#Carlo Savina

[rhetthammersmithhorror]

Malenka la nipote del vampiro, Seq. 1 | Carlo Savina | 1969

#Malenka #Carlo Savina #Fangs of the Living Dead #Diana Lorys #wink #vampire movie #vampire #amando de ossorio #Spanish horror #femme fatale #audio #horror

[weirdlookindog]

Carlo Savina - Malenka

#carlo savina #malenka #Youtube

[mariocki]

L'assassino ha riservato nove poltrone (The Killer Reserved Nine Seats, 1974)

"I could give you everything, except trust. When we're together, I always feel in danger. But I like it. It's like knowing that every moment could be the last."

#L'assassino ha riservato nove poltrone #the killer reserved nine seats #italian cinema #giallo #horror imagery tw #1974 #giuseppe bennati #rosanna schiaffino #chris avram #eva czemerys #lucretia love #paola senatore #gaetano russo #andrea scotti #eduardo filipone #howard ross #janet agren #luigi antonio guerra #carlo savina #paolo levi #biagio proietti #slightly confusing (or at least convoluted) giallo gumbo which is at least very beautiful and makes wonderful use of its real world theatre #location (Italy's Teatro Gentile da Fabriano). this is a fun mystery mix up with a dense and vaguely nonsensical plot but it has some #issues; after a leisurely and kind of old fashioned beginning‚ the film suddenly ramps up into unusually seedy and violent territory‚ with #protracted scenes of violent bloody torture (and notably the scenes involving women are much stronger and more disturbing than those #involving male characters). a regular issue within the genre perhaps‚ but even so it feels pointedly gratuitous here. #still‚ wade through the nasty and this is classic giallo‚ a locked room mystery in a deserted theatre with a great cast and a gothic slant

[ncisfranchise-source]

“Even if all your choices are bad, you have to pick the best bad choice because that’s the only choice you’re going to have to survive,” says Gary Cole, explaining why his character, NCIS Special Agent in Charge Alden Parker, made the split-second decision to pose as a heart surgeon in the latest episode.

The actor told us more about filming the adrenaline-pumping installment in our weekly after show NCIS: Case Closed. (To see the entire interview where he breaks down the episode, watch the video above.) Parker allowed himself to be kidnapped along with a real cardiac specialist, Navy Commander Clara Logan (Christina Kirk), who was being taken to operate on Colombian drug kingpin Carlos Savina (Juan Javier Cardenas).

Suspenseful storyline aside, the hour also gave us the opportunity to learn more about Parker, who almost passed out when the patient’s chest was opened up. “Apparently [Parker has problems] stomaching certain things, which is funny to me because he seems to have no problem walking through an autopsy room looking at carved up bodies. There must be something about an actual beating heart that throws him — or the actual cutting,” says Cole. “I wouldn’t say that I’m squeamish on a level like that. But I don’t have any needle fear.”

Turns out that “needle fear” known as “trypanophia” is also an issue for the team leader. But it’s another one of his “phobias” — commitment — that he might have to deal with going forward. Even in crisis, he and doc Logan delivered on banter. By the episode’s end, their exchanges took on a tender aspect that seemed to surprise Parker himself. “I don’t know that you were left with the feeling that Christine’s character may be returning. That’s the way it looks to me. And since we’re coming back, we’ll find that out,” Cole says, alluding to the procedural’s renewal for a 22nd season.

Will this season, like previous ones of NCIS, end on a cliffhanger? Cole will only drop a subtle hint about the finale: “What I can say that people are in trouble. Big trouble. And it’s going to take everybody — and I’ll lay a little hint — it’s going to take everybody on board. If you take the clue.”

Check out the video above for more from Cole on behind-the-scenes details from the shoot, like trying an inversion table for the first time; auditioning for one of the movies that was name-checked in this episode; and Parker’s friendship with Torres (Wilmer Valderrama). Come back each week for a new episode of NCIS: Case Closed to hear from the people who make the show.

#ncis #interview #Youtube

[theretirementhome]

Carlo Savina - Blue Impression

[ladrodiciliegie]

E buongiorno

#Spotify

[byneddiedingo]

Giancarlo Giannini and Mariangela Melato in Love & Anarchy (Lina Wertmüller, 1973)

Cast: Giancarlo Giannini, Mariangela Melato, Eros Pagni, Pina Cei, Elena Fiore, Giuliana Calandra, Isa Bellini, Lia Polito. Screenplay: Lina Wertmüller. Cinematography: Giuseppe Rotunno. Art direction: Gianni Giovagnoni. Film editing: Franco Fraticelli. Music: Nino Rota, Carlo Savina.

Lina Wertmüller was the first woman ever nominated for the best director Oscar, for Seven Beauties (1975). I always thought that her films were wound a little too tight, and Love & Anarchy rather confirms my opinion. The performances are ratcheted up at times to near-hysteria, and things that could be said are shouted. But even when Wertmüller's cast is milking it for all it's worth, it's clear that she has a point of view and the means to express it, especially with the two actors on whom she frequently called during her directorial heyday half a century ago. As Tunin, the "bumpkin" who has taken on the task of assassinating Mussolini, Giancarlo Giannini plays a complete dramatic arc, from the wide-eyed, almost comatose naïf who finds himself lodged in a Roman brothel and then goes through stages of passion, fear, disgust, commitment, and a final martyrdom. Mariangela Melato as the sex worker Salomè doesn't have such a grand arc to traverse, but somehow she manages to let traces of humanity show through the flamboyant façade she has adopted. Eros Pagni as the odious Fascist Spatoletti and Lia Polito as Tripolina, the winsome prostitute who wins Tunin's heart, are also good, though their roles verge on caricature. The handsome cinematography is by Giuseppe Rotunno, who at one point expresses the divisions in Tunin's character by a tricky, brilliant shot that shows Giannini and his reflections in two different mirrors.

#Love & Anarchy #Lina Wertmüller #Giancarlo Giannini #Mariangela Melato

[rockhyrax]

Spectacle Radio ep.97 :: 03.02.23 :: Are you tired of reality?

Active Volcano Celia Hollander - Dad & Step-Dad Cockc’ Nell - Carnival in the Night End Titles from Dandy Dust   --Hans Scheirl Shriekback - Evaporation (Manhunter) Edyta Górniak & Piotr Rubik - Autostrada pieklo-niebo (Thieves)  Marta Kubišová - Sněžný muž (Killing the Devil) Wiktor Stribog - Czas Pracy (Poradnik Uśmiechu) It’s What’s Inside that Counts End Titles from Jesus Shows You the Way to the Highway Paulo Herculano - End titles from Sea of Roses Celia Hollander - LOS2 … Gilberto Gil // Quilombo, o El Dorado Negro (Quilombo, 1984) Caetano Veloso // Nine Out of Ten (from his album Transa, 1972) Silverio Pessoa // Luves Verdes (from Vinil Verde, 2004) Maria Bethania // live performance from Bethania Bem de Perto: a Proposito de um Show, 1966 song from Cantos de Trabalho, 1955 Rita Lee // Dias Melhores Virao (Dias Melhores Virao, 1989) Gilberto Gil // music from Quilombo … Bruno Nicolai - Gatti Rossi (Eyeball) Piero Umiliani & Shirley Harmer - You (A Quiet Place to Kill) Ennio Morricone & Don Powell - Cannibal (I Canibali) Carlo Savina & Don Powell - And God Said to Cain Nico Fidenco - I Celebrate Myself (Emmanuelle in America) Franco Micalizzi - Sadness Theme (Stridulum) Bruno Nicolai - Barlington (Eyeball) Del Shannon - Runaway (Wild Reeds)  Carlo Savina - And God Said to Cain Celia Hollander - LOS2 … Oscar Cardozo Ocampo // music from Rebellion In Patagonia, 1974 Ennio Morricone // music from the Silician Clan, 1969 Lav Diaz // Ang Pinagdaanang Buhay (from Diaz's album Impiyerno, 2008) Nema-ye Nazdik // music from Close Up, 1990 Lynne MacDonald // Fate Had Planned It So (from Lenzi's Orgasmo, 1969) The Swingers // One Good Reason (from Starstruck, 1982) Ennio Morricone // music from Red Sonja, 1985

#radio #mixtape #spectacle radio #newtown radio

[losvolumenes]

El diablo se lleva a los muertos (Lisa and the Devil, Mario Bava, 1974)

Me imagino que no descubro nada nuevo si digo que Bava era la olla con cebolla y con p. Esta la tenía pendiente, y como tantas veces, aunque el guion no sea ningún prodigio, qué auténtica gozada. Empieza ya con unos créditos muy molones que se abren y terminan con el productor (Alfred Leone, para más señas), ahí queda eso. Una turista muy pizpireta interpretada por Elke Sommer se pierde en las fascinantes calles de Toledo y una caritativa familia la acoge en su tétrica mansión entre sus siniestros habitantes. La madre ciega y el hijo mimado compiten por dar grima con el mayordomo calvo que toma chupa-chups (ese Telly Savalas). No tardarán en producirse algunos truculentos crímenes que amenizarán la pesadillesca estadía. A recordar cómo suena el Concierto de Aranjuez mientras la depravación se apodera de la pantalla, en un plano dónde conviven los fantasmas del pasado con las pesadillas del presente y ese alucinante desenlace sorpresa donde la música de Carlo Savina nos lleva de la mano al clímax junto a una protagonista que no se libra de su destino ni viajando en business.

#lisa and the devil #mario bava #el diablo se lleva a los muertos #italian horror #giallo #horror #terror #cine de terror #horror movies #1974 #1970s #70s horror movies #cine italiano #italian cinema #italian movies #elke sommer #telly savalas #Sylva Koscina #Alessio Orano #Alida Valli #espartaco santoni

[kosmos2999]

Saturday’s Late Night Sci-Fi Cinema

Assignment Outer Space (1960 film)

Italian (left) and American release posters

Main cast:

Rik Van Nutter as Ray Peterson (IZ 41) Gabriella "Gaby" Farinon as Lucy (Y 13) David Montesor as George the Commander Archie Savage Al (X 15) Alain Dijon as Archie (Y 16) Franco Fantasia as Sullivan

Production staff:

Directed by: Antonio Margheriti (as Anthony Daisies - Italian version) (as Anthony Dawson - American version) Screenplay by: Antonio Margheriti (uncredited), Ennio De Concini (as Vassilij Petrov), Jack Wallace (American narration only) Cinematography by: Marcello Masciocchi Special effects by: Caesar Peace Music by: Lelio Luttazzi and Carlo Savina (uncredited) Produced by: Samuel Z. Arkoff (executive producer) Hugo Grimaldi (executive producer) Presented by: Fred Gebhardt Production companies: Titanus and Ultra Film (Italian version), American International Pictures (American version) Released by: Titanus (Italy), A Four Crown (US) Original release date: August 1960 (Italy), December 13, 1961(US) YouTube channel: Sci-fi-London

In December 17 of the year 2116, Ray Peterson, reporter of the Interplanetary Chronicle of New York was sent aboard the Spaceship Bravo Zulu 88 to the International Satellite Zulu Extra 34.

His mission is to write a story about the check-up of infra-radiation flux on Galaxy M12.

What should be a routine procedure suddenly changes. Before the spaceship crew were leaving to Base 12 on Mars, they tried to communicate with the Spaceship Alpha 2, but they get no answer.

They assume its pilot is dead.

During the passage to the red planet, they have to attend an emergency with Spaceship Metro Sierra 13.

After landing on the Martian moon, Phobos to rescue the only survivor of the Metro Sierra 13 -- who was dying -- the Commander received an order to move to the Interplanetary Base on planet Venus.

Their mission there was to intercept the Alpha 2. This ship is out of control and has two photonic deflectors activated creating an intense heat shield capable of destroying all life on planet Earth.

It's time to Peterson to prove his worthiness despite the Commander and some others of his fellow crewmates see him as "a leech".

Assignment Outer Space is a 1960 space opera film. An English dubbed release of the original Italian movie, Space-Men. Presented in its original color format.

Fascinating facts:

This is the debut of Antonio Margheriti as a director.

To simulate the effect of weightlessness due to the lack of gravity in space, actors were instructed to move in slow motion. Actor Archie Savage aced this technique because he was also a dancer.

In the US, it was released almost a year after its original Italian release in a double feature with an black-and-white American film presented on this blog on April the first, The Phantom Planet.

#space opera #space western #60s sci fi #italian adventure #italian fantasy #Italian sci-fi #Assignment Outer Space #Antonio Margheriti #Anthony Dawson #Italian space opera #Italian movies #Youtube

[pierreism]

'Nove ospiti per un delitto (Opening Titles)’ by Carlo Savina

From the motion picture soundtrack to Nove ospiti per un delitto a.k.a. Nine Guests For a Crime (1977)

via Easy Library

[angelariasdominguez]

§ 3.303. Malena (Amando De Ossorio, 1969)

Mala de solemnidad. Qué cosa. Bajo el reclamo de Anita Ekberg se construye una historia de vampiros previsible, aburrida, sin tono ni empaque, sosa, nada entretenida, y únicamente apta para los muy fan de este tipo de películas. Barata, con un guión tope y sin emoción ninguna, una música nada interesante Carlo Savina con un órgano prominente que no deja lugar a la imaginación, ese punto de lesbianismo que estaba tan en boga en la época, y muy pocas cosas más...

Totalmente prescindible.

[romanlightman001]

Secret Agent Fireball - Carlo Savina - Eurospy 🌞 Richard Harisson

#youtube

[theretirementhome]

Carlo Savina - Nightmare (Titoli Vocal)

[cocaine-communist]

I Have But One Heart by Al Martino + Carlo Savina

#I Have But One Heart #Al Martino #Carlo Savina #iPhone X #lockscreen #background #the godfather

[genevieveetguy]

- What the hell is going on? - I can’t stay alone in that hotel anymore, thinking about it. Look how shaky my hand is. I’m always thinking about it, about that moment when I’ll have to shoot. And shit, I feel like I’m dying. I feel a pain right here. I’m scared shitless. That’s why I wanted to take that poor guy there. To see if I could win it over? - You won, right? And now you’re not going to be upset, are you? Fear is normal. The Fascists are not scared and kill people, but you... You’re an anarchist.

Love and Anarchy (Film d'amore e d'anarchia, ovvero 'stamattina alle 10 in via dei Fiori nella nota casa di tolleranza...'), Lina Wertmüller (1973)

#Lina Wertmüller #Giancarlo Giannini #Mariangela Melato #Lina Polito #Eros Pagni #Pina Cei #Elena Fiore #Giuliana Calandra #Isa Danieli #Enrica Bonaccorti #Anna Bonaiuto #Giuseppe Rotunno #Nino Rota #Carlo Savina #Franco Fraticelli #1973 #woman director