#Creative writing for Primary two Singapore

[creativelearningblog]

Primary 1 English Enrichment Class and Best English Class For Primary 1 - Creative Learning

In Washington, DC A nonprofit organisation, Creative Learning, Since its creation in 1977, Creative Learning has supported communities, non-governmental organisations, and educational institutions both at home and abroad in their efforts to bring about change that has a significant long-term social impact.

The potential of regional organisations to improve the lives of local citizens everywhere is strengthened by Creative Learning's focus on areas where there are pressing human needs. Establishing people-to-people partnerships is a particularly effective way for us to uphold human rights, advance social and economic development, and foster peace.

A new teaching and learning methodology (TLM) named "Creative Learning" was created by APCL with the goal of fostering an individual's creativity. Every child is creative from birth, according to the school. Development of the child's intrinsic learning processes is the system's primary goal. It makes an effort to cultivate seven fundamental skills known as Core Creative Competencies (C3): focus, power of observation, memory, thinking, imagination, emotional control, and communication/expression power. ([4] Although it incorporates them into contemporary educational systems, the system is founded on conventional Yogic cultural practises.

Click Here: Best Primary English tuition centre in Singapore

Every child receives individualised instruction according to his or her personality, family, and social surroundings. The contents are regularly adjusted to the child's strengths by using monitoring and evaluation.

Offering English enrichment classes and writing programmes for primary school pupils makes Creative Edge Learning proud. All of our students will leave our English and creative writing sessions with the necessary information and abilities to succeed in Singaporean examinations creative writing classes for primary schoo, Singapore . Additionally, in a collaborative and dynamic learning atmosphere, our professors will share advice on how to improve both analytical and creative thinking. Your child gradually learns and masters the language and writing skills through a continuous progression across the six primary school levels.

Your child gradually learns and masters the language and writing skills through a continuous progression across the six primary school levels.

Our programmes assist your kid in learning at every stage of their primary education, from being eager learners in the lower primary years to independent learning in the middle primary years to finally mastering the language in the upper primary years.

Why is creative learning important?

Learning experiences that are imaginative elicit strong student engagement. Learners retain information longer and develop their understanding when they actively participate in the process. However, that is only the beginning. The benefits of creative learning go far beyond that.

It encourages creative problem-solving.

Learning activities that are creative alter how students approach issues. They develop greater creativity and innovation, as well as an improved ability to manage uncertainty. Creative learners begin imagining alternatives or possibilities from several angles. They can anticipate and overcome challenges thanks to this change in perspective.

Strengthens critical thinking.

Students put up original solutions and ideas. The process is then improved by reviewing how well they've implemented them.

encourages taking risks Learners who engage in creative learning run the risk of failing. They have the option to make judgments, some of which may unavoidably fail to produce answers. However, engaging in creative learning gives students a setting where they can experiment and discover new things. Gaining confidence in "failure" enables students to take more risks while feeling less anxious.

It creates an attitude of curiosity. Unconventional approaches to education are creative. Unusual teaching methods stimulate interest in the subject and the learning process in students and encourage learning in general. Curiousity, conversation, and fascinating discoveries are all fostered by creative learning.

Boosts one's sense of assurance.

Confidence-building learning strategies are creative. As a result? Lessons learned are more likely to be applied by students.

For more info click here: Primary Composition Writing Classes

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[lilbutmightyenglish]

Using and Identifying Hyperboles in Secondary School English! | LilButMightyEnglish.com

Using and Identifying Hyperboles in Secondary School English! | LilButMightyEnglish.com Have you ever felt like your school bag weighs a ton? Or that the sweltering sun in Singapore could burn you to ashes? If you found any of those statements relatable, you would have understood two different hyperboles. Today, let’s delve into how we should be using and identifying hyperboles in Secondary School English! ✅ Subscribe To Channel For more content on English education for Primary and Secondary school children: https://www.youtube.com/@lilbutmightyenglish ✅ Stay Connected With Us: 👉 Instagram: https://www.instagram.com/lilbutmightyenglish/ 👉 Facebook: https://web.facebook.com/lilbutmightyenglish/ 👉 Website: https://lilbutmightyenglish.com/ 👉 LinkedIn: https://www.linkedin.com/in/lilbutmightyenglish ✅ For Business Inquiries: ​​​​[email protected] ============================== ✅ Recommended Playlists: 👉 Creative Writing: https://www.youtube.com/watch?v=36hPloawI9U&list=PL5j5HKD0eEjvt-oKYHSnPjkTa5jJiFOkg 👉 Ketchup On English: https://www.youtube.com/watch?v=pZbOvlYgl-8&list=PL5j5HKD0eEjvYSeRG5HiRO1snoXOpPixw 👉 Grammar: https://www.youtube.com/watch?v=rsOrwgw66AM&list=PL5j5HKD0eEjtUZcUCz008C1wWCHyvJ5EP ✅ Other Videos You Might Be Interested In Watching: 👉 Exceptions to the "To" + Base/Infinitive Verb Form Rule https://www.youtube.com/watch?v=fAmWKAnJIoo 👉 Ketchup on English: Punctuation - What is an Apostrophe? https://www.youtube.com/watch?v=daUnIFuzZ_c&t=28s 👉 Let’s Paint a Vivid Picture - How to Use the 5-Senses to Describe the Setting! https://www.youtube.com/watch?v=36hPloawI9U 👉 Did You Know Six Words Can Make Up a Story? https://www.youtube.com/watch?v=BpzoPLVeREM =========================== ✅ About Lil' but Mighty : Lil' but Mighty is a boutique learning centre that specialises in English education for Primary and Secondary school children. Through our own unique strategies and a step-by-step approach in teaching, we hope to prepare children for English assessment in school and for English usage in the real world. For Collaboration and Business inquiries please use the contact information below: 📩 Email: [email protected] 🔔 Please subscribe to my channel for more videos on English education for Primary and Secondary school children: https://www.youtube.com/@lilbutmightyenglish ======================== #vocabularyforkids #synonymsandantonyms #listofsynonymsinenglish #listofsynonyms #synonymsvocabularyforkids #englishvocabularyforchildren #synonymswordsforkids #learningantonymsandsynonymsforkids #antonymsandsynonyms Disclaimer: We do not accept any liability for any loss or damage which is incurred from you acting or not acting as a result of reading any of our publications. You acknowledge that you use the information we provide at your own risk. Do your own research. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. © Lil' but Mighty https://ifttt.com/images/no_image_card.png https://www.youtube.com/watch?v=6U10k7C9XjY

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[thiesen94shannon]

ferragamo belt 17

Ferragamo Belts For Ladies From Florence to around the globe and now arriving in Singapore, Salvatore Ferragamo is unquestionably the primary alternative in relation to high quality leather-based items similar to baggage and footwear. Today, Salvatore Ferragamo is probably certainly one of the most recognised brands in relation to luggage and footwear. While the corporate is understood for such merchandise, that they had also ventured into magnificence and fragrances, equipment, clothing, watches, and basic leather items for each men and women. The name Salvatore Ferragamo entails good quality and even higher design for the modern trendsetter. Doesn't last lengthy, so comes really costlier in the long run. I personally appreciate a pleasant looking, quality belt as part of enterprise attire. I’m Rhea, a fitness enthusiast, and a food lover. I am a passionate writer and I love exploring locations. Vintage - Vintage belts might have a barely worn look or come from a classic Salvatore Ferragamo collection. wikipedia handbags Braided - A braided men's Ferragamo belt contains several thick strands of fabric tied together as one unit. You can position the buckle wherever within the braid for an excellent fit. For the latest in luxurious brands & unique collabs. Salvatore Ferragamo embodies a mix of the longstanding, expert craftsmanship and creative custom typical of Made in Italy items. These are the elements of excellence that help the model, and which have, over the years, evolved in line with its origins. Each piece has been fantastically crafted to offer the appear and feel of the real article, with very good total finish. Braided belts or belts made out of synthetic or Vegan leathers are even more so. It’s good to understand that a belt that feels a little tight initially will doubtless put on extra comfortably over time. What does the Gancini emblem on Ferragamo belts symbolize? Shaped like a backwards horseshoe, the inspiration for the design came from the gates at Palazzo Spini Feroni – Ferragamo’s HQ in Florence. She loves writing for the web media and specializes in style, life-style and travel-related content material. Yashita loves to explore the brand new locations, and the completely different flavours/foods and photography are hobbies. Testing - Many of the used choices you find on eBay could be an inexpensive first step into the world of designer men's belts. Vintage - Some of the used men's Ferragamo belts you discover on eBay shall be in glorious situation and presumably without any beauty issues. The Group's product supply additionally contains eyewear, watches and perfumes, manufactured by licensees. Salvatore Ferragamo presents an progressive new belt as a half of its pre-fall 2018 collection. Adjustable and interchangeable, the two-in-one belt supplies endless fashion choices. ferragamo belts replica The brand’s Dual Belt Buckle homes a mechanism which allows its double buckle to be replaced by one other.

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[purplesurveys]

731

Do you get allergies in the spring? No, I don’t have any allergies nor do we have spring. What is your biggest pet peeve? I have a number of ~big pet peeves but one I can think of in particular right now are people who are constantly late to everywhere they have to be. That, and unresponsive groupmates when it comes to schoolwork. What is one thing you want to do before you die? See Beyoncé in concert. She’s my only favorite artist left that I haven’t seen put on a show yet. What is your favorite primary color? Blue. What movie, that is currently in theaters, do you want to watch? I haven’t been outside in weeks but I’m pretty sure there aren’t any operating cinemas at the moment.

Who do you look up to? Out of all the people I know, Andrew. He’s been through some tough waves, but it’s never destroyed his soul and he’s never used it as an excuse to be cruel to everyone. I have a lot of love and respect for him. What is your favorite brand of bottled water? As much as possible I avoid bottled water but if it’s the only available option, I tend to look for Summit because it tastes the purest out of the cheaper brands I know. Are you a healthy person? I honestly don’t know if I’m constantly well because I live healthily without being aware of it or because my immune system is just simply crazy defensive. I guess I can call myself healthy in a sense that I rarely get ill and I’ve never had any serious health issues; but I'm not healthy in that I maintain a certain diet or go to the gym. If you were to write a story, what would it be about? I’d write a biography on someone because it combines two of my interests – journalism and non-fiction. What color is your toothbrush? It’s maroon with some white accents on it. What is your favorite movie about? Two for the Road is about a couple who re-examines their many years as a married couple, with the film using their road trips and various cars to symbolize the different stages in their relationship. Good Will Hunting is a story of a young man who has had a very difficult life and eventually has to confront his past and himself in order to move on to his future. I guess I really like movies with introspective characters. Do your fingernails grow fast? They kinda do, yeah. When was the last time you got out of your home? March 10th. Have you ever played with fire? No, I’m scared of fire. Do you like poptarts? Only one flavor, chocolate fudge. I’m sure I would like more if I got to try more flavors, but they only ship like 5 flavors to the Philippines – strawberry (which I’ll obviously never like), cookies and cream (too sweet), s’mores (also too sweet), brown sugar cinnamon (boring), and chocolate fudge. What’s a distinct memory you remember from your childhood? I remember playing the Wii for hours on the first day our dad bought one for us and going to school the next day feeling completely sore.   Is marriage in your future? Yes. Do you like color pencils or crayons better? I love both but as I’ve gotten older, I’ve come to enjoy colored pencils more. Have you ever played Badminton? Yes, I owned a set before and I’d ask the househelp to play with me outside our house when I was younger. Do you like to wear plain clothing or creative, colorful clothing? Plain clothing but in various colors. I refuse to wear anything printed (at least in most cases cause I do own a few printed pieces, like a jumpsuit that I own). What is your favorite thing about each season? I like our dry season because then I get to wear all the tank tops, tiny halter tops, sleeveless tops, and shorts that I want, and I feel prettiest in those clothes. I like the wet season obviously for the rain and thunderstorms, which is my favorite kind of weather. Would you ever consider running for president? No, I’m insanely incapable. What color is the sky right now? I don’t feel like looking out but it’s midnight so it’s likely to be a very dark blue. What is your all-time favorite day of the year? Whenever Wrestlemania is on a certain year. Is March one of your favorite seasons? Idk about seasons but it’s not really a remarkable month for me. February is typically a very hectic month what with Valentine’s Day, mine and Gabie’s anniversary, and my org’s traditional month-long anniversary celebration, so March is actually that time where we finally get to heave a contented sigh and sit back after working and spending so hard and so much. Did you know that the flu is an infection of the respiratory tract? I don’t feel like fact-checking rn but one thing’s for sure, I’ve definitely been hearing these words in the news more these days lmao. Do you enjoy star-gazing? Cloud-watching? I like to stargaze. Cloudwatching not so much. Do you write little reminders to yourself? Only if I desperately need to be reminded, sure. Describe to me the happiest day of your life. I don’t think I’ve had it yet, but the one that’s the throne right now is the day I saw Paramore in 2018. Would you want a pet iguana? I wouldn’t know how to care for it properly so I’d rather give the chance to someone who does. Are you afraid of spiders? We have tiny spiders here so not really. They’re easy to shoo away. What website do you visit most often? Twitter, Facebook, YouTube, Reddit, Tumblr. In that order. Exactly how many days have you been alive? According to Google, 8,041. What do you do on rainy days? It varies but I like taking a nap, fixing myself a cup of coffee, watching a video or a show to relax, or listening to music that would pair well with the rain. What color is your bedroom floor? Brown, as is the entire floor for the second floor. Are you an organized person? In some contexts. I like making spreadsheets and cleaning up our plates and utensils to help out our server when we’re done eating at a restaurant; but I also can’t keep the inside of my car clean to save my life. Do you use corny pick-up lines? No. How thick is your hair? Very thick. I already touched on this on a previous survey but my hair is difficult to handle, especially if someone’s planning a hairdo on me that needs a lot of bobby pins. What do you look like in the morning? Messy, and more recently my bangs have gotten so long that they cover my eyes now which makes for a shaggier/lazier look most mornings. Are you allergic to anything? What? Nope. Who is your favorite person? My girlfriend. How did you spend your last birthday? We had cheesecake and in the afternoon, Angela surprised me by having a box of sushi delivered to my house. Otherwise, we stayed home. Do you like chapstick? I don’t need to use it, so I don’t really have an opinion. If you were the last person on earth, what would you do? Break into Forbes Park and go inside all the houses lol. Do you know how to knit/crochet? Nope. Do you enjoy windy days? Sure, I like them. When was the last time you went to an amusement park? I don’t remember when our trip to Singapore was but it was either 2012 or 2013.

#survey #surveys

[cre8tiveaudio]

Obituary for My Brother Rano

“I may be born as a beauty

or maybe as a beast

but I will die for truth”

 (Serrano G. Sianturi)

 The architect of the Sacred Rhythm music festival and the founder of Sacred Bridge Foundation, Serrano Gara Sianturi, passed away on the 26th of January 2019 in his hometown, Jakarta, Indonesia, at the age of 58, leaving a wife and two sons. 

Serrano had battled an extreme pancreatic cancer known as neuroendocrine carcinoma or small cell carcinoma. At the time of his formal diagnosis in August 2018 at the National University Hospital Singapore, the cancer cells had already spread rapidly to the lungs and brain. Professor Lawrence Ho, a senior consultant there who helped in finalizing the diagnosis, mentioned to family members that Serrano had had the same cancer to which Steve Jobs, the CEO of Apple, succumbed. With the expertise, guidance and warm hospitality from a great medical team led by Dr. Chee Cheng Ean, specialist and program director in medical oncology, Serrano’s wish was granted to be moved to Jakarta to share the time remaining with his loved ones, family and friends.

“He was a true fighter and was very lucky to have a loving family by his side throughout his journey” (Dr. Chee Cheng Ean)

Known to many simply as Rano, he was “the Heart and Soul” (LTTW, 2019[1]) of Sacred Bridge Foundation, a not-for-profit organisation based in Jakarta which focused on bridging cultures and making the world a better place through a harmonious relationship between man and nature; to reach this ideal necessitated faith in the integration of culture, economics, and politics. Of these, culture was of utmost importance. In Rano’s own terms, as a cultural economist, he reminded us that it is time to give culture a chance where economics and politics alone have often failed to provide solutions.

Though officially founded in 1998, according to Stephen Hill, who at that time served as the Director of the Jakarta Regional Office of UNESCO, they had been collaborating for two years including censor-challenging concerts in support of international percussion music in the period shortly before the New Order Indonesian Government of President Soeharto fell in the revolution of May 1998. This was a time when freedom of expression was politically severely constrained with communities tightly controlled, the early work using cultural expression to push the boundaries of rights and protest (Hill, S., 2019).

Rano felt that this crisis period was the right time to respond by establishing a foundation that could facilitate the urgency to regain mental strengths and trust within the communities. Utilizing creativity through the Arts was a powerful medium to heal the wounds, to exercise freedom of expression and to break down boundaries in order to establish respect and mutual understanding.

In response to the Aceh Tsunami of December 2004, the Sacred Bridge and UNESCO organised a field project called ‘Rising Above the Tsunami’ whose primary aim was to heal the trauma experienced, particularly by orphaned children, utilising the intangible cultural heritage as one of the society’s self-reliant supportive systems. Acehnese traditional performers were trained to incorporate local song and dance in a disciplined way and nurture a life-long sense of arts. The impact was powerful - the children were able to smile again and their communities quite literally came alive. The film, 'Rising Above the Tsunami’ was shown to the collected Ambassadors of the World (around 190) at the UNESCO General Conference in October 2005 in Paris; many in the audience were moved to tears. The film was later shown in New York.

Rising Above the Tsunami in Aceh, Indonesia.

 As a core element of the foundation, an International Sacred Music Concert, the ‘Sacred Rhythm’, was inaugurated as a Millennium celebration at midnight December 31, 1999 in Bali. This evolved into a series of festivals opening doors to global musical friendships and included participants Stomu Yamash’ta, Farafina, Vikku Vinayakram, Mor Thiam, I Nyoman Astita and many more. 

Later finding a new home in Kyoto, Japan, the UNESCO-sponsored event utilised the creativity of dozens of renowned musicians from five continents to bring together people from different faiths, nationalities and walks of life. By re-uniting humanity and nature, and upholding culture, the rising sun of the twenty-first century was embraced. Music then became a focal point of cultural development more than twenty years after the World Conference on Cultural Policies. Rano, as the main organiser and inspiration, together with Stephen Hill, Philippe Delanghe and Stomu Yamash’ta believed it was time to make a statement.

Sacred Rhythm: The Millennial Percussion for Unison in Bali, Indonesia (1999-2000).

 Sacred Rhythm in Kyoto, Japan

“Collaboratively, they wanted to show to the world - on behalf of the United Nations - that if we are to reflect on the next one thousand years, this must be in spiritual and human terms, not commercial” (Hill et all, p. vi, preface Kyoto Manifesto, 2018)

 “Use Cultural Currencies for equality and understanding” (Serrano G. Sianturi)

Rano spent almost a quarter of his life in the United States of America pursuing his education. A Bachelor degree in Architecture Engineering from Milwaukee School of Engineering in 1981 was followed two years later with a Masters degree in Earthquake Engineering at MIT. Returning to Indonesia, he joined the university Civil Engineering faculty, subsequently accepting the invitation to work with the then Directorate of Public Buildings of the Ministry of Public works. During this time, he trained and supervised the research of many Indonesian volcanologists.  In 1988, he resigned from both organizations and returned to MIT to pursue a completely different course of education - gaining a post-graduate economics degree specializing in Cultural Economics.

Upon his return to Indonesia in 1991, Rano immediately established an economic and marketing advisory firm and served major multinational companies including Citibank, NTT, Club Med, Price Waterhouse, WWF, Jardine, Allied Queensland Coalfield, Fuji Bank International, as well as national companies such as the Jakarta Stock Exchange, Elnusa, and Telkom. 

After seven years practicing as an economic consultant, he decided to pursue his long-time interest in cultural economics. He then established the Sacred Bridge where the foundation focused on action research works and model making covering five domains: Cultural Education for the Young, Cultivation of Roots Arts, Intercultural Dialogue, Capacity Building, and New Media. Since his involvement in the Foundation, Rano conducted research and field programs in Indonesia that included Aceh, Nias, Jakarta, West Java, Borobudur, East Kalimantan, South Sulawesi, Bali, and West Papua. Sacred Bridge itself was the first UNESCO counterpart in the field of culture. In addition to the field works, Serrano managed to consult and write for international journals as well as give academic lectures at many well-respected universities in the US, UK, and Japan, with focus on cultural economics.

His inspirations, achievements and contributions for Indonesia and beyond are immeasurable but he never worked for personal recognition. He was critical of the narrow and seemingly opportunistic viewpoints of many Indonesian academics and institutions in various fields and challenged them to aspire to a higher level of understanding and interpretation for the betterment of the country and humanity. While battling the cancer, Rano mentioned in several occasions that his unfinished book title ‘Economics for Humanity’ became the least important for many reasons, but one reason that stood out as a reflection of his faith in the young generations to come, he said their books would be far more important than his.

On many occasions, while reading local newspapers, Rano said to his eldest son, Boo-boo Sianturi, now the chairman of the foundation, “Hey, they’re my ideas, that’s my writing, completely plagiarized”. He then continued, “Oh well, that’s okay, as long as they learn things the right way, understanding the importance of fundamentals…and so on, let the people learn, let the nation learn”. Rano stressed the importance of understanding contexts and fundamentals challenging their credibility on ethical grounds. In his view, the most respected profession is teaching; not only are adequate knowledge and experience required but teaching also comes with a set of responsibilities.

“Serrano Sianturi, he was my best friend and hero of his mother country”, Stomu Yamash’ta (founding member of Sacred Bridge foundation)

I​​​n 2013, Rano brought together Stomu Yamash’ta, Stephen Hill and I Nyoman Astita in Bali where they visited villages, exploring a possible way of developing the Cultural Centre which Rano was planning as a Sacred Bridge Initiative. What transpired instead was the development of a very fruitful partnership of Rano, Stomu and Stephen with the just established  ‘Centre for the Creative Economy’ at Doshisha University, Kyoto, and its Director, Tadashi Yagi. T​ogether, they trawled the world for four years through Annual International Symposia in Kyoto in search of the best participants for their ​planned book which sought to re-ground global economics in our core humanity and spirituality. Prior to every Symposium Stomu produced his ‘On-Zen’ performance bringing Buddhist and Shinto priests together in combined ritual in Kyoto’s Daitokuji Buddhist Temple ​- in a ceremony of peace and cross-religious care - the first time in 800 years that Buddhism and Shinto had shared in such a way. Rano had brought Stephen and Stomu together in the first place – via the meeting in Bali, and spoke at the first International Symposium in June 2014, but unfortunately, after that, was too ill to participate any more.

                                       Rano with Stephen Hill

                                Rano with Stomu Yamash’ta.

The book “The Kyoto Manifesto for Global Economics - The Platform of Community, Humanity and Spirituality” resulted from this collaboration and was published internationally last year by Springer. Under Stomu’s inspiration, Stephen designed the structure of the book as a ‘Symphony’, and then elaborated it further as a ‘Polyphony’, i.e. bringing two or more separate themes together into an overall harmony.  

“We all, however, owe Rano an enormous debt of gratitude for his humanity, vision, commitment, generosity, and inspiration. He is both our own dear friend and a friend to humanity as a whole”. (Hill et al, Kyoto Manifesto, 2018)

During the last few months of Rano’s life, he believed that the Sacred Bridge needed to continue and was convinced that the younger generations were equipped and ready to lead the foundation into the second decade of the 21st century.  On January 13, 2019, 13 days before Rano’s departure, the Sacred Bridge was marked by a “Reborn” gathering at their headquarters in Jakarta. The word “Reborn” itself was inspired by the Sacred Rhythm II (Reborn Unison) concert that took place in Bali last August 2018.  

               Sacred Rhythm: Reborn Unison in Bali, Indonesia. (2018)

 Now, almost twenty years after the first Sacred Rhythm, Rano believed that it was time to elaborate the statement. Reborn Unison emphasises the need to work together for culture to become both driver and enabler of human development, sustainable development, or the upholding of continuous and inclusive improvement of human well-being. It is this old way that is cherished by Sacred Rhythm II (Reborn Unison), paving the ground for a new generation of artists, scientists, and spiritual activists to come together, shaping and spreading the message of culture through their world-wide networks.

Bintang Perkasa, who is now the programme director, concludes Rano’s view that in the eyes of Sacred Bridge, “reborn” is not merely rebirth, but also rethinking and revisiting its fundamental values based on guidance of the past and present life to re-focus (including re-evaluate) the foundation towards the future. He further emphasizes Rano’s own words that “changes can only happen on the ground,” capturing the very spirit of Sacred Bridge “Reborn”. This will be manifested in its plan to return to fieldwork, the change initiated and agreed by Rano himself with the acknowledgment and consent of the active founders.

Rano, Rest in the Peace You Deserve. The Peace of Love – the guiding light of your life!

Stephen Hill                                                                                                             

26thJanuary 2019

   Sources:

Hill et al, Kyoto Manifesto, 2018

Email exchanges (Boo-boo and Stephen), 2018-2019

Email exchanges (Boo-boo and Dr. Chee), 2019-03-02

LTTW, 2019 (http://www.listentotheworld.net/human-voices/serrano-g-sianturi-the-heart-and-soul-of-sacred-bridge/)

Sacred Bridge Web, 2019 (http://www.sacredbridge.org/the-bridge/history/)

 [1] LTTW, Obituary SGS news, 2019 (http://www.listentotheworld.net/human-voices/serrano-g-sianturi-the-heart-and-soul-of-sacred-bridge/)

[itsyourturnblog]

Erin Meyer and Reed Hastings “No Rules Rules” book cover

In 2018, Patty McCord the former Chief Talent Officer at Netflix published “Powerful: Building a Culture of Freedom & Responsibility”. As mentioned in the subtitle, this book is all about the way Netflix is articulated around a specific corporate culture. This culture has a name: Freedom & Responsibility (F&R).

Patty McCord “Powerful” book cover

As written in the upper part of the cover, Patty McCord is also a Co-Creator of Netflix famous Culture Deck. This Culture Deck, that has been published on the web, fully describes what employees should expect from Netflix and what Netflix expects from their employees. The initial version is a 127 slides presentation. You can find the latest version here on Netflix’s website.

Everything is accessible and it takes about 1 hour to read the document and catch the main ideas that define the basis of the company’s culture.

Excepted there is a chance that it will be of no help for us. Because our organization is not Netflix. And because there are prerequisites in order to be able to get the full power of F&R.

In 2020, Reed Hastings, who is the CEO of Netflix, and Erin Meyer, who previously wrote “The Culture Map”, publish “No Rules Rules: Netflix and the Culture of Reinvention”.

This book is some kind of an “How-to” book as it describes, step by step, the journey that an organization needs to take in order to build a “Freedom & Responsibility” culture.

The book mainly explores 4 thematics. The three first ones are the key levers for building an F&R culture.

Talent Density

Candor

Removing Controls

For all of them, the book explores three maturity levels. From the initiation to the expertise.

It is important to note that Talent Density is a prerequisite for Candor and that Candor is a prerequisite for Removing Controls.

The fourth one is a key lever when expanding the organizational culture all around the world.

Going Global

In this last part of the book, the authors explain the way they compare Netflix F&R corporate culture with the local cultures in countries where Netflix are deployed (eg.USA, Netherlands, Japan, Singapore,Brazil) in order to find the best fit.

Talent Density

Step #1 — Talent is not enough. Talent density is the key factor for success as talented people make one another more effective. For top performers, a great workplace is about the joy of being surrounded by people who are both talented and collaborative. A great workplace is stunning colleagues.

Step#2 — In order to fortify the talent density in your workforce, for all creative roles hire one exceptional employee instead of ten or more average ones and pay them top of the market.

Step#3 — Consider that people in your organization belong to a team (like a sport’s team). Team members have great relationships, support each other, celebrate together and console one another. However, the coach swaps and trades players in and out in order to make sure they always have the best player in every position. The Keeper Test is a tool Netflix is using in order to assess the team members. It can be synthetized in one single question for the manager: “Which of my people, if they told me they were leaving for a similar job at another company, would I fight hard to keep ?”

Candor

Step#1 — Say what you really think (with positive intent). This means giving each other candid feedback and challenge authority. Netflix is using a tool they name “4A” (Assist, Actionable, Appreciate, Accept). Feedback should be given and sollicited in all directions (from bottom to top, from top to bottom , peer-to-peers and all other combinations).

Step#2 — Provide enough information for people to take ownership. Share everything that you would not share a priori (some financial and strategic data, your own mistakes and failures) in order to build trust.

Step#3 — Perform written non anonymous 360 and live 360s (circle of feedback based on the 4A and “Start, Stop, Continue” with a 25% positive/75% developmental rate)

Removing Controls

Step#1 — Here Netflix proposes two things.

First, removing the vacation policy. This means everybody is free to take any amount of vacation he or she needs (freedom), as long as they do it in a defined context (responsibility). The idea behind is to build on Talent Density and Candor (as both are prerequisite for Removing Controls as mentioned earlier in this post) and give people more freedom, which leads them to take more ownership. Freedom is not the opposite of responsibility but one leads to the other. It’s interesting to notice that even with such a “no rule policy” about vacation, people usually take more or less the same amount of vacation days per year.

Secondly, removing travel and expense approvals. As a first trial, Netflix defined this one sentence policy for both topics: “ Spend company money as if it were your own”. Unfortunately, people have very different ways of managing their own money, which led to same strange decisions and behaviors. Netflix then decided to modify the policy as follows: “Act in Netflix’s best interest”. It’s a guideline that every employee can use in a context.

Step#2 — No decision-making approvals needed. Employees at Netflix can place their chips on whatever bets they believe in. Their performance will not be judged on a single bet that would fail or succeed, but on their overall ability to move the business forward. In order to define if a bet is worth being supported, Netflix created the Netflix Innovation Cycle that is made of 4 steps:

“Farm for dissent” or “socialize” the idea

For a big idea, test it out.

As the informed captain, make your bet.

If it succeeds, celebrate. If it fails, sunshine it.

Reed Hastings considers such a process to be an individual decision-making with input.

Step#3 — Lead with context, not control. In order to define if one should lead with context or control, we have to ask ourselves some questions first.

The first one is “What is the level of talent density of my staff?”

The second is to ask whether the goal is error prevention or innovation. When the goal is innovation, making a mistake is not the primary risk. The big risk is becoming irrelevant.

The third question is to define if the system we are evolving in is loosely or tightly coupled. A loosely coupled system has few interdependencies and intrinsically allows a high degree of freedom for decision-making.

The fourth and last precondition for leading with context is related to the fact that the organization is highly aligned or not. Is there a clear North Star, a vision guiding everybody from the field to the CEO ?

Netflix defines itself as “Highly Aligned, Loosely Coupled”. In addition to the fact that they have a high talent density and that their mission is innovation, they fill the four condition to lead with context.

The informed captain is the decision-maker, not the boss. The boss’s job is to set the context that leads the team to make the best decisions for the organization. It works more like a tree (lead with context) than like a pyramid (lead with control).

Going Global

The challenge here is to adapt the company culture (Netflix) to the local culture (eg. a specific country). As Netflix is a US company, many components of its corporate culture are inspired by the US culture. However, when expanding into other geographical areas, the corporate culture benefits to be adapted to the local culture in order to maximize the performances and well being of employees worldwide.

In order to achieve such a difficult and ambitious challenge, Reed Hasting has been inspired by Erin Meyer’s work on identifying and mapping the cultural differences between countries (you can see an example on the picture below).

from the article “Map Your Team’s Cultural Differences” by Erin Meyer, INSEAD Affiliate Professor of Organisational Behaviour

He decided to map Netflix’s coporate culture on a similar map and see where major gaps could be observed.

After having identified these gaps, the last step is to adapt the corporate culture to the local culture accordingly.

My personal takeaways

As mentioned in the part about going global, some countries have different regulations than US that obliged Netflix to adapt. They did not have to change the main roots of the “Freedom and Responsibility” culture but had to modify some practices.

When reading the book, some parts, tools and practices sounded like immediately actionable in my own and personal context (some are even already in place and need to be pushed to the next level).

Some others sounded strange and unfamiliar and I am not sure they would neither fit to my country culture, not to my organization culture. Anyway, I am pretty sure there is at least some food for thought. There is inspiration in these ones and they have the power to start a reflection or a conversation that could lead to an adaptation of the defined practice.

I did not mention it, however, throughout the book, the authors highlight the potential risk embedded by some practices when used the wrong way or with the wrong mindset.

I assume we can consider that the whole “Freedom and Responsibility” culture has to be used with the right mindset and purpose. If so then I can only encourage us to explore this model and try to catch the most promising practices and adapt them to our organizations cultures.

Because having an authentic and strong corporate culture is a major asset for an organization.

No Rules Rules was originally published in It's Your Turn on Medium, where people are continuing the conversation by highlighting and responding to this story.

by Jean-Marie Buchilly via It's Your Turn - Medium #itsyourturn #altMBA #SethGodin #quotes #inspiration #stories #change #transformation #writers #writing #self #shipping #personaldevelopment #growth #education #marketing #entrepreneurship #leadership #personaldev #wellness #medium #blogging #quoteoftheday #inspirationoftheday

#ItsYourTurn #It's Your Turn #IYT #altMBA #Seth Godin #Inspiration #Stories #Change #Transformation #Blog #Medi

[cmfrtlvls]

Jasmine G

Basic Background Jasmine, 1991

Born in Singapore, left to HongKong at 8.

Not even knowing the geography of the world.

Where do you prefer the most and why?

There are places I would rather not commit to. Singapore is still a part of my heart.

Only reason why I live in Toronto is because of school, my partner and 3 years visa in Canada.

I ended up staying in Toronto for 9 years.

The easier ones I could tell you is where I would rather not stay, because I have lived in 4 different countries in my lifetime. I have lived 5 years in Hong Kong and I would never want to live there again. Despite the face that I really like the city, however I don’t think I can’t work there, it’s too fast paced! The thought of spending another few more years there scares me because I live based on practicality.

In Singapore can reach out more to Asian writers and also english speaking.

Singapore has great variety of food, balance in nature and city. If I need a short getaway I can head out to nearby countries at a affordable price where else in Toronto going to Vancouver alone cost SGD 500 and it’s still in Canada. Everything else is very far away and it takes a lot of planning to leave Toronto.

I’m biologically build for this country, I have a family here, but I never got to go to schools in Singapore.

Perks of growing up that way

You grow up to be practical. There is no such thing as “a dream come true”

Every city has different challenges and problems. You will see all the issues of the locals 2 years later. To the point it doesn’t matter anymore which country you live in because they have different challenges to tackle. The less ideas you have the less disappointed you are.

How did you feel when you had to change cities?

It was not my choice to change countries. Especially when a 8 years old child does not even understand basic geography because where you live is all that you know. I don’t know how to think about it. Even showing a map to a child is something I cannot reconcile. Too young to feel any loss for Singapore. If my dad were to move out of the country alone, I would definitely feel the emotional impact. Instead the whole family moved together so it felt like we are embarking onto a new adventure.

Thats when I started writing. My friends in Singapore and I would exchange letters to each other. They would exchange newspaper clippings of things happening around Singapore. My favourite memory is when the Hello Kitty soft toy were a thing in Singapore. They broke another window when the Hello Kitty dolls were sold out. I eventually received a Hello Kitty doll from my friends. Even a Winnie the Pooh series! I would also send back letters to them, sharing with them how I saw snow for the first time  There’s a lot of continuity and a strong social bond between me and my friends. This is literally a physical Facebook!

On School

From age 0 till 17, I was in Singapore for my first 8 years. Then in China for 4 and a half years. Then Hong Kong for 5 years. My first 2-3 years in Hong Kong I was really shy, only got really comfortable at the last 2 years of being there. So I was in 3 different schools, in 3 different countries. Times are not correct, I switched schools in grade 3, then I switched schools in

grade 8.

School was a lot more difficult as school semester in China is different. They Start in September.

I’m never really chatty most of the time because I could not find my comfort spot. I only started being comfortable in the last 3 years. I was that awkward, nerdy and studious kid. I was made fun for being isolated by my “friends”. Usually I am more sensitive than I am now.

If we were to go back in time, I went to China when I was 8 in January. China’s school system usually start in September. Where else in Singapore you start in January and end in November. So by the time I moved the classes were already formed, I was squeezed into the middle of the school system. It was very awkward and weird, what makes it weirder was that I was the youngest in the class, as I am a December baby.

I was a very studious, awkward and nerdy kid. I got bullied a lot, all the years I was in school. To some of my classmates or friends, they would say that I never seemed to get bullied. But in my experience I always felt like I am very isolated from “my friends”. Many of them are not very kind, they have very strong personalities. I was a lot more sensitive compared to most of the kids over there. In percentage it would be 50% by 100%.

So I moved from China to Hong Kong at grade 8. At grade 7 when I learned that we had to move to Hong Kong, I was so pissed at my Dad. Because at that point I felt like I finally made some real friends in China. So I was already comfortable with the environment. I was not a minority in China as there are actually a lot of Singaporeans living there as well.

Explaining why I am such an awkward kid is that in China we have a class where we have to do short plays as part of the learning experience, like recreating the scene of “Mulan”. Everyone had to participate, get into groups, make costumes and write a script. They encourage this interactive style of learning. I was really really bad at this, I’m so shy! This shyness persisted all the way to University. International school system are mostly very flexible, so the teachers come out with more creative ways to teach and have fun with the class. If you see me in this situation you would see this as the prime example to my awkwardness. In kindergarten and primary school, I learn at the desk I was not encouraged to do things that are active. All these turn of events has made me self conscious.  

The funny thing that I went through when I keep switching schools is that I missed sex education classes. The school that I go to in China, they did sex education classes in grade 8. In the schools in Hong Kong was grade 7. So I totally missed it. By the time I moved there were already done. So I never learn this in the classroom with other people. I didn’t even realise that I missed the class, my classmates will just be like “ Oh hahaha you did not go for the sex ed class” And I only thought about it when school ended. But it didn’t affect me at all because there is so many ways to learn it, my parents would talk to me about it. I’m not sure if they did that on purpose, but I think they anticipated that I would miss the class.

In international schools it’s just not you who leave. Your friends leave too. Everyone leaves all the time. The class arrangement is always different every year. At least someone who is absent and some who are new. That has always been the way since I started moving. When I took my graduation photos in grade 12, we started a thing where those people who are in grade 1 would take one, those people in grade 2 take one, so we take from grade 1 all the way to grade 12. You will see a sequence of 12 photos, will almost different people. I was only in from grade 7 to grade 12. It’s quite unique in the way we take our graduation photo and we became so used to seeing people come and go.

Did you ever thought “What if my parents did not move out of the country?”

A lot of times! My school experiences was relatively quite a common experience.

What I think not many would experience is that I move around 4 different countries 14 times. Because of the nature of my Dad’s work, we constantly looking for houses to move into so that the rent would stay within the budget that was given to my Dad. The places we moved around are all expensive estates. Since we shift every 2 years, I have become very skilled in packing and unpacking. Our whole family become skilled house movers. We pack almost everything in a box, even the furnitures are being packed.

On moving around the world

A lot of people think we have very little things but in actual fact we really hold on to the little things that allow us to keep things closest to us. We are always in a new room every 2 years. If not all the places we are in will not feel like a home.  

The first thing I always do is unpack all posters and hang them up. Then some stuff that people has given to me all over the years from school.

Every time whenever we prepare to move, my parents would take out the boxes that belongs to me and just say, "Whatever you can clear, please clear.” They don’t care anymore. This is the only way I have known to do all these stuff. My feelings has become very numb. It is how it is.

The packing thing is really substantial until I got my own apartment in Toronto in 2011 and I live in that apartment ever since. When I moved out of it after 3 years of living there, it is the first time I cried because it was my first time living somewhere for so long. I felt so much compared to any other houses that I moved all over the years.

Even though I don’t remember so much, I was in Jurong until I was 6. And then we moved to Bukit Panjang when I was 7-8. I only lived in that house for 2 years. Currently the home in Bukit Panjang is being rented out. We don’t have anything that belongs to us in that house now. My parents are also very attached to that place.

Ever since I left to Hong Kong, I only slept on mattresses in my own house. I don’t have a bed anymore, a proper room for 3 months. Even if that is my own home, there is no space that I can say it’s mine.

Things get left behind, lost or broken. That’s why we eventually got detached to our things years later. The first couple of times I cried when these things happen. After a while it is like “Will I live after that?”

I don’t get homesick anymore, but I when I do I never been so far away from Asia. It’s very different, when you move around Asia to moving all the way to North America. It’s completely two different continents. The way you speak, the music you listen to, the kind of art you like will all be different. When you think of all of that, how do you think of having a conversation with another person? Those are the simplest things to socialise with people, like “What do you like to eat?” “Where do you like to go?”

I didn’t really feel completely unhappy moving around so much. It created a certain type of attitude towards moving around. As long as my family is always together as we move, it was always helpful for me to cope.

How to you feel when people see you differently?

When people ask me where I am from, where your parents at, it’s such a complicated question.

A lot of people do ask me if I’m Canadian, I will usually say “Not yet” or just “No”

As I get older the less emotional I feel about these questions. It is part of a detachment.

And no I never plan to change my nationality, I’m never really defined by it. Being Singaporean has it’s convenience and perks. I want to keep the tie to south east Asia than being Canadian.

A lot of international students in Canada, they only hang out with the other international kids because you really can’t blame them for that. People will naturally ask “Why are they not integrating?”

You are already hanging out in the new city, you have to do things like study. you want something to anchor you, so you will pick friends who will support you, understand you. When you say you are homesick for this specific smell. People who don’t know have no idea they cannot help you in the way. I find the lack of knowledge bit jarring.

People come to Canada to experience Canada but some people come to Canada because they are told their whole life that they need to study this way. There is many reasons why people go out of the country to study.

I am definitely more sympathetic when I see a big group of international students gather together. However I don’t really fit that pose because maybe they only have moved around once, mostly a lot lesser than me. I had one experience when we were in Toronto, my sister join this club called the Malaysian Singapore Students Association. It never occurred to me that I should join it because I thought, “Would I even get along with the Singaporeans or the Malaysians? I don’t have a matching culture either, neither the Canadian culture” I make a lot of friends who are english speaking cantonese people. Not cantonese cantonese people, because that’s a totally different culture. In the end all our friends would be scattered all over the countries, I had 8 friends from high school who I still keep in touch over Skype and they are all in different parts of the world.

This is something that happens to me a lot here. When people say a Singlish slang, they would ask “You understand or not?” If it was me 6 years ago I would say, “Why do you think I don’t understand?!” If I haven’t live here for like a few months doesn’t mean I don’t understand, my family is Singaporean. Now fast forward I am more honest about it, by just saying “YA” or “No, don’t know about it” The truth is I have a lot of gaps. Some people would ask me about how some Singlish slangs work and I would not be able to answer it. “I also don’t know!”

People both in Canada and Singapore find it fascinating how I can switch my accent so fast within a sentence. It’s not some party trick that I use for parties or for drunk people, whenever people say things like, “Oh you’re from Singapore LAH” or "Oh can you say something in Singlish?” I just tell them “NO, no is said the same way in every language. Does that sound Singlish to you?” I don’t need to perform like a monkey just because I switch accent quickly.

The more people don’t know. You’re tired and you’re angry and you wonder why people don’t understand. Most of the time in my case. they really don’t understand. When I was in school in Toronto a lot of people came from small towns in other parts of Canada. This roommate of mine from America, she had never had cooked vegetables before. The kind of vegetables she eat is frozen cube peas and carrot. The kind that is in your pies, it’s either that rubbery stuff or salad. I was actually shocked that someone has not tried blanched broccoli or the many gajillian ways you can cook vegetables, boiled or stir fried. I just decided “Come, let me bring you to a Chinese restaurant, LET ME SHOW YOU THE WORLD.” There are these fundamental feels that you cannot bridge the experience, because a lot of these people would think that “Wow your life sounds so colourful!" "It sounds like a Princess!” (Annoying I know) And people constantly praise for my good english. Ask why do I speak such good english, sometimes that is also a good way to talk about Singapore because it is a English speaking country. They are always shocked to learn that Singapore is a English speaking country because it has never occurred to them that there will be English speaking countries in Asia.

I always believe in giving inexperience people a first time grace. This is something I want to offer to people so that they can understand and open their worlds a little bit more. I understand how weird it is from parts of my own experience.

What is your plan for the next 5 years?

No concrete plans. Make money. Do things I like that I won’t be able to do when I’m older. making more reckless or inconsiderate career choices because right now i’m the only one affected. i guess a positive way of saying it is taking risks.

my plan for the next 5 years is to take lots of risks. :D

(ps: Did 2 versions because 1 did not have any resemblance of her then)

#Third Culture Kid #culture #chinese #canada #places #singapore #livingabroad #where is home #comfortlevels #cmfrtlvls #level of comfort #comfort #discomfort #cultureshock #letters #newspaper #hello kitty #english #good english #hongkong #china

[creativelearningblog]

Best Creative Writing Enrichment Classes for your kids in Singapore! - CreativEdge Learning

Being a center for leadership is an honor for creative learning. Not only does this teach your child how to do well on tests, but it also gives him confidence in his academic and linguistic abilities. Our series of Singapore holiday workshops for creative writing aims to teach you relevant language and writing skills to improve your English language proficiency and writing skills. Your child will also include his vacation in this way. Because they are so passionate about seeing our students succeed, you can rely on our teachers to provide your child with all the support he needs to develop a solid understanding of the English language.

In order to get your child ready for primary school and beyond, Creativedge Learning places a strong emphasis on their language and thinking development. In small-group settings, we constantly tailor the program to your child’s learning needs. As a small learning center, we want to help your child achieve his or her academic goals in a positive environment by giving them the best possible support throughout the learning process.

Brian Caswell, a renowned novelist on a global scale, developed our writing program for children, which takes away the common barriers to writing. Your child will be given a special set of resources that will help them improve their writing abilities and immediately help them enjoy the writing process.

Your child will be able to put what they’ve learned in the classroom into practice because the framework and teaching methods of our writing program are aligned with Singapore’s primary school Creative Writing Enrichment Classes Singapore

Writing compositions is likely to be covered in your child’s English classes in primary school. With MindChamps Creative Writing, they will acquire the skills necessary for academic success and develop a stronger passion for the English language. As they learn the fundamentals of sentence structure, punctuation, verb agreement, grammar, and paragraphing, your child will use the written word as a means of expressing their creativity and ideas. They will also acquire new story strategies, learn about literary devices, and broaden their vocabulary by writing creatively.

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[freelancingbuzz]

Freelance Jobs In Singapore: How Much Can You Earn?

The world has been steadily shifting towards the gig economy for the last few years. The shift sped up with the COVID-19 pandemic, as it forced businesses and individuals to stay at and work from home. We collectively realised that certain roles can actually be done remotely (and, often, more efficiently). In the time to come, freelance/remote work is slated to become the new norm for businesses around the world. The biggest perk of being a freelancer, especially in our post-COVID world, is that you get an opportunity to supplement your income — a necessary step towards building a cash cushion . The second best perk is to have the flexibility to choose the jobs you want to accept and be your own boss. It’s a lot like building your own one-man business and raking in all the income just for yourself. So, if you’re looking to transition to freelancing or supplementing your current income, here is a handy list of freelance jobs that you could consider. If gaming is your jam, then you’re the go-to person for this role. The job of a games tester is pretty simple, but you will need to be very meticulous and diligent. There are two main tasks that a games tester needs to accomplish. First, execute predefined use cases. This involves performing a series of instructions provided by the company on the app. After that, you will need to compare what you’ve observed on the app against the expected results. The second task is to go on an unscripted exploration of the app to find bugs. For instance, if the button is not working, consider it a rogue bug. If you find your in-game character missing after performing an action, that’s your next bug. Remember, the more bugs you uncover, the more you will get paid. Rate Card: $20 – $40 per hour + bonus for each bug uncovered Life hasn’t been the same ever since the term ‘social media’ was coined. Most of us can’t even imagine a life without the existence of our social media feeds. With competition among brands and influencers on social media getting more and more intense, as they vie for consumers’ attention, many businesses (MNCs, SMEs etc.) spend money to pay for the services of a social media specialist to curate and execute a social media strategy for them. This is where you get to grab those opportunities as a freelance social media specialist to help them build their social media presence. Rate Card: $15 – $150 per hour, depending on experience What would the world look like without freelance copywriters flocking your favourite cafés? Okay, jokes aside, it’s a pretty fulfilling and creative job. The primary task of a copywriter, or content writer, is to write relevant content/copy for the purpose of advertising — be it for a blog, social media posts or a website. You could choose to either be a generalist or a specialist. Generalists can take on any copywriting job for any […]

Click here to view original web page at uk.finance.yahoo.com

from Freelancing Buzz https://freelancingbuzz.com/freelance-jobs-in-singapore-how-much-can-you-earn/?utm_source=rss&utm_medium=rss&utm_campaign=freelance-jobs-in-singapore-how-much-can-you-earn via https://freelancingbuzz.com

#Freelancing Buzz

[topfygad]

Inside Varun Grover’s Travel Journal

Author Varun Grover unleashes his travelling soul on this chatty trade about his love for Benaras, Egyptian baklava and the Calcutta of his childhood.

  Varun Grover is at first a traveller, who makes time to discover a metropolis even when travelling for exhibits on a decent schedule. Photograph Courtesy: Deepak Kattar

Varun Grover dons many hats—satirist, author, lyricist, comic—however via all of it, one factor is assured, his mastery of language. His tales have enthralled in Masaan and Sacred Video games, lyrics have resonated in Dum Laga Ke Haisha and Gangs of Wasseypur, and his comedy? It’s a scorching knife slicing via butter.

“You’ll be able to’t be a author when you don’t observe,” Grover recounts in a telephonic interview. Whether or not it’s his insightful feedback as part of the satirical collective Aisi Taisi Democracy or a poignant scene of two lovers sharing pizza at Assi Ghat in Masaan’s Benaras (a metropolis Grover considers residence), his writing displays a searing mind. In a dialog that prolonged nicely past the half an hour I had requested for, I learnt that Grover seeks out good meals with a ardour that warmed my foodie soul, and is at all times comfortable to swap journey suggestions, as will be seen in these edited excerpts.

  How does travelling have an effect on your writing?

Writing is all about observing and residing via totally different experiences. If I observe nicely and keep open, tales are born in my thoughts. In the end, being a author is about having a world view and understanding how individuals sort out each the political and the social.

  Which place has at all times captivated your creativeness?

Benaras. I lived there and studied at IIT-BHU for 4 years. The town’s tradition and chaos has stayed with me. Everytime I am going again, I uncover one thing new about Benaras—a unique place or a brand new ritual that has been adopted for a whole lot of years. Three years in the past, on my final go to in October, I found a centuries-old travelling Ram Leela. It’s staged in several components of the town. As an illustration, the college gates of BHU are a stand-in for Lanka on this model. The town has many, many layers and the foremost one for me is meals. It is usually the very first thing I discover in anywhere I go to.

Internationally, Egypt fascinated me. The historical past in India typically dates again 500 or 700 years, in America it could be 200 years, however in Egypt it goes way back to 4,000 years. Generally our information would say stuff like, “That is actually new, it’s only 800 years outdated.” We noticed tombs, caves and the Valley of the Kings in Luxor. Egyptians are additionally fascinating storytellers. The nation was historically a well-liked cease on a number of historic commerce routes from Europe and Asia, so all people appears to be nonetheless promoting one thing, even when they’re tall tales. Everyone seems to be a kissago or daastango in Egypt, from the tongawaala and the taxiwaala to the shopkeeper.

  What Egyptian meals did you relish?

I’ve had baklava in Turkey and Dubai, however the most effective and freshest is in Egypt. There’s a store in Cairo, near Tahrir Sq., known as Abdel Rahim Koueider. You enter the store and are transported 500 years into the previous. They make 70 kinds of baklava, with quirky names akin to “bulbul’s nest.” In Luxor, I additionally dined on fish that was freshly caught from the Nile and that was scrumptious.

  Egypt’s completely roasted pistachio baklava with quirky names like bulbul’s nest (prime left) have a maintain on Grover’s coronary heart and abdomen; The Valley of the Kings in Luxor, Egypt (prime proper), captivated him for its millennia-old historical past; He found the draw of avenue meals in Singapore (backside proper) throughout a piece journey; A latest journey to the USA led him to identify seals (backside left) in San Diego. Photographs By: Oykuozgu/Shutterstock (baklava); Leonid Andronov/iStock/Getty photos (monument), T.Dallas/Shutterstock (avenue meals); Photograph Courtesy: Varun Grover (seals)

  Going again to Benaras, do you suppose there is a component of fetishisation whereas writing about that metropolis?

Benaras has at all times been seen via the eyes of the white man. You want time to interrupt via the clichés that now we have been fed via this gaze. The town isn’t just concerning the solar rising on the ghats or a ship experience within the Ganga. It’s about small stuff just like the outdated haveli of Bhartendu Harishchandra, the daddy of Hindi literature, who wrote the primary Hindi play. No vacationer goes right here, despite the fact that the haveli has been restored and is in good situation. Within the outdated a part of city, there’s one other collector of outdated LP information from the 1930s and 1940s together with uncommon recordings of Begum Akhtar and people from the Benaras classical music gharana. The town has preserved this stuff. It’s a must to stroll round to find it. And you will need to additionally keep at the least 5 days. Once I went there six years in the past with my spouse Raj Kumari, and he or she was going for the primary time, she had solely two days. I attempted to point out her probably the most non-touristy aspect of Benaras, however she didn’t prefer it. She felt it was too soiled; she hoped for a higher metropolis. We went once more three years in the past for seven days. Then she additionally fell in love with the town.

  What are your reminiscences of travelling as a toddler?

We used to reside in Dehradun, and my aunt lived in Calcutta. I went to the town for the primary time in 1989, after I was 9.We had a 30-hour prepare journey, which was actually epic and we stopped at so many new locations. I had by no means been out of north India. To see the vast, open rice fields of Bengal was one thing else. I tasted contemporary coconut water for the primary time in my life. Calcutta appeared like such an enormous metropolis. I nonetheless really feel Bombay will not be as large as Calcutta was in my creativeness at the moment. It stays certainly one of my prime three meals cities in India.

We used to additionally take frequent journeys round Dehradun. Sahastradhara, which had sulphur water springs, was a beautiful place the place we regularly took lots of our visiting members of the family.

  Once you’re on tour, do you make time to discover a spot?

I at all times attempt to both go a day early, or wait an additional day, or as many days as I can handle. I discover a native—both a good friend, or somebody who has come to see the present—and exit with them. No journey is full with out strolling via a metropolis.

  Considered one of Grover’s fondest childhood reminiscences is his journey to Calcutta—the primary large metropolis for a nine-year-old boy from Dehradun. It nonetheless is certainly one of his favorite cities in India. Photograph By: Radiokafka/Shutterstock

Household getaways for Grover additionally meant frequent journeys to the recent spring city of Sahastradhara, now an overcrowded spot. Photograph By: Mdsharma/Shutterstock

  Is there a metropolis that you just found whereas touring?

I didn’t know a lot about Singapore and its meals tradition. I didn’t count on the entire metropolis to be one large khau galli. That was a tremendous discovery.

  You’ve stated in a single interview that you just discovered Spain the least racist, and France probably the most intimidating place.

India operates on a lot chaos that order will be intimidating. France is simply too orderly… there are other ways to greet individuals within the morning and night. In case you don’t get it proper, individuals take offense or decide you. I’m positive it’s part of their tradition and so they discover some that means and pleasure in it, however Indians are usually not so formal. I don’t know whether or not it’s racist or my very own inferiority advanced in a really white nation however individuals judging you for an absence of manners will not be a pleasant expertise. Once I crossed over from France to Italy, however, I used to be delighted to see of us not obeying site visitors indicators.

  Do you go to a particular place to write down?

I reside in Kandivali in Bombay, which is pretty peaceable. Generally I am going to this place in Uttaranchal known as Sonapani. It’s a homely resort close to Mukteshwar that I really like. I additionally like going to Goa as a result of I really like the ocean and seafood. Often, I discover a spot in south Goa, away from the bustle.

  Mumbai (prime left), Sydney (prime proper), New York (backside left) and Spain (backside proper) are a few of Grover’s favoured journey spots. Photograph By: Tuul & Bruno Morandi/Photolibrary/Getty photos (Mumbai); Bezikus/Shutterstock (Spain); Andrew Watson/AWL Photographs/Getty photos (Sydney); Photograph Courtesy: Varun Grover (New York)

In Sacred Video games, there’s a robust sense of place. Was {that a} aware writing determination?

Our writers, each in season 1 and a couple of, needed to maintain it very genuine. We discovered that there was an anda bhurji stall close to Kyani Bakery that was standard. Bombay has these unusual issues—5 – 6 anda bhurji locations which have a cult following. These spots lend the town its character.

  What are a few of your favorite journey books?

One is a Hindi guide, Volga Se Ganga, by Rahul Sankrityayan. He’s probably the greatest journey writers India has had. It’s fiction however rooted in journey, historical past and anthropology. This guide has impressed me to see the world.

One other fictional favorite is that this novel known as Netherland by Joseph O’Neill. It’s set in New York, and is a few bunch of Asians and a Trinidadian who play cricket in New York. Not too long ago I used to be in New York, and I noticed a bunch of individuals really enjoying cricket and I felt my journey had come full circle. The opposite guide I like to recommend is Kashi ka Assi by Kashi Nath Singh, a personality sketch of Benaras. I used to be residing in Benaras after I learn it and the guide has unlocked so many secrets and techniques concerning the metropolis for me.

  In case you needed to give individuals one important journey tip, what would that be?

Keep away from touristy locations and also you’ll by no means be at a loss. Even when you say that you just went to Paris and didn’t see the Eiffel Tower, that’s tremendous. No matter you probably did as a substitute will certainly be higher.

  As a songwriter, do you affiliate standard locations with songs?

Let’s see… To Benaras, I might dedicate “Pal Pal Dil Ke Paas,” for Lucknow “Ye Kya Jagah Hai Doston” from Umrao Jaan and for Bombay, this track known as “Zeher Hai Ke Pyaar Hai Tera Chumma,” from Sabse Bada Khiladi.

Dine on a breakfast of kachori, sabzi, jalebi at Chachi Ki Dukaan, reverse Ravidas Gate, Lanka (Chachi died on the age of 100 just a few years in the past, however her sons are nonetheless working the store).

Attempt the apple pie at Vatika Pizzeria in Assi Ghat. It’s a bizarre suggestion however you may be pleasantly stunned.

Among the finest lanes for sweets is Thatheri Bazaar forward of Chowk space (near Godouliya). The bazaar has outdated candy outlets and sells theatre props too. 

Ramnagar Ki Lassi is super-famous and a must-visit. Ask anyone and they’ll direct you to the place; it’s alongside the highway from Ramnagar Fort foremost gate in the direction of the Ganga.

The rabri and lassi at Khandu Sardar, a small store on the finish of Thatheri Bazaar, subsequent to Gopal Mandir, is divine (Khandu Sardar, Nangu Sardar and Lussan Sardar had been the pioneers of milk-based sweets in Benaras).

  Having studied in BHU for 4 years, Benaras is residence to Varun Grover, and his suggestions are ones that gained’t be present in common guidebooks. Photograph By: Lowpower225/Shutterstock

  Raja Ram Lassi is the most effective lassi within the outdated metropolis. The store opens for less than 4 to 5 hours a day as they run out of curd shortly. 

Pathakji Ki Thandai, additionally in Thatheri Bazaar, has the most effective thandai. Ask for the particular of the day, which is usually some seasonal fruit-based thandai. Bhang is free.

Style the murabba at Shreenath Murabba in Thatheri Bazaar. They even have murabba ready with bamboo shoots.

You will need to strive gulab jamun at this unnamed nook store proper reverse BSNL foremost gate, Lazarus Street, Varanasi Cantt Railway Station. The place serves scorching gulab jamuns with contemporary thick cream and an non-obligatory spicy masala on prime.

Have malpua at Shree Krishna Sweets in Maldahiya and kachoris in Loha Mandi.

For kheer kadam and rasgullas, go to Sudhir Sweets in Bengali Tola.

A typical Benaras snack is a dish made with toasted bread, coated with butter and spicy masala on prime, which you’ll have at Panditji Ka Slice, close to the turning off Lolark Kund.

For that quintessentially Benarasi litti, go to Loha Singh Ka Litti-Chokha in Maldahiya. He provides cashew to the litti, although littis are delicious even with out these add-ons. 

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[reveltumbles]

Reasons Why We Encourage Grandparents to Journal about their Grandchildren

In this age, especially in Singapore, with families consisting of busy, working parents, it’s not uncommon to see children under the care of their grandparents. In my primary school days, I remember having a number of friends who would go straight to their grandparents’ house before being picked up by their parents later in the evening. In neighbourhoods, one can often see grandparents taking a stroll with their grandchildren. Even now, as adults, I know of friends who are extremely close to their grandparents, often keeping in touch with them via weekly meetings and FaceTime. Grandparents are able to bond with their grandchildren in a way parents aren’t able to — there’s little disciplining, more pampering, fun, and excitement. It’s unsurprising, then, that grandparents and grandchildren create a special bond that is precious and cherished. And it’s only right that these memories be penned down and immortalised. Be it a digital blog or a traditional, physical book, there are many reasons that grandparents could and should create a journal.

1. For Cherished Memories

Journals are a great way to connect and remember moments that meant a lot to you. Where photographs can capture moments, words often seize emotions and meanings in their own unique way.

Which memories do I journal about?

Surprise! You have all the creative reign in the topics you choose to journal about! Are you excited about the birth of your grandchild? You can start with that! Journal your excitement and nervousness as you build up to the Big Day. Digging up forgotten toys, old cribs, unused baby clothes — whatever it is, it’s completely valid to pen down.

Or, you can pen down the growth of your grandchild through your eyes. The little fingers no longer being as little, the small feet slowly growing out, their bodies slowly getting more and more defined. Of course, this growth won’t be as obvious when you see them often or everyday, but the growth will look apparent on the days you decide to look back on your journals. In fact, you don’t have to journal their growth. As they grow older, you can take note of the great memories you’ve had with them, making the journal a beautiful compilation of your dear memories.

How do I journal about memories?

What you might have in mind are the traditional pink and blue books full of ribbons, baby shower napkins, and printed photographs, but the journalling you do doesn’t have to exhaustive and extensive. Simply writing a blog, or writing down entries in a diary could be enough.

You could get a blank notebook, and fill it in: unrestricted and unbounded by the lack of guiding in these pages. Alternatively, you could get a prompted journal (right here at Revel) that would encourage you to fill in the diary based on the various stages of your grandchild’s life.

2. As a Gift

These journals can be a gift for yourself, for your child, or your grandchild. Free in their use and meaning, you could choose to present them as a gift to whoever you want to, depending on the meaning you want to bring across.

For your grandchild

There’s nothing more worthwhile than receiving a journal of handwritten notes, with painstaking effort taken to fill it up and keep it safe. You could give these to them at the one-year mark, and give them one every year, or two years or five. Whichever period you want to dedicate yourself to and whichever you think you can pull off, that’s the time period you should go for. It would be wondrous for your grandchild to see themselves through your eyes. In fact, you may have inscribed flashbacks that your grandchild might have not even remembered.

For your child

This may not seem as obvious, but the journal could be pass-it-down present. Fill in memories of your grandchild for one, two, or even five years, and then pass it down to your child as a present. I’m sure it would be lovely for them to see how their parents and child interact and develop a relationship. After which, they could choose to fill in in and pass it down to their child as a present as well. So, in a way, this does end up with your grandchild as well, but takes a stop along the way. It’s extra special that it’s multi-generational and encompasses a multitude of relationships, dynamics and written memoirs.

For yourself

This journal is a hotpot of the best (and the worst) times of your family. Even though it’s specifically focused on your grandchild, relationships within a family are like a bunch of tangled wires, and it’s no doubt that these written entries come with the combined memories of other family members too. Thus, they’re a priceless collection of your family’s growth and their epoch. Make it a gift to yourself; fill it up conscientiously, and read it back to yourself every few months. As your grandchildren grow older and get busier, it’s difficult to keep in touch as often. Thus, keep this journal and read it whenever you find yourself missing them — a nostalgic gift for your sentimental self.

There are multiple reasons why journaling is encouraged, but at the heart of it, it’s really about furthering bonds and keeping families strong, which is important for many grandparents out there. The responsibility to keep families together and attached might seem daunting, but it’s really easier than one would think. It doesn’t take extravagant daily dinners, or extensive effort to keep in touch with your grandchildren. Even if they do get busy, know that the bond of love and respect stays instilled. It’s really the small but meaningful things, like journalling, (or photographing, or making art), that create and strengthen the bond between the both of you.

source https://revel.sg/apt84//reasons-why-we-encourage-grandparents-to-journal-about-their-grandchildren

[southeastasianists]

In its struggle to confront LGBT identities, the Indonesian state is now making its citizens more open to them. But this also has consequences for other long-standing non-normative sexual identities like ‘waria’ and ‘bissu’, writes Hendri Yulius.

2016 was a pivotal year for lesbian, gay, bisexual, and transgender (LGBT) issues in Indonesia.

While in previous decades people of non-normative genders and sexualities were constantly under threat by religious vigilante groups, in 2016 a number of government representatives and politicians explicitly issued public statements condemning what they call as “LGBT persons and behaviours.” These negative sentiments were then followed by legal steps by an Islamic pro-family group, Family Love Alliance [Aliansi Cinta Keluarga/AILA] to outlaw homosexual practices, identity, and adultery. Meanwhile, public attitudes became increasingly hostile toward people with non-normative gender expressions.

Even though the public’s rage has now shifted to Jakarta Governor Basuki ‘Ahok’ Tjahja Purnama and ethnic Indonesian-Chinese due to his alleged blasphemy, the war against homosexuality has not ended. In the latest attempt by politicians to protect the moral fibre of young Indonesians, lawmakers are planning to amend the 2002 Broadcasting Law to ban ads and programs on TV and radio displaying LGBT talent and expressions that, in addition to same-sex attraction, refer to non-normative gender expressions.

In a similar vein, on 19 January, the South Sulawesi police force disbanded the sports and arts week event [Pekan Olahraga dan Seni/ Porseni] of waria and bissu [male-to female transgender] to be held in the district of Soppeng. The festival preserves and respects the indigenous bissu culture that is known for its diverse gender identities and expressions beyond the binary model of male-female.

It is interesting to see how waria and bissu—two local elements of gender and sexual identities—have also increasingly been conflated with Western LGBT identity in Indonesia. The term waria [wanita-pria/female-male] often frivolously translated as male-to-female transgender, was introduced by the Indonesian government in 1978 to replace the term wadam [Wanita Adam/female-Adam] because of protests from Muslim clerics complaining of the inappropriateness in using a prophet’s name — Adam.

Different from waria, the term bissu held a special status in Bugis society that instilled androgyny with a sacred meaning — a God can descend only to a gender-free body. Hence, bissu embraces both male and female elements. They were respected as priests and healers, although their social and spiritual status has nowadays been degraded to that of social pariahs.

These local identities and indigenous practices definitely provide strong justification to the contemporary Indonesian LGBT movements to demonstrate that non-normative gender and sexual expressions and identities do not originate from the West as Indonesian conservatives believe and often claim.

More significantly, the emergence of the term LGBT in Indonesia last year has inadvertently changed the way people see non-normative gender expressions and identities. Besides entering everyday language, the Indonesian public now increasingly associates men with feminine mannerism with being LGBT.

When a motorbike taxi [ojek] driver recently learnt that I am studying gender issues, he suddenly replied, “Oh, so you are studying transgender!” I asked him to explain why he thought that, he said he knew the term transgender and LGBT from last year’s debate about LGBT issues on television. He told me that transgender is waria and other men with feminine mannerism as commonly portrayed in comedy and other shows on television.

A similar story came s from a friend of mine who is working in gender activism. Her close friend is a lesbian with short hair and a masculine appearance. When she was queuing by the cashier of a convenient store, a lady with a headscarf whispered to her husband, “Look, she must be LGBT!”

In Indonesia, gender expressions and physical appearance have now become primary markers of sexuality, ignoring the fact that gender expressions and sexual orientations are two different things. A feminine man does not mean that he is gay, while a woman with masculine appearance does not always signify a lesbian.

Another interesting development is that the term LGBT is now being used as a single category to address a person with non-normative gender and sexuality, instead of an acronym describing a variety of gender and/or sexual identities. For example, people now address me as LGBT, instead of gay or homosexual. LGBT has become a new ‘species’ that now needs to be captured and policed.

While in the late 1970s onwards the term gay and lesbi [Indonesian derogatory term for lesbian] was popular to denote male and female homosexual identity, the LGBT term began to circulate among activists and gay and lesbian communities due to transnational connections with activists and organisations overseas, as well as an influx of foreign funding for LGBT rights movements. Since 2016, the term has been picked up by the Indonesian State.

For example, the 2016 Ministry of Youth and Sports’ Creative Youth Ambassador Selection even required participants to submit a medical certificate, stating that they are not involved in LGBT. It is not difficult to see how the circulation of the term is not accompanied by adequate knowledge on gender and sexuality and hence, unsurprisingly, causes confusion and misjudgment among the general public.

On the other hand, we are now witnessing moves to label same-sex practices and other gender diverse indigenous culture as ‘LGBT’, while they actually carry different socio-cultural contexts and subjectivities from contemporary and Western sexual identities. Despite the positive intentions to justify the normality of LGBT people and eradicate the Western stigma attached to these identities, it runs the risk of erasing local and indigenous practices and reducing them to LGBT identity.

When LGBT has been associated with negative attributes, waria and bissu identity has also increasingly been treated similarly. Since waria and other people with non-normative gender expressions are obviously challenging traditional gender norms, they are easily accused of being LGBT and hence, become the main target of stigma, violence, and discrimination.

Hendri Yulius is the author of Coming Out (2015) and obtained Masters of Public Policy from the National University of Singapore. He is currently pursuing his second Master’s in Gender and Cultural Studies at the University of Sydney.

#Southeast Asia #Indonesia #LGBTQIA Issues #Identity #Gender

[shuying877]

Senior Marketing Manager job at Strategia Ventures Singapore

Strategia Ventures is a private equity holding and investment company. Through strategic collaboration and partnership, we strive to create a win-win proposition for all parties.

We are not a Venture Capitalist firm however, we form strategic alliance with Venture Capitalist firms in co-investments in early stage startups. We also invest directly into company with long term sustainability and equity markets.

We invest in various companies and models; however our primary focus would be B2B business model.

Strategise, build and execute marketing campaigns

Analyse traffic, marketing, and conversion data

Identify target customer segments and map out an effective strategy to reach and engage with them

Work closely with the content team to execute creative and determine digital media mix.

Generate sales leads through marketing efforts

Manage social media platforms

Work closely with the product team to improve the website and customer experience.

Design, build and maintain social media presence

Source for potential collaboration opportunities

Community building & engagement

Plan and run community events

Support and respond to customers inquiries via email/ phone

Good social media and communication skills

A proven track record in marketing – this means you have at least two years of work experience

Excellent English writing, grammar and proofreading skills

Able to work cross-functionally with product, sales and dev team 

Able to travel

From http://www.startupjobs.asia/job/35486-senior-marketing-manager-marketing-job-at-strategia-ventures-singapore

from https://startupjobsasiablog.wordpress.com/2017/12/26/senior-marketing-manager-job-at-strategia-ventures-singapore/

[ameliamike90]

Senior Marketing Manager job at Strategia Ventures Singapore

Strategia Ventures is a private equity holding and investment company. Through strategic collaboration and partnership, we strive to create a win-win proposition for all parties.

We are not a Venture Capitalist firm however, we form strategic alliance with Venture Capitalist firms in co-investments in early stage startups. We also invest directly into company with long term sustainability and equity markets.

We invest in various companies and models; however our primary focus would be B2B business model.

Strategise, build and execute marketing campaigns

Analyse traffic, marketing, and conversion data

Identify target customer segments and map out an effective strategy to reach and engage with them

Work closely with the content team to execute creative and determine digital media mix.

Generate sales leads through marketing efforts

Manage social media platforms

Work closely with the product team to improve the website and customer experience.

Design, build and maintain social media presence

Source for potential collaboration opportunities

Community building & engagement

Plan and run community events

Support and respond to customers inquiries via email/ phone

Good social media and communication skills

A proven track record in marketing – this means you have at least two years of work experience

Excellent English writing, grammar and proofreading skills

Able to work cross-functionally with product, sales and dev team 

Able to travel

StartUp Jobs Asia - Startup Jobs in Singapore , Malaysia , HongKong ,Thailand from http://www.startupjobs.asia/job/35486-senior-marketing-manager-marketing-job-at-strategia-ventures-singapore Startup Jobs Asia https://startupjobsasia.tumblr.com/post/168946613664

[startupjobsasia]

Senior Marketing Manager job at Strategia Ventures Singapore

Strategia Ventures is a private equity holding and investment company. Through strategic collaboration and partnership, we strive to create a win-win proposition for all parties.

We are not a Venture Capitalist firm however, we form strategic alliance with Venture Capitalist firms in co-investments in early stage startups. We also invest directly into company with long term sustainability and equity markets.

We invest in various companies and models; however our primary focus would be B2B business model.

Strategise, build and execute marketing campaigns

Analyse traffic, marketing, and conversion data

Identify target customer segments and map out an effective strategy to reach and engage with them

Work closely with the content team to execute creative and determine digital media mix.

Generate sales leads through marketing efforts

Manage social media platforms

Work closely with the product team to improve the website and customer experience.

Design, build and maintain social media presence

Source for potential collaboration opportunities

Community building & engagement

Plan and run community events

Support and respond to customers inquiries via email/ phone

Good social media and communication skills

A proven track record in marketing – this means you have at least two years of work experience

Excellent English writing, grammar and proofreading skills

Able to work cross-functionally with product, sales and dev team 

Able to travel

StartUp Jobs Asia - Startup Jobs in Singapore , Malaysia , HongKong ,Thailand from http://www.startupjobs.asia/job/35486-senior-marketing-manager-marketing-job-at-strategia-ventures-singapore

[creativelearningblog]

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