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#I’m so glad more ppl are appreciative of this area of the show/these characters now
blaithnne · 1 month
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ok i forgot that goldie isnt canonically 5'1 on a good day so i have to restructure this ask
1) thoughts on short goldie
2) is heron short also
3) (contingent on answers 1 and 2) thoughts on scrooge and beakley both falling for tiny evil women
1) & 2)
I think the toxic yuri polycule height chart is something like this—!
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They all wear heels so it’s not exact (also I whipped this up in like 5 minutes lol)
Huifen is tall, she’s a black heron after all, and though they’re not the tallest birds ever they’re still pretty long! But she looks short standing next to Beakley, because everyone does (also I undersized her a little bit in my first human drawing by accident, whoops). Goldie is a short queen LMAO, she’s not minuscule, only slightly shorter than the average person, but she looks tiny next to these two (she might be slightly shorter than I drew her here, idk, I struggled to scale her LOL). Scrooge, for the record, is around the same height as Goldie!
In terms of their builds btw, Beakley is, obviously, very muscular! Though she might seem like a tank, she’s actually very soft — big ol squishy teddy bear! Heron on the other hand is a gangly mf, long, skinny, and sharp. Goldie is sort of in between them, an hourglass build like Huifen, but with more muscle on her (not half as much as Beakley, though).
3)
Heron might not be tiny but Beakley treats her like she is, picks her up like a feral cat when she’s being too much 😌 Scrooge and Goldie only have a very slight height difference, but I think he’s very smug about it lol
Also, my funniest headcanon ever is that Beakley has a thing for bad girls, and she HATES IT. She’s so embarrassed about it and fully intends to take it to her grave. This also leads to her hating the aforementioned bad girls even more, bc she’s so frustrated with herself for liking the in the first place. So Beakley can spend 24 hours a day ranting about how much she hates someone, and be blushing the entire time. All this to say, Beakley might not technically have a leg to stand on when it comes to criticising Scrooge’s relationship, but that doesn’t stop her.
I think they’re both massive hypocrites about it, bc they wanna protect eachother despite the other really not needing the help. They’re also endlessly frustrated with eachother’s toxic Yuri partners. Beakley to a much bigger degree because she definitely has a thing for Goldie, which only makes her hate her even more. Scrooge is more annoyed by Beakley and Heron than anything else bc he just does not understand what the hell is going on there, but he’ll also occasionally be all,
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In conclusion, Beakley and Scrooge being a disaster sibling duo is my favourite thing ever. Scrooge is practically immortal, nothing can take him down. Beakley is a walking tank, she could walk off a bullet. They looked at eachother and went “that idiot needs me to protect them from their own love life” and they were kind of right??
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bakubabes-tatakae · 4 years
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Since I LOVE your writing 🥰, I wanted to make a request: imagine Kakashis s/o having the same ability as Chiyo in reviving ppl and she is in the process of doing that when Kakashi is defeated by Pain and she wants to give her life for him. But he comes back to life just in time, so she doesn’t get to do it. How would he react if he saw that his gf would give his life for him? What would he think? I hope this request is not too weird 😅
Give My Life || Kakashi x Reader
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Warnings: character death (I promise they come back), fluff, angst
AO3 Link
Word Count: 938
The chaos around you sent your head into overdrive as you searched and searched for the man that you loved. You just needed to see him, to know that he was alright. All you wanted was for the familiar silver hair of the copy ninja to come into sight. The tightness in your chest as the seconds dragged on was suffocating.
You needed to find him. You had to find him. His smirk that he wore so well under the mask shown in your thoughts. You had sensed his chakra, it had been the only thing keeping you at ease as you leapt around the crumbling building and rubble looking for anyone that you could heal. But once that sensation left you, you knew something had been wrong.
His chakra shouldn’t have just disappeared like that. There was no way. The only reason someone’s chakra would disappear like that would be if they left the village, or worse….
There was no way that Kakashi would leave the village. The copy ninja would never abandon his fellow Shinobi in their time of need. Tsunade hadn’t sent him anywhere, you had been with her most of the morning. There was no way that she had suddenly found him in the short time you were apart to send him somewhere else.
As you jumped from boulder to boulder your heart wrenched. What would you do if something happened to him? He was your anchor. He held you down when you felt that you would float away into the world.
The final turn that you took finally showed you why that chakra had disappeared. When you came around the giant piece of debris you saw him. Kakashi was up to his chest in rubble, his head hanging down as he sat lifeless. Your heart sunk, the air escaping you as you tried to breathe.
A voice spoke behind you and broke you from your trance. “Y/n-Sensei!” As you turned you saw the familiar spiky, brown hair of the Inuzuka, followed by his ninken, Akamaru. “I’m so glad that I found someone-“ His voice trailed off as he reached you, the sight of what you were seeing finally in view for him. “Kakashi-Sensei…”
You looked over at Kiba, thoughts flooding through your head. There had to be something you could do. Something that could save him. It was too soon for a man like Kakashi to lose his life. There was only one thing that you realized would work. As much as you knew you shouldn’t do it, you knew that you needed to.
Kiba saw the gleam in your eyes as the gears were turning. “What are you thinking about doing? There’s nothing you can do for him now.” The pain in his voice and concern for you was evident as he watched the lifeless body of the man that he had grown up around.
You took a deep breath, wanting to get this over with before you changed your mind. “Kiba, help me get him out of there.” Kiba didn’t move as you started to walk forward. “Now Kiba.” He shook his head quickly, trying to break himself from the trance that he was in.
As the two of you dug the rubble from around him and pulled him from it it all seemed like a bad dream. As you sat beside his body you placed your hands on his chest. You focused your chakra on your hands and began to release it into Kakashi’s. As the aura of your chakra began to fill the area Kiba looked alarmed. There was something familiar about this jutsu. He knew what that would mean for you the second his realization hit him. “You can’t- You know what that jutsu will do to you.” He was getting angry now. “Kakashi would never want you to do that!”
You ignored him as you continued. The feeling of your own chakra depleting causing you to grow weak. You knew that the second that you were out of chakra you would take your last breath, but you would give that breath to save him.
As you felt your chakra about to deplete you saw a flutter behind his eyelids. Your body wanted to stop, it wanted to wrap him into your arms one last time as you saw the life in him again, but you knew if you stopped it would be a waste.
Kakashi's eyes grew wide as they opened more, the feeling of chakra filling his body as it leaked from yours. His hands reached out for you as the strength of the sudden burst of energy hit him. “What are you doing?”
As you felt his hands on you you collapsed. The weakness in your body had finally overtaken you. Kakashi grabbed onto you and lifted you back up, leaning you up against him and pushing your hair behind your ears. “I couldn’t watch you die Kakashi.” Your words were weak as he held you.
“I would never want you to do that for me Y/n. I love you, you’re the most important person in my life. I want you to promise me that you’ll never try that again.” His words were filled with worry as he stared into your eyes, his own eyes filled with desperation.
You lifted a hand and placed it on his cheek. “I’m so glad that you’re alright.” A weak smile spread across your face. “I think I need to take a nap, Kakashi, I’m very tired.”
Kakashi chuckled slightly. “That’s the only way you’re going to get that chakra back my love.” A slight smile tugged on his mask. “I’ll get you someplace safe so that you can do just that darling.”
Kiba and Akamaru nodded to Kakashi. “I’ll go let Tsunade know. It’ll be safe to bring her to her office.”
Kakashi gave him an appreciative smile. “Thank you Kiba.”
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thelastofgala · 4 years
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I started The Last of Us, Pt. 2 last night, and here are my first impressions, musings on parallelism, Naturalism, Ellie’s characterization, Joel’s characterization, the “presence” of Riley, gameplay, story development, and more:
***SPOILERS UNDER THE CUT***
Starting with Joel. I always imagined The Last of Us 2 would begin at the end of Joel’s journey, though I will say that I did not expect to pick up so close to the end of the first game. I thought they would start us somewhere COMPLETELY out of context. Like I was prepared for much deeper flashback. In this way, I really felt like I was playing a sequel, which is not a bad thing. I just had no idea how they were going to frame this. The compelling thing about starting with Joel is that it immediately sets up parallels between Joel and Sarah, the character we start with in The Last of Us. There’s no way this was not a pointed decision. Just like it was with Sarah, Joel is our point of reference in a new, strange world. His point of view in this new world is all that we know. We don’t know what the new special world contains, and we don’t know grown-up Ellie at all. Plus, old fans will have missed him. It is a comfort to be Joel, and like a daughter protected by her father, a false and short-lived comfort. We are also now thinking of Joel as, like Sarah, someone who is in danger, whose agency is compromised, who, for whatever reason, is weakened this time around, and who may not survive the story. 
I will say, too, that I really loved that after the 4-years-later cut, Joel is held off-screen. He and Tommy are out on a patrol. They are out there, in danger, and that sort of restraint is really effective. We are ALWAYS looking for Joel, just like we were in the run-up to the release, because he is the only person we truly know in this strange, new world. ND knows and takes advantage of this.
There are many parallels between Joel and Riley. Both Joel and Riley sneak up on Ellie during their first interaction. They’re even wearing similar colors. Both Joel and Riley lied to Ellie in the previous story, and both betrayed her as an act of self-preservation. In Left Behind, Ellie is somewhat chilly toward Riley in the beginning, even as her younger, more optimistic self, just as Ellie is chilly toward Joel in the beginning of The Last of Us 2. Still, you can tell through Ellie’s dialogue with Dina that she and Joel are knitted together—he defended her against the bigoted bartender, and she appreciates this even if she doesn’t outright say it. They share taste in movies and have plans to watch a movie together soon. I haven’t interacted with Joel in the current timeline, but I do know that in Left Behind, Riley has to earn back Ellie’s trust and take measures to reenter her good graces, and that this is a large part of their relationship arc. I also know that, by the time they reconcile, it proves to be too late. The world will not let them have what they want, and nothing is simple. All of these parallels worry me a lot, as Left Behind, while still driven by a strong undercurrent of love (it is a love story, interwoven with Ellie’s desperate search for medical supplies in a bid to save Joel’s life), is a much bleaker, sadder story than The Last of Us, and it has a tragic ending.
Joel's conversation with Tommy feels important. I was very glad to hear Tommy say that he would have made the same choice, in terms of saving Ellie or letting her die for the possibility of a cure. It shows that Tommy is more like Joel than perhaps we knew. Plus, Maria will have taught him something about love and commitment, as the notion of saving the one you love above all else should make more sense to him now that he has foregone the youthful idealism of the Fireflies in order to focus on the practical wisdom of family. As a parent, I understand Joel’s decision to save Ellie at the end of The Last of Us and know I would have done the same. I also understand why Joel lied, even though I think it was the wrong choice. Hearing him confide all of this in Tommy was cathartic. It was also very characteristic of Joel to respond that Ellie “didn’t say nothing otherwise” when Tommy asks if she believed him. In all of his denial, Joel chooses to believe what is conveniently in front of him, even if he knows it’s untrue. Also, I couldn’t tell, but was that a Firefly logo on that guitar he’s shining up? Maybe I hallucinated that. But if it is, I do wonder where he got it.
Ellie’s character is much more deadpan and ruminative in young adulthood. She seems tired, and a little lacking in self-esteem and sort of immediately defeated by what happened during the experience with Joel. When Joel sang, we could see her return to that place, just a glimmer, and her response—that it “didn’t suck”—shows how she still shields her heart with sarcasm, something Dina points out to her later on (“Did I ruin your punchline?”). Joel has been broken down by the events of The Last of Us and now bears his soul to her with his music, unabashed and dedicated to her, and Ellie is now the stoic one, unshakable, sealed inside a heavy, protective armor that seems impossible to pierce. I look forward to getting to know Ellie as a young adult and, ultimately, crying a lot. She is artistic and honest and still a little soft underneath. You can tell by her early interactions with Dina especially that she can still blush, and she can still come undone.
I love the snowball fight lol. I am always so frustrated when these big environment games, like Red Dead 2, Dragon Age, etc., don’t have any kids running around. Why don’t these stories pay attention to kids? Kids exist. They are an important part of almost any open world or quasi open world environment. I love the presence of kids in The Last of Us 2, because the loss of childhood innocence is an important theme for Ellie as a character. It’s also clear we’re trying to set up the edenic innocence of Jackson. It is childhood, in a way, and just like childhood, it will come to inevitable corruption. The scene, too, reminded me of Ellie and Riley on their teen dream adventure, romping through the Halloween store at the mall, trying on masks and talking to the magic eight ball.
I’m really pleased by all the parallels with Left Behind and Ellie’s portion of the journey in The Last of Us. Winter was her season, and that’s where we’re starting now. The horseback riding, the blizzard, and all the blood in the snow bring flashbacks of Ellie hunting on the woods, Ellie alone in the frozen mall, David, and the Lakeside Resort, all of which layer the current moment with a lot of emotional tension for the player.
The opening is, I think, sprawling. I’m having fun but there’s this sense that I haven’t even begun to scratch the surface of the story. Like Joel in the first game, Ellie is also big-timing me a little and I feel far away from her. I know this will change soon, and I’ll warm up to her, but for now, like Joel, we’re all being held at arm’s length. I actually like the POV shifts we’ve gotten so far and the multiple POVs is something I predicted a while ago, based on ND’s tendencies in the first game. Ppl are going to give The Last of Us 2 shit for being too cinematic but tbh it sometimes feels more like a playable novel than a traditional video game. We’re on a cable car headed straight into disaster and there’s nothing we can do. In this way the game is using the medium itself to perpetuate its Naturalistic themes. We play and we play, and we fight and we fight, but the environment entertains no interest in our struggle and the outcome will always be the same. There is no free will in The Last of Us.
On that note, the gameplay so far is, I think, pretty fun. I have played a lot of stealth games and am always looking for ways the genre is reinventing itself. Like Sekiro and Tomb Raider, The Last of Us 2 is increasing the verticality of the map with rope climbing and scaling up obstacles (though I do miss using Joel’s immense upper body strength to move those dumpsters around lol). In a stealth game I want creativity and problem solving to be central to the gameplay. I don’t want to be magically handed tools and weapons on a constant basis, to meet every individual need. I want to be forced into resourcefulness, and I don’t want to enter a shoot-out unless I absolutely have to. That said, I’m nearly to the tower checkpoint with Dina, and I’ve only fired my gun twice. The dodge/melee mechanic is neat, but more than anything, having real, actionable help from an AI enables stealth kills even in zones crawling with enemies. On that note, I am playing with a headset, and I’m glad I am, because I find the sounds of the goddam clickers to be all-encompassing this time around and a LOT bigger and scarier than they were in The Last of Us. Holy shit. They’re absolutely terrifying. I can only imagine the horror to come lol.
Now, finally, Abby: I don’t have much to offer on this yet. Abby is not who I thought she’d be. I’ll just say it. Still, the melee battle with her and the runners in the woods was AWESOME. For me, the most fun I’ve had yet, because it was completely different than anything from The Last of Us. Playing her, however, I will say, filled me with foreboding. I didn’t want to be there. I didn’t want to help her. She seems beyond desperate and while deeply sympathetic, she is a new character and her loyalties are not mine...so far. I could be very wrong, and please don’t correct me if I am, but I get the sense she might be a Firefly, or somehow associated with Marlene, and she is looking for Joel, in vengeance. Her group was small and rogue, and they seemed new to the area. All I know is that ND is creating a moral dilemma here, and as to what will become of this, the jury is still out completely.
One small personal criticism, take it or leave it: I don’t personally love that the kiss with Dina and scene with Joel defending Ellie was kept off-stage in the game and left to the trailer. We could have started at the dance. That would have taught us everything we need to know about Ellie, Dina, Jesse, and Joel and Ellie’s relationship state. This is my only criticism of the story so far. From a writer’s perspective, it’s just inefficient and clumsy to try and cover all that in expositional dialogue, taking into consideration that many casual players will not have seen all the trailers. Even still, it’s not hurting my experience in any way. Just an observation and maybe a bit of personal opinion on the fact that perhaps the choice to reveal so much scene in pre-release trailers might be a great way to build hype but might not be the most efficient choice in telling the actual story. My two cents!
In the end, I’m overall super excited and can’t wait to keep playing. These are just my own personal thoughts, and I’ll be back with more thoughts soon!! PLEASE NO SPOILERS OR SPOILERY SUGGESTIONS IN THE REPLIES!! I am NOT privy to the leaks and I do NOT want to know what’s coming. Thank you!! ^_^ 
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Unpopular character you love? (not hoshi)
The saltiest cracker you know is me, Bepsi!23. Unpopular character you love?
Ah SHOOT. YOU TOOK MY EASY ANSWER. JERK ! Meanie !!! U big pizza slice !
aababbaa but! I do have one I really wanna talk about!Under the cut you see, for I ramble a lot.
- Hifumi !
I love him man.There’s so much about his character that’s so relatable and lovable to me. I think that’s why DR1′s amazing theme of “don’t judge a book by it’s cover” really comes on in with him. On the outside he looks like as one would expect of a gross anime fan. Fat, not attractive, pretty gonk-y, speaks all fuckin over the top like an anime, so on and so forth. But it’s when you learn about him that really makes him super fucking amazing.His past is like, something that I can relate to myself in a bit. As someone that ‘became a bully to stop the bullying’ and stopped when he could like… find enjoyment and fun in an anime character and put all of his effort into that instead. He’s drawing because he shows appreciation for her, and that’s super sweet. And quick tangent before I continue, but “he only makes hentai” is a bad argument. Like, he does and I ain’t gunna vouch that he doesn’t but lots of people do. What’s wrong with it? Like, is it a crime to make that stuff??? Clearly not if Doujin creators are a big deal in Japan, able to have hour long lines at their stands at conventions, with people willing to purchase their merch with devoted fans. Like, ppl are so quick to demonize sexuality it’s CRAZY.
Anyways, back on topic. He’s got a great personality. He’s like, a bit of a stuck up jackass when ya first see him, but it’s the later interactions that just really sell it for me. He’s got some of the FUNNIEST lines in my opinion, between saying that his punches towards Ishida will go faster b/c he has no arm hair so there’ll be less wind resistance, or his numerous anime and videogame quips (”rebooting my devices; please stand by”, “You haven’t reached that point in our friendship! You don’t have enough friendship points to be asking those questions!”, “If he tries that (in context it’s mondo going to attack monokuma) Oowada Mondo-dono’s health will go to zero!”, “the whole anime plotline for the first episode outside the trash room”, for a few) are all just absolutely stellar to me. He’s unabashedly awkward because he’s just so confident in himself and what he loves, and it makes me happy to see him so enthusiastic!
Speakin of that, let’s go more into it!!He’s so passionate about himself, and just has a gay ol time doing everything. It’s absolutely amazing honestly. His speaking is just so energetic! He’s so happy to do what he does as an artist and I absolutely love it! It’s almost inspirational, that he can be so unabashedly confident and happy about his skill, and it shows just how much love he puts into his art. And real talk here, but Hifumi isn’t even that much of an asshole. Like, people make him out to be some kinda monster, when that’s absolutely not the case. “he killed Ishimaru though!” yeah, because Celes lied and said that Ishimaru sexually assaulted her, took what would be at that point Hifumi’s close friend, and said Ishimaru planned to kill him and probably everyone else. Like, murder is still wrong, but he didn’t do it because “oh celes asked me to”. He did it for his sense of justice- in that he hated to see someone like Celes be hurt. : / don’t diss my dude for tryin to protect a friend yo. His spats with people are less mean spirited and just more fun and lightheared dickery. Like, when you crack shit with your friends. He picks fights, but it’s never out of malicious intent. It’s like having a good time or trying to lighten the atmosphere, albeit in his own goofy anime way.Even in Chapter 2, the spat he has with Fukawa in the library over literature and doujin isn’t as aggressive as it prolly should be. He takes most insults with stride (unless they insult the 2-D works of course!!) and it feels a lot more like a cliche anime rivalry (esp. when he says shit like “you are my ARCH NEMESIS, I can’t make you tea!” when Fukawa asks why he only made some for Celes). At least, that’s what Yamada thinks.
He’s confident, which a lot of people always like to assume makes someone a dick or feature it as a negative trait rather than a positive one, when it can go both ways. Hifumi being able to have such high standards that he openly admits to not reading other people’s works because he can just write a story he wants to see himself can be considered narcissistic, but having the confidence to sell his works starting from high school (prolly when they were more pg and ‘fade to black’) and get over 10,000 copies sold is something to be proud of and I’m glad that he is! It’s a stigma that artists have to hate themselves, or suffer for their work, but I disagree. When an artist is healthiest and happiest in their mind, that’s when they make the best work. Vincent Van Gogh made the Starry Night when he was in a hospital getting better for his depression and mental relapses after all. Hifumi’s not fit, and he definitely has some areas where people would consider him unhealthy such as his eating habits and whatnot, but he also focuses on being happy and being himself as a first priority. He eats because he enjoys it, and remembers to have all his meals. He does what he likes without actively hurting others, because he just enjoys doing it, and he loves to promote his favorite anime character. He’s a dorky geek that says shit like “swag” and fuckin says “i forget not everyone is as savvy as I am” which is just so fucking amazing to me it’s both hilarious and fun.
Also haha, the fact that he’s making Doujin from a character who’s overweight is kinda nice to me, because she’s not a “conventionally attractive” anime girl with big titties and a small stomach; she’s chubby and different, and I think that’s nice to show what Hifumi’s interests are as well as what anime really means to him. It’s not just about getting his rocks off, it’s about the fun and enjoyment and the feelings that anime can give you and what your mind can do. It’s why he had a dream about going on a date with a magical girl, the kinds of characters who inspire friendship and happiness, for fucks sake. When he was lonely and had no friends and became a bully to counteract the way people treated him, he found something that would be there for him, and he wanted to support it ever since. Which is a powerful and very overall positive message to give people.
But he has great messages too. Messages about being able to be yourself and have fun, no matter how “dorky” or “lame” your interest might be to others. He encourages people to have fun in their own ways, even if he wants to promote Princess Piggles, with lines such as “what might be boring to me might be another persons moespiration! With that in mind, look for your own!” and “In a sense, a geek is like an expert. That’s right, a total expert! A successful musician must necessarily be a music geek, a good movie director is a movie geek. You see? It’s those experts, those geeks who open up the world to others!”. It’s positive and nice, and it forms who he is as a person.
No one’s perfect, and neither is he, but he’s pretty damn good. And I’ll defend him with every fiber of my being for just how real he feels.
I personally believe it’s because this fandom has a definite bias against male characters that aren’t distinctly attractive, as you can see Hoshi gets ignored quite a lot compared to all of the other males (even being the ONLY male left out of the halloween drawing!! Let alone he gets left out of most fan merch.) and he’s honestly one of the most down to earth and downright cool dudes in DR. I don’t want to change either of them, because I think their looks only make it better for their backstories and who they are as characters! So even if Hifumi gets like no fanart, and Hoshi struggles with getting new content, I’d rather have them the same way they are now, rather than make them attractive. Because I think that the way they are, only makes them better.
And that’s my short version essay on why I think Hifumi’s super rad and more people should give him a chance. Of course he’s a very hit or miss kinda person with his comedy, but if Tsumugi’s obscure anime references were fun for you, then Hifumi’s really good too! ^p^b
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