきづる。 まともな学術書もなにもほとんど読んだことがない段階でこんな本読むべきじゃなかった。とは、少しだけ思いつつも、でも、ある意味で、あの時に読んでおくべきだったし、読んでおいて本当によかったと思ってる。南後ゼミ入室が決まった直後、これを渡してきた兄はどこか狂っていたに違いない。ありがたい。 『都市論ブックガイド2 つぎたして150冊』(南後由和+明治大学南後ゼミ 編、南後ゼミ編集部、2016)のときには書評を書いたけれども、先生の解説がゾーンディフェンスのようにあらゆるアプローチを先手打って防いできていたからめちゃくちゃ困った記憶がある。結果、劣化縮小コピーみたいな仕上がりになってるのが我ながら愛おしくてたまらない。そういえば入稿数週間切ったクソ忙しい時期に書いたページだった。まさかいま誤字を見つけるとは思わなかった。 「与えられたままにするんじゃなくて、自分自身で読み変え、書き替え、組み換えて、つくりかえろ」と、勝手に受け取ってみた。 都市だけのことじゃなく、万象そう食ってかかってこそ面白いし、���の人だけの食ってかかり様があるからこそまた面白い。誤読にせよなんにせよ、受け取ったこの気概は死ぬまで大事にしていきたい。 初手なのに内容自体にはほぼ触れない変化球になった。内容については巻末の南後先生の文庫版解説に詳しいからそれで事足りるかと。ぜひ。 絶対にこの熱量と文量を維持できないから、明日からはもっと抑え目にする。時間あるときはたくさん書くけど、そうじゃないときは一行程度。まず続ける。 #都市への権利 #Ledroitàlaville #アンリルフェーヴル #HenriLefebvre #森本和夫 #ちくま学芸文庫 #筑摩書房 #南後由和 #本 #読書 #本棚 #読書記録 #20190507 #成紀の3 #俺のごきげんよう https://www.instagram.com/p/BxKWy_ZnItb/?utm_source=ig_tumblr_share&igshid=kie1tc68j3xy
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smoke-days · 5 years
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Èn:Megyek haza.
Yx:Nem haza.Haza,majd csak a temetőbe fogsz menni.
(Oda is gondoltam)
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spicamode · 5 years
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Pasta☆morning 5/7の パスタです🍝 シソの葉が アクセント☆ #morning #breakfast #pasta #home #朝食 #パスタ #20190507 #うちごはん https://www.instagram.com/p/Bx8f-VTA1eJ/?igshid=9h6lox9wmqt8
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