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#Anthony talks
totallynotanthony · 1 year
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Got a bunch of aromatic post queued for tomorrow
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resignedseraph · 1 year
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*Youth pastor voice* *holds up communion elements* You know who’s also a snack?
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nighthawks-official · 2 months
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KYLE AND ANTHONY’S DESIGNS
(Tw blood and body horror)
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idliketobeatree · 2 months
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this moment will never fail to crack me up. old as a whole-ass world demon managed to look like a gangly 12-year-old schoolboy from the 40s who's trying to read up on his mate's notes before getting brutally called to answer in front of the class. and u can see his heart stop but he has an aloof and cool persona to mantain, hence the glasses. godspeed(?) little soldier. don't trip on your way there btw your crush is watching from the first row
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star-containment · 6 months
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good omens things that keep me up at night part 3: his little smile after he says shut up
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cloudyyink · 11 months
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Talking shit
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hey-there-hunter · 8 months
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Crowley's wings are already darker at the beginning of time when he covers aziraphale from fire.
I repeat
cROWLEY'S WINGS AREN'T PURE WHITE, THEY ARE GREY, WHEN HE COVERS AZIRAPHALE
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brainwormcity · 4 months
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I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?
This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.
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The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.
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Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:
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Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:
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When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.
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Aziraphale has always been more fearful than Crowley when it comes to their feelings for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:
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The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:
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There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.
This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.
It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.
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noneorother · 7 months
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There is no universe where you can convince me that Mr.Brown is not in love with Aziraphale.
Brown sits across from Aziraphale as soon as he sees him alone in the pub, and gets shooed away by a smug Crowley dressed like this.
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Then he decides to go to a Meeting/Ball where almost everyone has a date, alone. And when his new outfit is revealed it is this:
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Including the little hair swoosh! And the matching tartan vest. Upturned lapels on the jacket! People, he's wearing a turtleneck and a tartan vest. I think we need to find this man somebody to love before it's too late.
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allysketches · 7 months
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✨first time trying to draw camp pioneers and soho's resident queer cryptids bc I've been obsessed with them lately 😌✨
based on that classic photoshoot of david tennant and michael sheen from season 1! probably done before (and better!!) but I wanted to figure out how to draw their faces and outfits (ngl harder than I thought, still not perfect 🫠)
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totallynotanthony · 1 year
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Fuck dude I just finished the Guillermo del Toro Pinnochio movie-that shit was such a sad ending and then the cricket started tap dancing😭
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resignedseraph · 2 years
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Anyone else got that message growing up that happiness isn’t something you should strive for (because “happiness is impermanent and fleeting”), but you should strive for joy (because “joy is satisfaction and contentment with life no matter what you’re currently going through”)?
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nighthawks-official · 2 months
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Virgil’s brother is taking us to Taco Bell. I’ve never had it
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sweaty-confetti · 6 months
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crowley who has to physically fucking restrain himself from needing to touch aziraphale not even sexually just needing to be wrapped around him and his face nuzzled into his neck or cuddled up to him because fucking snakes seek out fucking warmth and aziraphale exudes the warmth of overwhelming love (but not just love for the creatures of the world, not just the regular all consuming angelic love, it’s stronger somehow, it’s different) and the gentle and enveloping warmth of the sun and crowley has to step away to stop fucking snake instincts from wanting to wrap himself up in him and feel that warmth and safety fill his blood and body and feel the tension drain from his woefully serpentine and painfully human form (the sun is 93 million miles away from the earth, aziraphale is 3 feet away from crowley and feels even farther)
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idliketobeatree · 1 month
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oh look, we got real BTS footage of david tennant getting out of that box they keep him in between the shootings
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(gif)
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virovirokun-has-adhd · 9 months
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I screamed in agony and in tears when I knew
I knew that Crowley knew exactly where everything in the bookshop went when he was tidying it back up for Azzy to the exact millimetre of where his chair sat at his desk.
NO BECAUSE WATCH HIM GO AND MOVE IT AGAIN AFTER MOVING IT ONCE HE KNOWS HIS ANGEL SO SO SOOO WELLL I CANNOOTTTTT
AGONY I TELL YOU AGGGOOONNNYYYYY
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