#angela baddeley

[vintagestagehotties]

Hot Vintage Stage Actress Round 2

Angela Baddeley: Miss Prue in Love for Love (1943 West End); Catherine Winslow in The Winslow Boy (1946 West End); Maria in Twelfth Night (1955 Stratford)

Anna May Wong: Hai-tang in The Chalk Circle (1929 West End); Madame Lan Ying in On the Spot (1931 Broadway); Highlights from Hollywood (1939 Melbourne)

Propaganda under the cut

Angela Baddeley:

Anna May Wong:

#vintagestagehotties #vintagestagepoll #vintage tournament #vintage poll #vintage ladies #angela baddeley #anna may wong #ladies round 2

[pretty-little-fools]

#upstairs downstairs #david langton #rachel gurney #pauline collins #angela baddeley #george innes #gordon jackson #evin crowley #brian osborne #patsy smart #jean marsh #edwardian #1900's #television #70's #british #1971

[commiepinkofag]

Binkie Beaumont with Angela Baddeley & Emlyn Williams, 1947

📷 Angus McBean

#binkie beaumont #hugh 'binkie' beaumont #theatre manager #emlyn williams #angela baddeley #gay #queer #1947 #1940s #40s

[justforbooks]

The actor Ian Lavender, who has died aged 77, played the awkward, impulsive Private Frank Pike in the long-running BBC comedy Dad’s Army, and was the last surviving member of the cast who portrayed Captain Mainwaring’s Home Guard platoon.

Most of the part-time soldiers depicted in the series, which ran from 1968 to 1977, were exempted from call-up to the army during the second world war because of advanced age. Pike, their junior in most cases by several decades, had been excused because of his weak chest, and always wore the scarf insisted upon by his widowed mum, Mavis.

In spite of their foibles and foolishness, Mainwaring’s pomposity and the frequent slapstick sequences, the heroes of Dad’s Army were courageous men prepared to give their lives to protect their country, and it was this innate nobility that lifted the series, written by David Croft and Jimmy Perry, to greatness. At its peak it had more than 18 million weekly viewers, and is still regularly rerun.

There were many catchphrases – Lance Corporal Jones’s “Don’t panic!”, Private Frazer’s “We’re doomed!” and Sergeant Wilson’s languid “Do you think that’s wise, sir?” – and the best-remembered belongs to the gangster movie-fixated Pike, though he did not utter it himself: Mainwaring’s weary “You stupid boy!”

Pike was also involved in Dad’s Army’s most frequently quoted joke. “What is your name?” snarls the German U-boat commander who has been captured by the platoon. “Don’t tell him, Pike,” shouts Mainwaring. There was often great subtlety in the inter-platoon relationships, best exemplified by that of Pike and Wilson (John Le Mesurier). Wilson, whom Pike calls Uncle Arthur, is Mrs Pike’s lodger, and is forever fussing around the boy, making sure his scarf is on tight and gently steering him away from danger. It was not until the end of the final series that Lavender asked Croft if “Uncle Arthur” was actually Pike’s father. “Of course,” replied Croft.

Born in Birmingham, Ian was the son of Edward, a policeman, and Kathleen (nee Johnson), a housewife; his mother often took him to see pantomimes, variety shows and Saturday morning cinema, which gave him his first ambitions to become an actor. After performing in many school drama productions at Bournville boys’ technical school he was accepted, with the help of a grant from the city of Birmingham, by the Bristol Old Vic acting school. Clearly far from being a stupid boy, he passed 12 O-levels and four A-levels. “The only reason I don’t have a degree is because I went to drama school,” he said years later.

He made his first television appearance soon after he graduated from Bristol in 1968, playing an aspiring writer whose family want him to get a proper job, in Ted Allan’s play for the Half Hour Story series, Flowers at My Feet, with Angela Baddeley and Jane Hylton.

In the same year, he was cast as Pike, joining the seasoned veterans of comedy and the classics Le Mesurier, Arthur Lowe (Mainwaring), Clive Dunn (Jones), John Laurie (Frazer), James Beck (Private Walker), Arnold Ridley (Private Godfrey) and Bill Pertwee as Air Raid Warden Hodges. Janet Davies played Mrs Pike.

While Dad’s Army catapulted Lavender to national fame at the age of 22, the role of Pike haunted him for the rest of his long career. Not that he had any complaints.

Asked in 2014 if he got fed up with a lifetime of having “stupid boy” called out to him in the street, he replied: “I’m very proud of Dad’s Army. If you asked me ‘Would you like to be in a sitcom that was watched by 18 million people, was on screen for 10 years, and will create lots of work for you and provide not just for you but for your children for the next 40-odd years?’ – which is what happened – I’d be a fool to say ‘Bugger off.’ I’d be a fool to have regrets.”

After Dad’s Army, Lavender made further television appearances, including Mr Big (1977), with Peter Jones and Prunella Scales, and in 1983 he revived Pike for the BBC radio sitcom It Sticks Out Half a Mile, a sequel to Dad’s Army, but it was not a success and lasted only one series. In contrast, the original series, with most of the regular cast, had been rerecorded for radio from 1974 to 1976 and proved very popular.

He was also in the BBC TV series Come Back Mrs Noah (1977-78), co-written by Croft; and played Ron in a new version of The Glums (1979) for London Weekend Television, adapted from Frank Muir and Denis Norden’s original radio scripts of the 1950s. There were more smallish television parts in the 80s, such as two episodes of Yes, Minister, and bits in Keeping Up Appearances, Goodnight Sweetheart, Rising Damp and Casualty. He starred in the unsuccessful BBC series The Hello Goodbye Man in 1984 and provided the lead voice in the children’s cartoon series PC Pinkerton in 1988.

He was also in various quiz shows, including Cluedo (1990). On Celebrity Mastermind, broadcast on BBC1 on New Year’s Day 2009, when the presenter John Humphrys asked him to state his name, a fellow contestant, Rick Wakeman, shouted: “Don’t tell him, Pike!”

In addition to co-starring in the first film version of Dad’s Army (1971), he appeared in various low-level British sex farces of the 1970s, including Confessions of a Pop Performer (1975), Carry on Behind (1975), Adventures of a Taxi Driver (1976) and Adventures of a Private Eye (1976). He also starred in the thriller 31 North 62 East (2009). “I was close to getting two very big movies in the 70s,” he said without rancour in 2014, “but in the end they said: ‘We can’t get past Private Pike.’”

Lavender’s second best-known role was his delicate and sympathetic portrayal of Derek Harkinson, Pauline Fowler’s gay friend, in the BBC soap EastEnders from 2001 to 2005, and again in 2016-17.

In addition to various live Dad’s Army productions, his stage work included the Royal Shakespeare Company’s The Merchant of Venice, directed by Peter Hall and with Dustin Hoffman as Shylock in 1989, touring as the Narrator in The Rocky Horror Show in 2005, Monsignor Howard in the London Palladium production of the musical Sister Act in 2009, The Shawshank Redemption at the Edinburgh fringe in 2013, and his own one-man show of reminiscences, Don’t Tell Him, Pike.

Lavender had a great admiration for Buster Keaton, and was an expert on the silent comedian’s career. In 2011 he introduced Keaton’s Sherlock Jr (1924) at the Slapstick silent comedy festival in Bristol, and commented that finding Keaton’s grave in the Fountain Lawns cemetery in Hollywood had been one of his life’s special moments.

In 2016 a new cinema version of Dad’s Army was released, with Toby Jones as Mainwaring and Bill Nighy as Wilson. Private Pike was played by Blake Harrison, and Lavender was promoted to play Brigadier Pritchard. In a touching in-joke, his younger face was also seen on an advertisement poster in a street scene.

Lavender is survived by his second wife, Miki Hardy, whom he married in 1993; by his sons, Sam and Daniel, from his first marriage, to the actor Suzanne Kershiss, which ended in divorce; and by two granddaughters.

🔔 Arthur Ian Lavender, actor, born 16 February 1946; died 2 February 2024

Daily inspiration. Discover more photos at Just for Books…?

#just for books #Ian Lavender #in memoriam

[clarabowlover]

Happy Birthday To Gorgeous Forgotten British Actress Angela Baddeley

(Born 4th July 1904)

#angela baddeley #born 4th july 1904 #gorgeous forgotten british actress #british films and tv #years active 1931-75 #photos from 1920's #uk

[spryfilm]

DVD review: “Upstairs Downstairs” (1971 - 1975)

DVD review: “Upstairs Downstairs” (1971 – 1975)

“Upstairs Downstairs” (1971 – 1975)

Television/Drama

Sixty-eight Episodes

Created by: Jean Marsh, Eileen Atkins, John Hawkesworth and John Whitney

Featuring: David Langton, Rachel Gurney, Simon Williams, Nicola Pagett, Gordon Jackson, Angela Baddeley, Patsy Smart, Jean Marsh, George Innes, Evin Crowley, Pauline Collins, Christopher Beeny, Jenny Tomasin, John Alderton,Meg Wynn…

View On WordPress

#Angela Baddeley #Christopher Beeny #David Langton #dvd #dvd new zealand #dvd review #DVD reviews #dvd television #DVDReviews #Eileen Atkins #Evin Crowley #Gareth Hunt #George Innes #Gordon Jackson #Hannah Gordon #Jacqueline Tong #Jean Marsh #Jenny Tomasin #Joan Benham #John Alderton #John Whitney #Karen Dotrice #Lesley-Anne Down #Meg Wynn Owen #Nicola Pagett #Patsy Smart #Pauline Collins #Rachel Gurney #Simon Williams #Upstairs Downstairs

[hauntedbystorytelling]

Angus McBean :: ‘Binkie Pulls The Strings’ for the British journal The Tatler, 1947 - Hugh ‘Binkie’ Beaumont, theater producer, manipulating Emlyn Williams and Angela Baddeley in his production of Terence Rattigan’s The Winslow Boyfrom the previous year. / original source: Flickr                

#angus mcbean #binkie beaumont #hugh beaumont #pull the strings #theater #emlyn williams #angela baddeley #article #magazine #photomanipulation #photomontage #composite #1940's

[queerwelsh]

Binkie Beaumont, the hugely influential yet little-known theatre producer and manager, was born on the 27th of March, 1908.

Though his early origins and family life is unclear, it is thought he was Hughes Griffiths Morgan in London. When he was 2 years old, his mother, Mary Morgan, married William Sugden Beaumont, a timber merchant from Cardiff. Hugh, as he was known, grew up in Cardiff and became known as ‘Binkie,’ which is thought to come from Cardiff slang.

At age 15, Binkie left Penarth Grammar School and went to work at the local Playhouse Theatre then soon became assistant manager at the Prince of Wales theatre in Cardiff.

His theatre career having begun in Cardiff, he moved to work in theatres in London, where he met Irish actor, playwright and theatre agent John Perry, who had been John Gielguld’s lover, but became Beaumont’s long-time partner. (John Perry died in 1995.)

In 1936, Beaumont set up H M Tennent’s with Harry Tennent, starting his successful career as a theatre producer. When Tennent died in 1941, Beaumont, in control of H M Tennent’s, became one of the most powerful theatre producers of the West End for the next 20 years, though he stayed away from the limelight, partly to have more control behind the scenes.

Hugh “Binkie” Beaumont died on the 22nd of March, 1973, aged 64. In his career, he had known and worked with Vivien Leigh, Noel Coward, Ivor Novello (and his partner Bobbie Andrews), Victor Spinetti, Richard Burton, Ingrid Bergman and many more, and had produced the first British productions of ‘West Side Story’ and ‘My Fair Lady’.

Photos via Getty Images and National Portrait Gallery. (By Angus McBean, who also was Welsh and gay, and is of Binkie Beaumont ‘pulling the strings’ of Angela Baddeley and Emlyn Williams, the Welsh and bisexual theatre actor.)

#binkie beaumont #history #theatre history #theatre #welsh history #lgbt history #queer history #welsh queer history

[ubu507]

Angela Baddeley (1904–1976) Margaret Morris (1891–1980) Perth & Kinross Council

[bethels93]

Yesterday, I was finally able to see Mary Poppins Returns! For most movies, Japan has slightly later release dates so I had to wait for a bit. But I wanted to put my thoughts into a post while the movie is still fresh in my mind 😁 This will be over two posts, so it’s not one long stream of rambling 🤣

None of the GIFs or pictures posted belong to me. Credit to the makers of them 💗

Mary Poppins would like to inform you that there will be spoilers for Mary Poppins Returns so, if you haven’t seen it and wish to remain unspoiled, please do not read this post!!

🚨 SPOILER ALERT 🚨

Let talk about the characters:

I liked how the eldest kids (John and Annabel) are the opposites of Jane and Michael from the first movie. Here we have two children who have had to grow up quickly due to the loss of their mother and they become surrogate parents to the wild Georgie. Mary Poppins has not only returned to help Jane and Michael; she’s there to look after ALL of the Banks children and help John and Annabel be children again. Georgie has no problems being a child and his innocent remarks throughout the film are some of the best comedic moments.

Upon seeing the trailer, I thought Jack was just going to be a Bert 2.0 and, in a way, he is. Most of the characters are the 2.0 versions from the first Mary Poppins. While we didn’t know too much about Bert’s story, we know quite a bit about Jack. He’s a lamplighter (a leerie) who was apprenticed under Bert and met Mary Poppins when he was younger. Rather than flirting with Mary Poppins, he acts like a nephew whose favourite aunt has come into town. The world of lamplighting has it’s own magic and Lin Manuel Miranda does an amazing job of bringing Jack and that magic to life. He definitely does a better Cockney accent than Dick Van Dyke as well 🤣

Michael has been through a lot in the last 25 years. He’s lost his wife and he’s struggling to keep it together but does so for the children. He finds himself turning into his father after the bank (the same bank his father was a senior partner and where Michael now works) is threatening to take the house. I thought Ben Whishaw played him beautifully. The first film never really portrayed George Banks in a sympathetic light, so this film differs slightly in that Michaels behaviour and outbursts are the result of tragedy. On the other hand, Jane definitely has been taking after her mother. She’s campaigning on behalf of the underpaid workers, working at soup kitchens and taking part in labour rallies. Emily Mortimer retains the sweet nature which Karen Dotrice brought to the role whilst adding her own flare. One aspect that’s been a bit controversial amongst tumblr users is the relationship between Jack and Jane. With her political attitudes and her wardrobe, Jane has been taken by some to be a part of the LGBTQ+ community. However, one of the films subplots is a budding romance between Jack and Jane. In my opinion, I loved the romance. It was pure, sweet and a genuine joy to watch. However, I know some people took their interactions as platonic. I just think it’s a testament to Mortimer’s and Miranda’s acting that fans can interpret the character and the relationship in different ways. I think no one is correct: we can each have opinions on the character and it prompts for interesting discussion as a whole.

I’ll just briefly touch on the other characters before the main attraction. Colin Firth is particularly good as the primary antagonist; William “Weatherall” Wilkins is the nephew of Mr. Dawes Jr (portrayed by Arthur Malet in Mary Poppins). Brits always do well at portraying villains and Firth is no exception. Julie Walters takes on the role of Ellen (portrayed by Hermione Baddeley in Mary Poppins). She’s delightful for a bit of comedy relief and ties nicely to the first film.

Now, he’s where I’m a bit conflicted. Meryl Streep plays Topsy; Mary Poppins’ Russian cousin who owns a fix-it-all shop. She’s essentially Uncle Albert 2.0 except, rather than floating on the ceiling, her entire shop turns upside down (literally) every second Wednesday. I don’t know how to feel about her role in the story. The gang go to Topsy to fix a bowl which the children plan to sell to help save their house. The whole segment she’s in teaches the children to look at things from a different point of view and they then decide to not proceed with selling the bowl. I felt it was a bit of an unnecessary part of the movie and would have rathered they had maybe Jane or Ellen teaching them the lesson, rather then try to get their money’s worth with Meryl.

Ahh, the cameos! The biggest one is, of course, Dick Van Dyke as Mr. Dawes Jr. It’s a great moment and really brings together the two films. Karen Dotrice (Jane in MP) makes a blink-and-you’ll-miss-it cameo when she bumps into Jack and Jane and asks for directions. The best surprise was Angela Lansbury (Mrs. Potts from the animated Beauty and the Beast) as the Balloon Lady; this movie’s version of the Bird Lady. She was just a delightful and warm character.

... and finally, the reason we’re all here. I was exceptionally worried going into this because I loved Julie Andrews’ character so much. The one thing Emily Blunt does spectacularly is she doesn’t try to be Julie Andrews. She uses some of her lines and is a firm nanny, but she really makes the character her own. In the first Mary Poppins, we see a break in her tough shell at the end when she’s leaving the children. In this film, her facade breaks quite a few times but I think it shows character development. This is the second time, that we know of, Mary Poppins has visited and helped the Banks Family so she’s as much a member of it as the children are. Her emotions are much more on her sleeve in this film as much as the character tries to hide them. At the moment, I think of them as two separate characters which I don’t think is a bad thing. Both Dame Julie Andrews and Emily Blunt have taken a remarkable character and portrayed her to a high standard with just the right amount of wit, magic and British stiff upper lip.

I’m going to finish there for this post 😴 Let me know what you thought about the film and whether you agree or disagree with anything I’ve said. Always up for a discussion 😊

#disney #mary poppins returns #mary poppins #jack the lamplighter #jack #michael banks #jane banks #emily blunt #lin manuel miranda #ben whishaw #emily mortimer #colin firth #meryl streep #julie walters #dick van dyke #julie andrews #karen dotrice #jane x jack #jane banks x jack #jack x jane #mary poppins returns spoilers #spoilers

[vintagestagehotties]

Hot Vintage Stage Actress Round 1

Angela Baddeley: Miss Prue in Love for Love (1943 West End); Catherine Winslow in The Winslow Boy (1946 West End); Maria in Twelfth Night (1955 Stratford)

Dame Marie Tempest: Katherine "Kitty" Silverton in The Marriage of Kitty (1902 West End); Penelope in Penelope (1909 West End); Judith Bliss in Hay Fever (1925 West End)

Propaganda under the cut

Angela Baddeley:

Marie Tempest:

#vintagestagehotties #vintagestagepoll #vintage tournament #vintage poll #angela baddeley #marie tempest #ladies round 1 #vintage ladies

[pretty-little-fools]

#upstairs downstairs #angela baddeley #rachel gurney #david langton #70's #television #edwardian #british #1900's #early 70's #1972

[drrubinspomade]

#angela baddeley

WELL, YEAH

We post pinups daily! If you dig this pic we’ve found  online, u should investigate the creator/subjects of the above work and fan them, follow them, hire them.

If you’d like us to remove, or you know who made this so that we can credit, DM. Thanks. Greetings from Los Angeles.

DrRubinsPomade.com

[centuriespast]

Angela Baddeley (1904–1976) [1917]

Margaret Morris (1891–1980)

Perth & Kinross Council

[thedsp-blog1]

Dr. Death’s victim list

Acton, Lily Adams, Lizzie Adkinson, Sarah Adshead, Norman Adshead, Rose Ann Aitken, Irene Andrew, Dorothy Mary Andrew, Joseph Andrew, Mary Emma Arrandale, Albert Arrowsmith, Winifred Ashcroft, Netta Ashton, Dora Elizabeth Ashton, Ellen Ashworth, Ada Ashworth, Brenda Ashworth, Elizabeth Ashworth, James Ashworth, Sarah Aveyard, Clara Ethel Baddeley, Elizabeth Mary Baddeley, John Bagshaw, Bertha Barber, Squire Bardsley, Joseph Bardsley, Lily Bardsley, Nellie Barker, Elsie Barlow, Charles Henry Barnes, James Edward Battersby, Elizabeth Baxter, William Beech, Joseph Bell, Norman John Bennett, Ethel Bennett, Frances Bennett, Nellie Bennison, Charlotte Bent, Arthur Berry, Irene Bill, Edith Annie Birchall, Mary Ivy Bird, Violet May Black, Alice Boardman, Kathleen May Boardman, Mary Louisa Bogle, Geoffrey Bolland, Alice Bowers, Mary Elizabeth Bradshaw, Miriam Brady, Edith Bramwell, Harold Bramwell, Vera Brassington, Charles Geoffrey Brassington, Nancy Anne Bridge, Doris Bridge, Jane Brierley, Albert Brierley, Edith Broadbent, Lily Brock, Edith Brocklehurst, Charles Edward Brocklehurst, Vera Brooder, Irene Brookes, Lily Brookes, May Brown, Alice Brown, Mary Alice Brown, William Henry Buckland, Edward Buckley, Ethel Burke, Elizabeth Mary Butcher, Lydia Edith Cains, Ida Callaghan, Sean Stuart Calverley, Edith Campbell, Annie Carradice, Marion Carrington, Alice Carroll, Josephine May Cartwright, Hannah Chadwick, Wilfred Challinor, Ivy Elizabeth Challoner, Genevieve Chapman, Irene Chappell, Alice Chappell, Wilfred Charlton, John Charnock, George Cheetham, Albert Cheetham, Alfred Cheetham, Elsie Cheetham, Hena Cheetham, Norah Cheetham, Thomas Chidlow, Amy Clarke, Fanny Clayton, Elsie Clayton, Frances Clee, Beatrice Helen Clough, James Condon, Thomas Connaughton, Alice Hilda Connors, Michael Conway, Margaret Ann Coomber, Frederick Cooper, Ann Copeland, Erla Copeland, Sydney Hoskins Couldwell, Constance Anne Coulthard, Ann Coutts, Mary Couzens, Hilda Mary Cox, Eileen Theresa Crompton, Eileen Daphne Crompton, Frank Crompton, John Crossley, Lily Cullen, Lilian Cuthbert, Valerie Davies, Cissie Davies, Eric Davies, Fred Davies, Miriam Dawson, Fanny Dean, Elsie Lorna Dean, Joan Edwina Delaney, Bessie Denham, Christopher Dentith, Frederick Devenport, Ronnie Dixon, Alice Dobb, Edgar Dolan, Ethel Drinkwater, Alice Drummond, Joseph Dudley, Mary Rose Dutton, Elaine Earls, Doris Earnshaw, William Eddleston, Harold Eddleston, Monica Edge, Agnes Evans, Bethel Anne Everall, Hannah Everall, Joseph Vincent Farrell, Phyllis Fernley, Marie Antoinette Firman, Mary Elizabeth Fish, Hilda Fitton, Hilda Fletcher, Dorothy Fletcher, Elizabeth Floyd, Arthur Fogg, Leah Foulkes, Edwin Fowden, Thomas Fox, Moira Ashton France, John Freeman, Harold Freeman, Winifred Frith, Hannah Galpin, Minnie Doris Irene Garlick, Rose Garlick, Violet Garratt, Mary Alice Garside, Millicent Gaskell, Marion Gaunt, Mary Gee, Nellie Gess, Clifford Givens, William Goddard, Edith Godfrey, Elsie Golds, Annie Elizabeth Gorton, Alice Maude Graham, Edith Gray, Rebecca Greenhalgh, John Sheard Grimshaw, Annie Grimshaw, Muriel Grundy, Donald Anthony Grundy, Kathleen Grundy, Nora Hackney, Clara Hackney, Clara Hadfield, Violet Hague, William Hall, Josephine Halliday, Frank Hallsworth, Janet Hamblett, Leonora Hamer, Mary Emma Hammond, Caroline Veronica Hampson, Jesse Hancock, Christine Hannible, Elsie Harding, Joan Milray Harris, Charles Harris, Harriet Harrison, Christina Harrison, David Alan Harrison, Marion Harrison, Muriel Eveline Harrison, Samuel Harrop, Elsie Haslam, Mary Elizabeth Hawkins, Sarah Healey, Winifred Heapey, Clifford Barnes Heapey, Gladys Heathcote, Irene Heginbotham, Olive Hennefer, Ellen Hett, Mary Jane Heywood, Ada Heywood, Florence Hibbert, Hilda Mary Hickson, Robert Higginbottom, George Eric Higginbottom, Peter Higgins, Barry Higgins, Lily Higham, Marion Elizabeth Highley, Ruth Higson, Ellen Hill, Sarah Ann Hillier, Pamela Marguerite Hilton, Ada Matley Hilton, John Hirst, Emma Holgate, Ethel Doris Holland, Alline Devolle Holt, Alice Hopkins, Dorothy Doretta Howcroft, John Hulme, Hilda Hurd, May Iwanina, Jozef Jackman, Harold Edward Jackson, Maureen Lamonnier Jackson, Nancy Jameson, Ronald Jeffries, Beatrice Johnson, Norah Johnson, Richard Johnston, Leah Jones, Alice Mary Jones, David Jones, Hannah Jones, Ivy Jones, Jane Jones, Robert Edward Jordan, Mary Ellen Keating, Mary Kellett, Ethel May Kellett, Fred Kelly, Ellen Kelly, Moira Kennedy, Alice Killan, Charles Henry King, Elsie King, James Joseph Kingsley, Mary Kitchen, Alice Christine Lacey, Renee Leach, Florence Leech, Edith Leech, William Henry Lees, Olive Leigh, Carrie Leigh, Joseph Leigh, Wilfred Lewis, Elsie Lewis, Florence Lewis, Peter Lilley, Jean Lingard, Robert Henry Linn, Laura Frances Livesey, John Louden Llewellyn, Edna May Lomas, Harry Lomas, Ivy Long, Dorothy Longmate, Thomas Alfred Lord, Jane Ellen Lowe, Beatrice Lowe, Esther Lowe, May Lyons, Eva MacConnell, Charles Mackenzie, Selina Mackie, Christina McCulloch Mansfield, Mary Ann Mansfield, Walter Marley, Martha Marsland, Sarah Hannah Matley, Maud McDonald, Kathleen McLaren, William James McLoughlin, Gertrude Melia, Joan May Mellor, Elizabeth Ellen Mellor, Samuel Mellor, Winifred Meredith, Oscar Metcalfe, Margaret Middleton, Deborah Middleton, Mary Mills, Samuel Mitchell, Cyril Mitchell, Wilbert Molesdale, John Bennett Morgan, Emily Moss, Bertha Moss, Hannah Mottram, George Henry Mottram, Hannah Helena Mottram, Pamela Grace Moult, Thomas Mullen, Nellie Mycock, Miriam Rose Emily Needham, Nora Nicholls, Violet Nichols, Fanny Nichols, Lily Nuttall, Hervey Nuttall, Norah O'Sullivan, Thomas Ogden, Mary Oldham, Agnes Oldham, Samuel Oswald, Frances Elaine Otter, Enid Ousey, Margaret Ovcar-Robinson, Konrad Peter Overton, Renate Eldtraude Oxley, Phyllis Parker, Marjorie Parkes, Annie Parkin, Laura Victoria Parr, Bertha Pearce, Elizabeth Pedley, Rosetta Penney, Vara Pickering, Leah Pickup, Kenneth Pickup, Mavis Mary Pitman, Edith Platt, Elsie Platt, Marion Pomfret, Bianka Potts, Frances Potts, Reginald Powers, Annie Alexandra Preston, Ada Marjorie Prestwich, Alice Proud, Ethel May Quinn, Marie Ralphs, Anne Lilian Ralphs, Ernest Colin Rawling, Alice Reade, Audrey Redfern, Tom Renwick, Dorothea Hill Richards, Jose Kathleen Diana Richardson, Alice Riley, Stanley Roberts, Edith Roberts, Esther Hannah Roberts, Gladys Robinson, Eileen Robinson, Eveline Robinson, Lavinia Robinson, Mildred Rogers, Elizabeth Ann Rostron, Jane Frances Rowarth, Dorothy Rowbottom, Annie Rowland, Jane Isabella Royles, Elsie Royston, Betty Rudol, Ernest Russell, Tom Balfour Sankey, Margaret Saunders, Albert Edward Saunders, Gladys Scott, Edith Scott, Elsie Sellors, Kate Maud Sharples, Cicely Shaw, Joseph Shaw, Leonard Shaw, Lilian Shaw, Neville Shaw, Susan Eveline Shawcross, Edna Shawcross, Ernest Shawcross, Mabel Shelmerdine, Jack Leslie Shelmerdine, Jane Elizabeth Shore, Lily Sidebotham, Florence Sigley, Elizabeth Teresa Simpson, Kenneth Harry Slater, Albert Slater, Florence Slater, Lena Norah Slater, May Smith, Alice Smith, Dora Elizabeth Smith, Emma Smith, Kenneth Ernest Smith, Margaret Smith, Mary Alice Smith, Sidney Arthur Smith, Winifred Isabel Sparkes, Monica Rene Squirrell, Alice Stafford, Harry Stafford, Kate Elizabeth Stansfield, Joe Ainscow Stocks, Louisa Stone, John Stopford, Arthur Henderson Stopford, Harriet Strickland, Ruth Sumner, Grace Swann, Bessie Swann, Robert Swindells, Emmeline Taylor, Caroline Mary Taylor, Edna Mary Taylor, Florence Taylor, Lily Newby Taylor, Mary Tempest, Mary Ann Thomas, Alice Thomas, Sarah Ann Thornton, Maria Tideswell, Sarah Tierney, Angela Philomena Tingle, Walter Toft, Beatrice Tomlin, Mary Townsend, Margaret Tucker, Dorothy Tuff, Mary Tuffin, Winifred Amy Turner, Frances Elizabeth Turner, Irene Uttley, Stanley Vickers, Frederick Vickers, Margaret Mary Virgin, Lucy Vizor, George Edgar Vizor, May Wagstaff, George Lawton Wagstaff, Jessie Irene Wagstaff, Laura Kathleen Waldron, Margaret Anne Walker, Edward Walker, Ellen Walker, Henrietta Walker, Winifred Mary Waller, Harry Waller, Marjorie Hope Walls, Mary Walton, Sydney Warburton, Ada Ward, Maureen Alice Ward, Minnie Ward, Muriel Margaret Ward, Percy Wardle, Eric Wareing, William Hill Warren, May Wass, Kathleen May Watkins, Annie West, Maria Wharam, Ellen Frances Wharmby, Lavinia White, Mona Ashton Whitehead, Amy Whitham, Colin Whittaker, Maureen Whittaker, Violet Mary Whittingslow, Vera Whittle, Edith Wibberley, Edith Wilcockson, Joseph Frank Wilkinson, Annie Wilkinson, Maud Williams, Albert Redvers Williams, Emily Williamson, Sarah Jane Wills, Jack Wilmore, Margaret Wilson, Muriel Elsie Wimpeney, Mark Winston, George Winston, Olive Winterbottom, Mary Wood, Annie Wood, Charles Henry Wood, Fanny Wood, James Woodhead, Joyce Woodhead, Kenneth Wharmby

[clarabowlover]

Angela Baddeley - Photographed By Bassano (February 27, 1922)

#angela baddeley #by bassano #february 27 #1922 #gorgeous british stage actress #1920's #london theatre