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2020: Fabrizio Mioni, attore e designer italiano. Sposò l’attrice Maila Nurmi. Dopo qualche anno abbandonò il cinema e divenne interior designer. (n. 1930)
2018: Gino Santercole, cantautore, compositore e attore italiano. (n. 1940)
2018: Eunice Gayson, attrice britannica. (n. 1928)
2018: Anthony Bourdain, cuoco, gastronomo e scrittore statunitense. (n. 1956)
2017: Glenne Headly, attrice…
Tomas Milian and Christine Boisson in Identification of a Woman (Michelangelo Antonioni, 1982)
Cast: Tomas Milian, Daniela Silverio, Christine Boisson, Lara Wendel, Veronica Lazar, Enrica Antonioni, Sandra Monteleoni, Marcel Bozzuffi. Screenplay: Michelangeo Antonioni, Gérard Brach, Tonino Guerra. Cinematography: Carlo Di Palma. Production design: Andrea Crisanti. Film editing: Michelangelo Antonioni. Music: John Foxx.
Identification of a Woman plays almost like a pastiche of the movies that Michelangelo Antonioni and other directors made 20 years earlier: There's a party filled with bored Eurotrash like the ones in his La Notte, Federico Fellini's La Dolce Vita (1961), and Alain Resnais's Last Year at Marienbad (1962); there's a film director trying to get over creative block like Guido in 8 1/2 (Fellini, 1963); there's a search for a missing woman, though not so fruitless as the one in Antonioni's L'Avventura (1960); there are some mutterings about imponderable philosophical questions, such as whether god would exist if human beings didn't; and there's a good deal of sex, still not enough to overcome the problems of the characters, though the nudity is more frontal and the copulation more explicit than it was two decades earlier. In short, we've been here before. Still, Identification of a Woman is not without its rewards, most of them provided by the wizardly color cinematography of Carlo Di Palma. His artistry and technique are on display in such scenes as the film's most memorable segment, the journey through the fog, as well as in the play with reflections (see the still above) in the Venetian hotel scene. They do more than the actors do to bring the film to what life it possesses.
October Horror and Monster Madness! Working with Veronica Lazar, Donald Pleasence and back with my best friend Timothy Van Patten in Dario Argento's "Catacombs" Dario went uncredited with the assistance of Hope and several others. Kiefer Sutherland dubbed my voice. #ホラー #horror #Kyofu #terrore #orrore #horreur #christopherstewart #alexhydewhite #shanebriant #jonathanbrandis #backstageforlife #actorslife #italianfilms #italianhorror #giallo #darioargento #catacombs #horrormovies #October #Halloween #octoberhorrorandmonstermadness #🎃 https://www.instagram.com/p/CjRLK8pJWo8/?igshid=NGJjMDIxMWI=
Top: Veronica Lazar as Mater Tenebrarum in Inferno.
Below: Her daughter Alexandra Celi at a live event commemorating her father Adolfo Celi in Rome.
Interesting. Most interesting.