while it’s important that rj understood how prolonged exposure to trauma would mess with you psychologically on various axes - mental, emotional, spiritual, physical - it’s also very significant that he put in the work to question and explore how people could go about healing and recovering from their experiences with a realistic attitude.
sometimes they don’t heal - they don’t understand that they need healing, dismiss their instincts, or manage to bury all the complicated emotions they’re feeling. it’s seen when mat suffers from a severe case of survivor’s guilt whenever he survives a battle, and this is observed more obviously when he escapes from ebou dar without managing to save all the windfinders; he also doesn’t have the vocabulary to express why the abuse he suffers at tylin’s hands feels wrong, and his cultural background and his tendency to lie to himself prevents him from examining why this is the case. rand is simply incapable of dealing with the sheer physical, mental and emotional stress he’s subjected to without a support system to back him up - support that he’s specifically unwilling to ask for because he doesn’t want to be put in a position of vulnerability just like mat and has a very unique relationship with the level of autonomy he’s afforded and the abuse he may be subjected to as a result of his madness - and resorts to unhealthy coping mechanisms and internalises traits that also serve as an allegory for ideologies that toxic masculinity directly feeds off of; he reacts to aes sedai very badly although he eventually unlearns that instinct; he’s extremely suicidal, and lews therin works as an indirect metaphor for depression. egwene feels the need to be in a position of power whenever approaching a certain relationship (be it romantic, platonic or otherwise) after her time as a damane, and is often uncomfortable with setting down her guard unless she trusts the people she’s working with; rj has a very complicated track with his depiction of corporal punishment but he also touches on how it enables people in power to take advantage of it to abuse the people under their control through egwene’s arc. rand specifically laments how the sort of stigma and alienation that male channelers face will never really go away because of the fear ingrained into popular belief, and that’s also a very accurate depiction of how certain mental illnesses are received by society.
but rj puts in the extra work to explore how people who have access to support systems and are on the receiving end of patience and compassion are able to get on the path to recovery. he has nynaeve & co deal with the problem of deprogramming egeanin, the sul’dam and damane who’re thoroughly brainwashed by the seanchan. juilin is able to help amathera recover by being very sympathetic to her situation and protecting her from difficult situations that could trigger her ptsd. rj specifically spends a significant amount of time letting joline, teslyn and edesina slowly encourage the seanchan channelers to entertain the idea of their ability not being a curse and to even train to control it at the white tower. the maidens are able to get a read on rand’s discomfort with the dark and small spaces post dumai’s wells and are kind enough to always leave a light on in the dark for him; they also push rand to take his meals and care for himself. the asha’man are explicitly recognised as a group which needs to unlearn some of the toxic ideas encoded in the founding principles that rand introduced. rand himself is recognised to be in dire need of help again in the latter half of the series, although we never got to see the culmination of that arc, unfortunately* - but I have a theory that his arc as a hero is tied very closely to his ability to recover from the various traumas he’s subjected to.
wheel of time takes a very realistic stance on mental health and ptsd. more significantly, it recognises that trauma might not necessarily bring about a positive transformation in a person. and that’s okay.
*cadsuane’s arrival is the only one I can’t get a clear read on, and feels so obviously doomed to disaster from the very beginning given how her personality clashes with rand’s and with her introduction with the intent of controlling rand and never respecting his opinions or autonomy - but given how she’s criticised by the narrative, I’m inclined to believe that min’s reading might have potentially been fulfilled in a bittersweet way as her readings often are. if rand learned how to embrace his humanity again, I can’t imagine that she would have ever had a part to play in it that involved compassion or understanding.
162 notes
·
View notes
the interesting thing about mischaracterization to me is sometimes i cant Tell if a character is OOC or not; especially if they aren’t the main focus in a fic. like some characters i just do not KNOW enough about their deep underlying motivations to tell if they are acting OOC. im just like, “hmm they seem to be on that thin line of their dialogue sounding right. so that’s probably good enough?”
65 notes
·
View notes
One of my favorite fic writers reblogged a piece of my writing, complimenting it.
I must go scream.
7 notes
·
View notes
i was trying to send you an ask a few seconds ago but the entire page lagged so here it is again. you said you like sonadow but in a very niche way, can you elaborate on that? i'm rlly interested
hmmm maybe niche wasn’t the right word haha i guess i just disagree with most iterations/portrayal of sonadow haha.
a lot of them sort of turn them into a typical romantic partnership. they’re showy with their affection, they’re married, they get flustered about having a crush, etc, but i don’t really see those things happening. like sonic himself is a super private person so i don’t really expect much pda from him; and i really don’t see it from shadow, either. aside from like holding hands i don’t see a big difference in their relationship as friends/rivals verses lovers. maybe not quite so mean to each other sometimes but otherwise it’s the same dynamic.
idk one thing that always kind of irks me is the idea that when they’re older they get a white picket fence, kids, and marriage. i just don’t see that happening haha. i always hate when people have sonic ‘settle down’ when he gets older, as a ‘sign of maturity’. i don’t like it for sonamy and i especially don’t like it for sonadow, when shadow can actually keep up with him. sonic doesn’t want to be tied down, and i think shadow would respect that- i don’t really think they’d get married, and i don’t think theyd really retire from being heroes, and i don’t think they would have a permanent home. they wouldn’t stop adventuring or moving around. either they’re on the move helping people or just enjoying the beauty of the world.
i also just don’t see them really having kids? i think theyd mentor people but i don’t really think they’d adopt anyone or something like that. if the persons in need they might but it’s more of a situational thing; they’d do it to help, but i don’t think they would ever actually plan to have kids. again, not really wanting to be tied down.
also, this is just what I’ve seen, but it also makes me super frustrated when people act like shadow suddenly becomes the most important person in Sonic’s life. i hate hate hate when romance gets elevated above friendship; characters like tails and Amy and knuckles, who were super important friends, get sorta tossed aside and shadow suddenly becomes the Most Important Person Ever. idk how to really describe it i just hate the way people put so much importance into romantic relationships.
also a popular trope i’ve noticed is that the two kind of dance around their feelings/ are shy about having a crush which i don’t really see? they’re very straightforward people i think. at least i think sonic would definitely just straight up ask as soon as he started having feelings, once he’s comfortable with the idea of romance and partners. i don’t think they’d really dance around it. and i don’t think they’d be shy about it.
37 notes
·
View notes
You’re a fanfic writer. You delete and purge all of your accounts and then you find out that someone dug them back out of the trash, dusted them off, and read them 100 more times…
Do you feel violated because it’s your work and you should be allowed to disappear it if you like?
Or do you feel pleased that someone loved your writing enough to track it down
2 notes
·
View notes