#COMPLETEオリジナル

[the-corvus-luna]

CLAMP made a decently big announcement on their twitter/X.

CLAMP post that leads to link above.

Flying Dog licensed music is now available on most streaming sites, which means X and CLAMP Campus Detectives soundtracks. From my understanding, it's a worldwide release.

This also helps to fill out Ali Project's discography available on Spotify too, as they made some songs for CLAMP Campus Detectives.

The list of Albums affected are listed below, copied from the original link and translated by ChatGPT. Please keep that in mind since ChatGPT has been acting a bit more unreliable as of late.

緑野原迷宮 ～ Melodic Wave (March 21, 1990)

- Labyrinth of the Green Field ~ Melodic Wave

風の大陸 主題歌 風の大陸 (July 1, 1992)

- The Continent of Wind: Main Theme Song - The Continent of Wind

風の大陸 オリジナル・サウンドトラックVol.I (July 18, 1992)

- The Continent of Wind Original Soundtrack Vol. I

風の大陸 オリジナル・サウンドトラック Vol. II (January 21, 1993)

- The Continent of Wind Original Soundtrack Vol. II

サイレントメビウス オリジナル・サウンドトラック (August 7, 1991)

- Silent Möbius Original Soundtrack

サイレントメビウス2 オリジナル・サウンドトラック (July 18, 1992)

- Silent Möbius 2 Original Soundtrack

交響聖譚曲 サイレントメビウス (May 21, 1993)

- Symphonic Holy Tale: Silent Möbius

戦闘妖精雪風 オリジナルサウンドトラック1 (September 21, 2002)

- Battle Fairy Yukikaze Original Soundtrack 1

WXIII 機動警察パトレイバー オリジナル・サウンドトラック (April 3, 2002)

- WXIII Mobile Police Patlabor Original Soundtrack

ミニパト オリジナルサウンドトラック (April 3, 2002)

- Mini-Pato Original Soundtrack

機巧奇傳 ヒヲウ戦記 オリジナルサウンドトラック1 (December 6, 2000)

- Clockwork Fighters: Hiwou's War Original Soundtrack 1

機巧奇傳 ヒヲウ戦記 オリジナルサウンドトラック2 (December 6, 2000)

- Clockwork Fighters: Hiwou's War Original Soundtrack 2

スケッチブック～full color's～ オリジナルサウンドトラック (December 21, 2007)

- Sketchbook ~full color's~ Original Soundtrack

X ORIGINAL SOUNDTRACK (August 21, 1996)

- X - Original Soundtrack

X-エックス- ORIGINAL SOUNDTRACK I (December 19, 2001)

- X - Original Soundtrack I

X-エックス- ORIGINAL SOUNDTRACK II (March 6, 2002)

- X - Original Soundtrack II

17. X CHARACTER FILE ORIGINAL SOUNDTRACK (January 1, 1997)

- X Character File Original Soundtrack

18. CLAMP学園探偵団 ソング・コレクション (December 17, 1997)

- CLAMP School Detectives Song Collection

19. CLAMP学園放送部 オフィシャルテーマソングコレクション (July 24, 1997)

- CLAMP School Broadcasting Club Official Theme Song Collection

20. ここはグリーン・ウッド～晴れ、ときどき“雨やどり”ミュージック・コレクション (January 21, 1993)

- Here Is Greenwood ~Clear, Sometimes "Rain Shelter"~ Music Collection

21. ウインダリア オリジナルサウンドトラック (July 21, 1986) ※新居昭乃のテーマソング2曲を加えて完全版として再配信。

- Windaria Original Soundtrack (Reissued with 2 theme songs by Akinori Atarashi as a complete edition).

#CLAMP #x 1999 #clamp #clamp school detectives #clamp campus detectives #ali project

[kudouusagi]

Bucchigiri?! New Utsumi Hiroko Anime

Mappa just announced a new anime they're making directed by Utsumi Hiroko called Bucchigiri?! It will be releasing in January of 2024.

It's an original anime about delinquents in a futuristic Arabian nights setting.

When you make a true wish, 1000 nights will answer.

Synopsis:

When former best friends Tomoshibi Arajin (灯荒仁 ともびしあらじん ) and Asamine Matakara (浅観音真宝 あさみねまたから) reunite, they get wrapped up in a battle between strong warriors...

Then the figure of a large genie appears...?!

Note from Utsumi:

This is the first time "Bucchigiri?!" is being seen.

I wanted the teaser visual of the two of them to seem like it was just as if the world of Arabian nights had leaped into the future… but it doesn't seem like that at all. The image and the trailer are both completely incomprehensible but that's what this work is!

……that's what I decided at least.

Even the setting is in shambles.

It's called "Bucchi" for short. We're going to be working hard so please keep us in mind.

TN:

Tomobishi Arajin, meaning: Lamp Aladdin

Asamine Matakara, meaning: light compassion true treasure (I'm guessing more on the surname. Sorry)

Bucchigiri is a hard word to translate because it can mean to win by a large margin or to be torn into pieces, pulverized, to be in shambles, etc... Basically it's supposed to imply they're fighting and beating each other up but it can be used both ways and it's used both ways in this announcement...

#Bucchigiri?!

[yorithesims]

Relationship Tag Thing!

Thank you so much for the tag♡@nocturnalazure Tell me which of your OC you would rather be in a romantic relationship with, and why? And also tell who you would rather be friend with and why?Then tag 5 people!

関係性について考えるタグ！ あなたのOC(オリジナル・キャラクター)の中で、どのキャラクターとロマンチックな関係になりたいと思うか、そしてその理由を教えてください。また、誰と友達になりたいのか、その理由も教えてください。最後に、5人にタグを付けてください。 ------------------------

ものっすご脇汗かいてしまう系の質問(ﾟ∀ﾟ;;;;)ｷﾀｺ���! ちょっと先に友達になりたいシムからいくわな。

I would like to start with the second question! The person I want to be friends with is “ALICE”, the eldest daughter of my oldest Sims “Kyariko＆Jessica”

My Tumblr icon is Alice's wonderful smile♡Her traits are “Good sense of humor”Brighten everyone's life. She is also a good sister to her five younger siblings.Her name comes from"The L Word character Alice"

------------------------

さて、深呼吸してロマンス関係考察といきましょうｗ (Take a deep breath) Let's get down to the main topic!

Tell me which of your OC you would rather be in a romantic relationship with, and why?

“INSANE” Charlotte Perkins “Alien Girl” Likasta Voyager They are the OC's I want to fall in LOVE with. Although their natures are completely opposite, they are OC's who end up in a marriage relationship.

I loved these two women so much that I created myself in a sims world. That's a smart and CRAZY idea.

Dominici I project myself deeply into him.

He is caught between his sexual love for Charlotte and his pure love for Likasta.However, the day when his love comes true will never come........

ちなみにTOPスクショは「幸せそうなドミニッチが見たい」とリクエストもらって作ったポーズです。愛されてる不憫な男ｗ

楽しかった！気が向いたらやってみてね♡ Tagging♡ @aithsims4 @es439lotus @sugarysparkle23 @shiroimejiro666 @yourinishi @kataoka2018

Lastly, he is my lewd pet.

#sims3 #ts3 storytelling #sims tag

[bmpmp3]

I MENTIONED this before but I kind of want to start doing a bit of routine blogging about music! Just for fun, I'm gonna start with a weekly little thing highlighting some covers and remixes I really like.

In general, there will be a bit of vocal synth focus in these posts because 1) I am. unwell. about vocal synthesis rn it haunts my every waking moment i see parameter curves when i close my eyes BUT ALSO 2) the vocal synthesizer community has always been built on covers, remixes, parodies, etc. so its only natural. Songs will likely be originally sung by synths but vocal synth community adjacent songs are also fair game, and who knows I might get bored and talk about a completely unrelated song at some point LOL

BUT of course, the covers, etc. highlighted will not all be sung by synthesizers: anythings fair game here too -> human covers, synth covers, instrumental covers and arranges, remixes, anything! And of course, my dearest twenty still-active followers among the legion of abandoned accounts in our midst, if you have anything you'd like to add on feel free to reblog! I'm always searching. I'm always searching.

I'm not sure if I'll keep this up or how things will go but. well. it's my blog, so we will have a bit of fun! For now, I will call these posts..............Cover-Remix Weekend (I am very good at misjudging how well I can keep to schedule so I'm gonna give myself a two day window to do this LOL and maybe I might post 2......the future is a mystery) for now at least. Maybe someday I will think of a better name (I will probably not) <3

SO with all that out of the way, to begin our very first Cover-Remix Weekend, let's go with a real classic: Koi wa Sensou (恋は戦争) (en: Love is War) by Ryo of Supercell!

You know Ryo, the Melt guy, the World is Mine guy, the Black Rock Shooter guy, the... well, he only worked with Vocaloid specifically for a few years before moving onto other things - but like basically every Vocaloid song he put out ended up becoming a huge vocal synth classic so that's one hell of a legacy for the community.

Koi wa Sensou specifically is one of my favourites: using Miku on the vocals (likely her original Vocaloid 2 release since the song came out in 2008 and I don't think her appends came out until a couple years later), it's a moody, intensely late-00s rock song, brings to mind some of the Linkin Park albums I listened to so much growing up: maybe that's why for years in middle school this was my favourite Vocaloid song...

Really strong, I love a good rock-y tune but what I love most is when there's quiet bits to push up the louder parts, some of those background twinkly synth keyboard sounds (?) really amp it up for me, plus that second verse fuzzy radio effect on the vocals + the reverb. God I love reverb. You can never take reverb away from me. She's my wife. Anyway the song is a love triangle with the singer declaring "war" in her (likely futile) pursuits of her love's affection. Good stuff!

And of course we can't forget this 3D music video by kkkk! Genuinely still really cool looking in my opinion:

(Sorry if the NND links aren't accessible without an account, I forgot if it's still restricted or not. I'm sure it's available on streaming somewhere though, check it out!)

You know, the first Vocaloid song I ever heard was... Melt (like a lot of people at the time LOL) BUT the very first time I had ever heard an utaite (cover singers basically for those who aren't familiar) was with a cover of Koi wa Sensou! Specifically, I was, again, still in middle school, looking up Vocaloid songs on Youtube and stumbling across a half-mislabelled reupload of this cover:

The reupload was called "Love is War - Kaito" with no specification of the singer or credits or anything. It was the way the scene was on Youtube in '08 unfortunately <3

This cover is actually by Nodoame (のど飴), an utaite who was pretty popular in the early days! It seems he's not really active anymore, but his covers were really nice, he's got a solid medium tone with a lot of power and expression. A nice nasal tone + some great bits of distortion on his vocals - one thing you will learn about me through these posts is what my vocal tastes are, and one thing specifically is how much I LOVE screaming HJEKDSJHlkdsfdsfds but for real the "ore no aishaku wo" at the end of that first chorus is fantastic.

Now, the reason I said "half-mislabelled" is because as the video for Nodoame's cover implies, the version of Koi wa Sensou he's singing is not the same as the Hatsune Miku sung original: the lyrics were changed! "Ai wa Sensou" (愛は戦争):

PROBABLY so Kaito and in turn, Nodoame, wouldn't have to sing about their skirts fluttering in the wind. It was 2008 and gendered language changing sure was the thing LOL I don't see it very often anymore, in general music regardless of language nor in vocal synth music specifically: people tend to just keep pronouns and other gendered terms the same nowadays since it doesn't matter too much + you don't have to worry about cadence in changes and such. But it's interesting, a few older Vocaloid tunes I'll talk about will probably have something similar -> lyric-changed versions for different characters, etc.

Now for something a little bit newer (although still nearly a decade old...) The Mwk remix!

A fun wubby and bwaaaaaa-y remix with an upped pace. I like this remix but I'm not super huge into it by itself - but you know who was enamoured by it? The vocal synth cover community LOL I'm not totally sure why it got so popular, maybe because it was a popular remix already + someone released an UST? Sometimes that's all that's needed to get us going, some project files so we don't have to try to make a midi ourselves <3 but that's just me, there might be something else.

But back on topic, what I do love is the covers people make of this remix, people have so much fun and it always sounds SO good! A classic is this Defoko cover by kimchi-tan:

Some quick background for those who aren't familiar (a couple IRL friends follow me blog and I am thinking of them when I write these kind of messy explanations. Hewwo fwiends) Uta Utane also known as Defoko (defaultina........) is the default voice built into the free vocal synthesizer program UTAU.

Sidetrack explanation incoming: UTAU is unique in that it was one of the earliest (or maybe the earliest?) vocal synth software that lets anyone make their own voicebanks just by recording audio and writing a configuration file! There are many ways an UTAU vocal synth can be made, and it largely has to do with the way they are recorded and how those recordings play together. For Japanese specifically, two of the most popular recording methods is CV and VCV, consonant-vowel and vowel-consonant-vowel respectively. CV is the easiest and simplest recording method, it doesn't take too long and its a small list of recordings needed to make up Japanese words: each record is a single syllable with every vowel sound + every consonant attached to every vowel, maybe an AH あ sound and then an EE (い) sound, then a BAH (ば) sound and a BEE (び) sound, etc. While this is small, quick, and very solid, it can sound a little choppy since each syllable recording is just silence and then the consonant and vowel, all being stitched together by the program. This is where VCV comes in: instead of recording each syllable individual, you record a string of syllables transitioning together ("AaAhEeAhOohEhAh" type deal) so the program can place the tiniest transition sound between two notes, instead of, say, saying the word baby (I know I'm using english to explain a Japanese recording system shhhh) in CV it would be like. BEH. BEE. vs VCV it would be like BEH. yBEE. that little "y" being the transition sound as it fades one audio file to the next. Lot of recording work but it can sound fantastic, honestly there's plenty of VCV UTAU voicebanks I think sound more high quality and smoother than commercial synths even. Although don't get me wrong, I do love the robotic choppy sound of a CV bank a lot too!

ANYWAY explanation sidetrack over, back on topic: Defoko is interesting in that her recordings were not from a person directly recording for UTAU like most UTAU voicebanks are: they were from a text-to-speech software a la Microsoft Sam, MacinTalk, etc. She has a very unique voice because of this double-synthesis nature: first her voice (Josei 1 in AquesTalk) was synthesized to say basic syllables in a speaking voice, and then those audio files were put into UTAU and stretched and looped to be sung! Really neat. Also this is why I know so much about speech synthesis in general btw, once you get into vocal synths this is what happens to you LOL

Anyway Defoko is a CV bank, but sometimes people will take the original AquesTalk software to make their own VCV banks with the same voice. It's kind of a legal gray area from what I can tell, the guy who makes UTAU has permission from AquesTalk to distribute Defoko in his program if I remember correctly but no one else does - so you won't see any downloads for a Defoko VCV, you can make one yourself for personal use though and people don't really mind! Distribution rights are a big and sometimes messy thing in vocal synth.

BUT what I'm trying to get at is Defoko has a really unique, moody sound to her because of her unusual origins which already works great for this Koi wa Sensou remix, but combined with the smoother sound of the VCV recording method plus kimchi-tan's tuning, this cover sounds really expressive! I love the softer, breathy "baka da na" before the powerful "watashi" before the first chorus especially.

And another Mwk remix cover I like, this one this one by Andyfined - P featuring an early SynthV Editor (pre-SynthV Studio!) version of Genbu:

I'm assuming based off the description this may have been a beta version of Genbu specifically (I don't remember 2019 super well in regards to vocal synths so I forget his release trajectory orz) but I think he sounds really great here, Genbu's legacy versions have this really nice steadiness in his vocals that I do love.

ONE MORE THING one more thing I prommy I'm almost done. I'm almost done. For today *ominous horror movie music starts playing*

While looking around for title translations I found out that there was a remix project for Koi wa Sensou! It really was like one of the biggest vocaloid songs out there huh... Anyway, Eager Love Revenge is the name, released at Comiket 76, check it out if you have the chance and you just can't get enough of Koi wa Sensou. I haven't listened to it all yet but I'm really enjoying the NTMG Mix by baker (ARPK + Fluffoughts composer if you're familiar):

I like this producer's house-y style work a lot! The chorus sounds great especially.

AND that is all..........................................................for now. The thing is I really love covers, remixes, all that - I know we all always say we're addicted to music but for me I really am like. Insatiable. Sometimes you love a song so much you need it MORE, not music similar to it but just "MORE"... stuff like this really scratches that itch for me. It really is a way to get MORE of something that there is only one of. I've mentioned before that I'm greedy with music, gluttonous about it, but isn't that a nice thing to be greedy about... it's something so easily shared!

And so I take my leave, thank u and goodnight. (flutters my skirt the wrong way and falls off the radio tower to my doom never to be seen again)

#i didnt realize i would type this much. sorry. it will happen again #cover-remix weekend #<- thats my tag for this musicposting style for now! #also will tumblr kill me again. they have flagged me as a bot before because i loooooove posting links so much HJDKSJFDS #pray for me. pray for me #i just like showing people directions through this internet super highway!! let me liiiiive

[hidenobu-suzuki]

folding fans are said to undergo approximately 88 steps from cutting bamboo to completion, and they are crafted by the hands of multiple artisans. The processes of crafting the frame, paper, painting, and finishing are all specialized tasks. For the creation of the original fan, we entrusted the renowned Kyoto folding fan shop, Hakutiku-do, to produce a custom-made folding fan.

The material that forms the core of the folding fan's structure utilizes young bamboo aged between 3 to 5 years. It is delicately processed into thin pieces, starting the intricate carving and painting stages. The paper for the fan surface is created by cutting three layers of paper with a core in between, sandwiched with washi paper, into the shape of a folding fan.

While typically, each piece of cut paper is individually painted by an artist, the original fan employs paper printed with Hidenobu Suzuki designated colors and arrangement. Subsequently, the printed paper is folded in an accordion-like fashion.

Using two molded templates with grooves, the folded paper is sandwiched between them, and one or two creases are applied, creating pathways for inserting the ribs in the later stages of finishing.

In the final finishing stage, air is blown into the section where the creased paper accommodates the inner ribs, creating holes.

The inner ribs, coated with water-based glue, are then inserted and adhered.

The thicker ribs on both sides, known as the "parent ribs," are heated, bent inward, and glued to the paper, shaping and refining the fan's form.

Thus, an original folding fan is meticulously brought to life through these steps.

Would you like to buy a folding fan that is a traditional Japanese craft?

You will be very satisfied with the beautiful finish.

HIDENOBU SUZUKI PHOTOGRAPHY SHOP 扇子は竹をきるところから仕上げまで約８８工程あると言われ、何人もの職人たちの手によって作られています。

骨づくり、紙、上絵、仕上げ、それぞれが分業になっています。

オリジナル扇子制作にあたって、京扇子の名店、白竹堂さんにお願い���してオリジナル扇子を製作して頂きました。

センスの骨になる材料は、３年から５年の若い竹を使い、薄く細かく加工して細工や塗工程から製作が始まります。

扇面の紙は、芯紙を表と裏から皮紙で挟んだ３枚合わせのものを使用して扇の形に切り抜いていきます。

通常は、切り抜いた紙に絵師が１枚１枚上絵を付けていくのですが、オリジナル扇子は、鈴木秀総の作品を指定した色と配置でプリントした紙を使用しています。

その後、プリントが終わった紙を蛇腹状に折る作業を行います。

渋引きをした型紙２枚で紙を上下から挟み、１枚もしくは２枚ずつ折り目をつけ、後の仕上げ工程で骨を差し込む道を通していきます。

最後の仕上げ工程では、折り目をつけた紙の仲骨が通る部分に息を吹き込み穴を開け、水糊をつけた仲骨を差し込み接着します。

親骨とよばれる両側の太い骨は熱して内側に曲げて紙を接着し、形を整えて仕上げていきます。

こうして１本のオリジナル扇子ができるのです。

#photography #japan #hidenobu suzuki #cooljapan #art #photograph #folding fan #sensu #traditional Japanese craft #traditional #traditional art #kyoto

[karlamon]

I'm pleased to reveal my newest and most-complete VRChat avatar; Gigash's Regulus themed to my fursona.

This digital canine perfectly fits with the Digimon-esq look I've been seeking for, complete with a pair of goggles!

You can buy Gigash's Regulus here on Booth:

#vrchat #regulus #furry #vrfur

[violettranslations]

Ghost in the Hollow Room

Ghost in the Hollow Room 笑顔で踊っていた束の間 あなたが不意に取り出したのは 耳障りの悪い言葉と 正反対の泣き顔だった In that brief moment where you danced with a smile, you suddenly picked out those awful, grating words and a completely contradictory expression—your crying face. ああ、そうだった あなたをよくよく見ていなかったのは 今こんなにも空っぽの部屋に一人 僕のほうだ Ah, now I see. I'm the one alone in this utterly empty room who wasn't watching you closely enough. Ghost in the Hollow Room あなたの笑い方を真似して 上手く出来ずに虚しくなって いい気味だと笑ってもくれないだろうなって 崩れた I try to imitate your laugh, but I can't do it well, and that makes me feel empty. And when I realized that you probably won't even deign to laugh at me, telling me "serves you right," I crumbled. ああ、そうだった あなたがよくよく見ていたかったのは ただ日常を緩やかに泳いでいるだけの 僕だ Ah, now I see. I'm the one just casually trudging through the days who wanted to watch you as closely as I could. 笑顔で踊っていた夢の中 あなたが不意に取り出したのは 幸せだった頃の記憶と もう何度目かの サヨナラ In that brief moment where you danced with a smile, you suddenly picked out those memories from a time you were happy and the—how many does this make?— the gazillionth goodbye. あなたの姿をした亡霊と明かす夜だ この夢の中　見えない君を濃く形作っていく I spend the night with the ghost that took your form. Within this dream, I put a thick shape to the part of you I can't see.

#Ghost in the Hollow Room #Ichijiku #Kagamine Len #VOCALOID

[hocus-opus-colors]

Opus.COLORs Glossary Translation

Translations of the Glossary found on the official site!

Perception Art

A new field of painting created by an "artist" in charge of actual work and a "grader" in charge of production. Basically, a pairing system is used. It is a digital art form that directly affects the senses of sight, sound, smell, and touch, immersing the viewer completely in the world of the work. Although it has only been around for a little over 10 years, it is now widely used for commercial purposes such as advertisements, and like traditional paintings, it is sometimes valued highly as a work of art.

In the past, some people considered it dangerous because it deviated from the influence that works of art should have on people, but now it is recognized as safe because a qualification system has been introduced and the creators and their works are carefully controlled.

Artist The person in charge of the actual work, who actually paints the work in the digital space using special painting materials. The grader determines the concept and theme, but the artist's sensitivity, taste, and ability play a major role in developing the image and forming the work.

Grader A person in charge of production who receives a client's request, determines the concept and theme of the work, and places an order with an appropriate artist. Since the grader is in charge of judging the final product, the grader is usually the one who takes the initiative.

Devices for Perception Art

Support Space A digital space that corresponds to a "canvas" in perception art. It used to be available only in a limited area, but now it is available over a much wider area.

Goggles A gadget to visualize the support space. To prevent adverse effects on the body, such as space sickness, it is forbidden to leave the goggles on.

Gloves A device that corresponds to a "pen," "brush," or "paint" in perception art. When worn, it allows the wearer to draw in the support space. Mainly used by artists.

Frame A special frame that holds the perception art drawn on the support space. By placing it in the frame, the perception art can be viewed without goggles. Once the artwork is placed in the frame, it cannot be taken out, and it is impossible to copy or replace the artwork.

Related to Nagakane High School

Generals The generals are advisors and chaperones for the Perception Art Department students of Naga Akane High School. The most suitable candidates are selected every year from among the students enrolled in the affiliated art school.

The Colorful Dead Picture Frame The empty frame installed in the entrance hall of the Naga Akane Museum of Art. It was originally supposed to be decorated with perception art painted by Mr. and Mrs. Tsukimiri……

#opus.colors #opus colors #pascala #glossary #fan translation

[mobsprooftheweb]

JAGATARAの名盤アルバム5作、リマスター・紙ジャケCD再発決定

JAGATARAの名盤アルバム5作、久保田麻琴リマスターで紙ジャケCD再発決定！

不世出のヴォーカリスト・江戸アケミを擁し、パンク～レゲエ～ファンク～アフロビート等々を取り込んだ唯一無二の音楽性と、タブーに臆せず鋭く時代を撃つ独自の言語感覚で格別の存在感を放った伝説のバンド・JAGATARA。 不慮の事故によるアケミの他界（1990年１月27日）から33年目の命日に合わせ、 1982年から1989年の間にリリースされた4作のオリジナルアルバムと、1993年リリースの2枚組ベスト盤『BEST OF JAGATARA～西暦2000年分の反省～』が、2023年1月25日に紙ジャケット仕様のCDで再発売されることが決定した。

今回再発される５作品は、2007年にも紙ジャケット仕様で発売されているが、現在はいずれも廃盤で入手困難となっていた。 今回はメンバー・OTOの強い要望により、新たに久保田麻琴（ex.裸のラリーズ、久保田麻琴と夕焼け楽団、サンディー＆ザ・サンセッツ 他）によるリマスタリングが施されている。日本ロック史に残る問題作にして名盤との呼び声高いアルバム群が最新のサウンドトリートメントで甦る、JAGATARAファンならずとも注目必至の再発企画と言えよう。

＜JAGATARA 2023 CD REISSUES＞ 完全生産限定盤・2023年1月25日発売 発売元：ソニー・ミュージックレーベルズ 紙ジャケット／高品質Blu-spec CD2仕様・2023年版最新リマスタリング by 久保田麻琴

［ソニーミュージック特設サイト］

JAGATARA『BEST OF JAGATARA～西暦2000年分の反省～』 Original release: 1993.2.24 （MHCL-30791～2（2枚組）・￥4400 tax in） 江戸アケミ死後の1993年にリリースされた２枚組ベストアルバム。“財団法人じゃがたら”時代のシングル曲「LAST TANGO IN JUKU」に始まり、キャリア全時代から代表曲が選ばれているが、随所にアケミのライヴMCやモノローグも挿入され、オリジナルとはまた違った聴感を残す。またDisc 1:5～8、Disc 2:1は1989年ニュー・ミックス。

Disc 1 1. LAST TANGO IN JUKU* 2. でも・デモ・DEMO** 3. BABY** 4. クニナマシェ** 5. 裸の王様 6. もうがまんできない 7. ゴーグル、それをしろ 8. 都市生活者の夜

Disc 2 1. みちくさ 2. つながった世界 FUCK OFF!! NOSTRADAMUS 3. ある平凡な男の一日 A DAY IN THE LIFE OF A MAN 4. 中産階級ハーレム―故ジョン・レノンと全フォーク・ミュージシャンに捧ぐ― MIDDLE CLASS HARLEM 5. SUPER STAR? 6. そらそれ（MANTLE VERSION） 7. HEY SAY!*

*…財団法人じゃがたら **…暗黒大陸じゃがたら

暗黒大陸じゃがたら『南蛮渡来』 Original release: 1982.5 （MHCL-30793・￥2750 tax in) “暗黒大陸じゃがたら”名義で1982年バンド自身のレーベルUGLY ORPHANからリリースした1stアルバム。初期からのパンク的要素とのちの黒人音楽～アフロ要素が混在し、闇雲なパワーと危うさを孕んだ本作は、発表と同時に国内の代表的なロック・メディアから高い評価を受けた。本作のジャケット・デザインは再発の度に変更され全部で４種あると言われるが、今回のCDは初回発売盤LPに準拠している。Track 9、10はLP未収録。

1. でも・デモ・DEMO 2. 季節のおわり 3. BABY 4. タンゴ 5. アジテーション 6. ヴァギナ・FUCK 7. FADE OUT 8. クニナマシェ 9. 元祖家族百景 10. ウォークマンのテーマ

JAGATARA『裸の王様』 Original release: 1987.3.25 （MHCL-30794・￥2,750 tax in） “JAGATARA”として初のオリジナル・アルバムとなる2nd。アケミの精神的不調による休養を経て、前作『南蛮渡来』から５年後の1987年にバンド自身のレーベルDOCTOR RECORDSから発表された。ファンク・ナンバーを中心に長尺曲４曲で構成され、“和製アフロビート”と呼ばれるスタイルを確立した作品。 本作のジャケット・デザインは色違いで数種類存在するが、今回のCDは初回発売盤LP（青色）に準拠している。

1. 裸の王様 2. 岬でまつわ 3. ジャンキー・ティーチャー 4. もうがまんできない

JAGATARA『ニセ予言者ども』 Original release: 1987.12.10 （MHCL-30795・￥2750 tax in） 『南蛮渡来』、『ロビンソンの庭』（山本政志監督映画サントラ）に続いて1987年3枚目のアルバムとなった作品で、バンド自身のレーベルDOCTOR RECORDSからリリースされた。収録全4曲すべてアンセムと呼ばれるほどの充実度を誇り、ますます冴えわたるアケミの詞作と共にアフロ／ファンクを血肉化した安定期のバンドの自信漲る演奏を堪能できる。これが彼らのインディ時代最後のアルバムとなった。

1. 少年少女 2. みちくさ 3. ゴーグル、それをしろ 4. 都市生活者の夜

JAGATARA『それから』 Original release: 1989.4.21 （MHCL-30796・￥2750 tax in） 満を持してBMGビクター（当時）から1989年にリリースされたメジャー第1作。ジョン・ゾーン、ハムザ・エル・ディンら海外勢も含む多数のゲストが参加。一部録音とミックスをパリで行い、ミキシング・エンジニアにはゴドウィン・ロギー（アスワド、キング・サニー・アデ他）を起用。音楽的にはカリプソ、ヒップホップ、フォーク等の要素も交えた多彩にしてゴージャスな作風となったが、後の瓦解の予感も忍ばせる。CDデザインは初回発売盤LPに準拠している。前回CD発売時未収録だったシングル曲「タンゴ（完結バージョン）」を追加収録。

1. TABOO SYNDROME いっちゃいけない症候群 2. GODFATHER 黒幕 3. BLACK JOKE 気の効いたセリフ 4. CASH CARD カード時代の幕開け 5. つながった世界 FUCK OFF!! NOSTRADAMUS 6. ある平凡な男の一日 A DAY IN THE LIFE OF A MAN 7. 中産階級ハーレム―故ジョン・レノンと全フォーク・ミュージシャンに捧ぐ― MIDDLE CLASS HARLEM 8. ヘイ・セイ！（元年のドッジボール） HEY SAY! 9. タンゴ（完結バージョン） TANGO（COMPLETE VERSION）

JAGATARA Profile 1979年、江戸アケミ（vo）を中心に“エド＆じゃがたら”として活動開始。 その後“財団法人じゃがたら”“暗黒大陸じゃがたら”等改名を重ね、1986年頃より“JAGATARA”に固定。 初期のライヴではアケミがステージ上で全裸になり流血、ニワトリやヘビを食いちぎる等の奇矯なパフォーマンスが一般誌でも報道され悪名を馳せる。 1981年のOTO（g）加入前後よりシリアスに音楽を追求する姿勢に方向転換。 アケミの精神的不調による活動休止（1984～86）を挟み、1989年『それから』でBMGビクター（当時）よりメジャーデビュー。 その後も旺盛なライヴ／レコーディング活動を展開したが、その矢先の1990年1月27日、アケミが不慮の事故で急死し、活動休止。 その後もナベ（b）、篠田昌已（sax）とメンバーの物故が続くが、OTOを中心に存命メンバーが折に触れて集結しライヴを行う。 アケミ他界から30年目となる2020年1月、“Jagatara2020”として新曲を含むCD『虹色のファンファーレ』を発表、豪華ゲストを多数交えて敢行した復活ライヴは大反響を呼んだ。 その後コロナ禍により活動休止を余儀なくされたが、2022年夏には橋の下世界音楽祭（愛知県豊田市）に出演、２年半ぶりのライヴ復帰を果たした。

＊おことわり JAGATARAがかつて発表した楽曲の一部には、現在では不適切と思われる歌詞内容を含んでいるものがあり、お客様によっては不快に感じられることがあるかもしれません。しかし、それらは当時の時代背景の中で、ヴォーカリストの故・江戸アケミをはじめとするJAGATARAのメンバーが、弱者・マイノリティーの立場から真摯に生み出した表現であることを鑑み、当時の内容のままで発売いたします。ご了承ください。

back to HOME back to MOBSPROOF back to MOBSPROOF web magazine

#news #music #funk #jagatara #edoakemi

[helloharuo-rocka-rolla]

STEAMHAMMER Self Titled ⁡ 購入日：1984年9月12日 購入先：船井通氏 これはオリジナル盤。このアルバムを最初に買ったのは再販盤だった。1977年プレスのドイツ盤。アートワークが全く違った。僕の周りでこの手の暗くて、ヘヴィーで、ブルージーなバンドを好きな人はいなかった。僕は何故こういう音が好きなんだろうか？それを知りたいがためにイギリスに住んだ。 Date of purchase: 12 September 1984 Purchased from: Mr. Tooru Funai This is the original album. The first time I bought this album was on re-release; it was a German pressing from 1977. The artwork was completely different. Nobody around me liked this kind of dark, heavy, bluesy band. Why do I like this kind of sound? I lived in England to find out. ⁡ #steamhammer #1969 #cbsrecords #madeingreatbritain #discogs #helloharuo

[saitamabilingualgamer]

Games I Played Recently

最近プレーしたゲーム

RoboCop Rouge City - PlayStation 5, Xbox Series Consoles, PC

I have been a huge fan of RoboCop since I was a kid. I watch the original 1987 movie almost every year and it never gets old. Unfortunately RoboCop has had a bad reputation in the gaming world since the NES days, so I was a bit skeptical when this game was announced a couple years back. 

I decided to pick up a copy and was blown away with how much fun this game was! The game's story takes place in between the 2nd and 3rd films and retains the over-the-top violence and campy humor. It's a first person shooter but isn't as fast paced as most modern equivalents due to RoboCop's slow walking pace. You can even hear his stomping when you walk in the game.  The game can be completed in about 12 hours but has a lot of extra sidequests to add to the campaign's length. I recommend giving this game a shot if you're a fan of the series. 

子供の頃からロボコップの大ファンです。1987年のオリジナル映画をほぼ毎年見ていますが、飽きることがありません。残念ながら、ロボコップはFamicom時代以来、ゲーム界で悪い評判を持っていましたので、数年前にこのゲームが発表されたときは少し懐疑的でした。しかし、ソフトを手に入れてプレイしてみると、このゲームがどれだけ面白いかに驚きました！ゲームのストーリーは2作目と3作目の映画の間に位置し、過激な暴力と独特なユーモアが保持されています。ファーストパーソン・シューティングゲームですが、ロボコップの歩く速度が遅いため、現代の多くの同等のゲームほど速いペースではありません。ゲームをプレイするときに歩く音も聞こえます。ゲームは約12時間でクリアできますが、キャンペーンの長さを増やすための多くの追加のサイドクエストがあります。このシリーズのファンであれば、このゲームを試してみることをお勧めします

Elemental Gimmick Gear - Sega Dreamcast

This is a game I played a bit as a kid and decided to replay last month. This is an action RPG with beautiful hand drawn 2D graphics. Play this game if you enjoy steampunk settings and lots of puzzles. The only negative thing I have to say about this game is that it has clunky controls.

子供の頃に少し遊んだゲームで、先月再プレイすることに決めました。美しい手描きの2Dグラフィックを持つアクションRPGです。スチームパンクの設定やたくさんのパズルが好きなら、このゲームはオススメです。このゲームで唯一言及するネガティブな点は、操作が少し不器用だということです。

#セガ #robocop #gaming #jlpt #japan #bilingual #movies #anime #dreamcast #culture

[soushibana]

ŹOOĻ - CONQUEROR Translation

Composition: Nishizawa Joe (GENIC), Koike Ryuuki (GENIC) Arrangement: Nishizawa Joe (GENIC) Lyrics: Nishizawa Joe (GENIC), Koike Ryuuki (GENIC)

Something to preface: I think a lot of the original lyrics prioritizes rhyme over everything else (especially in the rap parts and chorus), making it kind of futile to attempt conveying the entire “intention” in English. However, I did this in case people are curious about what the lyrics are saying. Just keep in mind that the rhymes are completely lost in translation, though you may have noticed them from listening to the song alone.

With that said, lyrics and translation are under the cut!

--- Original Japanese lyrics:

集める bashing それと percent ガタガタ言う奴らは target

身に纏った darkness 声に載せて activated

鼓膜に響かせて LOOP 勝ち方ならいつも COOL これが My Style　そう ZOOL

毛並みから違うから まだまだお前じゃ届かない程に 高まるこの鼓動

抑えきれぬ程溢れるイメージで 片っ端から斬る 肉を割き骨ごと断ち切る (Get ready)

scream inside now 変えるこの定石 普遍じゃつまんない

scream inside now 勝ち負けじゃ図れやしない

I’m CONQUEROR

滾らせろ Burn 放つ上へと Burn 摑む栄光

screaming now screaming out

惰性じゃない確たる誓い 蹴散らして bright 今全てを奪い去る

霞ゆくオリジナル 脱ぎ去ってサブリミナル 何も介さず心を唄にしていく bang now 無駄な矜持は捨て on fire

scream inside now 挫折も養分 平凡じゃ甲斐無い

scream inside now 凄惨な結末で下す

滾らせろ Burn 放つ上へと Burn 摑む栄光

screaming now screaming out

惰性じゃない確たる誓い 蹴散らして bright 今全てを奪い去る

「もう、俺から離れんなよ」 「君を傷つける者は俺が排除する」 「もうほっとけないんですよ」 「俺だけ見てればいい」 「ついてこい」

滾らせろ Burn 放つ上へと Burn 摑む栄光

screaming now screaming out

惰性じゃない確たる誓い 蹴散らして bright 今全てを奪い去る

Oh 派手に世界を揺らす Oh 喝采を浴びるこの stage

お口だけ ご達者な奴は バイバイ 独壇場だ

頭揺らす 心躍らす 魅せる俺らの star line

--- English translation:

We’ll gather them, bashing, and also percent Those who grumble are our target

Darkness adorning my figure Activated along with the voice

Let it resound in your eardrums and LOOP Our way to win is always COOL This is My Style, that’s right, it’s ŹOOĻ

It’s because we’re of a different breed in the first place So high that you can’t reach it just yet This heartbeat that rises

With an overflowing image that can’t be suppressed We’ll cut down whatever we can Tearing through the flesh and severing the bones (Get ready now)

Scream inside now We’ll change this playbook Universality would be boring

Scream inside now You can’t judge it solely on victory and defeat

I’m CONQUEROR

Let your blood boil [1], Burn To the top we’ll fire straight Burn, the glory we’ll seize

Screaming now Screaming out

It’s not a force of habit, but an absolute pledge We’ll scatter them, bright And take everything away now

The original that’s fading away We’re taking it off, revealing the subliminal Without caring about anything, I’ll sing my heart out, bang now And throw away my futile pride on fire

Scream inside now Adversities, too, nourish us If we stay mediocre, then there’s no point to it

Scream inside now I'll hand down a judgment with a gruesome end

Let your blood boil [1], Burn To the top we’ll fire straight Burn, the glory we’ll seize

Screaming now Screaming out

It’s not a force of habit, but an absolute pledge We’ll scatter them, bright And take everything away now

“Don’t leave my side ever again” “I’ll get rid of anyone that hurts you” [2] “I can’t leave you alone anymore” “You should look only at me” “Come follow me”

Let your blood boil [1], Burn To the top we’ll fire straight Burn, the glory we’ll seize

Screaming now Screaming out

It’s not a force of habit, but an absolute pledge We’ll scatter them, bright And take everything away now

Oh, we’ll shake the world spectacularly Oh, this stage basked in cheers

To those who excel only in rhetoric [3] We bid our bye-bye—in here we stand unrivaled

We’ll shake your head and make your heart pound Our star line will captivate you

--- T/N: [1] Figuratively, 滾らせろ can mean something along the line of “get pumped up”, but to keep with the fiery theme going on in the song, I’ve decided to use the more literal “boil” (“blood” isn’t actually mentioned in the lyrics, but I’m just inferring it from the context of “get pumped up”). [2] Haruka here uses 俺 and 君 as the first person pronoun and second pronoun respectively, which is unusual since he defaults to オレ for his first person pronoun and either あんた or おまえ for his second person pronoun. 俺 and オレ is actually the same pronoun, but 俺 comes across as more matured. On the other hand, 君—while still casual—feels softer (i.e., doesn’t come across as rude) than the usual second person pronouns he uses. [3] Literal translation would be “to those who are only good at talking”, but the lyrics actually use the honorific prefixes お and ご (making the phrase sound more respectful or formal), so I hope wording the line more fancily gets across the nuance more.

Please feel free to tell me if you find any mistakes in the translation!

#źooļ #idolish seven #lyrics translation

[nokiekk]

ハルイロのセツナ-Complete Edition-　リリース

「運命は私なのに─」 「運命は私じゃない─」 "運命"に翻弄される二人の少女とその三角関係を

フルボイスかつプレイ時間10時間以上の長編で描いた。

主題歌「恋の法則」に加えオリジナルBDMも複数。

C100では100部完売した「ハルイロのセツナ-Complete Edition-」のダウンロード版!

BGM作曲で参加させていただきました！

#ゲーム制作 #sound design

[1izx5a2j-blog]

【出展】10/1（日）第7回TAMAコミ（終了）

【イベントは終了しました。お越しいただきました皆様、ありがとうございました！】

10月1日（日）に開催される「第7回 TAMAコミ」に、サークル「遥かの都　彼方の国」として出展いたします。

当サークルはスペース【B-31・32】にて皆様をお待ちしております。

【開催情報】

イベント名：第7回 TAMAコミ 日時　　　：2023年10月1日（日） 12:00-16:00 場所　　　：東京たま未来メッセ（東京都八王子市） 入場料　　：500円（※中学生以下入場無料） 内容　　　：そうさく系総合表現イベント（オリジナル作品同人誌即売会） 主催　　　：ポプルス／ねこのしっぽ

会場へのアクセス、イベントの詳細は公式サイトにてご確認くださいませ。

ブース情報は追ってご連絡いたします。

【出店ブースのご案内】

↓配置図の拡大表示＋ダウンロードはこちら↓ https://drive.google.com/file/d/1ADHf1tcj6PPjY3ku1X3d9-uGstciRBDV/

↓公式サイトのサークルリストはこちら↓ https://tamacomi.info/7/circlelist/

当サークルはスペース【B-31・32】にて皆様をお待ちしております。

【特別企画】キャラデザコンペに応募しました

TAMAコミは第7回の八王子開催を記念してどなたでも参加できるコンテストを開催！

こちらの「キャラデザ部門」に私も二作品エントリーいたしました！ もし気に入っていただけましたらぜひご投票いただけますと嬉しいです！

コンテストの詳細はTAMAコミ公式サイトでご確認ください。

イラストのバックストーリーはこちら https://1izx5a2j-blog.tumblr.com/post/728303775757008896/

【頒布物のご案内】

◆ 新刊 ◆

【初出】星めぐり常世草子　巻の二　まよい星の巻

仏教の外道の神「天部」を題材にした創作神話。当サークル刊行物の世界観の中心となる長編小説です。全四巻完結予定の連作、第二巻。

作品詳細はこちら https://hrk385knt92.tumblr.com/post/725047321413484544/

【初出】短篇集　挿文綴　第二集

長編連作「星めぐり常世草子」各巻の補助的役割を担うために編纂した「断片的資料集」。 冥界のまじない人形、いつか海へと還るものの詩、名前を奪う鬼の由来、迷いびとを迎える家、四篇の小さな絵と話を収録。

作品詳細はこちら https://hrk385knt92.tumblr.com/post/725047335588167680/

◆ 刊行物 ◆

星めぐり常世草子　巻の一　星降ろしの巻

幻想草子「星めぐり常世草子」シリーズの第一作目。 きらびやかな天部たちが語り明かす異界譚、そのはじまりの話。

作品詳細はこちら https://hrk385knt92.tumblr.com/post/718157386061348864/

短篇集　挿文綴　第一集

長編連作「星めぐり常世草子」各巻の補助的役割を担うために編纂した「断片的資料集」。 冥土に現れた人の記録、双子を「救うための」丸薬、冥土の奇妙なとかげ、鬼も恐れる化物、四篇の小さな絵と話を収録。

作品詳細はこちら https://hrk385knt92.tumblr.com/post/718157580798722048/

上記刊行物に関しては試し読みもご用意しております。ぜひご覧ください。

◆ 楽曲 ◆

Concept Soundtrack Vol.1 “The Star Hunter”

当サークルの創作小説「星めぐり常世草子」シリーズのうち、巻の一「星降ろしの巻」から着想して作曲した楽曲CD。

作品詳細はこちら https://hrk385knt92.tumblr.com/post/718205267226001408/

◆ 新作雑貨 ◆

【初出】組替紙仏「帝釈天／梵天」

パーツを切り抜き、組み替えて遊べる仏像モチーフのペーパー・ドールです。

　

帝釈天 https://hrk385knt92.tumblr.com/post/718726128153608192/

　

梵天 https://hrk385knt92.tumblr.com/post/718726131160842240/

【初出】装飾紙シリーズ「飛天つなぎ／仏具づくし」

仏教美術×テキスタイルとしてA4サイズの装飾紙をメインに、ペーパーアイテムを展開しています。

◆A4ペーパーセット「装飾紙」

装飾紙「飛天づくし」 https://hrk385knt92.tumblr.com/post/718249678123286528/

装飾紙「仏具づくし」 https://hrk385knt92.tumblr.com/post/718337814180347904/

◆紙製小箱「御角箱」

御角箱「飛天つなぎ」 https://hrk385knt92.tumblr.com/post/718338852570513408/

御角箱「仏具づくし」 https://hrk385knt92.tumblr.com/post/718339318299721728/

◆平袋「小品袋」

詳細 https://hrk385knt92.tumblr.com/post/718611897336905728/

◆ミニ蛇腹式ノート「じゃばら帖」

詳細 https://hrk385knt92.tumblr.com/post/722237708555124736/

【初出】道行布袋　二天

帝釈天と梵天をあしらった、たっぷりサイズの肩掛けトートバッグです。

詳細 https://hrk385knt92.tumblr.com/post/721997222289522688/

【初出】御本袋／文庫袋　果樹

本を入れるために作った布製巾着袋。2サイズ展開。

御本袋　果樹 https://hrk385knt92.tumblr.com/post/722959115831459840/

文庫袋　果樹 https://hrk385knt92.tumblr.com/post/722960019914670080/

◆ 雑貨 ◆

【創作イベント限定頒布】［THE HANDS］観音御手ウッドチャーム（小文付き）

雑貨系デザインシリーズ【THE HANDS】のウッドチャームに、各モチーフから着想した短文小説を同封。創作系イベント限定バージョンです。 全6種、ランダム封入（購入時指定はできません）。

詳細 https://hrk385knt92.tumblr.com/post/718160429227065344/

ほか、和レトロ×仏教モチーフで紙もの／袋物メインに細々とした雑貨取り揃えております。

　

雑貨一覧はこちら https://hrk385knt92.tumblr.com/tagged/goods

◆ 特別展示 ◆

10周年記念イラスト本『遥かの都　彼方の国　The complete illustration book 2009-2019』（展示のみ）

TAMAコミは一次創作メイン頒布であれば二次創作物も頒布OKとのことですので、2019年に制作した10周年記念イラスト本を【展示のみ】で持ち込みます。

こちらは当時受注製作で作ったもので、現在手元に一冊しかない上に単価が高いので、申し訳ないのですが頒布はいたしません。

全136ページ・フルカラーで過去のオリジナルイラストから二次創作イラストまで、自身の創作活動10周年を振り返る内容になっております。

tumblr未掲載作品、現在執筆中の『星めぐり常世草子』シリーズイラストの元となるドット絵などなど、現在公開していない作品を多数収録しております。

ぜひじっくりとご覧くださいませ！

【おすすめフローチャート】

創作物に興味はあるけれど、どれに手をつければいいかわからない… そんなあなたに、当サークルのおすすめ本をご紹介する診断チャートを作りました！

こちらからぜひお試しくださいませ https://1izx5a2j-blog.tumblr.com/post/728249576571682816/

【お支払いについて】

当サークルは現金払いのみのお取り扱いです。釣銭は不足のないよう充分にご用意しておりますが、できる限り小銭での金額ピッタリ払いにご協力ください。もちろん、お持ちでない場合や1000円を超える会計の場合はこの限りではありません。 なお、大変申し訳ありませんが5000円札、万札のご利用は釣銭のご用意がなくお断りする場合がございます。

【通販のご案内】

当サークルでは一部作品につきましてデータ販売を行なっております。

→ 遥かの都　彼方の国　電脳舗

電脳舗取り扱い以外の各作品に関しては通販・委託販売予定は現時点でございません。

＊＊＊

今シーズン最初の出展にして、過去最大規模のフルラインナップ持ち込みは今回のTAMAコミオンリーの予定です！

お近くの方も、またちょっと遠方の方も、TAMAコミ目指して八王子までお越しくださいませ！

#news #event

[starryc]

i'm planning on making a neocities site and one of the pages is gonna be a hfgn shrine, and for one of the sections i wanted to make a gallery of merch and official arts featuring hfgn

however i don't think i'll be finishing my site in the near future FSDKJH but i have all this catalogued already, so i thought i'd share it here for the time being. this also helps me find it easier because my own notes aren't very organized lol, so i can just go back to this and also edit it lol

Merch

キーホルダー・マスコット(キャラクター)　夢野幻太郎＆伊弉冉一二三(ノーマルver.) 「ヒプノシスマイク -Division Rap Battle- グラフアートデザイン アクリルキーホルダー 02」 (2018/12/23)

(high res for vs version needed)

ポストカード(キャラクター)　伊弉冉一二三＆夢野幻太郎 ポストカード 「ヒプノシスマイク -Division Rap Battle- ヒプマイ サンリオリミックス アニメイトフェア」 対象商品購入特典 (2018/12/29)

キーホルダー・マスコット(キャラクター)　夢野幻太郎＆伊弉冉一二三 「ヒプノシスマイク-Division Rap Battle- Have fun!シリーズ アクリルキーホルダーコレクション」 (2018/11/14)

キーホルダー・マスコット(キャラクター)　夢野幻太郎VS伊弉冉一二三 「ヒプノシスマイク -Division Rap Battle- ラバーマスコット バディコレ VS Ver.」 (2019/02/15)

キーホルダー・マスコット(キャラクター)　伊弉冉一二三＆夢野幻太郎(ペア柄ver.) ぎゅぎゅっとアクリルキーホルダー 「ヒプノシス -Division Rap Battle-」 (2019/04/25)

小物(キャラクター)　夢野幻太郎VS伊弉冉一二三 アクリルスタンド 「ヒプノシスマイク -Division Rap Battle-」 ローソン・Loppi・HMV限定 (2019/04/16)

食玩　キーホルダー　夢野幻太郎＆伊弉冉一二三 「『ヒプノシスマイク -Division Rap Battle-』JOY CAN PREMIUM 第2弾」 (2019/05/16)

紙製品(キャラクター)　夢野幻太郎＆伊弉一二三 「ジャンボカードダス ヒプノシスマイク-Division Rap Battle- コレクタブル色紙」 (2019/06/20)

シール・ステッカー(キャラクター)　夢野幻太郎VS伊弉冉一二三 「ヒプノシスマイク-Division Rap Battle- ヒプマイ サンリオリミックス×SWEETS PARADISE トレーディングマスキングテープ」 (2019/08/10)

バッジ・ピンズ(キャラクター)　集合 VS缶バッジ3点セット Bタイプ 「ヒプノシスマイク -Division Rap Battle-×TANITA オリジナル活動量計 Bセット」 購入特典

(date needed, but i'm assuming it's from 2019-2020?)

バッジ・ピンズ　【シークレット2】前山剛久(夢野幻太郎)＆荒木宏文(伊弉冉一二三) ランダム缶バッジ track.2 「舞台『ヒプノシスマイク -Division Rap Battle-』 Rule the Stage -track.2-」 (2020/07/01)

生写真(男性)/俳優　前山剛久(夢野幻太郎)・荒木宏文(伊弉冉一二三)/キャラクターショット/シークレット/舞台「『ヒプノシスマイク-Division Rap Battle-』Rule the Stage -track.4-」ランダムブロマイド track.4 (2021/02/05)

Manga

FP vs M Vol 2 Limited Edition Cover (10/28/19)

FP v M pre-order bromide bonus (3/26/2020)

(need to track down exact volume it came with)

(technically they're not "together" in this art (they're on opposite ends), but if you place them side by side, they complete the image. so they're together. to me --)

Zero Sum Notice re: FP v M (11/26/20)

Pre-order bonus bromides (8/20/21)

(need to track down exactly which volume this came with)

Zero Sum Lottery Prize (3/28/22)

(looking for high res, if it exists... idk if a higher res was ever posted :'))

Zero Sum Cover + Lottery Prize (April 2023 edition, i believe. i have to make sure, but the image itself was revealed around 3/30/23)

ARB

Promo Image (8/30/2020)

Weather Decline - Panic! At the Mountain Event

(summer/fall 2020-ish, need to double check)

Ideal Weather for Camping - Panic! At the Mountain Event

ARB 3rd Anniversary (3/24/23)

#not putting this in the main tag lol #hifugen #genhifu

[sheetmusiclibrarypdf]

Ryuichi Sakamoto - Solari (Piano Solo arr.) from "async" (2017) 楽譜

Ryuichi Sakamoto - Solari (Piano Solo arr.) from async (2017) Sheet Music 楽譜 Best Sheet Music download from our Library. Please, subscribe to our Library. Thank you!async is the nineteenth solo studio album of Japanese musician Ryuichi Sakamoto and his first one in eight years since Out of Noise (2009). 『async』（アシンク、エイシンク）は2017年3月29日にcommmonsから発売された坂本龍一の20枚目のオリジナル・アルバム。 私たちのライブラリから最高の楽譜をダウンロードしてください。 私たちのライブラリを購読してください。ありがとうございました！

Ryuichi Sakamoto - Solari (Piano Solo arr.) from async (2017) Sheet Music 楽譜

https://rumble.com/embed/v2puulk/?pub=14hjof

async is the nineteenth solo studio album of Japanese musician Ryuichi Sakamoto and his first one in eight years since Out of Noise (2009). It is also his first full-length solo record since recovering from throat cancer in 2015. Consisting of a combination of bizarre interpretations of familiar musical instruments, unusual textures both acoustic and electronically-made, samples of recordings of people such as David Sylvian and Paul Bowles doing readings, and everyday sounds borrowed from field recordings of city streets, async has underlying themes of the worries of the end of life and the interaction of differing viewpoints in humanity. Promoted with two art museum installations, a short film contest, and premiering via a listening event at Big Ears Festival, async was first released in Japan by Sakamoto's label Commmons in March 2017 before Milan distributed it to other nations in April 2017. It was critically acclaimed, landed in the top twenty of the Japanese albums chart and in the top five of Billboard's American Top Classical Albums chart, and was ranked the best album of 2017 by Fact magazine. A set of remixes of songs from async, titled ASYNC – REMODELS, was released in December 2017. Since 2009, Ryuichi Sakamoto had an eight-year period where he was unable to inspire himself in his composition process. As a result, he focused most of his time on scoring films instead of producing solo material. He started sketching ideas for a solo album in 2014, but they were scrapped after being diagnosed with throat cancer in 2014, which he had to pause his career entirely. Despite recovering from the disease in August 2015, Sakamoto thought async would be his last album: "That’s why I tried to forget all the rules and forms, anything. I just wanted to put down just what I wanted to hear, just a sound or music, it doesn’t matter. This could be the last time." He began making it entirely from scratch in April 2016, which was after completing his soundtrack for the film Rage (2016), and finished it in eight months. The only track made before Sakamoto's cancer diagnosis that appears on async is "andata." Inspired by the minimal structures of the works of Claude Debussy and the free jazz stylings of John Coltrane, async, as Milan Records summarized, is a set of representations of Sakamoto's thinking that "plays with ideas of a-synchronism, prime numbers, chaos, quantum physics and the blurred lines of life and artificiality/noise and music." Sakamoto conceived the album as the soundtrack for a nonexistent movie by Andrei Tarkovsky, whose works mostly deal with mortality (see the Worries of death subsection of this article) and employed walking scenes with the type of foley featured on async. When making async, "I just wanted to hear sounds of things, everyday things, even the sounds of instruments, musical instruments as things," Sakamoto said. Sakamoto cited the works of sound art sculptor Harry Bertoia as a major influence when making the LP. The instrumentation includes both regular orchestral instruments and unusual acoustic and programmed textures, more specifically bizarre interpretations of otherwise familiar instruments and the "musical aspect" of everyday noise. async employs a variety of sound-producing techniques, such as field recordings, making mist textures out of chorales, and wailing sounds from glass. Some of the tracks include out-of-tune pianos; he recorded two Steinway pianos he had in his home studio, and a piano that was drowned in tsunami water was used on the track "Zure." He thought it was "nature" that was responsible for the notes the broken pianos played: "the piano is a very systematically, industrially-designed thing, but they were a part of nature, taken from nature. Mankind artificially tuned and set the well-tempered scale, but the thing is if you leave the piano for a long time without a tuning, it will be out of tune. "Tri" is an unedited recording of triangles performed by three musicians: Ian Antonio, Levy Lorenzo, and Ross Karre. In a 2017 conversation with Sakamoto, Ruth Saxelby assumed the triangle sounds that were in the later part of the track were digitally programmed. However, Sakamoto corrected Saxelby by saying "Tri" went through more than ten takes because the three musicians were "perfectionists" and thus wanted the triangles to sound machine-like. As Sakamoto described the album's main idea, Sakamoto said it was human nature, most people "find pleasure in being in sync. That's why I wanted to create nontraditional music that doesn't synchronize, speaking in a language that doesn't exist." He wanted to make a record like this for a long time, but it was difficult to do because he "wanted to make something async but still musical." On async, all of its sounds come together but never create a proper harmony. However, Sakamoto described these sounds as "significant in their own way because their "existence has meaning." He explained, "As human beings, we take the liberty to decide which sound is good or bad. I'm suggesting we open our ears and listen to each sound without prejudice." Sakamoto did this to symbolize as well as commentate on how the differing viewpoints of humanity worked: "In this world of myriad viewpoints and unlimited information, every single person is choosing only the information that he or she is interested in, and people with similar interests gather and form a group. Then, groups with similar interests exchange views with one another, accelerating the movement to narrow the conversation down to ever-more specific views bound by a particular concern. And so, groups with different interests barely communicate with each other, or even if they do, they tend to dismiss the views of the other." The message of async is that, like dissonant sounds coming together to create music, humans of all different viewpoints should come together and respect each other. This theme of async was compared by writer Karl Smith to the works of Shane Carruth, whose films also deal with chaos in human nature. He used "Zure"'s mixture of "intangible synthetic panes with the more earthly, percussive tones of the piano" and "walker"'s combination of noises with a "call and response gentle swells and vibrations" as examples of the record's use of juxtapositions, which present "the idea that any one thing is more than just that one thing." While a majority of async consists of subdued pieces, the LP also contains more dissonant tracks like "tri," "disintegration," which places awkwardly-tuned piano plucks aside warm synthesizer pads, and the title track, which includes harshly plucked pizzicato strings. This is to symbolize a "never ending pendulum swing between solace and chaos," Paste magazine stated. Some critics noted Sakamoto's worries about death seeping into the album, which were influenced not only by his experience with cancer, but also the many earthquakes and tsunamis that occurred in Japan in 2011. He said in an interview, "We were warned about how our civilization is fragile and how the force of nature is great." 『async』（アシンク、エイシンク）は2017年3月29日にcommmonsから発売された坂本龍一の20枚目のオリジナル・アルバム。 前々作『アウト・オブ・ノイズ』以来、オリジナル・アルバムとしては8年ぶり。 本作は坂本龍一のドキュメンタリー映画『Ryuichi Sakamoto: CODA』に描かれているように「非同期な音楽を作る」目標の下に制作。アルバムタイトルも「非同期」を意味する「asynchronization」の略称から採用している。 2010年代を掛けて普及してきたハイレゾ再生環境に対応するために、これまで使用してきた数多くのデジタル機材を撤���し、アナログ機材を中心としたシンプルな制作環境で制作されている。元は「架空の映画のサウンドトラック」というコンセプトがあり、一度は作り上げるも、2014年に坂本が中咽頭癌に罹患。治療と療養を経て回復すると、すべて作り直された。 2016年12月29日、坂本の公式サイトに「Ryuichi Sakamoto: SN/M比 50%」のメッセージを掲載。翌年2月17日、本作の特設サイトを開設し、そこで「あまりに好きすぎて、誰にも聴かせたくない」という坂本の意向と、それにともなう事前の音源公開を一切行わない旨を表明。さらに坂本の足跡を辿る「予習」と、各界著名人によるニューアルバムの「予想」を公開した。 本作発売直後の2017年3月31日、J-WAVEの自身の番組「RADIO SAKAMOTO」の特番として「J-WAVE SPECIAL RADIO SAKAMOTO EXTRA 〜坂本龍一ニューアルバム『async』緊急生試聴会〜」を放送。ラジオにてアルバムの全容を公開した。 4月4日 - 5月28日、ワタリウム美術館にて「Ryuichi Sakamoto｜async 設置音楽展」を開催。本作の5.1チャンネルサラウンドミックス版を、高谷史郎の映像とともに鑑賞するフロアや、アピチャートポン・ウィーラセータクンによる短編映像などで構成された。また、美術館の1階では来訪者が付箋にてコメントを寄せられ、その抜粋である「解読」と、一部コメントに対する坂本の「返信」が、本作特設サイトに掲載された。 4月25・26日、ニューヨーク・パークアベニュー・アーモリー（英語版）にて、本作収録曲を演奏するライヴを開催。後にその模様を編集した映画『坂本龍一 PERFORMANCE IN NEW YORK : async』が、翌2018年1月27日より公開された。 イギリスの『FACT』誌がThe 50 best albums of 2017の1位に本作品を選んだ Read the full article

#sheetmusicdownload #sheetmusicscoredownloadpartiturapartitionspartitinoten楽譜망할음악ноты #楽譜