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bebemoon · 8 months

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lea julian wearing loewe for 10 magazine, ph. cg watkins .

#lea julian #loewe #my edit #black and white #editorial #10 magazine #cg watkins #vintage edit #queue

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strathshepard · 5 months

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(via Lea Julian in Loewe by CG Watkins for 10 Magazine Spring-Summer 2019 - Fashion Editorials - Minimal. / Visual.)

#lea julian #loewe #cg watkins

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wintercorrybriea · 1 year

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cg watkins

#cg watkins #photography

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milksockets · 5 months

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'le chat fou' by cg watkins in masses magazine #12

#my scan #masses

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awardseason · 1 year

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21st Annual Visual Effects Society Awards — Film Winners

Outstanding Visual Effects in a Photoreal Feature Avatar: The Way of Water – Richard Baneham, Walter Garcia, Joe Letteri, Eric Saindon, JD Schwalm — WINNER Fantastic Beasts: The Secrets of Dumbledore – Christian Mänz, Olly Young, Benjamin Loch, Stephane Naze, Alistair Williams Jurassic World: Dominion – David Vickery, Ann Podlozny, Jance Rubinchik, Dan Snape, Paul Corbould The Batman – Dan Lemmon, Bryan Searing, Russell Earl, Anders Langlands, Dominic Tuohy Top Gun: Maverick – Ryan Tudhope, Paul Molles, Seth Hill, Bryan Litson, Scott Fisher

Outstanding Supporting Visual Effects in a Photoreal Feature Death on the Nile – George Murphy, Claudia Dehmel, Mathieu Raynault, Jonathan Bowen, David Watkins I Wanna Dance With Somebody – Paul Norris, Tim Field, Don Libby, Andrew Simmonds The Fabelmans – Pablo Helman, Jennifer Mizener, Cernogorods Aleksei, Jeff Kalmus, Mark Hawker The Gray Man – Swen Gilberg, Viet Luu, Bryan Grill, Cliff Welsh, Michael Meinardus The Pale Blue Eye – Jake Braver, Catherine Farrell, Tim Van Horn, Scott Pritchard, Jeremy Hays Thirteen Lives – Jason Billington, Thomas Horton, Denis Baudin, Michael Harrison, Brian Cox — WINNER

Outstanding Visual Effects in an Animated Feature Guillermo del Toro’s Pinocchio – Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey, Mad God, Chris Morley, Phil Tippett, Ken Rogerson, Tom Gibbons — WINNER Strange World – Steve Goldberg, Laurie Au, Mark Hammel, Mehrdad Isvandi The Bad Guys– Pierre Perifel, Damon Ross, Matt Baer, JP Sans The Sea Beast – Joshua Beveridge, Christian Hejnal, Stirling Duguid, Spencer Lueders Turning Red – Domee Shi, Lindsey Collins, Danielle Feinberg, Dave Hale

Outstanding Animated Character in a Photoreal Feature Avatar: The Way of Water: Kiri – Anneka Fris, Rebecca Louise Leybourne, Guillaume Francois, Jung-Rock Hwang — WINNER Beast: Lion – Alvise Avati, Bora Şahin, Chris McGaw, Krzysztof Boyoko Disney’s Pinocchio: Honest John – Christophe Paradis, Valentina Rosselli, Armita Khanlarpour, Kyoungmin Kim Slumberland: Pig – Fernando Lopes Herrera, Victor Dinis, Martine Chartrand, Lucie Martinetto

Outstanding Animated Character in an Animated Feature Guillermo del Toro’s Pinocchio: Geppetto – Charles Greenfield, Peter Saunders, Shami Lang-Rinderspacher, Noel Estevez-Baker Guillermo del Toro’s Pinocchio: Pinocchio – Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate — WINNER Strange World: Splat – Leticia Gillett, Cameron Black, Dan Lipson, Louis Jones Turning Red: Panda Mei – Christopher Bolwyn, Ethan Dean, Bill Sheffler, Kureha Yokoo

Outstanding Created Environment in a Photoreal Feature Avatar: The Way of Water: Metkayina Village – Ryan Arcus, Lisa Hardisty, Paul Harris TaeHyoung David Kim Avatar: The Way of Water: The Reef – Jessica Cowley, Joe W. Churchill, Justin Stockton, Alex Nowotny — WINNER Jurassic World Dominion: Biosyn Valley – Steve Ellis, Steve Hardy, Thomas Dohlen, John Seru Slumberland: The Wondrous Cuban Hotel Dream – Daniël Dimitri Veder, Marc Austin, Pavan Rajesh Uppu, Casey Gorton

Outstanding Created Environment in an Animated Feature Guillermo del Toro’s Pinocchio: In the Stomach of a Sea Monster – Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho — WINNER Lightyear: T’Kani Prime Forest – Lenora Acidera, Amy Allen, Alyssa Minko, Jose L. Ramos Serrano Strange World: The Windy Jungle – Ki Jong Hong, Ryan Smith, Jesse Erickson, Benjamin Fiske The Sea Beast: The Hunting Ship – Yohan Bang, Enoch Ihde, Denil George Chundangal, John Wallace Wendell & Wild: The Scream Fair – Tom Proost, Nicholas Blake, Colin Babcock, Matthew Paul Albertus Cross

Outstanding Virtual Cinematography in a CG Project ABBA: Voyage – Pär M. Ekberg, John Galloway, Paolo Acri, Jose Burgos Avatar: The Way of Water – Richard Baneham, Dan Cox, Eric Reynolds, A.J Briones — WINNER Prehistoric Planet – Daniel Fotheringham, Krzysztof Szczepanski, Wei-Chuan Hsu, Claire Hill The Batman: Rain Soaked Car Chase – Dennis Yoo, Michael J. Hall, Jason Desjarlais, Ben Bigiel

Outstanding Model in a Photoreal or Animated Project Avatar: The Way of Water: The Sea Dragon – Sam Sharplin, Stephan Skorepa, Ian Baker, Guillaume Francois — WINNER The Sea Beast – Maxx Okazaki, Susan Kornfeld, Edward Lee, Doug Smith Top Gun: Maverick: F-14 Tomcat – Christian Peck, Klaudio Ladavac, Aram Jung, Peter Dominik Wendell & Wild: Dream Faire – Peter Dahmen, Paul Harrod, Nicholas Blake

Outstanding Effects Simulation in a Photoreal Feature Avatar: The Way of Water: Fire and Destruction – Miguel Perez Senent, Xavier Martin Ramirez, David Kirchner, Ole Geir Eidsheim Avatar: The Way of Water: Water Simulations – Johnathan M. Nixon, David Moraton, Nicolas Illingworth, David Caeiro Cebrian — WINNER Black Panther: Wakanda Forever: City Street Flooding – Matthew Hanger, Alexis Hall, Hang Yang, Mikel Zuloaga Fantastic Beasts: The Secrets of Dumbledore – Jesse Parker Holmes, Grayden Solman, Toyokazu Hirai, Rob Richardson

Outstanding Effects Simulation in an Animated Feature Lightyear – Alexis Angelidis, Chris Chapman, Jung-Hyun Kim, Keith Klohn Puss in Boots: The Last Wish – Derek Cheung, Michael Losure, Kiem Ching Ong, Jinguang Huang — WINNER Strange World – Deborah Carlson, Scott Townsend, Stuart Griese, Yasser Hamed The Sea Beast – Spencer Lueders, Dmitriy Kolesnik, Brian D. Casper, Joe Eckroat

Outstanding Compositing & Lighting in Feature Avatar: The Way of Water: Landing Rockets Forest Destruction – Miguel Santana Da Silva, Hongfei Geng, Jonathan Moulin, Maria Corcho Avatar: The Way of Water: Water Integration – Sam Cole, Francois Sugny, Florian Schroeder, Jean Matthews — WINNER The Batman: Rainy Freeway Chase – Beck Veitch, Stephen Tong, Eva Snyder, Rachel E. Herbert Top Gun: Maverick – Saul Davide Galbiati, Jean-Frederic Veilleux, Felix B. Lafontaine, Cynthia Rodriguez del Castillo

Outstanding Special (Practical) Effects in a Photoreal Project Avatar: The Way of Water: Current Machine and Wave Pool – JD Schwalm, Richie Schwalm, Nick Rand, Robert Spurlock — WINNER Black Adam: Robotic Flight – JD Schwalm, Nick Rand, Andrew Hyde, Andy Robot, Mad God, Phil Tippett, Chris Morley, Webster Colcord, Johnny McLeod The Lord of the Rings: The Rings of Power “Adrift” Middle Earth Storm – Dean Clarke, Oliver Gee, Eliot Naimie, Mark Robson

Emerging Technology Award Avatar: The Way of Water: Depth Comp – Dejan Momcilovic, Tobias B. Schmidt, Benny Edlund, Joshua Hardgrave Avatar: The Way of Water: Facial System – Byungkuk Choi, Stephen Cullingford, Stuart Adcock, Marco Revelant Avatar: The Way of Water: Water Toolset – Alexey Dmitrievich Stomakhin, Steve Lesser, Sven Joel Wretborn, Douglas McHale — WINNER Guillermo del Toro’s Pinocchio: 3D Printed Metal Armature – Richard Pickersgill, Glen Southern, Peter Saunders, Brian Leif Hansen Turning Red: Profile Mover and CurveNets – Kurt Fleischer, Fernando de Goes, Bill Sheffler

#visual effects society #visual effects society awards #ves awards #ves awards 2023 #winners

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asteticas · 1 year

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magicalhideoutengineer · 8 months

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One of the things you mentioned there is that the Potter films were quite stuck to the school, but Fantastic Beasts is a proper, globe-trotting journey. How did you go about differentiating different wizarding locations and even nations?

Obviously we shoot on a backlot rather than on location, although we did a bit of location filming for London, so it’s always a Stuart Craig designed version of that city. When we had the magical circus, there was an opportunity to have things like the moving statue and moving posters, as well as the oddities and circus stalls. We were just brainstorming as to what would be at a carnival or fete in reality and then what the magical version of that would be.

But we started with reality all the time. I’ve been with my kids near the Science Museum and there was somebody making huge bubbles and I thought it would be amazing if children could leap into them. David loved that idea and then we worked that up into a finished effect. It’s a real collaboration between pre-viz artists, concept artists, stunt co-ordinators, second unit directors. We all come together to think of lots of ideas for David to hone into the vision for the finished film.

One of my favourite set pieces is in the records room at the French Ministry with the demonic cats (Matagot) and the Zouwu. That sequence is spectacular!

That was there from the early script – the Zouwu particularly. Tim and I worked initially together on designing the creature, which was definitely a Chinese tiger-like thing. We had lots of different designs, but it eventually boiled down to a crazy bit of concept artwork that David wasn’t sure about. One of our animators built and animated it and, as soon as David saw that animation, he just loved it and we knew we’d got the Zouwu. From there, Andy Kind at Framestore worked with Tim to further the design and come up with the creature.

The Matagot as well had loads of different concepts, but they were ultimately based on a design we had fairly early on. That was again Framestore art department and visual effects who built them.

For the environment, Stuart had designed this beautiful French Ministry as huge domes that would move sideways. About a third of the set was built for real and then it was designed so it could be redressed to play different areas. Tim worked closely with the DP Philippe Rousselot and with the art department and the special effects team to work out how we could get actors onto something that was physical for the moving shelves. Special effects supervisor Dave Watkins had built soft versions of the shelves that could be rolled around and we had extensively pre-vizzed the sequence, from the moment the cats come out to when the Zouwu lands in the cemetery.

It had been pre-vizzed within an inch of its life so, when it came to filming, we knew what elements would be needed from the actors. There’s large chunks of it that are full CG, with a CG Newt on a Zouwu being chased around a CG environment. Obviously the idea is that you don’t see the blend between all of those things, but there was a hell of a lot of work in there.

The Zouwu leaping from place to place was something that was always there. The story was created that when he was in the circus, he had been bound up and his mane was tied up so he couldn’t use any of his powers. When Newt takes the locks off, he begins to regain his powers. In the script, it said a Zouwu can travel, I think, 1000 miles in a day. Originally, Tim and I were thinking “wow, that’s really fast”, but then Tim realised that’s only about 35mph, which isn’t that fast. Tim worked again with Andy at Framestore and they came up with him being able to warp space and time. His mane has the energy which then helps him do something like Apparate. It meant building a full CG version of the cemetery and the French Ministry, which could be bent into each other. A lot of creative thought and time is spent on that one moment.

#fantastic beasts #crimes of grindelwald #coginterview #christian manz #newt scamander

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deliriosdegrandeza · 9 months

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