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#aka fuck homophobes
discoerysimum · 2 years
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I just saw a post about Roman graffiti so of course I did a deep dive and read as much as I could find. Most of the lines I could find were insults, sexual, or about shitting, but one really stood out to me:
V.1.26 (House of Caecilius Iucundus); 4091: Whoever loves, let him flourish. Let him perish who knows not love. Let him perish twice over whoever forbids love.
And yeah, I could wax poetic about how this made me tear up or about the nature of humanity but really I just love that last line so much. The sentiment of it stands true today, let him perish twice over whoever forbids love.
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aqgarts · 2 months
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Huh...
So um...
Marty O'Dipwhit-Dipshit is a homophobic POS...
Amazing...
Anyway, Micheal Salvatori, how's it feel to be the guy who created the one of the best OST's a lot of us have ever heard?
Context in tags, source in reblogs.
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are you telling me ted lasso actually gave isaac the skam france yann (tm) reaction to his bff coming out?????
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lucy-ghoul · 3 months
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anti r.eylo on my dash in the year of our lord 2024? god. get over yourselves this is ridiculous
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backlogbooks · 2 years
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on a personal level, no, reading “problematic” media wont like, change your moral compass
but i do feel like maybe! we could discuss uhhhh the history of racist fiction in america and the way it’s added to the overall self mythology of america and the way white people think about and interact with Black people to this day
rather than making 500 “haha people who think fiction affects reality are so stupid” posts
#i am getting so tired of ‘oh you think fiction affects reality?? i guess you kill people if you ever read about a murderer#no bitch i just have studied american history#i’ve studied gone with the wind and fucking birth of a nation#and yes there were other areas where those narrative of the civil war were being pushed (textbooks & confederate statues & etc.)#BUT LIKE. THERE ARE OTHER AREAS WHERE WHITE SUPREMACY IS BEING ADVANCED RIGHT NOW. AND ALSO FUCKING ALWAYS.#it drives me crazy because i feel like at first ‘problematic’ was used to refer to like#racist or homophobic or sexist depictions#and now it’s been reduced to ‘oh poor baby doesnt know not to murder people unless the author says it’s bad’ like bro shut up#even aside from the historical examples#think about all the cop shows that have completely altered most people’s idea of the police away from what the actual job is#making them into action heroes (and demonizing the internal review people like. what)#increasing the perception of danger and decreasing the respect for ‘going by the book’ aka obeying rhe fucking law and respecting people’s#constitutional rights#i know i should know better than to hope for nuance on this app#but i swear the next self righteous ‘people who think fiction affects reality are so stupid’ post is getting blocked#it’s not about your personal media consumption it’s about the stories we as a society tell ourselves and each other repeatedly!#and even if you personally aren’t susceptible to those messages you should be aware of when you’re supporting them#mary emma talks
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sapphicdessi · 6 months
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Are the bisexual women in that video calling gay/lesbian people queer?
i'm more concerned they're saying "bi lesbians" are real and telling every lesbian who says to stop that "sexuality is fluid" and that lesbians can like men. they have larped and support larpers. acting like lesbian is someone who hates men but is attracted to them is fucking absurd. shit take after another. it's basically a homophobic lesbian shit talking sesh where they speak over an for lesbians and act like incels too
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dirt-mccracken · 1 year
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Anyway a long story very short is that I have realized I cannot, even in the privacy of my own home, comfortably perform my gender in a way that aligns with how I experience. It's just literally a non-option and it is so fucking weird feeling closeted in my private life. I can't do this again. Not for long.
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minhoinator · 1 year
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i'm getting anxious asldkjfa
#okay so idk if i've talked about my current situation much#lived in one place for seven years; despised it but didn't have the funds to move#my living situation went to shit and i saw no feasible way out aside from taking my aunt up on her offer of moving in#with her and my grandma indefinitely (aka until i could find a new job and afford to move out again)#did this so i could focus on finishing my school work and also move to this side of the state because fuck eastern WA tbh#but....now that i'm here......#like it's nice living rent free atm especially considering there is no cashflow#however.............................#they're both extremely conservative; which is a choice but okay; religious; and homophobic (and frequently make homophobic comments)#also they have three chihuahuas of varying levels of derangement so i'm just having the time of my life here#first of all they all poop and pee in the house at wild abandon. the number of times i've stepped in it at this point is...too many#rat dog number 1: has the most annoying bark/whine combo i've ever heard and she starts the other rats on a chain reaction#rat dog number 2: actively eats the other dog's shit and like they do occasionally clean up after their dogs but???#they also just leave paper towels covering the mess until they want to take the time to actually clean it up#rat dog number 3: is a special case. i feel sorta bad bitching about him because he was abused and raised in a meth home so like...#he's special needs but that doesn't mean he can't also be annoying#he makes a lot of the messes and also he will run around in tight circles barking for up to 15 minutes at a time#also all three of them have fleas AND GAVE THEM TO MY DOG but they won't do much of anything about it so anything i try to do for Frodo#is basically pointless#and this isn't even getting into the cooking...my aunt has like idk 40+ ingredients she's allergic to and my grandma#can't eat a lot of foods and they expect me to cook for them because i went to culinary school once upon a time#i'm tired#on top of all this; they live out in the boonies; which wouldn't be that bad of a thing because i like being up in the mountains/forest#however#I don't want to be trapped here during the winter with them because i think i would lose my grip on the fraying threads of my sanity#so i was looking for a job in town#applied to a bunch of places; got one in Portland; which is a little over an hour drive away from me atm#now; i've always wanted to live in OR; so i'm jumping on this opportunity to move#but since it's a new job; i don't have the pay stubs to apply for an apartment#and rent is so fucking high right now
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all characters i like are QUEER. why? because i fucking said so.
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leocean-reblog · 2 years
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Twitter is hell omg (especially the FR community) never posting on that shit ever again.
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wordsinhaled · 8 months
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frankly i am SO tired of how fandom keeps trying to “gotcha” neil gaiman into dropping a homophobic/acephobic/queerphobic take when he is not any of those things and clearly created these characters to transcend that kind of quibbling (aka in the truest sense of queerness which is an abolishing of all restrictive bullshit). on top of that i can’t even count how often he has told people on like a million separate occasions to have some nuance and that fandom has carte blanche to see themselves canonically represented in his characters. it must be fucking exhausting to log onto this platform every day (when he could be literally anywhere else doing anything else) and to constantly be met with highly leading questions when he’s been writing canon queerness since before some of these keyboard warriors were even born. it’s exhausting as a FAN to see someone who clearly acts with genuine love, compassion, and seemingly limitless patience for the community in mind in his every interaction be dragged through the mud on the daily. it’s as though people can’t wrap their mind around the fact that he has been acting in allyship for literal decades. there were background trans and nonbinary characters in the show. david tennant has a nonbinary kid and wears a nonbinary flag pin literally everywhere he goes. michael sheen almost pursued a career in drag. these are not enemies to our community? these are our allies and people keep insisting on the daily on willfully reading bigotry into their actions. the fact of the matter is crowley and aziraphale can fuck nasty in your fanfiction or they can never touch each other in their entire immortal lives and neil gaiman will be out picketing for your inalienable right to freely represent both as well as anything else along that spectrum, while y’all line up to leave inane accusatory shit in his ask box. he’s a veteran of fielding hate mail from fundie groups that threatened the very existence of the type of representation you accuse him of not offering and staunchly stood by continuing to include it. it would be nice if that hate mail didn’t come from the group he’s actively catering to. ffs, it’s EMBARRASSING.
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eddiezpaghetti · 3 months
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It has come to my attention that SOME OF YOU who read my last Byler post remain UNCONVINCED. So I'm gonna tack onto it this:
I'm older than fucking God and air, and I've been out and proud since 2007. Yes, I know what homophobia is, and yes, I know what queerbaiting is. I know about Supernatural and Teen Wolf and Sherlock and blahdyblahdyblah. No new ground is being covered here. I thought I made that clear in the original post, but, clearly, I did not.
I am aware of queerbaiting and homophobia, and I'm still wholeheartedly certain in Byler being canon anyway.
Okay, so there are three types of relationship I want to discuss when it comes to queerbaiting. They're all, like, "queer relationships that could have happened, but didn't".
First off, queer-coding. This isn't really a thing so much anymore, but it still crops up every once in a while. I'd argue it probably happens most with male-male relationships in family shows these days. First example that comes to mind is Mr. Smiley and Mr. Frowny from Steven Universe. You can't make a relationship canon because some shitty overhead bastard overhead said no, so you get as close as you can without compromising the show. Can't make someone gay? Well, now their comedy routine is a blatant allegory for a romantic relationship. Boom-shaka-laka. This is something I don't see being a problem with regards to Stranger Things, but I want it to be there as contrast, a demonstration of one of many things queerbaiting is not. However, one could argue that, thus far, Will Byers is, canonically, queer-coded. It's pretty fucking heavily implied in the show, and the creators have confirmed it, and you're gonna be able to see it if you're not FUCKING BLIND, but word of god is not technically canon which means that interviews don't technically make something canon, blahdyblahdyblahdyblah, technicalities, Robin has been explicitly stated in the text to be queer while Will has, thus far, not, outside of good ol' Show-Don't-Tell. Of course, anyone with two brain cells to rub together can tell that that's going to change by the end of Season 5, but, hey, for what it's worth, I'm throwing this out there.
Alrighty, Thingamajingama Number Two: "Oops, I accidentally made the greatest love story known to man." AKA, a genuine, honest-to-goodness mistake. Unfortunately, we do live in a heteronormative society. Sometimes people who don't think about being gay much write a friendship that's incredibly compelling and don't even consider the possibility that it could have been read as romantic. Something something Top Gun something. This is, again, not queerbaiting. This is Steddie, this is Ronance, this is Elmax, this is your favorite flavor of non-canon ship this week, this is not Byler. The creators know DAMN well what they're doing. They've talked about it. We know this. Nothing new here.
Which brings us to the topic of discussion here. Actual queerbaiting. This usually starts out as an "accidental greatest love story", and then reacts to fan response. And when I say "reacts", I mean like a goddamn chemical reaction. Like bleach and ammonia, bitch. It's noxious and it's gonna kick your fucking ass without mercy. This is when a creator is like, "Hey, let's get our queer audience invested, but we're not actually going to give them what they want because our straight audience isn't here for that/we personally think it's gross/we don't give enough of a shit to want to research a goddamn thing to write a real gay character," blah blah blah whatever excuse they want to come up with this time.
And when you think "queerbaiting", I want you to think "bullying". Because that's what it is. It's lucrative bullying, like beating us up and taking our lunch money, but it's bullying all the same. And it's a real goddamn thing, even if people misuse the word a lot, often when they mean one of the two above, sometimes when they mean "bury your gays", which is another homophobic thing entirely that I'm not going to get into here. Queerbaiting is the thing we're focused on, and it's real, and it's bullying. And here's the reason I want you to think of it as bullying:
They
Think
It's
Funny.
They are actively making fun of us.
That's why Dean had the "Cas, get out of my ass," line in Supernatural. It's why the "Do you like boys?" line happened in Teen Wolf. It's why "Lie with me, Watson," happened in the RDJ Sherlock Holmes movies. Because "It's just a joke, mate." "It was just a prank, bro." "You didn't really think it would happen, did you?" "You should see your face."
So here's probably the biggest reason I don't think it's specifically queerbaiting in this specific instance of Will Byers and Mike Wheeler.
Stranger Things has never, not once, made a gay joke. Ever.
Every single time queerness comes up, it's dead serious.
Lonnie calls Will a fag, and the show is not at all reluctant to show what a goddamn horrible person he is. And when Hopper latches onto that, it's not as "Hahah, is he gay, though?" It's because he's trying to determine a potential motive for Will's disappearance, and even if someone had interpreted it as a joke, Joyce immediately has a line that functions as snapping her fingers in front of the audience's face and yelling "FOCUS" when she says "He's MISSING." Basically outright saying "This isn't funny!"
Troy calls him a fairy, along with targeting Lucas and Dustin for their skin color and disability respectively, and Mike gets damn near murderous. Troy is portrayed as a goddamn monster and the show portrays it as justice when El makes him piss his pants and later breaks his arm.
Steve calls Jonathan "queer" as a slur and gets the shit beat out of him for it.
Billy's father is revealed to be homophobic and abusive in the same breath.
Mike says "It's not my fault you don't like girls!" and we're shown how devastated Will is and Mike immediately follows him to beg for forgiveness.
There is a joke in Robin's coming-out scene, but it's not at Robin's expense. It's at Steve's. Specifically for being heteronormative.
Jonathan has multiple scenes where he's trying so hard to tell Will that he's always going to love him as he is, whether he's gay or not, without pressuring him to come out before he's ready.
Even when there's a little bit of ribbing at Robin's expense, it's always because she's an awkward nerd who's nervous around pretty girls, just the same as Lucas and Dustin are teased when they both first develop crushes on Max, and even then, even then, it always comes as a package deal where they make fun of Steve's girl problems at the same time.
Stranger Things is an emphatically pro-gay show. It may not be the core point of the show the way it is in, say, Our Flag Means Death, but there is nothing less than respect for its queer characters. Its queer characters are always taken completely seriously. No one is making fun of us. They never have. That's why I have serious doubts that this is queerbaiting. It would come completely out of left field for the bullying to start in Stranger Things' final season.
So it's not at all likely to be queerbaiting because queerness is taken completely seriously. The creators have talked about Will's queerness, at least, so it's not an accident. And queer-coding would be silly to expect from this show when it's already on its final season. Like, what is Netflix gonna do? Cancel it? Not to mention all the explicit queerness that's in there already. And no one's gonna "What about the children?" a show that's had sex scenes in it since the first season.
There's no fakeout here. It's gonna happen. Breathe.
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spacelazarwolf · 8 months
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"honestly this all goes down to gender essentialism & people thinking "women = pure perfect beautiful saintly incapable of wrongdoing" aka that divine feminine tradwife shit. that's why they think it's appropriate to say that homophobic shit to you, they've steeped it in "progressive" language"
I'M SORRY WHAT 😭 the whole "wOmEn = PuRe PeRfEcT whatever the fuck" only really exists in TERF circles and nowhere else. in some countries men genuinely believe all women are whores who have to prove themselves holy. i can assure you 90% of the world does not think that way.
1. idk if u are aware of this but sometimes we talk abt things that are specific to certain communities and it doesn’t apply to the entire world.
2. there absolutely is a concept outside of te/rf circles of women being pure and good and men being oversexual beasts who need to constantly make sure they’re not corrupting women. ex evangelical men can tell you that. even in progressive trans circles there is absolutely gender essentialism.
3.
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absolutebl · 6 months
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Okay, FINE, the shows you should watch for BL's QUEER AF roots
You ready to go hunting?
Many of these are difficult to find. Also many of the images of them and their posters have been block/banned by tumblr, so, no screen grabs for you! (Good times.)
I don't necessarily *like* any of these, but if you are queer and in this fandom and need to dialogue around BL's queerness - these are going to provide a foundation for you. They are important for various industry, reputation, directorial, and cultural reasons. As seeds often are.
Trigger warnings throughout.
The true beginnings:
Boys Love, Japan's 2006 movie is a REALLY rough start featuring a journalist + hot model = murder gay, mild necrophilia, cheating, abuse, rape, and suicide for love. Start as you mean to go on, why don't you, Japan? Is it queer... maybe? Is it BL... honey, I am very sorry to inform you, this started BL.
Note: Yoshikazu Kotani is famous in og BL circles since he acted in 3 early BLs, both Boys Loves and then Same Difference. Also he v tall and hawt.
Eternal Summer, Taiwan 2006 - unlike Japan, Taiwan did NOT start how it would, eventually, go on. But what a messy way to start. A high school story of 3 besties in a love triangle, self discovery, and sexual awakening that fucks it all up.
No Regret, Korea 2006, is a very unhinged queer catastrophe piece about a lost gay man who ends up a host and then almost a murderer because of both his job and his identity.
Note: This is the directorial feature film debut of Lee-Song Hee-il Korea's (so far as I know) first openly gay director who specialized (to this day) in queer content.
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The Love of Siam, Thailand 2007, this was Thailand's queer awakening, sure they would backpedal for YEARS after, but in 2022 they began to remember what this movie was (and did) and overtly referenced this quiet little masterpiece. This movie is sad but stunning in that way that the best queer works from Thailand can be (like Present Perfect or ITSAY.) It has Thailand's quintessential softness around theme and character, which you'll understand perfectly when highlighted against the backdrop of the early 2000s works from Japan, Korea, and Taiwan. Thailand will never lose this soft style and it's one of the most attractive qualities of Thai BL: it's never very harsh with us or its characters. This movie very easily COULD have been quite harsh indeed.
I thought long and hard about including Rice Rhapsody AKA Hainan Chicken Rice (Hainan ji fan) on this list and finally decided it doesn't really qualify. Still let me mention Hong Kong's 2005 movie. It is amazing, fascinating, and very rough going for an ostensible comedy. It wasn't the actual beginning because few saw it and Hong Kong never really picked up or ran with BL let alone QL, but it was hella queer. It's also hella homophobic.
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Just Friends? (2009 Korea) - this is Korea's first (kinda) upbeat version of a BL featuring already established boyfriends, one of whom is on military leave, trying to decide on coming out, family life, and the future. All of these are themes Korea will pretty much never tackle again, retreating as they would to their bubble. But what a fun little offering this little show was and is to this day. You should watch it.
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Like Love 1 AKA I Love You As A Man: Part 1 - China's 2014 offering is actually pretty classic early form live action yaoi with things like whipping boy, a university setting, rich/poor jock/nerd pairing, hard grumpy/sunshine and a very odd title. It's pre-censorship with an HEA, also explicit, yeah China once did that. This is a lot less queer that it is classic BL and classic Chinese romance, neither of which have any kind of connection to reality. But hey, that's what I'm here for. But it's important to note the drifting away from queerness beginning to occur.
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Love Sick - Thailand's 2014 "boys in blues shorts" high school set soapy (in all ways) offering is widely considered the true beginning of Thai BL and by default, eventually, BL as we know it today. (As the biggest producer they somewhat dictate taste and trends in the genre.) This is one of those BLs that owes almost nothing to yaoi, although it started a number of tropes that are now endemic to Thai BL. What it is, instead, is a well scripted story of bisexual self-discovery and the inherent chaos of loving someone of the same gender for the first time, all wrapped up in hormones, existing relationships, and communication issues. It is high school queer angst at its messiest. Nothing is going to be easy for these boys because queer isn’t easy but also because life isn’t easy… welcome to adulthood sweethearts. Is is overtly queer? For 2014 Thailand? Sure is.
Love Next Door 2 a movie from 2014 and one of Thailand’s early very high heat pieces, it’s odd, but sexy I guess? Some unexpectedly decent queer rep including femme characters getting screen time + HEAs. (Part one from 2013 has the same high heat content and features the same lead character (and actor) discovering he is gay with the sex worker next door, but isn't as good nor is it relevant to this installment.)
A few other unknowns, for the queer babies
Wait For Me at Udagawachou AKA Udagawachou de Matteteyo - from Japan in 2015, this is a story about two boys in high school one of whom is a repressed outsider and the other who has a terrible secret (body dysmorphia & cross dressing). When the first boy discovers what's up with the second one, his reaction is very much fetishization. "Oh Japan must you?" kinda started for me with this show. But in this case, Japan, weirdly MUST. This is the ONLY show laboring under (and testing) a pointedly straight lens (or is it?) and identity examination (yes but which boys' identity? that's the question) that I've EVER seen even edge into the BL genre. It is crazy queer, even as it mostly focuses on the fetishization of identity from an outsider's perspective. I WISH more people in fandom would watch it so I could at least talk to someone about it.
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The Lover (BL Cut) Korea's 2015 series had multiple couples in an apartment complex, one pair of whom is a BL romance between a Korean man and a visiting Japanese tourist (played by a Kpop idol). It's comedic, slapstick sexy only (no kissing), but basically starts up Korea's bubble and use of idols in BL. It's kinda fascinating to watch them dodge around and still represent gayness in what (is sadly destined to become) a very Chinese way, but which Korea in pursuit of Hallyu and market share would morph into the bubble.
Mr. X and I from China in 2015 is a compilation piece and, I think, the first of this kind of multiple narrative shorter grab bags AKA "Sampler Pack BL." Two of the stories are very queerly sad, but the third is CLASSIC BL of the kind that would become China's best (and last) true BL, Addicted.
Sweet Boy, (Thai 2016) Chimon's first gay role and it is quite sad, oddly sexy, and similar to Dew the movie or My Bromance (just so you know what you are in for) but the acting is on point. When Thailand goes dark, this is how they do it, but this is rough going for baby queers because that's the darkness it is exploring. Our old thematic friends: the pain of self discovery and coming out into a homophobic environment and unfriendly reality, and the cost of being the one able (and willing) to stay in the closet.
Method (Korea 2017) this movie is a May/December actor/idol pairing, that should have been everything I wanted in life but is more about the older character cheating on his wife and their weird “artsy” relationship and frankly, I hated it. And I don’t say that lightly. Is it queer? Who tf knows, but is sure has some interesting things to say about the nature of PERFORMATIVE queerness.
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Red Balloon is Taiwan's 2017 precursor BL to their biggest and most famous prestige piece Your Name Engraved Herein. If you're making a choice, choose that instead, but this series certainly paved the way for it to come into existence. Both shows tackle the pressures of culture and social structures on self acceptance and identity and the loneliness inevitably caused by conflict between the two.
(As indeed does Life Love On The Line, Present Perfect, Grey Rainbow, Tropical Night, My Sky, and many other queer meets early BL pieces that revolved around coming out and family acceptance.)
China's 3 2017 "they tried to censor the gay... and it went HORRIBLY wrong":
Beloved Enemy,
The Fairy Fox,
Mr. CEO is Falling in Love with Him.
Honestly these 3 are basically the uncanny valley of BLs.
The Novelist AKA The Pornographer series (2018-2020). Messy psychological machinations, gaslighting, fetishization, sexual corruption, and more good times from "well, what did you expect?" Japan, but also no holds barred queer, just well and truly fucked in the head (and arse) about it.
The Cornered Mouse Dreams of Cheese AKA Kyuso wa Chizu no Yume wo Miru (Japan 2020) - Drama llama queers so queer and so dramatic it's like Japan is trying to PROVE something: obsession, cheating, break-up, reunion, then break up again, all of it explicit. This show is just SO JAPANESE. I can't even, but you should watch it and you'll know exactly what I mean. Something like My Personal Weatherman owes it's lineage to this kind of BL. If you like Japan naked, boney, emo, and smoking (hot & ciggy) you will love this, and should watch it. It's objectively amazing, I can't stand it, but I NEED people to talk about it more.
More Queer Stuff about BL from moi
BL Linguistics & Queer Identity - I Am Gay versus I Like Men 
Will BL Get More Honestly Queer? 
Actually gay, not BL gay - the idea of “by queers, for queers, about queers,” the BL bubble, sanitized gay, and a queer lens
Queer lens (from the director) and chemistry (from the actors) in BL (A Tale of Thousand Stars)
Touch & Daisy in Secret Crush On You - Queer Coded Language and 3rd Gender Identity
BL in Taiwan & Gay Marriage
Debating Queerbaiting in BL ( + Devil Judge… is it queerbaiting?) 
BL Actors and the Assumption of Queerness - outing actors, coming out, being out, more:  Is that BL actor actually queer?
So is it really fetishization? straight women loving bl 
Some BL fans are sasaengs, and it’s a problem in this fandom 
BLs That Highlight How Society Treats Queers
10 BLs That Are Honest to a Queer Experience 
If you like these kinds of shows try the "Moody Arthouse Smackdoodle" section of this post too.
Happy watching!
(source)
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wen-kexing-apologist · 8 months
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Taking Pause for Reflection- Part 1: Respectable Promiscuity and Only Friends
Well we are three marvelous episodes into Only Friends, and are already seeing the ways in which the narrative is making preparations to sow chaos in every single character’s life. By this point we have seen numerous examples of Boston fucking with Mew’s relationship, watched Top hook up with Boston, took note of Ray’s reliance on alcohol, his drinking and driving, and how he abandons his games with Sand the second he can play hero for Mew, and we’ve already unlocked Nick’s #hotgirlespionage era. In short, we are getting complex, messy, shitty, realistic, and three dimensional queer people on our screens.
As we all continue on our Only Friends journey, I think it is vitally important to look at the research that has been done on the subject of representations of queer people, and understand recurring themes in engagement with queer communities that I have personally seen being repeated in the reactions some people are having to the queer characters in Only Friends. 
Disclaimer: I am a Westerner, writing this from a Western gay lens, with Western sources, and primarily targeting the Western BL audience with this essay. That said, I would love to hear other people’s, non Westerners especially, thoughts on the themes I will be discussing here.
Anyway…
On the Subject of the Acceptable Queer and Respectable Promiscuity 
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To make sure anyone who reads this is on the same page, I just want to define the term respectable promiscuity 
Respectable: Decent or correct in behavior or character (Miriam-Webster)
Promiscuity: having or involving multiple sex partners: not restricted to one or few sex partners (Miriam-Webster)
Respectable Promiscuity as defined by Jody Ahlm, “captures the negotiations individuals engage in as they enact stigmatized sexual practices, manage sexual reputations, and give meaning to their sexual practices within a specific sociopolitical context.” (2017)
Or in my understanding, how people cope with and justify the sex they have that society may see as morally wrong. Because so much of our world has been captured by this idea that sex, especially non-monogamous sex, sex outside of wedlock, or queer sex is inherently wrong or sinful, it is far more likely that queer people will be accepted by society if they are at the very least perceived to be engaging in respectable sex (aka monogamous, moderated, and more vanilla sexual practices). 
…According to this [sexual value system], sex that is ‘good’,’normal’, and ‘natural’ should ideally be heterosexual, marital, monogamous, reproductive, and non-commercial. It should be coupled, relational, within the same generation, and occur at home. It should not involve pornography, fetish objects, sex toys of any sort, or roles other than male and female. Any sex that violates these rules is ‘bad’, ‘abnormal’, or ‘unnatural’. Bad sex may be homosexual, unmarried, promiscuous, non-procreative, or commercial. It may be masturbatory or take place at orgies, may be casual, may cross generational lines, and may take place in ‘public’, or at least in the bushes or the baths. It may involve the use of pornography, fetish objects, sex toys, or unusual roles. (Rubin, 1984)
Late last week I posted a whole essay on cruising culture in the queer community, and the possibility that Boston is a physical manifestation of historical queer cultural practices (a theme that I see continuing in Ep 3 simply with the kind of car that he drives). As part of that I talked about how the combination of the AIDS epidemic and the creation of mobile apps like Grindr have greatly contributed to the reduction in cruising culture, something similar can be said of the creation of respectable promiscuity: “The stigma of promiscuity in gay male culture has roots in the respectability politics of internal responses to AIDS, as well as homophobic responses from outside the community, and continues to haunt discourses of gay male sexuality.” (Ahlm, 2017)
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I think a lot about media and media influence on personal beliefs and perceptions, after all media is political. There is a reason that when I think about and talk about media, I am in some capacity thinking about who the audience is and who a film was made for. How many queer films were truly made for queer people? I mean, seriously, think about how many movies and television shows over the past few decades that either were about or included queer people ended in tragedy. Those films aren’t meant for us, they are meant to show heterosexual people the struggles of being queer. We are meant to be shown suffering so that heterosexual people may, hopefully, learn to have some sympathy for queer people. Brokeback Mountain, for example, wasn’t made for queer people, if it was the promotional material would not have straight-baited the audience, if it was we would not have had to watch Jack Twist get beaten to death for being a faggot. 
Historical queer activism was fighting for far far more than just marriage equality, but over time marriage equality has become the most popularized and pervasive queer civil rights fight. Now the repeated theme we hear over and over again, a message that a lot of the BLs and QLs are pushing, is marriage equality. We see it in Not Me, Moonlight Chicken, Cutie Pie, The Wedding Planner, Love in the Air, GAP, etc. etc. as a result, if we see sex in a show, we see generally pure, and if not pure certainly monogamous sex in most BLs. While a production company like GMMTV may have some of their talent switch gay pairings (looking at you Mark Pakin, Fluke Pusit, and pre-Khao era First) once they find a pairing that is popular and profitable to them, they rarely split them up across their other shows but especially not within the same show. Truly, we have seen the main pairs mix and matching in shows how many times? Two? Three? Off the top of my head I can only think of…
Earth with Papang and Mix with First in Moonlight Chicken 
*gestures vaguely at all of Only Friends*
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All of this to say: 
In the past two decades, marriage equality has been pushed to the front of LGBT organizing and with it the imperative of appearing ‘‘just like them(heterosexuals),’’ through sexual moderation, monogamy and the disavowal of deviant sexual subcultures. This assimilationist discourse is the foundation of homonormativity and the current politics of respectability in LGBT communities…‘‘Homonormativity’’ is a term Lisa Duggan (2003) uses to describe the assimilationist politics of the contemporary gay and lesbian movement that emphasizes individualism and sexual restraint. (Ahlm, 2017)
Which is a long-winded way of saying that in pushing for traditionally heterosexual practices, and general societal acceptance, representations of queer people have had to be pared down to seem less sexually liberated than our community may actually be (and just look at the way the aspects of queer culture like drag and like…just existing as a trans person are being increasingly associated with sex, sexual deviancy, and then warped in to pedophilia and sex crime narratives in order to turn society at large against us to make it easier to discriminate and eliminate us). 
I am not sure how marriage equality was argued in other countries, but I do know that Obergefell v. Hodges, which granted marriage equality in the United States, was argued on the basis of privacy (and is also why people are fucking terrified at the reversal of Roe v. Wade, because that was also successfully won initially on the argument of privacy and was used as a precedent to win future cases like Obergefell). Which means that in arguing for gay marriage to be legally recognized, in order to get the rights that are afforded to us through marriage, we had to shift queer culture in to the spaces and definitions of privacy, rather than the public spaces that were foundational to historical queer culture. 
As the Lawrence ruling and the LGBT movement’s focus on marriage equality suggest, mainstream acceptance of gays and lesbians has thus far hinged on the sanctity of domestic privacy and the legitimacy of monogamous relationships. The success of this political strategy has brought about a dramatic shift in public opinion and legal recognition for same-sex couples in the USA, culminating in the Obergefell v. Hodges (2015) Supreme Court decision that extended marriage rights to same-sex couples throughout the country. This acceptance, though, is conditioned on creating a public image of group maturation where being gay is no longer associated with a sexual culture of promiscuity, bathhouses, outdoor cruising areas, and porn theatres. Language of sexual autonomy or sexual freedom has been replaced with the conventional wisdom that ‘‘what you do in the privacy of your own home is your business.’’(Ahlm, 2017)
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TL;DR: Homophobia and the AIDS epidemic contributed to a decrease in historical queer cultural practices of public and semi-public, non-monogamous sex practices and the push for rights like marriage equality further contributed to the queer community being pushed towards privacy about their sex lives, resulting in representation of queer culture shifting to the image of the monogamous, sexually moderated, non-kinky homosexual. 
Homonormativity, like heteronormativity, privileges whiteness. Homonormativity produces a systemic policing of sexuality and gender, in part through a politics of representation that erases queers of color, poor and working-class queers, and gender non-conforming queers. Guided by an ‘‘ethics of sexual shame’’ (Warner, 2000) the contemporary LGBT movement distances itself from sexual deviants, and more generally from sex itself (Duggan, 2003; Robinson, 2005; Rubin, 1993). (Ahlm, 2017)
A huge part of what got me hooked on Asian BL was seeing representations of queer people that were not just white men with power. Getting to watch two people navigate the political nature of their queerness in conjunction with their socioeconomic status, seeing just the most casual inclusion of trans women (something that like never happens in Western media). Part of what got me so obsessed with KinnPorsche as my first Thai BL was the existence of Yok, who has 0% of a plot about being trans and 100% of a plot around being a surrogate mother to Porsche and just a generally massive party girl. A reason why I like shows like Bed Friend and The Warp Effect so much is because they actually include kink in their shows. (Even though  Bed Friend only really does it once with the pet play in Ep. 6 still with monogamous sex, and Jojo can only get away with heavy kink focus in TWE through a heterosexual couple.)
Finding BL gave me ways to see a lot of different flavors of queers, different dynamics between queers, while still being made to cater primarily towards heterosexual audiences. How many queer romances exist in the West? Big Eden (my beloved), two Christmas movies and the butchered corpse of Red, White, and Royal Blue? [do not come for me here, I know there are more, I have a whole syllabus from @bengiyo that has more than that on it, my point is mostly looking at how popular and increasingly, rapidly abundant and easily accessible gay romance is in BLs compared to how popular abundant gay romance is the West]. I loved Gay OK Bangkok because it gave accurate and honest depictions of three-dimensional queer characters, not two-dimensional, spoon-fed perfect gay men. I loved The Eclipse because it gave me extremely morally gray, queer characters. I loved 3 Will Be Free for both the representations of polyamory, and also for the humanity that Jojo allowed Mae to have. 
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TL;DR Current LGBTQ+ political movements have started shifting away from highlighting sexual liberation as an aspect of queer culture, in order to make ourselves more palatable to the overarching heterosexual society. This bleeds through in to the kinds of media that exist, the types of queer people portrayed within that media, as well as how often gay sex is shown, the type of gay sex shown, and the number of gay sex partners depicted. (Read: generally infrequently, generally vanilla, generally one). 
How Respectable Promiscuity Ties in to Only Friends
IT DOESN’T! Jojo, Ninew, Den, and the rest of the team are not interested in creating a story that takes audience perceptions of respectable promiscuity into consideration. All the boys are thirsty, all the boys are fucking, Boston is promiscuous as hell, Top is (potentially) a slut (or at least a former slut), Sand has been in multiple relationships and has had multiple one-night stand sexual partners (no repeats). Mew is maybe not as virginal as he has led us to believe. Every time any gay boy is standing next to another gay boy that they didn’t know like a week before, a third gay person is wiggling their eyebrows like “oh how do you two know each other?” (aka, you fucked?) See: Nick to Boston and Top, Sand to Boston and Nick, Yo to Ray and Sand, Mew to Ray and Sand. 
Sex has been and will continue to be abundant in this show. Jojo himself said “[Sex] is coming every episode…I’m screaming for Prince but I love gay slut too. No matter slut or good person they should be equally represented”
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There have been no allusions to the contrary. Jojo has presented this as a bacchanal from the beginning. The pilot trailer has multiple sex and/or make out sessions, indications of cheating, First with a goddamn bat, pills, screaming, and crying.
The actual promotional trailer had: multiple sex and/or make out sessions, indications of cheating, First raining destruction down upon some glassware, pills, screaming, and crying.
The interviews with the cast members about why we should watch Only Friends had Neo saying Boston was an asshole, and you should watch Only Friends because it’s hot. In those same interviews Force said he was looking forward to everyone hating him. The playlist that Jojo made ages ago for this show has so many songs about sex, drugs, being cheated on, and breaking up. Jojo tweeted months ago that he had a meeting with the GMMTV office and he had permission to do whatever he wanted. Jojo and co have never once pulled the wool over our eyes as for what to expect from the physical intimacy in this show. We have been promised a sex fest, and we are getting a sex fest. We have been promised some form of a cheating plot line, and we are getting some form of a cheating plot line. We have been promised substance use issues, and we are getting substance use issues. 
Yet on tumblr I am seeing discomfort and as a result, alteration of character motivation and action, around behaviors these characters exhibit that result in sex. 
...Western cultures generally consider sex to be a dangerous, destructive, negative force (Weeks, 1981, p. 22). Most Christian tradition, following Paul, holds that sex is inherently sinful. It may be redeemed if performed within marriage for procreative purposes and if the pleasurable aspects are not enjoyed too much. In turn, this idea rests on the assumption that genitalia are an intrinsically inferior part of the body, much lower and less holy than the mind, the ‘soul’, the ‘heart’...Such notions have by now acquired a life of their own and no longer depend solely on religion for their perseverance.  
This culture always treats sex with suspicion. It construes and judges almost any sexual practice in terms of its worst possible expression. Sex is presumed guilty until proven innocent. Virtually all erotic behavior is considered bad unless a specific reason to exempt it has been established. The most acceptable excuses are marriage, reproduction, and love. Sometimes scientific curiosity, aesthetic experience, or a long-term intimate relationship may serve. (Rubin, 1984)
Boston is not a terrible person for cruising for sex, Boston is not a terrible person for being a slut, Boston is not a terrible person for not wanting to deepen his relationship with Nick beyond just having sex with him. What does make Boston kinda shitty is the fact that he manipulates people to get what he wants, strings Nick’s feelings along, and uses captured images and films of his friends and uses that to call their moral character into question.
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Nick is not pure of heart and dumb of ass for enjoying sex with Boston or for wanting to define his relationship to Boston. Subjectively, his actions for acquiring sex with Boston the first time (aka adding his photo to Boston’s phone) is a gay wrong we support for the chaos, objectively that is a massive invasion of privacy the likes of which rival Boston holding on to photos and videos of Ray and Mew together for two years. Subjectively, it is a power play from Nick to have wiretapped Boston’s car to catch him hooking up with another person and I am excited for Boston to potentially see some consequences as a result of this. Objectively this is once again a massive invasion of privacy, and it is entirely possible there will be a lot of fallout as a result of the evidence Nick just acquired, despite the fact that objectively Top and Boston did nothing wrong.
Boston never committed to monogamy, and Top and Mew never officially defined their relationship as boyfriends (yes, I know Top calls Mew his boyfriend at the bar, but he is saying that to someone he wants to stop hitting on him)  and we have seen no conversations around whether or not they are exclusive. Is it maybe kinda shitty that Top fucked Boston this far in to trying to become Mew’s boyfriend? Probably. But Top is not an inherently terrible person for having sex with Boston, nor is he an unwilling or inactive participant being pressured into having a second round with Boston (he even initiates the kiss). 
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On the opposite end, Mew is not perfect or immune from doing or causing harm in the past, present, or future just because he is withholding sex from Top. Mew isn’t dumb or naive, he doesn’t need protecting, he knows what game he might be in, and he is playing it to the best of his ability. Jojo and co are incredibly talented at writing complex characters, the fact that Mew is possibly a virgin, the fact that Mew is aware that sex for him means something deeper than sex might mean for Boston does not mean Mew should be placed on a pedestal of purity.
Much like I think Boston is a physical manifestation of older queer culture, I think Mew may be a physical manifestation of more current beliefs around queer people: 
As a result of the sex conflicts of the last decade, some behavior near the border is inching across it. Unmarried couples living together, masturbation, and some forms of homosexuality are moving in the direction of respectability (see Figure 9.2). Most homosexuality is still on the bad side of the line. But if it is coupled and monogamous, then society is beginning to recognize that it includes the full range of human interaction. (Rubin, 1984)
Mew is absolutely playing games with Top, he has said that himself, about holding out long enough to see if Top genuinely cares about him rather than just wants a virgin to conquer. But he has also stated that he knows that if he has sex with Top that he will become obsessed. He wants to know Top, and care about Top as a person, and know that Top cares about him as a person before he will have sex. Everyone around Mew is obsessed with his sex life, desperate for him to lose his virginity, desperate for him to join them on the other side of the line. So many of the other queer characters are trying to publicize Mew’s gay sex life, (including Top who publicly asked him to be his boyfriend), while Mew desperately tries to maintain the depiction of purity that his friends think he is. Which is to say, where Boston is cruising for casual sex, and frequently engaging in public sex, Mew is maintaining respectability and looking for long-term and intimate private sex. 
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(Also a tangential thought, but I don’t remember Ray saying anything about Mew’s need to lose his virginity, I think that has really only been Boston, Cheum, Yo in part, and even Top have all had discussions around Mew’s virginity or need to have his first sexual encounter). 
Conclusion
I want to end on this quote: 
Most people find it difficult to grasp that whatever they like to do sexually will be thoroughly repulsive to someone else, and that whatever repels them sexually will be the most treasured delight of someone, somewhere. One need not like or perform a particular sex act in order to recognize that someone else will, and that this difference does not indicate a lack of good taste, mental health, or intelligence in either party. Most people mistake their sexual preferences for a universal system that will or should work for everyone. (Rubin, 1984)
I hope as we proceed through this story, and more characters fuck, get fucked, and fuck up that we are able to interact with the source material and connect with the characters as they are presented on screen, not with what we have shaped them to be in our heads. I hope we are able to separate from the mindset of respectable promiscuity, and refrain from placing false perceptions of purity or morality to characters who do or do not uphold heterosexual society’s understanding of what a good homosexual is supposed to be. Only Friends has never lied to us, the characters might have, the way their dynamics play out might subvert our expectations, but the subject matter, the level of heat, the commitment of gay wrongs is what this show was always going to be. I don’t know about y’all but I am here to sit back, watch my BL boys commit as many gay wrongs as possible within 12 episodes, and write overly academic pieces on sex, sexuality, and queerness in Only Friends for the bit. 
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Stay tuned for Part 2 where I discuss racism and the commodification of queer men of color. 
Sources
Ahlm, Jody (2017) Respectable promiscuity: Digital cruising in an era of queer liberalism, Sexualities, DOI: 10.1177/1363460716665783
Chong-suk Han (2007) They Don't Want To Cruise Your Type: Gay
Men of Color and the Racial Politics of Exclusion, Social Identities, 13:1, 51-67, DOI:
10.1080/13504630601163379
Rubin, Gayle (1984) The Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality- Chapter 9: The Sex Wars. 
Acknowledgements
I would like to thank @bengiyo, @emotionallychargedtowel, @lurkingshan, @so-much-yet-to-learn, and @waitmyturtles for reading through this post, adding your thoughts, and helping with edits! Y'all are the best
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