The Timeless Appeal of Louis Armstrong's "Heebie Jeebies"
Introduction:
Louis Armstrong’s rendition of “Heebie Jeebies” in 1926 marked a significant moment in the history of jazz. The composition, originally written by Boyd Atkins, became a sensation after Armstrong’s recording, showcasing his innovative scat singing and leaving an indelible mark on the genre.
The Birth of Scat Singing:
One of the most enduring legends surrounding “Heebie Jeebies” is…
Frank Trumbauer & His Orchestra - Singin' The Blues (1927)
I have never heard a more clearer example of this Frank Trumbauer, Bix Beiderbecke, and Eddie Lang classic.
Personnel: Frankie Trumbauer (C-melody saxophone), Bix Beiderbecke (cornet), Bill Rank (trombone), Jimmy Dorsey (clarinet), Doc Ryker (alto sax), Paul Madeira Mertz (piano), Eddie Lang (guitar), and Chauncey Morehouse (drums).
["Dos muertos se batían fraternalmente, ovillándose y desentendiéndose. Bix y Eddie Lang (que se llamaba Salvatore Massaro) jugaban con la pelota I'm coming Virginia, y dónde estaría enterrado Bix, pensó Oliveira, y dónde Eddie Lang, a cuántas millas una de otra sus dos nadas que en una noche futura de París se batían guitarra contra corneta, gin contra mala suerte, el jazz."]
When you start listening to a Bix record, in particular to one of his solos, you never know what is going to happen next. The same effect occurs when reading The Davenport Album. You read a section, and you have no idea of what is going to follow. The process of discovery is magnificent. After reading Rich Johnson's book, one has the impression of having met Bix, the individual, knowing about his family; about his early years growing up... The Davenport Album is the embodiment of the famous phrase repeated across the "Bix Lives."
Finding Bix by Brendan Wolfe
Bix Beiderbecke was one of the first great legends of jazz. Among the most innovative cornet soloists of the 1920s and the first important white player, he invented the jazz ballad and pointed the way to “cool” jazz. But his recording career lasted just six years; he drank himself to death in 1931—at the age of twenty-eight. It was this meteoric rise and fall, combined with the searing originality of his playing and the mystery of his character—who was Bix? not even his friends or family seemed to know—that inspired subsequent generations to imitate him, worship him, and write about him. It also provoked Brendan Wolfe’s Finding Bix, a personal and often surprising attempt to connect music, history, and legend.
A native of Beiderbecke’s hometown of Davenport, Iowa, Wolfe grew up seeing Bix’s iconic portrait on everything from posters to parking garages. He never heard his music, though, until cast to play a bit part in an Italian biopic filmed in Davenport. Then, after writing a newspaper review of a book about Beiderbecke, Wolfe unexpectedly received a letter from the late musician's nephew scolding him for getting a number of facts wrong. This is where Finding Bix begins: in Wolfe's good-faith attempt to get the facts right.
What follows, though, is anything but straightforward, as Wolfe discovers Bix Beiderbecke to be at the heart of furious and ever-timely disputes over addiction, race and the origins of jazz, sex, and the influence of commerce on art. He also uncovers proof that the only newspaper interview Bix gave in his lifetime was a fraud, almost entirely plagiarized from several different sources. In fact, Wolfe comes to realize that the closer he seems to get to Bix, the more the legend retreats.
Bix by Scott Chantler
Told in stunning illustrations, Bix is a near-wordless graphic exploration highlighting the career of Leon Bix Beiderbecke, one of the most innovative jazz soloists of the 1920s next to the legendary Louis Armstrong. While composing and recording some of the landmark music in the early history of genre, Bix struggled with personal demons, facing the disapproval of his conservative parents and an increasing dependence on alcohol. Presented in predominantly silent panels to reflect his rebellious outsider quality and inability to communicate in anything other than his own musical terms, Bix tells the story of a music star’s rapid rise and tragic fall—a metaphor for the glories and risks inherent in the creative life.
Bix: Man & Legend by Richard M. Sudhalter
Bix Beiderbecke, famous before he was twenty and dead in a New York City hotel room at twenty-eight, was the prototype of the self-destructive "young man with a horn" - and one of the greatest jazz musicians of all time. Here is the fascinating accurate account of Bix's rapid rise to fame in the Roaring Twenties, and just as rapid descent. It is a virtual diary of his life, exhaustively researched for over 17 years and based on interviews with over 650 people who knew him. It includes a discography that makes all previous Bix's studies obsolete, and more than 100 photographs from jazz history, most of them published here for the first time.
Sugar is one of the more low-key standards I'd say, but I've been digging it lately-- my favorite performance of the song was by Adrian Rollini and his orchestra but I also wanted to point out two other notable versions. Below the cut are 3 different versions from youtube - topic, listed from most old to slightly less old:
Paul Whiteman's Orchestra w/ Bix; recorded Feb 28, 1928
Adrian Rollini and his Orchestra; recorded Oct 23, 1934
Teddy Wilson's Orchestra w/ Billie Holiday; I think the recording I've linked to here was done in 1939
Introduction:
Bix Beiderbecke was a jazz cornetist and pianist who rose to fame in the 1920s. Despite his short career, his innovative style and unique approach to music have had a lasting impact on jazz. In this blog post, we will explore the life and legacy of Bix Beiderbecke, and his contributions to the jazz genre.
Early Life and Career:
Bix Beiderbecke was born in Davenport, Iowa in 1903.…
Happy Birthday, Bix Beiderbecke !! Leon "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.