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Invisible Smoke - Four

Summary: There is something going on with Jake’s favorite mechanic. And he doesn’t run.

Pairing: Jake “Hangman” Seresin/F!Reader (No Y/N)

Word Count: 10.9k

ABSOLUTELY NO MINORS ALLOWED

A/N: I do not keep a tag list!! Life is still weird but thank you all for sticking with this little story of mine. I really appreciate all the kind words you sent on the last chapter. Only one more chapter to go!

Warnings: Naval inaccuracies, stalking, bodily injury, domestic abuse, and unhealthy coping mechanisms. Also, Jake is a (stubborn) simp.

Someone had slashed your tires.

Well, you shouldn’t say someone. You knew who had done it. It didn’t exactly take a doctorate to read the context clues—but you were pretty sure your insurance would drop you if you put in another claim, so you begrudgingly prepared to pay the hefty towing fee to the nearest tire shop and fork over even more cash for four new tires. This was one of the few times you wished your little bungalow actually had a garage. And god, you were so tired of this. So tired of the mind games he thought he was playing with you. He thought he was clever. But it was all just so repetitive. You had half a mind to just wait, out in the open, to let him do what he wanted just so it would be over.

It had only been two days since the dog fight football game and the following get together at the Hard Deck. Two days since you caught Jake’s eye at the water’s edge and felt your entire chest twist. He knew now. He knew what you were hiding.

You hadn’t been able to read the look in his eyes but Bradley had taken you aside before you slipped away for the night and basically told you that Jake, for better or for worse, was wanting and willing to help. “Give him a chance, Punch. Don’t you think he deserves that, at least? And you deserve to be happy.”

“When did you become a fortune cookie, Bradley?”

But you wanted to believe him. You did.

But Luke had made you glaringly aware that you weren’t really capable of having a relationship aside from a handful of hours with someone who’d forget your name by morning. You had expected to feel some sort of relief in knowing that Jake hadn’t wanted to wash his hands of you after learning about Luke, but all it did was make you feel like you were painting an even larger target on Jake’s back. He really did want to play hero, didn’t he?

You pushed the thought away as you texted Natasha, telling her you’d be late for brunch and she was quick to tell you not to worry about the tow, she’d send one of the boys to get you to the tire shop. You were expecting Bob and his reliable GMC; he’d been invited to brunch as well anyway.

But a familiar Ford F-250 pulled up instead and Jake stepped out of the cab, looking like a GQ model in a tight Henley and jeans that hugged his thighs a little too well to be fair. He looked at your car and your destroyed tires for just a moment before turning his gaze to you. Your heart gave an answering leap but you tried to not let it show and rolled your shoulders back as he took wide strides toward you.

“Did he do anything else? Did you check your windows-”

“You shouldn’t be here.” The words tumbled out of your mouth before you could even pretend to think of a more polite greeting.

Jake arched an eyebrow before setting his hands on his hips. “Well, that’s just too damn bad, Punch. I am here and I’m not leaving until you tell me what's going on. Now, did anything else happen?”

You wanted to send him away. Wanted to keep him safe. But he was here. He was here and looking at you with those stupidly beautiful green eyes. “It’s just the tires,” you muttered, giving in. At least in this regard. You could handle everything else later.

Jake’s mouth set in a thin line before he moved to look at your tires again. He dug at one of the tears, the edge of his finger easily passing through the ruined rubber. “Jesus.”

Perhaps you should have been surprised when he turned back to the bed of his truck and pulled out a tire and then another and another until four new tires were stacked neatly beside your car. But you had a feeling Jake would always be three steps ahead of you. Infuriating.

“Please tell me you didn’t buy me new tires.”

“All right. I won’t tell you that.”

“Seresin, you can’t be serious. Tell me how much I owe you.”

Jake leaned forward just enough to steal the keys from your hands and popped open your trunk before handing them back. “I don’t want your money.”

“Well, that’s too fucking bad,” you retorted as you followed him to the back of your car. “Tires are expensive! I can afford it. Just let me pay you! You’re already saving me money by not making me take a tow truck. And I might actually make it to brunch on time because of you, too. If you don’t give me an amount, I’ll have to guess.”

Jake moved the mat in your trunk and found your jack and tire iron and then gently grasped your hand that you’d set on the lip of your trunk and moved it before closing it. He then tugged you closer with that damn dimpled smirk and stared down at you with his stupid green eyes. “I’m not taking your money.”

“I will shove money into your pockets at the most inopportune moments and ruin every conquest you set your eyes on.”

But the threat fell flat as Jake’s smirk widened. “So, you’re planning on sticking your hands down my pants…repeatedly?”

Heat washed over you in an angry wave and you pulled your hands out from under his with a grimace instead of a snarl. “Only you would say something like that.”

His smirk continued as he stepped back and set the jack beneath your car and started to twist. “I’m not taking your money.”

“I’m paying for your drinks at the Hard Deck forever.”

“No.”

As he twisted the jack, your eyes were drawn (inevitably) to how his sleeves strained with his moving muscles. That shirt was fighting for its life and you were ogling him like a piece of meat (again). This whole situation was ridiculous! The man who’d tried to kill you twice had slashed your tires and you were flirting (possibly, maybe) with Jake like you didn’t have a care in the world. All of this was wrong. And incredibly stupid.

“Whatever. I’ll do what I want,” you lamely replied, hoping it sounded stronger than it felt.

“I’m sure you will, Punch.” Each word was dripping with something you couldn’t and wouldn’t name and you hated that Jake was able to easily have you smiling when he was there to fix a problem you created.

The tires were changed out within an hour and you invited Jake inside for a glass of water and asked if he wanted to tag along to brunch, it was the last you could do, right?

“I wouldn’t want to intrude-”

“You’re not intruding. Bob’ll be there, too.” The brunch had been an impromptu plan anyway, cobbled together while you’d worked on Natasha and Bob’s jet and listened to Maverick and Cyclone berate the Top Gun students who had started another fight on the tarmac (apparently having learned nothing from the dog fight football games). You’d just been happy your pilots hadn’t been caught in the crossfire this time.

Jake looked at you over his half-finished glass of water and you had to keep yourself from shrinking away from his gaze. His glass clinked against the linoleum as he finished and you tried not to notice how he licked his lips free of the last few droplets of water. “So?” You pushed out, trying to keep your voice level. “Wanna come along?”

Jake’s silence turned at something in your stomach and Bradley’s not-at-all true observation was echoing at the back of your mind before Jake’s smirk returned. “You’re going to try to pay for brunch, aren’t you?”

You hadn’t even thought about it but… “Well, I invited you, so-”

“No.”

You groaned, snatching the glass from him and setting it in your dishwasher as Jake chuckled behind you. “You’re being a child.”

Jake rounded the corner, pushing further into the kitchen behind you, and crossed his arms over his chest (and no you weren’t looking at his arms again). “Why won’t you let me do anything nice for you?”

You frowned and matched his stance and crossed your arms, too. “I let you do nice things. You came with me to Junior’s party with me.”

“After you drove me there and tried to have me take credit for your gift and you introduced me to that group of brass to help me with my career.”

“That was a coincidence.”

“But you still did it.” He stepped closer and you hated that it was instinctual to take a step back, too. “Want to tell me why everything I do for you has to be reciprocal?”

That wasn’t the question you were expecting and your fingernails dug into the meat of your arm as you tried to keep your face neutral. “There’s give and take to everything. And I… You should just let me pay you.”

“I’m not gonna let you pay me, Punch. And you’re going to learn that not everything is a give and take. Who taught you that, anyway?”

God. You hated this. You hated these questions and the soft look in his eyes. “Does it matter?”

“Of course it matters,” Jake scoffed.

“Why?”

You could see Jake’s jaw clench, tendons working and tightening. But as quickly as it started, it stopped. He just shook his head and the tense silence in the kitchen continued to stretch until it was finally broken by Jake’s next question. “Are we ever going to talk about it?”

And you knew what he was asking. And you wanted to hate that he was connecting dots that you had tried to erase. “What is there to say? You know everything now.”

“I heard it from Rooster, not you. It is your story, Punch.”

“Rooster knows it just as well as I do, I think,” you muttered with a shrug, trying not to shrink away from him. “What else is there for you to know?”

Jake stepped forward, enveloping you in the scent of his expensive cologne and tinge of jet fuel that seemed to cling to him as he closed the distance to stand at your side and brush his arm against yours. “I want to know everything. Haven’t I told you that?”

You gnawed at your lip for a moment before stepping away from the counter. “I don’t know what you want me to say. Luke was an asshole then and he’s an asshole now. I should’ve seen the signs, I get that. I do. But he was so good when he wanted to be. And after being an afterthought for most of my life, it was nice to pretend that someone was choosing me.” This was just pathetic. Stop talking. Stop talking. If he hadn’t thought of washing his hands of you before, he was surely doing it now.

“What do you mean you were an afterthought?”

You rolled your shoulders and turned just enough to look at him before glancing at the little clock above your oven. “Doesn’t matter now. But, if we leave in the next five minutes, we’ll probably beat Natasha and Bob to brunch. So, are you coming?”

The ride was mostly quiet on the way to the restaurant Phoenix had picked overlooking the water. But Jake knew you were thinking about telling him something else as you sat in his passenger seat, watching the road pass your window. So, he just told himself to be patient. Again. It was a bright spot to finally know what you looked like in his truck. God knows he’s imagined it more than he’d like to admit, like some lovesick teenager.

You were picking at your cuticles without taking your eyes off the passing scenery. Jake had never seen you nervous, not like this. Even when the Daggers had to ship out for a short deployment and you had to watch them all take off from the carrier, you didn’t act like this. He watched you lean forward just a bit and your eyes narrowed and then it clicked. You weren’t watching the world go by—you were keeping an eye on the cars following the truck in the side view mirror. You were making sure Luke wouldn’t try to run you off the road again.

Jake looked in the rear view mirror and saw sedans, coupes, and a handful of SUVs, and a smaller number of trucks. But not a single black charger. It was clear for now. But you still picked at your cuticles and didn’t peel your eyes from the window.

Jake reached out and set a hand over yours, stilling your picking. You jumped under the touch and Jake curled his fingers over yours a little tighter, trying to anchor you to something else a little less destructive. “We’re okay, Punch, all right?”

You looked at him and Jake hated that he had to look at the road for safety purposes when you searched his face for something. “For now,” you said in return, once again turning to look out at the cars.

Jake squeezed your hand again and didn’t let go even as you muttered the next handful of directions to the restaurant. He awkwardly shifted into park and took the keys out of the ignition after finding a spot in the steadily filling lot. Your shoulders were slumped as you turned back to him, face unreadable except for the pinch between your brows that he wanted to smooth with a brush of his thumb.

(Maybe one day.)

“All right. We’re gonna go in there, eat our weight in overpriced waffles and then I’m going to take you home and double check your windows and locks. Okay?”

Your eyes swept up to look up at him and Jake felt that familiar warmth starting to unfurl in his chest. Your thumb swept over his knuckles but he wasn’t sure if you were aware you were even doing it. “I can’t afford to buy you your weight in waffles.”

Jake barked out a laugh and shook his head. “You’re not going to buy me brunch. Stop trying.” He had to bite back the pleased smile he felt growing when he heard your gasp after he raised your joined hands and pressed a kiss to your fingers.

“You are ridiculous.” Your voice was tight as it wheedled out from between your lips before you (slowly) pulled your hand from his and reached for the door handle. “C’mon. We need to get on the list.”

The air was tinged with the scent of sea salt and syrup as he followed you into the glass and metal building, already teeming with people. You were quick to give your name and group size to the hostess who said it would probably be a fifteen minute wait. Just as you turned to grab one of the oddly shaped bar stools near the door to it for your name to be called, Phoenix was striding in, too. She pushed her sunglasses up her hair before sweeping you into a hug with a loud kiss to your cheek. “I knew you’d beat me here.” Then her dark eyes dragged to Jake as he stood behind you. “Hangman. What’re you doing here?”

“He drove me,” you said. “I figured it would be fine.”

“Of course it is,” Phoenix said, waving it away but Jake knew the gleam in her eyes. She wasn’t quite finished. “You two arrived together?” She asked, eyes bouncing between you and Jake.

“Ken fixed my tires. Figured I could treat him to brunch as a thank you.”

Jake had to groan at that, knocking his hand into your hip and earring a halfhearted swat at his arm in retaliation. “I told you, you’re not paying for me.”

Phoenix hummed and anchored her gaze on Jake and he fought the urge to stand a little straighter. “Yeah. That was awful nice of him. When you told me that the neighbor kid slashed your tires, I thought Hangman would be a gentleman and drive you to the tire shop. Not fix them himself.”

Neighbor kid. You had lied to Phoenix? Granted, her text had just said that your tires had been slashed and that you’d needed help—it wasn’t exactly filled with details. Jake had assumed that she had known. But that didn’t matter now and he plastered his well-used smirk on his face. “Well, I’m a-”

“Don’t stroke your own ego, Bagman.” She then glanced at something over his shoulder and smiled. “Bob just got here. Bob!” She threw up a hand to grab the WSO’s attention and he jogged toward the group when he spotted her. He nearly collided with a waitress and they both apologized—profusely—before going their separate ways. By the time Bob reached their little group, his face was a vibrant and familiar shade of red.

“Nearly swept that pretty girl off her feet, Baby on Board.” Jake braced for the hit he knew was coming and winced when Phoenix’s fist collided with his arm.

The group was seated soon after and Jake had to bite back a grumble when Bob was the one to pull out your chair for you when you reached the table. When Jake went to do the same to Phoenix, she hit him again.

Bob was nearly the shade of a strawberry when he realized the woman he’d nearly bowled over would be your waitress and nearly dropped his silverware roll when he noticed her striding over to the table. Food was ordered—both you and Jake ordered waffles while Phoenix wanted to try the brioche French toast and Bob wanted eggs Benedict with steak—and mimosas (and pineapple juice for Bob) were poured as Phoenix regaled the table with her run-in with a guy at the gym on base. The Ensign hadn’t realized Phoenix a) outranked him and b) wasn’t interested in bulging muscles and whatever the younger man could(n’t) provide. The interaction ended when Phoenix “politely” challenged him to a friendly competition to see who could handle more weight while doing hip thrusters. Phoenix started out with thirty pounds more than him and he called her a dyke so she had him barred from the gym and probably had a meeting with his commanding officers on Monday, too.

You giggled and tipped your mimosa flute into Phoenix’s before you both took a sip. It was good to see you smile like that.

The waitress came by a few minutes later with the food and she was quick to divvy up the plates but Jake watched her make sure Bob’s was the last plate and she stood at his side and carefully set it down, making sure to bend down just enough to brush against his arm. “Careful, the plate is hot,” she practically purred.

(Phoenix quickly had Jake’s laugh turning into a poorly disguised cough when she sent him a look across the table.)

“I’ll be careful. I can handle it.”

Then the waitress actually giggled and stood straight, setting her hand on Bob’s shoulder for just a moment. “I’m sure you can. Let me know if you need anything else, okay?” She then turned and walked away with an exaggerated sway in her hips which Bob completely missed because he was busy unrolling his silverware.

The group watched him as he carefully cut into his meal and shoved a bite between his lips. He went to take another when he noticed the stares. “What?”

“Robert,” you started, voice strained to avoid a giggle. “She was flirting with you.”

His fork froze before it reached his mouth.”No, she wasn’t. She told me the plate was hot.”

Phoenix reached over and patted her back seater’s shoulder. “Oh, Bob.”

The other man’s blush returned and he shoved the bite between his lips. “How is telling me that the plate is hot flirting?”

Jake shook his head and fought a smile of his own. “Listen, do you like her?”

Bob chanced a glance at the waitress at the hostess booth and immediately ducked his head when she caught him and wagged her fingers at him with a wink. “She’s beautiful.”

“But?” Jake prodded, hearing a slight hesitation. He had always been good at reading people (you were an exception), and Jake had played therapist to a handful of the Daggers since he proved he could be someone other than Hangman. He wanted Bob to be happy.

“But I don’t know. She looks like she’d eat me alive.” He fiddled with his fork. “Can we talk about something else?”

Jake was the one who shifted the conversation to the insufferable group of Top Gun pilots that would thankfully be leaving soon enough. A friendly bet was placed on who everyone thought would actually get the trophy and Jake tried not to smile too much when Bob knocked his foot into his as a quiet thank you and you, seemingly unaware of Bob’s quiet gratitude, set your hand over Jake’s arm for a moment in your own show of appreciation. As soon as it happened, it was gone again.

That was okay. Jake was determined to have it happen again.

Brunch continued on and finished after another round of drinks and splitting a funnel cake that the waitress insisted they try. Jake was sure the woman pouted after not receiving Bob’s phone number when he signed his check but he wouldn’t mention it. Jake liked this strange bit of normalcy. With you. He even if both Bob and Phoenix made vague threats against his life if he hurt you. Jake was determined to have more of these moments with you. Even if you grumbled about Jake hustling to get to the truck before you so he could open your door.

The tension in the cab on the way to brunch was absent now and Jake didn’t even care when you teased him about his choice in radio stations—calling him a cliche for listening to early Tim McGraw. But you said it with a laugh and Jake had to laugh, too. He liked that it was you who brought up Bob and his interactions with the waitress.

“I want Bob to be happy. And he’s mentioned once or twice that he’d like to have a family.”

Jake thought for a moment before the perfect person popped into his thoughts. “I know a girl.”

“No, you don’t. I don’t trust your taste in women.”

And Jake had to laugh at that. Had to. You were his taste in women. But the person he had in mind for Bob would be perfect. “She’s a CPA. Wears glasses. And she only drinks ginger ale despite helping Penny with the Hard Deck’s taxes. And she’s the only person outside of Texas that I trust with my tax return.”

Your face scrunched and Jake knew you were thinking it over. “Just because they both wear glasses and have an affinity for Seagram’s doesn’t mean they’d be a good match.”

“Just trust me. It might take a minute to get her to look him in the eye-”

“She’s shy?”

“So shy. It’s adorable. And just what Baby on Board needs.”

You scowled at him but he knew you didn’t really mean it when you knocked your shoulder into his over the center console a moment later. He eventually pulled into your driveway and threw the truck into park before turning to you but you were scrambling out of your seat and up to your front door before he could even get a word in edgewise.

Oh.

Jake wasn’t sure if he’d ever been rejected as soundly as that before. But then he saw you waving him forward from your front stoop and Jake nearly clocked himself in the face with the seatbelt buckle as he hurried to follow you inside. He shut your door behind him, engaging just two out of the five locks as you hurried toward something just down the hall.

“Punch?”

“Just a moment!” You yelled in return.

Jake resisted the urge to settle on the couch again, like he’d done weeks ago. Everything seemed different now. You weren’t trying to push him away and he could hear you shuffling something in the other room and he was suddenly struck with a daydream of coming home to you, waiting for you to notice his presence and smiling when you saw him. “You’re home!” As soon as the vision came, it was gone, and Jake shook himself a little as if that would help him forget what he’d conjured up. What he’d wanted since the moment you first called him Ken, even if he never admitted it out loud.

You walked back into the living room and slapped something down onto the small table you had lining the back of your couch.

“Whatcha got there, Punch?”

Your answering smile was all teeth, like a cat who got the cream and Jake saw that it was a fifty dollar bill as it peeked from between your fingers. “Well, I added up how many miles it is from base, to my house, to the restaurant, then back to my house and then guessed on how many miles you get per gallon. And, you use premium gas, right? Either way, this should be enough for gas, but if you use diesel, this should cover it.” You slapped another fifty atop the first after pulling it from your back pocket.

Jake looked at the stack of cash and then back at you before he sighed, a long put-upon sigh that he knew was obnoxious but it was worth it when he heard you try to stifle a laugh. God. You were relentless.

“First, I don’t know how to break this to you, but you’re awful at math. Like, so bad.”

“Hey!”

“And second, I’m still not taking your money.”

“You’re being stubborn.”

“I’m being a friend, Punch. Friends drive each other around and help them when they need it. And I’m willing to bet-“

“I’ll take that bet.”

Jake continued on, ignoring you, “-that you wouldn’t expect to be paid back if our places were switched.”

You pulled your lips into your mouth for a moment and drummed your fingers against the money. “I lost that bet. Guess you’ll have to take the money.”

Jake groaned but he could feel a laugh starting to bubble in his chest. “You’re impossible.”

It was too soon to call this a victory, but you were sure you were closing in on one. He would take the money and then you could pretend to feel fine about everything he’d done for you. Sure.

“Actually, I have something you could do if you’re so hellbent on paying me back.” Before you could ask what he meant, he was unlocking your door and jogging out to his truck and pulling something out, tucking it behind his back as he returned. “Can you sign this for me?”

Then he dropped a purple book in your hand and your stomach dropped to your feet as you looked at the gold lettering across the cover. “You snooped!” You said, too embarrassed to be angry. You held the book up to your chest as if that would guard you from his knowing look or the embarrassment starting to churn your stomach.

“You knew I would! Why��re you surprised?” His smile was back and he took a step toward you. You took a responding step back until he was crowding you against your bookshelf, hands landing on the shelves on either side of your shoulders. And it could have been a threatening stance, an unnerving cage, but all you felt was safe. Safe as he blotted out the rest of the world and it was just you and him and your books in the quiet of your home.

You should not feel like this, you knew that. It was stupid and dangerous and you couldn’t stop it. What had happened to your resolve that you had just yesterday for keeping him at arm's length?

Your fingers drummed against the paperback and you hurriedly flipped it open when your eyes tracked down to his mouth. Oh. “Should I sign it ‘To Ken?’ Or-”

“Could you actually sign it for my sister Mia? She reads your books in her book club.”

“Oh.” Was all you could say. That was…that was actually really nice to know. You knew people read your books; Danny had framed a newspaper clipping showing your second book reaching a top ten spot one of the Best Sellers lists and had gifted it to you for your last birthday. They were mildly popular, you knew that. But to actually be confronted with the fact that someone you vaguely knew was reading your books was something else. You reached back and grabbed one of the pens you kept in a cup on the shelf. “Mia? She’s your oldest sister, right?” A quick glance up at Jake had your heart twisting. His look was too soft. Too happy.

“Yeah, Punch. That’s her.”

You took the time to write your pseudonym with extra flair and then added a heart next to Mia’s name, too. “Is this for her birthday or anything?”

“She’s…” Jake paused for a moment. “She’s just going through a rough patch right now. Your books make her smile.”

The pen stalled on the page for just a moment before you shoved at his chest to get him to back up just enough to grab at your ARC for your newest book and quickly scrawled, Wishing you expensive champagne and good memories! Happy reading! You then signed your name again and added a half dozen hearts next to Mia’s name at the top of the page. You slapped both books against Jake’s chest with a frown. “That book hasn’t been released yet, so I may get in a bit of trouble with my publisher if she tells anyone.”

Jake’s hands covered yours on the books and the toe of his shoe knocked into your socked feet as he moved closer, dragging your attention back to his stupidly handsome face again. “She won’t tell anyone but I know I’ll probably get an earful about how I got them.” His thumbs brushed against your knuckles and you would swear that you could feel it behind your ribs. “Where’d you get that name anyway?”

You almost snorted at the way he phrased that question, like you found it on the side of a cereal box. “My parents were obsessed with Stephen King—they actually met at a book club specifically for King’s books. My sister, Georgie, was named after the kid who got their arm ripped off at the beginning of It. And my brother, Danny, is named after the kid in The Shining, Danny Torrance.”

“And you? I don’t think I’ve read your name in his books.”

It was a fair enough question. King had dozens of books and Jake didn’t seem like the type to clamor for the newest release. “I was named by my grandparents after they discovered the reasoning behind my sister’s name. If my parents wanted to stay in the will, I had to have a name they picked. Of course, when my brother was born, my parents picked something a little more innocuous so they wouldn’t rock the boat again. But, anyway, to actually answer your question; I took my siblings’ names as a sort of thank you to them. Georgie became Georgia and I took Danny’s literary counterpart’s last name. And Georgia Torrance was born. I wrote most of my books when I had downtime on deployments. I took a chance and sent it off to an agent and I got a nice contract with a moderately respectable publishing house. It isn’t Stephen King money by any means, but I can upgrade my plane ticket to Business Class if I wanted to once or twice a year.”

“Your parents must’ve gotten a kick out of that.”

You tried to fight the sigh you felt growing in your throat but lost. You also lost the wherewithal to keep a single secret from him. “I don’t know. I don’t really talk to them.”

“What?”

“After Danny got sick, all of their attention was on him, which I understand. I do. But I was still just a kid who needed her parents every once in a while. But it was like I ceased to exist to them until they remembered I could help with the hospital bills. Georgie was already out of the house and getting her degree and would call but it wasn’t the same. I kinda gave up on having a relationship with my parents after they forgot about my rowing meet and I waited to be picked up for three hours before eventually just walking home.”

“Punch-”

And once you started, you couldn’t stop, like a can of pop shaken and bursting. “Danny was hooked up to like six different machines and was high off his ass and he apologized for all the…all the bullshit. I told him it was unnecessary. He was sick. I’m just happy he’s healthy again.”

God. You really knew how to ruin every moment, didn’t you?

Jake set the books on the shelf just beside your shoulder but was quick to lean over you again and you hated how Jake really was a certifiable blueprint for a romantic literary hero. You could write a single description of him in your next book and you’d know it would skyrocket to the top of the Best Sellers lists but you had been actively avoiding trying to piece together a story from your life. And, as if he knew you were debating something, the bastard actually propped his other arm up on the bookcase and leaned over you. Oh god. He was doing the lean and was going to ask you something about your fucked up childhood.

Shit.

Alarm bells were ringing in your head, letting you know that this moment could be disastrous. So, you decided to not let it go on any longer. “Jesus. Sorry. I really know how to kill a good time, huh? I think I’ve taken up quite enough of your time for the day. Let me know what Mia thinks of the books, okay?”

You ducked beneath his arm, intent on leading him to the door, but Jake grasped your hand and pulled you to a stop. “No, c’mon, Punch. Don’t do that again. Don’t shut me out. I’m happy you feel like you can tell me stuff like that, that you’re comfortable enough to trust me with that. Don’t pull away again. Not from me.”

You knew that if you looked at him right now, his green eyes would be wide and pleading. So, you just didn’t look. “I don’t know what I’m supposed to do right now. I don’t know why you’re doing this, Jake.”

“Doing what?” He asked softly, as softly as his hand on yours.

“Buying me tires? Driving me around? Being…being this fucking nice to me all the time when I’ve only been a dick to you?” You asked as you felt your chin wobble. “Why?”

Jake was quiet for a moment. Just a moment. “You know why.”

“No! No, I don’t because…” You couldn’t finish the sentence because then it was real, it would be real and you didn’t know how to deal with that again. You looked up at him and tried to remember what you were protecting him from. Pulling your hand out of his, you set your hands on your hips. “Because you can’t.”

Jake’s shoulders rolled before his lips set in a thin line. “I do. And I know you feel the same.”

You scoffed and tried to ignore the warmth in your chest that he was right. He felt the same. Wouldn’t that just be the worst? “You really think that highly of yourself? You’re so sure that I-”

Jake leaned closer and the rest of your argument stalled. You could smell the mint on his breath from the stupid toothpick he was chewing on in the truck just beneath the warmth of his cologne. God. He was intoxicating. You almost hated him for a moment because every ounce of fight you had drained out of you. “Ken.”

“Tell me to stop and I will.” He moved closer. Closer. Closer.

His warm hand skirted up your arm until it settled against the gentle arc of muscle between your neck and shoulder and the other settled on your hip. You could feel each of his fingers pressing into your skin like a brand. Every breath he took brushed against your mouth and you licked your lips without a thought as he leaned even closer.

“Last chance.” You could feel his smile against your mouth, growing with each syllable.

And you had to smile. Had to because he was your Ken and this felt inevitable. Jake was inevitable. “Do your worst.”

He kissed you and it was instantly all consuming. Surely, he could feel your smile, too. You actually laughed against his mouth as your hands pressed against his chest. Jake pulled back just enough for you to see his smile before he kissed you again, catching your bottom lip between his and tugging to have you gasping. His stupid, perfect teeth nipped at the skin and he was quick to soothe the sting with a flick of his tongue.

Then you were moving backward, guided by his gentle movements, until your spine went flat against the wall beside your bookshelves. The kiss was all smiling lips and searching tongues as Jake held you tight. Everything was warm and tinged with the mint on his tongue and Jake Jake Jake.

His thumb pressed into the hinge of your jaw and he sighed against your panting mouth. “So fucking good.” His voice was hoarse and you could feel it curling in your stomach.

But your entire body seized when you felt his hand move to wrap around your throat as his mouth continued to work against yours. You couldn’t help it; you flinched. The kiss ended abruptly as you pulled back despite you not wanting it to end. But it couldn’t be helped. Not yet. You watched an array of emotions flash across Jake’s face before it settled on despair.

“Fuck.” The single syllable was wrenched from his throat as he took a step back and his hands fell back to his sides and left you cold. “Fuck, Punch, I’m so sorry. I wasn’t thinking, I-”

“W-wait…I just…” How could you even phrase this without sounding unhinged? “I just need a moment.” Your next breath rattled in your lungs but you still reached for his hand and raised it again, moving it just enough for his fingers to encircle your throat once more. The roughened planes and angles of his hand had you shivering but you managed to drag your eyes up to his and tried to not show how nervous you actually felt. “It… you can, if you want. I’d actually prefer to have some good memories of something like this instead of-”

The rest of your rambling was cut off as his lips pressed against yours. The grip on your throat grew a little more insistent, a little heavier, but nothing stronger than just a simple weight, an anchor at your pulse. His other hand smoothed up your arm to curl over your cheek just as he pried your lips apart, delving into your mouth to steal the building whine from your throat.

Your heart hammered behind your ribs as you felt the warmth of Jake’s hand bleed through your shirt as his palm brushed the side of your chest. He moved forward and your legs instinctively parted to accommodate the thigh he was shoving between yours and your next breath caught in your throat when the denim brushed against the crux of your thighs.

“Fuck,” you hissed when Jake’s lips seared a path across your cheek and down your throat to bite at your thrumming pulse. You hadn’t even remembered when your hands had dropped to wrinkle his shirt again but you still pulled him closer as every nerve ending sparked. And then-

“Dancing Queen, young and sweet, only seventeen!”

Immediately, you pulled away from Jake with a grimace as ABBA’s song continued to fill the air. “Oh Jesus, that’s Natasha’s ringtone. She never calls.” You ducked beneath his arm for the second time tonight and pulled your phone off its perch on the kitchen counter and answered it as you heard Jake sigh. Turning to look at him, you saw his head drop to his chest for a moment before standing straight again and following in your footsteps toward the kitchen.

“I asked Rooster out and I think he thinks it is just as a friends thing and I want to bash my head against the wall.” Tasha screeched, words running together in a rush. She continued on, explaining that somehow she and Bradley had been roped into helping Penny restock the Hard Deck before opening today and Natasha had (finally) acted on her (reciprocated) feelings after Rooster had been his usually flirty self the entire time and then dragged Natasha to the piano and made her sing along to Elton John’s Your Song. Jesus.

You looked over at Jake to see him looking at you with another soft look on his face and a bit of pink in his cheeks. “I’m sorry,” you mouthed to him.

He waved it away before stealing a quick kiss, too, that had your heart rate picking up again.

“Punch? You there?”

You pushed out a breath and shook your head as you pressed a hand to Jake’s chin, keeping him from doing it again. You could feel his self satisfied smirk against your fingers. “Yeah. I’m here. And, um, I don’t know. I think you’d be surprised with Bradley. He’s probably picking out his nicest Hawaiian shirt in preparation.”

Tasha groaned but you had to smile because Jake nipped at your fingers. “You think?”

“I do. It is gonna be great. I know it.”

She sighed, crackling the line, but eventually agreed. “He can’t be that oblivious right?” She asked, making you both laugh. “Also, don’t think I’m forgetting about you and Hangman coming to brunch together. We’re gonna talk on Monday.”

“You don’t forget anything, Tasha. I’m well aware.”

You eventually said your goodbyes after promising her you would talk to her on Monday and then dropped your phone on the counter again and your hand from Jake’s mouth.

“I never thought you’d be a tease.” His tone let you know he was joking but you also could have guessed with the smirk pushing at his mouth, too.

Your jaw dropped for a moment before an embarrassed giggle rippled out of you. “I said I was sorry! I was worried!” Biting your lip as you looked at him, you shook your head. “I didn’t mean to ruin the moment.”

“It was quite the moment, huh?” His smirk had fallen to a soft smile despite his self assured words.

“Yeah, it was.” You didn’t even want to tease him now but then a small voice whispered at the back of your mind that it wasn’t a moment to him. After all, who would want-

“Steak or seafood?” He asked, knocking the rest of your thoughts right out of your head.

“What?”

“I have a list of restaurants that I want to take you to, if you’re willing to let me pay and bring you flowers.” The usual bravado that bled through all of his words wavered now. Was he nervous?

“Sounds like you’re asking me out on a date, Ken.”

“I’m trying here, Punch. So? Steak or seafood.”

Hope and happiness were blooming and twisting and growing within the confines of your ribs now. He wanted to take you out on a date. “I’m allergic to shellfish,” was all you could say through your smile.

“Steak it is. I’ll update my list when I get home.” He reached out and swept his thumb across the slope of your cheek and you found yourself leaning into the touch a little more. Jake seemed content to just hold your face in his hand for a moment before he leaned forward to press a kiss to your temple. “I should go. I want to do this right with you.”

“What do you mean?”

“I want to wine and dine you, darlin’. Want to earn those lips of yours again,” he said as his thumb moved to press at the heated skin of your bottom lip. “You deserve it. And I want to be the one to give it to you.”

For just a moment, you worried that Jake would hear how hard your heart was beating. No one had ever said anything like that to you before. “Oh.”

This was different. Jake was different. You just had to give him permission to show you.

“I’d like that.”

He smiled and stepped back, hand dropping back to his side. “You’re a good friend to Phoenix, by the way. Bradshaw, too.”

You smiled again. “They’re good to me. All of you have been.” Slowly, you herded him toward the door, knowing he had a plan.

He stopped at the door, just after you undid the locks. “Does Phoenix know?”

You shook your head, knowing exactly what he was asking. “It’s hard enough to be taken seriously in the Navy as a woman. She had her own battles, Luke was mine. I always thought she was so strong and, for a while, I thought she’d just see me as weak if she knew what I’d put up with. But I know now that is an unfair thought. Tasha is and always has been one of my best friends and staunchest supporters. I should tell her, right? And maybe I will, after all of this is over. I don’t…I don’t want anyone else I care about to be wrapped up in this. I don’t want anyone to get hurt because of me.” And you tried to ignore the sinking feeling that you had once again put Jake in Luke’s crosshairs.

But this time had to be different. It had to be.

Jake shook his head and cupped his hands at the back of your head before touching his forehead to yours. “We’re going to finish this, okay? We will.”

You nodded and smiled despite it all when he pressed another quick kiss to your forehead—it was like he couldn’t stop kissing you. And you weren’t about to complain. “Get home safe, Ken.”

You watched him get into his truck and waved as he pulled out and you knew he was telling you to lock your doors through the windshield. Your phone rang again just as he disappeared down the road and you knew by the way Jerry Lewis blared that it was now Bradley calling.

It had only been two days since Jake kissed you and had promised you a date. Two days and it was like the entirety of Top Gun was trying to keep you apart. You barely saw each other after he got roped into helping Captain Mitchell and Admiral Simpson into looking over the files of the next hopeful batch of aviators who could be called to San Diego. But it was fine. Sure. It wasn’t as if you could walk in holding his hand; you were still in the Navy and there were still protocols and rules you needed to follow. You had a feeling you and Jake would be breaking a lot of them.

You were kept busy with repairing Harvard’s jet after he managed to land safely after a bird strike. Your lunch breaks and evenings were spent talking to either Natasha or Bradley about their upcoming date-not-date while not revealing that you knew what the other was thinking. You did, however, mention to Bradley that Rueben and Mickey had started a betting pool about how long it would take Bradley to admit who he was in love with after Mickey spotted him with a pad of paper during lunch which was apparently filled with a speech about loving someone for years. You then spent the next hour workshopping the speech he was going to say to Natasha. It was beautiful and heartfelt and filled with analogies you tried to trim down (gently). He was still, annoyingly, assuming that their dinner on Wednesday was not a date in Natasha’s eyes but he was still going to try to confess his feelings and hope for the best.

You knew he’d be over the moon with how Natasha would react.

As Wednesday bled into Thursday, you were nearly dead on your feet but you’d been watching Natasha and Bradley all day, trying to decipher how their date had gone by their body language. You drove home that night without many answers but your phone rang just before you pulled down your street and quickly answered when Natsha’s name flashed on the screen.

“Hello?”

“He said he’s in love with me!”

“Hello, Tasha. How are you? I’ve had a great day. How was yours?”

“Oh, shut up!” She laughed. “I’m freaking out! He said he was in love with me—has been for years, apparently—and all I did was kiss him afterward. That’s not fair, right? I also need to have a speech. I can’t let him win this. I want to do a PowerPoint.” You had to mute your phone at that so she wouldn’t hear you snort. Everything was a competition. “Do you have that picture of me and him from Mav’s birthday last year?”

“I do,” you said, knowing exactly which one she was referencing. It was of Bradley and Natasha at the piano. Bradley had just led everyone through a rendition of ‘Happy Birthday’ for Mav and there was still a flush on his cheeks. Natasha was right next to him in a stunning blue dress and smiling at him. It was the picture you promised to yourself that you would show at their wedding. You rushed inside, pinning the phone between your ear and shoulder and hurriedly shut the door behind you before darting toward your bedroom without bothering to turn on any of the lights—you said you’d drop it off at her apartment as soon as you’d found it. You were going to be in and out. You flopped onto your stomach, overturning the small mountain of pillows you had at the headboard, before grabbing at the storage container beneath the bed frame. You hauled it up and onto the bed and flipped the lid. To your chagrin, your “filing” system was essentially nonexistent when it came to photos and you started to sift through them as Natasha continued to talk, telling you about the date she’d planned and laughing about how much Bradley had stumbled over his speech.

God, it was so nice just to hear her laugh. They were going to be happy together. You knew it.

A door opened and closed slowly in the distance—your neighbor must’ve finally sprayed his door with WD-40 because it didn’t creak. Good. It only took him three years. But your heart nearly stopped when you heard your neighbor’s door open a few seconds later and its distinctive creak filled the night air. Something thumped down the hall and your spine went rigidly straight, still holding the phone to your ear as blood roared in your ears. You hadn’t locked the door. You had been inside for less than five minutes and you hadn’t thought it was necessary–you would have been leaving again soon anyway.

But you should have taken the time. A careless, stupid mistake.

The noise came again and sat up on bed, spilling the pictures in your hold onto your blankets. “Punch?” Natasha asked, pulling your focus. “You still there?”

“I…I think there’s someone in my house,” you whispered. Every part of your body was telling you to run. Right now. But where could you? Your house had one door and the person was in your living room.

Natasha was quiet for just a moment before whispering, “I’m gonna call the cops, okay? You hide.”

“N-no,” you hissed. “Don’t hang up. Stay with me.”

“Okay. Okay. I’ll stay on the line with you, but-”

The line went dead with three terrible beeps and you wrenched the phone away from your ear to see ‘Call Lost - Try Again?’ written across the screen. No matter how many times you tried to call or text, nothing went through. The little icon at the top where you usually saw the lines denoting your network was now just a terrible X. The network was either down or whoever had come into your house had turned on a jammer. And you knew which was more plausible—but god, you had never wished for a network outage more.

Slowly, you slid off the bed and into the hall just as you heard the distinctive sound of a boot hitting the corner of your coffee table. Someone was in your house.

Mia had loved the books. Apparently her book club had ooh’d and ahh’d over the signed book but she had, as Jake knew she would, kept the copy of your newest book a secret but had rattled off her opinions to Jake. “And I can’t believe you know her!” She squawked on the other end of the line. It had been so good to hear the smile in his sister’s voice again. It was priceless. Jake had also evaded any questions as to who you were–it wasn’t his secret to tell–but he hoped that you’d be the one to tell Mia sooner rather than later.

It had been a good day. For the most part, anyway. He would have preferred to have had more than just a small smile and wave from you for the last few days, but he could be patient.

When Jake’s phone chirped with a new message, he’d expected something from Javy, keeping him up to date about the conversation he was hoping to have with his girlfriend’s father. The ring Jake had helped Javy pick out was burning a hole in his pocket and Jake hoped that his best friend would be able to plan a cool as fuck bachelor party and then make sure the whole wedding goes smoothly.

And maybe he could ask you to be his date. He could dance with you and make you smile and-

Any happy thought he had evaporated when he looked at his phone.

Someone broke into Punch’s house! I’m calling the cops!

Jake was in his truck before he could even think to type out a response and sped toward your house as the group chat started to explode with a barrage of texts he didn’t read. He knew who had broken in. There was only one possible answer.

Jake just hoped he’d get there in time.

You needed to get out of the house…or at least get to something you could use as a weapon. The baseball bat you kept near the bookshelves could work, right? Slipping further down the hall, you tried to tell yourself that you could get out of this.

Creak.

You clapped a hand over your mouth as you pressed your spine to the wall, trying to quiet your breathing.

Step.

He was in your kitchen. You knew the sound of hard soled shoes on the uneven tiles. Could you make a run for it? Could you trap him in the laundry room? That had to be your only option. You turned the corner into your living room and your stomach fell to your feet.

Luke was standing in your kitchen. Knife in hand. Waiting for you. He looked almost exactly the same as he did the last time you saw him. His brown hair was still cropped short. His brown eyes were still narrowed and cold. His clothes were rumpled designer brands. He hadn’t changed. And that was terrifying.

You dove for the baseball bat, curling your hands around it before you turned and swung blindly. The bat cracked against his arm and Luke yelled, low and guttural as he staggered backward for a moment. But then he was lunging forward and grasping at the bat to wrench it out of your hands. He threw it across the living room and it smacked against the wall, shattering the glass in two frames before knocking them to the floor with a terrible crack. You couldn’t go for it again. There was no way past him now.

You should have aimed for his head.

“It’s been a long time, hasn’t it, baby?”

You cringed at the nickname but didn’t take your eyes off the knife in his hand.

Luke didn’t wait for an answer to his question before barreling on. “And look what you’ve done. Got all those nice pins on your shirt, moving up in the ranks, and…” he paused as a smirk slithered across this mouth, “you got my dad’s money. A nice little nest egg.You’ve done well for yourself, haven’t you? And you didn’t have to work for any of it.”

He took a step forward and you took one back, ankle colliding with your coffee table.

“And what about me? I’m so glad you asked!” He snarled. “I’ve been dishonorably discharged. And you want to know why?”

“I had nothing to do with that, Luke. W-we had an agreement, remember? I keep my mouth shut and you…you were supposed to stay away from me.”

Luke’s tongue clicked against his teeth before he waved the knife. “You had everything to do with it. That LoA in my file was the straw that broke the camel’s back. I could’ve been given another chance if you had just kept your mouth shut when I told you to back in the-“

“I didn’t say anything. You were going to get Bradley killed!” The words bubbled out of you before you could think of the repercussions.

Luke was on you in a flash. The tip of the knife pressed over your sternum and you could feel it with each labored breath you sucked in between clenched teeth.

“He would’ve been fine! I know how to do my job! You ruined everything and then took my dad's money!” The knife pressed closer closer closer. It started to tear through the thin material of your shirt and shallowly cut your skin. The whimper you felt blooming in your throat died when you saw the gleam in Luke’s eyes.

Before you could even stop to think of an alternative, you threw your hands up and caught the knife. The edge sank through the delicate skin between your fingers and into your palm but you didn’t recoil. Couldn’t. You were only able to drag the knife down, the tip cutting against the skin just above your stomach.

Fresh pain bloomed across your face and it took you a moment to realize that Luke had slapped you. And then he did it again, making sure to send your head flying backward to slam into the wall hard enough and have stars dancing in front of your eyes. Your grip almost fell, loosening a fraction, and just for a moment everything was silent.

Just a moment.

You’d never be able to describe the pain that bloomed as Luke moved and drove the knife in, slotting it between your ribs and twisting with a vicious flick of his wrist. Your next breath stalled just behind your tongue as every nerve ending exploded with heat and teeth and a terrible popping sensation bubbled beneath your skin. “L-Luke…”

He pushed the knife deeper as he pressed his cheek to yours in an echo of the hugs he used to give you. “I used to miss you, you know. Did you miss me? I treated you so well. I was good to you. So good. I gave you everything.” The knife rocked back and forth and you felt the ridge of it with each movement. You felt all of it. Your grip faltered against the knife gain but you knew you couldn’t drop your hold.

He would kill you.

“And you had to ruin it. You ruined my life.”

“L-Luke…”

“I need to hear you say it, baby. Tell me you know what you did. You had this coming. All of it.”

“I didn’t,” you wheezed. Your chest was collapsing in on itself like you had a boar sitting on your sternum.

“Say it! You don’t get to play victim this time. You were the one who ruined my life.”

“You were a d-drunk! I did all that work for you until you told me you’d kill me if I made you l-look bad again!” Each word was a crack against your ribs, sharp and biting, but you couldn’t stop. This would be your only chance to say this, you knew it. If you were going to die tonight, you were going to let him know what you really thought of him. “You…” You sucked in a breath that only served to make you ache. “You only got through basic because your daddy bribed someone. You only got into the Navy at all because he made a phone call to someone after you failed the ASVAB. You…you fail at everything you do. You were a shitty AD. And you couldn’t kill me.” Blood dribbled out of your mouth and you felt it slid down your chin. “Twice. So you better make this count.”

Luke’s teeth glinted in the low light and he ripped the knife out only to plunge it back in. You felt the blade scrape against the edge of your hip as you let out a scream that fizzled out to a gurgle as more blood filled your mouth.

“I’ll make it count!” Luke seethed as he drove the knife deeper and pushed you into the wall.

Everything burned. Everything ached. And all you could do was scream as your knees knocked together, strength dribbling out of you with each frantic pulse of your heart.

Luke leaned forward to press his forehead against yours and the knife twisted. “Do you feel it, baby? Do you feel me inside you?” His breath smelled of the expensive cognac you knew he liked to guzzle and rolled your stomach.

“Luke.” You didn’t want to die looking into his eyes. You didn’t want to die at all, but you weren’t going to have your last earthly memory be of Luke and his cold eyes, so you shut your eyes as the tips of your fingers started to tingle.

The screech of a siren broke through the haze of your mind. You had to laugh but that, too, was cut short when Luke pulled the knife out and rushed toward the window to see the night sky filled with red and blue lights. You crumpled. Your hands slapped against the floor for just a moment before you slumped in a heap against the carpet as your arms gave out.

You vaguely heard your front door slam against the wall and knock another picture from its perch. There was an answering sound of glass shattering before warm, rough hands gently grasped at your shoulders. You struggled for just a moment when your scrambled brain thought Luke had come back to make sure you were dead. Unfocused eyes barely registered Jake kneeling above you.

“Punch? Punch, c’mon darlin’. There you are.” His voice was muffled but you felt yourself smiling anyway as everything started to prickle like you’d pinned your limbs beneath your weight for too long. The smile quickly died when Jake’s hands clamped down over your wounds and a surprised yelp punched out from between your teeth. “I’m sorry. I’m so sorry, but I gotta stop the bleeding.”

“I-it hurts.”

“I know. I know it does. But it’ll only hurt a little longer, all right? You gotta stay awake for me. The cops are almost here.” His grip tightened. “We’ll get you fixed up and-”

“Where’s…Luke?” Was he still in your house? Would he hurt Jake?

“I don’t know, darlin’. He’s gone. We’ll find him, okay? We’ll find him and he’ll never do this to you again. But I need you to stay awake.”

Black dots were pushing their way into your line of sight, blotting out Jake’s worried face. “Ken…Jake…I wanted to get steak with you.”

Jake pressed harder and you could only whimper. “We will go get that steak. It’ll be the best date.” His voice was muffled, like you had shoved your head under water. And you struggled to hear him at all.

“Promise?” You asked, blood on your teeth.

“I promise.”

You smiled, despite it all. And then you were gone.

#Jake seresin x reader #jake hangman seresin x reader #hangman x reader #jake hangman x reader #jake hangman seresin #tgm #female reader

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ghost-with-a-teacup · 1 year

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𝟐𝐀𝐌 𝐂𝐨𝐨𝐤𝐢𝐞𝐬 ~ 𝐒𝐢𝐦𝐨𝐧 '𝐆𝐡𝐨𝐬𝐭' 𝐑𝐢𝐥𝐞𝐲 𝐱 𝐑𝐞𝐚𝐝𝐞𝐫

Summary: Everyone has their own coping mechanisms when dealing with stress, their way of simply forgetting whatever was happening in their life, at least for a moment. Yours happened to come in the form of baking in the late hours of the night as you tried to ignore your worries for Simon as he was on his mission.

You bake at 2AM as you wait for Simon to come home.

Warnings: None! Only the fluffiest of fluff, you know the drill.

Pairing: Simon 'Ghost' Riley x Reader

Notes: This definitely didn't come to mind as I myself was baking at 2AM, no! Never! (side note, the cookies and cinnamon rolls came out great, hehe). Anyway hi, this is my first time writing for Simon, recently fell down the COD rabbit hole and all so apologies if anything is off. Aside from that, this is just a short lil fic that started off as a headcanon that spiralled out of control. Happy reading my lovelies!

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You're up late at night, again. Not that you could help it, thoughts were flying through your head at just about a million miles per minute. About how worried you are about Simon on his mission, about what could have happened to him, if he was uninjured, healthy, safe. It was like this every time he had a mission, and yet every time it became no less difficult. Being a part of an elite task force was an honour yes, but with honour comes the dangers of being placed on the most difficult of missions. And while even though you were at home, safe and sound, it scared you, the unknowing of what could happen to him. But more than that, you missed him. More than anything.

So to get your mind off of all the 'what-ifs' in your head, you bake. All sorts of things, cinnamon buns, apple pie, those lemon crinkle cookies you knew Simon adored so much. Following a recipe step by step to ensure a lovely end product managed to distract you at least for a bit, until you were left to your own devices once more after it was done. But it acted as salvation while it lasted, allowing an escape from the dark corners of your mind.

✧

Music fills the kitchen as you hum along, measuring and mixing ingredients as you swayed to the beat.

Your focus is entirely on what's in front of you, the task was for getting your mind off of Simon after all, so unbeknownst to you the door opens as the one person you were trying to distract yourself from comes home.

He walks in almost silently, there was a reason his callsign was Ghost, and drops his gear down by the entrance to go in search of you. It wasn't difficult, the lights acting as a pathway straight to where you were, the music going along with it. Stepping quietly, Simon makes his way over to the kitchen and for a moment he just stands leaning on the doorframe watching you flit about. An impossible fondness fills his eyes and chest as he does, you being so in you element always left him feeling that way. You doing anything really with him being there to witness it, because it means that he's finally home, at long last. But any place he could call home, so long as you were a part of it.

Once you finally stood still for a bit, mixing a part of the recipe, Simon makes his way over to you. Without a word he wraps his arms around your waist as you let out a gasp of surprise, tensing for a moment at the unexpectedness before relaxing once more as you realize who it is. In an instant the bowl is forgotten as you turn in his arms.

"Simon," you say softly, a smile overtaking your features as you return his embrace.

"Darling," he says, tone matching yours as he gazes into your eyes.

Nothing more needed to be said, he was home, and that was enough.

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Notes: And done! Just a really short fic, I think maybe even the shortest I've ever written, but sweet nonetheless. I hope you enjoyed!

#simon riley x reader #simon riley x female reader #simon riley #simon ghost riley #ghost x female reader #ghost x reader #call of duty #call of duty modern warfare #call of duty mw2 #call of duty mwii #simon ghost riley x reader #simon ghost riley x you #simon riley x you

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bugsinshoes · 14 days

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ok so i just watched @fordtato and @hkthatgffan 's respective videos about their interview with THE alex hirsch and i wanna just say OH MY GOD like SERIOUSLY

im gonna put my thoughts under the cut so theres no spoilers if you havent seen it already (BUT GO WATCH THEM NOW PLEASE !!!) + its gonna be LONG so BEAR WITH ME

ok, so i have MANY thoughts so sorry if none of this is coherent 😭 (this is not in chronological order of when the questions were asked, just me spewing out my totally normal thoughts about this interview so apologies for that)

starting off:

THE BABY IS SHERMIE?!?!?!? IM SO SO GLAD WE FINALLY HAVE CONFIRMATION WE CAN FINALLY LEAVE THIS TO REST !! I WAS RIGHT THOUGH SO HA !!! ACTUALLY SCREAMING !! TIMELINE BE DAMNED (also another thanks to hana, your timeline video is genuinely awesome. i never shut up about it. ever. any time i talk to my friends abt gf and i need to refer to the timeline i go: "IN HANA'S VIDEO-") anyways, i do understand it was a last minute decision on the writer's part of "oh. dipper and mabel need a grandfather, its not ford, and its sure as FUCK not gonna be stan sooo... third brother?" and i do understand alex being like, "oh, this is about ford and stan only having eachother" so i think making shermie younger was a GOOD THING? like, stan and ford had 18 years of just them so shermie wasnt in the picture, so stan and ford technically grew up on their own so ig it works? also, when stan got kicked out, he never got to see shermie grow up, probably only saw him at events when he had to pretend to be ford (post-1983) and as for ford himself, he was too busy in college and gravity falls to really visit the family so... it works! (despite everything)

that aside, lets talk about THE CRUMBS??? like i have some quotes here because i have a LOT to say:

"theyre both so damaged and they desperately need each other" - alex hirsch (talking about stan and ford)

LIKE SUIUHUSHUSH i HATE these brothers SO MUCH (LIES) i cant actually properly express my thoughts because WOW like its clear that they both have their own trauma and they NEED to address it but theyre both too STUBBORN to do so. theyve both been alone for 40ish years so of course they need each other. they grew up by the hip, so theres no surprise that they both need each other (whether they like it or not)

"[ford's] grateful for the forgiveness he thinks he doesnt deserve" -alex hirsch

ford thinks so lowly of himself at times it HURTS. like the lines in the journal about "only then would the freak return a hero" or about his guilt with bill and everything its just so important to his character im so glad we got so much ford content in this interview. like i am EATING ALL THIS UP RN

"[ford] has to always have a mission in front of him, because if he doesnt have a mission in front of him, hes thinking how have i treated people in my life?" - alex hirsch

ford distracting himself with things instead of facing his problems. probably something he had to do a lot, especially with his time in the multiverse. but it really hurts because i can imagine in the 60s, they never had any great coping mechanisms? so i can assume ford was just conditioned to distract himself from stuff so he never learned how to deal with things. and i KNOW in the journal hes like "i meditate!" and im sure that does help somewhat, but it doesnt address the issue itself soooo... sorry ford, but you cant just breathe your way out of everything

ALSO alex calling ford and fiddlefords falling out a "BREAKUP" (air quotes used) BUT A BREAKUP??? this is just adding fuel to my fiddauthor-infested brain rn. i CANT

and alex saying mcgucket is thinking like, "oh i gotta be a better partner" is HEART SHATTERING like the whole talk about fiddleford being "the building guy" who is kind of just there to make machines and please ford. its honestly so heartbreaking because fiddleford loves ford so much he'd leave his wife and child to go to absolute nowhere, oregon and the fact ford is too arrogant to see fiddlefords admiration and overall love for him its just IUIUAHHAS

and i do wanna say, i KNOW bill played a big part in this, by stroking fords ego and buttering him up with his kind words because he knew exactly what ford wanted to hear and that really affected how ford and fidds' relationship was like but THATS A TOPIC FOR ANOTHER TIME. all i know is that ford isnt entirely to blame, but he still is a massive arrogant asshole and he wasnt the best person to fidds at times (love him tho <3)

but im actually so happy because this interview sheds SO much light onto FORD bcs we BARELY got to know him, and hearing it from MR HIRSCH HIMSELF is just so good because we KNOW its a reliable source because its coming from ALEX YK??? like he wrote ford so he probably knows "oh yeah, that man is guilt-ridden as FUCK" and im so glad we get some crumbs of this guy i cant get enough of him !!! (impatiently waiting for the book of bill)

ANNNDD THE TALK ABOUT MAYBE GETTING A SEA GRUNKS SPINOFF/MINISERIES??? I WOULD EXPLODE GENUINELY ANYTHING WITH MY FAVOURITE OLD MEN PLEASE !! i would genuinely love to see more of their dynamic and how everything is after weirdmaggeddon and like dealing with trauma and UGHHH i would kill for stan/ford content PLEASE

also...

hippie ford.

hippie. ford.

i am never getting over this (im internally SCREECHING)

ANYWAYS THAT WAS MY RANT ABT MY FAV THINGS FROM THE INTERVIEW THAT WAS A LOT GODDAMN

im genuinely so happy with all the questions that got answered, as well as getting some deeper insight into characters and stuff. IM NEVER GETTING OVER THE AMOUNT OF FIDDAUTHOR CRUMBS YOU GUYS

im gonna end this by saying another MASSIVE thank you to hana and hk !! you both put so much effort into your respective videos and it was super super cool !! this was totally worth the wait !!! :D

#yapping #gravity falls #god that was an amazing 2 hours of my life #time to rewatch them again and again until the book of bill releases #btw hana if youre seeing this i loved your puppets #they were very silly #also cant wait for that rob interview. super hyped

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ineffablecollision · 6 months

Text

i really don't want to be the party pooper but so many people just celebrating the kiss and what comes after, implying they "made love". let me break this down real quick.

spoiler break for long-ish post and... uh spoilers for episode 6

so, stede has just killed a man. against ed's advice, because he knew what it'd do to him. izzy tells ed to not go after him, that the first one's always a mindfuck. but ed follows him anyway (probably because he was alone with his thoughts when he killed his father and had to process things, maybe he wished someone was with him back then and that's why)

so ed knocks on stede's door and waits. stede opens the door, ed starts talking but stede is overwhelmed, not able to talk, maybe still in the adrenaline rush? he grabs ed. now their faces...

[gif by ratchet]

stede is out of his mind here. he's still in survival mode, and the only way he can think of "processing" the turmoil he's in is by grabbing his anchor, his love. this entire interaction is passionate, sure, but look at his fucking face. he's so conflicted, shellshocked, in pain. ed is also completely surprised by this, of course, since he knows how stede is usually pretty level-headed and wants to talk things though (which is what he very much expected to do here)

[gif by ratchet]

ed is realizing here what's happening. gives stede a little nod, implying consent. he's carefully assessed the situation, has realized talking won't help stede right now. i feel like he's been in this situation before (using sex as unhealthy coping mechanism) and he decides it's the only way he can bring any kind of comfort to stede right now.

i don't think there's much more to say about the kiss itself honestly.

[gif by blakbonnet]

look at ed. his clothes are still on for fuck's sake!! just that should tell you he's not very enthusiastic about this, but his face seals the deal. he's fucking concerned, maybe even afraid. in turmoil himself, remembering how he said "let's take this slow" and thinking "well, this is it i guess". just because he loves stede so much and wants to comfort him he lets them cross the boundary he set, pushing his emotions aside.

so yeah, sure they fucked, but they didn't make love. this was for survival. for coping.

#our flag means death #our flag means death s2 #ofmd #ofmd 2 #ofmd spoilers #our flag means death spoilers

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bluebellhairpin · 10 months

Text

Thou So Long Hast Mourn'd

Bruce Wayne X Batmom!Reader

Summary: After Jason's passing, your grief and anger combined causes you to leave Gotham - swearing only to return when you have a perfect chance to kill the Joker for what he did to your son. (Part 2 to 'Hell Hath No Fury')

Warnings: Loss and Grief (Mentions of a funeral and repeated mentions of Jason dying. We miss Mumma's Boy Jay a lot :( ). Bad coping mechanisms all round. Clark Kent acts as a marital buffer. (Reader is fem coded; has she/her pronouns; is referred to as ‘wife’ multiple times. Has the hero name of 'Valentine'.)

Listening to: 'Skyfall' By Adele - "I know I'd never be me without the security of your loving arms keeping me from harm."

Series Masterlist || Masterlist || Ko-Fi

Yes, thou shalt know, spite of thy past Distress, -

Jason’s funeral was attended by a very small number of people. Yourself, Bruce, Dick, and Alfred all front and center.

For days, weeks, the media pestered asking question after question. “A tragic accident.” Commissioner Gordon would reply. It became you answer too, like a well-rehearsed prayer.

A tragic accident. Tragic. Accidental tragedy. Accident.

Except it was no such accident. Someone killed Jason. A man, who still walked free, murdered your son.

Even now, a month after you buried the child, as you sat listening to rain pat against the window panes in Wayne Manor, you remembered what you’d told Bruce the night he brought Jason home for the last time.

“I’m going to kill him.” you said. “I’m going to kill the Joker.” You told Bruce you’d do what you’d vowed to never do again. You promised yourself to avenge your son, to make sure no one else would ever lose a child to that monster ever again.

Ever since that night you’d felt a wedge slide between you and Bruce. Dick, only sixteen and having lost the closest thing he had to a brother was feeling it - you could see it on his face, and they way he held his shoulders at dinner. How you were feeling, how little Bruce was doing about it - none of it was doing Dick any good.

Aside from the anger, you didn’t know how you were feeling. You never thought you’d ever be a mother - you had no idea what to do to help anyone. So you left.

Bruce was out on patrol - he dove into Batman head first, a bitter feeling in your stomach had you thinking he was compensating. Dick was out - gymnastic practice, which Alfred was in charge of tonight. You were left alone in a huge house, and you couldn’t stand to stay there any longer.

A small bag was packed with basics - clothes, cash, a few weapons from the cave, and a single family photo taken while on vacation just that past summer (stolen from its frame and folded into a jacket pocket close to your heart). As you walked past the main living space, you stopped, and looked up towards the item hanging above the fireplace.

The sword - Excalibur - a god-given gift to humankind to exact true justice, now resting as a collectors antique catching dust. You knew if you took it that you would be able to do what you needed to. During your time using it there was no greater pull than to execute Joker - yet something always stopped you.

You knew it was Bruce.

Even already, your own guilt over what you meant to do wouldn’t let you take it with you.

Naturally, on that night, Alfred brought Dick was home first. It was already nine thirty, and while Dick would be up for a long while, he knew the boy wasn’t sleeping proper anymore.

Alfred sent him up to his room anyway, reassuringly with a hand on his shoulder, telling him to go try and get some rest.

But Alfred knew something wasn’t right in the Manor the moment he stepped inside. It was too quiet. Like it had been empty as long as they’d been away - even though he knew full well you should’ve been there to keep the house alive.

Although not trained, the butler had a sixth sense for a lot of things - he was a natural at whatever he sent his mind to (in his youth it was acting, and hence so seeing through lies and reading rooms (for improvisation, obviously) went with it). He set out to find you. Looked in all the usual places, and the unusual ones, in the big rooms and the small ones.

In the last week or so you’d taken to spending time sitting in the walk-in-fridge. He worried about you a lot. While Dick still had school and his friends, and Bruce threw himself into Batman, you only really had yourself. It wasn’t healthy.

But no matter how much he looked, or where he looked, you were nowhere to be found - not in the house, nor in the grounds. You’d said nothing about going out when he left, he would’ve remembered. In a last ditch effort to find you, he looked in one last place.

But you hadn’t been in the Batcave since Jason came home.

It was there, as he walked down a set of stairs, that he noticed a piece of paper haphazardly taped to one of the center computer monitors.

He grabbed it, and flipped it open, reading quietly to himself the words inside, scrawled in your handwriting.

‘Bruce, Don’t look, you know I won’t let you find me. I’m going to do something you will hate me for - probably forever. I can’t keep living like this knowing Jason’s killer is out there killing more mother’s sons. Take care of Dickie. Don’t take Alfred for granted.’

The older man found himself sinking into the chair beside him.

He had a hunch this was coming - he wasn’t in the cave the night Bruce brought Jason home, instead at the time he was upstairs taking a call from an excited Dick who was recalling his day spent doing a treasure hunt around Blüdhaven for a school camp trip that lasted the whole week. Alfred had no idea how you first reacted - he didn’t know how Bruce reacted to your reaction.

He knew it wasn’t good. Especially since in your note you didn’t even say goodbye to your husband.

You’d been hiding in a place you knew Bruce wouldn’t ever look - he always hated visiting Metropolis, the city was too bright.

You knew no one there would snitch on you - most didn’t even recognize you, and the one person who did, conveniently the man who was the closest thing Bruce had to a best friend, wouldn’t ever snitch on you. Not for this.

‘I needed a break,’ you’d lied, ‘Couldn’t handle being in Gotham after…’ You never finished, and you knew Clark could see through a lie like glass - but the grief he could see. He could also see the anger simmering underneath. He never called you out for it though.

You’d been there a while, waiting, watching Gotham from a distance Bruce wouldn’t see you from. You kept tabs mostly on Batman - although interviews with Bruce having to explain where his wife went were entertaining (in a sick, satisfying way). Sometimes you were sick, others you were out of town, most times you ‘weren’t feeling up to it’ - the latter two would be closest to the truth, not that he’d know that.

You often looked fondly at whatever information came though about Dick - he took out the gymnastics first place for his age bracket in the Gotham state. The picture made your heart ache - his smile was wide and toothy, but even though your printed newspaper you could tell it wasn’t reaching his eyes.

Who you were watching most, though, was the Joker. You combed through old reports and new ones. Even called up Harley Quinn a few times, just to get a perspective on him from someone who was - at one point - much closer to him. She asked you why you wanted to know.

“I need to know.”

“O-kay. And where exactly have you been Val?” she’d said, voice crackling down the hotel landline, “You ain’t locking yourself up in that Mansion are ya?”

“No. I’m not in Gotham right now.”

“So what’s even the Joker to ya if you ain’t even here huh?”

“When I come back,” you said, “I’m going to kill him.”

You became a Joker expert in almost one night.

You got a late night visitor less than a week after that phone call. Clad in red and blue, with a gaudy cape and that stupid ringlet you and Bruce would always bitch about on late nights under bed covers.

You were a little happy to see Clark - you actually had nothing against him, it was all just in jest (or solidarity because Bruce was your husband). He was let in pretty quickly. Mostly to avoid questions from the nosey couple who’d been staying in the room next to yours for the past three days.

He stood around awkwardly while you watched him from the seat next to the room’s microwave, posture screaming Clark Kent, journalist, even though he looked like Superman, world-know superhero.

“I’m, uh -” he started after you stared at him hard, wordlessly willing him to speak, “- I’m worried. I think you should go back to Gotham soon. To Bruce, specifically.”

“And why’s that?” He looked at you like you’d just said you had Kryptonite in your pocket.

“Because you’re in trouble.”

“I’m here in Metropolis, I’m with you right now, I couldn’t be in less trouble if I tried.”

“You know I have super hearing.” he said sheepishly. It was like he was telling his Ma he ran over her peonies with a bicycle. You put two and two together quickly though.

“You’ve been spying on me?”

“For me!” He said, stepping back with his palms towards the sky, “I feel better about not telling Bruce if I know what’s going on with you.”

“And so what part of your spying brought you here tonight?” Both your arms and legs crossed, you could tell from his face he didn't mean for you to get so offensive so quickly.

“You were talking to Harley Quinn?”

“Oh that,” you scoffed with a wave of your hand, “Even Bruce does that. She’s not so bad. Taught me how to roller-skate you know.”

“About the Joker?”

“That happens often when my husband is being a pain in my ass,” you said, “Reminds me he could be much, much worse.” Clark motioned his head - ‘fair’, but then he returned serious once more. This time it wasn’t a question.

“You said you were going to kill him.”

You knew he couldn’t read your mind, but he could hear how your heartbeat picked up. He had to know you knew you’d been caught. He sat down on the edge of the bed, waiting for your answer in the most approachable way he knew in that moment.

“I’d be doing everyone a favor.”

“Bruce - I don’t know what he’d do. He could hate you.”

“I’m sure he hates me right now anyway.”

“You can’t believe that,” Clark said, looking up at you with blue eyes that almost looked like Bruce’s. “You don’t really believe he hates you right now?” You took a great interest in the patterned carpet. Clark said your name, and you reluctantly looked back at him.

“He misses you.”

“I miss my son.” You bit back at him bitterly. His face remained hard. This was suddenly no longer Clark. You were talking to Superman now.

“I’m not sure how to say this kindly,” Clark said with a firm voice, “But you’re so focused on the child you lost that you’re abandoning the one that’s still here. Bruce misses you, but Dick misses you even more. He doesn’t need to lose another Mom.”

His stare was hard, stubborn - he wasn’t going to let up. Your stare was hard too - sour and angry, not because you didn't believe him, but because you knew how right he was.

“I think you can leave now.”

Two weeks later, after a late night grocery run that consisted mostly of chicken noodle cups and instant coffee, you found a lump of black sitting in the dark with its back against the door of your room.

Clark told Bruce.

He didn’t seem to notice your approach, but once you stood toe-to-toe with his polished Oxford shoes, you kicked his leg.

“Get up.”

His head of messy hair lifted, and when his brain fully processed you - his wife, finally! - standing before him, he almost jumped to his feet. Uncharacteristic of him outside his prior - and now ditched - playboy persona.

He breathed your name, stepping forward with hands outstretched as if to hug you. You took a step back. Clark, apparently hadn’t told him everything - if he had, he was taking it very, very well.

“Where’s Dick?”

“With Alfred,” he said, hands falling to his sides again after you hummed in acknowledgment. You both stood in silence for a while, before you gestured to a door with a full hand. He got the hint, stepping away, then taking the bags away from one hand as you fumbled for your keys.

The quiet continued as you let yourselves in, you sat the shopping on the bench, and he made himself at home at the table near the door. You sat back down in the microwave chair, the furthest place from him you could be while still staying in the room.

“Been keeping busy, Bruce?” you asked, he turned to fully face you in his seat.

“Not really,” he said, “I’ve been looking for you. Never thought you’d be here,” You almost smiled, thinking about how right you were for coming here. Almost.

“Heard you went to Saudi Arabia while I’ve been gone.”

“It was nothing. Really.”

“You couldn’t have been looking too hard if you were able to take a ‘nothing, really’ trip to the Arabian Mountains.”

“I’m not here to fight with you,” Bruce said, resting a palm on his knee, “I’m here to ask you to come home. We all miss you.” his last words came out very quietly. “It’s been months. Nothings going to get easier if you stay away.”

“Are you listening to yourself?” you said with a soft scoff, “He who literally spent every single night after Jason died away from home. He who spends every moment he can down in a dark damp cave rather than with his family - I don’t think you get to tell me where I should be.” You felt tears well in your eyes - hot and fat if they fell, but you willed yourself not to let them. Bruce’s shoulders softened, and he stood and walked closer slowly, coming to kneel before you with his fingers just touching yours.

“We both haven’t been doing well, have we?” his head shook and his voice was barely audible. It was like he was speaking to himself. His admission - finally, his own pride and stubbornness aside, and it made yours disappear like dust in the wind.

“You need to see my bathroom,” you said. His head cocked, a sly smile twitched onto his lips.

“Oh?” he said, “And what might I find there?” But you weren’t smiling. You were trying to be honest.

“Just go look.” you said, turning away from him, bringing your hand away. Telling him with your actions that you weren’t going to be talking until he did.

He stood, opening the bathroom door behind you and flicking on the light. You could feel how still he was. Taking in the room, and what was inside it.

All across the mirror and walls were taped up newspaper clippings and photos and articles printed off from the library, old and new, a few of him - Batman - but most of the Joker. Beside the toilet was a case - one he knew would hold parts of a rifle (parts he'd seen you pull apart and put back together in a minute flat) - and across the sink were knives and gun magazines.

Bruce stepped off the carpet and onto the tile. There was a little list in the center of the mirror, written in red and with the last line underlined.

‘Kill the Joker’.

When he returned to you, he was holding the list in one hand.

“When were you planning on doing this?” he asked. You weren’t able to meet his eyes when you answered.

“Whenever I go back to Gotham.” His body went rigid beside you. Audibly, he let out a breath.

“I’ve thought about it too. Just getting rid of him like that.” he admitted, voice quiet and with a rough edge, “But I know it won’t help. It won’t bring him back.”

“This isn’t about bringing him back. If I knew it could bring Jason back I’d have done it weeks ago.” You looked up at Bruce as you spoke, watching as his face crinkled in disbelief.

“You’re so serious about this.”

“How could you still think I’m not serious?” you said, standing to help convince yourself you weren’t as unsure as you felt. “I will do it. A time will come when that monster dies - wherever it is I will be standing by watching.”

He watched you. Analyzing your face and the way your eyes moved. His face set like stone, hard and sure and you knew he was much more upset now having found out than what he was when you were missing. He took a step back.

Bruce was moving towards the door.

“I won’t stop you. I couldn’t bear to.” he turned, hand on the door handle, “But Batman still will.”

As far as you knew, you’d made it back into Gotham City undetected.

You knew the route’s Bruce - no - Batman, took while out on patrol. You knew the surveillance he constantly would check. You knew because for years you’d helped him do it all.

Thankfully, you had a not-so-little little helper - Joker assassination aside, Harley was more than happy to put you up for a while. After you’d killed Joker you’d planned to turn tail and leave again - maybe hide someplace in Australia where no one barely goes. It wasn’t like you had to put up with her long anyway.

Harley was great, but you’d have to love her a whole lot to live with her longer than a week. But you weren’t planning to stay that long.

You’d tracked Joker to an apartment complex near Arkham - you knew he wouldn’t stay there forever, so you needed to act fast.

Your weapons of choice were clean and ready to go, your escape routes A through to D were memorized, a hood and bandana combo were acquired to hide your identity long enough for no one around to know it was you. By all means and definitions you were ready to go.

You left Harley’s place wordlessly. You were sure she didn’t even know you left.

A cloak and the shadows of night concealed you from most passersby. Slowly, slowly you stalked towards where you knew the Joker to be. When you climbed the fire escape to find your vantage point, you almost didn’t make it all the way there because you saw Him.

Sitting, lounging. Acting like there was not a single thing in the world to worry about. It made you so angry you could scream, claw your eyes out, you could do so many things all because that man couldn’t care less about your son dying.

In fact, you didn’t make it to your original vantage point.

You settled right there, three levels lower than planned, and took the rifle off your shoulder. Clipping on the scope, twisting the silencer on, packing the magazine in. Settled your body into a comfortable position, then raised the gun to look at your target through the scope.

With greasy green hair and yellow teeth, you watched him smile through the crosshairs. With a sneer you flicked the safety off. You were ready to take the shot.

A flash of red, green and yellow came in front of the Joker. You frowned, confused. Pulling the scope back you looked again with a wider range and saw something that made your heart drop. Someone was tied up and presented to him like a present.

The Joker had Robin.

Your Robin. Your son. Your Dick Grayson.

Suddenly this was more than just a chance to avenge Jason. A switch flicked inside your heart. This wasn’t a chance to avenge Jason anymore; this was you, saving the son you had left. This was you not giving that monster the chance to keep you in black.

The lethal rifle was ditched right there on the fire escape, not caring if a lowlife found it before you could return. The knives you’d stashed - ‘just in case’ - were now your swords. Their piercing blades becoming the only thing shielding those who stood in your way a feral beating from bare fists.

No one was standing in your way of taking Dick home safely.

Your veins pumped white hot, you saw red all over. This was not going to happen a second time. It wasn’t ever going to happen again.

A goon at the door stood in your way, he was met with a knee to the crotch and a wound to his shoulder to keep him down. More on the stairs were thrown over bannisters. One had his head smashed into the doorway of the Joker’s apartment. Another was given a hard elbow to the back of his neck.

You weren’t aiming to kill - you were aiming to get them out of your way, and keep them that way.

When you reached the room which window you saw through, there were only four other people aside from yourself, your son, and that murdering bastard. They all stayed quiet, goons waiting on a call to action from their boss. You missed the way Dick’s eyes widened as he realised his Mom was here. You were busy staring down the Joker, trying to make him feel just how much pure hate you had for him without a single word.

“Give me Robin,” you said, voice low, venomous. Dangerous.

“Well if you want him so bad, and since you asked nicely,” His smile spread wide and uncanny. “Come and get him.”

So you did.

Like a blur of back and blue, you had all four men either out cold or groaning on the floor. The Joker himself was under your kneeling form with his teeth now stained red and an eyes swollen shut.

“Listen well because I’ll only say it once.” You said, your hand a rough fist in his hair to make sure he looked into your eyes and saw exactly how much of a threat your promise was.

“I spared your life today. I will never do it again. I am not the Batman. The next time I find you trying to pull something with one of my Robin’s and you see me coming you'd better run the other way because I will kill you.”

After untying Dick, retrieving your abandoned gear, and throwing Joker into Arkham, you reconvened with Dick on a nearby rooftop.

You barely stood upright on two legs before he barreled into you, arms thrown around your waist with his face squished right into your collarbone. He’d grown taller in the time you’d been away. You felt tears fall as your arms wrapped around him in kind.

“I’ve missed you Mom.” he mumbled into your shirt, “Please don’t go away again. Please.”

A hand raised to the back of his head as you pressed your covered nose into his hair. You took a deep breath with your eyes closed, then opened them, peeling you both apart just enough to take in each other's faces. Even with his mask on you could see how much he was pleading with you to stay.

You brushed his hair away from his face - he needed a haircut soon.

You wanted to stay, you never wanted to leave him ever again, not after tonight. But would Bruce let you?

Out the corner of your eye you saw a black drop fall onto the rooftop a little ways off. Batman. He stood, tall and intimidating. In that moment you had half a mind to take a step back even though he made no move closer to you.

Instead you just held Dick a little tighter.

Bruce's hand reached out to you, palm open, outstretched, and empty. Waiting for you to take it.

“I think we can go home now.” he said, “We all can.” Like that, Batman disappeared. Bruce was here. You guessed he bluffed - when it came to you Bruce was always there.

Things were not going to go back to normal. They weren’t for a while. But the best thing you could do was stay together, all together. As a family.

Nothing was going to push that away from you again.

- And all those Ills which thou so long hast mourn'd;

#the adventures of batmom #bruce wayne x reader #bruce wayne x batmom #batman x reader #jason todd x batmom #dick grayson x batmom

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turbulentscrawl · 5 months

Note

can i rq general hcs for antonio? thank you 💜

I’ve been a little more hesitant to tackle the Hunters, (aside from Ithaqua) just because I’ve been unsure how much to lean into them being the “villains” of the manor. And honestly I’m still a little wishy-washy about their characterizations…but anyway, I’m gonna give it a go with Antonio here (because I’ve got requests for him ;) ) and you guys please feel free to tell me if it feels off.

-Antonio is, first and foremost, depressed. And all his coping mechanisms are self-destructive. When life got hard, he turned to alcohol, and then later to gambling. And then, you know, to making a deal with the devil or something. The combination of those broke his wallet, his love, and then his spirit. His fuse is shorter now as a result, but instead of blowing up he moreso just…deflates.

-Despite being a Hunter, a “bad guy,” he’s probably better now than he was before. The biggest issue now is really the whole possession thing. He’s not exactly what you’d call “in control” of his body a good chunk of the time. Exactly when he’s going to lose control is generally unpredictable, aside from feeling like an invisible string of hair has coiled around his wrists shortly before. It happens a lot in matches, where he’s otherwise hesitant to be all that brutal, as well as when his mood gets low enough like above. But when he is in control, history has made Antionio milder than he was before his initial spiral.

-He still really likes his alcohol, but he’s better about taking it in moderation now. The other Hunters help to keep him in check about this as well, if not because they care about him then because he makes for an annoying, hot-headed drunk. He tends to pick fights when he’s really wasted and why would they want to deal with that?

-Gambling is also still problem for him, but since money doesn’t matter in the manors it’s both less concerning and less thrilling. He and some of the other Hunters place bets on matches, staking things like higher-end foods and favors to one another. He’s often requested to play specific pieces of music for people when he loses—particularly ones he dislikes.

-Because of the greedy imprisonment he suffered, Antonio dislikes spending long periods indoors, and especially in his room. He spends as much time outside as possible, enjoying the garden flowers and a cool breeze. On full moons, when there’s nothing planned, he usually goes wandering about to try and find any survivors doing the same. He enjoys the fresh company, for the most part, and even considers some of them friends.

-Antonio is among the most displeased of the Hunters, regarding the set-up for matches. Despite his history as a violent drunk, he takes no pleasure in hurting people, and he’s bitter about possibly having to be “evil” for the rest of eternity. The fact that some of the survivors don’t hold the matches against him is a balm to his aching soul.

-While the violin is his instrument and weapon of choice, Antonio enjoys all of the arts. Any kind of music, visual, or performance. He understands the importance of self-expression, and loves to see people give themselves to it in earnest. What he dislikes are frauds. People who use art just to make a buck.

-The best love languages for Antonio are Quality Time and Acts of Service. He finds it incredibly sweet when others anticipate some of his needs and complete tasks for him in case his arms are taken and he’s unable to do them himself later. He also just enjoys spending time around his loved ones, it reminds him that he’s not some irredeemable monster. He prefers to show his love through Words of Affirmation and Physical Touch, often giving people sweet pet names and touching their arms.

-His hair is stronger than the game suggests. He can easily carry large items, other people, and even lift himself with it. He can hoist himself up to a second-story floor with relative ease, though being lifted by your scalp isn't exactly the most comfortable sensation, so he tries to avoid it.

#idv x reader #identity v x reader #idv violinist #antonio paganini x reader #turbulentscrawl

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literary-illuminati · 3 months

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2024 Book Review #2 – He Who Drowned the World by Shelley Parker-Chan

I’ve had this sitting on my bookshelf since it came out but, as so often happens, having it just laying around meant it faded to the background whenever I was deciding what to read next. Not the worst case of that (there’s a lovely of Cyteen that’s been sitting on my dresser and shaming me for at least a year now), but certainly long enough for me to regret it.

The story is a direct sequel to She Who Became The Sun, a low fantasy retelling of the fall of the Yuan Dynasty and the ascension of Zhu Yuanzhang to the imperial throne – though in this universe the ‘real’ Zhu Yuanzhang died a starving peasant child, and his sister assumed his identity and his destiny of greatness, willing to do anything and everything it takes to force the world into alignment with it. The book starts with her having lost her right hand, and only gets more emphatic about making her prove it from there.

Aside from Zhu, the narration’s split between several different points of view that fill out the struggle for the future of China. The book honestly does a better job with multiple POVs than the vast majority of epic fantasy I’ve read – every one is a thematic mirror of Zhu on one level or another, and every one has an arc dedicated to the book’s twin fascinations of what it means to be willing to do anything to achieve what you want on one hand, and gender nonconformity and queerness in an intensely patriarchal traditional society on the other.

The actual plot of the story is almost episodic – Zhu encounters some new obstacle on her way to victoriously marching to the Mongol capital at Dadu that can’t be defeated with the blunt force she has available, and she and some collection of the supporting cast goes on an insane adventure to snatch victory regardless. Then every so often there’s a cutaway to Wang Baoxiang (who, among all the other POVs, is easily the one that comes closest to deuteragonist status) scheming his way through imperial court politics in Dadu in his incredibly operatic and self-degrading scheme for revenge on his dead brother. The plots start affecting each other quite early, but I’m pretty sure it’s only in the last twenty pages or so that the two of them actually meet face to face (it is in fact a minor plot point that Wang can’t recognize Zhu when he sees her). It all manages to feel like it’s capturing a whole swathe of political intrigue beyond any one person’s understanding and feel fairly well plotted and cohesive as it comes together. Not that there aren’t plenty of points where you have to just run with it and not push back at what the book’s telling you but nowhere where it’s serious or blatant enough to actually be an issue.

I’m not sure it’s a complaint per se, but one thing that did take some adjusting to is just how, melodramatic I suppose? All the POVs in the book feel very profoundly and effusively, and also have absolutely zero awareness or understanding of their own emotions. This is particularly acute with Wang and Madame Zhang, but in every case there’s just a lot of characters being driven by emotions too large to be contained within them. It kind of feels like a musical, in that respect (but absolutely no other, to be clear).

Anyways, this is a book with absolutely massive amounts of Gender in it. With like, literally one exception, every POV is to some great extent defined by struggling against their position in the gender system of medieval China, and all the issues doing so their entire lives has left them with (Zhu is far and away the most healthy and well-adjusted about this.) Importantly, being oppressed and marginalized for being a woman/effeminate man/eunuch is in no way edifying or ennobling – it’s mostly left everyone involved deeply damaged and full of coping mechanisms that serve them poorly and everyone around them far worse. There’s basically no mention of even the idea of solidarity among the oppressed here – Madame Zhang tortures, mutilates and kills her own maids and her husbands’ consorts whenever necessary, Wang operatic revenge plot involves befriending and seducing a queer prince knowing it will get him killed in the end, Ouyang hates how effeminate his body is and deals with this by becoming a pathological misogynist – even Zhu doesn’t spare much to think about the cause of woman’s liberation beyond herself and her wife.Given the state of a lot of modern genre lit I honestly found this rather refreshing.

As both cause and consequence of the choice of POVs, the book has a rather interesting relationship with normative masculinity. There’s, as far as I can tell, exactly two examples of successful heroic/virtuous normative masculinity in the book – General Zhang and the Grand Councillor of the Yuan – and despite both being really incredibly competent and fearsome on the battlefield and legitimately selfless and honorable, both end up condemned as traitors to their respective lieges (both indolent, vicious, and generally contemptible men without anything in the way of redeeming features, themselves) and dying unpleasantly after being outmanoeuvred in court intrigue. Victory in the end goes not to those who are cherished by their society but the ones who are overlooked and brutalized by it but are willing and able to do whatever it takes and use anything and everything they can to claw their way to the top despite it.

Speaking of – the overriding throughline of the story is what it means to be willing to do anything to achieve your life’s ambition. Being willing to endure pain and suffering goes without saying, and while the book does put its leads through the physical ringer, that’s not really what it’s interested in. Are you willing to spend the lives of those who trust and rely upon you? Sacrifice those you love, or ask them to die for you? Betray those who have only ever shown you kindness? Are you willing to degrade and humiliate yourself, or lie and betray your own hard-won and precarious identity? And once you’ve done all that, and finally achieved your heart’s desire – well, are you really sure it was all worth it? Three cases out of four in the book, at least, ended up regretting it in the end.

This is a book that’s very concerned with sex and sexuality but, like, very nearly exclusively in offputting or unpleasant ways. There’s something like a dozen sex scenes (okay, ‘scenes with sex in them’ is probably the less misleading description. If you come looking for porn you’ll be disappointed) in the book and of them I believe exactly one that you could characterize as enthusiastically consensual and mutually enjoyable. Maybe three, if you count the incredibly toxic relationship which boils down to asking for help dong self-harm and it turns into a sadomasochist thing. Which never becomes/is never understood as sexual by the people engaging in it but describing it is definitely the closest the book gets to erotica. In any event, just somewhat surprising to see so much sex paired with so little romance, relative to most modern stuff I’ve read. Ties into how alienated literally everyone is from their bodies, I suppose.

Also I really don’t know enough about the historical memory of the early Ming dynasty to know whether all the stuff about how Zhu knows what it’s like to be nothing and how she’ll reorder the world to care for everyone is supposed to read as really darkly ironic or not.

#he who drowned the world #shelley parker chan #lesbian space atrocities #sff #tht #map fantasy #book review

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apparitionism · 3 days

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Asleep 2

For the anniversary this year, I have the second “half” of my @b-and-w-holiday-gift-exchange story for @kla1991 : an involuntary bed-sharing situation that turns not sexy but disastrous. The first part took on Myka’s perspective; this conclusion is written from the other side of the bed. A confession: I find in-universe Helena’s head voice a somewhat difficult register to compose—because while she can’t be fully insane, she needs to teeter or list, sometimes more than a little (but without falling into histrionics). Which is to say that if you don’t entirely buy the turns of thought and/or coping mechanisms I’ve given her here, your skepticism is well-placed. Ultimately I hope it’s the case that a person can be broken but still want in a way that’s... pure? Justified? Sweet? Reciprocatable? Maybe just “vaguely recognizably human”?

Anyway, this is long, first because it extends well beyond the point at which the first part ended, but also because when a Bering and a Wells get to talking (as they at last do!), they need to work things out at their own pace...

Asleep 2

My arm is asleep.

Under normal circumstances, a person would, upon becoming aware of this, shift position so as to restore blood flow.

Under normal circumstances.

But very little is normal about the circumstances under which Helena’s arm is asleep.

She is in a hotel-room bed, in the dark of night, lying on her left side, with her left arm, her now-asleep arm, pinned beneath her. So ends the disturbingly limited “normal” portion of the situation.

Here begins the larger portion: she absolutely must not move.

Irony guts at her with that, a shiv-and-twist remembrance of bronze restriction—but that prohibition had involved a significantly different auxiliary verb: “cannot” rather than “must not.”

Grammatical particulars aside, her immobility now is barely less a torment. This is because her other arm, her alive right, terminates in an even-more alive sensate hand, one that now rests—but is in no way at rest—on Myka’s right hip.

Myka, too, is lying on her left side, a small distance in front of Helena, lying in this hotel-room bed. Such proximity in such a space might, under other circumstances, signify the fulfillment of a long-held dream... but here, now, it seems a nightmare. For Myka is Helena’s colleague and no more; they are in this bed for sleep and no more; and Myka is playing her part correctly while Helena is not, in contravention of what she has sworn to herself she would do no more.

Such drowsy sense the placing of that hand had seemed to make, when she had found herself facing Myka’s back. She had in the past regarded that length covetously, relishing the idea of touch both salacious and tender.

For all her coveting, however, she had in fact only once laid hands on that back, both hands with intention on the clothed blades of Myka’s shoulders: a terrifying embrace, one that was in the most basic physical manner right but overall searingly wrong, screaming bodily truth but surrounded by words that said nothing they should. A perversion of promise, like so much else that had happened in Boone.

Yet Helena had clung to its memory all the same.

She’d thought, here in this unexpected proximity, to supersede that, to touch once again, once again but brief, once again though brief. To erase and replace.

First she touched the right blade, light; yet her hand wanted stillness, more connection than a mere pat against cotton-clad bone. And there was Myka’s hip, a beckoning promontory jut... a place to rest. Rest, however brief.

Once placed, however, her hand had proved reluctant to retreat.

Brief, she reminded it.

No, the hand had responded. I belong here.

Helena knows this is true. She knows also that it cannot be true.

But she is no stranger to holding contradictory thoughts in her head. This has been essential to establishing and maintaining, in these new Warehouse days, a functional equilibrium. Functional. Indeed her goal, in this “reboot,” has been to function, which she has lately defined as something on the order of “to move through time nondestructively.”

This definition had come about due to her realization, pre-reboot, that her difference from others, her inability to fully perform a modern self—her arrogance about that inability, even as she attempted to hide both the inability and the arrogance—chipped at, chipped from, the good (the good nature, the good will, the goodness) of those around her. Over time, such chips accrued as wounds.

Nate. (Adelaide.) Giselle.

She had as a result finally understood that coming back to the Warehouse would mean, at the very least, that those with whom she interacted had already made a bargain, perhaps even a peace, with the inevitable violence of history: with the way the forces of the past could—would—affect, even infect, the present. Helena herself was, at her simplest, merely one more of those forces.

She did consider requesting that she be re-Bronzed, now absent any pretension of traveling through time, but rather as a way of neutralizing a dangerous, and demonstrably unstable, artifact. But then an image had come to her, possibly as an omen, possibly as only a desperate wish: Myka’s devastated face upon hearing such news.

Boone all over again.

Thus the reboot. Because the most significant entry under “function,” with additional emphasis on the “nondestructive” portion of that definition, was her resolution to spare Myka pain. In the past, Helena had been both careless and careful—surgically so—in her infliction of damage on Myka above all others. But she had sworn to herself that those days were done.

Done, but Helena knew she had not paid anything near a sufficient price.

So. To maintain distance, no matter how troublesomely ardent her wish to close it, was—had to be—part of her penance. And to do so decorously was—had to be—the gentlest approach. That was what Helena told herself in her more rational moments.

This moment, in this bed, is not one of those. If it were, she would simply remove her hand. Simply remove it, then roll over.

But her mind races, finding complication: She doesn’t know what sort of sleeper Myka is. Had Helena’s placing of hand awakened her? If she had awakened, has she now fallen asleep again? If she has, would she then be reawakened by the hand’s removal? Or would she, if still awake, draw some negative inference about the entire situation based on removal?

Ideally, Helena would maintain a facsimile of entirely blameless sleep while engaging in that removal, but can she make such a performance believable?

Never in her life has Helena been so concerned about her ability to mislead convincingly as when she has attempted to deceive Myka. That was the case in the past, even at her most nefarious, and now she worries day-to-day that her strictly disciplined disguise of near-constant wishing ache will slip and fail. A simple I am asleep should be... well... simple. But it is not, and Helena is reminded of Claudia’s tendency to observe, in situations both dire and banal, “Here we are.”

Here we are, because Myka is apparently indifferent to the idea of sharing a bed with Helena.

Here we are, because Myka is apparently indifferent to history.

Here we are, and that latter indifference is a surpassing irony, due to the fullness of—

Helena sees that she needs to divert her train of thought, as descending into unjustified anger will help absolutely nothing.

First, she entertains a fantasy of sitting up, turning on a light, and explaining to Myka that this entire situation is untenable, and that if they are going to share a bed, they should share a bed. But it’s true that Myka did not seem even to consider that as a possibility, which seems ludicrous, given the past... no, that’s back to unjustified anger, for who is Helena to resent what Myka wishes not to consider? And indeed, who is she to interpret the past in such a way as to believe she understands what Myka would have considered?

Focus on the facts, she tells herself. What actually happened in that nefarious past. And do so dispassionately.

Regrettably, the word “dispassionately” brings to mind another word: “passionately.”

Again. For she had thought that word not long after she and Myka had first entered this room, first entered it to find, as Helena’s unrestrained fantasies might have conjured, only one bed. That they were clearly intended to share. Thus her mind’s unruly leap to... an adverbial manner in which they might do so.

But Myka had said not one word about the accommodations, so Helena had held her tongue as well. She nevertheless couldn’t help but feel it an elaborate lack of remark on both their parts, the silence practically baroque in its fullness.

Baroque too had been the courtesy with which they jointly prepared for bed, a you-first-no-you stutter-choreography of politeness that ensured privacy, yes, but also reinforced the barrier between their past and their present.

Which Helena understood was necessary. It did nothing, however, to mitigate the breath-hold of preparing to lie down beside Myka.

Once she had managed that lying down, however (with a relative aplomb for which self-congratulation was not, she felt, unjustified), she hoped her torment might ease. A bit. If she could manage the additional task of pretending the body beside her was no more significant than any other human. Some flesh, recumbent.

But when they were situated thus beside, Myka spoke. “You seem a little upset,” she said.

Helena had barely been able to restrain a snort. Now Myka saw fit to comment? As if allowing this portion of the play to pass without remark would create some undue strain upon collegiality? As if their incongruous bonhomie might buckle under the weight of that silence? Oh, that was rich.

Bottling her pique, Helena questioned: “With?” To make Myka say it. Mere saying wouldn’t hurt. Would it?

“You haven’t been yourself since you put that camera in the static bag. Was it a problem, seeing it again?”

Helena held herself rigid so as to keep her body from betraying neither her disappointment at the question nor, contradictorily, her relief...

It was a reasonable question. A good question. Not one on which Helena particularly wanted to focus (although it indicated a certain attention on Myka’s part, an attention on which Helena suspected she should not dwell), but it did deserve an answer. “It closes a door, doesn’t it,” she told the ceiling, for turning her head to address the other body directly seemed an invitation to peril. “That one I opened so nefariously, long ago.”

“Or—and—maybe it closes a loop,” Myka said.

Unexpected. “A loop?”

“Right after college, I went through a self-help phase,” Myka said. She paused, and Helena found herself on relative tenterhooks regarding the applicability of this (new!) information to the current situation. Which reminded her how much she had missed talking with Myka... because of the very sound of her voice, yes, but also because her conversation could range so unanticipatedly. So rewardingly unanticipatedly. Helena had known few people who could lead her on such unpredictable, yet productive, journeys.

Was Myka’s apparent willingness to begin such a journey now indicative of... anything? A softening, perhaps, of relations between them? Not a rebooting of their once-burgeoning intimacy, for that had to remain taboo, but could it be that some restoration of their previous intellectual engagement might be, at the very least, neutral rather than harmful?

Helena had moved a tentative pawn in that direction during their conversation on the airplane. Perhaps this was Myka’s answering move?

With an exhale that seemed like resignation at what she was about to say—to reveal?—Myka said, “I felt like I needed to be someone different—someone better.”

Another pause. Helena considered that such a feeling seemed very Myka (and she heard that phrase in Claudia’s voice), but also very misguided. Of course she was not at all placed to make such judgments, and even less so to convey them to Myka. Thus she said a simple, “Did you,” to encourage without prejudice.

“So I read a lot of books,” Myka said, to which Helena had responded internally, Of course you did. “One was about how to get things done.”

“All things?” Helena asked.

“Sort of.” That was followed by yet another pause. Yet another puzzle.

All these pauses. Was Myka on the verge of sleep? Helena said, soft, thinking she might go unheard, “Perhaps I should read that book. As a help to myself.”

At that, Myka had laughed, more delay, but also soft. “I don’t think it’s any kind of help you need. The guy who wrote it had a big system, all these rules, and I love rules, but these... I admit I didn’t stick with most of them. Honestly, any. But an idea that did stick was actually a pretty minor part: open loops. Stuff you track subconsciously, all the time, because it’s incomplete. How troubling that is. And what a difference it makes when you close a loop, when you each a resolution. I mean, he was talking about stuff like answering emails.”

“Emails,” Helena echoed. So far from artifacts.

“Which this is so much bigger than,” Myka said, exhibiting, not for the first time, an uncanny ability to scoop from Helena’s thoughts. “But maybe the principle holds. You don’t have to tell me. But I hope you have fewer open loops now than you did. Before.”

“Yes. The number. Fewer,” Helena said, factually.

She of course couldn’t say out loud (but it was equally factual) that Myka herself was the loop most capaciously open. The one that gaped, superseding, never mind the number of lesser.

Indeed, however, that number was now minus-one. Oscar. Oscar and his ballad... that loop closed.

Helena had in fact, while handling the camera, begun to ideate a wish that someone (Steve? Claudia?) might be persuaded to use the camera to capture her image... for it had occurred to her that a spark of art, some production on which to concentrate, might animate this reboot... something to pursue, rather than to be pursued by...

But. Lying abed, still and strangely hopeful—a state she should have known would not endure—a realization had struck her, as an open hand to the face, a realization of why Myka had brought up loops and the closing thereof: she had somehow discerned Helena’s wish, via that scooping of thought, and was discouraging her from pursuing it.

So much for any softening. This was instead a warning: Helena should not open a loop that Myka might be obligated to close. And Helena had no trouble grasping that the warning was in no way limited to the use of a single artifact... no, it doubtless applied to any burdensome loops Helena might be thinking of opening, any new incompletions that might come to trouble Myka.

“I understand,” Helena had said, regretting that pawns could not be moved backwards.

At the same instant, Myka said, “I’m glad.”

That collision had canceled communication entirely; in its wake, Myka had turned out her light and turned away from Helena.

Leaving Helena to her thoughts.

Well, fine, had been the first of those.

Next had come an equally mulish sniff of And I will have no difficulty directing any subsequent away from this shared bed.

Whereupon she had proven herself both wrong and right, thinking about history, about the fact that, whatever Myka’s commentary or lack thereof had or hadn’t signified, the fact of Warehouse agents lodging together, sharing beds completely platonically, was certainly nothing new.

This line of thinking had enabled Helena to distract herself by recalling a mission with Steve and Claudia, one in which Steve had announced, after checking in at their hotel, “Bad news. Just a king room left, but they said they’d bring up a cot.”

He had then immediately assigned Claudia to said cot, prompting her to protest, “No way! This situation screams rock-paper-scissors tournament! Loser gets the crappy night’s sleep!”

“No way,” Steve protested back, far more mildly. “The father of science fiction gets first dibs on the lumbar support, and my back’s got a decade on yours, so I call second. If that father agrees.”

Helena had. Sharing with Steve had been fine.

Sharing with Myka should of course have been no different.

Should of course have been...

But now, here in the impossible present, as Helena’s left arm slumbers and her right hand sparks, what should have been? Isn’t isn’t isn’t.

She needs further distraction, so she casts her mind again to Claudia and Steve, to the compensations they have offered her during this strange and estranging reboot: at first Claudia, who had welcomed Helena back so unreservedly and continues to offer wholehearted allyship; and then Steve, who had quickly become an unanticipated boon companion, a partner upon whom Helena has felt increasingly, and increasingly exceptionally, lucky to be able to rely.

And yet these compensations, though Helena hopes she conveys all appropriate gratitude for them, are never sufficient, for Myka—necessary yet unreachable—is always present.

She’d been so, even during that cot-delineated retrieval. Its aftermath had (so much for distraction) involved a significantly Myka-related incident, for Helena had dared, as she, Steve, and Claudia were relaxing in the hotel lounge prior to retiring, to broach Myka as a topic of conversation. As one might do, she’d thought: speaking about a colleague.

“I have an inquiry,” she’d phrased it. To make the ensuing question sound... scientific?

Dispassionate, she jeers at her recalled self.

She jeers also at what she’d said next: a too-bald, “How is Myka?”

She had known, even at the time, that what she had truly wanted was to say that blessed name, to speak about that blessed person. She could not speak to Myka in any meaningful way, and she was starving.

Steve and Claudia had then shared what seemed an extremely charged glance, so Helena hastened to dissemble, making sure to use questions so as to prevent Steve from finding her immediately untruthful: “Given that her liaison with Pete ended? They’ve... recovered, as it were? Both faring well?”

But her tone had struck her own ears as too bright; a desperation rippled behind it, and Helena knew from experience that behind that tiptoed a still deeper threat of rupture, which required work to be kept at bay. As Helena had been instructed by her most successful therapist to do when such awareness overtook her, she began to breathe with attention.

Neither Steve nor Claudia spoke as she did so.

When the danger passed, she smiled, as best she could, to signal to them her appreciation—and to herself, her success.

Steve then said, “You’re not asking about Pete.”

Helena valued—as a personality trait—Steve’s discerning willingness to push. She did not in that moment value how he thus so easily revealed a glaring flaw in her initial approach: she should have asked about Pete; with that as her entrée, the talk might organically have turned to Myka. Foolish of her to think so unstrategically... or was her failure to do so a paradoxically positive sign?

“Give it time,” Steve said, and Helena knew he was making no reference to Myka and Pete’s recovery.

“My relationship to time,” she said, with contempt. Time: she’d taken it. Now she had to give it? A forfeit. Well, that was fair.

Claudia said to Steve, “Speaking of, we’re wasting it. Are we gonna do the thing?”

“Only if H.G.’s on board,” Steve told her. It was an unexpectedly mind-your-manners utterance.

“What is the thing?” Helena asked.

“Claudia’s trying out alcohols,” Steve said. “We can’t do it around Pete, obviously, which means retrievals are our—”

“So many questions to answer, right?” Claudia interrupted, her avidity increasing. “You know, am I über-suave James Bond with the martinis? Or a fights-against-my-general-cool-geek-vibe Carrie Bradshaw with a cosmo?”

Helena had had no idea what she was referring to, but the investigation seemed entirely fit for someone her age. “What have you determined thus far?”

“Turns out cosmos don’t work for me,” she said, “as the prophecy foretold, and Bond-wise, I like a martini all vodka, no gin; sorry, Vesper.”

“Is that all?” Helena asked.

Further avidity: “Oh god no. Vodka drinks aren’t perfect: white Russians are way too sweet. Also in the white family, the wine category pretty much bores me. Also there was this one time Steve ordered a gin drink called a white lady that I couldn’t even think about because it had an egg white in it and one look made me retch.”

“Quite the wide-ranging experiment,” Helena said, hoping to forestall further off-putting description. “Not conducted with inappropriate... ah... intensity, one hopes?”

Steve patted Claudia’s shoulder, at which she rolled her eyes. “I’m supervising,” he said. “No more than a few tries in one sitting, and we’re doing it mindfully.”

Claudia abandoned her attitude and nodded. “Paying attention to what I’m tasting. How to find, you know, notes and stuff. Except for the disgusting egg-white thing, it’s honestly been fun.”

“I’m not opposed to fun,” Helena said, and she was a bit surprised—but pleased, and pleased to be pleased—that Steve didn’t squint in response. “So, Mr. Supervisor, what’s next?”

“I’ve been pushing for the wide and wonderful world of beer, but—”

“Seems too jocktastic,” Claudia said. “You know, ‘Beer me, bro.’”

“I don’t know,” Helena said.

“Anyway that’s really not me,” Claudia continued, as if Helena hadn’t spoken. She did have a tendency to ignore Helena’s ignorance, a tendency that Helena enjoyed and found frustrating in equal measure.

“Her beer perspective is severely limited,” Steve lamented.

“I myself have always found a strong stout ale quite enjoyable,” Helena said: her contribution to Steve’s cause. It was also true, the fact of which he seemed pleased to affirm with a quirk of lip and a quiet “so you have.”

Claudia’s expression remained skeptical, but she shrugged weakly and said, “I guess I could give it a shot?”

“Oh, because H.G. says so,” Steve twitted.

To that, Claudia squared her shoulders. “Yeah. Don’t you know who she is?” she demanded.

“Who I was,” Helena hurried to emphasize, “and given that Steve assigned me the bed on that basis, he—”

“Who you are,” Claudia corrected, throwing the emphasis back.

“And who is that?” Helena asked. What distinction did Claudia imagine was relevant?

“The person who told me my destiny was glorious. You’re still that guy, right?”

Relevant indeed. Helena was taken aback, indeed taken back to that extremity, back in a novel way. She had been so mired in the Myka of it all in the intervening time, that she had lost her view of the bright salience of Claudia’s presence. Wrongly. “I am,” she said. She hoped Claudia believed her.

“Okay,” Claudia said. “So I’ve got this big-as-Pete’s-biceps incentive to hope the stuff you say is true. And by the way, one of you has to casually drop in front of him how I said that, because I want the points.”

Steve snickered and said, “I know my job. But in the meantime, I think I’d like to toast to all these sentiments, and to the agents offering them. With a strong stout ale.”

They tasted the three strongest the hotel bar had on offer, and Claudia pronounced that her favorite, one purporting to convey roasted notes of coffee, chocolate, and other darkness, was “way too complicated for your average broseph.” Which Steve seemed pleased by, as a judgment, so the overall experience scored a success.

There was no further talk of Myka, however, the avoidance of which topic seemed quite deliberate... as if Steve and Claudia had determined that Helena would not benefit from it.

Or that she did not deserve it.

For the best, Helena had concluded. Either way.

Now, in a similar “for the best either way” sense, she makes to raise her hand, with that intended overlay of feigned sleep, so as to shift away and at last regain equilibrium, restoring feeling to her sleeping arm and calming that oversensitive hand. But instead—in what she can interpret only as a stupidly id-driven attempt to bank some never-to-be-repeated sensation, to the memory of which that desperate id might cling in a touch-deprived future—she moves her hand, not away from Myka, but further down her leg.

And her worst fears are instantly realized: Myka’s body reacts violently, as if in revulsion at the very idea of Helena touching her.

It was only a hand at rest, Helena begs, with no conception of why or to whom she is rendering that supplication. That was all.

Alas, that was—is—not all, for in the next split second Myka is falling from the bed and crying out in pain.

Helena, at a loss, attempts a faux-innocent inquiry, which Myka answers unintelligibly. In trepidation, Helena ventures to the mattress-edge, then lowers herself to the floor next to Myka—and she is appalled, for the situation that confronts her is all debility, even more so than the absurd “my arm is asleep” with which this farce began: Myka’s shoulder is dislocated.

Further, Myka is now unconscious.

Spare Myka pain. How utterly unsurprising Helena finds her inability to obey such a dictum in even this most basic physical sense.

Unsurprising... worse, dispiriting, and it brings her low, such that again the incipient rupture asserts its subterranean power, urging Helena to give up, to run away and leave this broken Myka to someone else to bind up and save.

You’ve done it before.

That resounds in her head as both accusation and affirmation, and the voice pronouncing it might be Myka’s, or some deity’s, or that of any of the other personages who jockey audibly for primacy in that space, including Helena’s own.

She initiates breathing with care, even as an eddying undertow tempts her to entertain the notion that escape, too, might be rebooted, tempts her to entertain and revel in its ostentation as a response to Myka’s indifference, her rejection of history, even her revulsion.

Here is my answer to all that, a departure would declare.

Helena labors to breathe herself away from such perfidy, but the scenario creeps along, with an undertone of sinful relish, as she imagines leaving Myka to awaken alone and in pain.

But then—because her labor leads her there—she further imagines the various permutations of “someone else” who might be called upon to save the day in her absence. Whereupon the thought strikes her that moving through time nondestructively requires her to think seriously of, and to think seriously out, such knock-ons... how, for example, would Steve and Claudia respond to having to clean up this mess, knowing that Helena had made it?

Moving through time nondestructively. Interesting, here, the overlap with moving through time selfishly: selfishly, she does not want to destroy Claudia’s image of her as someone whose opinion matters. She does not want to destroy Steve’s image of her either, for it seems to have at least some positive components. Further, she does not want to destroy the fellowship they three are building.

If for no other reasons than those, she concludes that having caused this quite specific damage, she must fix it.

Because she can.

The fact of the matter is, Helena cannot fix most things. She has tried mightily to maintain the pretense that she can... but she has been forced over and over to confront the absurdity of that bravado. This very specific fix-it, however, she can perform. And while that performance—inconveniently, in the present circumstance—requires touch, here it can be functional. Perhaps in success she might in some way efface her earlier invasiveness...

Yet she can do nothing without two functional arms. She thumps her still-insensate left against the bed, hard—too hard, for Myka’s eyes open. She mumbles out something Helena decodes as “whatareyoudoing.”

“Preparing to remedy a situation,” Helena says.

“Okay.” Myka murmurs. She seems oddly comforted by the answer, to such an extent that she relaxes, losing consciousness again.

That’s fortunate, given the required manipulation.

Helena prepares herself to do it quickly, efficiently, as she has done in the past... rather dramatically on one occasion, as she recalls, for an agonized Wolcott... but she should not think of Wolcott. For the regret.

She sets that aside, preoccupying herself instead with the necessary activity. Her manipulation, determined and strong, is rewarded: what begins as a sluggish resistance resolves into a slip-pop of relocation, one that shudders a familiar path through her own bones. She then cushions Myka’s arm with a fresh towel and uses a pillowcase to fashion around it a tight sling.

Levering Myka up onto the bed would most likely cause further injury, so Helena sits beside her on the floor, ensuring periodically that she continues to breathe. The wait is calming, cleansing, its peace a renewal of a soothing activity of which Helena has been long deprived: observing Myka closely, at actual leisure. At no point since her return—so at no point in, literally, years—has she had such an opportunity.

She’s reminded, in that observation, of the true fundament: this precious person. Who could never be merely some flesh.

After a lengthy time, during which Helena is pressed to consider, to remember, to value Myka’s singularity, that precious person’s eyes flutter open.

That person tests her bound arm, a tentative physical investigation that approaches elegance in its delicacy.

But Myka’s delicacy and elegance, too, Helena should not think of. For the regret.

“I’m not in the hospital,” Myka burrs.

Reasonable, practical. This is what Helena should think of. “Not yet,” she says. “But we’ll go if necessary. If you’re in pain.”

Myka’s face contorts. “Not if. I am. Some. More than some. I’m sorry.”

“For being in pain?”

“That. But also, for changing this whole thing.”

Helena leaves the latter alone, for she cannot begin to interpret it. Focusing on functionality, she asks, “Can you dress yourself?”

Myka nods, but she winces far too much with even that motion, so Helena screws her courage to it and says, “I’ll change and then help you.”

Herself, fast, then Myka: Functional, she snarls internally as she addresses the situation, and even faster. She’s relieved to find that Myka’s trousers and boots are less complicated than she’d feared, and as it happens, preventing Myka suffering additional physical pain—even while undressing and redressing her!—is, paradoxically or not, far easier than navigating emotional shoals, or even hand-on-hip physical shoals. Focusing on Myka’s face for twists, listening for labors in breath, adjusting accordingly... it’s distractingly, satisfyingly concrete. Only the present moment matters.

Only the present moment matters. This is the mantra Helena iterates internally as they proceed to the nearest urgent care facility.

Yet as they wait there for attention, Helena finds herself increasingly unable to ignore why they are waiting there for attention. In the present moment, which matters. She begins—or does she intend it as an ending?—with, “I’m assuming you flung yourself to the floor in an attempt to escape a circumstance.”

Myka hiccups a laugh that makes her cringe in protection of the shoulder. “That’s weirdly accurate. As an assumption.”

Helena recoils at the confirmation, but she must acknowledge it. “A circumstance in which I touched you in a way that was unwelcome,” she agrees, with gloom.

“Unwelcome,” Myka echoes.

It’s so... definitive. It was one thing for Helena herself to think it, believe it, say it aloud. Quite another—though it shouldn’t have been—to hear it from Myka.

A punctuating end to what never truly began between them: there is some consolation, if only philosophical, in the idea that after so many starts that were false, they may at least enjoy a finish that is true.

“Of course it was,” Helena says, following with, “and how could it have been otherwise.” She puts the final period upon it by adding a bare, spare dig: “Given history.”

Myka closes her eyes... in acceptance of the cut? When she opens them, they are glistening. Tears? Helena is egotistically gratified by such a response, never mind that it means she has yet again failed to hold to her resolution.

“Helena,” Myka says, and now Helena is gratified simply by Myka’s low utterance of her name. Myka does not always use that deeper voice, and Helena does love (yes, love) the rare pleasure of hearing her name in it. “I’m so tired,” Myka says next.

That is less gratifying. It’s yet another utterance Helena should leave alone; of course Myka is tired. But in what she is sure is a mistake, Helena says, “Of?”

“Everything. But particularly, you.”

A dagger, that was. A cut back. Testimony to Helena’s concatenating mistakes.

“This you,” Myka adds.

The additional twist of blade leaves Helena unclear on the devastation Myka intends. “Of course” is all she can think to say.

Myka closes her eyes and exhales heavy, a near-sob. “Sorry. Sorry. Sorry,” she intones, but what need has she to apologize? “That was the pain talking—or, no, I still know you well enough to know you’ll hear that wrong. What I mean is, I’m saying something I could keep holding back if the pain wasn’t cracking me open.”

The pain. Cracking her open. Which would never have happened in the absence of Helena’s stupid, thoughtless touch. Which in turn makes abundantly clear that the stupid, thoughtless person who applied that touch is the “this you” Myka means.

If Helena is to remain in this situation she must take measures, so she lengthens her inhales and exhales, entirely ashamed both at needing such a crutch and at having to exhibit that need.

After a moment of silence, Myka asks, “Are you breathing differently than you were just a second ago?”

Myka isn’t Steve. Helena could at least attempt to lie about this, to cloak her shame... but it’s effort, either way. “Yes,” she says, choosing the unpredictability of Myka’s interpretation over the unpredictability of her own performance.

“Is that good or bad?” Myka asks. “Or both?”

The questions stop Helena, stop her in the same way her at-leisure observation of Myka had. I still know you well enough, Myka had said, and it is true. This is why, Helena would say if she could. Your knowing to ask that.

But she can’t say it, and, worse, she doesn’t know what she should say. What should come next.

Apparently Myka doesn’t either. That not-knowing persists, hanging, until “next” arrives, as an intrusion from outside their suspension: medical attention is at last directed Myka’s way; she is escorted out of the waiting area and taken elsewhere.

“We’ll call you when you can see her,” Helena is told.

Alone in the waiting area—for no other human seems to have suffered damage this night—and uncomfortably situated on a hard plastic chair, she tilts her head back against a similarly unforgiving plaster wall.

She closes her eyes. She’s had no rest, no rest for so long. She is drained. Physically empty.

Philosophically as well.

She imagines trying to sleep... or rather, she imagines not trying to remain awake.

Doubtless futile, either way.

She next imagines constructing an airtight argument that could not help but persuade all who hear it—Myka in particular, but all others as well—that this entire situation is Artie’s fault.

Also futile.

This despite its being the fact of the matter, for indeed he did bring the situation about. Perhaps not in a proximate sense, but in the ultimate... the idea of which, after a moment, strikes her as both comic and tragic: Artie as the ultimate cause? Of anything, from the universe on down? Though he would doubtless like to imagine himself so... even at the Warehouse, however, he must be not even penultimate, given the bureaucracy that sits over the entire concern...

Helena thus spends the bulk of her time in the waiting area stewing about—stewing over? stewing under?—the relative positions of god, Mrs. Frederic, and various Regents in the universe. None of it, however, requires her to alter her breathing; rather, she composes in her head the opening paragraphs of several publishable monographs on these and related topics. It isn’t restful. But is evidence of something other than emptiness.

When someone does at last call her to see Myka, everything has changed.

Well. Not everything. Helena herself hasn’t, as her bureaucracy-pantheon thought may have been philosophically valid but made no difference.

Myka, however, has changed entirely: her arm is now professionally dressed, but more importantly, the knit of pain has left her face. “They medicated me,” she says, giving the word “medicated” a rapturous cast. “The X-rays said I didn’t break anything, so we’re waiting on results of a scan to see if I need surgery but in the meantime I feel better than I maybe ever have in my life and I am so happy to see you. All these doctors were like ‘why did she think she could fix you’ but I knew why and it was because it’s you. and that scan? It’ll shout out how Helena Wells relocated Myka’s shoulder so she didn’t need surgery, and they don’t know this, but actually H.G. Wells relocated Myka’s shoulder, which is even more amazing. Wait, that’s not more amazing. You’re the most amazing when you’re you than when you’re that guy. Even though I guess you are that guy. Sort of. Wait, Claudia’s been saying ‘that guy’ a lot now. And I cut and paste from her so much, but I don’t like it. The way things are.” She heaves an enormous sigh and blinks at Helena, as if she’s just re-understood that another person is present.

Is there some ideal way to answer this flood? Helena settles for an antiseptic “I’m pleased to see you out of pain.”

Myka gasps and flails wildly with her uninjured arm, which gesture eventually resolves into an index finger directed at Helena. “That’s it exactly. I’m out of pain. All out. No more pain to give. Particularly not to you. So saying I’m tired of you? I regret it, and I apologize for it, and I promise that’s the end of it. I was wishing to get something back, and you don’t want it back, and so I have to be fine. Without it. Without you.”

Without you. Helena supposes she should be impressed by how concisely Myka can foreshadow disaster. “Should I not... be here?” She braces herself for the answer.

“Of course you should. I have to be fine without how you were,” Myka says, very quietly. The collapse of her volubility gives Helena pause.

She knows it would be better not to probe; she ought to, as Claudia says, “take the win.” But “Of course you should” is only facially a win... “How was I?” she asks. To wound herself by making Myka clarify what has been lost.

“Oh, how you were...” Myka says, her words dragging. How much—any, all?—of this might be due to the varying effects of the medication? “Putting me into this story,” she continues. “It was so big, and I didn’t understand what it was, really or at all, but it felt so big. Yearning and tragedy, and there I was, still me, but in it, so in it, all in it, next to you. Bigger than life, and I... loved it? Needed it? Something to take me over. But my wishing for any of it back, when of course you don’t?” She raises that free arm, then lets it fall. Futility, it says. “So small. Only somebody little and desperate would want to make you revisit any of that.”

Medication effect or not, Helena can’t let Myka keep on with this. “Make me revisit it? Yearning and tragedy? I’m the one who inflicted that, and with malign intent; I damaged you. And I cannot imagine a scenario in which that debt is discharged.”

Myka squints. “Debt,” she says, as if articulating a new noun, but not one that names an abstraction; no, this thing is big and blunt, a dumb object that takes up space. Unfunctional furniture. That I carry on my back, Helena moods.

“Oh!” Myka then yelps, her tone shifting to excitement. “But I just damaged myself. So now we’re even!” She delivers that last bit big and broad, for all the world as if she’s the comic lead in a panto.

Helena has not spared a thought for panto in years. “That makes no sense at all,” she says, because it’s the case, but also to scorn the memory. This is no time for that past.

“Would you like me to dislocate your shoulder?” Myka asks, as if it were a reasonable proffer. Still comic, but now strangely sincere.

Helena meets this bizarrely compelling, ridiculous combination with as much severity as she can muster. “Honestly no. I would not.”

“I see,” Myka says, and she points again, this time without preambling flail. “Some prices you aren’t willing to pay.”

Helena can at the very least be honest about this. How nice it would be if Steve were here to verify. “Willing to... in the sense of volunteering to? No. In the sense of understanding that I deserve to? Certainly. So do me damage if you must. In particular, do me damage if you think it could even the score between us. It won’t, but if you think it could? Please do.”

“That’s pretty twisted,” pronounces the only arbiter who matters.

“You sound like Claudia again,” Helena observes. To push the judgment away? Yes, and she tries to make certain of it with, “Is that another cut and paste?”

“Maybe. But now that I think about it, she sees things pretty clearly a lot of the time. Don’t you think?”

“I would like to think,” Helena is compelled to admit. Hoist by her own petard.

At this point—suspending any resolution—a doctor reenters the curtained area. “Good news: no surgery,” she tells Myka.

“See, I told you she fixed it,” Myka preens.

“You did,” says the doctor. “Several times,” she adds, dry.

Helena says “I’m so sorry,” only to hear Myka say, at the same time, “Sorry not sorry!” Another echo of Claudia... this one, however, clearly heartfelt.

The doctor turns to Helena. “Don’t try anything like this again. You got ridiculously lucky.”

“That’s kind of her M.O.,” Myka says. “Except when it isn’t.”

The doctor sighs. “I’m pretty sure that’s my point. And listen, make sure to follow up with your local doc. They’ll prescribe a ton of PT, so brace yourself.”

Myka snorts. “Brace myself? Sure, but not for the PT; my boss is going to flay me alive.”

The doctor barely reacts. “Oh, maybe this one can fix that too,” she deadpans, directing an eyeroll at Helena, accompanied by a murmured, “not a suggestion.”

“Oh, she’s in for the flaying,” Myka says, with more than a little cheer. “If not for this, then for something. Eventually.”

The doctor shakes her head, eyes unfocused. “Good news for me: I don’t have to care.” She points at Myka: “You go to PT.” Now at Helena: “You don’t try to practice medicine.” At both of them, her eyes flicking back and forth with purpose: “Got it?” Helena nods; she senses Myka doing the same. “Excellent,” the doctor says. “Or whatever. I’m done with you now.”

She conveys with her rapid exit that interacting with both of them has been a most exasperating experience.

While Helena does not appreciate being chastised—and especially not for attempting to care for Myka—she does appreciate expertise. Especially when it contributes to Myka’s well-being. It’s a conundrum. “I find your doctor’s aspect strangely appealing,” she says. “Speaking of bracing.”

Myka grins. “I was totally thinking the same thing.”

“And yet I would practice that medicine again.”

“For me that’s good news.”

As they prepare to depart, Helena says, “I confess I’m curious as to what you intend to tell Artie.”

Myka offers a slight stretch of her right shoulder in the direction of her ear: the only version of a shrug available to her, bound as she is. “Maybe I should leave that to you. You’re the writer.” Forestalling Helena’s reflexive objection, she adds, “I know, I know. The research. The ideas.”

“And yet I don’t have any. I certainly don’t see a path to inventing anything that would—”

“How about I take your photo with that camera? Think that’d help?” This is accompanied by a different grin: sly.

Whither the warning? Or is this a test? Myka isn’t Steve, yet Helena goes with truth: “It might. With any number of things.”

“If only,” Myka says, inscrutably. “Anyway I intend to tell Artie that this is all his fault, because he sent us on this retrieval in the first place. Obviously I won’t say what really happened.”

While Myka bestowing such grace is not surprising, it moves Helena all the same. “Thank you,” she says.

Myka opens her mouth, then closes it. She does it again. This wait... it’s grace too. “You’re welcome,” she eventually says. “I mean I’m tempted to tell him how you saved the day—the arm—but I know I shouldn’t, because I don’t want to draw attention to the hotel charging us extra.” To Helena’s quizzical eyebrow, she says, “For the missing towels and pillowcase. Which I tried to talk the nurses into giving back to me, but they’d already tossed them as hazardous waste. Or something. Or maybe I’m just not very persuasive? Or clear in what I’m asking for?”

Helena would very much like to explain that her own answers to those questions are negative and affirmative, respectively: no, you are persuasive; but yes, you are unclear.

“On the other hand, they did medicate me,” Myka says, perking up. “I keep thinking it’ll wear off, but not yet!”

The consolations of intoxication. “To the delight of your shoulder I’m sure,” Helena says. To my delight as well, she wishes she were free to say.

Their return to the hotel room offers another “everything has changed” hinge: no longer a stage for new and awkward performances of politesse, the space is now familiar, a place they have reentered. For the next act of the play?

Myka, who has preceded Helena in, stops and sways—just a bit, but Helena instinctively steps close, taking her by the elbow of her uninjured arm with one hand, stationing the other around the curve of her waist.

She feels Myka’s breath catch at the contact; immediately, she curses herself, loosens her hold, and says a terse, “I’m sure you want to lie down.”

“More than maybe anything. Or, wait, no, not anything.” Myka turns and catches Helena’s eyes with hers, but Helena cannot use that gaze as the basis for any inference.

She backs away as Myka lowers herself onto the bed; eventually, she backs her way into the room’s one armchair. It lacks give. It also lacks arms at a height that might provide anything resembling support. Helena slumps down, trying to be grateful that it exists at all.

Long minutes pass. As in the hospital’s waiting area, Helena imagines trying not to remain awake.

Similarly futile.

She chances a glance at Myka, who meets her eyes again and says, “That looks uncomfortable. Or what I mean is, you look uncomfortable. Which honestly is pointless, unless you’re doing some hair-shirt thing, because we’ve got this big bed. Not a lot of hours before we have to leave it, but we’ve got it for now.”

“That went poorly before.”

“I think circumstances have changed. Don’t you?” Weighted.

Circumstances are always changing, Helena could say. Usually for the worse. Instead she ventures, “You’d let me lie down with you?”

“I never wouldn’t.” Myka squints. “Wait. Did that come out right? Anyway, yes.”

Medication: not yet worn off. “You’re sure?” Helena asks.

“I’m pretty sure this bed is almost as big as a field where Pete’s favorite sport happens. It’s at least as big as an ice rink anyway, and those aren’t small.”

Helena refrains from pointing out that that was no help in the previous disaster. She doesn’t, however, appreciate being able to recline. For the first while, the fact of being beside Myka is less relevant than the slow loosening of her lower back and hips.

“Can you sleep?” Helena asks, as they are both evidently lying with eyes open to the ceiling.

“Not now,” Myka answers, and the sentiment seems clear: not after all of this. All of this with which we must deal.

The bed first, perhaps.

She turns to look at Myka, if minimally. “Did you request a cot?” she asks, because she doesn’t know. Because the answer might reveal... something?

Myka’s eyes widen. “Oh my god I should have,” she says. Stricken.

“Why didn’t you?”

“It didn’t even cross my mind.” She’s talking more to herself—or perhaps to the room at large?—than to Helena. Is this continued evidence of the medication?

“And do you know why that is?” Helena asks, hoping for that revelation, even if drug-induced.

“Honestly I think I thought I was being given an ultimatum. Like it was something I had to be fine with or else.”

“Fine with ‘or else.’” Helena means the echo as rueful agreement.

But: “Sharing a bed with you. Platonically,” Myka says, taking it instead as a request for explanation.

“Platonically,” Helena scoffs, unable to avoid the idea that agreeing to accept that adverb would, paradoxically, usher in others. (Passionately.) (Speaking of paradoxically.) “That word is so often misused.” It’s a push-off. A push-away.

“But I’m using it correctly.” Myka sounds not offended, but rather self-satisfied.

Fine. Harden the position. “You are not referring to our consciousness rising from physical to spiritual matters.”

“Well... but how about love for the idea of good? As a path to virtue?”

Myka is well-read. In this moment, that fact is not entirely pleasing. “I suppose we were both attempting to be courtly,” Helena concedes.

“I mean I’ll grant you that nobody ended up transcending the body,” Myka says. Helena is about to agree, to snap away from churlishness, to express regret and apologies, when Myka exclaims, “Hey! I just had the best idea for a joke. So you’re not a hologram anymore, right? So you know what you were trying to be? Last night, in bed?”

Jokes. They confound Helena nearly as completely as metaphors do Steve. “I have no idea.”

“A Platonic solid,” Myka declares, triumphant.

Helena is mortified to find that in this case, she “gets it.” “Myka,” she sighs.

“Too soon? But come on, it’s not bad!”

“Alas, it is.” This quality, Helena can recognize.

“Right, but the good kind.”

Helena is not made of stone. Or bronze. How much easier everything had been then, sans choice and sans reason... and most importantly, sans the near-irresistibility of this one human. “I did always enjoy the word ‘icosahedron,’” she tenders.

“See,” Myka says, now in indulgence rather than triumph. “Pretty sure you have more than twenty faces though.”

“You do as well. Some revealed only under the influence of opioids.”

“Here’s one I don’t think I’d have the guts to use otherwise: my explain-it-to-you-using-words face.”

“Explain what to me?” Helena asks. It’s a surrender. She should better have said she did not wish that face revealed, but that would never have stopped a determined Myka.

“Why I flung myself to the floor.”

“I thought that had been explained? You were attempting to escape a circumstance.”

“First, the flinging was more involuntary than an attempt. And second: your hand.”

“Perhaps you don’t remember”—a strange thing to say to Myka—“but we had this conversation previously.” Helena does not want to have it again.

“Not this conversation. In that one, you drew the wrong conclusion. Or relied on an invalid assumption. Actually both of those. Anyway, your hand.”

“Please stop saying that,” Helena requests. Begs.

“Fine, I’ll finish the sentence: Woke up every nerve in my body,” Myka says, causing Helena to cringe and wish she could this very instant construct a truly useful time machine so she could fly backward, overleaping this latest passage so as to muzzle Myka before she could say that, because she believes it but knows it leads nowhere functional. To her continued mortification, Myka carries on, “Woke them all right up.” This, she says rhapsodic. Helena feels that tone in her gut, a hot twist of something she deserves as pain, but that manifests, shamefully, as pleasure. “Then your hand moved, and it shorted out the system—my system—and I fell out of bed, and the rest is history.”

“On the contrary, the rest is quite present.” Helena tries pushing all of it away, striving for detachment. For function.

“So, your hand,” Myka says again.

Helena raises the offender. “Also present.” Detachment. Humor, even; pushing, pushing, pushing. Trying to maintain.

“No, I mean why,” Myka pushes in turn.

Helena bats back, in faux innocence, “Why is it present?”

“Why was it present. On me.” Low now, her voice, just as compelling as, and even more commanding than, when she uses it to utter Helena’s name.

“I have no excuse,” Helena says.

“I don’t need an excuse. I need a reason. Do you have one?”

“It isn’t exculpatory.”

“As long as it’s explanatory.”

No escape now. No excuse, and no escape. “Here is my reason: I wanted to touch you. So against all better judgment, I did. Intending only that, nothing more.” Myka’s response to these words is an exhale. Loud. Unlike the hospital sob, however, this is slow and controlled. Helena allows a decorous pause, but no words ensue, so she goes on. Myka deserves an explanation that is complete. “But then I found myself unable to... un-touch you. Competently. And the rest will at some point be history, upon which I will never cease to look back and berate myself.”

Waiting for whatever may come next, Helena feels exhaustion inch through her, infiltrating her eyes, limbs, brain, sapping every vestige of energy... her surrender to the creeping leach is imminent when Myka says, “I like that reason.”

All right then. Awake and aware. “You do?”

“You really can be impossible to talk to. Listen to me: if I did that—touched you—I would find myself the same. Unable to un-touch. Do you understand?”

What would be the cost of abandoning her resistance? “I don’t know...” she begins, then reverses course and begins again. Truth, never mind the cost. “Yes. I do understand. But I don’t know what to do about that.”

Myka turns her head full toward Helena, twisting her long neck. Helena turns her own head, but that isn’t enough, so she shifts onto her side—her left side, punitively aware that it will be weeks before Myka can turn in such a way.

They look at each other, Helena both knowing and fearing how her guilt must freight her gaze. Regarding Myka so close, looking now into eyes that are open, is a boon she does not deserve.

After a time, Myka says, “I know what I want to do.”

Her intent is abundantly clear. The entirely of Helena’s being balks, stranding her again in Boone: if she makes a move for the momentary better, it will most likely end worse. She cannot find the... courage? or is it foolish disregard for consequences?... to reach for that moment of joy. Neither, however, can she find the discipline to dismiss its possibility.

“But I also know I shouldn’t,” Myka says, breaking with clarity into Helena’s indecision.

Well. Helena can certainly see the wisdom of that, so perhaps at last they are approaching a real accord that will render all hopes and wishes moot, so that neither courage nor discipline features in the—

“I can tell the meds are messing with my head,” Myka says, “and if there’s one thing I want to remember in picture-perfect detail, it’s this.” She moves her right index finger near to Helena’s lips, then withdraws it.

Unable to un-touch. That withdrawal reaffirms that Myka believes what she says. “This,” Helena echoes, mesmerized.

“So I’m going to wait till tomorrow to—listen to me saying it out loud—kiss you. For the first time. I want to be all there when it happens.”

There is a practicality to Myka’s thinking, and to Myka, that Helena worships. She tries to match it with a bit of her own: “If it happens.”

Myka’s jaw drops. “Come on! I said it out loud! It’s real now!”

“It’s been real for some time, hasn’t it? But I’m being realistic about the circumstance. You might not remember that you wanted to.”

“Seriously? I’ve remembered it since we met.”

Helena has remembered it just as long. She has. Denying it is pointless. But she has a larger concern, and though this is the wrong time to address it, perhaps medicated Myka will afford an unfiltered read...

“Or you might think better of it.”

“Of kissing you? I don’t think so.”

“Of what could ensue. The possibility of a... relationship. Between us. What if it doesn’t work?”

“Relationship.” After she says the word, Myka’s lips part and close, as if the very word is savory. “What if it does?”

It is savory. However. “I’m asking as a practical matter, not philosophically. I’m constrained: I can’t leave again. That’s why I came back.” The thin strand to which she is clinging... refraining from attempting to rekindle an intimacy hasn’t been only to keep Myka safe. It has also been to keep the Warehouse safe for Helena herself to inhabit.

“Then don’t leave again.”

“But what if that means you do?” This is not philosophy either. This, too, is history.

“If I do, then I do, but I’d like to think I won’t. We’ve both had our walkaway crises, and they didn’t take. So if it doesn’t work, we put it behind us like adults. If Pete and I could, then so can you and I. But I’d rather not have to. So let’s be careful.” She pauses. “Breathe however you need to.”

The words are an embrace. A physical clasp might be more galvanizing, but right now, Myka is managing just fine with words. “If this works, it will be because you say things like that.”

“Good news, because I mean things like that. And I intend to keep saying them. Hey, speaking of saying, do me a favor and write down what I said just now, about the adults and the careful, because I want to remember it.”

Sluggishly, Helena ideates rising, going to the room’s desk, finding logo-bearing paper and pen, writing...

****

Helena and Oscar are in a salon. They are engaged in a dispute regarding choices and consequences. Helena is standing at a lectern, and Oscar is reclining on a lavishly upholstered chaise longue, kicking his right leg such that its calf bounces in a languid little rhythm against the low cushioned edge.

Kick. Kick. Kick.

“The choices that create a circumstance will not, repeated, resolve it satisfactorily,” Helena says. Is she reading from a monograph? “As we see in the case of your own Ballad of Reading Gaol, do we not? And yet injury need not lead inevitably to future debility, so clearly some choice in the matter is—”

“Helena,” Oscar says, interrupting her monologue. “Helena,” he repeats. He sounds nothing like himself, but rather someone else, and Helena is straining to connect the voice to the correct person.

Kick. Kick. Kick.

“Time to wake up,” Oscar-as-someone-else admonishes. Encourages?

“I know,” she tells him, hugely frustrated, fighting. “I’m trying.”

His impassive mien is no help. It never was.

Kick. Kick. Kick.

Trust Oscar to cast some part of himself as the pendulum of a particularly annoying clock—

“Seriously, wake up,” Helena hears, and consciousness jolts at her: Myka’s voice.

Oscar dissolves. Into laughter or tears, no doubt, as he was wont to do...

Helena’s eyes open, meeting Myka’s, and she is brought back to it all: the hotel, the bed; the shoulder, the hospital... then hotel again, bed again... and finally words, as if for the first time.

Myka is lying on her right side, facing Helena. Her eyes are bright, her gaze intense.

“Are you in pain?” Helena asks.

Myka leans forward, as if that were a signal. The signal: for Helena is the astonished, grateful, transported recipient of a kiss, a first kiss—the first kiss—one that is swift but soft, gentle, genuine. Like morning... “Better now,” Myka says when she pulls back. “I’m going to brush my teeth. Stay there.”

Better now. Not lost on Helena are all the ways that signifies, including: better that this happened now than at some point in the desperate past. Then, such a kiss would have been a tragic wish for all they would never have. Now, instead, it can stand as a reward for having survived all of that, as well as, universe willing, a mark of embarkation.

By the time Myka returns, Helena has sat up, stationing herself on the edge of the bed. She has also realized that she must apologize—for they should not embark on this new voyage with yet another of her many faults unaddressed. “You charged me with writing down part of our conversation. I didn’t. I fell asleep instead.”

Myka hesitates before joining her on the bed’s edge, clearly considering which arm should be next to Helena. She chooses the functional right. “It’s okay. Even if I don’t remember exactly what we said, I remembered what we needed to do.”

“Needed to,” Helena reprises. She could supply words of her own, but why? Myka is saying the ones that matter...

“Needed to,” Myka affirms. “So where were we?” She raises her useful hand to Helena’s cheek, cradling. Helena leans into it, saying nothing, because silence now says everything.

This is a longer kiss, more wandering, more suggestive of possibility, more likely to lead to such possibility... Helena is the one to this time pull away. “A place quite new,” she says.

“And yet I’m pretty sure we’ve been headed here all along.”

“It wasn’t inevitable,” Helena says. She is thinking now of dream-Oscar, who is slipping from her mind, dropping, like a poorly initiated painting, but he must have obstreperously been maintaining something about inevitability. He always did.

“No,” Myka agrees. “And it still isn’t. So let’s be careful.”

“You remember that part? Despite my stenographic failure?”

“Even if I didn’t—but I do—I’d know it’s important.”

Helena turns and touches her right hand to Myka’s right hip. She would certainly not be able to do this now if she had not done so in the night... the night’s ontogeny recapitulating the phylogeny of their shared history. Myka covers Helena’s hand with hers, and there is healing in the simple fact of their sitting. But eventually that is not enough, and another kiss ensues, longer still, and lips outweigh quiet hands—or no, lips add to quiet hands, but hands are not content to remain so calm, and so this continues and might continue—

Myka makes a noise that is clearly not of pleasure; she moves entirely away, her right hand pressing protectively at her left shoulder. “We’re going to need to be careful about this stupid shoulder too. I’m so, so sorry.”

“You’re sorry? I’m the one who can’t keep my hands to myself.” Ontogeny, phylogeny.

“It’s not like I’m some paragon of self-control... and I am sorry, because I’d like to be able to participate fully. But also I’d like to not have to hurry on account of catching a plane. In good news, eventually my shoulder will heal. I know we can’t stay here till then, but...”

“It would help,” Helena supplies.

“If only because we have to come up with how this supposedly happened. I still think maybe I should take your picture. Or you could take mine? Because by the way, here’s a funny thing: I was trying to write a novel.”

“You were?” More that is new... “Speaking of icosahedra,” Helena notes.

“I want to tell you about it.”

“You do?” Trying to convey her incredulity. That Myka would allow her such... access.

“I want to tell you everything. But in the meantime we have to tell Artie something... I guess we’ve got both flights plus the layover in Denver to get our story straight.”

Stories. Narrative. Novels? “But we’ll tell Steve the truth. Won’t we?”

“Of course we will. And Claudia, right?”

“Also necessary. Although most likely mockery-inducing.”

Myka smiles. It’s a sunrise. “Stress testing. If we can take it from her, we’ll be fine. Then again we might need the time on the planes to rest up for that.”

“Weren’t you able to sleep, this past while?”

Myka shakes her head, and just as Helena opens her mouth to express regret and apologize again for her own sleep, Myka silences her with a kiss, one that lingers, lingers, lingers... still half against Helena’s lips, she says, “The un-touching part really is difficult. But don’t worry about my not sleeping: for the first time in a long time, I was happy to be awake.”

END

#bering and wells #warehouse 13 #fanfic #Asleep #part 2 #B&W holiday gift exchange #kla1991 #also anniversary!#which this year arrived a bit unexpectedly #so I decided to do this mashing up of occasions #because I apparently cannot work fast or well anymore #but as for this story #something something sleep and wakefulness #and when one finds oneself in those states #and whether one recognizes the state one is in when in it #or when finally out of it #and of course there are also the transitions

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