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#The Playlist
sn0wp1anets · 18 days
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what i want to know is why does the oh no tumblr found my neck kisses playlist have white womans instagram on it ?
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"I kind of go where the most interesting project is, but it’s become more and more important to me to do Danish or European films because it’s my home, my stories, my language, and, working with friends, I can go further than with people I don’t know".
Mads' interview on The Playlist
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flightyalrighty · 10 months
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🔫🔫 drop the playlist
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The Playlist
^-- Everything before Zvvl is a character song. I won't say which song belongs to who. :3c
EDIT: The playlist was weirdly showing up as a 404 error on Tumblr so now it's a link. :/
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sunsetmoonlight · 2 years
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An excerpt from Matthew Macfadyen’s latest interview with The Playlist (May 12th, 2022)
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kenny311006 · 6 months
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Hello peeps!! Another week, another Ghostflower playlist. This time I'm trying to pull off Miles and Gwen's reconciliation to some degree. Really hope to gain some recommendations regarding pieces that fit the prompt as well. As always, hope you all could enjoy and don't forget to let me know if you find my playlist enjoyable, or perhaps any connotation.
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lord-montgomery · 1 month
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sizzy: the playlist
song 1: emails i can't send
the goal of the first few songs on this playlist is to establish where simon and isabelle are positioned on the board, in a way. this song, specifically, encapsulates some (if not most) of the reason izzy approaches love and romance the way she does--that reason being, of course, her father. and his actions that she learned about at far too early an age for them not to have long-lasting effects.
And thanks to you I, I can't love right
if this song was to be boiled down to one message, it would be this line. and it screams of isabelle lightwood. she saw her mother breaking down, she saw the chaos her father's choices caused, knew that her little brother was the only reason he stayed, knew that his presence was only a source of discomfort and unhappiness in the long run despite how much she understood that each of her parents cared for little max. she read into every interaction her parents had after she found out about robert's affair. and it tainted so much of her growing years.
and she had no one to share this with. she couldn't tell alec. and she definitely couldn't tell max. and approaching her dad about it would be criminalizing her mother. and talking to her mom about it would be reminiscing on a time she was hurt beyond repair. so she'll write her mental letters, emails she can't send to a father she will never be able to look at the same.
next >>
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minzbins · 1 year
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Y, JIBEOM & JOOCHAN All Day (Harmony ver.)
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keeksandgigz · 4 months
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*ੈ✩‧₊˚the love witch- the playlist*ੈ✩‧₊˚  
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a series of songs that remind me of eddie and witchy and the little universe that they’ve created
the love witch- the playlist
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avillainstory · 5 months
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radiokathryn-if · 5 months
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White mustang by ldr totes fits mc who still care for nate
You're hitting me in feelings.... For Nate?!?!?
witchcraft
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sn0wp1anets · 14 days
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SCATTER.
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There is something overly familiar about Michael Grandage’s “My Policeman.” Considering the lack of LGBTQ+ representation in media over the decades, tales of closeted gay men and their troubles are not exactly new. And stories about gay men who marry women to protect themselves from public persecution? Well, that’s a tale as old as time. But when the credits roll, something about this adaptation of Bethan Roberts’ novel of the same name seems to resonate in ways you wouldn’t initially expect.
Initially told through Marion’s recollections, we meet a younger version of herself played by Emma Corrin. It’s 1957, and this version of Marion finds herself swept off her feet by a younger Tom, a friendly and handsome Brighton policeman played by Harry Styles. She assumes they are going out on dates but is only mildly bothered nothing truly comes to pass outside of a peck or two on the cheek. One day, Tom introduces her to a younger Patrick, portrayed by David Dawson. Patrick is a witty, educated, and worldly curator at a local museum. Tom says they met at the scene of an accident, and he offered a free tour of the institution. Of course, that’s not entirely true.
It might be the source material, it might be personal experience (Grandage has been out for decades), but there is a sensitivity to the material here that elevates it from that aforementioned nagging sense of familiarity. Styles, night and day here compared to his work in that other fall release, wonderfully inhabits a working-class man fearful of public scrutiny but unable to hide his true self when he’s anywhere near Patrick. Dawson is heartbreaking as the latter. Subtly conveying the pain of someone who realizes the love of his life will soon be lost before his love does. While much of the credit for these performances goes to the actors, obviously, Grandage’s attention to detail, especially in the couple’s intimate scenes together, is sublime.
And yet, like many of these stories, it’s the woman at the center of it all who somehow steals the show. Corrin is simply fantastic as a young woman whose emotions get the best of her when it matters most. The older versions of the characters do a classy job of bringing the enterprise to its emotional conclusion, although McKee doesn’t quite click as well with Corrin’s portrayal as her co-stars do. Everett, in particular, brings more depth to the incapacitated Patrick than is required. So much so that you wish there was more for him to do.
It might get lost among the prestige trappings and the celebrity casting of Styles, but the historical aspect of this film is truly noteworthy. Especially for those unaware of the treatment of LGBTQ+ in the U.K. during the ’50s and ’60s. Men and women might have been arrested and humiliated publicly for going to a gay bar or event in the United States during this era, but few saw themselves imprisoned for it. That wasn’t the case in many European countries (a horror also depicted in the recent German film “Great Freedom”) and certainly not in Britain. At least not until 1967. That injustice is key to this particular story and the decades of pain that followed it. You just wish the end result broke free of its admittedly pretty period constraints. Maybe that was all necessary for context. Maybe it wasn’t. A little surprise or slight shock wouldn’t hurt, though.
The Playlist review by Gregory Ellwood - Not full review, read here (heavy spoilers).
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candleshopmenace · 13 days
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shuffle your favourite playlist and post the first five songs that come up. then copy/paste and send this ask to your favourite mutuals <3
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okayysophia · 1 year
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Currently reading
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mydeadmanstale · 2 years
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bluheaven-adw · 2 months
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Playlist updated!!!! Little bit of everything.
27 hours of music, almost 400 songs!!!
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