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#And I'm translating it as we speak!
royalarchivist · 2 months
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Quackity: These past days I've been in many calls, and I'm not done yet. I've spoken to a lot of people and creators. I've read your comments and I'm well aware of what needs to be done to carry out this project. I want to tell you all, beforehand, that for me the team's well-being is fundamental. I'm very involved in this topic to sort it out and I want to make that very clear. I want to tell you something... I want to tell you all that the administrative staff responsible for so much harm to the project has been fired. Specifically, those who made decisions without my permission, affecting the administrative and financial area of the project. Consequently, after this, I was in charge of doing a financial analysis that's carrying out for the QSMP.
Guys, to be really honest, it was not going to last. Therefore, I've had to make deep drastic structural changes that have lead me to reduce the performance of the server down to the most essential, and this is in order to ensure the well being of everyone involved in it. Having said this, I want to give a very important update: I want to let you all know that the QSMP will have to slow down temporarily. This is to ensure this new structure adapts to the project, because it's a restructuring that's taking place. I'm letting you know, and I reiterate, there are no voluntary positions inside the QSMP.
At the moment, there will not be any more individual update accounts of all 5 existing languages in the project. In any case, during this transition, there's going to be a temporal absence of all Eggs and NPCs. I know these are difficult changes, and I repeat, it's temporary until we adjust to these new conditions that will improve the performance of this new structure that's being made from scratch, both in the administrative and financial part. I'd like to reintegrate people fro the QSMP as time goes by if a financial viability can be found for the project Taking advantage of this update to tell you guys that within the changes of the server as it is, creators will have full control of their lore and stories. The team will not intervene in the way that it was being done. Moreover, efforts will be made to change the competitive dynamics inside the game so as to ease up the game style for the creators. Like I'm saying, all of these changes, and more, are being carrying out to have the project as best as possible, and they're being done little by little. This is a whole new structure that will ensure the best continuity and experience for the creators, the community and the team behind.
Guys, I want to make very clear that this is restructuring process, and again, it's not a fast one. The server being open does not mean everything's perfect, I understand that very well. Conversations will keep taking place, communication will continue and the constant improvement of the project as well. I ask, please, for everyone's patience and understanding regarding all changes. Please do wait for official announcements since a lot of incomplete and incorrect information is being spread. I want to tell you all something- if you don't trust in these changes or have many doubts about it, and don't want to consume any more of the project's content, I understand 100%. I have a personal commitment with the QSMP and I will work until it functions in the way it is supposed to do.
Lastly, I want to let you know that it was being worked on for months on finalizing the integration of Korean creators to the QSMP. For that reason, tomorrow we will be welcoming the new Korean creators of the QSMP, of course, taking into account all the changes I've just mentioned. I hope you can give the new Korean members warm welcome to the project. And as you know, their schedules are earlier. For everyone who would like to watch, they will be joining at 11am Mexico time and at 9am US time. Basically, I wanted to give that update regarding everything that's being done within the project. Again, thank you for your patience and understanding- these are necessary changes and I'm glad they're being done now. And many more things will keep being adjusted.
via @QuackitySubs
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superalloyman · 9 months
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Lyla watched Miles do this while Miguel was out and totally convinced him it was a good idea
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feluka · 2 months
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and also.... sometimes... if a post is in arabic and left untranslated... consider the fact that if you can't read it maybe it's not for you <3
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kenobihater · 11 months
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i don't know maybe it's the translation i read but i guess i always thought it was made fairly clear that shuro never legitimately hated laios so much as he resented him for being able to be the way he was. much like laios (albeit for very different reasons) shuro's affect is frequently commented on by others to be strange and at a mismatch with the prevailing culture around him, being very reticent to the point of the part where he tells the girl he likes that he likes her being when he Proposed. quite a few characters say something to this effect! shuro was raised in formality and stoicism and i think has a tendency towards not rocking the boat even besides that, and now here's this guy who breaks every one of his rules and he makes it look so easy. it's like a two-pronged frustration of "doesn't this guy understand that you can't just do that" and "fuck, what would it feel like to be able to do that." of course he gets mad! it's frustration, but it's also envy.
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haberdashing · 3 months
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upside to having idiopathic hypersomnia: i can fairly honestly say that my doctor has prescribed me meth and roofies in the hopes of treating my diagnosed case of the sleepytireds
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hum--hallelujah · 8 months
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don't want to kill time like it doesn't matter - 3.5k words, (platonic) funkobra hurt/comfort
---
Ghoul is actually younger than Kobra. They always forget it though.
At least, they usually do.
Kobra's stopped shooting upright and reaching for his blaster whenever someone wakes him up at night. Stopped two years ago, honestly, when him and Ghoul started sharing a room. That was a collective decision that is very much not discussed. It left the old office as a perfect room for the Girl, in the end. Between Ghoulie and Girlie, the former of whom has wild, sleepless tendencies and the latter liking to scramble her way into bed with somebody else every other night of the week, Kobra's knee-jerk reaction has become more of a lack of reaction.
"Yo," hisses a pitchy voice. It's dead daylight, the heat of the day. This is the time of the year when you sleep while the sun's up, wait until the darkness falls to do anything or else it's too miserable or too dangerous. "Kobes."
Kobra utters a verbose "Hrrmngg?" and rolls over. He cracks an eye open to see Ghoul standing at the end of his bed. If it hadn't been light out, he'd be doing a good job of living up to his name. His hands are shaking, but when aren't they?
"You good, man?" Kobra asks groggily. He's half awake, half asleep, drifting in between the two states of being. Ghoul is shifting his weight back and forth on his feet. It makes the floor creak. It makes him look even smaller than he is. "Ghoulie?" He mumbles again when he gets no reply.
Ghoul makes a noncommittal half-whispered sound. "Wanna go for a joyride?" He asks instead of an answer.
Kobra blinks himself more fully awake and pushes up on one elbow. "Mirage or the 'Am?"
Ghoulie shrugs. Won't meet his eyes. Oh shit, that's not good. Something's got him worked up. It's too late for this. This is why they share a room now. They didn't used to, but Kobra refuses to let him sleep alone anymore. Kobra knows how he got that wicked scar that runs from the corner of his mouth nearly to his eye.
"Either," Ghoul says. "Doesn't matter much to me."
"Mirage," Kobra decides. He'll never say no to a late-night joyride. Not this kind. Party'll have his neck for sneaking out on the bike without letting anyone know, but the 'Am is too conspicuous when strange crews are out and from the look of him, riding double on the motorcycle will be good for Ghoul.
It's still too hot to be out. But going for a spin won't take too much exertion, getting to someplace with shade, so long as it's away from here, won't take too long. Ghoul's gonna get sunscorched. Maybe that's the point. While Kobra covers up with his jacket, Ghoul is still in the loose, half-covering clothes he sleeps in.
The sun glints painfully off the sand when they climb quietly out the window. No reason trying to get past Party when they've got an exit right here. Ghoul clambers out first with a probably accidental but surprisingly graceful roll and then flinches, violently, when Kobra jacket catches on what's left of the glass in the window and he tumbles haphazardly to the ground. They both hold still for a long dozen seconds, Kobra staring at the diner wall and straining to tell if anyone heard them, and Ghoul staring at Kobra and shaking.
When Party doesn't come along, eyes glinting with annoyed amusement, and yell at them for sneaking out, Kobra sits up and checks the hem of his jacket where it caught on the sharp edge. "Great," he mutters when he sees the tear in the lining. He'll have to sew that back together later. "Ghoul, you good?"
Ghoul shrugs and stands up. "Aren't I always?"
"No."
They stare at each other for a few seconds while Kobra rubs his palms together to clear the sand off them and reaches into his pocket for his gloves. "You're wearing a helmet," he says flatly.
Ghoul rolls his eyes and sneers. It crinkles the scar running up his face. "No way."
"Fine." Kobra doesn't push. Half the time he doesn't even wear his helmet. He's the driver. He'll keep them safe. It was worth a try, though. "Come on."
The heavy bay door of the garage makes too much noise to open without being caught. They slip in the side door and Kobra brings Mirage carefully back through it. He wears a helmet this time. Ghoul stands and waits, bouncing impatiently on the balls of his feet, while Kobra starts the bike and, out of habit, does a couple checks.
"You ready?" Kobra says, with the visor of his helmet flipped up.
Ghoul grins, but it's lacking in heart. So often, Kobra thinks he's not all there. So often, Kobra thinks this is his best friend. "Born that way," he replies.
"Come on then," Kobra says and nods for Ghoul to get on the bike with him. "Hey, hey. Hey, Ghoulie-" he says, when Ghoul is standing right at his shoulder, about to throw a leg over Mirage and climb on. "You okay?" He asks again, because he needs to know how safe any of this is.
Ghoul doesn't respond. Just settles himself behind Kobra and wraps his arms, tight, around Kobra's middle. Kobra stays there a second, until he's sure Ghoul's grip is solid, so that he can feel Ghoul breathing against his back, before he kicks off. He doesn't care if Party and Jet wake up now, they won't catch them. The bike's tires kick up a fountain of sand as he spins a loop, leaning into the turn until Mirage tilts close enough to the ground that Kobra could touch the sand if he reached out. Ghoul asked for a joyride. This is that.
"What the hell, man?!" Ghoul yells over Kobra's shoulder, muffled by the engine noise and his helmet. Kobra feels Ghoul's hands grab at the fabric of his shirt as he pulls around the first turn, bringing them around the back of a sand dune at full speed.
"Trust me?" Kobra shouts back. He's getting into it now, relaxing into each wide, showy swerve and fishtail. He slows down just a bit when he can feel Ghoul's fingernails start to bite into his skin. It makes him edgy when Ghoul is like this.
Ghoul sniffs sharply. "Well, yeah, but I've seen you crash out enough times at the track-"
"Aw, shut up," Kobra snaps back, without venom. Ghoul's his mechanic. He's seen his best wins and worst losses. "Where you wanna go?" He asks, after a few random turns, just drifting around in the sand. Ghoul is quiet. Kobra reaches back with one hand and smacks him on the leg after awhile. "Ghoulie, where we goin'?"
"I'm thinki-" Ghoul cuts himself off and when he speaks again his voice is flat and so quiet Kobra has to strain to hear him. "Turn right up here."
There's the remains of a road cutting across their path and Kobra hops Mirage up onto it, swings right and follows the pavement. Ghoul's grip around his chest has loosened, but Kobra can feel the fast, shallow rhythm of his breathing and the shaking of his hands even still. The road goes on for ages, long enough that it starts to feel infinite. This must have been a highway, back before the wars and BL/ind. At some point, Ghoul leans forward and puts his forehead against the back of Kobra's neck. Kobra can feel him pressed just below where his helmet sits.
"Get off at this turn," Ghoul mumbles suddenly, but not soon enough because Kobra completely overshoots the exit. He flips around the empty lanes of the highway, admittedly showing off mostly just to make himself feel better.
The group of buildings along the former highway off-ramp isn't really a ghost town. It's a cluster of old stores and restaurants, like the diner but mass produced, and down at the end is an ancient truck stop and gas station. Kobra slows the bike to a crawl as they drive down the street, struck with an eerie sense of deja vu. He's been here before. They both have.
He pulls over and stops in the middle of the road, beside what used to be a coffee store. Coffee is usually made in the form of compressed, dried out shots now, called Motor Juice in the Zones when rehydrated. They don't have coffeeshops in the City. They have prescriptions.
Ghoul is off the bike and Kobra's back suddenly cold even under the heat of the sun before Mirage even comes to a full stop. "Ghoul-" Kobra snaps, angry for reasons he can't even say and unsettled in ways he doesn't want to. This is a ghost town. Just not in the normal way. "Ghoul. What are you-"
But Ghoul is walking away, his back to Kobra and the bike as he moves toward the gas station as if it's a magnet and he's the blade of a knife, trembling so hard with the pull that it might break. Kobra hesitates, then swings his leg over Mirage and bumps out the kickstand. Ghoul is standing stock still, or as still as he can, on the faded pavement of the gas station parking lot. Kobra's glad it's faded. He doesn't want to see the bloodstains.
Ghoul looks small as he approaches, absolutely miniscule. He's got his arms wrapped tight around himself and Kobra can hear the harshness of his breathing even from several strides away. He doesn't want to get too close too fast. Ghoul's enough like a wild animal that it could turn out badly, and Kobra for once really doesn't want to fight him today. Not out here, at least.
They're within two years of each other, Kobra and Ghoul. They usually forget they're not the same age. But right now Ghoul looks so small and so, so young and Kobra doesn't know what to do.
"Gh- Ghoul. Ghoulie." Kobra calls carefully, stumbling over his tongue. He clamps his teeth together, takes a deep breath. "Ghoul."
Ghoul doesn't turn, doesn't look away from the door into the gas station he'd been found in, back when Kobra and Poison and Jet were a crew of three and Ghoul'd been even more feral than he is now. The gas station where Ghoul watched his entire family die and he was helpless to do anything about it. He still thinks he hadn't done enough. Kobra knows that. Ghoul always thinks he didn't do enough. That one kid with a blaster and wild eyes could take down a full squad of Dracs and two Crows.
Kobra doesn't know how to tell him that if he'd tried, he would be dead too. Kobra doesn't know how to tell him he's glad he didn't. When it comes down to it most, Kobra finds he can't speak.
"Ghoulie," he says again. "Hey. Hey." He moves closer, pulls off the helmet he'd almost forgotten he still has on. "Ghoul," he tries, one more time, as gently as he knows how even though it's not that gentle. He's never been good at this. Some of the scars scattered across Ghoul's body are from him. But Kobra had stitched up Ghoul's face and he's not going to give up now.
Ghoul finally turns and Kobra breathes a sigh of relief. Just a response. Proof of life even though he's still standing. And then Ghoul steps toward him and suddenly he's right there, shaking but otherwise just as eerily still as this entire place, like he's trapped in frozen time just like the rest of it, and he collides with Kobra's chest in a way that's both surprising and yet entirely expected.
"Oh." Kobra drops his helmet, dangling from one hand, and his arms hover uncertainly in the air for a moment before he carefully closes them around Ghoul. "Oh. Okay. Okay." He says quietly, startled, but not really. He'd felt the way Ghoul was holding onto him as they rode Mirage all the way out here.
Ghoul unfolds his arms from around himself and grabs onto the unzipped sides of Kobra's jacket. He doesn't cry, not out loud at least. He's just shaking, so much, and so, so small. Kobra's not good with words. He's even worse with them under pressure. Anything Jet or Party could say to make it better, that kind of stuff gets stuck on his tongue when Kobra tries to say it. So he doesn't. He just holds on.
"You plan on coming here?" Kobra asks eventually, even though he has a feeling the answer is no. Unless it's an engine or a bomb, Ghoul never really plans on much. Ghoul shakes his head, hair scrubbing against Kobra's shoulder and neck where his head's pressed. "You wanna... y'wanna go inside?" He asks then, against his better judgment. But then again, he's never been known for that, has he.
Ghoul tenses, but it momentarily stops the shaking. "Can we?"
Kobra huffs. "Nobody stoppin' us, and even if there were, we'd do it anyway, wouldn't we?"
Ghoul pries his fingers from their hold on Kobra's jacket and turns back toward the station. "Should we?"
"Dunno." Part of him thinks it might help. Part of him remembers exactly what happened the last time they were here. It's the Killjoy way to call death ghosting. It means some part of you lives on even when you're gone. There's a lot of ghosts in this pavement. "It's your-"
He can't think of what word goes there. Choice. Past. Grief. Place. So he stops talking. He shrugs, bends to pick up his helmet. "I can." He sucks a breath through his teeth. He's going to say it again. "I can... I can go with you. If you," he shrugs one shoulder again. "If you, uh, want to. I'm not- I'm not trying to force you," he adds, like it needs to be said. "It's your... yours."
Because that's all that really can be said. This place, the place that made Fun Ghoul what he is. The journey, however brief, that brought them here. Even, kinda, Kobra himself. It's all for Ghoul, here and now. Kobra drove, but he's just along for the ride. Weird how that happens.
Ghoul steps toward the station. Magnetism, again. And Kobra follows, because how could he not. He feels sick at the though of letting his friend go in that place alone.
The doors are gone. Shot out years ago. It looks to Kobra exactly as it did back then, but Ghoul probably remembers better. There are shelves toppled and glass and plastic broken all over the floor. Whatever hasn't been scavenged is broken and shattered. Ghoul walks toward the back of the store, the corner that's not so much a mess. Kobra stays back a bit, trying to give his friend space.
It's where they found Ghoul. Or, where Pois had found him. Ghoul was half in shock, terrified and scarred and fighting, and Party was the first one of their then three-strong group to notice the dark shape watching them hopelessly trawl the carnage for any survivors. It took Pois physically restraining the much smaller kid to keep Ghoul from going for all of their throats.
Kobra has a lot of bad memories of Ghoul. None are as bad as remembering the way he'd screamed when they first met.
"Y'okay?" Kobra asks after a while.
Ghoul has his moments. They all do. Sometimes, you wake up bad in the night and it's hard to pick yourself up. Sometimes you just gotta hit the bottom before you even can. But Ghoul's a fighter. "Yeah," he says, walking back and forth between fallen shelves once stocked with food and stupid trinkets. He crouches to pick up the shattered remnants of something once made of colorful glass and when he looks back over his shoulder at Kobra, he doesn't seem quite as small.
"'M sorry," Kobra mumbles, not knowing what to say now. Somehow, the shaking and the touch are so much easier than having to talk about it. He's never been the talker. That's Party. And he knows his brother regrets not getting there — here — sooner that day, but there's a sick, selfish part of Kobra that's too glad to have Ghoul to want anything different. But really, it's all he can say. If there's remnants of bones that haven't been carried away by carrion-eaters, he doesn't want to see it.
Ghoul slowly stands up from his spot on the floor, staring intently at the broken knick-knack in his palm. It might have been a glass teddy bear, once, something a parent might grab up for a child waiting at home. It's partially shattered, though. Half of its cartoonish smiling face is gone. The heart shape it once held in its paws is cracked down the middle. Kobra isn't great with metaphors, but this is pretty fucking obvious.
"I didn't save them," Ghoul says quietly, his voice grating through the charged, silent air. "I didn't save her."
Something clicks into place. They all know that the crew he lost was Ghoul's real actual biological family. He's a sandpup. He was born and raised in the Zones. He doesn't talk about it much. Kobra's shocked he even came back here, let alone with anyone else. Ghoul doesn't talk about his family, but they've all figured for a while that he had a sibling. You can see it in how he treats the Girl.
"Your sister," Kobra says. It doesn't sound like so much of a question when he says it out loud, but he knows Ghoul will understand it as one.
Ghoul nods. "Yeah." He steps over some toppled displays, sun-bleached ads that used to be bright colored, and slips the shiny piece of broken glass into one of Kobra's pockets since he doesn't have any of his own. Kobra can already see the sunburn forming on his friend's shoulders and the tops of his knees. "She was like, eight."
That's all the more he says about it, but Kobra slips his hand into the pocket and runs his fingers over the broken glass toy still warm from Ghoul's hands, and hears the years of grief and bitterness in the few words. Ghoul's more talky than he is, but he's cagey, too. Kobra can hear him, though. He gets it. Doesn't mean he knows what to say, though.
"Shit," he spits. He wants to say I'm sorry again, but that feels fuckin cheap. He wants to say stop beating yourself up about it, but that sounds even stupider. "Fuck." Sometimes that's all he can say.
"Yeah," Ghoul replies. "Fuckin shit."
"Exactly," Kobra agrees, fiercely relieved that Ghoul gets all the shit he's trying to say. "Hey, uh. Y'know I'm-" He stumbles over the words, cringes at himself for the inability to get past a stupid two-letter word. "I'm glad I know you." He manages, as selfish as it sounds standing here in the ghosted wreckage where Ghoul's family was killed. But if that hadn't happened, they wouldn't be here now. They wouldn't be friends. And Kobra needs Ghoul to know he's glad that any suicide run to save his family failed. The pain sucks, but he's grateful for the outcome. He hopes Ghoul can understand that.
Ghoul doesn't reply. His acid green eyes bore straight into Kobra's for a few seconds while Kobra's heart hammers in his chest. Then he kicks at some dust and looks at the floor and shrugs. "Let's go, man. I don't wanna stay here."
"M'kay."
Kobra's almost tempted to reach out as they walk back out into the glaring sun, grab onto Ghoul like he's a ghost, too, and the light might evaporate him. But he doesn't. He can't.
He thinks the feeling of Ghoul hanging onto him as he steers Mirage away, back up the ramp to the road they came down in the first place, will make him feel better. It doesn't. Ghoul holds on much looser than he had on the way here, and it makes Kobra nervous. He wonders if he should have made him wear a helmet, and steers more carefully around the turns.
And then Ghoul adjusts his seat and throws one arm up over Kobra's shoulder, loosely hooking around his neck. He leans up forward and shouts, "C'mon, Kobes, let's play with it!" Like he's itching for the risk that a couple hours ago had had him holding on for dear life. Kobra's used to thinking his best friend isn't all there. But he's also familiar with the times he is. Sometimes, he forgets they're not the same age because Ghoul is so larger than life.
He tips his head to the side in acknowledgement, and punches the throttle. He even pulls a couple of tight, quick loops. He can't slide on the pavement the way he would on sand, but he can catch a little air when there's a thermal bump in the highway. Ghoul clutches onto him, but it's not scared. Something's cleared up in the gas station. Maybe it was closure. Hell if Kobra knows.
When they pull Mirage off the highway and the diner finally comes back into view, just a small glint of signage, Kobra slows his pace and can feel Ghoul sigh more than he can hear it. His friend's arms stay firmly around him. "Hey, Kobes?" Ghoul says, just barely loud enough to be heard over the engine.
"Yeah?" Kobra says, a bit louder to be heard past his helmet.
Ghoul hesitates, then says in a rush, "I'm glad I know you too. Like, really glad." And then he squeezes Kobra a little tighter for just a second and Kobra can't even say anything in reply. It's been a long night at the wrong time of day. And they're almost home.
#yes I know kobra is doing that annoying ''r u ok'' thing very repetitively he's like me he repeats himself A LOT it's ok. we still love him#I cannot express this enough. kobra has a stutter. literally sometimes the only word that will come out is just. F bomb.#the others have gotten very good at translating him skskskddkfj#btw wrt kobra's speech patterns just know I'm cutting WAY back on the amount of repeating I do irl#like I'm giving him my (mild) stutter but cutting down the repetitions by a lot bc it looks weird on paper#so whenever he's repeating himself and stammering? yeah it's a lot more like a scratched CD than how I typed it out#in my head it's like SUPER noticeable. like everyone knows this happens and that sometimes he has to stop and be quiet#and take a minute before he can get on with what he's saying. it's just a thing#ok now that I'm done rambling about kobra kid having a stutter- :)#btw they're like 16 and 17 here. they are children trying to navigate these very big emotions and I love them so so dearly#next time I need to emotionally or physically hurt kobra skfjfnskdn I keep going after poor ghoul#ok I think that's all I have to say for now#she speaks!#she writes!#danger days#the true lives of the fabulous killjoys#danger days: the true lives of the fabulous killjoys#ttlotfk#kobra kid#fun ghoul#this isn't really funkobra just bc I don't actually ship ANYONE here skskfjdghkdjgfkd#I'm much more compelled by platonic relationships that are kinda the Secret Third Thing than I am by romance. so. yeah
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dichromaticdyke · 5 months
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Fic request/AU: Toki never auditioned for Dethklok and it’s always been a one guitar band and they are still world famous and wildly successful.
One night Skwisgaar hears something in the studio to find a spy has broken in! The spy who calls himself Toki is cornered and Skwisgaar takes the interrogation into his own hands to determine who this spy is and what he wants.
i wasn't sure where to take this, but you accidentally inspired a perfect concept in our dms.
With a sudden intake of breath, Skwisgaar snapped awake, still clutching his guitar in one hand and a notepad of scribbled tabs in another. This wasn't the first time he had fallen asleep in the studio while working on new Dethklok songs by himself, and he was certain it wouldn't be the last. Nathan and Pickles pulled their weight fine enough, but William was far too willing to get complacent with his own output. At times like this, he wondered if he should have let Dethklok become a two-guitar band.
He stretched his arms over his head, eager to get back to his firm bed that would, hopefully, realign his spine after it had been bent over the desk for the better part of eight hours. In doing so, he caught sight of something in the corner of his eye. He tightened his grip on the neck of his guitar—he wasn't normally wary of intruders, knowing full well that Klokateers had methods of keeping them out, but that didn't stop his instinctual worry.
As he stood, he heard a slight high-pitched noise, almost like a yelp, coming from behind a few stereo speakers. He charged in the direction of it, his guitar held high above his head. Behind the speakers, he saw, was a man—a man with long brown hair and white and black face paint on.
"Jeg beklager!" the man cried as Skwisgaar cornered him. "Jeg beklager!"
Skwisgaar sneered, slowly lowering his guitar. "Norska?" he asked.
The man nodded, hesitantly.
"Eugh." Great. If there was one group of people he hated more than the Danish, it was the Norwegians.
"I didn't mean to scare you," the man continued in Norwegian. "I just—I had to—"
"This is a secure compound," Skwisgaar told him in Swedish. "No one should be here—especially not Norwegian black metal wannabes."
"I'm not a wannabe!" The man crossed his arms over his chest. "My name is Toki Wartooth, and I'm the lead guitarist of Horse's Dick!"
Skwisgaar grimaced at the name. "I'm sure it sounds like dildos. How hard could it be to be a black metal lead guitarist?" he asked with an eye roll. "Don't you have a church to burn down or something? Get out of here."
"No!" Toki grabbed onto Skwisgaar's wrist. "I came all this way!"
"For what? Want to burn down Mordhaus, too? You have about five seconds before I call the Klokateers here to have you killed."
"I can't tell you why I'm here..." Toki looked down at his feet, not releasing his grip on Skwisgaar.
While he did seem significantly younger than him, and a bit shorter, Skwisgaar could tell just from the faint outline of his shirt that this man was jacked. If Skwisgaar tried to get physical with him, he was sure he would lose.
And truthfully, he didn't have his Dethphone on him. He couldn't contact the Klokateers fast enough. He would have to get this Toki guy out of here on his own.
So, he feigned interest. "Whatever it is you wanted, I can't give it to you if you don't tell me," he said.
Toki frowned. "Well, my bandmate—his name is Runke Snogge—he doesn't like digital music. He hates Dethklok. But I heard you had a new analog recording format..." He trailed off, looking down before finally letting Skwisgaar go.
It was making sense now. He wanted to find a way to record his dildo black metal records onto water. He wanted to scoff at this idea, tell Toki that the highly complicated and expensive technology it took to produce HEARD wasn't something to be wasted on his stupid amateur music. Instead, he deflected: "Water records can only be recorded in Mordhaus. You don't even have a guitar or your friend."
"Yes I do." Toki pointed past Skwisgaar, who turned his head. Against the wall, near the door to the studio, was a haphazardly duct-taped Flying V guitar. "I was gonna try to record some of my tracks...but you were here..."
Skwisgaar sighed. This man was just so pathetically earnest, wasn't he? "Even still, without your friend, you won't be able to record your songs on water—"
"He's outside."
Skwisgaar narrowed his eyes. "What."
"He's outside. He didn't want me to come all this way by myself. He's waiting for me... Damn it, I should go."
And this time, as Toki made to leave, it was Skwisgaar's turn to grab his wrist and stop him. "Wait." He cursed himself for what he was about to do. "Just...wait ten minutes."
--
Dick Knubbler let out a yawn as Skwisgaar begrudgingly gave him a cup of coffee. "Alright babes, you ready?" he asked. Skwisgaar had been lucky that Dick hadn't been too far from Mordhaus at the time of his call, though he did wish that the man had slept in...well, any kind of clothing. Lending him his own robe was another sacrifice he was making tonight.
"Readies!" Toki said, his guitar strapped over his shoulder and plugged into the amps of the recording booth.
"Readies," the man known as Runke said, notably less excited than Toki.
Dick hit record, and the two Norwegians inside the recording booth began to record their first song: "Release Me from Conservative Hell." As they played, Dick swiveled in his chair to face Skwisgaar. "You know, the other boys aren't gonna be happy about this."
"Ja, I knows." Skwisgaar finished his own cup of coffee in one prolonged gulp.
"And you certainly don't let anyone else use the recording booth. What's this about?"
"Nothings."
Dick smirked, peaking over his shoulder at Hestkuk. Toki was in the middle of playing an agonizingly slow chord while Runke shrieked some nonsense about hating his life, or whatever. "Norwegian men are kinda cute, aren't they, babe?"
"I's has you killeds too, Knubbler."
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dreamupdates · 1 year
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Dream replied to Shadoune!
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(last line of Shadoune's tweet is along the lines of $0 in prizes/awards! basically saying he came first/second in those two events with no physical prize to show for it)
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so there's no hindi version of phoenix wright but it absolutely SHOULD exist because it would be so good listen-
(i am fully "localising" this because if the english and french versions of the game were allowed to then so am i, dammit)
it would take place in some big city in india, probably mumbai so that the steel samurai stuff can be connected to bollywood
the last time i was in mumbai i literally saw a japanese temple like down the road from my grandparents' building so the japanese influences aren't even that out of place. it's a big city okay, it could totally work
kurain village can be a "gaon" (village) somewhere in the maharastrian countryside. the fey manor even feels a lot like the big family houses you get out in gaon, though with a lot more japanese influence of course
the thought of pearl calling maya "maya didi" is melting my heart omg ("didi" means "big sister" but you can also use it on people who aren't literally your sister)
maya can still be called maya, it's a common name in india
and morgan would get so mad whenever phoenix doesn't call maya "maya-ji" ("ji" is a respectful suffix like "-sama" in japanese). he'd be like SHE'S MY BEST FRIEND, WHY TF WOULD I CALL HER "MAYA-JI"
edgeworth and gumshoe would have THE jai dixit and ali bhai dynamic from dhoom. without the motorbikes, of course. gumshoe would call people "yaar" instead of "pal" (it means the same thing).
larry is circuit. i don't know how else to put that. if you understand then you understand and if you don't, you don't.
speaking of, furio tigre would ABSOLUTELY refer to himself with the pronoun "apun" (a first-person pronoun often used by mafia-type characters) and call people "mamu" ("sucker")
OH AND WOCKY WOULD TOO. wocky would speak in the most munnabhai slang you ever heard. he would also mix english, hindi, marathi, gujarati, punjabi and bengali all in the same sentence. nigh incomprehensible.
lotta hart... while it makes sense to make her from south india, i feel like they get negatively stereotyped enough as is and they deserve better. so you know what? she can be gujju. lotta is from surat now and she talks like it. she's got that "hurati" accent. morgan fey hears her with her પાણી instead of पानी and ગોળી instead of गोली and is immediately like "get out >:("
wendy oldbag being one of those desi grannies is absolutely brilliant lmao
sister bikini being a desi auntie is even better
me and my brother have been calling hindi manfred von karma "manoj karma" for funsies so i've decided to keep it (the word "karma" is of indian origin so it works perfectly)
i haven't come up with pun names for people yet but phoenix, apollo and athena can keep their english first names. seriously, in mumbai you see places with those names all the time. especially apollo. it is inescapable.
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^see? i was DYING. anyways
MAYA'S TRADEMARK FAVOURITE FOOD SHOULD BE PANI PURI ("gol guppa" for you dehli peeps), NO I AM NOT TAKING CONSTRUCTIVE CRITICISM
khura'in, being likely in the himalayas somewhere near bhutan (based on their climate and culture), would still be a few hours' plane journey from mumbai so it still works. a lot of the khura'inese characters can keep their same names too, eg "nahyuta sahdmadhi" already sounds very very sanskrit to my ears (sanskrit is the south asian equivalent of what latin is in europe). and also have you seen how he dresses because it's clearly a sherwani (indian/pakistani formal clothing) and amara's idle animation is clearly inspired by art of hindu deities and rafya's middle name is literally padma and oh my god there is so much shared cultural influence they are CLEARLY countries that border each other
(the "kh" sound strongly present in the khura'inese language is also giving me south asian vibes...)
me and my brother already joke about how shah rukh khan would totally make a great mr reus/roger retinz. LISTEN okay he absolutely would. he's got that villain swag.
you don't even need to change the other guy's real name ("manov mistree") because that already sounds like an indian name. do you know how common the surname "mistry" is in some parts?? do you know how many gazillions of people i personally know who have names that sound exactly like that??? and roger retinz is the ratings rajah. RAJAH (king). i've already been headcanoning him as desi since the first time i played aa6. anyway shah rukh khan character vibes
(but then again amir khan has literally played an evil magician in a bollywood movie before, so he could pull it off too i think...)
hindi has informal ("tu"), medium ("tum") and formal ("aap") second-person pronouns. you could have SO MUCH FUN with those. franziska would call literally everyone "tu" to assert dominance while edgeworth would call literally everyone "aap" to keep them distant. siblings amirite
franziska referring to miles as "mera chhota bhai" is actually killing me oh my god. that's her chhota bhai you guys skjdhkjfhldjssdrgse
feenie calling dahlia "dollie" works really well because i have like seven relatives with the nickname "dollie" so i'm presuming it must be common
oh yes, and mumbai does occasionally get earthquakes so the DL-6 incident still makes sense
india also has an active space programme so the UR-1 incident does too
and there's a monsoon season with storms so the SL-9 incident does as well ahahhahahhaa this is sO GOOD (okay in all fairness the monsoon season is not in february, when the case takes place... whatever whatever it's FINE i can make it work somehow)
you can use three scripts for the one translation -- english romanisation (for NRIs like me who suck at hindi...), the devanagari script commonly used to write hindi, and the urdu script so that urdu speakers can play too (for the most part the languages are mutually intelligible, you wouldn't need to change the dialogue at all, only the writing system)
if anyone out there is better at hindi than i am and wants to make a fan translation please do, it would be so iconic
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apoloniaspiegelgold · 3 months
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All my life I've been told by all kinds of people that they can never really tell what I'm feeling or what's going through my mind because apparently I'm always just hiding everything behind a smile so that I've become rather unreadable. And then he just. Takes one look at me and goes 'Yeah. I know that face, oh here we go again, she's about to unleash her thoughts. She's gonna bash that theory I just showed her so hard. Where's my popcorn?' I hadn't even said anything yet and he was already laughing.
And to be honest. It's quite nice to be known, actually.
#i only went to his office to ask if he wants to join me for lunch he didn't have time and yet i still somehow ended up staying for 1.5 hours#'thanks for the conversation' he said when i left. 'and thanks for keeping me from my work'#as if HE hadn't kept me from lunch when he kept our conversation going on and on with his 'wait i still wanted to show you this'#talking to him always feels like wellness for my brain somehow. like. we're different people but we think the same way.#i don't have to translate my thoughts to be understood he already gets my point before i've even finished my train of thought#every time work tires me out so much that it feels like i can't think straight anymore then i talk to him and suddenly my brain works again#and i like how he calls me out on my nonsense when i lose myself in a contradiction or don't say what i want to say or say what i don't mea#and he lets me go on extensive rants about statistics despite not knowing anything about it and doesn't even complain#he just always says 'i'll pretend i know what that means' and says i should learn it well so he can ask me for my help with it later#recently he came to me right after teaching saying 'you won't believe how much i just messed up. let me show you how i failed'#and then proceeded to recreate the entire situation and his thought process at that moment and i just#there is a very big word running around in my mind that i dare not speak of but maybe one day#i don't even know if he even sees me as much as a friend maybe i'm just some co-worker he likes talking to occasionally you know#what does it mean what does it all mean#ramblings
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royalarchivist · 1 month
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[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
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[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
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lloydfrontera · 10 months
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i mean this in the least weird possible i promise but. i think that you get an extra layer of delight in reading tged and 약 파는 황태자 if you're used to consuming korean content. i'm not saying you're missing something important from them if you don't do this but,,,, i do think there are certain little details and humor that probably don't hit quite as much if you're not familiar with some of the culture and humor lol
it's just the little things, like lloyd calling javier "this punk" or "this guy" even while talking directly with him, because it feels sorta awkward in english, but if you're used to watching series or movies in korean you can almost hear the tone in which he's saying it.
or when javier is teasing lloyd and he hits too close at home and lloyd just goes "hey" but you can almost heart the "야" which is very close but not quite. or this little 'haah' he does when he's kind of frustrated or thinking hard about something.
or that you don't quite get why it's such a deal that julian started calling lloyd 'older brother' cause the translation doesn't use the word 'hyung'. or that the point of javier and lloyd's bet was that if lloyd lost he would call javier, someone younger than him, 'hyung' which would imply he's older and is a form of showing respect or affection. which is completely different from the 'master' they used in the translation. or how sweet and kind of sad it is that theodore still calls rakiel 'hyung' even when the whole court expects them to be against each other.
or just in general the way the dialogue flows feels much more natural when you consider that it was originally written in korean and not in english
it just,, small things that you don't quite notice unless you already have experience in dealing with a different language than the one you were raised with akjshdkja
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linguenuvolose · 5 months
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I do a lot of translation in my job and I've started enjoying it so much more since I started letting myself be a bit more free in my translations. Communicating the message and the vibe is more important than the phrase structure or wording being exactly the same.
#it also improves the quality of the texts because they actually make sense#sometimes these Italians love to put 40000 words that mean nothing and the same thing in a sentence and it's like#girl we don't have to do all that#in the sense that Italian and Swedish text conventions are different and what sounds fine in Italian risks sounding v formal in Swedish#also sometimes I sit there with an Italian origin text that I first have to edit and it's like do I not understand what this says because#1. my Italian isn't good enough in this field#2. this is a complicated field#3. these people don't know how to write#and sometimes when I'm done editing the Italian text and go to do the translation I'm like oh I have no idea what they're trying to say#and think to myself hmm maybe I should've done more editing but oh well eccoci qua#I mean this is like translation 101 but I have done exactly one very bad translation course 5 years ago#that made me go I never want to do this for a job#but my increased freedom now is just I don't care as much about it being exactly the way my boss envisioned#like everything we publish has to go by him first which puts a certain pressure on the text#so when I first arrived at this job I was like uuh the Swedish has to be as similar as possible#but now I'm like man it's more important that it sounds Swedish and not Italian than it being exactly the same#and my boss also doesn't speak Swedish in any case so what does he know#snicksnack#comunque sì queste le riflessioni della serata#domani ho preso il giorno libero perché i miei colleghi mi hanno un po' rotto er cazzo sinceramente so :))
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feathersnek · 10 months
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I heard you're interested in Iris Lovefeather!
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I would love to tell you more about her!
She's a newer character in the Tales of Series crossover JP mobile game: Tales of the Rays! This new story arc, Recollection, has only been out for a few months now and is largely still a mystery! There's still a lot it has to tell us about the new characters and the plot, but what we have so far is already really interesting!
Let's talk about what we know about Iris so far! On the surface you have a colorful, popular idol that loves to sing and raise people's spirits! She genuinely cares about others and will leap before she thinks when someone is hurting or in danger. And she's no pushover in battle either!
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Now let's get into some deeper aspects of her character and why she's in this situation under the cut!
Iris lost her grandfather and her voice to the attack of an enemy known as a wraith. These creatures are known for maiming and disabling people, and have driven humanity to near extinction.
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Thus, Iris's voice is artificial, and she must keep up maintenance on it to get the sound she wants. She despises wraiths for killing her grandfather and seeks to eradicate them. She also personally doesn't particularly like her artificial voice and struggles to accept it.
Nonetheless, her grandfather loved beautiful things while he was alive, and once told Iris her voice was beautiful and he loved it. Such a compliment from someone who appreciated beauty left a strong impression on Iris and made her very happy.
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This is why she continues to sing despite the state of her voice and the dire situation humanity is in. For her grandfather, and for the people who find some measure of happiness from her music.
Though she finds herself thinking: If only they could go back in time to the past and destroy the wraiths at their source...
And perhaps. Her idea isn't so impossible after all.
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switch · 22 days
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they actually are getting their asses kicked in the context notes over Sissel/Thistle. it's not going to change anything and putting aside that there are various reasons this happens it is admittedly very funny that we live in a time where if an official localization announces a mis-translated name they can now suffer having an embarrassing correction permanently glued to the tweet entirely against their will.
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