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#addendum aka what if these shows were actually good <3
randomestfandoms · 2 months
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Addendum :: @sergeantpixie
When Dean shows up to ask Sam to help him find their father, he isn’t alone.
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twilightprince101 · 3 years
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So I made an SCP entry for Bugsnax...
I thought with the ending and all of the disturbing stuff that this game has, it would fit perfectly with SCP stuff. Not to mention, there has to be an SCP equivalent in the Grumpus world. GCP? SGP? SCG? I dunno man, have some horror writing about muppets.
SCP-3470: Sentient Sustenance
[Heavy spoilers for Bugsnax ending]
Item #: SCP-3470 aka “Snaktooth Island”
Object Class: Keter
Special Containment Procedures:  Due to its nature of being a landmass the most SCP teams can do is obscure its location to the populus. Efforts have been made to create rumors of numerous shipwrecks--akin to SCP-605 “Bermuda Triangle”--to deter the public from exploring the location. If unauthorized ships are witnessed crossing into the restricted zone, they are to be terminated immediately.           Addendum: Due to the recent insubordination of Dr. [REDACTED]. All authorized personnel that enter or exit SCP-3470 are to be subjected to a rigorous screening process to ensure that no instances of SCP-3470-A are brought out of the restricted area without B Class Permission or higher. Further precautions being considered are a 10 minute test in which personnel seeking access to SCP-3470 are to be placed into an empty room with an instance of SCP-3470-A. If SCP personnel show any signs of wishing to consume SCP-3470-A, they are to be removed from the team immediately. Permission from Professor [REDACTED].  Is awaiting approval.
Description: SCP-3470 is a large landmass off of the coast of [REDACTED].  Spanning 50 mi^2 and nearing 1.5 mi in height. Several sections of SCP-3470 are flux in weather patterns, ranging from lush forests to arid deserts in the span of 3 miles. Although similar in appearance to locations such as  [REDACTED].  And  [REDACTED]. , further research concludes that flora are substantially different in chemical composition, containing traces of [REDACTED].  Which was only recently discovered. Due to this, nearly all flora encompassing the island are inedible, as digestion induces hazardous effects ranging from intense stomach pains to spastic vomiting. 
The most significant aspect of SCP-3470 are various instances of sentient life, which are to be referred to as SCP-3470-A-[1-100]. SCP-3470-A take appearances of common food items, such as SCP-3470-A-1 [“Strabby”] taking the form of a ripe red strawberry with what appear to be dollar store googly-eyes [all instances of SCP-3470-A share the final trait]. All instances of SCP-3470-A vary in physique, behavioral patterns and similarities to their respective food item. Each instance also appears to have a “name” that it repeats ad nauseum despite not having observable mouths or vocal chords, making them easier to classify. Chemically however all are similar, containing faint traces of  [REDACTED]. . This can be witnessed upon any attempt to alter SCP-3470-A instances from their base form, dissolving into an unknown inedible fluid, losing sentience in the process. 
Due to SCP-3470’s flora being inedible, SCP-3470-A instances become the landmass’s only source of sustenance. Consumption of SCP-3470-A induces a drastic and instance side-effect of modifying the consumer’s limbs, thereby becoming SCP-3470-B. The limbs of SCP-3470-B instances vary depending on the instance of SCP-3470-A that has been consumed, alongside how many instances have been consumed prior to said event. Fundamentally however, all limbs modified take on the appearance of whatever the SCP-3470-A instance was impersonating. The more instances a subject consumes the more of their body transforms, beginning with the hands and feet and extending to the entire torso and face. The internal functions of the body remain intact along with full autonomous control, however the structure and physique of transformed limbs change drastically, such as an SCP-3470-B instance’s arm transforming into a banana after consuming an instance of SCP-3470-A-12 [“Banooper”]. These transformations subside in time [correlating to amount of SCP-3470-A instances consumed], with SCP-3470-B limbs reverting back to their original state, containing faint traces of [REDACTED]. 
Addendum 3470-B: Increased Exposure
Proceeding with experimentation with SCP-3470-A instances under Prof. [REDACTED]. , extended exposure and consumption of SCP-3470-A instances results in increasing addictive tendencies and side effects. File below contains audio files of experiments with Personnel D-125.
<Begin Log 01, skip to 00:02:17>
Dr. [REDACTED].: D-Class 125, approach SCP 3470-A-45.
D-125: What is…? Ok, seriously what the grump is this??? Like, I signed up for this expecting a lot of horrifying stuff, but-did someone slap googly-eyes on a piece of corn?!
Dr. [REDACTED].  : 125, please approach SCP-3470-A-45.
D-125: Yeah, yeah, alright. So… (to A-45 after approach), what are you supposed to be then? Did Dr. [REDACTED].  Have their kid put their arts and crafts project on display or-
A-45: Cobhopper!
D-125: GRUMPIN WHA- IT JUST TALKED?! IT MOVED IT’S LOOKING AT ME!!!
Dr. [REDACTED].: (whispering) so much for being the ‘toughest D-class around… ‘
<Skip to 00:08:24>
D-125: So you’re telling me I just… eat it? The eyes too?
Dr. [REDACTED].  : Correct. Do not worry, upon further testing the eyes seem to be made of a material akin to valentine’s candy hearts (lie).
D-125: Huh… alright then. Down the hatch, I guess?
Sounds of eating, cries of A-45
Dr. [REDACTED].  : D-125, describe the flavor.
D-125: It’s… good actually! I was honestly expecting the insides to be guts or poison or something, but it’s actually pretty good! Nice and buttered to, a bit of salt? Reminds me of my mom’s barbeque. 
Dr. [REDACTED].  : And the sensation of your leg transforming?
D-125: Huh? (125 looks down and notices their leg transformed into a head of corn). Oh… Well this is pretty cool I guess. 
Dr. [REDACTED].  : Any uncomfortable sensations?
D-125: Not really no. It’s weird… I can still feel my toes, but it’s like a peg leg. Actually, I think I can see a few kernels wiggling if I try. Neat!
Dr. [REDACTED].  : Is… that it?
D-125: Yeah I think so, *chuckles,* this is actually pretty cool!
Dr. [REDACTED].  : Hmm… (To recorder) Despite initial panic from witnessing A-45, subject D-125 has adjusted to transformation with record pace. Further research required.
<End Log-01>
<Begin Log-04>
D-125: Heya doc!
Dr. [REDACTED].  : Greetings D-125. Have you adjusted to recent transformations?
D-125: Yeah it’s been going alright. The pineapple hair is a pretty nice dew all things considered, and the bacon tongue makes me look like a snake. I like it!
Dr. [REDACTED].  : Pleased to hear it. Now, approach SCP-3470-A-52.
D-125: Alright, what’s on the menu today then? Who’re you little guy?
A-52: Sodi-D Sodi-D!
D-125: Huh, a drink this time. Change of pace I guess.
Dr. [REDACTED].  : Please consume A-52.
D-125: Right away ma’am. Sir. Whatever.
Sound of soda can opening and drinking, cries of A-52.
Dr. [REDACTED].  : (To recorder) Upon the first drop of A-52’s fluid, transformation has already occurred, transforming the subject's ears into what appear to be soda can tabs. No further transformations appear to occur on consecutive gulps-wha (To D-125) Sir?!
Sounds of crunching, further cries of A-52, then silence.
D-125: Not bad! I don’t usually drink soda, beer’s more my thing personally, but it was pretty sweet! Just the right amount of sugar. And hey, new accessory!
Dr. [REDACTED].  : ...D-125, why did you eat A-52’s shell?
D-125: Huh?
Dr. [REDACTED].  : The… the can. Nobody has attempted to consume the can.
D-125: Oh. Uh… 
Silence for 7 seconds 
D-125: I dunno, I guess since the eyes were edible on the other guys, I thought the can would be here? Wasn’t too hard to eat, kinda like biting into ice. Didn’t hurt.
Dr. [REDACTED].  : Very… interesting. This will be recorded for future experiments, thank you D-125.
D-125: No prob. And hey, call me Chuffee.
<End Log-04>
<Begin Log-09, skip to 00:09:54>
D-125: Hehey, candy corn teeth! Pretty sharp too, should make eating these things even easier!
Dr. [REDACTED].  : D-125, you’re nearing complete bodily transformation. Have you been experiencing any discomfort as of late? Any anomalies?
D-125: Nope, in fact I feel great! I used to have this crink in my back for the longest time, but now it’s gone! I’m more limber than I’ve been in ages!
Dr. [REDACTED].  : Fascinating… very well then, thank you for your time.
D-125: ...wait, what? That’s it?
Dr. [REDACTED].  : Hm?
D-125: There isn’t any more left? I thought there would be a bit more.
Dr. [REDACTED].  : *sigh,* D-125, we’ve went over this last time. We cannot give you more than one instance a day due to 3470-A’s high caloric count. The instance you just ate was over twenty th-
D-125: You know you keep saying that. Didn’t you guys want to really figure out what’s with these things? When I ate that soda can you said yourself that nobody’s tried that before, so let’s go further! I’m still hungry anyways, I’m craving a burger if you got any like that.
Dr. [REDACTED].  : Sir, please exit the room. I cannot give you any more than what I am authorized.
D-125: ……..You know, it’s interesting how your window is so high up there. I can hardly see you.
Dr. [REDACTED].  : ...excuse me?
D-125: You heard me [REDACTED].  , I can barely see you from down here. You can see exactly how I change, the new stuff I get… but I can’t see yours.
Silence for 15 seconds.
<End Log-09>
<Begin Log-10, skip to 00:11:02>
D-125: I know you’re holding out on me up there [REDACTED].  .
Dr. [REDACTED].  : Sir, I’ve told you countless times already. I can’t give you any more than I’m authorized.
D-125: (Sarcasm) Oh yeah, suuure. For all I know you guys are feasting away on these things up there, while leaving me for dust! Like seriously, a single popcorn kernel?! That’s it?!
Dr. [REDACTED].  : Sir, that is all I can give you today. Please exi-
Sound of a door opening
Dr. [REDACTED].  : Wh- Professor [REDACTED].  ?
Professor [REDACTED].  : Hello D-125. 
D-125: Oh great, another snob to tell me what to do. If you aren’t gonna feed me, then just shut up already! My stomach’s growling like crazy, and I’m not leaving until I get my meal!
Professor [REDACTED].  : Not to worry D-125, I’m fully prepared to grant your wish.
D-125: ...wait, really?
Dr. [REDACTED].  : Professor, what are you-
Professor [REDACTED].  : I listened to the log of your previous meal, and you raised a good point. If we at the SCP foundation wish to fully understand what these creatures are capable of, we must push the boundaries of what we believe are possible. So then…
(Sound of metal grinding, several overlapping cries of SCP-3470-A instances)
D-125: Oh, my…
Dr. [REDACTED].  : Professor, what are you doing?
Professor [REDACTED].  : Eat until you can’t eat anymore. Consider it my treat, to you.
D-125: Ooohohohohoooo yes!!! Now we’re talking!!! Come to papa little guys!!!
<Skip to 00:32:59>
Professor [REDACTED].  : Subject so far has consumed 34 instances of 3470-A. Since consuming number 21 he has shown increased signs of vigor, despite eating half of his body mass. 
Dr. [REDACTED].  : Professor, please, stop him. This is-
Professor [REDACTED].  : (continuing) Upon complete transformation of limbs to SCP 3470-B instances, any further consumption appears to override a prior one. His leg, previously resembling a head of corn has transformed now into a roll of sushi. His tongue, once a strip of bacon, now a wad of chips.
D-125: (While eating) Mmmph! Oh my god, what are you a jar of pickles! More the merrier!
Sound of sloppy gulping, glass crunching, cries of SCP-3470-A-35
D-125: Ooogh, some noodles too! Love japanese food!
Sounds of rapid slurping, rapid glass crunching and licking.
Professor [REDACTED].  : Subject appears to have increased vigor in consuming 3470-A instances, not leaving a single crumb or shard left uneaten. A query: what is the chemical makeup of instances contained in glass jars or bowls? The bowls themselves? Further research required.
<Skip to 01:42:47>
Dr. [REDACTED]. : Chuffee please, stop! You’re going to hurt yourself!
Rapid, feral sounds of crunching and slurping.
Professor [REDACTED].  : Subject has now eaten approximately eaten 1.5 times his body mass yet continues to feat, now with no regards for table manners whatsoever. I have already called for a janitor to wait outside.
Dr. [REDACTED].  : Chuffee stop!! You-
Laughter, slowly increasing in volume
D-125: This!! This is the best I’ve eaten in my entire life!!!
Dr. [REDACTED].  : Chuffee please-O-oh… oh my-
Professor [REDACTED].  : Subject’s left ear has disconnected itself from its host. There appear to be no signs of blood or even markings indicating he has had one at all-there goes a tooth!
D-125: Hooooh I knew you all were holding back on me!!! This stuff is delicious, amazing, spectacular!!! I’ll never go hungry again, no more rotting on the streets!!! This is all mine, you hear me?! Mine, MINE, MINE!!! HAHAHAHAHHAHAHAHAHAHHAHAHAHHAHAHAH
Laughter continues for several seconds, sounds of objects falling to floor as volume slowly decreases, ending with a loud clatter.
Dr. [REDACTED].  : Ch-Chuffee, I- urp!
Sound of vomiting
Professor [REDACTED].  : Subject, after eating nearly twice his body mass, has had each limb separate from his core torso one by one, now fully resembling their respective food items, until his eyes transformed into SCP-3470-B instance, resembling the mixed nuts that made up his head. Soon after, his torso and head fell apart, scattering into mixed-nuts. I can not recognize Subject D-125 in the slurry.
More sounds of vomiting
Professor [REDACTED].  : These results are quite fascinating. Further research is required into these various side effects. End tape.
<End Log-10>
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Dobson's Patreon: An Addendum to His Monument of Sins
(The following is a submission from @soyouareandrewdobson, meant to be an addendum to the multi-post submission @ripsinfest made a while back. Ironically, this one also had issues when being submitted, so I’ll be copypasting it here with all the images and links originally intended.)
In 2018, user @ripsinfest wrote a multipart series of posts for THOAD, recounting Dobson’s attempt to establish a patreon in 2015 and how it resulted in failure on a massive scale, to the point that his patreon is arguably “a monument to all his sins”.
Personally I think the post series is extremely well researched, rather “neutral” in terms of tone (letting the posts provided as evidence speak more for themselves than the opinion of the writer) and gives a detailed but quick rundown on what went wrong. Primarily that Dobson overestimated his own “value” as an artist and did NOT attempt to give his few supporters what they wanted through his artwork posted around the time.
I do however want to use the opportunity to also point out at certain obvious things that in my opinion (and likely the opinions of others) added to the failure of the patreon account, that were not accounted for in detail and are primarily related to how the internet perceives popularity and Dobson’s inability to understand, how to “sell” and make himself look good to the public.
To begin with, let’s just point out a certain truth about making money via Patreon: To do so, depends a lot on your popularity as a content creator online. That is simply because the more popular you are, the bigger your fanbase is and as such the more likely a certain percentage of people may be willing to donate money to you and your work in hopes they get something out of it, even if it is just the altruistic feeling of having helped someone they “like”. It doesn’t take a genius to see, how e.g. internet reviewers such as Linkara or moviebob (around 2800 and 4400$ earnings via patreon each month respectively) can make quite some money, while other, more obscure content creator or artists barely make money to go by, earning essentially pocket money at best.
In addition, popularity is fleeting. A few years ago e.g. internet personality Noah Antweiler aka The SpoonyOne managed to earn 5000$ a month via patreon, just shortly after establishing his account. But his lack of content over the years AND his toxic behavior online resulted in a decline of popularity and with it people jumping off his Patreon. As such, Antweiler only earns nowadays around 290$ a month via Patreon and most of that money is likely form people who have forgotten they donate to him in the first place anyway.
And Noah is not the only one who over the course of the last couple of years lost earnings. Brianna Wu makes barely more than he does, despite having once been the “darling” of the internet when the Gamergate controversy was at its peak. Many Bronies who once made more than 2k via video reviews on a show about little horses at the peak of its popularity (2013-15) earn less than 300-800 on average nowadays because interest on the show as well as people talking about it has declined.
Heck, in preparation of writing this piece I found out, that one of the highest grossing patreons nowadays is “The last podcast on the left”, a podcast that earns more than 67k a month by making recordings on obscure and macabre subjects on a regular basis.
So there you have it folks: As the interests of the internet users change, so does the popularity of certain people online and -in case they have a patreon account or similar plattforms- their chances of making money via their content.
Which now brings us back to Dobson, who was not popular at all at that particular time and managed to become even less popular as the months and years passed by.
Sure, Dobson had his fans via deviantart, people knew who he was. But the later was more because of “infamy” than popularity and the number of fans he had accumulated online were representing people interested in him at least since 2005 and did not quite represent his actual present day numbers of supporters at the time.
And mind you, the number of supporters was less than 100k, most of them likely underaged deviantart users. And if my research indicates something, then that most content creators with a halfway decent patreon earning need at least 100k+ followers in total. Because of those fans, only around 1-3% will on average then spend money on you, if you actually create content they enjoy and on a regular basis.
Which brings up the next major problem: Dobson did not create content people enjoyed and that in more than one meaning of the word.
On one hand, as pointed out by ripsinfest, he barely released any content at all over 2015 after a few initial months, despite the fact that he was obviously active online a lot, as shown by his presence on twitter. On the other hand, the few things he did create were not the stuff people wanted.
As an example: If you go to a restaurant and pay for a pizza, you expect the cook to give you a pizza. If however for some reason he just gives you a soda, you get ripped off and never come back. In Dobson’s case, the thing people wanted was not pizza but comic pages. But what he delivered was mostly bland fanart, such as of Disney and Marvel characters crossing over or KorraSami. Sure, a few strips of “So…you are a cartoonist” were still released at the time, but not really many.
To give an overview: Taking the release dates on Dobson’s official SYAC site into account, he released around 16 strips of it between March and August of 2015, the last two being “No Leia” being titled “Zip line”
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Afterwards, the next official strip released was “Anything at all” in October of 2016.
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Now to be fair, there was at least one more strip at the time Dobson released via patreon, that is also save to see on kiwifarms and other plattforms, which has not been uploaded to his official SYAC page. Likely because he simply forgot about it.
But I think that in itself should tell you something about Dobson’s work ethics when it comes to his webcomics. He promoted his patreon in his own video as a way to ensure he can make comics in a timely fashion again for others to enjoy, but in an environment where certain artists are capable to create multiple strips per week at minimum, Dobson could overall not manage to produce more than 16 over a course of six months, which means an average production of 3 strips per month.
For comparison, Tatsuya Ishida of the infamous sinfest webcomic (a garbage fire of epic proportions from a TERF who I think should be put on a watch list) has produced on average 4 strips per week, including full page Sunday strips, for years and nowadays even releases stuff on a daily basis to pass the covid crisis. So a mad man who wants to see trnas people die, has better work ethics than Dobson.
In other words, people expected Dobson to actually get back into creating comics (with some even expecting a return of Alex ze Pirate), but he got in fact even lazier than before, releasing only SYAC strips and random fanart as a product. Which he then also tried to justify as his choice to make because a) he had mental health issues and b) no one can tell him what to do.
And sure, people do not need to tell you what to do. But when people pay/donate money to you expecting to get a certain product in return, they should get the product. Linkara e.g. by all means doesn’t NEED to review comics to have a fullfilling life, but he got famous for his reviews, people want to see his reviews and they pay him for those reviews. So obviously, he will continue those things.
Then there is also the fact that despite Dobson’s claims how he wants to create comics for everone to enjoy and that he aims to keep his artwork online for free so anyone can view it…(his exact words in his promotional video AND text on his patreon once upon a time)
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…the reality was, that he wanted to use patreon as a paywall. Something I actually kinda pointed out at on my own account (shameless self promotion) once, but want now to elaborate a bit. Basically at the time Dobson opened up his patreon, he also was on the verge of leaving deviantart as a platform people could look at his work behind. Which he eventually did.
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Meaning that the only major platforms for people to watch any “new” stuff by him were his patreon or art sites such as the SYAC homepage or andysartwork. Which granted, he did EVENTUALLY put his stuff on.
But unlike other content creators who would put “patreon exclusive” new content up on more public plattforms often within a few days, weeks or a month after making them “patreon only” at first, Dobson waited longer and did barely anything to promote his sites as places to look his stuff up for a public audience. In doing so creating a “bubble” for himself that hurt him more than it helped, as Dobson made himself essentially come off as a snob.
A snob who did not create content for everybody to enjoy, but ONLY for those willing to pay him at least one dollar per month. As evident e.g. by the fact that as time went by, certain content was never released outside of his patreon at all, such as a SYAC strip involving Dobbear screaming at the computer because he saw a piece of art that featured tumblr nose.
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Lastly, there is the issue of his patreon perks and stretch goals.
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See, his perks were essentially non existent. Aside of the beggars reward of “my eternal thank you if you donate 1 dollar”, two other perks that come to my mind were the following: If you donated up to 5$ at minimum, you got your name thrown into a lottery to potentially win buttons and postcards of his artwork. Unsold cheap merch from years prior he failed to sell at conventions basically. There was just a problem with that thing: That lottery thing, which he also was only going to initiate when he reached a stretch goal of 150 dollar a month? It was illegal!
Patreon itself has in their user agreement a rule that forbids people from offering perks that essentially boil down to “earning” something via gambling, which this lottery by Dobson was.
(THOAD chiming in here to add that, in addition to all this, he fully admitted he would be excluding Patrons that he “knew were clearly trolls” from the lottery. Which made the already illegal lottery also fixed, so...yeah.)
The next thing coming to mind was his “discount” on previous books of his he offered online, if you donated at least 10 bucks per month to him. Or to translate it: You would get a bare minimum discount at pdf files of books such as Alex ze Pirate and Formera (you know, the permanently cancelled Dobson comics) if you paid up 50-75% of their original price on Patreon already. And considering the quality of his early works, he should have given you at least a book per month for free if you dared to donate him that much.
As for the stretch goals… lets go through them, shall we:
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100$: A wallpaper per month. Something he did provide with eventually, but barely. And after less than five of those he stopped to make them overall
150$: Monthly Gift basket Lottery, which as I stated, was illegal and almost got him into serious trouble with his account. Also not an initial stretch goal he made up but instead came up with a few months into his accounts existence. Finally it got temporarily replaced by Dobson playing with the idea to use 150$ per month to open up a server and art site where people could upload stuff for free similar to deviantart, but under his administration. Promising a “safe space” for other artists. Which considering Dobson’s ego and inability to accept criticism or delegate responsibilities would have likely ended like this:
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175$: Establishing a Minecraft server for him and his fans to play on. Meaning Dobson would have just wasted time he could spend on creating comics to endulge in his Minecraft obsession.
200$: Writing a Skyrim children book. Aside of the legal nightmare that this could have been (I doubt Valve would have been happy of someone else profiting of their property) I have to ask, who was even interested in Skyrim by 2015 anymore? Sure, Skyrim was a popular game and it had its qualities, but it was also a trend that had passed by that time. So in other words, there was not a market to cater towards here.
300$: A strip per week guaranteed.
… are you fucking kidding me? 75$ per strip essentially? Something people expect you to produce anyway if you want to be considered a “prolific” creator worth supporting online? Imagine if certain internet reviewers would do that, telling you that if they do not earn at least a certain amount of money, they will not produce anything, period, or less than usual. And Dobson had already proven that he can release more than just one comic within a few days, if he is motivated by enough spite.
600$: Starting a podcast with his friends to talk about nerd culture. In my opinion could only work under the assumption that people even like the idea of listening to Dobson and his opinions. Which considering how very little people like talking to him sounds doubtful. Also, considering how Dobson tends to be late to the party when it comes to nerd culture, likely tending to be out of date faster than he could upload. Finally... what friends?
700$: Returning the love, as he says it, by donating some of the money patreon users gave him to other content creators. This in my opinion is the most self defeating cause possible. On one hand sure, being generous and all that. But essentially Dobson admits here he would blow the money people give him to support HIS art on others, essentially defeating the purpose of HIS own account. He also does not clarify how much of that money he would donate, meaning there was a high chance that he would spend less than 10% of it on other creators, only creating the illusion of support while putting the actual earnings/donations into his own pocket.
2000$: A massive jump ahead. 2000$ per month would result in him getting better equipment (as in a new computer e.g.) and as such “potentially” make more comics. Mind you, only potentially.
This goal in my opinion is also the most fucked up one. Primarily for the following reasons:
Lets say Dobson would have achieved the goal and actually earned over 2000$ per month for at least a year. His annual earning would have been 24k, minus whatever he had to pay as taxes and payment for using the patreon service. And what would he do with this money? Get himself a better computer and equipment by paying a minor fraction of it once. Then he could use that computer for years to come while still having over 10k in his account, plus his monthly earnings. And he may still just produce 3-4 comics a month of a series that has as much depth to it than Peppa Pig if not less.
Sure, many patreon users have 2k+ as a stretch goal on their accounts to signify that if they could make that much monthly, they could have the necessary financial security to focus their time primarily on their content instead of a regular job. And if the content they create is actually well made, many people would support that or be okay with it.
But 2000 dollars to buy ONE computer and not account for how this money will add up over time? And that in light of such profits people may actually expect you to create more than you barely do already? That is either a case of narcissism, plain stupidity because you can't look further than 5 feet or just shows how Dobson did not understand at all the tool he had at his disposal.
Bottom line: Dobson, like many times before, fucked it up. He overestimated the potential support and resulting profits he could make, he expected that his name alone would be enough to assure gainings instead of creating content to justify support and he was unwilling to really give his supporters anything worthwhile back.
And while I am sure that there were also many other factors guaranteeing his failure, those at least to me, were his "common" mistakes most other people familiar even with the basics of internet popularity would ahve avoided.
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migleefulmoments · 4 years
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"We'd better sign him to a contract that makes sure he and the other half never do anything to indicate they're in a real relationship because that would lead to our show getting good publicity " this point from willschurrodip is something I've also thought for years lol. Darren and Chris being a couple irl would've been a dream come true for Ryan and everyone else behind glee. Klaine is real? Get them on the cover of a magazine asap. . It would've been excellent promotion for the show
It really would have been incredible publicity.  There is just something about knowing actors are real-life couples that is fascinating and adds something to the viewers’ experience. Just an example - Keri Russell and Mathew Rhys fell in love on The Americans and even I find it interesting to watch them act together and talk about one another in interviews. To believe that the Glee PTB  instead went to the extreme to write a comprehensive, never-ending contract to keep them apart forever proves a lack of understanding about PR, marketing, and fan engagement related to fan-favorite couples. It also shows a complete lack of knowledge about contract law. 
Willschurrodip’s comment that season-one Chris would not have been predicted to be part of the fan-favorite hot couple is spot on. Chris was an openly gay kid playing a young gay character in a time when gay characters-and openly gay actors- were few and far between on network TV.  They were the comic foil,  the over-the-top gay stereotype. I can think of Modern Family and Will and Grace that had gay adult storylines but network TV hadn’t done much with realistic storylines about actual issues facing teens. It’s hard to imagine that now because 10 years later we have well-written, well- rounded LGBTQ characters all over cable and streaming shows (I don’t watch much network so I don’t know what is happening on network right now). Nobody would have predicted Chris would be part of a fan-favorite super couple because it just hadn’t been done. Even if they had planned a boyfriend all along, they wouldn’t have been able to predict they would blow up like it did so the idea they got him under contract prior to season 1 which included staying away from his future on-screen boyfriend is stupid in and of itself but no show is going to shoot themselves in the foot by keeping a super couple contractually under wraps.  I suppose the couple might dictate it is to be kept quiet but the show itself would jump at the chance to feed the frenzy.  
The idea that they were able to contract Darren to stay in the closet because they somehow knew he would be in love with Chris is beyond stupid.  Darren had already said in print that he was straight and had dated only women that we know of so there was no reason for anyone at Glee to believe he was gay and would fall in love with Chris. Abby likes to say that Ryan wanted to market him as a teenage heartthrob which is another lie that doesn’t stand up to scrutiny. There is no way that gay Ryan Murphy wanted to market a new actor playing a gay character as a “straight teenage hearthrob”, especially enough to put it in a contract. It also wasn’t Ryan Muprhy’s role to decide how Darren’s career was marketed in the big picture aka outside of Glee promotion. When Darren got his first contract, he wasn’t a series regular, Ryan would have had no long-term ideas on marketing Darren as Abby has claimed.  That means that at best Ryan would have only been able to add THE Contract addendum when he signed to become a series regular which I believe was season 3. By that point,  Klaine was gaining good traction among the fans, there is no way in hell a show would NOT capitalize on them as a real couple if they really were.  Abby’s entire fantasy is based on one big fat lie that is at the very top of the storyline- the holes start int he first moments Darren enters the cc storyline and it never gets any better.    
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blockzone06-blog · 5 years
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Carrot Habanero Hot Sauce
I have a piece in the new issue of Darling Magazine this month. I was asked to write a rosy-cheeked take on family dinners––their evolution from youth to adulthood, tradition, nostalgia, how the act of gathering around a table “transcends the act of dining as a means to an end.” I was feeling OK but not awesome about my rough draft when I submitted it in December, then: Christmas. We hosted my family at our new place. It snowed. I planned a few elaborate meals because, you know, food is love, and on the second night, before anyone took their second bite of potato tarragon galette, my brother and I were in a shouting match over my request that he not text at the dinner table. He got defensive. I called him an asshole. He got up and left. My mom cried, dad got quiet. Shaun tried to mediate.
It was ugly. But, it was real. More often than not, the meals we get to share with family and friends do not take on the convivial, alluring nature we see promoted across blogs and boutique media. It’s easy to set a beautifully-styled farm table and encourage meaningful, open-hearted dialogue and then CONVENIENTLY disregard that meaningful, open-hearted dialogue is, by nature of our human-ness, a fucking mess most of the time. The mess doesn’t sell.
There is nothing precious about our dinner table. It is, and has been, a mighty kickstand for the hardest and heartiest conversations in our lives. Sure, we’ve made many memorable, effortless, joy-filled moments around our table over the years, like that one night we stayed up late on a weeknight braiding challah and eating boozy french toast with a friend who kicked her dude to the curb. The time Cody and Emily stopped over before Corbyn and Caroline’s wedding with the kids and Shaun poured a bowl of tomato soup for Ev’s “Mr. Shark,” which he proceeded to splash all over his clean pajamas and Mr. Shark. And yet, for every uncomplicated and tender occasion we’ve experienced at the table with loved ones, there have been at least a dozen gritty, soul-obliterating instances that preceded it. Like New Years Eve of 2012 when Shaun and I ate buttered toast before The Lumineers show at the Ogden, contemplating if we’d even do 2013 together as a couple, or the night before our wedding that we ate bad pizza together on the floor, holding each other, laughing, crying, wishing we would have just eloped like we’d wanted all along.
Here’s my addendum to the story that was actually published: family dinner is where we do the work. And when I say family I mean our biological families, friend families or otherwise. And when I say table,  I mean the couch or the barstools or the floor or the porch or the car. Wherever we eat, wherever we are forced to stop and reckon with the day or our lives or our relationships with one another in the presence of food: we go to work. We take something that is hard and make it easy, or take something that is easy and royally overcomplicate it. We wrestle, together, with what Anne Lamott calls “the three most terrible truths of our existence: that we are so ruined, and so loved, and in charge of so little.” It’s the angst and heat and sticky stuff that comes with the work that builds real, long-lasting commitment and goodness in our lives. We need to get better at celebrating THAT.
          I struck my match, she poured out her gasoline.
We burn now. All the time. ― Tarryn Fisher
  Carrot Habanero Hot Sauce (aka Honeymoon Heat) (aka SUPER SPICY)
Adapted from my friends Corbyn and Caroline who discovered a love of carrot based hot sauces while honeymooning in Belize last year. This recipe makes about 6 quarts of hot sauce. Yes! You read that right 6 qts. I felt like there was really no sense in making a small batch when so many friends go through sriracha so quickly. You can easily halve, quarter, or further divide the recipe to make a smaller portion with the same result. 
15 garlic cloves, unpeeled
2 cups peeled, chopped carrot
4 medium sweet yellow onions, chopped
30 medium habanero chiles, stemmed
3 cups white vinegar
¼ cup salt
¼ cup sugar
Juice of 6-8 limes
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Roast the garlic in a skillet over medium heat, turning regularly until soft and blackened in spots, 10 to 15 minutes.
In the same pot, combine the carrot, onion and habanero chiles with the vinegar, 3 cups water, salt and sugar. Partially cover and simmer over medium-low heat until the carrots are thoroughly tender, about 20 minutes. Blend until smooth. Thin with a lime juice and more water if the sauce seems too thick. Taste and add salt as preferred. Store in glass jars in the fridge.
Source: http://happyolks.com/carrot-habanero-hot-sauce/
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