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#very long post
diviningrodtv · 1 day
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Oh yeah, NSH Time.
I've been holding this post back for like a week😅
I absolutely love how NSH came out and I think he's currently my favourite rain world model that I've done! (Sorry Pebbles, I'm going to upgrade you later anyway :]
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I also made his scarf easily removable so you can see how the stripes aren't just on his head! The stripes and his irises also glow, but a bit brighter than the areas on Five Rotten Pebbles.
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His antennae are pretty similar to how I did Sliver's, especially considering I did his first! XD They're separated from his head a bit.
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Also if you've noticed in my art that his eyes are the exact same as in the model here, that's because they are! I tried finding a way to draw them how I usually might, but I just couldn't get the same vibe! So I said, "Fuck it!" and I've been drawing over his model ever since XD
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NSH is also who I used to make the "umbilical arm" model! So if you saw those posts, that's why the textures are all messed up!
And here it is in all it's glory!
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It's mostly made of ball joints with a flexible joint attached to the back. The last segment also twists just like your forearm bones!
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Also..... lore shit below cause I have, plans™ so-
If you don't want to know why NSH is acting strange on my blog yet, read no further!
(there's also some downpour spoilers, and some other disturbing things)
*slaps top of can* This bad boy can fit so much fucking insanity in him. (cw: self-harm yeah you heard me)
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If you haven't figured it out already (I did drop hints :) NSH's structure is damaged! His legs are giving out because a group of scavengers thought it would be funny to transport all of their explosives at once.
So he's in a bit of a pickle!
This is when Looks to the Moon and Five Pebbles' communication tower is repaired! During their first conversation in a very long time, NSH finds out about good ol' Hunter long legs, and is rightfully distraught! He feels like a total failure, that he wasn't experienced enough to properly create his messenger.
That's what this whole post was about!
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But, experience is something that can be gained.
NSH figured if Five Pebbles was able to leave his can, then he should be able to as well, but that requires solving the three problems I mentioned in the Five Rotten Pebbles post:
The self-genome modification barrier,
A general lack of puppet central brain matter, and
No material processing within the puppet.
I'll talk about my umbilical lore for this AU here since it's relevant.
Either the "cord" or the "arm" can be disconnected, but not both. This is for ease of repair by administrators. Disconnecting them both would leave the unfortunate Iterator fully functional. Although, they would be blind in the visible spectrum (apart from overseers), unable to speak directly to someone in their chamber, and would otherwise have their workflow be severely impaired. They would effectively be trapped in their own head.
NSH realised that even if the barriers existed, they could still have the intentions, to break them. So what would happen, if he broke one? Not by writing it out of his system, Five Pebbles already proved how risky that method was, but instead by setting his actions in motion faster than any barrier could stop them? This was something to test, and wasn't that what Iterators were built to do anyway?
Umbilicals can only be disconnected by administrators, but what if he were to do it anyway? He needed to leave his can after all, it wouldn't be much of a loss if he was stuck on the floor of his chamber or floating aimlessly in zero gravity for a while.....
So what if he just ran fast enough to rip himself off?
What if he moved his arm back at the last second, could he gain enough inertia to pull it out of his back? Even if it took a few tries?
What other choices does he have? Perfect Five Pebbles' method until he collapses and continue even then? He had time, but not enough for that, and The Hunter certainly did not have any time for waiting around. NSH had to fix his mistake, he had to.
So this bastard goes and does exactly that, and short-circuits his entire system.
Not just breaking the umbilical maintenance barrier, but every other one in the process.
And it all hurts like hell.
But that's the first problem solved, and now he can help keep himself afloat longer. So that now, he can figure out how to solve the other two problems with precision.
Of course, the others won't like any of these plans, but, after what Five Pebbles did, they wouldn't dare disturb him if he stopped responding, right?
And maybe, he could even hijack their communications array, to look for help.
>:]
yeah so NSH is not sane
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emberglowfox · 6 months
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Keeper -- a short comic about an angel meeting a robotic lighthouse keeper that doesn't know the world has already ended. Made in about 18 hours for a 24-hour 24-page* black and white comic challenge (that I arrived late to, ha.)
*the actual submission does not include the cover, which was created after the fact for this post.
This was a really great learning experience as someone who's... never really made a completed comic. I ended up really attached to the story by the end of the project (possibly due to all-nighter deliriousness lol) and ultimately am very proud of what I made.There are some things I'd still like to change, particularly text placement, but in keeping with the spirit of the challenge I've elected to leave it as is.
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ms-demeanor · 1 year
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So I've been seeing some discourse around the No Fly List leak that looks a bit like "hey everybody, we can't make jokes about this, the list is racist and there are children on the list" or "if you're talking about identity categories instead of the list you're missing the point" and I think that we CAN make jokes about a trans bi lesbian catgirl owning the US government while also appreciating the gravity of the No Fly List but what I think is troubling to me is the way that these discourse posts are treating the blatant racism and inherently fascist nature of the No Fly List as news.
It is news that Maia Arson Crimew was able to download a copy of the No Fly List from an unsecured public server.
It is not news that there are 1.5 million people on that list, many of whom do not belong on it for any number of reasons, and it is not news that there are children on that list, and it is not news that the list is a tool used to deprive people of their civil liberties. That's why the list exists.
I'm aware that I'm getting older. I'm aware that there are entire adults of legal drinking age who were born after 9/11. I'm aware that it's not super common to follow up on foreign policy or national security debacles from when you were in kindergarten, but there are people who have been mad about this shit for twenty years and if you're just now hearing about how bad the list is for the first time, hell, maybe that's on us and we haven't been yelling enough (though when I'm yelling about how the TSA is security theater meant to make us accept encroachments on our rights, this is at least a part of what I'm yelling about).
The No Fly List is a list of individuals maintained by the TSA who are deemed a threat to security for some reason or another.
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The TSA maintains the list, though they are given information for the list from the FBI, Terrorism Screening Center, and other entities. If you'd like to click this document, you can find 250 pages of FOIA'd documents about the No Fly List pre 2006. Much of this document is members of the FBI trying to justify why they need a copy of the list and lamenting that airlines have a copy of the list and they don't. This is very funny.
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There have been issues with mis-identifications and false positives for the list for as long as the list has existed. You can click here to read through an infuriating 200 pages about a Pfizer employee who was stopped at least a dozen times at airports and who retained a law firm to hound the TSA/CBP/ICE clusterfuck of interagency buck-passing for nine months to try to get the problem resolved. One of the three documents at this link includes a complaint from the president of the Terrorist Screening Center lamenting the way that the TSA would refer obvious non-matches to be detained, including infants and the elderly.
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At this point, the FBI/TSA/TSC/ICE/CBP claimed list was still relatively small, in the low thousands at most.
However a 2009 cost-benefit report by the Defense Technical Information Center found that in 2004-2005 30,000 people contacted the TSA to have their names removed from the list; 30k false positives suggests a list somewhat longer than a thousand names.
As long as the No Fly List has existed, criteria for being placed on the list has been subjective and selectively enforced.
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As the Crimew leak shows, there isn't a tremendous amount of biographical data, but there are hundreds of thousands of names and it is enforced at the discretion of the TSA in each individual airport in the US, which is how you end up with duplicates and toddlers and 100-year-old men on what is functionally a filter to keep Muslim people out of the US.
The list has expanded every year that it has existed, and has been defended by republicans and democrats alike since it became one of the tools in our arsenal to fight "the war on terror"
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And for just about that long, people have been talking about how it is unconstitutional, denies civil liberties, and also just doesn't really work.
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It has never been transparent, it has always been a tool of surveillance, exclusion, and control:
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And people have been documenting, protesting, and suing over the islamophobic nature of the list - and the security state's weaponization of the list as a threat - for two decades at this point because in the earliest days of the No Fly List it was OPENLY ACKNOWLEDGED that it was based on racial profiling and people made (shitty, cruel) legal arguments for why it should be:
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THIS isn't funny. These are not the things that people are joking about when they choose to stay silly :3 in this conversation.
But these things also aren't news. Nearly everything I screencapped here was listed as a source on Wikipedia, and what wasn't was available as simple searches on Archive.Org or easily looked up on news websites.
All you have to do is just *look* at the sources on Wikipedia to see that people actually have been talking about it for quite a long time, very publicly, and that there has been a lot of public outcry about the list as it balloons and punishes innocent people with false positives:
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And when you've been looking at stories like these for twenty fucking years it feels wonderful to say "holy fucking bingle" and celebrate that for once someone did something VERY COOL in order to shine a light on this massive (and apparently underappreciated problem).
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thehmn · 8 months
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I’m intersex and I’m very hesitant to make this post because it could very quickly turn into a shitshow if I don’t word my thoughts correctly, but I’ve noticed a small, slowly growing trend and I think it’s important to talk about this before it gets out of hand.
I’ve seen a couple of posts with a lot of likes and reblogs where trans people accuse intersex people of being transphobic when they want hormonal treatment or surgery for themselves to look more female or male. It’s never about forced surgery on intersex children, but specifically about adult intersex people who want treatment for themselves. In these posts people see it as subconscious transphobia because they think this mindset is supporting the gender binary and harms trans and nonbinary people who technically get intersex bodies once they start to transition with hormones and surgeries. In their eyes not only are intersex people who use hormones/surgery to visually get out of the intersex sphere abandoning trans people, they’re also working agains nonbinary people who use intersex people as proof that there are more than two sexes which justify the existence of more than two genders.
The fact that there are a lot of similarities between trans and intersex people should be obvious. Both groups are saddled with bodies that doesn’t necessarily represent their gender and both can experience severe body dysmorphia, but at the end of the day the biggest difference is that the bodies of intersex people change on their own.
If you’re trans, imagine if you were assigned your preferred gender at birth and was perfectly content and happy in your gender experience when you suddenly hit puberty and start developing sex characteristics that goes against your gender and suddenly people around you start telling you you’re not actually the gender you think you are. Basically, imagine the way you felt before you came out/transitioned, except reversed.
I can for the life of me not understand why a trans person who thinks hormones and surgeries are acceptable for trans people can’t extend that mindset to intersex people.
It’s an ongoing debate among intersex people wether we belong in queer spaces and I can see both sides. A lot of intersex people consider themselves cishet people with a birth deformity who aren’t any more queer than people with dwarfism. Other intersex people feel more at home in queer spaces because there’s generally more acceptance of people who fall outside the norm.
But at the same time, in my experience, you get a lot of the same questions in both spaces. Both queer and cishet people often assume intersex means nonbinary, and I’ve been asked more than once how intersex people can call themselves cis or trans when their bodies fall outside the two majority sexes, forgetting that it’s all about what gender you were assigned at birth.
This leads to situations where you’ll meet trans men with functioning penises and trans women with natural breasts. A child might be born with something that looks like a vagina with a big clitoris and be assigned female but once they hit puberty the big clitoris becomes a small penis.
And even if they’re trans and start developing sex characteristics more in line with their true gender they might not be ready for it yet. As a teenager you become a target if you stand out so if you’re a trans girl living as a boy and you suddenly develop breasts that can be horrifying.
I personally experienced a much milder version of this. As a child I was perfectly content with people calling me a girl but I also felt like a different kind of girl. Not in a “not like the other girls” or tomboy way. More like a girl with something else in the mix. It was a very physical feeling because I was naturally stronger and more boyish looking than other girls and I didn’t really feel like I fit in with either boys or girls but at the same time it didn’t bother me when I was grouped in with the girls during school activities. I’d play around with makeup in my room, giving myself a beard and chest hair without wanting to be a man. It just felt like the right mix. Then I hit puberty for real and developed breasts and hips but also a full beard and chest hair. Despite all the times I had done it to myself I was mortified. This wasn’t something I could take off. I stood out wether I wanted to or not. Shaving left me with stubble. People looked. People commented on it. And my breasts didn’t grow super big and a lot of my body fat sat on my stomach like on a man, which meant if I didn’t wear a very flattering bra and feminine clothes I was sometimes mistaken for a chubby guy with manboobs. I was NOT ready for that. I was already struggling to fit in at a new school so this was like a social death sentence, not to mention I wasn’t sure about my own gender yet. It was something I should be allowed to work out on my own in peace when I was ready for it without people constantly asking what I, a child, had in my pants.
So hormones was a gift that allowed me to “transition” when I was ready for it at a later age. I’m off those hormones now and live as a “woman with something extra” like I always knew I was, but the things I had to go through as a child makes me very sympathetic to intersex people who does not feel that way and just want to be a man or woman with nothing extra because that’s their gender and like everyone else they want their gender and gender expression to align.
I don’t think it’s fair to expect people to be a martyr for other people. Most intersex people think trans rights are important but that doesn’t necessarily mean they belong in that debate. I know a lot of trans people who think women’s rights are important but feel no obligation to help the cause by sharing their experience of what it was like living as one gender and then another and how much respect and dignity they gained or lost after they transitioned.
So while I understand the natural instinct of wanting intersex people be part of a lager cause I also think it’s unfair to call intersex people who want to look like their preferred gender transphobic.
I really hope I made myself understood and that this isn’t an angry post. I just saw this “intersex people are transphobic for taking hormones” opinion with little to no understanding of the intersex experience and I’m hoping to shed a bit of light on that ❤️
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lanwangjihouse · 2 months
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Lan Wangjibo - Man like a meme [part 2]
(part 1 is here)
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nogodsnomorales · 11 months
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Know that I am going to get pretty serious here, as this post is about Punkflower. I am going to talk about the age situation, the blatant racism ABOUT this ship, and to also talk about the ship itself*. There is also some talk about the shippers/non-shippers + Punkflower antis in general.
[*nothing negative! just like.. discussing it as a whole, because everybody needs to be aware of some important things. the shippers, non-shippers/people on neutral ground, AND the haters/antis.]
There is a BIG wall of text incoming, but all of it is organized to its very best at what I could do!! I first wrote this in docs, I did my best to make it not a whole chaotic mess to read through. It's a big post, but there's a lot of spacing and some text is coloured, so it will be very easy to read.
This is a very detailed and THROUGH post, so it is slightly recommended to read on computer for the best viewing experience.
[It's not needed as you can still just read on your phone/etc, I do want you lovely people to have the best viewing experience possible.]
There will be an expand button, so I will not clog your feed and the tags.
TDLR;
Dear punkflower shippers,
your prayers have been ANSWERED. DO NOT WORRY ABOUT SHIPPING PUNKFLOWER NOW 🙏
punkflower shippers, do not live in fear no more, for I am here now.
Sincerely, 
tumblr user: godunforgiving
Edited Note (06/21); FYI, I am muting this! Read the edit change log at the end of this post for more information. If you have any concerns or inquiries regarding this post, do not hesitate and feel free to DM me!
punkflower talk/analysis(?) + talking about Hobie’s age
This entire post is a discussion of various things, of my own thoughts and opinions! Some of the talk is about the posts + comments I have seen other people say about this ship [mainly questioning and worried ones.] All of the pieces of information that I knew were scattered, so I wanted to gather all of what I could find, and put it in a singular post for those still worrying.
[Also where others can actually just refer to this post and just read thru here first, instead of having to spend a lot of time going through the Punkflower tag to desperately find info!]
I would have gotten this finished and posted days ago, but you know, usual IRL things slowed me down, and I had to spend my day in the ER yesterday, lol.. I’m okay as of now! Just have to take it easy, but I really did want to finish writing my ass off with this post, since I know it’s important to me and for many others out there.
Take your time to read through this, and please absolutely feel free to add any of your input/extra knowledge/anything that I should add onto this post. DMs can be the best, or just through the comments can suffice, because I can and will edit anything into this post [that is accurate aka there is backed up evidence/sources to go along with it.] If you do want to see something added here, just tell me and I'll see if I can manage!
I genuinely hope that this post can be helpful to you, as it will be helpful for me!
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Please know that; I will directly quote from many people, as all of them will be credited properly by being mentioned down below and leaving their username (that is linked back) with their respective quotes, because their own pieces of text really helped build this post! I cannot thank each person enough.
Do not be a piece of shit and go after or ‘witch hunt’ any of them. Respect their own privacy and being.
users mentioned (IOOA): @comfortingnightmare, @luvvnobo, @ghostspider-isms, @saltylemonade13, @artisan-is-bored, @bellamer, @uglynavel, @peachypea0ny (fyi, site is not allowing me to tag), @crownecromancer, @raspberryjars, @spideyzpoolsp, @hamiltonforpowerpoint
[If you are one of the mentioned people, and you want yourself to be removed or become anonymous, please let me know ASAP!]
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Notes:
If you are colourblind (some of the text is coloured fyi! colours used are blue, pink, and purple), or have difficulty reading text due to it being too small, or can't read the font, etc, please let me know! I can give you a google docs link of this entire post that is best suited for your needs. No, you will not be a burden to me. Your needs are very important, and I will want to assist with the best that I can do with that!
I, godunforgiving, am on a mix of a positive + neutral ground on the topic of shipping Punkflower. I absolutely adore the comic!Punkflower, and I am fond of ATSV!Punkflower with the way I view it. Reason why I said neutral, know that I am not against the ships by any means!! But I guess why I say that is because there wasn’t a lot of canon media to consume [ATSV!Punkflower], and I want more [Also note that I have NOT seen the movie yet.] I don’t usually ‘do’ shipping when it comes to various franchises, I guess it’s mainly just not my thing? But I do know that I’ve come to like Punkflower.
I do not ‘do’ discourses, nor do I intend to actively join them! This is my first time doing something like this / this being my first ‘discourse’, yet I hope for it to be my last. I made this post with the pure intention to help the Punkflower shippers. Do know that!! I know that many people do not like the topic of discourses, but this one and the problems I’ve seen revolving around Punkflower, I just have to say something. Bc idk if anybody else is going to [with the way I did this post], considering the mess that occurred days ago, but someone has to and has to do it properly.
I am autistic, so I may process words + information differently, or even ‘incorrectly’. So if a sentence doesn’t make sense, due to perhaps my misuse of grammar, etc, please do not hesitate to ask/reach out, and I can do my best to re-explain it to you.
Negative comments [and comments directly to this post where the person is actually spreading misinfo], will be deleted. Know that if you decide that you disagree with this post, then okay! I am not bothering you, just as I hope that you will revert to ignoring me, instead of hating on me. Please have the common decency to just be kind or even don’t say anything at all, and carry on with your day.
If you have any concerns regarding this post, do not hesitate to reach out to me.
this post was originally inspired by a friend, then originally created for @feuille-morte, but it is finished for the rest of the punkflower fans, ily all. take care of yourselves!! anything for these cute silly little guys ok (and the entire punkflower nation)
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let’s get started with an introduction.
“what is Punkflower?”
Punkflower is a slash [aka queer] relationship between two black male teenagers, Hobie Brown and Miles Morales. Usually, it is perceived a romantic relationship, as some other people only see the pairing as a platonic duo and such. I do not know more forms of Punkflower, but I will use the 'main' two forms in this post. Comic![SG!]Punkflower [SG is Spider-Geddon, a comic series first released on Sept 2018], and Across the Spider-Verse aka ATSV!Punkflower.
Think of it as the same ships with the same characters, but in different fonts.
Comic!SG!Punkflower has existed for nearly 5 years now, likely first existing sometime in late 2018 to early-mid 2019. Both Miles and Hobie are very close in age in the comics, at around 16 to 17 years old. Away from Spider-Geddon(?), but still on the topic of comics, Hobie is still 16-17 in the comics.
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“people are saying Punkflower is a problematic ship!”
The main [and probably only] source of this misinformation, is from a clip that was cropped to be posted with the intention of spreading heavy misinformation (We will get into that next.) So, as far as I am aware, and know; Punkflower antis are throwing around p/do allegations, because they hate the ship and they are outraged with people enjoying it. This hate is clearly rooted with racism, and homophobia. So, no, Punkflower is not a minor x adult ship!
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“the interview talk, what happened, and what is actually real?”
If you’ve watched the interview, you can easily see that they were talking about the brainstorming process of developing Hobie's early ideas for his character. A director mentioned that in the early concept stage, Hobie was originally going to be 19-20 [This wasn’t even our Hobie, but Prowler Hobie.]
A person cut a very small clip of the mentioned interview, and uploaded it, a clip that was EXTREMELY out of context. 
The uploader cut out the part explaining that Hobie’s ‘original’ age had changed as his character was being developed.
So from this, and no context given, a lot of people were instantly quick to hate; since it was on purpose to make the entire ship, AND those who enjoyed the ship, look extremely bad. What happened was not okay, yet this disgusting behaviour is at an attempt to be justified [and those people are trying to justify literal racism and homophobia.]
“19-20 thing that the directors mentioned were Hobie’s early designs ideas but those eventually changed as his character changed. Even one of the directors said its up to interpretation plus even his VA was all hinty towards Gwen and hobie so honestly its up to you what his age is" - comfortingnightmare
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As soon as the clip came out, I had started to see a number of people saying that, apparently, Hobie looked like he was in his 20s to his 30s** (while also throwing subtle/discreet hits towards the Punkflower ship), but this was after the clip came out.
**Literally saw someone on Tumblr say that he looked like 28, and trying to shut down the idea of Hobie being a teenager. Like be completely serious with me right now..
Things don’t quite add up here. This was because of WHAT Hobie only looked like, and now it just has to be racially motivated, as there are no solid explanations or reasonings for their behaviour and disgust. Those people just look bad [as they should.]
So, no, Hobie is not 19-20. Another director had confirmed that Hobie’s age is UP TO INTERPRETATION.
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[TLDR; The interview got taken completely out of context from a clip that made people start throwing SERIOUS accusations left and right.. Since more people actually later found out that the clip was taken out of context [instead of doing research], the situation died down, but people are walking on eggshells now. The haters were being desperate likely because Punkflower is a black queer/mlm relationship, since there is no solid explanation for this hating.]
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“So.. what can we interpret Hobie’s age as?”
That is where I come in! I have many reasons that can help you decide what Hobie's age is to you. And those many reasons are speculated on Hobie's age being 16-17, as many users already guess that Hobie's age is equivalent to a teenager's age. I also believe this idea, as there are many things that already support this thought process.
[But if you like.. (god, I hope nobody does) go through this list and conclude that Hobie is 18+ and continue to ship that Hobie and 15 yr old Miles (or any of the minors).. GTFOH.]
1. Hobie Brown in other media (I’m talking about the comics for instance) is commonly shown for Hobie to be a teenager at either 16 or 17 years old.
“Hobie is in fact labeled as ‘badmouthed teenager’ since 2014 and is 16-17 in the comics and that just because he doesnt have a confirmed/canonical age in ATSV, hes still in the age range of a teenager (16-18)" - luvvnobo
2. Topic of the spider-bite. 
ATSV!Hobie is likely to be 16-17 years old (18 at the latest), meaning that he would have been bit at the ages of 13-15. So IF Hobie was bit 3 years ago / at 14 years old, then he would be 16-17.
Realistically, this really could have happened, considering Hobie’s living conditions! [aka what led to Hobie getting bit by a radioactive spider in the comics.] If he indeed gets bit at 14 years old (like how Miles and Gwen got bit at that age for example), then either 16 or 17 yrs old.
Again, with how he lived; if he got bit at 13 = 15-16 years old in crrnt events of ATSV. [If you don’t know of Hobie��s conditions, in the comics I’m pretty sure he, like, basically lived on the streets as a homeless teenager]
“During the "Spider-Verse" storyline, the Earth-138 version of Spider-Man is revealed to be Hobart Brown, originally operating as Spider-Punk. He is a homeless teenager who was transformed by a spider that was irradiated as part of President Norman Osborn's toxic waste dumping.” - Spider-Punk: Wikipedia
The topic of the bite / needing to know if Hobie was (x) age when he got bit, isn’t very serious, as he is already grouped with 3 kids.
3. It would be unlikely (and also weird) for a four man crew to be 3/4 teenagers and 1 adult;
WHILE ALSO implying that the mentioned ‘adult’ and one of the mentioned teenagers could’ve had something going on. [Even if nothing really happened (keyword = implying), and how Pavitr treated it in that way, implies that Hobie isn’t that much older than the three.] [I would have kept this reason combined with the Spider bite topic aka reason No.2, since it’s actually referenced off of pastelnightgale’s post, just that this paragraph alone is solid enough as a separate reason.]
4. Hobie’s mannerisms.
Note, I haven’t seen the movie, but I have seen many clips. From those clips, he’s definitely a teenager at least, it made me feel like Hobie was 16 or 17 years old. I’ve asked two of my brothers; they said that he definitely was their age [both being 17.]
“my two cents on the age debate is like. hobie doesn’t have the vibes of an adult even if his age is up to “interpretation”. like i’m eighteen and bro has definitely gotta be younger than that. he makes my “stupid younger sibling” sense go haywire." - ghostspider-isms
5. If you look up “how old is hobie brown”
You will already see many people speculating that Hobie is likely to be around the same age range as Miles and Gwen [if not a bit older.]
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Again, Hobie is already 16-17 years old in the comics. 
“in the spiderverse, we have seen that it is common for most spiders (gwen and miles specifically) to get bitten around 14. hobie states he’s been spider-man for three years, meaning he’s most likely 16-17." - artisan-is-bored
6. “Like if Hobie is really 19+ then why is it only a problem with Punkflower?? Wouldn’t the whole love triangle thing be a problem????" - saltylemonade13
Yes. It would be a SERIOUS problem. It also would make the other ships [Chaipunk, others with minors in them] very problematic and illegal ships. But Hobie isn't 18+.
7. Ageing down process happening to various characters in Spider Verse, and Hobie non affected?
If Gwen and the other spiders are aged down in Spiderverse, then it doesn’t make sense that Hobie was not aged down like the others.
8. Hobie literally hangs out around teenagers.
If an adult is constantly hanging out with other children, then that obviously would be the first problem. I wouldn’t really need to keep talking any more about this one. Because if a 19-20 year old was spending a majority of his time around young teenagers, ages ranging 15 through 17, and not really with anybody else his age or above, then yes, that’s already weird.
“it’s also implied that miles is jealous of gwen and hobie. why would the directors make a key plot point of the story be that hobie is a grown ass man hanging out with a bunch of teenagers? and that he might have a thing with one of them???" - artisan-is-bored
9. Genetics do not matter within age.
This is one of my most common quotes by now. Hobie is indeed very tall at almost 6 ft, yes. No, it does not mean that he is above 18+ years old. Hobie can be over 6 ft tall and still be 16-17 years old.
I have seen so many teenagers at drastically different heights, but still be the same age. Many of them being over 6 ft [180 cm], and still being in my age range, and having met a 5’10” 8th grader [aka 13 yrs old] years ago. Both of my previously-mentioned brothers are 6 ft and over 6 ft, yet they are only 17.
“people can look one age and be another." - artisan-is-bored
“hobie’s description as a character. hobie is a foul mouthed TEENAGER. that has been his description for the past five years." - artisan-is-bored
10. “how do i tell them Punkflower has been a thing since 2018 or 2019 and they have interacted in the comics (they are close in age)" - luvvnobo
11. “He has to be an adult, because he goes to pubs!!” Let’s be absolutely HONEST here.
“dude is BFF’s with the Riri of his universe, she can probably whip up a fake ID in no time and even if Riri isn’t in the Spiderverse, he still gets around and knows people. he’s definitely cool with someone who makes fake ID’s." - bellamer
What bellamer said. To add onto this, a pub is different from a BAR as well.
If you look up “what is a pub vs bar” your first result will be this.
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To also add, all bars in England aren’t considered pubs.
“If you’re 16 or under, you may be able to go to a pub (or premises primarily used to sell alcohol) if you’re accompanied by an adult. However, this isn’t always the case. It can also depend on the specific conditions for that premises. It’s illegal to give alcohol to children under 5." From the official GOV of the UK website
But literally, let’s be honest here, Hobie would already know at least one person who will help him get in a pub, if he cannot do so himself. If Hobie is constantly going to pubs, then that does not mean he is getting drinks 24/7 when he is there, unless stated otherwise. Pubs focus on serving food and to give drinks [upon request] to go along with the meal.
Before 1995, children under the age of 14 were NOT allowed in pubs in England and Wales. And Hobie is definitely by no means 14. He is likely 16, or 17. He can already drink, with adult supervision, at 16 in pubs. But we know that Hobie is no law-abiding Spider-man.
12. “Hobie wouldn’t be able to own his own place!”
“it’s a key part of hobie’s comic backstory that he used to be homeless. once again, the breaking the law point still stands. wouldn’t be surprised if hobie bought an apartment with a fake ID, was squatting, or was staying in some sort equivalent of the community center that he used as his main group’s operation headquarters in the comics.” - artisan-is-bored
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I do not think that another director/anybody who worked on the movie will come out and say that Hobie is actually 18+ at this point. I CAN be wrong in the future, but right now, he is not, and there are my reasons for why I strongly agree with the idea of Hobie being a teenager.
ALTHOUGH, even IF a director comes out and says that ATSV!Hobie is actually 18+, obviously all of the ATSV!ships with him and the other minors should STOP RIGHT NOW. But as of now [06/13/23 (when I first wrote this)], and from what we already know, I do not see anything wrong with ATSV!Punkflower and my views.
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The racism revolving Punkflower is disgusting.
I’ve seen a lot of people bashing Punkflower when the whole misinfo-hobie-being-19/20-situation occurred, but ONLY with Punkflower [from what I’ve seen.] I didn’t see any of this happening to the other ships that Hobie is in / shipped with Gwen, and Pavitr.
I have not seen any, quite literally nobody, complaining about any other ship that isn’t Punkflower, and it’s insanely overwhelming and confusing?? People don’t complain when it comes to Hobie x Gwen, but if it’s with two queer black boys? Huge problem all of a sudden.
“Love how when it was Hobie and Gwen no one batted an eye but as soon as people started shipping two black males together all of a sudden everyone’s disgusted and outraged” - uglynavel
“none of y’all had a problem w gwen and hobie, but when hobie started getting shipped with miles and pav? y’all got pissed. get your racist and homophobic head out of your ass. even if hobie IS an adult in the movie, that still doesn’t mean that shipping him with miles in the comics suddenly isn’t valid. newsflash, gwen is MUCH OLDER than hobie in his universe.” - artisan-is-bored
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Other quotes, that I wanted to point out, but I didn’t sort them into a spot;
“There are a lot more weird problems in the ATSV fandom, yet people are worried about Flowerpunk and whether Hobie is of age, or not. Those problems are full on grown ass people sexualizing Miles, Gwen, and likely more. There’s already stuff about Peter B. and Miles ship, and THAT is an active problem on hand. More people need to worry about all of that instead of a guy who has an up-to-interpretation age (but is strongly, likely, a 16-17 year old if not an adult.)” - peachypea0ny
“I can’t even enjoy comic versions of punkflower without me being called a pedo or having multiple fucking comments telling me over and over that punkflower is a proship.” - uglynavel
“I’m sorry it’s just really not fucking fair what In THE ACTUAL MOVIE it can imply something between Gwen and Hobie but the SECOND people started shipping two black boys together then it became a huge fucking problem, here’s the thing if Hobie is actually older and they never say that in the movie but imply something to the audience that him and a sixteen year old girl could possibly have something between them THEN THATS GROSS I DONT CARE HOW GOOD THE MOVIE IS! But Hobie is always, in other crossovers and his comics he is around 16, he has met Miles before in canon the ship’s not new, it was just small.” - crownecromancer (Edited to make sense, by me, godunforgiving.)
“punkflower is originally a comic ship, its been around for ages before atsv, its normal for shippers to crossover into different areas where the same characters are. he doesnt have an age on his wiki and why would he be said to have a love triangle with gwen if he WAS 19/20, idk why ppl have such a problem with punkflower but not with hobie and gwen??” - raspberryjars
“this is what happens when you believe in misinformation on the internet. no, there is no age gap, because hobie does not even have a canon age. if you watch the interview, instead of 10 seconds of it, he says it was early concepts of hobie. another director has confirmed his age is up to interpretation.. so. yall rlly need to stop with this, its weird asl. this whole thing was rooted in racism and homophobia, stop spreading misinformation I BEG.” - spideyzpoolsp
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Another disclaimer/notice;
PLEASE, PLEASE STOP BELIEVING IN EVERYTHING THAT YOU SEE!! EVEN IN TIKTOK OR TUMBLR!
IF it’s a piece of information that could be misinformation revolving around Punkflower or Hobie Brown, or anything, DO find out if it is real or fake asap!
I’m using a method that I remember from my elementary school that was constantly talked about [can’t believe I’d bring it up in a post about a ship years later], however it really does pay out and work anywhere else tbh. The “Stop, Think, Act method”.
STOP = Pause, if it distresses you; then take a breath to calm down, avoid doing anything on impulse aka don't do anything without thinking carefully beforehand.
THINK = Instead of the “what is the problem, what are the options, best path forward?” in the method itself, we will reuse this but change stuff up that can apply directly to this post. So after stopping and calming down, we will think carefully and review what we already KNOW. If it’s where the piece of information is easily seen/known as misinfo, then you are good. If the piece of misinfo is affecting something that we already know, then we move onto the next step.
ACT = “Proceed with the best option. Act carefully, and revise if needed.” The best option forward from thinking, is to do research, and make sure that it is actually real, and not misinformation with lies laced within. IF it is indeed misinformation, then it is the best to alert others, with proof.
If you are thinking “But why even mention that method??” The best example to use this method is with the age discourse blowup. A LOT of people believed in the misinformation very, very fast. What should’ve happened is that the mentioned method should’ve occurred early, to help prevent most of the freak out and its damages. But many users may not have thought of that, or even know the method, so it is okay. At least it calmed down a lot as of now, just that people are now likely afraid.
[Note; I am NOT blaming anybody!! I also freaked out a bit too, but I stuck to what I already knew, until I found more information. At first I heard “Hobie is 19-20!!!!” I figured that it must’ve been misinfo through what I already knew, because adding all of what I knew and this uproar of info, it just didn’t add up from what I alrd knew. but I still researched and did my homework!! Just that more people should naturally second-guess things that they are suspicious of and also be aware of that method and to apply it online, as it is already useful in real life!]
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Wrapping this post up, finally.
It’s sad to see different Punkflower fans fight each other. But it’s also outrageous and annoying to see the plat!Punkflower shippers, who see Miles and Hobie strictly in a brotherly relationship, to throw the term ‘!ncest / pseudo-!ncest’ against the romantical Punkflower shippers.. Like holy shit, that doesn’t make you any better. Can people, please, stop throwing serious accusations against other people so nonchalantly?
These accusations are SO serious and life changing, even if it's pointed at the wrong person. But people are just too ignorant to realize that unfortunately.
“You see him (Hobie) as 19/20 who’s a big brother to the other spiders? Cool! You see him as 16/17 rebel teen amazing!” - hamiltonforpowerpoint
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End post.
Reblogs, likes, and comments of your own opinions of this post are so welcome!
Again, ily all and take care of yourselves!!
and again, if anything you think that should be added onto the post, let me know! have a great day everybody
A friend asked what’s up with the discourse, asked me to make a post, after hours of research - I absolutely fucking DELIVERED. Love you guys.
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Edit #1 (06/15); had to reformat some things since it just looked broken to me! Using the editor on mobile is a PAIN.. 0/10.
Edit #2 (06/16); an edit update! I rewrote some things (to hope to make the post sound more better), added some stuff in the notes section and some throughout the post itself, updated the crediting so the quotes used are credited and linked back to hell!!!! bc crediting others is awesome! and the post is also def over 4.2k words lol
Edit #3 (06/17); An anon told me that I was “misusing” the 'proship' term, so I edited the post. Proshitters can go to hell for all I care. To clarify, I am talking about problematic shippers. Edit #4 (06/19); oh my god 600+ notes?? i hope all of you are having an EXCELLENT month okay.. i love you guys <3 /plat
Edit #5 (06/21); I am muting this! I saw some people reply to this post, but I just do not have the ability to respond to them (Selective mutism), I did write “drafts” to them, but I do not feel like polishing it and responding. Just busy with other things, honestly! I may end up responding some time later, so yeah. If you have any concerns or inquiries regarding this post, do not hesitate and feel free to DM me!
Every once a few weeks I may check up on this post as well, until I stop altogether.
2K notes · View notes
cy-cyborg · 5 months
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Disability Tropes: The Miracle Cure
The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.
But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?
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[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]
Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.
The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.
Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?
I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.
You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.
Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.
If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.
Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.
This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.
I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.
There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".
An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).
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[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]
Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.
Ok but Cy, you mentioned there are ways to use this trope well, what are they?
So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.
Don't have your only disabled character take the cure
If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.
Don't make it a total cure
In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.
Do something interesting with it
I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.
If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people
Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.
So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?
Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.
The Dragon Prince:
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[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]
The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.
While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.
The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.
Full Metal Alchemist: Brotherhood
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[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]
The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.
However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.
The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.
When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.
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verm1c1de · 7 months
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Zims entire personality is completely fabricated
Let me explain.
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Zim, as we know him, is just a mask made up by.. well, Zim.
Zim doesn’t exist.
Because Zim, at his most genuine, loves.
And Zim is not supposed to love.
It’s been thrown around throughout the entire course of the series that Zim is, in fact, a very intelligent individual. Moreso than irkens, renowned technology-thieves, are known to be. It’s for this fact, that it would make sense, that Zim would not be completely ignorant of how the rest of Irken society views him.
The defect, the worst irken to ever exist, et cetera.
There’s no way to be that obtuse about your own infamy, and if there is, there’s enough hints and clues in the series to allow viewers to come to the conclusion that Zim isn’t unaware of it all.
And no, this is not a “Zim is a genius and knows absolutely everything” post. He’s definitely gullible. He absolutely has the worst priorities, he doesn’t know when to quit, too stubborn and set in his own beliefs, but he does Know a lot more than he lets on.
Multiple instances of Tallest Purple nearly revealing the truth about Zim’s mission or being too careless with his words are brushed away, either spoken over by Red or ignored completely by Zim, as if he didn’t hear it at all. Similarly, Sizz-Lorr exists as tangible evidence of everything wrong with Zim’s falsified identity as an invader. He shows up for one episode and that episode introduces some of the most important building on Zim’s coding and the consequences derived from his destructive actions on Irk. And his response to this, is to flat out deny it. Because with Purple, he has the expectation to not be aware. With Sizz-Lorr, everything he’s done is laid out in front of him, forcing him to acknowledge it. He won’t.
Zim, at his most genuine, is paranoid.
Paranoid enough to fabricate an entire personality from nothing after having the entirety of Irken knowledge downloaded into his PAK, only minutes after having been freed from his tube.
Zim is a bootlicker. Zim couldn’t care less about the Tallest. Zim seeks absolution from the Tallest because he knows that he was Made Wrong and that the things he’s done are unforgivable, but he can’t help himself. Zim only goes out of his way to gain their attention because he knows that’s what the average irken desires. All of these are true.
Zim is only drawn to invading in the most superficial way possible for an irken. He enjoys the idea of invading, not because it is personally "appealing" to him in any sense of the word, but because he knows that it is for others. It's an esteemed title. An invader gets to have respect. An invader gets to be addressed directly by the Tallest.
Being an invader is the best thing. Not for him, but for his act.
He needs the act. The act will save him from his imperialistic society. The act is the worst thing to ever happen to him.
Zim is nothing without it. He’s nothing with it.
He hates the act.
(“Hey, you’re a worse flier than I am!”)
And it’s very, very likely that he hates himself because of it. Much more than anyone else could ever hate him, because their hate for him is as superficial as his allegiance to the Empire is.
Zim does not fit in on Irk because Irk doesn’t need a Zim. Irk doesn’t need an irken soldier whose sole identity is to destroy.
Which is why Zim fits in so much better on Earth as its villain. On Earth, he gets to be a part of the story, not a fool that has to force himself on stage to even have some semblance of a spotlight.
Zim was already firmly set into his role before arriving to Earth; but coming there, and meeting Dib, further instills Zim with the drive to keep it up. Dib exists to be a hero, after all! And heroes need their villains. Zim fits into that role perfectly. And of course Zim, being nothing BUT a role, is drawn to it. He'll feed into Dib's alien obsession because Dib's alien obsession fits into Zim's "character". The big bad guy that needs to be fought against.
Which makes sense.
If he's the big bad that everyone hates, he doesn't have to worry about wondering if anyone loves him, because he knows they don't.
His first words were “I love you.”
The Zim we know does not love.
The Zim we know is nothing but an elaborate, one-irken act, stuck playing the same role in the same show for as long as he draws it out for.
One which would collapse if anything ever brought attention to it.
this post would not have been made without the help of @short-and-ugly and @animatorfun. seriously. like they wrote it. they were my editors.
this is NOT a headcanon post, im for realsies. this is metatextual analysis. i genuinely believe this is what zims character is supposed to be ((even if not necessarily intentionally))
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david-talks-sw · 6 months
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How the narrative framed Mace Windu, back in 2002
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So there's this 2002 book written by Marcus Hearn, edited by J.W. Rinzler, titled Attack of the Clones - The Illustrated Companion. It was released a month before Episode II was released.
AKA, before EU material and anti-Jedi fanon could publicly reframe the meanings of the film... and before more recent narratives could reinterpret the character of Mace as a robotic, protocol-worshipping stickler who never bends the rules (when evidence shows he's anything but).
So how does Marcus Hearn - "untainted" by all the above factors, armed only with the Prequel films and their screenplays - frame the character of Mace Windu?
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MACE & ANAKIN
Fandom: "Mace hated Anakin from Day #1 and never trusted him. Mace was probably jealous as he always thought he was the Chosen One, not Anakin!"
Attack of the Clones' - The Illustrated Companion:
"Jedi Masters Yoda and Mace Windu lead the High Council in rejecting Qui-Gon's application to train Anakin, 'He is too old,' concludes Mace Windu. 'There is already too much anger in him.'
Hearn explains that the problem with Anakin wasn't that he was just too old, it's that because of that age he had become too filled with fear and anger to a point where taking on the Jedi training would be twice as hard for him as it already was for everyone else.
Hearn doesn't chastise Mace for this initial decision. On the contrary, he adds more context to it by using a line from the screenplay to explain where Mace is coming from.
He also goes further into Mace's view of Anakin throughout the book:
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"[Mace] over-estimates Anakin Skywalker, paying little credence to Obi-Wan's protestations that the boy is too confused and disturbed to be dispatched on a solo mission."
"The Jedi Council is aware of Anakin's exceptional skills, and Mace Windu believes Anakin may fulfill the prophecy that says a being will one day bring balance to the Force. But Anakin still has a lot to learn…"
He's basically stating that Mace believes in Anakin, but that doing so is a mistake. Which, to be fair, considering how things turn out for Mace and the Jedi... is kinda true!
Mace's problem with Anakin is almost the opposite of what most of the fandom projects onto him.
It's not that he dislikes Anakin, on the contrary, he holds Anakin in too high of an esteem and is overlooking Anakin's glaring flaws because "hey, Anakin's the Chosen One. He's got this!"
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That's not the only flaw Mace has, according to Hearn.
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MACE'S (and the Jedi's) ONLY REAL FLAW
Fandom: "Mace and the Jedi had become too emotionally detached, they had lost touch with the common folk by spending too much time in their ivory tower. They focused so much on being selfless that they forgot how to care, they've become a bunch of elitist, righteous sticklers for protocol who care more about upholding laws than actually helping the people those laws are meant to protect!"
Attack of the Clones' - The Illustrated Companion:
"Although he is a senior member of the Jedi Council, little in Mace Windu's experience has prepared him for the looming threats of the dark side of the Force and Count Dooku's Separatists."
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"Mace Windu's faith in the Jedi to protect the Republic is admirable, but it also blinds him to the true scale of the growing menace. He is aware that the dark side is growing, but still allows himself to be too easily reassured about the Separatists' ambitions. [...] Mace fatally misjudges Count Dooku, refusing to believe he could be behind any attempt on Senator Amidala's life. 'Dooku was once a ledi, he tells Padmé. 'He couldn't assassinate anyone. It's not in his character.'"
"Mace Windu's strengths are, in many ways, qualities shared by the Jedi Order as a whole - he is an accomplished diplomat and a fine swordsman. Such skills have served the Jedi well in their role as the galaxy's peacekeepers for a thousand generations. But such skills are not enough to save the Jedi from their own complacency, and the tumultuous changes that threaten to wipe them out forever."
Hearn perfectly grasps what the Jedi's only real flaw is, in George Lucas' intended narrative: they were unprepared, complacent, they were blind... and now they're stuck playing catch-up.
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But when he's saying that, he's not blaming them for it. Because this flaw doesn't derive from some sense of elitism or superiority... it is an inevitable consequence of their qualities.
They've managed to stay out of politics as neutral diplomats... ... but that makes them vulnerable to the Sith's plot, which primarily takes place within the political arena, where they have no control or experience.
They are painfully aware of the corruption in the Senate... ... but as a result, they're too quick to trust the Separatist's talking points as well-meaning and genuine, instead of seeing the movement for what it really is: greedy big business trying to become the government.
They trust and agree with Dooku, believe in what he publicly stands for (after all this man used to be one of the wisest and kindest members of the Jedi Order, Mace's friend, Yoda's Padawan, etc)... ... but as such, they are blind to his true nature, that of a treacherous Sith who'd stoop to orchestrating assassinations.
The Jedi have their guard up, knowing that there's another Sith Lord still out there, orchestrating in the shadows... ... but they can't really find him, because the Dark Side has clouded everything, so only darksiders are able to sense the possibilities of the future! Them serving the good side is screwing them over, in this situation.
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Flaws such as being too trusting or being unprepared, letting your guard down because you've established a 1000-year-peace, are flaws that kind, noble characters such as the Jedi are bound to have.
They may be flaws, but they aren't faults. And considering the way he describes Mace and the Jedi, it's clear Hearn grasps the nuance.
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MACE'S RELUCTANCE TO JOIN THE WAR
Fandom: The Jedi joined the war out of arrogance, they thought they could swashbuckle their way through the problem and win, instead they didn't realize that they lost the very moment they joined.
Attack of the Clones' - The Illustrated Companion:
"Mace Windu believes in the Jedi as keepers of the peace - not as soldiers - but there comes a point when he reluctantly realizes that it is time to take affairs out of the realm of diplomacy."
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Mace and the Jedi didn't want to start a war. If you read the script for Attack of the Clones, Mace and Bail keep grasping at straws to not engage with the Separatists up til the very end.
But when you consider that...
the Geonosians are about to execute Obi-Wan without a trial,
and the Separatists leaders have been unmasked as a coalition of unscrupulous corporate assholes who are willing to plunge the galaxy in chaos just to make more money.
... at some point, the Jedi have to come to terms with the fact that Separatist leadership (and Sidious) won't accept diplomacy because they want a conflict. A conflict will make them all richer. And the Republic, well, they're just dying to go to war too.
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So the Jedi go save Obi-Wan and capture Dooku, hoping that in doing so, the conflict ends before it begins. They succeed in the former goal... but fail the latter one.
The Clone War has begun.
From there on, the Jedi are drafted to lead the war. Which is why - as Hearn points out - Mace was so reluctant to take action in the first place. The Jedi are ambassadors, they are not built for war... and now they've been forced into one.
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Mace is by no means a perfect character... but he's someone doing his best. Just like Obi-Wan, just like Yoda, and all the other Jedi.
Overtime, Windu's character has been dumbed down to either "that one angry black man" or "the dogmatic emotionless dick who hated Anakin"... and I really think that that's not what we were meant to see him as.
The way Marcus Hearn (who also wrote The Cinema of George Lucas) refers to him is a much more charitable interpretation of how others (ahem Filoni ahem) do, nowadays.
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buzzkillchainsaw · 25 days
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If I were to write a WOF book arc - feat. Datura, Sidewinder, Pearl, Tetra & No-one (first draft)
Indulge me for a second. It's gonna be a long second (18 pages in Google docs), so please sit down comfortably and read this if you really have time to spare. Each "book" gets progressively longer. This is your last warning. Enjoy!
Book 1: Ice
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Mandatory reading: X
The arc would start with Ice and her backstory, detailing how she grew up hidden away in the Icewing kingdom. How she lost her mother to a clueless Icewing guard and how she discovered and developed her animus powers with Icebreaker's, ahem, help. There would be moments shown between Ice and Icebreaker, as the Queen would sit down with the dragonet and personally train her, making her perform grueling tasks to the point of blood and tears. Afterwards, she would strangely switch up her behavior and act kind and loving so Ice would gravitate towards her again, now that Icebreaker was her only parental figure and source of comfort.
The prologue would end right at the moment where Ice’s glowing blue shackles snapped shut and sealed her magic away, only able to cast spells if the Queen allowed it. The main purpose of this part would be to establish Icebreaker's motives and present her as a threatening antagonist for the arc. It would also paint her as a horrible, irredeemable person (dragon?).
A little time jump later we see Ice still shackled, all alone in her room. Icebreaker and a few Icewings enter and Ice is ordered to give each enough magic to cast one spell. Ice complies, because she doesn’t have much of a choice anyways. The chains stop glowing as her magic is unsealed for just that specific spell. She touches each Icewing, but hesitates at the last one. He looks familiar somehow, but she can’t put her finger on it. His face doesn’t give it away either, he’s staring ahead blankly. She goes through with it and everyone leaves the room. Later, the door suddenly opens again and Ice is surprised to see someone who’s not Icebreaker - it’s the familiar Icewing from before! He introduces himself as Tern, Ice’s father. Ice doesn’t know what to feel. She doesn’t remember him at all because Icebreaker forbade him from seeing Mesa, Ice’s mother, once Ice showed signs of magic - mere weeks after hatching, Tern explains. The only reason he was even allowed to see Ice today to get magic was probably because Icebreaker was so caught up in her extraordinary war plans that she simply forgot about his involvement. He also explains how he even ended up marrying Mesa in the first place. How Icebreaker purposefully made the captive Mesa as miserable as possible and then “accidentally” introduced her to Tern (who was kind and meek and disgustingly weak by Icewing standards, which made him Icebreaker’s least liked son). Tern of course felt bad for Mesa and tried to cheer her up in any way he could - netting Icebreaker’s approval. And so, they started talking, spending time with each other and one thing led to another. Ice is taken aback and disgusted by this story. Knowing that her mere existence was just another one of Icebreaker’s manipulations horrified her, but even more horrifying was Ice’s and Tern’s involvement in her mother’s fate. If they never existed, maybe Mesa would still be alive. Tern points out that Mesa left Ice behind during her escape, but Ice doesn’t want to hear it: Mesa had every right to run from this horrible situation. Tern understands her anger and asks what he can do to redeem himself. “Helping me escape would be a start”, Ice scoffs. Tern complies and uses his ice breath on the chain keeping her tethered to the wall, freezing the chain plate to a point where the metal shatters easily after he smashes it with a rock. However, the chains are still intact, still glowing blue and the spell isn't broken.
They flee together through the halls of the castle, alarmed guards right behind them. In a crucial moment, Tern turns back to distract the guards, allowing his daughter to narrowly escape the palace. Ice runs alone through an unbearably cold storm, her half Sandwing body barely holding itself together in the extreme temperatures. She tries flying, but the winds are too strong and her muscles are too weak from all these years she was stuck in the palace. Her arms are weighed down by the glowing blue chains dragging between her legs as she walks, a constant reminder of what Icebreaker took from her. An Icewing patrol flies above to search for her, so Ice dives into soft snow and lets the storm bury her until she can no longer hear the wing flaps of the soldiers. Only a miracle (or perhaps her Icewing half) keeps her from losing limbs to frostbite. The stars shine above as she slowly reaches a warmer climate. The snow beneath her aching feet turns to rocks, then to sand. In the dead of night, Ice reaches the Sandwing kingdom. Standing on top of a dune, the silhouette of her mother.
Book 2: Datura
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Mandatory reading: 1 , 2
The next book would start with Datura's backstory and showcase her relationship with her sister. After Queen Taipan's poisoning, Sidewinder would assume the role as replacement Queen until Taipan "was back to normal". Tensions arise in the Sandwing kingdom over this decision, especially with the threat of Icebreaker's seemingly unstoppable magic army looming over them. Sidewinder and Datura argue, which results in Datura being banished from the Sandwing kingdom. She is thrown out by reluctant guards with only her glasses to protect her from the sun.
She stays in the castle's shadow until the evening, enduring her sister's taunts from above. Sidewinder even throws a piece of Datura's veil from the balcony, hoping to watch her scramble to pick it up and put it on. Datura doesn't move. As the hours pass, Sidewinder begins to regret her decision. She realizes that she has no allies left, everyone in the castle doubts her and even thinks that she poisoned Taipan to get the crown. But just as she's about to look for Datura, she finds that her sister has disappeared along with the setting sun.
In the night, Datura would run into a strange Icewing with familiar black eyes and glowing shackles. After an awkward moment of being mistaken for the Icewing's mother, Datura listens to her story and finds out that Ice is trying to find a way to get rid of the shackles to stop Icebreaker, which makes the Sandwing perk up. She asks Ice to relay exactly what she said when she cast the spell.
"I enchant these unbreakable shackles to prevent any dragon wearing them from casting any spell, unless the Queen allows it."
Datura points out that Ice didn't specify Queen Icebreaker, so theoretically any Queen should be able to give permission. She then, reluctantly, tells Ice about her own situation and agrees to ask Sidewinder, the current "replacement Queen" to try and allow Ice to cast spells. In return, Ice would use her animus powers to heal Taipan. It’s a good plan. They travel to the Sandwing stronghold and Datura infiltrates it, leaving a note for Sidewinder asking her to meet up in one of their secret childhood playing spots. Sidewinder, overjoyed that her sister has returned, immediately leaves to find her. But as soon as Ice and the plan to free her is revealed, Sidewinder feels betrayed and accuses Datura of having become a spy for the Icewings. Giving Ice her magic back would only make the Icewings even stronger, after all. Datura and Ice try to clear up the misunderstanding, but Sidewinder sounds the alarm and the two of them flee.
Ice and Datura conclude that their plan needs some work, as they can't just waltz up to a random Queen and ask her to reactivate an enemy kingdom's magic soldier maker. Maybe an even stronger animus than Ice could just override her spell with their magic and free her? Datura remembers reading about powerful Seawing animus dragons and suggests asking around in the Seawing kingdom for help. Ice thinks that it wouldn't work and wants to try asking other Queens first, really fixated on Datura's interpretation of the spell. Maybe the Rainwings were more laid back and wouldn't care about the possible implications of freeing Ice (and, let's be honest, they'd be too stupid to comprehend the consequences anyway). Datura retorts that they have no idea if asking "a Queen" would even work and not be a huge waste of time again (like the fiasco with Sidewinder, which she blames herself for). And time is the last thing they can waste right now, with Icebreaker's army on the horizon. Ice is convinced, but at least wants to try the Rainwings before throwing in the towel. They begin to journey eastwards.
In a quiet moment, Datura asks Ice what magic feels like and if the rumors about losing your soul are true. Ice doesn't know, she doesn't feel that much different than before. Before Icebreaker and her experiments. Obviously she's terrified of turning into a soulless monster. But she also points out that it was Icebreaker who seemed more and more unhinged with each enchantment she forced Ice to do, as if the damage fell upon her soul, not Ice's. But who knows, really. All that matters now is that Ice gets her magic back and stops Icebreaker before it's too late. Too late for whom? She doesn't elaborate.
*
Book 3: Pearl
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Mandatory reading: 1 , 2 , 3 , 4
The third book would start with Pearl's backstory, her meeting with Tetra and her eventual escape from Lamprey. Her and Tetra want to see the world together, but also find a way to cure Tetra's wing. They swim together until they reach a river that spills into the sea. This would be the only chance for Pearl to see the surface world while staying in the water. Tetra helps Pearl, who isn't a strong swimmer, to swim upstream until they reach a calmer part of the river. It's very difficult, but they manage to do it. Tetra remarks that she could just construct a harness out of grass and vines and fly, pulling Pearl along with her in the water. However, her wing is still badly injured. The two dragonets take a break, frustrated and tired. If only there was an easy fix to this situation ... Tetra suddenly remembers her father telling her a bedtime story about magic dragons called "animi" and suggests finding one to cure her wing. In the same breath, she excitedly says "and maybe they could cure you too, Pearl!" Pearl is taken aback by this, as she hasn't really considered herself in need of "curing". Sure, her inability to breathe air on land has made their journey difficult, but this is the way she was born. Should she really change such an integral part of herself with magic? Still, she nods in feigned excitement. She figures that she could still have time to think and maybe say no if they actually met one of those magic dragons. If.
The two kids continue making their way upstream, dealing with lots of difficulties, but always finding a way to make it work together. Suddenly, they run into two strange dragons. The dragons introduce themselves as Ice and Datura and tell the two kids that they're on the lookout for an animus and a Queen. Tetra excitedly proclaims that her and Pearl need an animus too and Ice reveals that she is one, but currently cannot cast spells until a "Queen" allows her to. Pearl, who cannot speak or understand "air-breather" language, is slightly put off by everyone talking over her and while she has no idea what's going on. Tetra tries her best to translate, but as soon as she flashes the words "They're looking for a Queen" in aquatic, Pearl feels terror and fear course through her body, visions of Lamprey and the cult swirling in her mind. The other dragons notice her trembling, and Datura tries approaching her to calm her down, but without Tetra's translation Pearl assumes that this huge terrifying dragon is trying to capture her. The misunderstanding gets resolved thanks to Tetra's quick thinking - speaking "air-breather" language to Datura and aquatic to Pearl at the same time to explain the situation.
Pearl agrees to try to free Ice, but doesn't tell Tetra about her doubts with the whole "curing Pearl" part. The group gathers and Pearl formally and regally tells Ice that she is allowed to cast spells - in aquatic. Nothing happens. Tetra translates her words into "air-breather" language, but it still doesn't work. The chains remain as they were, Ice is still sealed. Ice is distraught, because this is yet another "Queen" that "didn't work". As soon as Tetra (hesitantly) translates this, Pearl is overcome by anger. What was her stupid role as a "Queen" even for, if it couldn't even help one single dragon? She tells Tetra in aquatic to say the words again in "air-breather", and the little blue dragon complies. Pearl, with all her might, sticks her head far out of the water, breathes in the air and tries to replicate the sounds. However, all that comes out is painful gurgling and choking. Ice, realizing that this poor little dragonet was hurting herself because of Ice's outburst, leaps forward and splashes Pearl with a wave of water, knocking her over and causing her to slip back underwater. Pearl isn't too pleased, but remembers how Tetra had done the same that night on the beach and concludes that Ice just wanted to help. But Pearl also just wanted to help. She feels awful every time she sees Tetra wince and grimace after the slightest movement of her broken wing. She asks what she should do now. The other three dragons are quiet, thinking. Datura perks up and asks the two dragonets if they could look for an animus dragon in the Seawing kingdom, perhaps in the royal court, while her and Ice would look for the Rainwing Queen. Pearl is unsure about going back into the same ocean she just fled from. But she also knows that the entire continent is at stake. After all, from what she heard about Icebreaker, that Icewing was probably planning to freeze the oceans with magic in her pursuit of the “perfect ice kingdom”. And then, Pearl and Tetra would have nowhere to run anyways. Pearl agrees, and Tetra agrees too. Datura continues with her plan: No matter if successful or not, the two parties would meet up again during the upcoming full moon in a safe harbor between the Seawing and Rainwing kingdom. The group agrees and prepares to go to sleep and leave early tomorrow. Pearl finds a calm pocket of water in the river with not too much flow and falls asleep, dreaming of her mother.
*
Book 4: Tetra
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The next book would be in Tetra's point of view as she sits around a small fire with Datura and Ice, on that very same evening. Tetra asks Ice what an animus is actually capable of and if one could even cure Pearl's condition and make her breathe air on land just like all the other Seawings. Ice shrugs and says "Couldn't see why not", but Datura questions whether Pearl actually wants to be "cured" of the way she was born. After all, Datura has a similar problem of being burnt by the sun because of her skin, but she never thought about asking an animus for different skin. Tetra retorts that she wants her own wing to be cured so she can fly again, so why shouldn't Pearl wish to be able to breathe on land? Datura is unsure of what the right answer is, but tells her to ask Pearl before doing anything. Tetra reluctantly agrees, but is still sure that her view of the problem is correct. Or is she? Datura's words had put doubt into her mind.
In the morning, Tetra goes to find Pearl, who appears to be less enthusiastic about following through with the plan than she seemed yesterday. Pearl says that she thought about it and is worried that going to the royal court might be dangerous, because her existence alone would probably be treason in the actual Seawing Queen's eyes. Tetra hurriedly looks for a reason to bring Pearl along anyway and says nobody has to know about Pearl's identity, she can just use another name while they're there. Besides, the Seawings and their Queen wouldn't listen to just one dragon's words, Pearl would be an additional witness and could confirm that Tetra was saying the truth. Even better, Tetra remarks, while they're there, they sleuth around for Pearl's mother. It will be fun! Pearl reluctantly agrees, convinced by Tetra's last argument but still worried about the potential dangers of entering Seawing territory. There is also a lingering fear of running into Lamprey again, but that would be impossible, wouldn't it?
They embark on their way to the Seawing kingdom. Pearl enjoys swimming more and more and feels herself becoming stronger. Tetra is excited for her, but feels weighed down by her doubts about the whole "curing" thing. She is about to finally break down and just ask Pearl directly, when the two kids are suddenly ambushed by a Seawing patrol who are looking for a dragonet that fits Pearl's description. When questioned why, they don't answer. The two kids try swimming away, but Tetra's hurt wing slows her down and Pearl turns around to wait for her, causing both to get captured. They try to deny that the patrol found who they were looking for, until one of the soldiers reveals that the dragonet in question cannot breathe air. One grabs a protesting Tetra while another snatches Pearl and quickly swims upward with her, leaping out of the water and letting her dangle in the air. Tetra watches helplessly while Pearl tries her best to pretend to breathe, but she starts choking quickly while calling for her mother in aquatic. Satisfied, the soldiers dump her back into the water and prepare to make their way back to the palace. Tetra tries to explain why they were here and why finding an animus was extremely important for everyone's safety, but the soldiers tell her to shut up and that a stupid kid has nothing to say worth listening to. Tetra realises that her assumption that anyone would hear them out was childish and not only put Pearl's life in danger, but the entire continent as well.
They arrive at the Seawing palace and are dragged before the Queen. The very same Queen that had sent Tetra's father to his death by drafting him into war. To both Tetra's and Pearl's surprise, a badly injured Lamprey is lounging in the throne room and the Queen asks him if "this" (pointing at Pearl), "is her". Lamprey says yes, with a proudly puffed out chest and malice radiating from his eyes. He is promptly taken away, while some other soldiers drag Pearl along with them. Tetra screams at them to not put Pearl into a cage and to not let Lamprey anywhere near her, but nobody acknowledges her. Finally, the Queen's eyes set on her. Queen Agate of the Seawings asks Tetra who she is, where she came from and what she is doing here with "that", nodding into the direction Pearl was taken away. Tetra answers truthfully, explaining every detail from the first time she met Pearl to the moment the soldiers caught them after they split up with Datura and Ice. The Queen's eyes shift, and she asks for clarification. Datura, the current Sandwing Queen's daughter? Really? Tetra realizes that she had said something of interest and elaborates, embellishing the actual deepness of her friendship with Datura a little. Yes, Datura was banished by Sidewinder, whom everyone considers to be unworthy anyway, so it doesn't really count. Besides, the goal was to get Ice to cure Taipan, and Taipan would surely take Datura's side after seeing the disaster Sidewinder's incompetence caused. And Datura would surely tell her mother about the cause and gain the entire Sandwing kingdom's support. The Queen nods and proclaims that she needs time to think and to send Tetra "somewhere safe" in the meantime. Tetra asks if she would see Pearl again, but again, no one acknowledges her.
She is locked into a barren room with not much inside, so she sits down in front of the door, peeping through the keyhole to try and catch something, anything of interest. Finally some soldiers pass by, and Tetra can briefly see one flashing "...and the traitor will be executed..." at the other in aquatic. She panics and throws herself against the door, claws at the walls and whirls around the room like a tornado – in vain. Tetra finally sits down and cries until the soldiers come back to get her.
She is taken before the Queen again, encountering a familiar sight: Pearl, on the one side of the throne, held down by guards. Lamprey, on the other side, with some guards behind him. The Queen in the middle, staring Tetra right in the eyes. She then turns to Lamprey and tells him to state his case, again.
"My name is Lamprey", he says, "and I have simply been misguided. I was told that this dragonet", he points to Pearl, "was actually the true heir to the throne, so I believed it. I am but a humble servant of the Seawing kingdom and I would hate to see it threatened by a traitor trying to get her grubby fingers all over the throne that rightfully belongs to yours truly, Queen Agate."
"He's lying!", Tetra flashes as brightly as she can, but only earns a sharp look from Queen Agate.
"And so, I watched as this false Queen accumulated a horde of poor, misguided souls and fed them lies about the kingdom. She preyed on the weak-minded, convincing them that staying in the ocean would be the best course of action, just so she could feel better about her unfortunate disability." Lamprey wipes away an invisible tear, underwater. "I only snapped out of her manipulation after she ordered her followers to attack me and I have been nothing but truthful with you ever since, your highness. I gave your soldiers the locations of each site of worship as well as the names of every dragon who participated in this farce. It is truly an unfortunate situation, my Queen, yet I will trust your judgement when it comes to that little traitor."
Silence. "I have made my decision", the Queen says. "Your are correct, Lamprey, the traitor must indeed be dealt with. " She looks at Pearl and flicks her tail, and before anyone can react, one of the Seawing guards raises a dagger and stabs Lamprey in the back. Surprised, he whips around with his mouth wide open, producing a cloud of blood. "You have mistaken my kindness for stupidity, Lamprey," the Queen continues, "You have been, for years, actively gathering an enemy faction seeking to depose me. Yet you seem to think that simply offering me the very same pawns you created would make me forgive and forget your crimes." Lamprey fights against the blade in his flesh and attempts to lunge towards the Queen, but is held back by her soldiers. The Queen comes closer and stares down at him. "I'm old, Lamprey, but not senile. And did you seriously think I wouldn't recognize Sixgill's daughter?" And with that, Lamprey is gone and his limp body is taken away. Pearl and Tetra, stricken by fear and confusion, stand there like statues.
The Queen turns to them and announces her decision: Tetra will to go to the meeting point and take Datura and Ice to Queen Agate, who would not only attempt to allow Ice to use her magic, but also gather the animus dragons in the royal court to break the spell if her word alone wouldn't suffice. Of course, Tetra's hurt wing would also be taken care of. In return, Datura must agree to take over leadership in the Sandwing kingdom, kill Sidewinder if she resists and then enter an alliance with the Seawing kingdom. With Ice freed, the two kingdoms would then lead a joint attack on Icebreaker's forces and amicably split the spoils of war between them. Ice must agree to take away the Icewings' magic and then make a magical swear to never cast magic against any Seawing. To ensure Tetra, Datura and Ice would follow this plan, Pearl would stay with the Seawing Queen until every condition of her pact was fulfilled. Besides, she wouldn't be much of use on the surface anyway. Tetra perks up, remembering her idea to cure Pearl, while Pearl seems to become smaller and smaller. The Queen gives Tetra one of her lavishly engraved and decorated armbands as proof of her goodwill, a huge thing that the small dragonet wears like a necklace. "And since you have personally witnessed what I do to those who betray me", the Queen finishes, "I trust that you will fulfill your end of the bargain swiftly and efficiently." Tetra nods, confused, excited, happy and scared at the same time. She is unsure whether she can trust Queen Agate after what she did to break apart her family, but right now, Pearl and the future of the entire continent is more important. Tetra is allowed to say goodbye to Pearl and promises her to come back soon and "fix everything". Pearl too gives her one of her armbands, this time it perfectly fits around Tetra's wrist. She is then escorted to the shore by Seawing soldiers.
*
Book 5: No-one
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Mandatory reading: X
This book would start out with a very short flashback of No-one being tested with the candle and swapping places with the other hatchling, dooming them to death.
It would then jump forward in time to No-one, now appearing to be a Rainwing, hanging out at the edge of the Rainwing territory. He notices an Icewing wearing glowing shackles and a pale Sandwing accompanying her. Curious about the clearly animus-touched chains, he decides to follow them. He overhears them talking about needing to find the Rainwing Queen. Sensing an opportunity to grant some wishes, he decides to take off his earring to reveal himself as not only a Skywing, but also an animus. His instinct was right: Datura the Sandwing immediately asks him to try and break the spell on the chains with desperation in her voice. The Icewing on the other hand eyes him with distrust. No-one reveals the nature of his contract to grant a wish. Datura and Ice are taken aback, with Ice even saying how "evil" this was. Their loss, No-one says, he's not dependent on them. But they certainly are dependent on him. He asks why they wanted to visit the Rainwing Queen. Begrudgingly they tell him the rest of the story. He watches Datura closely whenever it's Ice's turn to explain and tries copying what she does: furrowing his brows at the bad parts, widening his eyes at the surprising parts and shaking his head whenever Datura does. As soon as they're done explaining, he offers to take them to the Queen in his Rainwing appearance and ask her to break Ice's spell. On one condition: once they realize that the whole ordeal was a waste of time because the spell simply won't be broken, they will make a wish with No-one. They agree, partly because of No-one's perceived confidence that he will be able to break the spell. In reality, he isn't sure at all how this will turn out. He just wants to hang around with Datura some more.
Appearing as a Rainwing, he guides the two dragons through the Rainwing kingdom, curiously watched by a few real Rainwings, but mostly ignored. Once they reach the Queen, Ice and Datura are shocked about the Rainwing custom of just letting anyone who wants to be Queen fulfill the role for a month. Still, they continue with No-one's plan. The current Queen, a spunky young Rainwing named Bloom, greets them (after they've waited in line long enough). No-one tells Bloom that Ice is an animus who will grant her a wish once her magic chains are gone. All Bloom needs to do is tell her that she's allowed to cast spells. Bloom is excited, but quickly finds that she can't decide on a wish: She wants a flower necklace that changes colors to match her scales, she wants an earring that will whisper to her where the best sun spots are, she also wants a magic satchel that will always contain the most delicious fruit whenever she reaches into it. One wish just wouldn't be enough! No-one, knowing Bloom's love for bets and games, tells her that Ice will grant all her wishes, but only on the condition that Bloom wins against Ice, Datura and No-one in a series of Rainwing games. If Bloom loses, she will only get one wish. In a sense, Bloom cannot lose at all, since she will get at least one wish granted in either outcome! Ice gets increasingly more agitated as No-one keeps deciding these things over her head. Bloom thinks for a moment, glances at Ice's chains and Datura's rigid looking Sandwing body and finally agrees. The games, clearly hand picked by Bloom to disadvantage Ice and Datura as much as possible, begin. They try to work together to win, but Ice's chains keep getting caught on every branch while climbing and Datura's wings are just too huge to beat Bloom in a gliding race through the dense rainforest. Only No-one, using his animus magic to cheat, narrowly secures the win. Ice and Datura notice, but decide to keep quiet. Bloom is disappointed but keeps up her end of the bargain, formally announcing that Ice is allowed to cast spells again. It doesn't work. Ice breaks down, unable to accept yet another failure. She screams that it obviously didn't work because Bloom isn't a real Queen since anyone can just become Rainwing Queen for a month. Three moons, why don't they try making a sloth Queen next? Or maybe a chewed-on mango? This angers Bloom and the other Rainwings. “And how come your system is the correct one?”, she naps back. “How is murdering your own family to become Queen any better, huh?” No-one tries to diffuse the situation but ultimately, the trio has to leave the kingdom.
On their way out, Ice tells No-one that she wants to make a wish with him to break the spell. Datura protests, pointing out that No-one will damage her already hurt soul even further, but Ice does not care and wants to go through with it again. Datura interjects again, saying that she will instead make a wish for No-one to heal her poisoned mother, Taipan. Taipan is, for all intents and purposes, a real Queen. No technicalities, no strange Rainwing customs, no nonsense. Ice objects, not wanting Datura to sell her soul for her. After all, Ice is too far gone anyways. Isn't it obvious? After her last outburst that would've gotten them killed if the Rainwings were just a little bit more like the other dragon tribes? Ice's soul is crumbling, so one more enchantment won't make much of a difference. Datura looks to No-one for support, but he has no idea what to say. But for some reason, he really wants Datura to think highly of him, so he agrees with her argument: They will first try Taipan and only then let No-one attempt to break the spell with Ice's appearance. But before any of that, Datura remarks, they need to meet with Tetra and Pearl in their agreed meeting spot. Maybe the two Seawings have found a better solution?
That night, they seek refuge in a small cave. As Datura is fast asleep, Ice approaches No-one and tells him to break the spell right now, no matter the cost. No-one thinks about it. On the one talon, he wants Datura's approval, and Datura said no. On the other talon, he's always up for more appearances. For some reason, another one of his favorites recently disappeared. Besides, Datura doesn't need to know, right? They can just pretend that the magic on the chains...wore off, right? Or maybe Icebreaker had choked to death on a seal bone, and that broke the spell overnight? No-one follows through with Ice's request, touches her with his earring and seals the deal. He then concentrates all his power on the chains, telling them to break, telling them to release the magic they contain, telling them to reverse Ice's spell. The chains continue to shine bright blue, not reacting to anything. No-one is secretly offended that Ice's magic seems to be stronger than his own. Ice then asks him if he can try giving her “new” powers by “making her an animus”, but that doesn’t work as well. Somehow, the chains seem to prevent any magic entering or leaving Ice’s body. Ice seems frustrated, but doesn't have another outburst like in the Rainwing kingdom. Instead, she just looks tired and defeated. Ice and No-one agree to not tell Datura about any of this, for their own reasons.
The next day, they travel towards the meeting spot. No-one asks Datura what it's like to live in the Sandwing kingdom, and to everyone's surprise switches his appearance to a Sandwing. Datura, instead of being impressed or maybe even slightly more interested in No-one, accusingly asks who this is. No-one, realizing he did something bad, switches back to one of his Rainwings and explains that the Sandwing was some random bandit he stumbled upon, a really bad guy who wished for a lot of treasure because he was just so greedy. Datura, more or less convinced, drops the topic. As soon as they reach the meeting spot, they bump into Tetra just as she emerges from the ocean, not with Pearl, but with a group of Seawing soldiers. Ice, Datura and No-one are wary at first, but then Tetra explains the situation. The Seawing soldiers stay back to let them speak in private and Tetra presents the Queen's armband. Datura is worried about Pearl while Ice is angry about yet another decision that was made over her head. "So the Seawing Queen offers to release my magic, just for me to seal myself away again?" Tetra points out that she just needs to promise not to hurt any Seawings, which should be reasonable, but is interrupted by Ice who tells her that she's just a kid who doesn't understand the bigger picture. As the situation tenses up, Ice apologizes and explains how they just suffered another failure with Queen Bloom (leaving out Ice's wish with No-one) and that she's terrified of not being able to stop Icebreaker in time. Tetra seems understanding and assures her that everything will be fine with Queen Agate at their side, leaving out her own reluctance about the whole situation - her father is still on her mind. Maybe she just wants to convince herself.
Datura thinks loudly about how an alliance with the Seawings could help when it comes down to numbers. Icebreaker's army may not be big, but their magic would probably make each Icewing as dangerous as ten Sandwings. Ice agrees, painfully aware of what spells are circulating in the army, having tested most of them herself. There's also the question of Pearl: What will Queen Agate do with her if they don't agree to her conditions? After some more talking, Datura calls over the Seawings and asks them to relay a message to Queen Agate: Datura agrees to join forces with the Seawings, but urgently needs to travel back home to her sick mother first and cannot wait for a meeting with Agate. Ice will accompany her for her own safety and later meet Agate and her soldiers at the same river that Pearl and Tetra used to travel into the continent. There, the Sandwings and the Seawings will form a stand against Icebreaker's army. She leaves out their plan to heal Taipan to try and break the spell without Agate's help. And the Rainwing? Oh, that's just our forest guide. We bribed him with mangoes. He has nothing to do with this. The Seawings agree and leave to pass on the message.
Datura, Ice, No-one and Tetra are left to figure out their next steps. Tetra asks No-one to heal her wing so she wouldn't be a burden to them, and he does under Datura's and Ice's watchful eyes. She then asks if he can somehow show her how Pearl is doing, and he enchants a puddle to do exactly that, still using Tetra's appearance. Pearl seems fine, but she's surrounded by unfamiliar dragons. Tetra then tells him about her plan to heal Pearl from whatever affliction is keeping her from breathing air. Datura raises her concerns again, but is ignored by the overexcited little Seawing. Tetra raises her arm, showing No-one Pearl's armband and asks him if he can enchant it to make Pearl breathe air. He obliges, still appearing as Tetra. As for her final wish, she asks him to magically transport the armband onto Pearl's arm. He does. Looking into the puddle, they see the armband appear on Pearl, and as soon as it does, Pearl's eyes widen, her gills flutter, her little hands shoot up to her throat, bubbles gushing out of her nose and mouth. "What's wrong?", Tetra screams, realizing too late that No-one's spell was literal. No-one panics, bringing back the bracelet onto Tetra's arm. Pearl calms down, seemingly breathing normally again. No-one removes the enchantment from the puddle and reaches for Tetra's armband to do the same, but she backs away from his grasp. "I want to keep it", she says. "You do? After almost killing her with it?", Ice asks. "I want her to have the choice.", Tetra retorts and ends the discussion, not acknowledging that she has already taken that choice away from Pearl.
The group then sits down to figure out a way to get into the Sandwing kingdom, get past Sidewinder and heal Taipan. Tetra, feeling that she has to prove herself after her latest screw-up, offers an idea.
*
Book 6: Sidewinder
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The last book would be from Sidewinder's perspective. A full scale war is about to break out before her doorstep and she hasn't slept properly in weeks. She tries to avoid her fellow Sandwings, because every time one runs into her, she gets barraged with more problems. The soldiers are running out of rations. The scouts still aren't back. The weapon shipment is late. Sidewinder has no idea what to do about that. About any of this. This isn't what she imagined it would be like, to finally be in charge with Datura and her mother out of the picture. Advisors pop up here and there, but their advice boils down to "step down and let an actual adult handle this" sooner or later. Her aunt Hognose, Taipan's younger sister, even insinuates that she's about to challenge Sidewinder (and Taipan, indirectly) for the throne. Taipan would have her head for this, if she knew. But Taipan isn't here right now.
Devastating news hits: a troop of Sandwings Sidewinder sent to patrol the border to the Icewing territory had been wiped out by a mere handful of Icewings. Only one survivor managed to crawl back and relay the horrors: when the Icewings attacked, they brought storm clouds and snow with them, their spears finding their way into Sandwing hearts, their scales effortlessly deflecting poisonous tail barbs as if made of diamond. "They were showing off", the survivor coughs weakly, "They didn't even use their ice breath."
Before Sidewinder can even react, more news hits: Her sister Datura was seen entering the Sandwing territory from the other side and immediately captured. Sidewinder perks up. Datura is back! Datura was smart when it came to things like this. Datura always did her history homework and sometimes stayed up late reading battle reports in the library. Datura will know what to do. Sidewinder orders her soldiers to bring Datura to the stronghold immediately and runs outside to greet her. It's a strange sight: the soldiers are dragging her limp sister forward like she weighs nothing and she doesn't even protest. She's wearing a strange golden armband Sidewinder has never seen before and she's missing her glasses and her veil. Sidewinder almost feels sorry for her and is about to bend down for a hug, until she remembers how their last meeting ended. Betrayal. "How dare you leave me like this!", Sidewinder hisses, but Datura barely acknowledges her. "How dare you leave your kingdom! Do you know how many soldiers we already lost? Do you know how hard it was to keep everything together on my own? And you just left me here to go play with your friend- wait, where is she? Where's that creepy Icewing with the chains?" Datura still doesn't answer. "Answer me, before I drive my stinger into your skull!", Sidewinder screams. Only then does Datura look up and say, with a voice that is not her own, "Wow. You really are a terrible sister."
While Sidewinder is distracted, Ice, Datura, and No-one disguised as a Sandwing sneak into the stronghold to heal Taipan. No-one assumes Datura's form to fulfill her wish and casts a spell on her mother. It seems like it doesn't work at first, but then Taipan opens her eyes. Datura seizes the moment right before her mother freaks out and explains the situation. Taipan, too weak to be angry about any of this, agrees to try and free Ice under a similar condition as Queen Agate's: Ice must make a magic oath to never use her magic against Sandwings (or Seawings) again. Ice retorts that she will take the oath in front of Taipan and Agate once they have defeated Icebreaker, which Taipan is fine with. She royally announces to Ice that she is now free to make spells, right as Sidewinder bursts in with guards. The chains don't react though, Ice's magic is still sealed. Silence falls over the room. Sidewinder stares at the two Daturas, unsure which one to scream at. The guards move forward to arrest the strange Icewing in their Queen's quarters, but are stopped by Taipan who reaffirms her authority as the ruler of the Sandwings. Sidewinder watches as the guards are dismissed, feeling her own authority slip away all the same. This is it. She's done. She's not needed anymore.
As her mother turns towards her, she anticipates a scolding for all the things Sidewinder screwed up during her "reign", if you could even call it that. Instead, Taipan thanks her and says that Sidewinder likely did the best she could do in such a situation. Bewildered, Sidewinder stares at her mother, ultimately unable to accept her affection. "Now that your favorite daughter is back, I'm clearly not needed anymore", she scoffs, "She's probably dying to tell you in great detail what a terrible leader I was, so keep your praises." With that, she storms out of the room. As she runs through the stronghold, she sees how quickly the news of the Queen's comeback has spread. Excited whispers in every corner, heads held up higher, brows furrowed and eyes shining with newfound confidence. Sidewinder feels sick. She leaps out onto a balcony, the very same one she taunted Datura from after banishing her. Sidewinder sits down to cry, but is interrupted by her sister.
She tries to antagonize Datura, but all that anger from before is gone, only sadness and exhaustion remain. The two sisters share a hug as Datura tells her that she missed her, despite everything. Sidewinder apologizes for banishing her, which Datura accepts. She tells Datura how she always felt sidelined while Taipan fussed over Datura due to her condition, as if Sidewinder didn't matter to her at all. Datura points out that whenever Taipan wasn’t fussing over her, she spent her time with Sidewinder, doing all the fun things Datura wasn’t allowed to do due to her condition: fight training in the blazing sun, hunting for food in the desert, visiting different parts of the kingdom to check on her people, and so on. After all, Taipan loves them equally, but she had to treat the sisters differently due to their different needs. Sidewinder understands. They sit in silence for a while as Sidewinder feels all the tension, hurt, anger and sleepless nights fade away, even if just for a moment. Datura then tells Sidewinder that Taipan has summoned everyone to the war room to plan the next steps, and asks Sidewinder to come. She agrees and the two sisters enter Taipan's war room, a huge space with a giant table in the middle, covered in maps and small dragon figurines. A complimentary bowl of dried lizards sits on the table. Taipan sits at the table, along with a few important Sandwing generals. Ice and No-one are also present, the latter assuming the form of a Sandwing. Sidewinder immediately notices that something is off about him, as he doesn't carry himself like a proper Sandwing would. He doesn't even curl his tail tip properly, for three moons' sake! Tetra sits in a bucket of water in the corner, shooting a glare towards Sidewinder and shaking her head at her. Sidewinder has no idea what she did wrong.
Taipan tells Datura to tell them everything, and Datura does. She retells her adventure with Ice, their meeting with Pearl and Tetra, their discovery of No-one and Queen Agate's deal. She finishes at the point where they attempted to break Ice's spell with Taipan, and formally turns to No-one to ask him to break the spell with his magic. No-one and Ice share a look that Sidewinder knows all too well: they screwed up something. Ice then explains that they already tried when Datura was sleeping, that it didn't work and that they were so sure that Taipan could break the spell that they decided to not tell Datura because they didn’t want her to be mad at them. Datura is angry that she was lied to, but doesn't push it further.. Instead, one of the generals speaks up: If those two lied to Datura about such an important thing, who are they even loyal to? That Icewing may say she’s part Sandwing to gain our sympathy, but she might as well still be loyal to the Icewings. And nobody knows who or what No-one even is, let alone what his motives are. Datura says that she's been travelling with them for weeks, that she could rely on both in difficult situations and that she trusts them. But the generals want to hear it straight out of the horse's mouth. Ice grabs her chain and slams her shackled wrists on the table. "Everything I ever did since escaping Icebreaker was to try and free myself. I want to free myself to stop Icebreaker, because this war is entirely my fault. If I never existed, Icebreaker wouldn't have a giant magic army right now. My loyalties couldn't be further away from that wretched Icewing. Or any Icewing, for that matter." Satisfied, the generals turn to No-one, who turns to Datura. Datura combines a raised eyebrow with a claw gesture, in a "go on, say something" kind of way. No-one takes off his earring, revealing to the generals (and Sidewinder) that he's a Skywing. He says that he's been on the run from the Skywing kingdom all his life, because, as everyone knows, Skywings kill animi when they're discovered. He's been travelling all over Pyrrhia since, always hiding his true identity and never making any real connections. He also admits that he never really cared about other dragons and always acted in his own selfish interest - until he met Datura. He's been helping her and Ice, at first just to gain more appearances, but then even beyond that. He could've left after Ice made a wish with him, or after Tetra’s wish, or even Datura’s wish. But he didn’t, and he wants to understand why. Sticking around and helping the Sandwings further might help him understand someday. The generals and especially Taipan are less impressed with that answer, so Taipan asks Datura to personally vouch for No-one, trusting her daughter’s judgement. Datura does, and the discussion moves on.
Since they couldn't free Ice with Taipan or No-one, it was safe to assume that Agate and her animi would likely be a bust as well. Still, they needed the additional support from the Seawing army to have any chance of winning in a fight. There was also another advantage – well, two, actually. For one, Icebreaker has no idea that the Sandwings have Ice. She may be a cruel, cruel dragon, but Ice is still her granddaughter, if that even means anything to her. If not, it's safe to assume that she'd at least want her animus maker back, because she hopefully respects her (pure) Icewing subjects too much to give Ice's role to one of them. On the other talon, they have something that Icebreaker definitely would not expect: No-one. Now they need to combine these little advantages into something tangible that could actually stop Icebreaker's conquest. Taipan calls for a break and tells everyone to get some fresh air to stimulate their brains.
Sidewinder watches as Ice walks over to Tetra's bucket and puts her forearms into the water, clearly uncomfortable with the heat and dry air of the desert. Tetra scoops up some more water with her webbed talons and pours it over Ice's head. Meanwhile, the Sandwing army generals discuss something with Taipan, who's trying to keep up a tough appearance, but her talons shake slightly as she reaches into the lizard bowl. Datura calls over her friends (and Sidewinder) and offers to take them on a little tour of the stronghold. Sidewinder has a quiet chat with No-one, where she asks him if he really told the truth earlier. He says that he did, but he doesn’t know how else to prove it. Sidewinder tells him that whatever happens next, he should do everything in his (magic) power to protect Datura. That’s how he’ll prove it. The two then rejoin the group. Sidewinder, still thinking about how Datura wasn’t allowed to do the “fun things” as a dragonet, suggests a friendly game of “Sting-you”, a traditional Sandwing game that requires all players to cover their tail barbs with a special covering and then run around in teams to “sting” each other with their tails. Whoever is “stung” has to fall to the ground and be “dead” until a teammate arrives to help them up. Whichever team is left with the last “living” player wins. Tetra doesn’t want to play because she’d want to have Pearl on her team and would be the odd one out, so it’s between team red (Datura and No-one) and team blue (Sidewinder and Ice). Team blue narrowly wins. The group has a laugh and eventually returns to the war room, where Taipan and the generals are already studying maps on the table. Taipan greets the group and reaches into the lizard bowl.
"Icebreaker.", she says after she's done with the lizard. Even though her voice is still weak, everyone immediately turns to listen. "Based on Ice's intel and what the scouts managed to find out, she is not interested in diplomacy. She doesn't care about our territories or our resources. She just wants to unleash a second, magic-induced scorching onto Pyrrhia and rule over the ashes. Or the ice and snow, for that matter." Everyone nods in agreement.
"That's why we will kill her."
Palpable tension covers the room as soon as the word "kill" leaves her mouth. Datura, No-one, Tetra and even Sidewinder look over to Ice. "But what will happen to Ice’s shackles if Icebreaker...", Sidewinder begins, but doesn't finish the sentence when everyone turns to look at her. Ice has a strange look on her face that Sidewinder doesn't understand.
"We will have to lure her out first. I suggest we send her a message and tell her that we have Ice, and that we want to discuss a peace treaty directly with the Icewing Queen. Obviously she's not interested in peace, but she'll hopefully want to see Ice. Maybe she's already covered in all sorts of magic artifacts that protect her from harm, so she's probably feeling confident and untouchable. And this will be her mistake. You, animus." Taipan turns to No-one. "If one can give a dragon magic, one can also take it away, correct?"
"I...think?", No-one says. "I've never tried it before."
"Try it now. It is of utmost importance.", Taipan says. No-one looks around the room helplessly while every other dragon avoids his gaze like hatchlings who don't want to be called on by the teacher. Nobody wants to risk their soul for an experiment. Ice is ruled out by default, Tetra is just a kid whom nobody wants to harm, which would leave Datura and Sidewinder. Sidewinder steps up: "Make me an animus. I'll enchant something small to see if it works, then you undo everything." Datura protests, saying it's too dangerous, but Sidewinder doesn't want to hear it. "I've screwed up enough already. Just let me do one good thing here." After some discussion, No-one lays his hands on her and gives her magic. Sidewinder immediately feels a strange tingling in her claws. To see if it works, she looks around to find something small to enchant and lands on Datura's sunglasses, offering to make them unbreakable. Datura gives her the glasses and Sidewinder enchants them. She then violently throws them against the nearest wall, stomps on them and tries snapping them in half for good measure, but the glasses are unharmed. Sidewinder likes this power. But before she can do more, No-one picks up a dried lizard and enchants it to take away Sidewinder's magic if he snaps it in half. He snaps it in half (and then throws it into his mouth), and the tingling in her claws immediately stops. She feels a mix of disappointment and relief, knowing that she'd definitely be the type to quickly corrupt her soul with this kind of power. No-one suddenly makes a weird face, and his Sandwing appearance seems to phase in and out of existence, his Skywing appearance flickering underneath. He panics and reaches for his earring, shifting to one of his Rainwings instead. “What in the three moons was that?”, Taipan exclaims. No-one explains that sometimes, his appearances fade for no apparent reason. Ice asks whether it has something to do with how much he used them for enchantments or maybe how powerful the enchantments were and No-one shrugs, he’s not really keeping track of any of that. Tetra asks how many he has left and he starts cycling through 3 Rainwings, another Skywing, a Mudwing and then Ice, Tetra and Datura. “Huh”, he says, "I thought I had more left.” Tetra asks what will happen to the real versions if their appearances in his earring fade, but he doesn’t know. Taipan waves it off, they’ll deal with this later.
Now that it's proven that magic can be taken away, the planning can continue. Tetra, from her bucket, offers to meet the Seawings at the river and lead them to a spot in the Sandwing territory where they can prepare for the fight. The others agree, saying that Tetra should be kept safe and away from the Icewings (and she'd be useless in a fight anyways). Datura offers to represent the Sandwing kingdom together with Sidewinder, since Taipan is in no shape to leave the stronghold. Taipan doubts whether Icebreaker would come out of hiding if she saw that the actual Sandwing Queen isn't there to meet her, only her daughters. Maybe she'd even see it as a sign of weakness and attack immediately. Tetra holds up the armband Sidewinder saw on the "fake Datura" earlier and says that one of the sisters should use it to appear as Taipan. If it fooled Sidewinder, it would definitely fool Icebreaker. And now that No-one is on a tight budget when it comes to appearances, it would be better to work with what they already have. Datura and Sidewinder look at each other, unsure who should bear this responsibility. On the one talon, if Datura did it, she'd have to go without her veil and sunglasses, because Taipan definitely doesn't wear those and it would raise suspicion. On the other talon, Sidewinder is unsure whether she can pretend to be a convincing Queen, after her failure as "temporary Queen". Taipan flat out asks Sidewinder if she will do it, and she says yes. 
The planning continues. Taipan will send a message to Icebreaker, telling her that she has Ice, who's still wearing the magic-sealing chains, and asking her to meet. Datura and Sidewinder (disguised as Taipan) will bring Ice to the meeting spot (which will be close to the river the Seawings are hiding in), accompanied by some guards. No-one will be among them, disguised as a Sandwing guard. When Icebreaker is close enough, No-one will snap two enchanted twigs in his mouth: one will stop Icebreaker's heart (a spell that they can't test beforehand, for obvious reasons), one will take away the magic from all Icewings nearby as well as their enchanted objects. Because nobody knows how far the spell will reach, it is important to get as many Icewings as possible to be near Icebreaker, which will be achieved by placing a battalion of Sandwings in visible (but not threatening) distance away from the meeting spot. If the spell to kill Icebreaker fails, at least the magic will be gone and the Sandwing guards, all highly trained, will kill Icebreaker - with No-one's magic help, if necessary. Either way, the Seawing and Sandwing army will attack the weakened Icewings at once to push them back into their frosty habitat. Ice, Sidewinder, Datura and No-one will escape back to the castle, protected by the attacking armies. Taipan and Agate will handle the rest from there.
Taipan dismisses the group for now to begin preparations. Datura offers her friends to stay over in her room, as it’s big enough for everyone. (Tetra brings her bucket.) She also invites Sidewinder to this sleepover. The latter remembers how the two of them used to do these all the time as dragonets. Datura tells everyone to get settled while she finds some comfy rugs the other dragons can sleep on. Tetra notices that Ice looks down and asks what’s wrong, but Ice says that she’s fine. Sidewinder asks whether this is about killing Icebreaker and Ice winces. She confesses that she’s terrified of being stuck in chains and sealed away forever if Icebreaker dies. No-one suggests that killing her might also break the spell. There might be at least a tiny chance. Ice laughs and says that it doesn’t matter anyways, the decision wasn’t in her hands anymore and she’s only left to hope for a minuscule chance of gaining a happy end out of this. Sidewinder loudly reflects upon her own desire to make decisions – she wanted to become a leader so badly, but once it happened, she was suddenly making decisions that would affect an entire kingdom and that terrified her. Ice listens, and something about that seems to make her think. Tetra says that there’s still the option of Agate and her animi, but Ice just shakes her head and asks to drop the topic before Datura returns. The group has a little sleepover party with snacks and Sandwing board games before it’s time to sleep. In the dead of night, Sidewinder opens one eye and sees Ice standing at the window, staring outside with a blank facial expression. Sidewinder silently watches for a bit and then begins to fall asleep again. Just before she’s gone, she hears Ice and No-one quietly whisper something to each other.
Hard cut to the next day. Sidewinder, disguised as Taipan, stands next to Datura. In front of them lies Ice, chains wrapped around her arms and a rope tied around her snout. Behind the trio, mere steps away, five Sandwing guards, two of them looking awfully similar to each other. In the distance, a small figure leaves the sea of white spikes and wings and tails. Icebreaker, accompanied by guards of her own, walks over to them, her eyes piercing, her smile anything but warm. She breathes in deeply, and then breathes out a cold sigh that chills Sidewinder to the bone. 
“My oh my”, Icebreaker says. “What a predicament you’ve found yourself in.” The words are aimed at Ice, but somehow Sidewinder feels them hitting her own heart as well, making it skip a beat. 
Icebreaker’s gaze rises up to meet Sidewinder’s. “It’s been a while, Taipan. I hoped we’d meet again under more savory circumstances, but alas.” Sidewinder ignores Icebreaker’s deliberate omission of any kind of formality one would expect when addressing a Queen. 
“I’m here to talk about your plans.”, Sidewinder says. “You’ve been gathering an army near our border. What for?”
Icebreaker ignores the question: “Oh, but first, you gotta let me in on your secret.” 
“M-my secret?”, Sidewinder asks. Icebreaker continues: “I’ve met Sandwings your age, and they all sound so dreadfully harsh and raspy. I always assumed it’s that dry desert air. How did you manage to keep such a pleasant and youthful voice?” 
“Honey-glazed cobra cutlets”, Sidewinder answers while trying to hide her panic, “keeps the throat fresh. I would invite you to try some, but we have other matters to attend to.” Icebreaker closes her eyes and nods slowly and meaningfully. “Right, of course. I couldn’t help but notice that you have my granddaughter with you today. I hope she didn’t cause you too much trouble?” “Splendid. May I come closer to have a chat?” This is the moment everyone has been waiting for. Icebreaker makes a step, then hesitates. “Lemming”, she says with her head slightly turned towards the group of Icewings behind her. One of them jumps, then quickly stammers the following: “I enchant the enemy’s animus-touched objects to come to me!” Before anyone can react, Agate’s armband flies off Sidewinder’s arm, followed by Datura’s glasses and No-one’s earring. Lastly, the two sticks, still wet from his spit. Icebreaker’s eyes widen, then she composes herself. “Much better”, she says, studying the “new arrivals”, Sidewinder and No-one. “Taipan’s dead, isn’t she?”, she asks, “I did hear about the terrible poisoning. Why else would the Sandwings be led by these pathetic little children trying to play tricks on me?” Icebreaker steps closer. One step. Another step. So do the Icewing soldiers. They are surrounded. Datura looks to Sidewinder, who’s muscles seem to be frozen in place. Nobody moves, until –
Somehow, Ice had removed the rope from her snout and screams: “Icebreaker!!!” Her voice makes the Icewing Queen stop dead in her tracks. “You poor soul.”, she says coldly. “Have you had your share of fun running around with these creatures? Have you had enough?” 
“I have”, Ice yells, “You were right. You were right all along. Everything beyond the Icewing kingdom is just a lawless wasteland. Seawings with multiple Queens, Rainwings who let just about anyone rule without question and tyrannical Sandwings who kept passing me around like some kind of bargaining chip!” 
“Ice–” Datura says sharply, but Icebreaker interrupts her. “Oh, no, let her speak.” 
“They treated me like trash”, Ice continues, wriggling towards Icebreaker as quickly as she can with her bound limbs. “They’re enemies, all of them. None deserve to stand between you and your perfect frozen continent.” 
“Correct.”, Icebreaker says with a content smile. 
“And those items you took from them were meant to kill you!”, Ice hisses. She’s now at Icebreaker’s feet. “All this time they were plotting to end your life. But unluckily for them, I’ve been plotting too. A spell that could end this war before it even started.” “I’m intrigued.”, Icebreaker says, unable to hide her excitement about a new spell. For some reason, her Icewing subjects weren’t big fans of experimenting with magic while Ice was gone. 
“Do it. I allow it.”
Ice’s chains instantly lose their cold blue glow, appearing like regular metal chains. Ice turns towards Sidewinder, Datura and No-one. “This is for my enemy. My captor. My tormentor.
Die.” 
Icebreaker’s eyes widen, her hands shoot up to her throat. She falls to the ground, convulsing. “And you.” Ice turns towards the Icewings. “None of you Icewings will ever use magic again!” Dark clouds accumulate in the sky above them all, and thunder begins to rumble. Ice looks down at her hands, her mouth moves and the chains fall off, disintegrating into dust.
“Ice!”, Datura screams and leaps forward, but Sidewinder holds her back. Ice looks back at them one last time before a flash of lightning descends from the sky, striking the earth. Ice disappears, with only smoke and a black stain on the ground where she stood just moments ago. The Icewings are shocked at first, then charge into battle to avenge their Queen who has now stopped moving. Sidewinder signals the Sandwings to attack and prepares to retreat. Datura is still standing there screaming Ice’s name, so Sidewinder drags her along. No-one enchants the magic items to come back and his earring flies into his open palm while the rest of the items get trampled by the Icewing soldiers. He puts on the earring and switches to his Sandwing appearance.
The guards do their best to shield the trio from the oncoming Icewing onslaught, but are quickly overwhelmed. An Icewing aims his ice breath at Datura, so No-one spits a mouthful of fire in his face. Another tries to stab Sidewinder with a spear, she ducks underneath and buries her stinger into his throat. A group tries to cut them off, so No-one enchants the rocks beneath them to shoot upwards and launch the soldiers into the air. Datura has a hard time seeing in the harsh light without her glasses, so both Sidewinder and No-one guide her through the battlefield. The latter turns the ground behind them into quicksand, enchants the Icewing spears to turn against them and hits them with anything else he can come up with. Suddenly, his Sandwing guard appearance flickers and disappears, right as the real guard’s throat is slashed by Icewing blades. No-one switches to one of his Rainwings and continues casting spells, but soon, this one also disappears. One by one, his appearances start to flicker and fade, and he hesitates, almost getting hit by a flash of ice breath.
“Use ours!”, Datura screams as Sidewinder whips around to sting another Icewing. He catches her tail in his hand and buries his serrated talons in it. She roars and Datura spits fire in his face until he lets go. No-one switches to Tetra and fires off another enchantment, then to Ice, another enchantment, then to Datura. A spear hits him in the shoulder and ice breath grazes the tip of his tail. He heals his injuries with magic and carries on. Suddenly, an Icewing manages to rip off the earring and crush it between his teeth, destroying the illusion and revealing No-one’s Skywing form. He tries to retaliate with fire, but another soldier hits him with his weapon, throwing off his aim. Then, out of nowhere, another spear flies through the air and hits Datura straight in the throat, piercing it entirely. She lets out a silent scream that turns into a gurgle as blood spews forth. “NO!”, Sidewinder screams and No-one dashes towards Datura, ripping out the spear with one hand and closing the wound with the other - his first enchantment he did as “himself” in years. He then hurls the spear back where it came from and it pierces something, someone, creating a blue fountain. But the Icewings just keep on coming. All hope seems to be lost, when suddenly, the Seawings arrive, attacking the surprised Icewings from the side. It’s this critical moment that allows the trio to finally escape more or less unharmed.
*
Epilogue
The war between the Icewings and Sandwings (now aided by the Seawings) wages on. Queen Taipan and Queen Agate need to negotiate new terms, now that Ice has disappeared without a trace and Datura didn’t assume leadership of the Sandwings. Sidewinder aids Taipan in any way she can, gaining knowledge and confidence in the process. Tetra leaves to go find Pearl again, who has been given a new identity and reunited with her parents thanks to Agate. The two kids have a lot to discuss. No-one, scared of becoming like Ice, refuses to do any more enchantments for this war and tries to leave the stronghold in the middle of the night. He casts a spell to make Datura’s glasses reappear in his hands and plans to drop them off by her door as a goodbye gift. Before he can do that, he runs into her. She was also about to leave on an entirely different journey to find Ice (fiercely believing that she’s still alive and out there somewhere). She knows that her mother would not approve of her leaving, but what else is she to do in the kingdom? Be Queen? Sidewinder’s there for that. The two agree to leave together and send Taipan and Sidewinder messages every so often.
And that’s how it ends.
*
Thank you so much for reading through the entire thing! As noted in the title, this is just a first draft and also the first time someone other than me reads this – so of course I expect you to find plot holes, inconsistent character moments and other stuff I could improve on. If you're nice about it, maybe I'll even listen ;) (joking) No matter what, I hope this serves as a (more or less) satisfying conclusion for all my WOF characters you know (and love?).
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ms-demeanor · 5 months
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i’m curious what your opinion is on the finer points of the case mentioned in the JSTOR post you reblogged earlier. the two sources in the post say that JSTOR didn’t press charges against him and had already settled with him by the time he killed himself. from what i read on wikipedia, the concern seems to be that JSTOR complied with a subpoena, which i don’t believe they have a choice to ignore? if anything it seems like the us government had reason to want him dead for wikileaks and public court records reasons, so they took a terms of use violation and blew it up into a dozen federal crimes.
is there more context i should be aware of? i have no particular affection or malice for JSTOR but the sources i found don’t exactly implicate the database or its employees in murder.
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That's from page 175 of this document. This line: "The activity noted is outright theft and may merit a call with university counsel, and even the local police, to ensure not only that the activity has stopped but that - e.g. the visiting scholar who left - isn't leaving with a hard drive containing our database" is where I think the culpability starts.
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If someone is downloading 1000s of articles (what seems like reasonable threshold for us to take action), what's wrong with us - or the university in collaboration with us - alerting the cyber-crimes division of law enforcement and initiating an investigation, having cop search dorm room and try to retrieve any hard drive that contains our content, etc. Our content is extraordinarily valuable and hard to replicate by the sweat of one's brow, but can be duplicated by savvy hackers and who knows what they want to do with the content?
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Page 379: "Does the university contact law enforcement? Would they be willing to do so in this instance?
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From page 1296:
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I think the important thing to note here is that JSTOR had worked with MIT and had plans in place to prevent future similar downloads, but remained focused on identifying the person responsible for the downloads and ensuring that their data was deleted.
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"I might just be irked because I am up dealing with this person on a Sunday night, but I am starting to feel like they need to get a hold of this situation right away or we need to offer to send them some help (read FBI).
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And there it is. Page 3093 of the document.
JSTOR can hem and haw about it all they want, but you can't un-call the cops.
MIT was working with JSTOR on preventing future incidents of pirating, but JSTOR repeatedly said that they weren't going to let it go, that it was unacceptable to drop the issue, that they were going to continue to pursue the pirate.
You can scroll through the document and see the JSTOR tech department and abuse team talking about Swartz as a script kiddie, and a hacker. You can see someone talking about how this was real theft - making the comparison to stealing books even while admitting that piracy doesn't close others out of access.
You can see the thread starts with a joke about punching someone in the face for hacking their system, and includes the tech team ominously considering whether they should threaten the MIT librarians with the FBI.
There's something really important to note here which I don't think that people who aren't PRETTY DEEP into hackery shit aren't aware of: US law enforcement is absolutely rabidly feral about prosecuting hackers. People may be more aware of this now because of Chelsea Manning and Edward Snowden (and perhaps a bit on tumblr because of maia arson crimew), but people who work in tech and who are in infosec - like the people joking about calling the FBI in these emails - would be aware of the bonkers disproportionate punishments faced by hackers. And knowing that, they kept pushing and pushing and pushing for identification of the hacker. They kept digging with MIT, they kept saying that simply preventing future incidents wasn't enough.
Early in the exchange someone from JSTOR asked "what's wrong with us - or the university in collaboration with us - alerting the cyber-crimes division of law enforcement and initiating an investigation, having cop search dorm room and try to retrieve any hard drive that contains our content, etc." and the answer is what happened to Aaron Swartz.
It is absolute bullshit for JSTOR to say "we arrived at a solution privately and didn't want to press charges" after law enforcement has gotten involved with a hacking case, especially one where they're talking about "real theft" and are attempting to quantify and emphasize the amount that was "stolen" from them.
The *public* may believe that private individuals or institutions are the ones who "press charges" but that's simply not the case. It's prosecutors who decide whether or not to go ahead with charges; they do it based on what cases they think they can win and what their office's perspective is on the crime. When you hear about people choosing to press charges it simply means that they decided to tell the prosecutor they wanted the case to go forward. It's up to the prosecutor whether or not that happens.
And the tech team at JSTOR had to know that law enforcement wasn't just going to wag a finger at an academic hacker.
There's a parallel here that happens sometimes when people have their identities stolen by their parents. If you mom takes out a credit card in your name, that's identity theft. That's fraud. That's illegal. If you reach the age of 25 and realize that your credit is ruined because your mom has been defaulting on cards in your name, you've got two choices to fix that: one is to accept the debt and pay it off and build up credit, and the other is to report the identity theft - which will end up with your mom in prison for a decade or so. Ruin your own personal finances, or your mom goes to jail for ruining your finances. So if you find out that your mom stole your identity you can't just call the cops to pressure her into transferring the debt to her name or something. That's not an option. The cops are not a threat to wave over people, they are not a way to get people to fall in line or act right. They aren't someone you can send to a college student's dorm room to retrieve a hard drive and have the matter drop.
When you call the cops on someone you are sending the full force of the law after them, and the full force of the law falls really heavily on hackers, and how heavy that blow can be is something that the JSTOR team must have been aware of when they were making snide comments about calling the FBI because they were frustrated with the noncommittal responses they were getting from librarians.
Ultimately it was the carceral state that killed Aaron Swartz, but they would not have been involved if JSTOR didn't think that what he did constituted theft.
Taking an *EVEN LARGER* step back from that, the idea that information can be owned and locked behind a paywall is what killed Aaron Swartz, someone who fought for information to be free.
Like. JSTOR is a licensing company. At the end of the day, cute social media posts and all, they're the same as the RIAA and ASCAB. They exist to extract a fee from people attempting to access information.
Aaron Swartz and all that he stood for are an existential threat to their core function.
Are JSTOR's hands as dirty as the federal prosecutors? Absolutely not. But they operate on a model that puts them in opposition to open information activists and it ended up with a hammer falling on Aaron Swartz that they dropped.
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candlewaxandp0lar0ids · 5 months
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How to Leave Comments on Fanfiction
So, I recently made a poll to know if people might find it helpful to have a list of things they could talk about when leaving comments on fanfictions, be it on Ao3 or on here. A majority of people were interested in seeing the post so, well, I'm making it. I started writing and posting stuff online when I was a teenager, on a website where leaving constructive criticism was the norm. It's by far the place where I've gotten the most feedback and it was an incredibly formative experience for me as a young writer — and it taught me how to leave detailed comments.
Writing comments doesn't necessarily come easy. It's something that you may need to learn how to do, but the good news is that you can learn how to do it, so don't worry if you don't know what to say at first. Hopefully this list will give you some pointers on how to do that.
This is more or less the list I go through when I want to leave a detailed comment. Even if I don't have a specific idea at first, I'll go through the steps and I never come out empty-handed.
Comment etiquette:
What became apparent with the poll I made was that a lot of people worry about how they'll be perceived by the writers if they leave a comment. Now, obviously, writers aren't a monolith, but 99% of the time writers will be thrilled that you took the time to leave a comment to let them know what you enjoyed in their fic. I cannot stress this enough. We're not going to judge someone based on a positive comment they leave.
As it stands, on Tumblr and Ao3, it's seen as rude to leave negative feedback, unless the author has explicitly asked for it/agreed to it, so that's what I'll be going over here. Since quite a few writers did say on that post that they would like to get constructive comments as well, stay tuned, I'm trying to get something together to do that for authors. Other than that, you're good to go.
The main ways to let an author know your thoughts on a fic on Tumblr are:
reblogging a fic with your thoughts underneath it
reblogging with your thoughts in the tags, which is often less formal
leaving a comment as a 'reaction'
sending in an ask if they're activated on the blog (which means you can stay anonymous, if anon asks are allowed)
Reblogging means that your followers will see the post as well, and is therefore really appreciated on Tumblr.
As a note, you may find different systems work for different fics! Maybe leaving tag rambles works for you when commenting on drabbles, for example for me it's the system I use to leave comments on smut.
General advice:
Everything I'm saying in here is for people who want to be able to leave longer/more detailed comments and don't always know where to start. If, for whatever reason, you're not comfortable or you don't have time to do it at the moment, a simple "I love the fic, thank you for writing it" always goes a long way for an author.
The key thing to keep in mind if you're trying to find something else to say, I think, is to try making the comment specific to the fic you're leaving it on. It shows the writer what you took away from the fic and the fic's strong points, which is both meaningful and helpful to an author.
Comments don't have to be long to be meaningful. Don't stress about writing a ton; a one-sentence comment highlighting the fic's humor or how emotional it made you can be incredibly impactful.
With this out of the way, I'll go through things you can talk about in a comment, starting with what I think is the easiest and moving on to things that could require more thought. You don't have to do all of that. You may never use some of the things on that list. Leaving comments should not be a source of anxiety. So take what you want from the list, maybe come back to it if you need more inspiration, and don't worry too much about it :)
Favorite line(s) : pull from the fic to let the author know what your favorite line was. If you wish, you can expand on that by saying why it was your favorite: did it make you laugh? Did it make you feel something specific? Did the author nail the characterization with it? Was there some incredible metaphor? Did you find it beautiful or poetic even if you can't go into detail? Is there one line in particular at the beginning of the fic that hooked you in and made you want to keep reading?
All of that is very valuable for a writer to know. Some of my favorite comments I've gotten were a list of a reader's favorite lines from a fic with one or two sentences to explain why they liked them, so don't hesitate to do that more than once if you can!
Emotions:  if there’s one thing I know about writers, it’s that we’re thrilled when we’ve made you cry. So tell us: how did the writing make you feel? Did you laugh out loud? If you did, was it the dialogue, or the narrator? Did it make you cry? Which part? Could you relate to one of the characters? Did it make you feel seen? Did the fluff make you feel all fuzzy inside or did the angst twist knots in your stomach? This isn't an exhaustive list, and emotions are great to draw from when you're leaving a comment!
Favorite element of the writing: Is there one thing in the writing that struck you as being particularly good, or what was your favorite thing to read? Is the author a master at writing dialogue? Are their descriptions so good you could see the whole scene? Are they really good at getting in a character's head and describing their emotions? Were you hooked from the start and couldn't stop until you reached the end?
Characterization: Now, this might be less instinctive, but if you've been in a fandom for a while, you'll probably be able to identify these things fairly easily. You can tell the author if you think they've nailed one aspect of a character. Did you have a favorite character in the fic? What did you think of them? Did the author manage to capture their voice? Was the attitude spot-on? Which parts of the character, if you can name them? Were there aspects of the character you particularly enjoyed? Did the author shine a light on something you hadn't considered or on something you don't think is highlighted often enough? Is there one thing from the fic you can actually picture/hear a character doing/saying in your head?
Style: I'd argue this is the hardest part, and you shouldn't feel bad if it's not something you can really comment on. As someone whose first language isn't English, I know I struggle with it. Style can be perceived as the way the author's voice comes through in the text. It can come through in punctuation, in the way sentences are formed, in the choice of the words themselves. If, when you read, you feel something intangible that doesn't fit well in the other categories, it just might be the author's style.
Here are some things (non-exhaustive list, of course) you could say about an author's style: it can be direct, straight to the point. The author doesn't bother with ornaments. Every sentence feels impactful. Maybe the writing feels intense. You're overwhelmed by the characters and their feelings and you feel truly engulfed in the story. Maybe the style is light and airy. It's so easy to read you don't even notice you are reading. Maybe the writing is intricate. Going through it is like piecing a puzzle together, sentences are foreshadowing and metaphors reveal deep truths about the characters. Maybe the style is rich. While not always the easiest, it's a pleasure to read through it, the author has a wide vocabulary, and you might want to compare it to a well-written novel.
If you identify specific elements of that style (metaphors, interesting use of punctuation, etc.), don't hesitate to point them out and let the author know you enjoy them!
That is it for this post, hopefully it doesn't look too daunting — again, you absolutely do not need to do all that in any comment, but maybe going through this list can help you leave comments for authors you enjoy.
I like to end my comments with 'Thank you for writing and sharing this with us', so I'll tell you thank you for reading, I hope this was helpful, and please consider reblogging if you'd like to save this or if you think it could help someone else!
As a bonus, my friend @elidebrey and I (but mostly her) made a 'checklist' for commenting, to help remember all this if that's something you'd like, so use at will!
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A big thank you to @elidebrey, @yoongihan and @antoniorhinothethird for their precious opinions on this ♥
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lanwangjihouse · 2 months
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Lan Wangjibo - Man like a meme
[unfortunately I can’t make this post endless, it’s already long enough]
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nofomogirl · 4 months
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Good Omen's problem with having two canons
They're fundamentally different. That's the problem. That's my point.
For quite a while I focused almost exclusively on the new season of Good Omens, but now I am slowly delving into analysis that takes the entire show into account, and I've encountered a little obstacle. Namely, things from S1 can be really tricky to interpret.
Fair warning: this post is going to zig-zag between various points but I want you to trust me and take this scenic route with me. It will take us somewhere eventually, I promise.
The Arrangement
It's one of the core elements in the Good Omens universe and at the same time a perfect example of the issue I want to discuss. So let's have a closer look together.
In the book, the Arrangement is presented to us in two passages:
the first one, where it is first - very briefly - mentioned:
Aziraphale had tried to explain [free will] to him once. The whole point, he'd said - this was somewhere around 1020, when they'd first reached their little Arrangement - the whole point was that when a human was good or bad it was because they wanted to be.
and the second one, where it is properly introduced and explained:
The Arrangement was very simple, so simple in fact, that it didn't really deserve the capital letter, which it had got for simply being in existence for so long. It was the sort of sensible arrangement that many isolated agents, working in awkward conditions a long way from their superiors, reach with their opposite number when they realize they have more in common with their immediate opponents than their remote allies. It meant a tacit non-interference in certain of each other's activities. It made certain that while neither really won, also neither really lost, and both were able to demonstrate to their masters the great strides they were making against a cunning and well-informed adversary. (...) And then, of course, it had seemed even natural that they should, as it were, hold the fort for one another whenever common sense dictated. Both were of angel stock, after all. If one was going to Hull for a quick temptation, it made sense to nip across the city and carry out a standard brief moment of divine ecstasy. It'd get done anyway, and being sensible about it gave everyone more free time and cut down on expenses.
In the show, the Arrangement is presented to us in two original scenes in the cold opening of S1E3:
(I am quoting most relevant dialogues only)
537 AD, Wessex:
C: So we're both working very hard in damp places and just canceling each other out? A: Well, you could put it like that. It is a bit damp. C: Be easier if we both stayed home. If we just send messages back to our head offices saying we'd done everything they'd asked for, wouldn't it? A: But that would be lying. C: Eh, possibly, but the end result would be the same. Cancel each other out. A: But my dear fellow... well, they'd check. Michael's a bit of a stickler. You don't want to get Gabriel upset with you. C: Oh, our lot have better things to do than verifying compliance reports from Earth. As long as they get paperwork they seem happy enough. As long as you're being seen doing something every now and again. A: No! Absolutely not! I am shocked that you would even imply such a thing. We're not having that conversation, not another word!
1601 AD, The Globe Theatre:
A: I have to be in Edinburgh at the end of the week. A couple of blessings to do. A minor miracle to perform. (...) C: I'm meant to be heading to Edinburgh too this week. Tempting a clan leader to steal some cattle. A: Doesn't sound like hard work. C: That's why I thought we should... Well, bit of a waste of effort, both of us going all the way to Scotland. A: You cannot actually be suggesting what I infer that you are implying. C: Which is? A: That just one of us goes to Edingburgh, does both. The blessing and the tempting. C: We've done it before. Dozens of times now. The Arrangement- A: Don't say that! C: Our respective offices don't actually care how things get done. They just want to know they can cross it off the list.
S2 doesn't actually reference the Arrangement. But it does reuse the dialogue about free will where the 1020 date is dropped. We will get back to it.
The challenge of adapting Good Omens
Good Omens shares a certain characteristic with all of Terry Pratchett's solo books I've read - it couldn't care less about "showing instead of telling". Which I love, just to be clear. A book is a written medium. It's made with words and one of words' major strengths is that you can use them to just tell things point blanc.
Good Omens does it a lot and it's fantastic.
Look at that second passage from the book I quoted earlier.
From just those few sentences we learn a lot about the relationships between:
Heaven and Hell (opponents and competition)
Aziraphale and Crowley (two individuals in the same position and in direct contact with each other)
Aziraphale/Crowley and Heaven/Hell (field agent and a remote HQ that are not in direct contact)
Aziraphale/Crowley and Earth (two individuals and a space they live in)
Heaven/Hell and Earth (a board where the game is played, only winning or losing matters, what actually happens on a board does not)
It's really an extra condensed worldbuilding gem sprinkled with humor, so it's no surprise it's become one of the most iconic passages from the book.
I mean, just browse through some interviews with David and Michael - especially the ones from 2019 - where they explain what Aziraphale and Crowley are about. You'll be hard-pressed to find any where they don't reference that specific paragraph, consciously or otherwise.
But it's only this neat on the pages of the book, where narration like this takes mere seconds to absorb. It's impossible to convey the same information in a visual medium with anywhere near the same efficiency.
The fact that the majority of Good Omens is like this was, in my opinion, a main challenge the adaptation faced. The book is very narration-heavy. It's full of fun facts about characters, side jokes, hilarious comments, etc. Some of that precious material was salvaged by introducing God as a narrator, but there was only so much of it you could squeeze into a TV show. The rest had to either be fit into dialogues or lost in translation from the written medium to the visual one.
Obviously, in the case of the Arrangement, it was the dialogues.
Book canon and show canon
We all know they're not the same. Neil Gaiman also pointed it out several times. But I think our mistake is that we still tend to think about them as complementary.
Look at the Arrangement again. The show canon seems to merely expand on the book canon. Add extra details and fill in the blanks. The Arrangement works the exact same way, except now we also know more about how it started.
If we compile what we know from the book with what we know from the show, we get a more detailed timeline:
Crowley first proposes the Arrangement in 537 (show).
The Arrangement starts in 1020 (book), ie. Aziraphale finally agrees to it (show - deduction); we don't know for sure if it's a "basic version" (not getting in each other's way), or a "full version" (doing each other's jobs) but we can assume it's the former.
In 1601 "full version" of the Arrangement is in place for some time (they've done it dozens of times) but Aziraphale still objects and needs convincing.
But read that description from a book once more.
Does it really fit into the version of events shown in the TV series?
The Arrangement in the book is something that just happened. A natural, and in a way inevitable result of Aziraphale and Crowley's circumstances. We are never told who came up with it first because it doesn't matter. Because it could have been either of them. Because after five millennia on Earth, they were both ready to do it. They were both of the same mind. For all we know it might have been an unspoken agreement all along!
But for the show, the creators had to come up with a good reason for the Arrangement to be discussed out loud. And what could be a more natural situation for someone to describe and explain an idea than trying to sell that idea to someone else?
For that practical reason - among many others, no doubt - the Arrangement is not only explicitly Crowley's idea, but an idea Aziraphale vehemently rejects at first. He needs to be convinced and even when he finally relents he's never entirely comfortable with it. He keeps objecting and it requires Crowley's constant effort for them to keep cooperating in any way.
The fact that Aziraphale is reluctant gives Crowley a perfect reason to keep convincing him ie. talk about the Arrangement. But the fact that he needs to explain and keep convincing Aziraphale means that Aziraphale is no longer a person who understands the same things and feels the same way.
That is a huge change.
Of course, you may say that what I've written about the Arrangement in the book is just my interpretation. It's true that technically there's nothing there that would contradict the events from the show in any way. The thing is, the events in the show aren't very compatible with the overall characterization of the ineffable duo in the book.
Evolution of Aziraphale and Crowley
You might have read that our leading pair was originally conceived as a single character that Neil and Terry eventually decided to split into two separate individuals.
My reaction when I first learned about it was: "Of course they were! That makes so much sense!" Because honestly, as a person who watched the show first and then read the book, I was surprised at how few differences there were between the two in the original text. If you squint your eyes really tight, you can see how book!Aziraphale and book!Crowley are two versions of the same character. They're far more similar than their show versions.
Most importantly, their attitudes toward Heaven and Hell are pretty much identical. Perfectly mirrored in every regard. What Hell is for Crowley, Heaven is for Aziraphale. What Hell is for Aziraphale, Heaven is for Crowley. In. Every. Possible. Way.
Allow me to present some evidence from the book.
Exhibit #1: the end of the scene where Crowley convinces Aziraphale to interfere with Warlock's upbringing
'You're saying the child isn't evil of itself?' he said slowly. 'Potentially evil. Potentially good too, I suppose. Just this huge powerful potentiality, waiting to be shaped,' said Crowley. He shrugged. 'Anyway, why're we talking about this good and evil? They're just names for sides. We know that.' 'I suppose it's got to be worth a try,' said the angel. Crowley nodded encouragingly. 'Agreed?' said the demon, holding out his hand. The angel shook it, cautiously. 'It'll certainly be more interesting than saints,' he said. 'And it'll be for the child's own good, in the long run,' said Crowley. (...)
When Crowley first points out that good and evil are just names for sides, and then insists it's something they both know, Aziraphale doesn't react in any way. That's because these aren't things that book!Aziraphale disagrees with. He does indeed know it and doesn't deny it.
Also, please note just how cynical the angel is here with his comment that influencing the Antichrist would be a more interesting project than influencing saints!
Both would be rather OOC for show!Aziraphale.
Exhibit #2: the scene just after Warlock Dowling's birthday party, when it becomes evident he is not the Antichrist
'You said it was him!' moaned Aziraphale (...) 'It was him,' said Crowley. (...) 'Then someone else must be interfering.' 'There isn't anyone else! There's just us, right? Good and Evil. One side or the other.' He thumped the steering wheel. 'You'll be amazed at the kind of things they can do to you, down there,' he said. 'I imagine they're very similar to the sort of things they can do to you up there,' said Aziraphale. 'Come off it. Your lot get ineffable mercy,' said Crowley sourly. 'Yes? Did you ever visit Gomorrah?' 'Sure' said the demon. 'There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-' 'I meant afterwards.' 'Oh.'
Can you imagine this kind of exchange in the TV series? Can you imagine show!Aziraphale being this realistic about Heaven, and show!Crowley so naive about it? There's no way.
Show!Aziraphale genuinely believes that Heaven is good at its core.
Book!Aziraphale knows Heaven isn't any different than Hell and would punish him just as ruthlessly and unfairly as Hell would Crowley.
Show!Crowley understands both Heaven and Hell on a very deep level and is highly aware of their true nature.
Book!Crowley buys a piece of celestial propaganda about ineffable mercy and actually expects Heaven to be forgiving.
Let the magnitude of that difference sink.
Exhibit #3: same scene, a bit further
'So all we've got to do is find it,' said Crowley. 'Go through the hospital records.' The Bentley's engine coughed into life and the car leapt forward, forcing Aziraphale back into the seat. 'And then what?' he said. 'And then we find the child.' 'And then what?' The angel shut his eyes as the car crabbed around the corner. 'Don't know.' 'Good grief.' 'I suppose (...) your people wouldn't consider (...) giving me asylum?' 'I was going to ask you the same thing. (...)'
This is just a cherry on top, really.
Yes, in the book, when things go pear-shaped, both Aziraphale and Crowley consider seeking asylum on the opposite side.
Do you need more proof that book canon and show canon really aren't as compatible as they may seem?
Free will
As promised, let's get back to that dialogue because while it may not be obvious at first glance it really illustrates perfectly the problem arising from balancing between two canons.
Here is the full quote from the book:
Aziraphale had tried to explain [free will] to him once. The whole point, he'd said - this was somewhere around 1020, when they'd first reached their little Arrangement - the whole point was that when a human was good or bad it was because they wanted to be. Whereas people like Crowley and, of course, himself, were set in their ways right from the start. People couldn't become truly holy, he said, unless they also had the opportunity to be definitively wicked. Crowley had thought about it for some time and, around about 1023, had said, Hang on, that only works, right, if you start everyone off equal, OK? You can't start someone off in a muddy shack in the middle of a war zone and expect them to do as well as someone born in a castle. Ah, Aziraphale had said, that's the good bit. The lower you start, the more opportunities you have. Crowley had said, That's lunatic. No, said Aziraphale, it's ineffable.
And here, for comparison, is how it was reused in S2E3:
A: There is a stolen body in that barrel! This is wicked! C: Oh, I'm down with wicked! Anyway, is it wicked? She needed the money. A: That is irrelevant. Look, I am good. You, I'm afraid, are evil. But people get a choice. You know, they cannot be truly holy unless they also get the opportunity to be wicked. She is wicked. C: Yeah, that only works if you start everyone off equal. You can't start someone off like that and expect her to do as well as someone born in a castle. A: Ah, but no, no. That's the good bit. The lower you start, the more opportunities you have. So Elspeth here has all the opportunities because she's so poor. C: That's lunacy. A: No, that's ineffable.
I'll be honest with you - I didn't like that scene in the show. It felt jarring and off. Aziraphale was acting like it was his first day on Earth and it was frustrating to watch.
Then, on one of the rewatches, just as I was rolling my eyes at "that's ineffable", a bulb lit in my brain. That line didn't work there because it wasn't created to be there! In the book and in S1 "it's ineffable" was kind of Aziraphale's catchphrase but in S2 it only appears this once. More importantly, in the book and S1, the fact that the angel would say that was all a build-up to the scene when he threw it in Heaven's face at the Tadfield Airbase. Using that word in S2 was like trying to make a running joke that has already reached its destination run again.
And just like that one line the entire dialogue didn't fit because it wasn't meant to be there. It was created for an entirely different context.
What's the difference?
Firstly, book!husbands' conviction was very shallow and it wasn't uncommon for both of them to spout slogans without meaning them. Therefore, book!Aziraphale's words didn't carry that much weight. The very fact that the conversation took place at the same time they formed the Arrangement tells us something about how serious he was. But show!Aziraphale's relationship with his beliefs is different, so when he says things like that it's a much bigger deal.
Secondly, the book explicitly states that Aziraphale and Crowley only developed free will on Earth, due to extended exposure to mankind. The show never really makes a stand on the matter but based on what we've seen so far I think we can safely assume that angels and demons are capable of making their own choices as much as humans do.
In other words, in its original context, the conversation was just Aziraphale talking about a concept he didn't fully grasp, quoting propaganda he didn't fully subscribe to. He was being ignorant and mildly obnoxious in an endearing way.
But using the same dialogue verbatim in the Resurrectionist carried a completely different meaning. Aziraphale who utters it in the show has no reason to be so ignorant about free will. Aziraphale who utters it in the show genuinely tries to defend Heaven. Most importantly, Aziraphale who utters it in the show, doesn't just idly bicker with his friend about general things but is judging an actual human individual that's right in front of them. That, more than anything else, makes it sound heartless and ignorant.
What is the problem with having two canons, exactly?
It's time to wrap things up.
In the opening paragraphs, I've mentioned that I've noticed the issue while interpreting scenes from S1, and yes, that was the case and I do believe that the existence of two canons is especially problematic for S1. That's because pretty much every scene in S1 is potentially like that dialogue about free will in S2, except subtler and harder to spot.
A grand majority of what we see and hear in S1 comes directly from the book. But while words and actions were kept, in some instances things that gave them their original meaning might no longer be valid in the show universe. Sometimes they easily take new meaning, and we don't even notice. But sometimes there's this dissonance that's not as easy to work around.
S1 deviated from the book and created its own canon. But the difference didn't seem to go very deep and it seemed perfectly reasonable to use some trivia from the book to shed some extra light on the content of the show. I used to do it in my head, even though I was aware of the changes that were made.
But S2 expanded the show canon so far beyond what was in the book that I'm really not sure it makes sense to compile them anymore.
There are a lot of things that were only explicitly stated in the book that I keep clinging to. But perhaps it's time to let go...
Thank you for your patience.
I know all of the above isn't exactly a revolutionary discovery, but I needed to get it off my chest before writing anything else.
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kobalent · 1 year
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Twitter is like actually collapsing at the moment
i don't mean as in the general doomed state it has been for the last couple months, but rather that it is losing functionality as i write this.
a bit of context:
in the morning of december 15th, the Twitter account ElonJet —which posted the publicly available flight records of Elon's private jet— was banned under the excuse of "doxxing".
he then proceded to run a very rudimentary text block in the site for the link to the ElonJet instagram account, but it was only applied to the exact link "https://instagram.com/elonmusksjet", to which many people found a plethora of easy workarounds.
then, he proceeded to ban journalists. specifically those who had criticized him before.
THEN, accounts who were reporting on the sudden bans started getting banned themselves, followed by bans of Mastodon and links to Mastodon in general, possibly due to links to the ElonJet Mastodon account.
and as this was unfolding, people were discovering they could still join Twitter Spaces from banned accounts, so all the banned journalists created a mega Space, which i am only vaguely informed of what was being discussed (like blatant censorship) but i'm sure recordings surface in the coming days.
one recording we DO have access to right now is of elon joining the 4,000 (i need to review this number) people including several banned accounts, in which he was asked around 3 questions, didn't answer any, and left after once again making a fool of himself.
a few moments later, the Twitter Space closes out of nowhere, and the recording "mysteriously" disappears. seems like elon finally found a way to shut it down after several hours.
however, spaces are now broken for a large amount of users.
then, a few people start to mention they can't like or retweet posts specifically from the timeline.
i see one of two options: 1) musk purposefully broke all these functions, or 2) he broke Spaces on purpose, which caused a cascade of problems.
oh, btw! did you know since elon took over, Twitter developers started working directly on the live website? that might complicate doing something like idk, reverting to a previous build after some site-breaking update?
anyways, sorry for the rant. i'm not sure it makes much sense i'm very sleepy, but i just thought i needed to document this somewhere. i might come back and edit to add supporting screenshots and videos
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squeakitties · 6 months
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Here's bio cards for all of my OCs!
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