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david-talks-sw · 1 month
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No, George Lucas is not a "traitor"
You may have seen angry tweets and thumbnails such as these, in the last few days.
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Context - Disney is going through a proxy battle, and George Lucas sent out a statement that read as follows:
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So immediately, all the grifting influencers who based their entire platform around the narrative that "Kathleen Kennedy & Disney betrayed Lucas' legacy" banded together and agreed that the new line was:
"Fuck George Lucas, he betrayed us and betrayed himself. Lucas sided with his own abusers!"
Here's why this line of thought is absolutely childish and uninformed.
1- Get real, he's a shareholder, of course he'll say this.
I don't need to expand on this, do I?
He owns stock. Someone threatens your money, you defend the money. The question becomes: why does he think that sticking with Disney CEO Bob Iger will result in more profit than siding with?
Variety theorizes that it may be because Nelson Peltz has admitted that he has no media experience. 
And if that's the case? I'm not surprised at all, because...
2- George has always hated amateur studio execs
The following is me simplifying a lot... but George's relationship with studios has never been a good one.
When he was working at American Zoetrope, with Francis Ford Coppola, they were commissioned to adapt George's short film into a feature, THX-1138. The studio execs didn't like it and forced Francis to refund them the money (which is why he agreed to direct The Godfather, to get out of debt).
Moving on to American Graffiti (1973). When George writes Graffiti, he shops it around to studios and they all essentially told him to go fuck himself.
"American Graffiti went around to every single studio twice and they all said, "It's not a movie, there's no story, and there are no movie stars in it." And Star Wars— it was, "What in the world is this? Wookiees and robots? I don't get it." [...] It'd be hard to make a movie [like American Graffiti or Star Wars] today in the system because all these middle management people get in there and interfere in the process. I think that's much worse for filmmakers than it's ever been in the past." - Star Wars Insider #43, 1999
Except Universal. But throughout the process they're being irritants.
They object to the title because they don't know what it means.
The president is convinced it's a bad movie to a point where when he sees audiences cheer for it in test screenings, he argues they're paid actors.
They force Lucas to trim 5 minutes out of the film. Why? Just because.
This approach the studio execs were taking comes from the fact that none of them were artists. At this point in time, studios had been and were being bought by corporations who thought they could make a quick buck in the movie business.
Eg: Warner Bros wasn't run by the Warner brothers anymore. Paramount was now a subsidiary of Gulf+Western.
So when he's receiving notes, they're coming from - you guessed it - amateurs who think they know what they're talking about, but in reality have no clue. They did market research and think they know everything.
This subject is covered in The Offer (2022), a series about the making of The Godfather (reeeeally good show, I watched it twice).
In this scene, for example, you have a studio exec with no artistic sense whatsoever trying to tell Coppola which poster he should go with, and you get the idea of what I mean.
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(Fun fact, a young George Lucas even makes a cameo in the pilot episode, in Coppola's office.)
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George also went into this subject during his 2015 interview with Charlie Rose.
It's a 4-minute clip, so here's the relevant bit:
"[Big corporations are] known for being risk averse. And movies are not risk averse. Every single movie is a risk, a big risk, like... The movie business is exactly like professional gambling... except you hire the gambler. You use some crazy kid with long hair, you give him $100 million and you say "go to the tables and come back with $500 million." That is a risk! Now, the studios have been going to think of it that way, they say: "well, maybe if we told him that he couldn't bet on red, maybe if we told him because we did market research and we've realized that red wasn't" -- so they tried minimize their risk. [...] They're basically corporate types. They think-- some of the worst things happens when they think they know how to do it, then they start making decisions that ensure it's not going to work. " - Charlie Rose, CBS This Morning, 2015
Now, ironically, this is the same interview in which he compared Disney to "white slavers", but clearly he was still smarting from his own ideas for the Sequels having been ignored.
But considering how little a fuck he gave about those Star Wars films once they came out and how often he visits the now visits sets of like Ahsoka and The Mandalorian, I think he's over it.
Again, this doesn't align with some Star Wars influencers' narrative that "he's fuming, he hates these movies, he feels betrayed and angry!" But if you ask me, he likely couldn't care less, and dubbing Disney his "abusers" is giving them waaay too much credit.
He made his movies, told the story he needed to tell and is now probably just enjoying his retirement, raising his daughter and putting together his museum, part of which is possible because of the money Disney keeps generating for him, as an investor.
So it doesn't surprise me one bit that George Lucas, of all people, to side with the Devil he knows rather than the amateur exec, because the latter is a painful road he knows all too well.
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david-talks-sw · 1 month
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I got a good feeling about "The Acolyte"
Not even kidding. Like, I've spoken before about why I'm wary of it.
George Lucas' Star Wars is something that intentionally has black and white morality, rather than shades of gray. Those movies are meant for kids and projecting a "gray" morality onto them then proclaiming it was George's vision all along is doing so in bad faith.
The narrative of the Prequels doesn't frame the Prequel Jedi in as negative a light as Leslye Headland, Dave Filoni, etc etc do.
See here for more details, but bottom line: yeah, a show that has a darksider as the underdog is bound to demonize the Jedi (who are the actual underdogs in the Prequels), and obviously that rubs me the wrong way.
BUT.
The trailer looks fucking cool. It really really does.
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And more importantly? I've done some research... and Leslye Headland is ticking a lot of good boxes, in my book.
1. The Acolyte won't be a 10-hour movie.
I've criticized Disney Plus shows before, explaining that a big source for most of their issues is that these series are being structured as "long movies" rather than, y'know, actual shows.
But in this interview with Collider, Headland addresses that: it'll be a series. Not a long movie that you need to watch across four weeks.
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Thank God. You have no idea how much that comforts me. Finally a showrunner who's, y'know, actually running a show.
And this goes hand in hand with what she told IGN, here, about how she's going about building suspense.
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Yes! Exactly! That's how it's supposed to be!
Like, compare this to Baylan Skoll's storyline in Ahsoka.
In no possible way was that emotionally-fulfilling. For 8 episodes we had no idea what he was after, and the season ended where we still don't know. What does he want? What is he after? Your guess is as good as mine, it's something Mortis-related.
So yeah. Maybe getting the Emmy-nominated trained screenwriter on board to run this was a good idea.
2. Maybe the Jedi will not be as demonized as I originally thought.
Don't get me wrong. 80% of what she says about the Jedi makes me cringe. It's the typical fan's interpretation and y'all know I disagree with that interpretation.
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It's painful to see her refer to the Jedi as an institution (not how the Prequels' narrative frames them) and to see her frame "Balance" in the "oh there's so many of them and just two Sith, that means the Force is out of balance" meaning... but at least she acknowledges the Jedi are a benevolent institution.
They're not an "elitist force hiding in their ivory tower" as others have described the Jedi.
Moreover, there'll be a variety of Jedi POVs, many personalities.
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Yord Fandar, is described as a strictly by-the-book Jedi Knight and guardian from the Jedi Temple, is an overachiever and a rule follower.
The question now becomes: will the narrative frame him as "your typical Jedi" or is it just this one guy? I'm hoping it's the latter.
I also like how her reasoning goes re: Jedi drawing their lightsabers.
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Which explains the hand-to-hand combat seen in the trailer.
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This teenager is coming at Carrie-Ann Moss with a dagger, of course the Jedi won't draw her saber.
3. She's a fan of Star Wars... but a screenwriter first.
You can tell in the interviews she's a fan. She's using words like "BBY" and "EU" casually. In the above-linked interviews she's bringing up the Nightsisters, Timothy Zahn, The Clone Wars, she mentions she has a tattoo of Ralph McQuarrie's concept art of Leia, the High Republic books, etc.
She's done her homework. She's a fan.
But the vibe I'm getting from these interviews is that she's weaving in these various lore-elements in a more organic way, rather than in the "fan-servicey" way Dave Filoni has been doing in his shows.
The references and Easter Eggs will be there, but the narrative won't bend over itself just so you can get it. Crafting a good story comes first, and Andor is a beautiful illustration of why this is true.
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Which is why I was never bothered about one of the writers never having watched Star Wars before getting the job. You need those fresh eyes when you're tackling something of this scale.
That makes sense to me. Maybe it's because of my own screenwriting experience, but yeah. That out-of-the box perspective is precious.
And like, obviously, that writer watched the films eventually, but for some reason everyone who bitched about Headland omitted that detail and opted for a more bad faith interpretation.
Hm. Wonder why.
Maybe it's the same reason that months ago this clipped audio circulated socials without context, in which she debates whether Star Wars only came from George Lucas and only Lucas is the key.
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The FULL context of that interview reveals that she's actually:
debating the "autheur director" myth and positing that it was achieved by a collective of excellent filmmakers and craftspeople that George was skilled and smart enough to recruit...
the studios now think it's a simple as hiring one guy and throwing money at him, because they have no idea what the fuck they're talking about. See Napoleon (2023) for example.
Yes, she also does a jab to the Prequels, which speaks to the generation of fans she's a part of... but overall she's giving Lucas props whilst also stating an ideological difference, that's it!
George is a proponent of the "autheur" theory, Leslye isn't.
However, guess what, in like half the talks George gave post-selling Star Wars? He's giving shoutouts to everyone who helped make the first film, even remembering their names.
So I'm not even sure he'd vehemently disagree with Leslye, in fact they'd prolly have a conversation about it and immediately bitch about how stupid studio executives are :D
But that's not as incendiary, is it? Again, the more I do the research, the more it feels like the reason most of these influencers are hating on her is purely sexist.
I mean, on IGN she's even acknowledging that she does plan on taking stock of fan reactions for Season 2.
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It's not a guarantee that she'll incorporate the feedback, but at least that's more consideration than, say, JJ Abrams or Rian Johnson gave the fandom.
She's even bringing the moral ambiguity that the Gray Jedi-loving edge-lords love so much.
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"No, she's a woke feminist! Anything she does is evil! Eww, girls!"
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Needless to say... I'm gonna give it a shot.
I think it's gonna be a good show, I think it's gonna be a solid story.
I'm crossing my fingers that they won't as biased against the Jedi as it seems they'll be. Even if they are... if it's still an enjoyable experience, I'll gloss over it.
As @gffa states in this post:
Worst case? It's not a story from George. I can dismiss it from my headcanon without a moment's hesitation :D
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david-talks-sw · 1 month
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How should I format this? (poll at the end)
OK, so a big post is being written about how the Prequels' initial reception shaped the fandom at large's perception of the meaning of those films (aka how EU authors and fans re-envisioned the original narrative of the Prequels so that it became a commentary about the Jedi, like they had always wanted).
The text is about 70% done, and I've commissioned illustrations from ginovanta, I'm in the middle of coloring them.
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Yes, it's previously-covered ground for this blog, but I'm writing it anyway because I never properly addressed the subject outside of poorly-formatted rants, and I'm trying to put this in a more analytical & less whiny way. Because at the end of the day it's also such an interesting subject to me, as it speaks to how we, as an audience, consume media.
Now, this post is comparable to my EU post, in terms of length and research. Plllllllenty of quotes. Which brings me to my question.
How should I format this?
Option 1: indented text.
Text here where I narrate what's going on. Followed by
quote/quotes supporting it.
Downside: More scrolling for the reader. Example:
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Option 2: "David's signature quote pictures".
You know the type, again you can check out my post about the EU. Stuff like this:
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Downside: could also be overwhelming for a reader? But maybe less than Option 1? Also there's 16 illustrations in this post, so that means I'd only be allowed to put in 14 quote pictures. I might be able to fit it, but yeah, that's a factor.
Option 3: linking the quotes.
Uploading the quotes onto a different post, then linking it as such:
Could be all in one post, or multiple posts. So in the section covering how George's narrative frames Anakin's fall and the Jedi's involvement in it, I could end it by linking to this post, for example.
So there's the options. If you can think of alternative solutions, let me know in the replies. I'm just really trying to make it look pretty. because it's such a big subject that the least I can do is make it entertaining.
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david-talks-sw · 1 month
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Am I giving my heart to The Acolyte? Absolutely not. I don't trust Headland any further than I can throw her, after the interviews I've read from her. But sometimes I feel the same way about Filoni and he's still produced shows that I've taken enjoyment from, there's a lot I loved about the Ahsoka show and I was wary about that one, too. Maybe The Acolyte will be a trainwreck, maybe it'll shit all over the Jedi, and if it does, we can all hit the bricks, gird our blacklist filters, and pretend it doesn't exist if we don't want to deal with it. But I'm also content with what I have already, I have Lucas' movies, I have TCW, I have OWK, I have a collection of comics and books that I've loved, and I have a prequels fandom around me that has been chugging along for 25 years now. Maybe I'll hate this show and it'll be a rough couple of months while it airs, but I'm not going to live or die by whether it's good, it's just Star Wars and it's not even from Lucas himself. Enjoy it or don't, both options are available to us, so I'll enjoy what I enjoy of it until I don't! And that trailer definitely left me in my feelings about how cool the Jedi are, so I'll always at least have that much!
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david-talks-sw · 2 months
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the reason is Jedi are cool, they wanted the Prequels to be about them, so they made it about them.
george lucas, remarkably unsubtley, over and over again: the fall of the republic was because of corporate interests interfering with politics and increased complacency with fascist ideas in the face of a manufactured war
everyone, for some reason: so the jedi were the REAL villains because they didn’t get married
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david-talks-sw · 2 months
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I was watching the Clone Wars featurette about the Holocron arc and Dave talks about the scene where Bane threatens to kill Ahsoka. He says "we're seeing a dark side of Anakin, and in a very clear illustration of why Jedi should not have attachments, we see that attachment get exploited." So clearly at what point in time he understood the whole attachment thing. What happened?
Unlike Karen Traviss, I think Dave Filoni actually understands what "attachment" means, in Star Wars. Apparently, it's the Star Wars theme that he and George spoke the most about.
"The biggest area of the Force and the Jedi [that] George and I have gotten into discussing the whole deal with attachments. And, arguably, that's what Anakin whole life is hinged on, is this - like you've mentioned - he has a lot of attachments to Artoo and how how right or wrong is that? Is it that the Jedi have made themselves dispassionate, that they are actually deceived by the Sith and they fall apart?" - Dave Filoni, Rebel Force Radio, 2012
What I've noticed is that, while understanding the meaning of attachment... Filoni doesn't seem to agree that the Jedi embody the concept of compassion.
He has acknowledged sometimes that "attachment is bad" is the theme of Anakin's story (but question if it's really so bad, unlike Lucas who says it's understandable but bad) but disagrees that the Prequel Jedi represent the obvious counter-theme, "compassion is good."
If you read what Filoni says, he argues that:
The Jedi have lost their way, taken the "rid yourself of attachment" rule and pushed it to an extreme where they've rid themselves of any empathy and thus compassion. They've focused so much on being selfless that they've forgotten how to love.
All except for Qui-Gon, who is the only one that truly knows how to love without getting attached, to love selflessly.
And personally, that strikes me as a coping headcanon, a way of reconciling the theme and feeling the Jedi like Mace, Ki-Adi, even Yoda and Obi-Wan are stoic, unlikable and too different from Luke.
Sure, they're not perfect, but nowhere in the films is the Jedi's stance on love framed as "bad" by the narrative. The narrative agrees with their philosophy, and George echoes it.
In fact, among 772 collected George Lucas quotes, I've never seen him state that theme while adding the asterisk that "of course, the Jedi of the Prequels have forgotten how to be compassionate, except for Qui-Gon who was the true Jedi."
And of course he doesn't do that. Because doesn't that muddy the waters so much?
Supposing Qui-Gon truly is the only character that embodies the concept of "compassion"... doesn't killing him off in the first film confuse a targeted audience of children?
Bearing in mind that the Prequels are about how greed makes people and institutions become the very thing they swear to destroy, and Star Wars as a whole is about being selfless instead of selfish:
In one corner, we have Anakin and the Senate showing what you're not supposed to do.
In the other, you got Padmé, Shmi and the Jedi, showing you what you should do instead.
Simple. I can see a kid getting this (and I did). But according to Filoni, that second point is incorrect. Instead, it's:
In the other, we have... Qui-Gon, who is one of the first film's four protagonists that dies at the end, without openly stating anything about the trilogy's theme. Theoretically, there's the Jedi who state and address the theme, but they don't themselves embody it so they don't count. So really... in this corner we have nobody (?)
That seems overly complex, a whole lotta hoops to jump through. Doesn't make sense. But hey, good luck learning the lesson, kids.
So yeah, Dave Filoni gets what attachment means. He just doesn't think it's as bad as Lucas' films frame it as, and disagrees on the Jedi narratively embodying the concept of compassion.
And I think it's coping. It's connecting non-existent dots, Always Sunny-style, to justify not liking characters that weren't meant to be developed much, due to their calm, collected nature and secondary/tertiary role in the story.
Coping and coming up with headcanons are what any irritated Star Wars fan does when they're confronted with something they're unable to make sense of.
“I care because I passionately believe that important stories ought to make sense.” As well you should—and when a story does not, you apply that passion to finding a way to make it make sense. [...] When a rational and inquisitive mind is confronted by the engaging yet irrational, it often responds in this manner. This process is not usually appreciated by those undergoing it; the most common reaction is a deep irritation. But isn’t that always how pearls are formed?” - Don DeBrandt, Star Wars on Trial, 2006
Unless they choose to make documentaries and click-baity YouTube video where they decide to spew hate and get angry pointlessly. Which I'd argue is still worse.
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david-talks-sw · 2 months
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"Anakin’s flaws, like all classic mythological heroes, are the flaws that everybody carries with them. He’s struggling with the issues that everybody struggles with and that allows him to be human. The issue that he’s confronting is that a good Jedi overcomes those flaws and kinda goes above the normal human tragedy that most people have to experience." - Attack of the Clones, “Story” Featurette, 2002
"Anakin wants to be a Jedi, but he cannot let go of the people he loves in order to move forward in his life. The Jedi believe that you don't hold on to things, that you let things pass through you, and that if you can control your greed, you can resolve conflict not only in yourself but in the world around you because you accept the natural course of things. Anakin's inability to follow this basic guideline is at the core of his turn to the dark side." - Sci-fi Online, 2005
"He started out as a very loving and compassionate person. And as he progressed, it was his inability to control his temper, his inability to let go of things, and his quest for power that were his undoing." - E! Behind the Scenes - ROTS, 2005
Lineart by ginovanta
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david-talks-sw · 3 months
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Okay so the trailer for The Ministry of Ungentelmanly Warfare just came out.
You may or may not know, that was the special forces unit that Sir Christopher Lee (Dooku, Dracula) was a part of.
It was a hushity-hush sort of thing, and Ian Fleming (Lee's cousin) used their operations as a basis for his own spy novel: James Bond.
So saying that...
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(note: Lee was prolly younger than this, during the war)
But this has got to be him, right?
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Are we gonna see an action movie biopic about Christopher Lee and the crazy shit he did in his youth??
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Follow-up: this actor, Hero Fiennes Tiffin (Ralph Fiennes son, plays young Voldemort in Harry Potter 6)... do you see him playing a young Dooku?
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david-talks-sw · 3 months
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"I blame Red Riding Hood's Mom!"
"Obi-Wan was a parent surrogate for Anakin, but was terrible at it. He tried to instruct Anakin in the austere, objective Jedi way, but didn’t notice that Anakin did not have a foundation of humanity on which a conscience and good decision-making are based. Obi-Wan looked on Anakin as a brother... but Anakin needed a father. And there was no father. [The Prequel Jedi] unprepared to deal with, to guide, someone who was deeply mired in that world." - Aaron Allston, Star Wars Insider #145, 2013
"Obi-Wan trains Anakin, at first, out of a promise he makes to Qui-Gon, not because he cares about him. [...] He's a brother to Anakin, eventually, but he's not a father figure. That's a failing for Anakin. He doesn't have the family that he needs." - Dave Filoni, Disney Gallery: Mandalorian, “Legacy” 2020
"Anakin— yeah he ultimately makes the choice to turn to the Dark Side… but he has not, like… all of the systemic support that someone should have - when they experience trauma at the ages that he has experienced trauma - like, he has none of that, there." - Mike Chen, Star Wars Explained, 2022
The above statements are provably inaccurate, but hey it's a take that can be had. Sure. There's always more that could've been done.
Thing is, Anakin's story is one about personal responsibility. Per George Lucas, the core message of Star Wars, as a whole, is about you - dear viewer aged 6 to 12 who are starting to think for themselves - learning to be more selfless than selfish, more compassionate than greedy.
Anakin's story shows what happens when you don't do that.
Blaming the Jedi Order/Obi-Wan for what happened to Anakin is the same as arguing:
"Red Riding Hood getting eaten by the Wolf is her Mom's fault! What was she thinking, sending a child out to wander alone?! Of course she got eaten by a Wolf, she a kid, she don't know better!"
You can argue that. You can argue that Red Riding Hood's Mom should've gone with her to see Grandma. But that's not the point of the story, the point is "kids, don't try to take the quick/easy path because it's usually dangerous, and don't talk to strangers."
And I've yet to meet someone who would unironically blame Red Riding Hood's Mom. Because it's obvious that doing so would miss the point entirely.
Yet we do have a big chunk of the fandom whose takeaway from the Prequels is that Anakin's fall is on the Jedi's shoulders, even though that also misses the point.
That only indicates, to me, that what it's really about is...
For one generation, coping with a dislike of the Prequels. Trying to make them make sense and coming up with a headcanon that makes them "good," and nuanced.
For the younger audiences (first the one the Prequels were meant for but now also the Disney-era one), it's just them reciting what they've seen in the movies... which have been recontextualized and retconned through media written by people coming from that previous generation listed in point 1.
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david-talks-sw · 3 months
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~all creatures great and small~ (amazing illustration by the awesome @david-talks-sw)
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“And just what exactly is it that you’ve been doing?”
Obi-Wan had to stop himself from giving his fellow Councillor—and friend—a rather pronounced eyeroll. 
“You tell me,” he said without taking his eyes off his clamoring little herd, feeling rather proud of himself. “What does it look like I’m doing?”
Mace came up to his side and crossed his arms, looking decidedly unimpressed. He looked at Obi-Wan, then at his rambunctious little friends and their merrymaking, then back at Obi-Wan again. 
“It looks like you have been avoiding meetings all morning.” 
Obi-Wan couldn’t help the small smirk that tugged at his mouth. He carefully put his hands in his large sleeves.
“Have I?” He knew he wouldn’t be able to stop laughing if he saw Mace’s no doubt exasperated face, so he kept carefully looking onward. “You should have called me.”
“You know I did,” Mace griped, valiantly ignoring the racket and still boring holes in the side of Obi-Wan’s face.
If it came to a contest of wills, Obi-Wan knew he’d be hard pressed to match Mace’s stubbornness. He turned to face him, and inevitably let out a huffed chuckle. Mace looked annoyed alright, but he could do nothing about the twinkle in his deep eyes. 
“You,” Mace insisted, no doubt trying to maintain what he probably hoped to be a convincingly stern demeanor, “have spent all day corrupting our next generation instead of going over mission reports.”
“Really, Mace—”
A yellow blur careening between the two of them nearly knocked them off their feet. A beige, more bipedal one rushed right after it, bumping into them both with equal speed if not equal force. 
“Sorry Masters!” the youngling yelled over her shoulder without stopping. 
Obi-Wan had to cough into his fist to keep from cackling.
“Obi-Wan.” Mace said.
“She apologized,” Obi-Wan pointed out with a brilliant smile.
“You still haven’t.”
“What for?”
Mace’s control finally cracked, and he thrust an accusing finger at Obi-Wan’s innocent face, ready to give into a rare display of unrestrained aggravation. Obi-Wan quickly batted it away and beat him to the punch.
“It’s a perfectly good way of teaching the younglings patience and control!”
Mace blinked at him, his mouth left hanging open, his finger still up and now pointing somewhere over to the right. He turned slowly, and surveyed the bustling courtyard in bemusement. The half-dozen or so pufferpigs that Obi-Wan had let loose there were being corralled by three times as many eager younglings, clone cadets and Padawans, and the animals all felt entitled to express the full range of their feelings on the matter in a loud and enthusiastic fashion. Little Mari Amithest was still running after the particularly rowdy creature that had mistaken Obi-Wan and Mace for Rodian bowling pins. 
Mace’s eyebrows climbed to previously undiscovered heights. 
“What part of this,” he gestured incredulously, “is controlled?”
“None of the pigs have puffed yet,” Obi-Wan explained seriously. 
Mace’s eyebrows were now on their way into orbit. A moment passed. Then, his expression of astonishment seamlessly melted into curiosity.
“They haven’t?” he asked, considering the whole bunch with renewed interest. 
“I told you, it’s a proven method,” Obi-Wan insisted, vindicated. He pointed to the far corner of the courtyard, where Katooni was showing some of the younger children how to feed a happy looking unpuffed puffer. “My Padawan has taught that one to do tricks.”
The squealing puffer was hopping from one foot to the other before avidly sweeping treats from the children’s outstretched hands. 
Mace was now looking suitably impressed. More careful study of Mari’s chase was making it apparent that the animal she was after was not distressed in any way, but was—rather mischievously—trying to run off with her sash clutched in its stout trunk. 
“You shouldn’t let emotions cloud your perception,” Obi-Wan reminded him in a serious voice.
“Hm,” Mace conceded magnanimously, impervious to the teasing.
The twinkle of carefully contained amusement that had been present in his eyes from the start had won over all other sentiments. A wet snort had the two Masters look down at the adventurous pufferpig that had made its way over to them. The amicable beast was fixing them with soulful blue eyes, candidly inoffensive. Its stubby tail was wagging quite politely. Mace distractedly bent down to pet the expectant critter on its broad, squishy face.
“It wants to smell your lightsaber,” Obi-Wan warned. “They like crystals.”
Mace straightened and put a hand on his hilt.
“The Mining Guild didn’t pick them up yesterday?” he inquired. “That was on the agenda.”
Obi-Wan shrugged.
“They tried, but for some reason all the identity chips turned out to be unreadable. There’s no way to prove who these fellows belong to.”
Mace gave him a flat look. 
“Hondo stole them from a Republic transport.”
“There’s all sorts of things on Republic transports,” Obi-Wan reasonably pointed out.
“The transport was chartered by the Mining Guild.”
“Hondo wiped the manifest during his hijacking. There’s just no way to know.”
“Your Padawan was there to escort the Mining Guild representatives.”
“Some mysteries can never hope to be solved.”
The pufferpig had taken to bonking its head against their legs affectionately. Mace, bowing to the undeniable strength of Obi-Wan’s ironclad argumentation, very seriously gave the tenacious quadruped another pat.
“They’re not staying,” he reminded Obi-Wan firmly. 
“Obviously not,” Obi-Wan raised an eyebrow. “The Temple would be a terrible environment for them.”
His friend narrowed his eyes suspiciously. 
“And you’re not making me spend my time finding them a place.”
“Honestly, Mace.” Obi-Wan gave the affable puffer a gentle shove, and it obediently trotted away to a nearby group of younglings and clone cadets who were already entertaining one of its siblings. Obi-Wan wiped his hands on his pants. “Naboo has very responsible educational farms.”
“Does it,” Mace said mildly. 
“Including a recently opened one in the Lake District.” 
Unashamedly petty enjoyment rang in the Force.
“Don’t come to me when Skywalker tries to send them back.”
“Who says I’ll pick up when he does?”
Obi-Wan loved Anakin, dearly. Still, he hadn’t yet quite forgiven his old Padawan for retiring—running away—before they could make him shoulder his share of the sacred responsibility of wrangling the Temple’s significantly increased youngling population. It was Luke and Leia’s birthday soon anyway. 
“You’re stooping to deviousness,” Mace said, carefully neutral.
Obi-Wan gave him a wry look. 
“Never. Revenge is not the Jedi way,” he said just as calmly. 
“It’s them you’re supposed to be teaching,” Mace said with a short nod towards the unruly bunch. “He’s had his turn.”
Speaking of teaching…
“Oh my,” Obi-Wan said smugly, pointing to a boy who had taken to carefully levitating a surprisingly compliant—if a little alarmed—pufferpig, “that wouldn’t happen to be Caleb, would it?”
His fellow Council member was now pinching the bridge of his nose, his other hand planted on his hip. 
“I must say, that young man is certainly very skilled at forming connections with animals. Depa must be very proud.”
“Just don’t,” Mace groaned. He whipped out his communicator. “He’s supposed to be meditating with Yoda right now.”
“That explains it,” Obi-Wan said. 
Master Yoda was slowly ambling into the courtyard, looking quite pleased with what he was seeing. He poked misbehaving younglings with his cane as he walked, chuckling to himself when they yelped and hastily reached with the Force to make sure the pufferpigs stayed relaxed. The pufferpigs themselves were only curious, and in a sufficiently playful mood that the younglings’ offended squeaking was not enough to agitate them. Caleb had set down his floating puffer with all possible speed—and great care—at the sight of the venerable elder, and made ample and readily accepted apologies to the perplexed animal in the form of scritches. 
Mace slowly put away his communicator. He pursed his lips. 
“Obi-Wan,” he said slowly, “next time, just have them practice making friends with the stray tookas.”
That’s how his master had done it, and Mace had never had any problems with connecting with animals, large and small. 
“Pufferpigs are much more even-tempered.”
It was all Mace could do not to facepalm. Giving up, he shot Obi-Wan one last dry look.
“Just do your damn paperwork.”
Obi-Wan watched him stride away, dignified and imposing. Of course, since he wasn’t exactly paying attention to his surroundings, with how focused he was on pretending he was above this whole situation, he didn’t notice Mari’s wayward puffer on a direct collision course with his legs. The poor creature, who hadn’t noticed Mace either, let out a terrified screech and promptly puffed. 
The entire courtyard froze, watching with fascination as the inflated pufferpig bounced twice and slowly rolled to a halt. It made a sorry little squeak.
Resignedly, Mace closed his eyes and set to work on gently calming down the pufferpig with the Force.
The children loudly cheered. 
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david-talks-sw · 3 months
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"Obi-Wan, why can't you just do your damn paperwork?"
Illustration of @smhalltheurlsaretaken's hilarious short story titled "All creatures, great and small" in which Obi-Wan releases puffer pigs into the courtyard so that the Jedi younglings can ride them, causing delicious chaos.
Thought this would be a fun thing to explore. Not sure how long after Episode III this happy ending AU takes place in, but I seem to remember mentioning of Luke and Leia being hellions somewhere and Anakin having retired and lives on Naboo, so I figured it'd be interesting to set it like 10 years later.
Color-wise, Obi-Wan's clothes reflect more Yoda's palette (as he grows older, his function in the lineage becomes more akin to Yoda's), whereas Mace has reverted to his palette in Episode I, as things were before the war.
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david-talks-sw · 3 months
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They retconned Dark Disciple.
Great.
Edit:
A word from Brad Rau.
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Still bummed we haven't seen Quinlan. Let them be together, you cowards.
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david-talks-sw · 3 months
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The greatest entrance in cinematic history would've been even greater if they had let Mace poke Dooku's shoulder like in a Scooby-Doo cartoon! As originally intended in the scripts and storyboards 😁
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Dooku: Oh.
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Dooku: Shit.
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Mace Windu - The Greatest Entrance in Cinematic History
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david-talks-sw · 4 months
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any new Star Wars essays in the making, or are you moving on?
I don't know, honestly.
Part of it is "life gets in the way," I'm working a lot and so whatever time I have left is spent just messing around or meeting with my loved ones.
I've got a bunch of stuff in my drafts. I don't mind sharing it here, most recent to oldest:
Sort of a joke post of me pointing out how stressful being George Lucas' producer must've been, like this guy really DIDN'T WANT to write his fucking scripts, did he? Poor Rick McCallum. Abandoned because who gives a crap.
'Ask' reply on how EU-fueled fandom perception of the Jedi was flipped by the prequels.
'Ask' reply about the themes in Ahsoka and why the show doesn't know what it's about. Problem is, I go about it starting from the basics, so nobody's gonna sit through reading a tematic breakdown of the first Pirates of the Carribean movie, The Batman and the original six Star Wars films before I even get to the show at hand.
"Part II" post about what Ahsoka, Rebels and TCW get right about lightsaber duels, which the Prequels never did.
Quote collection & analysis on just how complex the Prequels were meant to be (in the late 80s, Lucas intimated that the Sequels were the story that was supposed to have gray morality, not the Prequels)
Quote collection on how the themes and principles of Star Wars align with Lucas' own opinions and philosophies.
Quote collection on Lucas defining Anakin's flaws.
Quote collection on Lucas talking about the fact that we need to be more proactive, which aligns with what Lumi points out sometimes about the Jedi: they should've been more politically engaged because we all should be.
Why I approach Lucas as "word of god".
Personal life/joke-y post dating from the time of the WGA strike about how Jack Black's School of Rock lyrics "In his heart he knew, the artist must be true, but the legend of the rent was way past due!" applied to me. Abandoned because I didn't wanna bum everyone out.
Correcting the notion that Dark Times-era Jedi such as Kanan or Ezra or Ahsoka represent what Jedi were supposed to be.
A comprehensive end-all outlook on how Anakin's flaws all tie together. I've written this one twice and I don't know how to differentiate it from my other posts.
A secret "Part 3" to my TLJ Luke post, in which I point out that RJ's being too "indie", while being a strong point for a big chunk of the film, hampers the film's ability to make Luke feel as badass as he does on paper. I want to illustrate a storyboard for this one, but that takes time.
The evolution of Star Wars' approach to transmedia.
Debunking Star Wars myths: a (very) comprehensive outlook on children in the Jedi Order.
Problem is that only like 2/3rds of these are fully-written... and I still need to find the relevant clips, turn them into GIFs, etc etc.
There's many other interesting Asks in my inbox btw. But I'm already behind on all these, so I haven't begun to touch them.
Then there's the drawings.
I wanna draw a comic of the meeting between Yoda and Dooku in Dark Rendezvous. I wanna finish the comic fight between Maul and Ben. I wanna draw Mace, Shaak Ti, I've got a Luminara fan-art that was supposed to be ready for Jedi June 2022 and an Anakin drawing that looks weird. No time, nor am I skilled enough. (Like, I trace, that's what I do, it's not a secret I've said so before... but it takes me a long while to do so. I'm not fast at drawing, let alone coloring.) I could commission some of these, but there are obvious obstacles there.
There's fun tidbits I've discovered here and there but nobody will care about them and I usually try to not drown my blog with bs posts.
Then there's the bigger problem.
All the things I've listed above? I'm not 100% motivated to finish. But a lot of the new stuff I wanna write about is hella negative.
I had a lot of stuff I wanted to say about Ahsoka. But it wasn't all good. It was mostly me bitching, be it about the show or the fandom's reactions to it.
I've also got more stuff to say about Filoni's take on Star Wars, but I've talked about why it's inaccurate like 8 times already, and I don't actually dislike the guy, like there's plenty of things he knows and does that I think are awesome but also people won't stop putting him and his takes on a pedestal and--
oh shit, there's Acolyte too, I forgot about that, gray morality galore, here we come. But here too, like... I've talked a couple of times about why this entire gray morality thing is actually just the gen X-ers trying to make the prequels "cool" and "complex". but I've never explored properly, with quotes and research and shit. but i've talked about it so many times that at this point it'd end up like the Filoni rants, redundant. "we get it already." as if this show didn't have haters lined round the block for absolutely sexist reasons.
Don't get me started on the mountain of lies and/or idiocy that is the YouTuber Star Wars Theory.
And yet he said one thing a few months ago which struck a chord within me and it's the fact that Andor is awesome, excels on all levels because it's treated seriously, like a proper show, not a Disney Plus one... why wasn't Obi-Wan Kenobi? Why wasn't Book of Boba Fett? And I've already established multiple times that I enjoyed Kenobi (yes, including the Reva parts) and I've established that I know what they were going for in Fett and I've established that this is mainly a "Disney Plus didn't know how to structure a fucking show pre-WGA strike" issue more than anything else... but when I think about how these could've been treated instead? When I look at the characterizations and emotional stakes of like Fargo Season 5? It's infuriating. Because it's not bad (talking about Kenobi, BOBF is awful)... but it could've been EXCELLENT and instead it was just "okay" to "good".
I just miss live action lightsaber duels, man. Like, good ones.
and i dunno. maybe I should just let it rip on all this. "go off, king!"
but I think there's so much negativity re: Star Wars that adding my thoughts on these subjects, no matter how structured and reason, will just blend into a wave of needless, un-constructive hate.
maybe I should finish the writings in the drafts and just post them with no gifs, maybe just still images?
but doing any of that feels like a step back.
So that's where I'm at right now.
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david-talks-sw · 4 months
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david-talks-sw · 4 months
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"So like does it all take place in a hospital???"
- my sister when I was raving about the new Doctor Who content
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david-talks-sw · 5 months
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feast your eyes on @smhalltheurlsaretaken's greatness!
MASTERLIST
(posts that just got added are in bold)
(note: I hate to DRASTICALLY shorten this because of tumblr’s 100 inline links limit. I’ll address it soon and probably make a few other, shorter masterposts for the posts I like but had to exclude)
METAS
Anakin and the Council/the Order:
Yoda loves Anakin, actually
The Council and Anakin bantering
Anakin calling Council members by their first names
The Order’s opinion of Anakin as Ahsoka’s Master
Anakin never gets punished by the Council in canon
Obi-Wan:
How Obi-Wan expresses emotions
Obi-Wan and Kids
Why Maul tries to get Obi-Wan to Fall
Obi-Wan(2022) #3: War meets Faith
Obi-Wan (2022) #4: Apocalypse Now, Obi-Wan’s resilience
Obi-Wan’s speech to Grievous – the Clones vs the Droid Army
What Obi-Wan’s reaction to Maul’s death says about him
The ANH Manga’s delightful portrayal of Obi-Wan
Obi-Wan in the Citadel arc (and why he’s not being callous)
Trauma doesn’t make you Fall
Yoda:
The Jedi in Yoda’s vision of a world at peace
How the Council handles Yoda’s s6 visions
Thoughts on “Do or Do Not, There is No Try” (ask)
Yoda’s empathy in the Prequels
A very wholesome frog troll grandpa
Yoda (2022) #1-3: Bree’s hero-worship
Kanan and Yoda in the Rebels Manga
Dooku:
Dooku and Yoda in the Immortality arc
Dooku and Ventress
Tales of the Jedi: Dooku and masochism
Dooku and Christopher Lee’s insight into his villainous characters
Why Dooku’s political idealism is bullshit (and why whatever genuine ideals he still holds are pure delusion)
“Love Encouraged”
Nearly every instance of physical touch between a PT-era Jedi and another sentient being. (New installation of the series: The Kenobi Show)
The Jedi Order:
A tour of Jedi views on blood ties and traditional families in LucasFilm canon
Other faiths within the Order
Hebrew meaning of the surviving Jedi’s names+ ‘Adi’ and ‘Dan’
Would Jedi have their own language? (ask)
Does TCW portray the Jedi positively? (ask)
Are Jedi ever allowed to see their birth families again? (ask)
Was Anakin forbidden from contacting his mom? (ask)
At what age would Jedi be allowed to leave the Order? (ask)
Were Jedi allowed to leave the Order during the war? (ask)
Parents giving their kids to the Jedi is on them, not on the Jedi (ask)
Are ‘lineages’ canon?
Are the Jedi a “minority”? (ask)
Are “frivolous uses of the Force” prohibited? (ask)
What it means to be a Jedi (ask)
Could Jedi get married? (ask)
Why Kanan and Hera’s relationship isn’t against the rules
Are Qui-Gon and Luke Gray Jedi? (ask)
Different adoption scenarios
Flipping the ‘Jedi meeting their bio family’ trope
Appreciation posts:
Paintings
Jedi Temple (tag)
Jedi Music (ask)
Telekinesis
Mace’s attitude towards Boba
Mace Windu and his troops
Shatterpoint and Stover’s writing of Mace
Deleted AotC scene – How Mace and Obi-Wan discuss Anakin
How well the Jedi know the Clones
Protective 212th feels’ thread with @cacodaemonia
“Gramps” and permissive parenting
Into the West/Order 66 (fanvid)
In defense of the Jedi:
The Clone Wars and Shatterpoint thoroughly debunk every single aspect of the Children of the Force comic (or why calling the Jedi chield-thieves is beyond laughable) (ask)
The Siege of Mandalore diatribe
Why the Council couldn’t have prevented Order 66
10000 Jedi isn’t a lot
The Jedi aren’t corrupt – and slavery in the Galaxy isn’t their fault + Slavery in the Galaxy – Padmé and the Jedi
How Prosset Dibs’ opinions of the Council don’t hold up
“Jedi friendly” Council-bashing isn’t a thing
The flaws of the Order(ask) + Do you have criticisms of the Jedi Order? (ask)
The Jedi Code and Compassion (Ki-Adi-Mundi thread)
Mace Windu’s Compassion (ask)
The Plo Koon fandom double standard:
Dealing with Boba
Dealing with Anakin
The question of eugenics in SW (ask)
Are the Padawans child soldiers? (ask)
War crimes against robots aren’t a thing
Digging into canon:
What “Canon” means to me (ask)
‘The Box’ is Naboo
Anakin’s Terrifying Power Level (TCW s07x09)
The Dark Side and Shitty Hair
The ‘Baby Ludi’ Story (and why it doesn’t mean what it seems to mean)
What the CIS is all about (money. obviously money.)
Living Force, Cosmic Force, Unifying Force (canon vs legends vs fanon) (ask)
Attachment vs love (ask) + Are attachment and possession the same thing? (ask)
What the Jedi and the Clones actually were to each other (ask)
Clone culture - Fanon vs Legends vs Canon
Hondo’s introduction and why he’s far from an idiot)
Zeb and Kanan as genocide survivors
Why would Sidious tell Vader to ‘search his feelings’?(ask)​
The Great Darksaber Retcon (tag)
The Satine posts:
Satine’s attitude towards other Mandos
Why there’s no evidence for Satine suppressing Mandalorian heritage
Satine’s compromises and accommodations (ask)
Shmi’s agency:
Did she even want to leave Tatooine?
Cliegg and Shmi’s marriage
Mortis still makes sense regarding what “Balance” means
If any of the stuff I write interests you, check out @gffa, @jedi-order-apologist, @david-talks-sw, @ilummoss, @laciefuyu, @blackkatmagic and the many other great people we all reblog from. 
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