[ “SOMEBODY TOLD ME”]:
BREAKING MY BACK JUST TO KNOW YOUR NAME. SEVENTEEN TRACKS AND I’VE HAD IT WITH THIS GAME. A BREAKIN’ MY BACK JUST TO KNOW YOUR NAME—BUT HEAVEN AIN’T CLOSE IN A PLACE LIKE THIS.
— The Killers, Hot Fuss (2004)
Princess Rhaenyra’s insolence is wearing her stepmother’s patience thin. Queen Alicent is not ten years her senior, but even during her own sixteenth year, she cannot recall herself behaving so brazenly. She would never burst into courtly discussions in nothing but gilded armor and the underskirts of her riding leathers, awash in blood. (She would never be spotted in blood that was not her own, anyway. Alicent has never picked up a sword, not one that belonged to her.) Nevermind that Rhaenyra is attending to diplomatic affairs with bared teeth and scales, no—the crux of the matter is just that, her affairs. Rhaenyra is the Realm’s Delight, a beauty incomparable to any fair maiden, Alicent included. She indulges herself with appetite of a spoiled child, the confidence of man, and the pickings befitting only to her royal blood. Criston Cole. Daemon Targaryen. Harwin Strong. Laena Velaryon. She’s full of love, isn’t she? That selfish, foolish girl. What does Rhaenyra Targaryen know of love, of duty? She is a child in so many ways—she thinks killing makes her a man, thinks the throne is hers despite being a woman, thinks she can have her knight and her uncle and her protector and Laena Velaryon in one fail swoop. She’s wrong. She doesn’t know herself half as well as Alicent does. Alicent, who sees her for what she truly is, who wants to see all of her and more of her and none of her. Alicent has been stolen into the Keep by her own father—both of their fathers—but Rhaenyra is the key to this place, is the window to everything barred. Rhaenyra Targaryen has a dragon. Rhaenyra can fly.
That’s what Rhaenyra had promised her once, with her lips pulled back in a grin, exposing the white of her teeth like the violently radiant creature she was. “Perhaps when you grow tired of plotting against me, we shall ride on dragonback together,” she had said. The tease.
Alicent had yanked her into an empty corridor by the silk of her sleeve, ready to chastise her for her ill behavior. Conversing with the lords and ladies of the court at a feast was one thing, but chattering about her bloody encounters in battle over the pudding tureen were another. The lord at her elbow was going green. Alicent’s own face was likely red; her heart raced whenever Rhaenyra got like this. Alicent had never seen the battlefield—only seen battered men in dented armor and the slumps of corpses lined along dirt roads in the aftermath of war—but her own imagination terrified her like nothing else.
(Rhaenyra is better with a sword than half of the knights in Westeros, and more lovely than the lot. Her reign has not yet begun, but already the commoners flock to her—lured in by tales of her beauty and fine hair—and soldiers would follow her into battle. Alicent would not follow, but she would watch and bite her nails down to the quick.
She thinks of the figure Rhaenyra cuts in full armor, the heat in her gaze underneath the slots of her helmet. Alicent remembers the weight of her own hand in Rhaenyra’s—which was gloved—when the princess rode up to the spectators box and grasped it in her own, bringing Alicent’s knuckles to her lips. She thinks of Rhaenyra murdered in the sky, skewered with another man’s sword, plummeting to the ground, torn in half, streaking crimson across the clouds. Alicent would scream, or cry. She might laugh. She would throw herself from the window of her tower. Rhaenyra’s bloody exploits terrified Alicent for reasons she could not identify, and excited her for reasons she refused to.)
“I’d sooner be confined to the castle for the rest of my days than get on the back of that bloody lizard,” Alicent scoffed. Rhaenyra only tucked her hand over Alicent’s, where it was resting on her forearm. She flexed her fingers, moving to release her grip on the dark fabric, but Rhaenyra intertwined their fingers and held them fast.
“You’re confined already. You are already accustomed to such a thing. I know you. But—”
“But you forget yourself. You think you’re invulnerable, Rhaenyra. You don’t know who you are.” Alicent intends for it to be a sneer, but instead it comes out quietly, and too gentle for disdain. She can’t know. Rhaenyra is as trapped as she is, but they’re trapped together. They belong together. She belongs with Alicent.
“I am Rhaenyra Targaryen, Heir to the Iron Throne and all of Westeros. I am a dragonrider. I am—I am your daughter. In a way. Your sister, too. Your enemy. Your sword, your shield.”
“And what am I?” What else is left for me? Alicent wonders.
“My Queen. For now.” Rhaenyra cocks her head, and the gleam in her eyes burns like fire raining down. “When I am Queen, you will be my lady.”
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Lucid Dreamer (1/2)
part 2
Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!
But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.
He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.
And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.
…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.
Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-
Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.
Gepard goes back home. He waits.
The uneasiness doesn't leave him.
"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.
"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.
"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.
Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."
Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.
"…I'll be back in one more week."
Gepard jolts awake in his cot, mouth dry and eyes bleary.
The hell.
The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.
Gepard doesn't know if he wants to dream more, or less.
He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!
Gepard falls asleep late that night, unable to settle. He dreams again.
He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.
He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.
He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.
"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.
"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.
"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.
Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."
Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.
Something is wrong, something is really really wrong.
Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-
"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."
Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.
"Wake up."
Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.
He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.
And he waits and he waits and he waits.
No one he recognizes appears.
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I wanted to bring up a silly ship idea. Just for fun.
03, 06, 09, 10
Was this before Kotoko attacked them? After? I dunno.
Thoughts?
YES the cringefail 20yo polycule 👏👏👏 Thank you for the request! I've seen a lot about the individual pairs, so it was really fun to think about all their dynamics together! I have a set of hcs that could work in the current canon Milgram, and then a normal au set because it's so fun thinking about them :3
Milgram-focused
The I’m-a-loner-who’s-doing-it-for-justice-don’t-TOUCH-me pair finally meet their match when confronted with the I-loved-someone-so-much-and-don’t-plan-on-stopping pair. They all go into the relationship with grand ideas of love: they think it’s all heroic acts of saving, massive gestures or love, and dramatic confessions. Over time, they realize the real heroism/romance is in the little things.
Mahiru has her hands full with three people who neglect themselves for the sake of their work/interests, but she always loves feeding them and helping give them what they need. In turn, they can give her more affection and attention than she could ever ask for. They make sure someone is always around to spend time with her.
Each of the three is a perfect match for dealing with John’s reveal. Mahiru is calming and helps tone down Mikoto’s initial stress. Fuuta is honest and will help Mikoto finally confront his own situation and move forward. And since Kotoko can match his strength, Mikoto doesn’t need to be afraid of accidentally hurting anyone. Mikoto becomes less stressed with the overall situation as well as more accepting of himself/John.
I always love the idea that Fuuta is secretly starstruck by Kotoko and John’s strength. He’ll never admit how much he admires their ability to stand up and fight. He feels really safe around them. He’s glad to have the opportunity to fight for someone else, too – he likes to be Mahiru’s self-proclaimed protector and hero. (Even though most of the time she can stand up for herself, she still likes letting him take care of her.)
Kotoko’s experiences let her hold solid conversations with everyone. She’s similar enough to Fuuta where they share some interests (social issues, schooling, etc.) She understands hard work and burnout to earn Mikoto’s respect. She understands physical strength to earn John’s. She has a lot of people-knowledge, so she can gossip and talk about Tokyo life to Mahiru (Mappi’s doing most of the ‘gossiping,’ but Kotoko has solid additions). She's a good listener and has a good memory, so everyone feels heard by her.
They start to rub off on each other. Mahiru and Mikoto learn to be a bit tougher in standing up for herself. Fuuta, John, and Kotoko learn to take a breath before jumping right to violence. They stay very much who they are, but pick up on just a few habits that make their lives easier.
Their styles also influence one another: Fuuta gets pointers from all three about piercing his ears (though it takes him a long time to get up the nerve to do it). Mahiru helps the others dress more trendy and boost their confidence, and they teach her to worry less about her appearance and relax more.
If they get together T1, Kotoko is shocked by the T1 verdicts. She might pull away from everyone in initial horror, but after developing a relationship ahead of time, she doesn’t follow through with her attacks. If not, then maybe in T3 when Kotoko is suffering from her guilty verdict, Mahiru and Mikoto are able to bridge the gap and develop a friendship, leading to more. Fuuta would take longer to come around, but I think seeing Kotoko got through the same pain as him, his hero instincts would kick in and he’d gradually help.
Normal-au
Mahiru once again tries out her lovers’ interests, and gets a bunch of new hobbies. Fuuta teaches her to game, she works out with Kotoko, and she tries out photography with Mikoto. She becomes close with Fuuta’s beautician sister, and enjoys bonding over fashion and hair. She helps redye Mikoto’s hair, and give the other two pointers on style now and then. When going to nicer events, she and Mikoto have to step in and stop the others from their sneaker/hoodie combos. As the only one with a license, she’s the designated driver at all events, but doesn’t mind.
Fuuta uses his tech skills to set up social media accounts for the others. He helps Mahiru network her flower shop, fighting anyone who leaves a bad comment/review. He helps set up a complex online portfolio for Mikoto. He and Kotoko still have a passion for justice, and he becomes the tech brains behind her vigilante operations (very Ron Stoppable - Kim Possible) It’s not necessarily healthy growth, but they’re happy with it lmao
Mikoto is the only full-time worker, the others are all still in university, and he makes sure to keep them all on track. He knows the most efficient tricks and cheats about getting papers done, pulling all-nighters, and cramming before an exam. The others have learned to spot when he’s burning himself out for others, and will stop him when he tries to take on too much. They’ll take care of him and force him to rest. While he can still get into a bit of trouble, John learns to call them first and get some help.
Kotoko has trained herself to find people and information easily to catch criminals, but she finds use for it in much more mundane ways – she tracks down clients for Mahiru, snoops around Mikoto’s company to make sure he’s being treated right, and keeps an eye out for the people Fuuta is calling out and/or hanging out with. She goes on runs with Mahiru, and bike rides with Mikoto. Fuuta tags along sometimes to strengthen his legs for soccer.
There’s definitely potential for them all to have their murders pre- or mid- relationship, and they help one another improve themselves and heal. I’m also a sucker for the relationship itself to cause them to change their ways and narrowly avoid the murder in the first place. (For the latter, Mahiru would ironically be the last to join the relationship, since she’d still be with her bf until the other three inspire her to break it off with him gently.)
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