#Mina Sadati

[moviemosaics]

The Salesman

directed by Asghar Farhadi, 2016

#The Salesman #Asghar Farhadi #movie mosaics #Taraneh Alidoosti #Shahab Hosseini #Babak Karimi #Sam Valipour #Farid Sajadhosseini #Mina Sadati

[dear-indies]

hey guys! ^_^ would you happen to have any fc recs for iranian women with period resources? (that aren't medalion rahimi and shohreh aghdashloo since im already using them) any age is fine, since im looking to cast a character in their late 20's-early 30s as well as that character's mother. if you can't find anyone, that's okay! i'll also take arab women with period resources too and make adjustments to the characters. thank you so so much for all the help! 🖤

Soraya Ghasemi (1940) Iranian - Gildokht.

Azita Hajian (1958) Iranian - Najla.

Roya Teymourian (1959) Iranian - Jeyran.

Fatemah Motamed-Aria (1961) Iranian - Abba Jaan.

Fariba Kowsari (1966) Iranian - Mokhtarnameh.

Nasrin Moghanloo (1968) Iranian - Mokhtarnameh.

Parivash Nazarieh (1970) Iranian - Gildokht.

Merila Zare'i (1971) Iranian - Jeyran.

Shabnam Moghadami (1972) Iranian - Women's Secret Network, Abba Jaan.

Shaghayegh Farahani (1972) Iranian - Gildokht.

Leila Hatami (1972) Iranian - Women's Secret Network.

Shaghayegh Dehghan (1979) Iranian - Women's Secret Network.

Sareh Bayat (1979) Iranian - Muhammad: The Messenger of God.

Nazanin Boniadi (1980) Iranian - The Lord of the Rings: The Rings of Power.

Mina Sadati (1981) Iranian - Walnut Tree, Muhammad: The Messenger of God.

Behnoosh Tabatabaei (1981) Iranian - Mokhtarnameh.

Zar Amir Ebrahimi (1981) Iranian - Tomorrow We Are Free.

Nasim Pedrad (1981) Iranian - Aladdin.

Rana Azadivar (1983) Iranian - Jeyran, Muhammad: The Messenger of God.

Samira Hassanpour (1984) Iranian - Jeyran.

Mona Farjad (1984) Iranian - Women's Secret Network.

Baran Kosari (1985) Iranian - Women's Secret Network.

Setareh Pesyani (1986) Iranian - Jeyran.

Elham Nami (1986) Iranian - Jeyran.

Parinaz Izadyar (1985) Iranian - Jeyran.

Minoo Sharifi (1987) Iranian - Walnut Tree.

Mitra Rafee (1990) Iranian - Gildokht.

Nahal Dashti (1992) Iranian - Jeyran.

Fatemeh Masoudifar (1996) Iranian - Jeyran.

Hey anon! There's everyone I managed to find regardless of age for those also looking for Iranian suggestions too. 💜

#fc help #rph #rpc #period fc #iranian fc

[juliopison]

CINE El viajante (2016) Título original: Forushande (The Salesman) Irán Dirección: Asghar Farhadi Idioma: Doblada al Español

Atención: Solo para ver en PC o Notebook Para ver el Film pulsa el Link: https://artecafejcp.wixsite.com/escenario-cafejcp/post/el-viajante-2016

Reparto: Shahab Hosseini, Taraneh Alidoosti, Babak Karimi, Mina Sadati

Género: Drama

SINOPSIS: Emad y Rana deben dejar su piso en el centro de Teherán a causa de los trabajos que se están efectuando y que amenazan el edificio. Se instalan en otro lugar, pero un incidente relacionado con el anterior inquilino cambiará dramáticamente la vida de la joven pareja.

Crítica: "Es una pieza de una perfección casi humillante, puesto que, precisamente, de eso trata, de la humillación. (…) Farhadi vuelve a recuperar su caligrafía existencial, humana y herida de sus mejores trabajos." -Luis Martínez: Diario El Mundo

"Farhadi describe todo esto de forma sutil, consciente de la complejidad del ser humano (…) Siempre sales tocado en su cine. Y deja poso. Te perturba lo que te ha contado, su lenguaje es de primera clase." -Carlos Boyero: Diario El País

"Farhadi vuelve a confirmarse como un orquestador único de situaciones que (…) usando simples diálogos y sutiles gestos llenos de significado, [hacen] que el corazón se nos salga por la boca" -Nando Salvá: Cinemanía

Premios: 2016: Premios Oscar: Mejor película de habla no inglesa 2016: Globos de Oro: Nominada a Mejor película de habla no inglesa 2016: Festival de Cannes: Mejor actor (Shahab Hosseini) y guión 2016: National Board of Review (NBR): Mejor película de habla no inglesa 2016: Critics Choice Awards: Nominada a Mejor película de habla no inglesa 2016: Festival Internacional de Valladolid - Seminci: Sección oficial 2016: Satellite Awards: Mejor película de habla no inglesa 2017: Premios BAFTA: Nominada a Mejor película en habla no inglesa 2017: Premios Guldbagge (Suecia): Mejor film extranjero

Café Mientras Tanto jcp

#cine #film #Elviajante #cafemientrastanto #jcp

[lunesalsol]

Drama doméstico iraniano, em que um casal de actores é obrigado a mudar de casa por uma construção ter causado danos à antiga residência, sendo a antiga titular da nova residência uma prostituta. Uma ocasião a mulher abre a porta do prédio pensando que era o marido que ia entrar e acaba por ser agredida e violada. O marido não se conforma com o sucedido e procura encontrar o criminoso sem o tornar um caso de polícia. Uma carrinha torna-se a única pista para o encontrar. Depois de descoberto, o homem não corresponde ao estereótipo, casado à 35 anos, de alguma idade e lassivo. Deste encontro acaba por ter sintomas de uma paragem cardíaca, e a mulher violada pede para omitir à sua famíla. 

#2016 #asghar farhadi #domestic drama #iran #rape #bili

[byneddiedingo]

Taraneh Alidoosti and Shahab Hosseini in The Salesman (Asghar Farhadi, 2016) Cast: Taraneh Alidoosti, Shahab Hosseini, Babak Karimi, Farid Sajadi Hosseini, Mina Sadati, Sam Valipour, Mojtaba Pirzadeh, Maral Bani Adam. Screenplay: Asghar Farhadi. Cinematography: Hossein Jafarian. Music: Sattar Oraki Protesting an American policy that refuses to distinguish between artists and terrorists, Asghar Farhadi didn't attend the Academy Awards ceremony that gave his film The Salesman an Oscar for best foreign language film. The irony here is that in many ways The Salesman is as critical of the Islamic Republic of Iran as its director's action was of the United States. On the surface, The Salesman is a well-made domestic drama about the stress put on the marriage of Rana (Taraneh Alidoosti) and Emad (Shahab Hosseini) after Rana is assaulted in their own home. It's also a bit of a whodunit, as Emad tries to uncover the identity of the attacker, as well as a problem drama about the nature of revenge. But context is everything, and the context here is a country that seems to be as unstable as the condemned apartment house that Rana and Emad have to flee at the beginning of the film. Throughout The Salesman, the niggling pressures of a state determined to police the private lives of its citizens keep revealing themselves: The production of Arthur Miller's Death of a Salesman in which Emad and Rana play Willy and Linda Loman is subject to last-minute cuts demanded by the censors. The class Emad teaches is interrupted by a man telling him that the books he has selected have not been approved -- Emad wearily tells him to throw them in the trash. Worst of all, Rana refuses to trust the police to handle her case, knowing that she'd be subjected to interrogation and public exposure worse than the attack itself. We never learn the full details of what happened to her, whether she was sexually assaulted or just subjected to a terrifying visit from a voyeur -- although the latter, especially in a state that prescribes rigorous standards of modesty from women, is an equivalent violation. We get a hint of the tensions and mistrust between the sexes in Iran in a scene in which Emad shares a taxi with one of his male students and a woman, who first accuses him of what we'd call "manspreading," and then asks to change seats with the student. Afterward, when Emad proclaims his innocence, the student tells him that the woman had probably been molested by a man during a cab ride and is oversensitive to any contact. Official standards of behavior have eroded community standards: Although the apartment Rana and Emad have moved into was once occupied by a prostitute, a profession both strictly illegal and widespread in Iran, the neighbors only gossiped about her, never notifying the authorities. Emad's vigilantism when he discovers the identity of Rana's attacker is the product of a system of justice that has broken down. That Rana and Emad are actors is suggestive: In the film's vision of Iran, everyone is playing a part, concealing their real selves. The social and political subtext is what makes The Salesman a more fascinating and important film than its mere plot, well-handled as it is, would suggest.

#The Salesman #Asghar Farhadi #Taraneh Alidoosti #Shahab Hosseini

[periodicoirreverentes]

CINE EXPRESS: “Forushande ( El viajante)”

CINE EXPRESS: “Forushande ( El viajante)”

Helena Garrote Carmena Año: 2016País: IránDirección: Asghar FarhadiActores: Taraneh Alidoosti, Babak Karimi, Mina Sadati, Farid Sajjadi Hosseini, Maral Bani Adam, Emad Emami, Sam Valipour, Mojtaba Pirzadeh, Shirin Aghakashi, Sahra Asadollahe, Ehteram Boroumand, Mehdi Koushki, Alireza Rofougaran.Género: Drama En las películas de Asghar Farhadi el conflicto siempre va de dentro hacia afuera.Al…

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#Cine Express #Helena Garrote Carmena

[gregor-samsung]

فروشنده [The Salesman] (Asghar Farhadi - 2016)

#فروشنده #The Salesman #Asghar Farhadi #Forušande #Iran #Le Client #Shahab Hosseini #Taraneh Alidoosti #Babak Karimi #Mina Sadati #drama film #2010s movies #2010s cinema #Cinema of Persia #Cinema of Iran #Iranian filmakers #Tehran #Iranian film directors #Iranian New Wave #Middle East #revenge #Islamic Republic of Iran

[muhaibb]

Bir Film Bir Kare #278 – Mohammad Rasoolollah (2015)

Film Notu : 7/10

Çok sevdiğim yönetmen Majid Majidi’nin yapımı olan Hz. Muhammed: Allah’ın Elçisi filmi her ne kadar onun filmlerinde alışık olduğumuz tarzın çok uzağında da olsa İslam ve Hz. Muhammed’in hayatını anlatan önemli eserler arasında yerini bulalı tam 5 yıl olmuş. Bu konuda çekilmiş en iyi film olan Çağrı dışında pek fazla bir eser verilemediği de göz önüne alındığında bu film de Hz. Muhammed’in hayatını ve İslam’ın doğuşunu konu alan eserler arasında şüphesiz ki önemli bir yer edinmiştir.

Benim gördüğüm kadarıyla filmde Sünni kaynaklarda yer almayan bir çok olay ve mucize gerçekleşmekte.  Bunlar tahminimce Şii kaynaklarda yer alan hadiseler diye düşünüyorum. Peygamberin hayatına dair kendi şahsi inanç, anlayış ve görüşüm dışında olduğunu düşündüğüm bir çok olay ve durumun filmde yer aldığı gerçeğinin yanısıra bu filmin İslam’ın tarihine dair önemli bir yapıt olduğunu tekrar edeyim. Ayrıca Şii anlayışına dair kısmen de olsa fikir edindirici bilgiler içerdiği söylenebilir.

Son olarak yukarıdaki kare gibi filmde çok güzel görsel şölen niteliğinde kesitlerin olması etkileyiciydi. Ancak Fil Vak’asındaki görsel efektleri biraz acemice bulduğumu da ekleyeyim.

Bu film de kandil özel paylaşımımız olsun. Hayırlı Kandiller diliyorum herkese...

#birfilmbirkare #majid majidi #hz muhammed #Allah'ın elçisi #mohammad rasoolollah #biography #Drama #history #tarih #biyografi #dram #hamid amjad #mahdi pakdel #sareh bayat #mina sadati #ali reza shoja-nuri #dariush farhang

[un-paso-lejos]

#cypress under water #mina sadati #babak hamidian #iranian cinema #سرو زیر آب #مينا ساداتى #بابك حميديان

[scenesandscreens]

The Salesman (2016)

Director - Asghar Farhadi, Cinematography - Hossein Jafarian

“They ruined this city once, they built it again and now this is it.“

#scenesandscreens #the salesman #asghar farhadi #taraneh alidoosti #shahab hosseini #babak karimi #mina sadati #farid sajjadi hosseini

[womeninmovieswearinghats]

Mina Sadati in The Salesman (2016)

Direction: Asghar Farhadi

Costumes: Sara Samiee

#movies #hat #mina sadati #the salesman #asghar farhadi #sara samiee

[whileiamdying]

THE SALESMAN | فروشنده‎

Asghar Farhadi’s movies lure viewers into competing sympathies with intractably opposed positions. Whenever our biases tilt toward one character, new twists force us to recalibrate them. The Salesman reprises this knack for moral quandary, using a meta-theatrical premise to interrogate what it means to identify with someone, or to project roles upon them.

Emad (Shahab Hosseini, who won Best Actor at Cannes) and his wife Rana (Taraneh Alidoosti, tremendous) are starring in a production of Death of a Salesman while settling into a new apartment. One night while Emad is out, Rana is assaulted by an intruder she accidentally allows inside. She either cannot recall or cannot admit key details of what transpired. Enraged by his wife’s suffering but unable to inhabit her perspective, Emad takes a page from Hugh Jackman’s script in Prisoners, tracking specific culprits while liberally distributing blame.

In a rich irony, the likeliest suspect mirrors Willy Loman in many respects. Can Emad respect the humanity in the kind of incoherent man, dishonorable yet pitiable, he labors to convey onstage? How do specters of imagined women inform men’s conflicts with each other—and will the needs and viewpoints of actual women survive those escalating rivalries? Bruising but elegant, conceptually intricate within a street-realist style, The Salesman asks through its final shots: when we stare at each other, do we see each other, or only ourselves?

— Nick Davis

Director: Asghar Farhadi Country: Iran/France Distributor: Cohen Media Group Opening: January 27, 2016

#the salesman #فروشنده #asghar farhadi #اصغر فرهادی #cohen media group #france #iran #ایران #shahab hosseini #شهاب حسینی #taraneh alidoosti #ترانه عليدوستی‎ #babak karimi #بابک کریمی #mina sadati #مینا ساداتی #film comment #review

[artfilmfan]

The Salesman (Asghar Farhadi, 2016)

#taraneh alidoosti #shahab hosseini #mina sadati #forushande #asghar farhadi #the salesman #academy award nominee #persian #iran #iranian cinema

[hypernet]

Critica2: “El viajante”

Amantes del cine independiente y de ese que es motivo de masturbación para los gafapastas, nuestros Critica2 nos traen hoy “El viajante”. Y sí, hoy podemos decir que hablamos de cine iraní. Hale. Con dos bemoles.

Veremos qué tal es este drama que ganó el Oscar a mejor película de habla no inglesa. Soy 0 fan de este tipo de cine, pero oiga, a veces es mejor ser abierto de mente...

#critica2 #criticas #peliculas #el viajante #Shahab Hosseini #Taraneh Alidoosti #Babak Karimi #Mina Sadati #Forushande

[nerajaana]

Not your most recent anons, but since the subject is on hand and I'm a curious little thing: who do you prefer to use as a playby for Elia?

Oh hi nonnie! Ngl for one hot second I thought it was the same person when i saw the notification😅sorry

I like Golshifteh Farhani and Mina Sadati and Inbar Lavi although maybe she’s more of an Arianne?? for canon compliant fc, and Shriya Saran, Amrita Rao and a 90s Sonali Bendre for the racebent fc.

Have a great day!

#……yeah i have a list heheh #jaan got mail #asoiaf

[roshankolar]

The Salesman (2016)

⭐⭐⭐⭐⭐

Rating: 4.5 out of 5.

In 1978, the Vinod Mehra – Rekha movie, Ghar, was said to be ahead of its time for depicting rape and its consequence on marriage. There too, two people move into a new apartment for a new start but their lives are brought to a grinding halt when the wife is gang-raped and the husband is left scrambling for…

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#Asghar Farhadi #Babak Karimi #Mina Sadati #Shahab Hosseini #Taraneh Alidoosti