#Jean-Michel Casanova

[philippesollers]

Le divin Philippe Sollers

Par Alexandre Folman (La Revue des Deux Mondes)

MAI 18, 2023

Avec la disparition de Philippe Sollers survenue le 5 mai 2023, c’est une certaine idée de la littérature qui s’en va. Philippe Sollers y voyait une affaire  à prendre très au sérieux, même la plus importante qui soit.

Il tenait la littérature pour la plus secrète matrice de notre monde, celle qui transcende les contingences du présent et éclaire les mystérieuses ruelles escarpées et zigzagantes de l’esprit humain, forcément vénitiennes pour cet amoureux de la Sérénissime et du Tintoret. Sollers considérait que « l’existence est une illusion d’optique : la littérature est là pour la renverser. »Il avait compris mieux qu’un autre la valeur heuristique du roman. Elle l’habitait. Il y a consacré sa vie.

C’est-à-dire qu’il considérait vraiment la littérature comme le lieu de la vérité de l’être, au sens le plus heideggérien du terme qui soit, absolu, sans voile, tel qu’à lui-même. En ce sens, Sollers était donc déjà d’une certaine façon à lui tout seul un personnage de roman, parlant depuis et avec les livres.

En y repensant, c’est d’ailleurs l’impression fascinante qu’il pouvait donner parfois par son style extrêmement libre, d’une virtuosité constante dans son usage du langage. L’air madré et exégète, il semblait en permanence être détenteur d’ésotérismes jubilatoires ou d’apocryphes précieux. Il paraissait appartenir à un infra monde et arpenter ses lignes de force en voyageur du temps.

Joueur et rieur, il aimait les masques

Sollers naquit Joyaux, ça ne s’invente pas.Il incarna cinquante ans durant, en tant qu’écrivain et éditeur, la figure radicalement solaire de l’homme de lettres germanopratin, érudit en diable et à l’élan vital débordant. Deux traits de caractère foncièrement imbriqués pour celui qui s’était choisi pour pseudonyme quasi homophonique « tout entier art » en latin. Cela annonçait donc la couleur : chatoyante et intelligente, celle d’Éros et d’Hermès, des Lumières étincelantes du XVIIIe sa seconde patrie. Sollers ou le perpétuel hymne à la joie, donc Mozart. Sollers ou le gai savoir, donc Nietzsche. Et tant d’autres : Dante, Voltaire, Casanova. Joueur et rieur, il aimait les masques et être où on ne l’attendait pas.

Cela avait démarré avec ses deux improbables parrains à tout juste 20 ans, et pas des moindres, Mauriac et Aragon, pour Une curieuse solitude, premier roman qui marqua son entrée en littérature. L’Église et le Parti. Sollers d’emblée Janus, tout à tour maoïste puis ultramontain. Brouiller les pistes, toujours. L’art de la dissimulation, de l’esquive, du clair-obscur était chez ce lecteur averti des Jésuites, une seconde nature. Sa profession de foi. La guerre de Sollers, celle du goût comme il l’avait nommée, se voulait souterraine et subversive, à la fois patiente à travers l’édition dont il fut le condottiere au Seuil puis à « la Banque centrale » Gallimard, soudainement éclatante et gentiment machiavélique à travers les médias dont il fut l’enfant chéri (Apostrophes, Le Monde des Livres).

Mais une guerre qui était aussi et surtout exigeante. Sollers a été un véritable stakhanoviste. Et pour cette raison, son œuvre restera. Il a publié et fait publier plusieurs centaines de livres. Il y eut bien sûr aussi les revues, fondamentales. D’abord Tel Quel avec Jean-Edern Hallier au Seuil. Haut lieu expérimental de rencontre entre l’avant-garde et les classiques qui fédéra notamment Roland Barthes, Michel Foucault, Jacques Derrida, Francis Ponge. L’époque qui s’y reflétait était au maoïsme, à la psychanalyse et au structuralisme. Puis vint L’Infini chez Gallimard avec ce même souci d’exploration esthétique, frondeur et précurseur au risque de fréquenter les infréquentable. La moraline ce n’était pas le genre de Sollers. Il eut le courage de regarder en face certains astres noirs de la littérature, qu’il s’agisse de Céline, de Sade, d’Artaud, de Bataille et d’autres antimodernes. Certainement pour mieux voir le monde ? Pari réussi.

Sollers fut à lui seul le centre de gravité de la vie littéraire et des idées des cinquante dernières années. Ce n’est pas rien et ce n’est pas si fréquent. Vite, la Pléiade pour le divin Sollers !

#philippe sollers #sollers #philippesollers

[lonesomemao]

NE TUONS PAS SAINT-MICHEL

Mort de Patrick Buisson

A l'âge de 74 ans

Cause du peuple

Contre lui

Jean-Paul Sartre ressuscité

Et la P Respectueuse

Il s'agit de l'aimer

Extrême-gauche Casanova idées

Mardi 26 décembre 2023

[terrecorse]

Notre réponse aux propos méprisants de la députée Chikirou.

Fabien Roussel à Bastia à l'occasion de son tour de France 2023

L’indécente soumission des dirigeants LFI envers leur chef incontesté conduit certains d’entre eux à des surenchères verbales nauséabondes.

La députée Chikirou s’est ainsi laissée aller dans un tweet infamant à l’encontre de Fabien Roussel le comparant à Doriot collaborateur converti au nazisme dans la sombre période de Vichy et de l’occupation fasciste.

Le moment choisi au lendemain du remarquable succès de la fête de L’Humanité en dit long sur la rancoeur anticommuniste que cette personne cultive en son fort intérieur et sur l’objectif politique poursuivi par certains dirigeants insoumis.

L’insulte ne vise pas que le secrétaire national du PCF elle tend à salir également le Parti de Jean Nicoli, Danielle Casanova, Gabriel Péri, Guy Môquet et tant d’autres qui ont payé de leur vie le combat contre le fascisme dans la perspective de libérer la France et de mettre en œuvre le programme du CNR.

L’entourage proche de Jean Luc Melenchon, qui ne supporte pas le regain d’influence du PCF le fait savoir une fois de plus en perdant son sang-froid. Cette petite équipe, habituée des coups tordus, se réjouissait en 2017, pour l’élection à l’assemblée de Corse, de faire perdre la liste de gauche pourtant conduite par un candidat insoumis parce qu’elle découlait d’un accord avec le PCF. À ce moment-là, pour Jean Luc Melenchon ces trois lettres signifiaient « la mort et le néant ».

Nous n’oublions pas et ce d’autant plus que nous commémorons cette année le 80eme anniversaire de l’insurrection populaire du 9 septembre 1943 qui conduira à la Libération de la Corse le 4 octobre 1943.

Le rôle glorieux des communistes et du PCF dans la Résistance corse est notre réponse aux propos méprisants de la députée Chikirou. Ce rappel historique est aussi pour nous l’expression de notre fraternel soutien à Fabien Roussel.

Michel Stefani

[theloreofwhatilove]

Thanks to this recent post I've been thinking about how I'd like Drag Race in Mexico to go down, and I don't have everything figured out but I've made some decisions:

**The Host**

I'd love for Paris Bang Bang to host because I think she's a great mirror of RuPaul, as in a lot of queens know her and respect her, she's iconic, she's been fighting for drag to be taken seriously and has been creating opportunities for drag queens.

If it has to be a Ru-girl I think they'll definitely choose Valentina to bring in the numbers (although I'd love to see Denali, Lolita or Crystal even more), if that's the case I want and need a local queen (Paris) to be her Michelle Visage.

**The Judges**

Whether this are guest judges or just special guests I don't care, I just want to see this people make an appearance:

- Alejandra Bogue

- Susana Zavaleta

- Tatiana

- Albertano

- El Capi

- Thalia

- Gloria Trevi

- Niurka

- Danna Paola

- Salma Hayek

- Angelica Vale

- Mario Ivan Martinez

- Gilberto Gless

- Maria Leon

**People I DONT want to be involved by any means**

- Yuri (homophobic and misogynistic even tho she says she ain't... 👀 if they invite her she will accept but don't be fooled)

- Ricardo Montaner (the whole Montaner family make me uncomfortable, including Camilo)

- La Guereja (homophobic)

- Jaitovich (I don't know how to explain this one but if you know him you know)

- Lola Cortes (I don't like her approach to "judging", she's rude even though very knowledgeable, I do think she'll be invited if we get the show tho)

**The Queens**

There are MANY mexican queens that are extremely talented and more than capable of doing Drag Race and succeed that I want to see but I think this ones specifically are great options for a strong first cast:

- Alexis3XL

- Jobstar

- Paty Piñata

- Paper Cut

- Rudy Reyes

- Deseos Fab

- Aviesc Who

- Iris XC

- Rebel Mork

- Soro Nasty

- Wynter

- Judas Love

- Danaconda

- Matraka Traka

**The Songs**

If there's something in La Mas Draga that really bothers me is the terrible lipsync song choices, so this are songs I'd like to see:

- Arrasando (Thalia)

- Dr. Psiquiatra (Gloria Trevi)

- Mudanzas (Lupita D'Alessio)

- Grande (Gloria Trevi & Monica Naranjo)

- Acelerar (Timbiriche/Paulina Rubio)

- La Vida es un Carnaval (Celia Cruz)

- Anything from Selena Quintanilla

- Suavemente (Elvis Crespo)

- La Incondicional (Luis Miguel)

- Mis Ojos Lloran Por Ti (Big Boy)

- Que Tire Pa'lante (Daddy Yankee)

- El Baile Del Gorila (Melody)

- El Aventurero (Pedro Fernandez)

- Suavecito Suavecito (Laura Leon)

- Que Nadie Sepa MI Sufrir (Margarita)

- No Me Arrepiento De Este Amor (Gilda)

- Asereje (Las Ketchup)

- Pepe (Jeans)

- De Mi Enamorate (Daniela Romo)

- Aún Lo Amo (Dulce)

- Querida (Juan Gabriel)

- No Querías Lastimarme (Gloria Trevi)

- Ven Conmigo (Christina Aguilera)

- Más Buena (Gloria Trevi & Alejandra Guzman)

- Dopamina (Belinda)

- Abranse Perras (Gloria Trevi)

- La Putivuelta (Manelyk & Karime)

- Bombom Asesino version reggaeton (Ninel Conde)

- Mermelada (Mariana Seoane)

- Quédate Con Ella (Natalia Jimenez)

- Baila Casanova (Paulina Rubio)

- Media Naranja (Fey)

- Lo Que Tenias Conmigo (Maria Jose)

- Como Tu Mujer (Rocío Durcal)

- Ingrato (Gloria Trevi)

- La Gran Señora (Jenni Rivera)

- Pobre Secretaria (Daniela Romo)

- Te Estas Pasando (Lupita D'Alessio)

**The Challenges/Runways**

We need a Telenovela challenge for sure. Also a mexican pink runway. A morning show parody challenge. A Diva challenge (Dulce, Rocío, Daniela, Marisela, etc). A News tv show challenge. 100 Mexicanos Dijeron which is our Family Feud. A typical regional folklore costume runway. Catrinas runway. Legends runway or challenge were they have to create their own mexican legend. A recycling challenge were they have to create an outfit with cardboard and plastic bottles. We can have our own sugar ball, we have tons of traditional mexican candy. Mayan and Aztec culture/heritage inspired runways would be cool and nice to see. A runway inspired on natuve animals like the axolotl and coati. An "if the states were outfits runway", this is different from the typical regional costume but I don't know how to explain it. A viceroyalty runway. A Quinceañera runway... the options are endless. Everything La Mas Draga has wonderfully done already and MORE.

#drag race #rpdr #rpdr mx #rpdr mexico #mexico #drag #la mas draga #drag queens #drag queen #RuPaul

[badmovieihave]

Bad movie I have Detective Dee:and the Mystery of the Phantom Flame 2010

#Detective Dee:and the Mystery of the Phantom Flame #China Film Co-Production Corporation #Tony Ka Fai Leung #Chao Deng #Carina Lau #Bingbing Li #Andy Lau #Jean-Michel Casanova #Sos Haroyan #Jialin Zhao #Yan Qin #Jinshan Liu #Aaron C. Shang #Deshun Wang #Mickey He #Lu Yao #Yanming Jiang

[nievesmorena]

El 8 de septiembre de 1936 nace en Jesi, Ancona, Italia, Virna Pieralisi, más conocida como VIRNA LISI, fue una actriz italiana, famosa en el cine europeo tanto por su sobresaliente belleza como por sus actuaciones en el género dramático y de comedia.

Ya en la adolescencia y debido a su excepcional belleza fue descubierta por los productores Antonio Ferrigno y Pesce Ettore, quienes la introdujeron en el mundo del cine europeo.

Debutó en el cine con diecisiete años, en la película ...e Napoli canta (1953), y obtuvo su primer éxito junto a Totò en Questa è la vita (1954) a la que le siguió “Violenza Sul Lago” (1954) de Leonardo Cortese.

Después de afianzar su popularidad en Italia en producciones transalpinas y co-producciones europeas que incluían títulos como “Luna Nova” (1955), “La Donna Del Giorno” (1957) o “Felipe Derblay” (1959), consiguió llamar la atención internacional (especialmente por su físico) por films como el peplum “Rómulo y Remo” (1961), película de Sergio Corbucci en la que, interpretando a Julia, compartió protagonismo con Steve Reeves y Gordon Scott; “Eva” (1962), película de Joseph Losey basada en una novela de James Hadley Chase que fue protagonizada por Jeanne Moreau; “El Tulipán Negro” (1964), film de aventuras de capa y espada en tiempos de la Revolución Francesa con Alain Delon como co-protagonista; “Las Cuatro Muñecas” (1965) comedia de episodios con Virna dirigida por Dino Risi; o “Casanova 70” (1965) al lado de Marcello Mastroianni y dirigida por Mario Monicelli.

A mediados de los años 1960, Virna Lisi decidió hacer carrera en Estados Unidos, donde se la trató de imponer como una nueva Marilyn Monroe después del fallecimiento de la platinada actriz.

En Hollywood, los productores estaban buscando una nueva figura de reemplazo de Marilyn y la apariencia de Virna Lisi encajaba a la perfección.

Fue contratada por los estudios Paramount y participó en los mismos tipos de roles que le eran asignados a Monroe en el género de la comedia: trabajó junto a Jack Lemmon en Cómo matar a la propia esposa (1965), y con Tony Curtis en ¡Bromas con mi esposa, no! (1966).

Luego Virna Lisi pudo ampliar sus papeles hacia el drama al protagonizar junto a Frank Sinatra Asalto al Queen Mary (1966). También prestó su rostro para una rareza publicitaria: apareció con crema de afeitar en la cara en una fotografía que salió en la portada de marzo de 1965 del Esquire Magazine.

Décadas después, una imagen similar sería protagonizada por K. D. Lang y Cindy Crawford.

Pero Virna Lisi se cansó de su incursión americana porque fue encasillada en el medio hollywoodiense como una rubia mujer seductora, sin poder llegar a interpretar roles de carácter.

Rehusó posar desnuda para la revista Playboy y se cuenta que también rechazó el papel protagonista del filme Barbarella de Roger Vadim, decidiendo regresar a Europa. Este papel sería interpretado por Jane Fonda, contribuyendo a su despegue como estrella. La rescisión de su contrato con la Paramount causó problemas a Virna Lisi: se vio inmersa en un litigio y tuvo que pagar una multa.

Debido a su escasa relevancia en los Estados Unidos, Virna alternó su carrera americana con la europea apareciendo en títulos como “Señoras y Señores” (1966) de Pietro Germi, “La Hora 25” (1967) de Henry Verneuil, “Made In Italy” (1967) de Nanni Loy, “Problemas Extraconyugales” (1968) de Luigi Zampa, “Vidas Truncadas” (1969) de Terence Young o “Mejor Viuda Que…” (1969) de Duccio Tessari.

La mejor etapa de Virna Lisi acabó con el fin de la década de los sesenta.

Siguió apareciendo en bastantes films europeos (y algún que otro americano) en los años 70 y 80 pero en la mayoría eran productos de escasa calidad en los que intentaba salirse de su imagen de sex symbol.

Ejemplos de esta etapa son “Barba Azul” (1972) de Edward Dmytryk, “Colmillo Blanco” (1972) de Lucio Fulci o “El Serpiente” (1973) de Verneuil.

En los años 90 continuó trabajando, principalmente en el medio televisivo, pero sin descuidar sus contadas apariciones en la gran pantalla.

En 1995 tuvo una triunfal reaparición en el cine: ganó un premio en el Festival de Cannes así como el César francés a la mejor actriz secundaria por su participación en La reine Margot donde encarnó a Catalina de Médici. En este filme trabajó junto a Isabelle Adjani, Daniel Auteuil, Vincent Perez y Miguel Bosé, entre otros.

Luego participó en la película de comedia Las cien y una noches de Agnès Varda, con un reparto coral de lujo: Michel Piccoli, Marcello Mastroianni, Jean-Paul Belmondo, Alain Delon, Fanny Ardant, Catherine Deneuve, Robert De Niro, Jeanne Moreau, Assumpta Serna y Patrick Bruel.

En 2002 protagonizó el filme Il più bel giorno della mia vita, de Cristina Comencini, pero en la década de 2010 Virna Lisi se volcó en la televisión, con casi una decena de trabajos.

En 2013 murió la persona con quien pasó una vida entera, su marido Franco Pesci, arquitecto y ex presidente del equipo de fútbol Roma; juntos tuvieron un hijo, Corrado, nacido en julio de 1962 que les dio tres nietos: Franco, nacido en 1993, y los gemelos Frederick y Richard, nacido en 2002.

Virna Lisi murió repentinamente a la edad de 78 años 18 de diciembre 2014, a causa de un tumor que le habían descubierto un mes atrás.

La canción TV Caliente, perteneciente a la banda de rock argentina Sumo, está dedicada a ella, ya que la actriz era el amor platónico de su legendario lider Luca Prodan.

#Porsimelees❤

[faccia-d-angelo]

Torno al centro dell'arena come Silvio Berlusconi Il mago Silvan delle rime interessato alle estorsioni Ragazze psicopatiche che ballano il can can Candidate nel cha, cha, cha, cha, cha, ciarpame Non ci svegliamo neanche con le campane Anche se arriva Dio e ci dice "Raga, quello è un infame" E se ci tieni alla tua pelle, anch'io ci tengo alla mia Facci fare un altro giro a 250 sulla Kia Scena vera, c’e chi impara come c'è chi varia Ma la sera vesto Charro, Prada e Che Guevara

La sceneggiata della tipa interessata stressa E la musica in rete è come la ganja, compressa Non mi capacito, m'agito, quale magico? Michele Placido ha la figlia sotto acido Ho fatto un sogno con la moglie del Premier Mi raccontava tutti i retroscena Ho fatto un incubo, scopavo Mara Venier Lei stava sopra e mi ha rotto la schiena Io con le rime oltrepasso i cancelli Orrende le tue rime, meglio che le cancelli

Quando fumo questa roba io non parlo più Mi sento come Tommy Lee che suona a testa in giù E vedo ovunque fighe col culo nudo Che mi portano a letto per fare judo Rime banali, rime ormai tutte uguali Come le donne italiane con i jeans e gli stivali E con gli stessi occhiali e quel taglio dal parrucchiere Che oramai sembrano veline anche le fattucchiere Io con le rime faccio una carneficina Punto ad essere famoso come gli involtini in Cina Se non ti piace questa roba cambia droga Se vuoi cambiare il guardaroba cambia moda Se non ti piace casa vecchia falla nuova Se vuoi cambiare figa vai, Casanova Non mi interessa cosa fai nella vita Anzi rifaccio, mi interessa cosa fai nella vita Che magari sei un terrorista E fai affari uccidendo a vista il mio analista Non mi toccare l'analista, ti prego Lui risolverà il mio caso, puoi chiamarmi Cluedo

Ho parlato col diavolo, mi ha detto "Derego" Mi si è presentato in forma di Paola Perego Sopra una Peg Perego in un albergo (albère-go) Alter-ego (altère-go), nel mio gergo (gère-go) Ultimamente sogno gente famosa Che mi dorme in casa parlandomi in prosa La gente aspetta una rima che non esiste E più continui a spiegarlo più dice "Cosa?" Ho visto Giusy Ferreri guidare una Ferrari Con di fianco Ferrara che mangiava un Ferrero Io non voglio fare lo stagista Si guadagna a fare lo stragista? No, zero Carico la mia attività di mille sogni in rima Il siero e la serotonina in vena come il rap Attenzione che la palingenesi è vicina Dalla Chiesa arriva l'ultimo segnale, cioè?

#M #m #fabri fibra #Youtube

[hiphopbeenybop]

The Birth of Hip Hop

The hip hop culture has its roots in the Bronx, borough of New York, in the early 70s. At that time, no movement really existed. Many scattered performances were developing in the streets of the Bronx with no global leader.

DJ Kool Herc, Jamaican–American disk jockey, started organizing dance parties at his home. His parties soon spread throughout the Bronx. Quickly attracting a lot of young people, Kool Kerc made a name in the district, organizing more and more parties, indoor and outdoor, always in the Bronx. DJ Disco Wiz and Casanova Fly, Herc’s henchmen, were hacking the electric power of the street lights in order to party in the basket fields of the Bronx.

This is the flyer of the Back to School Jam that took place August 11, 1973 at Kool Herc’s place. 1520 Sedgwick Avenue is an apartment building that was recognized on July 2007 as the birthplace of Hip-Hop. This is where the first parties organized by Kool Herc took place. It has been honored in June 2017 with an award. The moderate rent building is now standing on the newly inaugurated Hip Hop Boulevard, marking where it all began.

1- The Deejaying

Kool Herc created a new music with 2 turntables playing Disco music, hard Funk and other James Brown records combined together. By playing the drum beats of the songs alternately, he enhanced “the break”. This is the birth of Hip Hop Music. Without delay, a lot of young artists started Deejaying and creating new techniques around this new culture. 

In these new artists, Theodore Livingston. In 1975, he is only twelve, practicing turntabling in his bedroom when his mother yells at him from another room. The young artist, now known as Grand Wizzard Theodore, puts his hand on the spinning record to stop the music and causes the “shigi” sound. So the invention of the scratching technique was an accident !

If the origin of the name Hip Hop is often disputed, some say that Keef Cowboy, member of the groupe Grandmaster Flash and the Furious Five, teased a military-friend by faux-marching to the sound hip-hop-hip-hop. Or the name might come from Afrika Bambaataa, African-American DJ who largely influenced the creation of the Hip Hop movement. At that time, the gangs made the law in the Bronx. Violence and brutality were at every corner. Lance Taylor (Afrika Bambaataa), who used to be a member of the gang P.O.W.E.R and the leader of the Black Spades, started an Anti-Violence Movement (now known as the Zulu Nation). He soon understood that using the new performances of the youth would help canalize their energy. So, inspired by DJ Kool Herc, he started hosting parties in the city. Turntabling, organizing dance contests, inviting MCs to animate the show, welcoming graffiti writers… 

The four main pillars of hip hop appeared.

2- The Breakdancing

While DJs like Grandmaster Flash and Afrika Bambaataa began building music on Kool Kerc’s innovations, the breakdown inspires bboys and bgirls. Breakdance is a street dance largely based on drums and funk music. This dance holds a major part in the urban culture and is full of athletic moves. This discipline also thrived in the 70s with bboys like Trixie or Dancing Doug. If he was already dancing before DJ parties were organized in the Bronx, Lauree Myers, better known as Trixie affirms :

“When we did go to Herc's parties that's when I took it to another level.”

3- The Spraywriting

Third element composing Hip Hop, the Graffiti, or Spraywriting. It is a form of artistic expression that primarily involves illegally painting walls in the streets and trains in the city. There are many different types and styles of Graffitis, ranging from words to drawings. This activity is the most controversial of Hip Hop elements. Widely considered as vandalists, the graffiti artists need to draw fast and run fast. Generally ran in public places, this business often involves running from the police, especially when a huge part of the graffitis were spelling “A.C.A.B” (All Cops Are Bastards). 

Graffiti already exists for a long time, the first “graffitos” dating from the ancient Egypt or Roman Empire. But the Graffiti we are talking about here doesn’t originate from New York but from Philadelphia. In the 1960s, the first known graffiti writers Cornbread and Cool Earl used black markers to tag their nicknames on all public property throughout the city. In 1968, the rail transport between Philadelphia and New York intensifies. The wagons are moving frames, exposing the paintings from one city to the other. A train to success. In 1970, Topcat 126 copies their practices and brings graffiti tagging into the big apple.

At this time, a bunch of buildings are popping up every week in the city. The youth wants to take over on these new walls and spaces. In the 70s, many issues of racial and social inequality were already taking place. The non white youth adopts this art as an expressive form of rebellion. One of the street art pioneers, Quik, explains to Widewalls : 

“Graffiti was intended as a “voice” to be heard; as we sought a broader audience than our immediate community.”

In the first generation of graffiti artists, we can also cite Futura 2000 or Phase 2 who also largely influenced the discipline for decades. Everyone invents new styles, trying to make their tags more unique and noticeable. LEE 163 joins his letters together. Later comes the Stencil Graffiti with Blek le Rat in Paris. Groups such as United Graffiti Artists and the Fabulous Five start working together to make more elaborated canvas and to escape the scenes more discreetly.

This was all before graffiti became fashionable. At that time, graffiti artists were chased by the authorities. Only ten years later, a painting of Jean-Michel Basquiat, who started as a graffiti artist, was sold for over $110 Million. 

4- The MCing

Last but not least, the rapping. If MCs (Masters of Ceremony) were originally at parties to animate the show and cheer the dancers, they were also here to communicate. To talk about the problems faced by the african-american community. Dancing and spraywriting were a great way to express the feelings, but rapping had no equal. Rap has its name from the slang word meaning “conversation”. Or maybe it stands for Rhythm And Poetry. Certainly both.

The 3 major components of MCing are the content, the flow and the cadence. The three are essential to deliver a message and get the listener to feel your melody and bounce their head. Rapping is the rhythmic spoken delivery of rhymes and wordplay usually over a beat. Rapping has its roots in Africa. Centuries before Hip Hop music existed, the griots (traditional communicator) of West Africa were delivering stories rhythmically, over drums. 

At his beginnings, Grandmaster Flash was so focussed on his mix, breaks and scratching skills that he forgot one of the essentials. The mic. The occasion for some to propose their services. One day, Flash met Cowboy, an MC as charismatic as his word. 

His entry on Flash’s scene inspired two brothers : Melle Mel and Kid Creole. Creole was really good at freestyling, but little was Mel who decided to work his texts before the shows. Quickly, his sharp feather offset his ad lib skills. He becomes the leader of Flash’s new vocal trio and inspires others to work on their texts, ad style figures and play with words.

The Last Poets were the first group to throw an album out in 1970. It coupled spare funk and aggressive delivery, combined with socially-conscious word. This is the basis of MCing. Social and racial awareness are the foundation to the vocal performance in Hip Hop.

It is hard to cover this whole rap period without talking about Kool G Rap, the Godfather of Gangster Rap, the Sugarhill Gang, first group to ever throw a rap album, the Treacherous Three, MC Hammer, the Funky 4+1, the Cold Crush Brothers…

Widely inspired by jazz, soul, funk and disco, the Hip Hop movement is multicolor. Created and lead by african-americans, it has a root in Africa, one in Latin America, one in Asia, another one in Europa… Hip Hop is a multicolor culture that assembles the people. 

According to Kurtis Blow, an MC from the outset who started as a Master of Ceremony for Flash’s parties : 

“I'm a firm believer that hip hop and rap is so malleable; you can shape it in any form. We have these fusions like rock n roll rap, reggae rap, country and western rap”

This is how Hip Hop, now a truly international cultural movement, had its start. 

PEACE, UNITY, LOVE AND HAVING FUN

#hiphop #hiphop history #hiphopbeenybop #today in history #today in music history #music #rap #dj #graffiti #breakdance #Birth Of Hip Hop

[tina-aumont]

The sulfur of Tina Aumont Flash appearances, unforgettable presence

Dominican origin by her mother, she is already doing the 4th cover - colors of A Week of Paris (n ° 44) of August 27, 1947 - with her father and her mother: "Jean-Pierre Aumont, already a happy father, comes Tina Aumont (born Maria Christina Salomon on February 14, 1946 in Los Angeles) died on October 28 in Port-Vendres from a pulmonary embolism.

Fifty films.

Beginnings in MODESTY BLAISE (Losey, Tina Marquand - then - is already stabbed in a funfair) followed by THE CURÉE, TEXAS NOUS VOILÀ with Delon, Dean Martin. The career wish will be foreign to Tina Aumont. One of the most beautiful movie actresses. Eyes and eyelids largely surrounded by black. Braising glares. Taciturn airs. Thick ebony mane or curly redhead. Icon of the sixties and seventies, underground musical scene, pictorial (Pardo, paintings of the CRYSTAL CRADLE), cinematographic (THE HIGHEST SOLITUDES the most beautiful Garrel - with Jean Seberg, Nico, it will be seen in NICO ICON, NECROPOLIS of the painter Franco Brocani with Viva, L. Waldon, Nicoletta Machiavelli), Tina Aumont turns quickly to Italian cinema.

PARTNER (1968, an aggressive film with Bertolucci's shocked story, in biting colors, fed by Artaud) with Clémenti coming with his double. Scene of eyes painted on the eyelids, bath in the foam of the washing machine. The same year the barefoot girl will be circled in a SATYRICON (formerly Fellini) by G.L. Polidoro, she turns ALIBI of V. Gassman and Adolfo Celi, then comes Bolognini (METELLO, THE GREAT BOURGEOISE), Samperi (MALICIA), Lattuada, ARCANA of These, G. Ferrara, B. Rondi, Patroni-Griffi, the last Minnelli (NINA) shot in Italy. Appearances as brief as they are dazzling. Laughing gaze of the girl in white dress smoking on the swing in the films of Pierre Clémenti, Tina or the madness of time at present. CASANOVA versions Comencini (the most beautiful), Fellini - his "little soldier" - beautiful (mischievous, bright) to curse a saint. Marie-Madeleine (LE MESSIE, Rossellini). The whore (witness) of ILLUSTRIOUS CORPSES (Rosi). Main role in little-known films. Many unpublished in France.

L'URLO's shock (T. Brass, 1968) erotic pop too daring to find an outlet. Undressed silhouette always moving pacing devastated colorful decors. Tina Aumont is less visible in SALON KITTY (Brass, 1975). Wife (in the shadow) of Wallemberg (Helmut Berger), her first appearance is the first smile of the film. With a kind of restraint, an economy in gestures, she introduces Teresa Ann Savoy to their home. This restraint is at the same time invitation. The invitation is reflected in the smile and the look. She serves them tea. She is the only smiles of a movie where the relationships between all the other characters are rather tense. The smile in the first scene where she opens the door is a moving smile, in several times. She goes with the music. Wallemberg is at the piano.

M. Lupo, S. Martino, Grieco, Canevari. Diversity fuels curiosity.  CORBARI (1970) beautiful film by V. Orsini with Giuliano Gemma, and the great Frank Wolff who will slit his throat the following year. Dance and cascading laughs of Carmen, last breath in a last kiss in the desert stabbed by Franco [Don José] Nero, MAN, PRIDE AND THE VENGEANCE (western of L. Bazzoni, 1967).

At the time of excesses, and the hectic filming SECRET DE LA VIE (A. Whitelaw, 1974) another beautiful film, crazy (theme death, so time - extensive program), shot in Amsterdam, with K. Kinski (Also in the previous one), Tina Aumont - still adept of the bicycle (between two knots with double helix) - made piquant remarks, aiming at the author of the film.

“I am compared to nicotine: I am oxygen. (...) They think I take, but I give: I am the breath. I stimulate. I provoke. People would like to love me dead. It would be so much simpler (for them): I disturb them. But I'm alive, and I intend to continue. To live. To make movies. (...) I am not invasive, but I am a presence that can not be ignored. Whether in front of a goal or in a room, it's like that. (...) I am not an actress. Cinema is my way of life. I can not consider life without making movies".

With the exception of Jacques Richard (REBELOTE in 1983) the cinema will ignore Tina Aumont for a quarter century. Tina Aumont detonates in French cinema, cloisonné where only a few friends (Garrel) have made it turn.

The 90s: Rollin filmed for a few minutes in TWO VAMPIRE ORPHANS who could have made a singular Bathory, a video film DINOSAUR FROM THE DEEP shot in a cellar under the director's video-club, N. Moutier, square de Montholon - the film more underground than I turned loose Tina Aumont descending underground, a fantastic short ... Ultimate appearance: LA MÉCANIQUE DES FEMMES (Missoltz, 2000). The best of a movie that we would forget without it. 50 seconds. A map. Warm tones. Black dress. Red lips. Sitting at the bar of a hotel. A monologue. Smoking cigarette between the fingers. The actress seems to have staged herself. To Rémi Martin: “You know who I am ... A debauchee. Rushed! Luxurious. Corrupt. Disorderly. Immoral. Libertine. Dissolute. Voluptuous. Naughty. Fucker. Depraved. Immodest. Vicious. And despite all that, I succumb. Two cups, please, boy!” Nice exit! To revise the plan, it's a royal exit! Discreet release of a large lady. We could have hoped for a fresh start.

2002, I see Tina Aumont in a feeding area. Mystery whole, intact. Idea of ​​a book taking her films one by one, involving a series of interviews. At first rough. She was not against it. We had to give it time. Cautious approach, like a cat. My calls refer to others. Insistent. She planned to write. Time seems to be very present for her. Saver of words. Hoarsely. Laughing gushing hoarse. It amused her when I mentioned Mary Meerson to whom she reminded me. She tells me about the streets of Briançon. Tina remembered if something was asked. I'm talking about the project to Michel Bulteau, leaving for some interviews. Time passes. The last thing considered, write these lines. Tina Aumont's life looks like a tragedy.

Alexandre Mathis

http://https-alexandre-mathis.over-blog.com/2019/09/tina-aumont.html

Interesting article although the translation is not much accurated (the original is written in French). Although I have this source, I really don’t know in which newspaper was it published nor when.

#Tina Aumont #actress #alexandre mathis #2002 #article #French article #2002 Tina Aumont #Chiara Samugheo #1974 chiara Samugheo #Fellini's Casanova #Il Casanova #Il Casanova di Federico Fellini

[elcinelateleymickyandonie]

MICHEL SIMON.

Filmography

1924: La Galerie des monstres, by Jaque Catelain and Marcel L'Herbier

1925: La Vocation d'André Carel, by Jean Choux

1925: Feu Mathias Pascal, by Marcel L'Herbier

1926: L'Inconnue des six jours, 6 by René Sti

1927: Casanova, by Alexandre Volkoff

1928: Tire-au-flanc, by Jean Renoir

1928: The Passion of Joan of Arc, by Carl Theodor Dreyer

1929: Pivoine, 7 by André Sauvage

1930: L'Enfant de l'amour, by Marcel L'Herbier

1931: On purge bébé, by Jean Renoir

1931: La Chienne, by Jean Renoir

1931: Baleydier, by Jean Mamy

1931: Jean de la Lune, by Michel Simon (signed by Jean Choux)

1932: Boudu saved from the waters, by Jean Renoir

1933: Miquette et sa mère, by Henri Diamant-Berger, D. B. Maurice and Henri Rollan

1940: La Comédie du bonheur, by Marcel L'Herbier

1941: Tosca, by Carl Koch

1941: Il ré se divertrte, by Mario Bonnard

1942: A Signora dell'Ovest, by Carl Koch

1943: Vautrin, by Pierre Billon

1943: Au Bonheur des Dames, by André Cayatte

1951: La Poison, by Sacha Guitry

1951: Vedettes sans maquillage, by Jacques Guillon

1951: La Cité du midi, by Jacques Baratier

1952: Le Marchand de Venise, by Pierre Billon

1952: Hôtel des Invalides, by Georges Franju

1952: Monsieur Taxi, by André Hunebelle

1952: La Fille au fouet, by Jean Dréville

1955: L'Impossible Monsieur Pipelet, by André Hunebelle

1955: Les Mémoires d'un flic, by Pierre Foucaud

1956: La Joyeuse Prison, by André Berthomieu

1957: Les Trois font la paire, by Sacha Guitry

1957: Un certain monsieur Jo, by Ren�� Jolivet

1958: The Bait, by Ladislao Vajda.

[thearrangment-phff]

Guest List Part 2

*Disclaimer- If you are looking at this list for a complete list of Isabella’s family many family members without titles were not included. Many distant family members were not included on both sides of the family.

Bride's Family

Archduke Carl Christian and Archduchess Marie Astrid, parents of the bride

Archduchess Marie Christine, Countess of Limburg-Stirum and Count Rodolphe de Limburg-Stirum, sister and brother in law of the bride

Count Leopold de Limburg-Stirum, nephew of the bride

Count Constantin de Limburg-Stirum, nephew of the bride

Count Gabriel de Limburg-Stirum, nephew of the bride

Archduke Imre and Archduchess Kathleen of Austria, brother and sister-in-law of the bride

Archduchess Maria Stella of Austria, niece of the bride

Archduchess Magdalena of Austria, niece of the bride

Archduke Christoph and Archduchess Adelaide of Austria, brother and sister-in-law of the bride

Archduchess Katarina of Austria, niece of the bride

Archduke Alexander of Austria, brother of the bride

Archduchess Gabriella of Austria, sister of the bride

Jean, Grand Duke of Luxembourg, grandfather of the bride

The Grand Duke and Grand Duchess of Luxembourg, aunt and uncle of the bride

The Hereditary Grand Duke and Grand Duchess of Luxembourg, cousin of the bride and his wife

Prince Felix and Princess Claire of Luxembourg, cousin of the bride and his wife

Princess Amalia of Nassau, first cousin once removed of the bride

Prince Liam of Nassau, first cousin once removed of the bride

Prince Louis of Luxembourg, cousin of the bride

Prince Gabriel of Nassau, first cousin once removed of the bride

Prince Noah of Nassau, first cousin once removed of the bride

Princess Alexandra of Luxembourg, cousin of the bride

Prince Sebastien of Luxembourg, cousin of the bride

Prince Jean of Luxembourg and Countess Diane of Nassau, uncle and aunt of the bride

*Prince Jean's ex-wife Helene was also invited, former aunt of the bride by marriage

Princess Marie Gabrielle of Nassau, cousin of the bride

Prince Constantin of Nassau, cousin of the bride

Prince Wenceslas of Nassau, cousin of the bride

Prince Carl-Johan of Nassau, cousin of the bride

Princess Margaretha and Prince Nikolaus of Liechtenstein, aunt and uncle of the bride

Princess Maria Anunciata of Liechtenstein, cousin of the bride

Princess Marie Astrid of Liechtenstein, cousin of the bride

Prince Josef-Emmanuel of Liechtenstein, cousin of the bride

Prince Guillaume and Princess Sibilla of Luxembourg, uncle and aunt of the bride

Prince Paul Louis of Nassau, cousin of the bride

Prince Leopold of Nassau, cousin of the bride

Princess Charlotte of Nassau, cousin of the bride

Prince Jean of Nassau, cousin of the bride

Archduchess Yolande of Austria, grandmother of the bride

Archduke Rudolf and Archduchess Helene of Austria, uncle and aunt of the bride

Archduke Carl Christian of Austria, cousin of the bride

Archduchess Zita of Austria, first-cousin-once-removed

Archduchess Priscilla of Austria, cousin of the bride

Archduke Johannes of Austria, cousin of the bride

Archduke Thomas of Austria, cousin of the bride

Archduchess Marie des Neiges of Austria, cousin of the bride

Archduke Franz Ludwig of Austria, cousin of the bride

Archduke Michael of Austria, cousin of the bride

Archduke Joseph of Austria, cousin of the bride

Archduchess Alexandra of Austria, aunt of the bride

Archduchess Maria Constanza, aunt of the bride

Princess Ladislaya von Aueresperg, cousin of the bride

Princess Eleonora von Auersperg, cousin of the bride

Other descendants of Charlotte, Grand Duchess of Luxembourg

Princess Anna von Hohenberg and Count Andreas von Bardeau, first-cousin-once-removed of the bride and her second husband

Gaetan de La Poeze, Count d'Harambure, 2nd cousin of the bride

Alix de La Loeze, Countess d'Harambure and Francois-Xavier Fraye, 2nd cousin of the bride and her husband

Gabriel de La Loeze, Count d'Harambure, 2nd cousin of the bride

Raoul de La Loeze, Count d'Harambure, 2nd cousin of the bride

Princess Sophie von Hohenberg and Jean-Louis de Potesta, first-cousin-once-removed of the bride and her husband

Eleonore de Potesta, 2nd cousin of the bride

Baron Charles de Potesta, 2nd cousin of the bride

Elizabeth de Potesta, 2nd cousin of the bride

Johanna von Hoehenberg, widow of the first-cousin-once-removed of the bride

Countess Laura Henckel von Donnersmarck, 2nd cousin of the bride

Countess Marie Henckel von Donnersmarck, 2nd cousin of the bride

Count Ludwig Henckel von Donnersmarck, 2nd cousin of the bride

Count Albrecht Henckel von Donnersmarck, 2nd cousin of the bride

Count Heinreich Henckel von Donnersmarck, first-cousin-once-removed of the bride

Count Tassilo Henckel von Dommersmarck, 2nd cousin of the bride

Countess Charlotte Henckel von Donnersmarck and Graf Christoph Johannes von Meran, first-cousin-once-removed of the bride and her husband

Count Johannes von Meran, 2nd cousin of the bride

Countess Anna von Meran, 2nd cousin of the bride

Countess Camilla von Meran, 2nd cousin of the bride

Princess Marie Gabriele of Luxembourg, Dowager Countess of Holstein-Ledreborg, great-aunt of the bride

Monica, 8th Countess of Holstein-Ledreborg and Henri de Dompierre de Jonquieres, first-cousin-once-removed of the bride and her husband

The Hereditary Countess of Holstein-Ledreborg and Martin Bergsøe, first-cousin-once-removed of the bride and her husband

*The Hereditary Countess' first husband Prince Eric of Bourbon-Parma was also invited

Princess Antonia of Bourbon-Parma, 2nd cousin of the bride

Princess Marie Gabrielle of Bourbon-Parma, 2nd cousin of the bride

Princess Alexia of Bourbon-Parma, 2nd cousin of the bride

Prince Michel of Bourbon-Parma, 2nd cousin of the bride

Prince Henri of Bourbon-Parma, 2nd cousin of the bride

Countess Veronica of Holstein-Ledreborg, first-cousin-once-removed of the bride

Countess Silvia of Holstein-Ledreborg, first-cousin-once-removed of the bride

Countess Camilla of Holstein-Ledreborg, first-cousin-once-removed of the bride

Baron Nicolas Bertouch-Lehn til Højbygaard-Lungholm, 2nd cousin of the bride

Baron Philip Bertouch-Lehn til Højbygaard-Lungholm, 2nd cousin of the bride

Countess Tatiana of Holstein-Ledreborg, first-cousin-once-removed of the bride

Countess Antonia of Holstein-Ledreborg

Princess Charlotte of Luxembourg and Marc-Victor Cunningham, first-cousin-once-removed of the bride and her husband

Charles Cunningham, 2nd cousin of the bride

Louis Cunningham, 2nd cousin of the bride

Donnall Cunningham, 2nd cousin of the bride

Prince Robert of Luxembourg, first-cousin-once-removed of the bride

Princess Charlotte of Nassau, 2nd cousin of the bride

Prince Alexandre of Nassau, 2nd cousin of the bride

Prince Frederik of Nassau, 2nd cousin of the bride

Alix, Dowager Princess of Ligne, great-aunt of the bride

Michel, 14th Prince de Ligne and Princess Eleonora, first cousin-once-removed of the bride and his wife

Princess Alix de Ligne, Countess de Dampierre and Count Guillaume de Dampierre, 2nd cousin of the bride and her husband

The Hereditary Prince of Ligne, 2nd cousin of the bride

Prince Wauthier and Princess Regine de Ligne, first cousin-once-removed of the bride

Prince Philippe de Ligne, 2nd cousin of the bride

Princess Melanie-Yolande de Ligne, 2nd cousin of the bride

Princess Elisabeth-Eleonore de Ligne and Baron Baudouin Gillès de Pelichy, 2nd cousin of the bride and her husband

Princess Anne de Ligne, first cousin-once-removed

Princess Christine de Ligne, Princess of Orleans-Branganza and Prince Antonio of Orleans-Branganza, first cousin-once-removed of the bride

Princess Amelia of Orleans-Braganza, 2nd cousin to the bride

Prince Rafael of Orleans-Branganza, 2nd cousin of the bride

Princess Maria Gabriela of Orleans-Braganza, 2nd cousin of the bride

Princess Sophia de Ligne, Countess de Nicolay and Count Philippe de Nicolay, first cousin-once-removed of the bride and her husband

Prince Antoine and Princess Jacqueline de Ligne, first cousin-once-removed of the bride and her husband

Prince Louis de Ligne, 2nd cousin of the bride

Princess Marie de Ligne, 2nd cousin of the bride

Princess Florence de Ligne, 2nd cousin of the bride

Princess Yolande de Ligne and Hugo Townsend, first cousin-once-removed of the bride and her husband

Other descendants of Charles I of Austria

Andrea von Habsburg The Hereditary Countess of Neipperg and The Hereditary Count of Neipperg, first cousin-once-removed of the bride and her husband

Count Philipp of Neipperg, 2nd cousin of the bride

Count Benedikt of Neipperg, 2nd cousin of the bride

Count Dominik of Neipperg, 2nd cousin of the bride

Countess Hemma of Neipperg, 2nd cousin of the bride

Countess Katharina of Neipperg, 2nd cousin of the bride

Prince Valerian of Lobkowicz, 2nd cousin-once-removed of the bride

Monika von Habsburg Duchess de Santangelo and Luis de Casanova-Cardenas y Baron, 5th Duke de Santangelo, first cousin-once-removed of the bride and her husband

Baltasar, 23rd Marquess de Elche, 2nd cousin of the bride

Gabriel de Casanova y Habsburgo-Lorena, 2nd cousin of the bride

Rafael de Casanova y Habsburgo-Lorena, 2nd cousin of the bride

Santiago de Casanova y Habsburgo-Lorena, 2nd cousin of the bride

Michaela von Habsburg Countess von Kageneck, first cousin-once-removed

Gabriela von Habsburg, first cousin-once-removed

Walburga von Habsburg Countess Douglas of Skenninge and Count Archibald Douglas, first cousin-once removed of the bride and her husband

Count Mortiz Douglas, 2nd cousin of the bride

Karl von Habsburg, first cousin-once-removed of the bride

Eleonore von Habsburg, 2nd cousin of the bride

Ferdinand von Habsburg, 2nd cousin of the bride

Gloria von Habsburg, 2nd cousin of the bride

Georg and Eilika von Habsburg, first cousin-once-removed of the bride and his wife

Margherita Dowager Archduchess of Austria-Este, great aunt of the bride by marriage

Archduchess Maria Beatrice of Austria Este, Countess of Acro-Zinneberg, first cousin-once removed of the bride

Countess Anna Theresa von Acro-Zinnerberg, 2nd cousin of the bride

Countess Margherita von Acro-Zinneberg, 2nd cousin of the bride

Countess Olympia von Acro-Zinneberg, 2nd cousin of the bride

Countess Maximiliana von Acro-Zinneberg, 2nd cousin of the bride

Countess Marie Gabrielle von Acro-Zinneberg, 2nd cousin of the bride

Countess Giorgiana von Acro-Zinneberg 2nd cousin of the bride

Prince Lorenz of Belgium Archduke of Austria-Este and Princess Astrid of Belgium Archduchess of Austria-Este, first cousin-once removed of the bride and his wife also a first cousin-once removed of the bride

Prince Amedeo of Belgium Archduke of Austria-Este and his wife Elisabetta, 2nd cousin of the bride

Princess Maria Laura of Belgium Archduchess of Austria-Este, 2nd cousin of the bride

Prince Joachim of Belgium Archduke of Austria-Este, 2nd cousin of the bride

Princess Luisa Maria of Belgium, 2nd cousin of the bride

Princess Laetitia of Belgium, 2nd cousin of the bride

Archduke Gerhard of Austria-Este, first cousin-once-removed of the bride

Archduke Martin and Archduchess Katharina of Austria-Este, first cousin-once-removed of the bride and his wife

Archduke Bartholomaus of Austria-Este, 2nd cousin of the bride

Archduke Emmanuel of Austria-Este, 2nd cousin of the bride

Archduchess Helene of Austria-Este, 2nd cousin of the bride

Archduke Luigi of Austria-Este, 2nd cousin of the bride

Archduchess Isabella of Austria-Este, first cousin-once-removed of the bride

Archduchess Maria del Pilar of Austria, first cousin-once-removed of the bride

Archduke Carl Philipp of Austria of Austria, first cousin-once-removed of the bride

Archduchess Kinga Barbara of Austria, first cousin-once-removed of the bride

Archduke Raimund of Austria, first cousin-once-removed of the bride

Archduchess Myriam of Austria, first cousin-once removed of the bride

Archduke Istvan of Austria, first cousin-once-removed of the bride

Archduchess Viridis of Austria, first cousin-once-removed of the bride

Archduchess Anne Gabriele of Austria, widow of Isabella's great-uncle

Archduchess Maria Anna of Austria and Prince Peter Galitzine, first cousin-once removed of the bride and her husband

Princess Xenia Galitzine, 2nd cousin of the bride

Princess Tatiana Galitzine, 2nd cousin of the bride

Princess Alexandra Galitzine, 2nd cousin of the bride

Princess Maria Galitzine. 2nd cousin of the bride

Prince Dimitri Galitzine, 2nd cousin of the bride

Prince Ioann Galitzine, 2nd cousin of the bride

Princess Olga Galitzine, 2nd cousin of the bride

Archduke Karl Peter and Archduchess Alexandra of Austria, first cousin-once removed of the bride and his wife

Archduchess Antonia of Austria, 2nd cousin of the bride

Archduke Lorenz of Austria, 2nd cousin of the bride

Archduke Simeon and Archduchess Maria of Austria, first cousin-once-removed of the bride and his wife

Archduke Johannes of Austria, 2nd cousin of the bride

Archduke Ludwig of Austria, 2nd cousin of the bride

Archduchess Isabelle of Austria, 2nd cousin of the bride

Archduchess Carlotta of Austria, 2nd cousin of the bride

Archduke Philipp of Austria, 2nd cousin of the bride

Archduchess Catharina-Maria and Count Massimiliano Secco de Aragona, first cousin-once-removed of the bride and her husband

Count Costantino Secco di Aragona, 2nd cousin of the bride

Count Niccolo Secco di Aragona, 2nd cousin of the bride

Count Rodolfo Secco di Aragona, 2nd cousin of the bride

Extended Family of the Bride in reigning monarchies

King Albert II and Queen Paola of the Belgians, great uncle and aunt of the bride

The King and Queen of the Belgians, first cousin once removed of the bride and his wife

The Duchess of Brabant, 2nd cousin of the bride

Prince Gabriel of Belgium, 2nd cousin of the bride

Prince Emmanuel of Belgium, 2nd cousin of the bride

Princess Eleonore of Belgium, 2nd cousin of the bride

The Prince and Princess of Liechtenstein, 3rd cousin-once-removed of the bride and his wife

The Hereditary Prince and Princess of Liechtenstein, 4th cousin of the bride

Prince Josef Wenzel of Liechtenstein, 4th cousin of the bride

Princess Marie-Caroline of Liechtenstein, 4th cousin of the bride

Prince Georg of Liechtenstein, 4th cousin of the bride

Prince Nikolaus of Liechtenstein, 4th cousin of the bride

Prince Maximilian and Princess Angela of Liechtenstein, 3rd cousin-once-removed of the bride and his wife

Prince Constantin of Liechtenstein, 3rd cousin-once-removed of the bride

Princess Tatjana of Liechtenstein, 3rd cousin-once-removed of the bride

Prince Philip and Princess Isabella of Liechtenstein

Prince Wenzeslaus of Liechtenstein

King Juan Carlos and Queen Sofia of Spain, 3rd cousin-twice-removed of the bride and his wife

The King and Queen of Spain, 4th cousin-once-removed of the bride and his wife

The Princess of Austrias, 5th cousin of the bride

Infanta Sofia of Spain, 5th cousin of the bride

Donna Olimpia Torlonia of Civitella-Cesi, 6th cousin-once-removed

Infanta Pilar, Duchess of Badajoz, 4th cousin-once-removed of the bride

Infanta Margarita, Duchess of Soria, 4th cousin-once-removed of the bride

Extended Family of other royal houses

House of Savoy

Princess Maria Pia of Bourbon-Parma, first cousin-twice-removed of the bride

Victor Emanuele, Prince of Naples, first cousin-twice-removed of the bride

Princess Maria Gabriella of Savoy, first cousin-twice-removed

Princess Maria Beatrice of Savoy, first cousin-twice-removed

House of Saxe-Coburg and Gotha-Kothary

Princess Marie Louise of Bulgaria, 2nd cousin-once-removed

Prince Boris of Leiningen, 3rd cousin of the bride

Prince Hermann Friedrich of Leiningen, 3rd cousin of the bride

Princess Alexandra of Kohary, 3rd cousin of the bride

Prince Pawel of Kohary, 3rd cousin of the bride

Simeon II of Bulgaria, 2nd cousin-once-removed

House of Bourbon-Two Sicilies

Princess Teresa Maria of Bourbon-Two Sicilies, 2nd cousin-once-removed of the bride

Princess Cristina of Bourbon-Two Sicilies, 3rd cousin of the bride

Prince Pedro of Bourbon-Two Sicilies, Duke of Calabria 3rd cousin of the bride

Prince Jaime, Duke of Noto, 3rd cousin-once-removed of the bride

Princess Ines of Bourbon-Two Sicilies, 3rd cousin of the bride

Princess Victoria of Bourbon-Two Sicilies, 3rd cousin of the bride

Princess Ines Maria of Bourbon-Two Sicilies, 2nd cousin-once-removed of the bride

Prince Carlo of Bourbon-Two Sicilies, Duke of Castro, 6th cousin of the bride

House of Bourbon-Parma

Princess Irene of the Netherlands, 1st cousin-twice-removed of the bride

Prince Carlos of Bourbon-Parma, Duke of Parma, double 3rd cousin of the bride

Princess Maria Francisca of Bourbon-Parma, 1st cousin-twice-removed of the bride

Princess Maria Teresa of Bourbon-Parma, 1st cousin-twice-removed of the bride

Princess Cecilia of Bourbon-Parma, 1st cousin-twice-removed of the bride

Princess Maria de las Nieves of Bourbon-Parma, 1st cousin-twice-removed of the bride

Prince Sixtus Henry of Bourbon-Parma, 1st cousin-twice-removed of the bride

Prince Jaime, Count of Bardi, 2nd cousin-once-removed of the bride

House of Romania

Crown Princess Margareta of Romania, 2nd cousin-once-removed of the bride

House of Bourbon

Louis Alphonse, Duke of Anjou, 6th cousin of the bride

House Bonaparte

Jean-Christophe, Prince Napoleon, 5th cousin-once-removed of the bride

House of Braganza

Duarte Pio, Duke of Braganza and Isabel, Duchess of Braganza, triple first cousin-thrice-removed of the bride and his wife

Afonso, Prince of Beira, 2nd cousin-twice-removed of the bride

Infanta Maria Francesca, 2nd cousin-twice-removed of the bride

Infante Dinis, Duke of Porto, 2nd cousin-twice-removed of the bride

House of Wittelsbach

Prince Luitpold of Bavaria

Princess Auguste of Bavaria and Prince Ferdinand of Lippe-Weissenfeld

Princess Alice of Bavaria and Prince Lukas of Auersperg

Prince Ludwig of Bavaria

Prince Heinrich of Bavaria

Prince Karl of Bavaria

Belgian Nobility

Count Philippe de Lannoy

Count Jehann de Lannoy

Countess Gaelle de Lannoy

Leopold, 13th Duke of Arenberg and Princess Sophie of Bavaria

Prince Leopold of Arenberg

Princess Natasha of Arenberg

Prince Philippe of Arenberg

Prince Alexandre of Arenberg

Philippe, 22nd Prince de Chimay

Friedrich Christian, 7th Duke of Beaufort-Spontin

Count Christian de Beaufort-Spontin

Princess Marie Gabriele of Bavaria

Rudolf, 15th Duke of Croÿ  

Carl Philipp, Hereditary Prince of Croÿ  

Prince Marc Emanuel of Croÿ  

Prince Heinrich of Croÿ

Prince Alexander of Croÿ  

Prince Stefan of Croÿ  

Prince Lionel of Croÿ

Princess Sophie of Bavaria

Prince Leopold of Arenberg

Prince Karl Ludwig of Arenberg

Princess Marie Gabriele of Arenberg

Prince Heinrich of Arenberg

Prince Etienne of Arenberg

Stephane, 11th Duke of Ursel

Countess Anna Maria d'Udekem d'Acoz

Countess Elisabeth d'Udekem d'Acoz

Countess Hélène d'Udekem d'Acoz  

Count Charles-Henri d'Udekem d'Acoz

Prince Charles-Antoine de Ligne La Trémoïlle

Count Louis de Limburg-Stirum

Countess Belén de Limburg-Stirum  

Count Philippe de Limburg-Stirum

Countess Caroline de Limburg-Stirum

#Wedding

[vfmovies]

Regarder Mafiosa: Saison 2 Épisode 4 en streaming VF

New Post has been published on https://vfmovies.to/episodes/mafiosa-saison-2-episode-4/

Voir Mafiosa: Saison 2 Épisode 4 complet en franaçais, très bonne qualité et gratuit.

Informé de la promesse faite à Larcher, Jean-Michel s’oppose ouvertement à l’assassinat du nationaliste corse, Paul Bonafedi. A quelques jours de l’ouverture de la table ronde qui doit réunir les mouvances nationalistes corses, Sandra donne ordre à Andréani, avec lequel elle entretient désormais une relation amoureuse complexe, d’abattre… Larcher ! A Marseille, Sandra retrouve Coco Casanova qui a maintenant toute confiance en elle puisqu’elle a relevé le défi haut la main. Coco propose aux Paoli de récupérer le territoire de son ami et associé Serge Ben Mussa, détenu aux Baumettes depuis plusieurs mois…

[miguelmarias]

Violette Nozière (Claude Chabrol, 1978)

No puede decirse que la distribución en España de las películas de Chabrol esté contribuyendo a la comprensión de su carrera, ya que la vamos conociendo fragmentariamente, con lagunas graves —por limitarnos a los últimos diez años, aún no han llegado La rupture (1970), Nada (1974), Les magiciens (1975)... —, en el más absoluto desorden, con retraso casi siempre, a veces en malas condiciones y ahora, para acabar de fastidiar con títulos idiotas (Laberinto mortal para Blood Relatives / Les liens de sang, 1977) o vergonzosos (como el que aflija a Violette Nozière, 1977 también, pero posterior). Esto, que es siempre molesto, resulta particularmente incómodo con una obra tan irregular y abundante como la de Chabrol, ya que a los desconcertantes virajes y altibajos del autor se suman o se mezclan los que artificialmente crea su caótica llegada hasta nosotros.

En 1971, Chabrol llevaba tres años y medio de gran actividad, en los que había rodado seis películas claramente relacionadas entre sí, con el mismo equipo técnico y repitiendo a menudo actores y hasta nombres de personajes. Se trata de lo que se ha llamado «tercera etapa» de su carrera, que comprende Les Biches (Las ciervas), La femme infidèle (La mujer infiel, 1968), Que la bête meure (Accidente sin huella), El carnicero (Le boucher, 1969) y La rupture, y culmina, a mi juicio, con Juste avant la nuit (Al anochecer, 1971). Parecía que, gracias al productor André Génovès y al notable éxito crítico y comercial de estas películas, Chabrol había conseguido una espléndida madurez y un dominio creciente de la narración y la dirección de actores. Pero en ese mismo año, Chabrol realiza un proyecto que se había ido retrasando por compromisos o enfermedades de los actores previstos, La décade prodigieuse (La década prodigiosa), un film a mitad de camino entre Chesterton (El hombre que fue jueves) y Orson Welles (Mr. Arkadin) que, pese a ser admirable, suponía una clara ruptura con las películas precedentes y desconcertó al público y a la crítica en general. A partir de entonces, Chabrol parece estar buscando un nuevo rumbo sin acabar de encontrarlo; cada cierto tiempo, ante el fracaso de sus intentos de renovación, vuelve —a veces con fortuna, como en Les noces rouges (Relaciones sangrientas, 1973) y, sobre todo, Une partie de plaisir (Una fiesta de placer, 1974); otras, con menor acierto y un tratamiento entre caricaturesco y paródico, como en Les innocents aux mains sales (Inocentes con manos sucias, 1975) y Folies bourgeoises / The Twist (Locuras de un matrimonio burgués, 1976)— al terreno de sus mejores obras. Cada tentativa de hallar un nuevo camino, ya sin Génovès, y con actores muy diferentes —tanto Michel Bouquet como Stéphane Audran pierden importancia o desaparecen—, suele ser un fracaso de taquilla y de crítica, comprensible, a mi modo de ver, cuando el resultado es tan deplorable como Dr. Popaul (Dr. Casanova, 1972), inexplicable cuando se trata de films tan apasionantes como Alice ou la dernière fugue (Alicia o la última fuga, 1976) o Blood Relatives.

El caso es que Chabrol parece un tanto perdido, y su prestigio —rápidamente ascendente de 1968 a 1971— cae en picado, hasta que se olvidan sus obras maestras y se deja, prácticamente, de «contar con él». Alternando películas más o menos personales y conseguidas con buen número de trabajos para televisión e incluso con la realización de algún «spot» publicitario, Chabrol sigue trabajando sin parar, y sin que sus films llamen la atención hasta la presentación, en el festival de Cannes de 1978, de Violette Nozière.

Para algunos, Chabrol se ha reencontrado en esta película; es posible, pero pienso que, en todo caso, lo ha hecho con quince años de retraso: Violette Nozière tendría sentido, en la obra de Chabrol, justo antes o después de Landru (Landrú, 1962); no, creo yo, después de Juste avant la nuit, Une partie de plaisir o Alice ou la dernière fugue. Lo mismo ocurre, en ciertos aspectos —construcción en «flashbacks», estructura familiar opresiva, crimen provocado por los celos, investigador «distanciado»— con Blood Relatives, que enlaza directamente con Les cousins (Los primos, 1958), À double tour (Una doble vida, 1959) y Ophélia (Ofelia, 1962), pero, al menos, lo hace con un mayor dominio de la puesta en escena, en Montreal y con un estilo «americano» que supone una notable diferencia. Violette Nozière es una reconstrucción histórica de una célebre causa real, un film de época, construido en torno al proceso y narrado muy fragmentariamente, con breves y frecuentes «flashbacks» e «imaginaciones», y siguiendo constantemente a un personaje central, el del asesino «anarquista»; todo ello como en Landrú, pero con un par de diferencias que, a mi modo de ver, no representan progreso alguno, sino todo lo contrario.

Landrú era un film voluntaria y deliberadamente teatral, distanciado y lleno de humor, Violette Nozière, por el contrario, opta por el naturalismo preciosista del cine «retro» —un poco como Bertolucci en Il conformista (El conformista, 1970) o Visconti en La caduta degli dei/Götterdämmerung (La caída de los dioses, 1969), por poner ejemplos respetables—, Chabrol pretende «haberse enamorado» —nada menos— de Violette, y hace un film enormemente pesado y solemne, sin el menor sentido del humor. Para colmo, frente a la admirable y estrafalaria caracterización de Charles Denner como Landru, en Violette Nozière nos encontramos a Isabelle Huppert repitiendo por enésima vez su papel de siempre, con esa inexpresividad poco inteligente y nada enigmática que lo mismo le sirve para hacer de asesina que de ingenua o víctima (La dentellière, Le juge et l'assassin, Les indiens sont encore loin, etc.). En lugar de un reparto integrado por los mejores secundarios (y varias estrellas) del cine francés del momento, Chabrol nos obsequia con las peores interpretaciones que pueden hallarse en su obra —Jean-François Garreaud sobre todo—, desaprovecha a su ex-mujer y a Jean Carmet al encomendarles personajes esquemáticos y al mismo tiempo confusos; y todo ello, además, en un sentido inesperado: si su dirección de actores fallaba era, a veces, por exceso, por afición al histrionismo y a las muecas, y no, como en Violette Nozière, por sosería generalizada.

Lo más grave es que, además, Violette Nozière es una película mal construida y deficientemente narrada; más que de Chabrol parece de Bertrand Tavernier: no sólo el proyecto en si, su supuesto carácter «reivindicativo», la desangelada frialdad del conjunto y los fallos de estructura hacen pensar en Le juge et l'assassin, sino hasta el haber recurrido —como guionista— a Hervé Bromberger parece afán de reenlazar con une certaine tendence du cinéma français que denunció enérgicamente Truffaut en 1954 y que también Chabrol calificaba por entonces de cinéma de qualité. Lo que, afortunadamente, separa a Chabrol del autor de L'horloger de St. Paul es que el primero es mucho mejor director, y que eso se nota, de vez en cuando, en alguna secuencia, a menudo en planos sueltos admirablemente encuadrados y con una dinámica interna que no está al alcance de cualquiera, en gestos aislados, captados con reveladora precisión, en un uso del espacio —sobre todo en el interior del apretujado piso de los Nozière, que produce auténtica claustrofobia— que remite al Renoir de La chienne (1931), Toni (1934) o Le crime de Monsieur Lange (1935) y al Fritz Lang de M (1931); estos ratos, lamentablemente no muy frecuentes, discontinuos, dispersos en un conjunto casi ramplón al mismo tiempo que demasiado cuidado como para llegar a tener vida —y en eso no hay nada tan opuesto al Renoir de los años 30 como Violette Nozière—, es decir, casi ahogados por el academicismo, revelan inequívocamente la presencia de un director capaz de hacer cosas muy superiores, lo que serviría, al menos, para que no perdiésemos del todo la esperanza los admiradores de Chabrol. Por suerte, unos meses antes habla realizado Blood Relatives, su primera película «americana», y en ella demuestra que, si quiere, puede estar en plena forma, y hacer todavía películas inquietantes y emocionantes, y no confusas y gélidas ilustraciones de archivo o de museo de cera.

Miguel Marías

Revista “Dirigido por” nº71, marzo-1980

#miguel marías #claude chabrol #violette nozière #dirigido por

[filemp3]

📢 VA - Today Big Pack 67-2020 🏷️VA - Today Big Pack 67-2020 zippy free download, Genre: EP / Packs / Albums, Label: FiLEMP3, Released: 2020-07-06, BPM: 100, 320 kbps #va #today #big #pack #67-2020 #ep #packs #albums #filemp3 TRACKLIST: //195 TRACKS 2nd Phase - Operator (Original Mix) 2nd Phase - Simulator (Original Mix) Aguilar (Italy) - Get In Up Aguilar (Italy) - In Love Aguilar (Italy) - Move Your Body Al Chem - Metaphysics of Love (Michael Reinboth Remix) Al Chem - Metaphysics of Love (Shahrokh Dini Remix) Alex M (Italy) - Love Allies for Everyone - Coming Up (Original Mix) Allies for Everyone - Coming Up (Philipp Kempnich Remix) Allies for Everyone - Will It Scar (Original Mix) Andi Muller - Bubbles Andi Muller - Lowkey 95 Angelo Ferreri & Alessio Cala - Dance If U Want Audiense - Andromeda (Original Mix) Audiense - Erasure (Original Mix) Audiense & S.Birin - Rangiora (Original Mix) Audio Anonymous Ipcress - Helch (James Monro Remix) Audio Anonymous Ipcress - Helch (Original mix) Baham - You Are Simin Baham - You Are Simin (Gab Rhome Adisyn Remix) Bastian Bux - Inside Bastian Bux - Lagano Bastian Bux - Legacy Bastian Bux - The Vault Bayaka (IT) - Deli (Bayaka Remix) Bayaka (IT) - Deli (MoBlack Remix) Be Saint - Aiar Be Saint - Space Black Girl _ White Girl - Flexxulator Black Girl _ White Girl - Green Crack Black Girl _ White Girl - Telepathy Black Girl _ White Girl - Unfading Blazout - Station Bonetti - She Cant Luv Ya Booka Shade - Polar Lights (Chi Thanh Remix) Booka Shade - Polar Lights (Inta Remix) Booka Shade - Polar Lights (John Monkman Remix Extended) Carloh - One Moment Carlos Sanchez - Even Easier Cavi - Happy Days Ceas - Eden (Extended Mix) Ciclo & Jose M. - Tu No Va A Tocar CJ Art - Galactic Blues (Original Mix) CJ Art - Interstellar Travel (Original Mix) D.J. MacIntyre Juan Ibanez - Astral Journey D.J. MacIntyre Juan Ibanez - Astral Journey (Lio Q Remix) D.J. MacIntyre Juan Ibanez - Astral Journey (Paul Hamilton Dalfie - Homework (Original Mix) Dalfie - Let s Save It (Original Mix) Darksidevinyl - Makadonya (Original Mix) David Hohme Dustin Nantais feat. Sophia Urista - Storybook Deniz Bul - Cold Turkey (Original Mix) Deniz Bul - Limitless (Original Mix) Deorbiting - The Fermi paradox (Original Mix) Disfunktion Kris O Neil - Stemmen (Extended Mix) DJ Qness - Iba Mubi DJ Qness - Iba Mubi (Club Mix) Dualize - Dense Dualize - Eon Elliot Fitch - YAH Eugene Becker - Addictive to You Eugene Becker - Next Chapter Extrawelt - Doch Doch (Harald Bjrk 2020 Remix) Extrawelt - Doch Doch (The Lost 2007 Harald Bjrk Remix) Faites Leur La Danse, La Namoura - Ode aux sirnes (Original Mix) Fiorious - Im Not Defeated Fiorious - Im Not Defeated (Cassius Remix) Frank Sonic & L-EX - Hulk (Original Mix) Gavril - Another Sensation (Elf Edit) Glowal Simon Batten - Moment Glowal - Antenna Glowal - Enigma Glowal - Night Queen Gogol - Pyro (Original Mix) Grum & Genix - The Light (Extended Mix) Gux Jimenez & Gabriel Amato - Eagles (Original Mix) Gux Jimenez & Gabriel Amato - Silver Stars (Original Mix) Gux Jimenez & Gabriel Amato - The Moon of Endor (Original Mix) Hacobb - Atlast Hacobb - Farewell Handsdown Leigh Boy - Dead Lock Handsdown Leigh Boy - Dust Snake Handsdown Leigh Boy - Dust Snake (AndReew Remix) Handsdown Leigh Boy - Dust Snake (Carbon Remix) harry axt - It Doesn t Exist harry axt - Monster Ballet harry axt - Twist and Bend It harry axt - VVV Industrial Himy Vana - Miramar (Original Mix) Hyenah Lazarusman - Not Enough Jaap Ligthart & Salh (NL) - De Strijkbout Jaap Ligthart & Salh (NL) - De Strijkbout (Dynacom Orchestral Version) Jaap Ligthart & Salh (NL) - De Strijkbout (Dynacom Remix) Jaap Ligthart & Salh (NL) - Magdat Jairo Delli - Play Loop (Original Mix) Jairo Delli - Rolan Play (Original Mix) Jax D - Broken Tape Jon Gurd - Lion (Extended Mix) Joyhauser - Warped Kev Sheridan - Its Gonna Be Perfect Kev Sheridan - Its Gonna Be Perfect (map.ache until the end of the day mix) Kev Sheridan - Wasnt As Hard As You Thought Kev Sheridan - When Does it End_ Klankveld - Evolve Klankveld - Habit Klankveld - Habit (Yuven Remix) KUSP (UK) - Detroit Nach Berlin KUSP (UK) - Infernus KUSP (UK) - Projekts KUSP (UK) - Rebellion KUSP (UK) - Wurk II Landhouse - Sun in the night Landhouse - Tales from the swallow Landhouse - Wellworld Lane 8 Kidnap - Matcha Mistake Lane 8 & Kidnap - Matcha Mistake (Extended Mix) Legit Trip - CM10 Legit Trip - CMon Baby M.O.S. - Atlas (Extended Mix) M.O.S. - La Sonnette (Extended Mix) M.O.S. - Tampa (Extended Mix) MALEK Wilderness - Await (Extended Mix) Marc DePulse - Diabolos (Original Mix) Marc DePulse - Overdue (Original Mix) Marsh - Life On The Shore (Wynnwood & Hausman Remix) Marsh - Me & You (Joe Miller Remix) Matt Fax & Richard Bedford - Greatest Thing (Tommy Baynen Extended Remix) Mattia Saviolo - Dispel (Original Mix) Mattia Saviolo - Lifelink (Original Mix) Max TenRoM - Backyard (Original Mix) Maxim Lany - Disruption (Extended Mix) Mella Dee - Copley Road Mella Dee - Dev Green Mella Dee - Eccy Road Mella Dee - Sidney Street Moby - Moby (Tale of Us & Anyma Remix) Modul Kollektiv & Jean Michel Schober - Phobos (Original Mix) MoFunk - Lovestoners Monika Kruse - Solid State (Balthazar JackRock Remix) Morgin Madison - Immerse (Extended Mix) Nico Stojan - Cardano Nico Stojan - Cardano (Stripped Down Version) Nico Stojan - Inhale Nico Stojan - Inhale (Beatless Version) Noble Spirits - Enki Noble Spirits - Enki (Al Lindrum Remix) Noble Spirits - Gardens of Elah Noble Spirits - Gardens of Elah (Holed Coin Remix) Oliver Knight M.F.S_ Observatory - Nene Oliver Knight M.F.S_ Observatory - No Preacher Man Oliver Knight - Shine Pig Dan - Acronym Pig&Dan - Acronym Rob Acid - Bonebreaker (Original Mix) Rob Acid - Fear Destroyer (Original Mix) Rob Acid - Terminate (Original Mix) Roman Weber - Deeper Soul (Original Mix) Roman Weber - Deny (Original Mix) Roman Weber - Freak (Original Mix) Some Me - Actual Some Me - Actual (Frankyeffe Remix) Some Me - Eternal Some Me - Parabellum Some Me - Saturn Stefan Braatz - I Need U (feat. Hard Ton) Stefan Braatz - I Need U (Instrumental) (feat. Hard Ton) Stefan Braatz feat. Hard Ton - I Need U (A Jackin Phreaks Acid Xperience) Stefan Braatz feat. Hard Ton - I Need U (Joyce Muniz Remix) Stefan Braatz feat. Hard Ton - I Need U (Past Visions Dub Mix) Steve Slight & MXV - Return to Base Steve Slight & MXV - Return to Base (Anton MAKe Remix) Steve Slight & MXV - Return to Base (Donny Carr Remix) Steve Slight & MXV - Return to Base (Th;en Remix) Tom Hutt - Cloverfield (Original Mix) Tom Hutt - Cloverfield (Teenage Mutants Remix) Tom Wax - Check the Beast (Original Mix) Tom Wax - Music in the House (Original Mix) Two Sins - Atlantida (Marius Drescher Remix) Two Sins - Atlantida (Original Mix) Two Sins - Atlantida (Schwarzmatt Remix) Unique (CRO) - Destino (Original Mix) Unique (CRO) - Genesis (Original Mix) Unique (CRO) - Los Dos Corazones (Original Mix) Vincent Casanova - Secret Tourism Vincent Casanova - Watermelon Smash Vincent Casanova - Watermelon Smash (Birds ov Paradise Mescal Remix) Vincent Casanova - Zyasta Vincent Casanova - Zyasta (Dance Spirits IDM Interpretation) Yousef - I Dont Understand (James Organs Sundown Remix) Yousef - One Sunny Sunday (Impellizzeri & Stupia Remix) Yousef - Riches To Rags (Alex Kennon Remix) Yousef - The Mother Tongue (Wheats Remix) Zacharias Tiempo - Moon Racer (Original Mix) Zacharias Tiempo - Pappa (Original Mix) #filemp3 #audio #vibes #hifi #stereo #music #djs #clubbers #party #disco #exclusive #djmusic #housemusic #electro #freemusic 🌍 filemp3.net

[d2diamond]

Ship names

I’m bored and decided I want to come up with ship names.

Back in the days of when Harry Potter ruled the fanfiction sites, and Mary-Sues were all the rage, people would give actual names to their favorite ships.

Now people just smoosh names together. Which is okay, but not nearly as fun.

So I’m starting a list of ship names for shits and giggles.

For some, I will probably stick with what is already out there, only because it fits far too well, others... I may get creative.

This list is subject to change, and will venture out into as many fandoms as I want. (Or are suggested to me)

Yuri on Ice

Anya/Georgi Popovich = Purple Witch

Celestino Cialdini/Minako Okukawa = Drunken Dancers

Celestino Cialdini/Phichit Chulanont = 80s Crop top

Christophe Giacometti/Emil Nekola = Five O Clock Goatee

Christophe Giacometti/Jean-Jacques Leroy = Lustful Love

Christophe Giacometti/Mansumi Mystery Guy = Mystery Flavor 

Christophe Giacometti/Otabek Altin = Golden Champagne

Christophe Giacometti/Phichit Chulanont = Intoxicated Selfie

Christophe Giacometti/Seung-gil Lee = Red Husky

Christophe Giacometti/Victor Nikiforov = Chocolate Roses

Christophe Giacometti/Yuuri Katsuki = Tipsey Pole Dancers

Christophe Giacometti/Yuri Plisetsky = Sugar & Spice

Emil Nekola/Leo de la Iglesia = Mountain Lion 

Emil Nekola/Michele Crispino  = Brave Knights

Georgi Popvich/Jean-Jacques Leroy = Drama Kings 

Georgi Popovich/Kenjiro Minami = Nugget Lover

Georgi Popovich/Mari Katsuki = Lonely Hearts

Georgi Popovich/Mila Babicheva = Russian Rosette 

Georgi Popovich/Seung-gil Lee = Puppy Love 

Georgi Popovich/Yuri Plisetsky = Prince & the Pauper 

Guang Hong Ji/Jean-Jacques Leroy = Terracotta Phoenix

Guang Hong Ji/Leo de la Inglesia  = Lion Plushie

Guang Hong ji/Michele Crispino = Possessive Panda

Guang Hong Ji/Phichit Chulanont = SNS Assassins

Hiroko Katsuki/Toshiya Katsuki = Steamy Blossoms

Isabella Yang/Jean-Jacques Leroy = Beauty & the King

Jean-Jacques Leroy/Kenjiro Minami = King Nugget

Jean-Jacques Leroy/Otabek Altin = King’s Gold 

Jean-Jacques Leroy/Seung-gil Lee = Stoic Style 

Jean-Jacques Leroy/Yuri Plisetsky = Maple Kitten

Kenjiro Minami/Seung-gil Lee = Black Bean

Kenjiro Minami/Yuri Plisetsky = Toothy Goldilocks

Kenjiro Minami/Yuuri Katsuki = Silver Idol

Leo de la Iglesia/Otabek Altin = Eagle’s Song 

Leo de la Iglesia/Phichit Chulanont = Peaches & Cream 

Lilia Baranovskaya/Minako Okukawa = Opinionated Saké 

Lilia Baranovskaya/Yakov Feltsman = Screaming Ballerina 

Makkachin / Vicchan = Buns and Bows

Mari Katsuki/Phichit Chulanont = Smoking Hamsters

Mari Katsuki/Minako Okukawa = Bawling Fangirls

Mari Katsuki/Yuri Plisetsky = Eye of the Storm

Michele Crispino/Seung-gil Lee = Angry Wolf 

Mila Babicheva/Otabek Altin = Sassy Undercuts 

Mila Babicheva/Sara Crispino = Warrior Princess 

Mila Babicheva/Yuri Plisetsky = Amazon Fairy

Otabek Altin/Phichit Chulanont =  Midas and the Skater

Otabek Altin/Seung-gil Lee = Quiet Hurricane

Otabek Altin/Victor Nikiforov = Legendary Heros 

Otabek Altin/Yuuri Katsuki = Ace of Hearts

Otabek Altin/Yuri Plisetsky = Golden Tiger

Phichit Chulanont/Seung-gil Lee = Happy Parrot 

Phichit Chulanont/Victor Nikiforov = Mischievous Legends

Phichit Chulanont/Yuri Plisetsky = Blond Ambitions

Phichit Chulanont/Yuuri Katsuki = Detroit Peaches 

Seung-gil Lee/Yuri Plisetsky = Solar Eclipse

Takeshi Nishigori/Yuuko Nishigori = Ice-Castle Babes

Victor Nikiforov/Yuuri Katsuki = Victuuri 

Victor Nikiforov /Yuri Plisetsky = White Tiger

Yuri Plisetsky/Yuuko Nishigori = Madonna’s Angel

Yuuko Nishigori/Yuuri Katsuki = Madonna and the Skater

Yuuri Katsuki/Yuri Plisetsky = Yuri Squared (Yu²)

OT3s

Christophe Giacometti/Georgi Popovich/Phichit Chulanont = Pop Naughty

Christophe Giacometti/Otabek Altin/Yuri Plisetsky = Dark Sugar & Spice

Christophe Giacometti/Phichit Chulanont/Seung-gil Lee = Romancing the Sun

Christophe Giacometti/Phichit Chulanont/Yuuri Katsuki = Naughty Eros Selfies

Christophe Giacometti/Victor Nikiforov/Yuuri Katsuki = Champagne Casanovas 

Guang Hong Ji/Leo de la Iglesia/Phichit Chulanont = Exotic Delight 

Isabella Yang/Mila Babicheva/Sara Crispino = Ladies Night 

Jean-Jacques Leroy/Isabella Yang/Georgi Popvich = Royal Court

Jean-Jacques Leroy/Leo de la Iglesia/Otabek Altin = The Tenors

Jean-Jacques Leroy/Otabek Altin/Yuri Plisetsky = Majestic Golden Tiger 

Kenjiro Minami/Yuuri Katsuki/Yuri Plisetsky = Blonde Espresso

Otabek Altin/Phichit Chulanont/Yuri Plisetsky = Fire Dragon

Otabek Altin/Seung-gil Lee/Yuri Plisetsky = Lunar Eclipse 

Otabek Altin/Victor Nikiforov/Yuri Plisetsky = DJ’s Vodka 

Phichit Chulanont/Victor Nikiforov/Yuuri Katsuki = Triple Threat

Victor Nikiforov/Yuuri Katsuki/Yuri Plisetky = Podium Family

OT4s

Christophe Giacometti/Phichit Chulanont/Victor Nikiforov/Yuuri Katsuki = Sophisticated Sequins

Guang Hong Ji/Leo de la Iglesia/Otabek Altin/Yuri Plisetsky = Rhythmatic Champions

Otabek Altin/Victor Nikiforov/Yuuri Katsuki/Yuri Plisetsky = Power Quad

YoI/OCs

  @lusciouswhiteflame​

   Alexandre Leroy/Yuri Plisetsky = Savage Wolf

Voltron

Allura/ Shiro = Royal leader

My Hero Academia

Camie Utsushimi/Katsuki Bakugo =

Dabi/Hawks = Hotwings

Dabi/Tomura Shigaraki =

Denki Kaminari/Eijiro Kirishima =

Denki Kaminari/Hanta Sero =

Denki Kaminari/Hitoshi Shinso =

Denki Kaminari/Mashirao Ojiro =

Eijiro Kirishima/Izuku Midoriya =

Eijiro Kirishima/Katsuki Bakudo = Pop Rocks

Eijiro Kirishima/Mina Ashido = 

Eijiro Kirishima/Shoto Todoroki =

Eijiro Kirishima/Tamaki Amajiki = 

Enji Todoroki/Hawks = EndHawk

Hitoshi Shinso/Neito Monoma =

Hizashi Yamada/Shota Aizawa =

Inasa Yoarashi/Shoto Todoroki =

Izuku Midoriya/Katsuki Bakugo = Wonder Duo

Izuku Midoirya/Ochaco Uraraka =

Izuku Midoriya/Shoto Todoroki = Snow Hare

Katsuki Bakugo/Shoto Todoroki = Freezer Burn

Katsuki Bakugo/Ochaco Uraraka = 

Katsuki Bakugo/Yuga Aoyama =

Kyoka Jiro/Momo Yaoyorozu =

Mirio Togato/Tamaki Amajiki =

Momo Yaoyorozu/Shoto Todoroki =

Ochaco Uraraka/Tsuyu Asui = 

Ochaco Uraraka/Tenya Iida =

Shota Aizawa/Toshinori Yagi =

OT3s

Ejiro Kirishima/IzukuMidoriya/Katuski Bakugo = 

Hizashi Yamada/Shota Aizawa/Toshinori Yagi =

IzukuMidoriya/Katuski Bakugo/Shoto Todoroki =

OT4s

Ejiro Kirishima/IzukuMidoriya/Katuski Bakugo/Shoto Todoroki =

Harry Potter

Draco Malfoy/Harry Potter = Drarry

Draco Malfoy/Ron Weasley = Ruby Dragon

Harry Potter/Ron Weasley =

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@crimson-chains / @lucycamui = CrimsonCamui and/or Pineapple Bird

@magical-mistral / @n3rdlif343va = Magical Nerds

@noon30ish / @etherealalchemist = Nethie

@otasucc / @yurisucc = Seccduction

@otayuri-oh-nice / @severeminx = Jinx and/or Unsteady Wine

@puppybek / @yuripliscatsky = Yin-Yang

(I need ideas)

This is what I have so far. Again, it may change as better suggestions are given to me, or I just change my mind on something. I may eventually add new fandoms if anyone would like me to extend the list and venture into new playgrounds.

Please feel free to send me an ask to add to the list, or make suggestions for changes.

#Ship names #I am REALLY bored. #Yuri on Ice #Voltron #My Hero Academia #BnHA #Harry Potter

[whileiamdying]

Dernière partie du débat d'Emmanuel Macron avec 65 intellectuels français, avec notamment Bernard Gazier, économiste français et membre de l’Institut universitaire de France, Dominique Reynié est professeur des Universités à Sciences Po et directeur général de la Fondation pour l’innovation politique, Denis Peschanski, historien et directeur de recherche au CNRS, Olivier Mongin, écrivain, essayiste et éditeur, Jean-Claude Casanova est l'ex-président de la Fondation nationale des sciences politiques. Il dirige la revue Commentaire. Mais aussi l'intervention des ministres : Franck Riester, ministre de la culture, Frédérique Vidal, ministre de l'Enseignement supérieur, de la Recherche et de l'Innovation, Jean-Michel Blanquer pour défendre l'education et la mixité sociale.

#IFTTT #YouTube #France Culture #en français