One pet peeve I have with Discovery going forward from season 3 (haven’t seen S4 yet) that has very little to do with the plot, the characters or the overall quality of the show, is how they have put next to no effort into the world building of their future. They have sent their crew 900 years into the future and almost nothing changes? Sure the political landscape shifted a little (but not to a point of being unrecognisable), the technology is a bit more advanced (barely) and everything is a little more lawless and more threatening than before, but all in all there are more differences between TOS and TNG than between Disco season two and three. They might just as well have gone fifty years into the future.
It just feels like the writers have absolutely no concept of how long 900 years are in cultural and social terms. It is very, very long. Like, nine hundred years ago we had a completely different perception of what a person was, and I’m not even talking medically. A child would have been considered a small adult and a person’s character was seen as an unchangeable fixture you were born with (character development was literally invented by the Enlightenmet) . The way society worked was fundamentally different, humanity’s place in the universe was fundamentally different, hell, even what people ate was fundamentally different.
The fact that apparently 900 years in the future Starfleet still exists is hardly less than a miracle, but it also seems to have changed so little that the crew of the Discovery can seamlessly be integrated after a mere months of welcome-to-the-future workshops and a minor technical overhaul of the ship. Fucking Marvel did a better job showing Steve Rogers’ having to integrate into the future and he was only seventy years out of his own time and none of the films really cared about that. The Disco crew even keep their old uniforms and no one ever even remarks on it. Imagine a medieval knight coming to the present and joining the police, but they keep wearing their chain mail and armour, and no one thinks it’s weird. (Yes I know they get the new ones by the end of S3, but there is no in universe reason given as to why exactly then and not earlier.)
And Starfleet is a secular institution that has apparently survived without any major changes at all for nearly a millennium. Even the world’s major religions, the most change-resistant institutions humanity has ever created, have undergone massive changes over the centuries in regards to doctrines, organisation structure, their socio-political role, how they operate, etc. None-religious organisations don’t even usually last that long. The only ones that do tend to be monarchies, which are more often then not closely interwoven with religion; and they too have changed drastically in what they mean, how they work and what they can/should do. Try and put William the Bastard on the English throne today and see what happens.
And that’s not even touching on cultural and social stuff. Like the fact that Kelpiens apparently still sing the same lullabies and eat the same food Saru remembers. Name one song that people still sing that is provably older than even just 500 years. Just one. I’ll wait. Music doesn’t last that long. The idea of what music is, how it’s made, how it’s preserved doesn’t last that long. (They get a pass for the dish because Su’Kal has never had it before so he wouldn’t know if it was weird.) It’s especially annoying that they do this with Kelpien culture with probably underwent a massive revolution after everything they knew about themselves was changed in season 2. We’re talking fall of the Roman empire levels of cultural and social change here. Kaminar should be entirely unrecognisable to Saru.
They do their best job with Ni’Var, and even there it feels superficial. They’re not one culture, they’re two that barely hold together, even after what has to be eight hundred years, if we assume the reunification happened reasonably shortly after the destruction of Romulus. (That’s not even getting into me thinking Ni’Var as a concept is a stupid idea and they should have realised that at some point on those eight hundred years. Sometimes breaking up is simply the better option if your core ideals are fundamentally different.)
Nine hundred years is an insanely long time and all they do is basically pretend this is the same world we already know, just slightly different and with everyone we know conveniently removed.
I know all of this is pretty irrelevant to pretty much everything in the show (which is probably why they didn’t bother), but it bugs me so much every time I watch it it’s not even funny anymore.
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So I know we here at Startrekfandom love that "came back wrong but from the pov of the wrong" thing and apply it to many different characters and canon situations and I am far from trying to complain about it (I'm "came out wrong" trope myself so I was always gonna obsess over it) but having recently watched a very important episode (you'll know which one) for the first time I think there's a character who hits both tropes mentioned but llike, intertwined, opposite and subverted, and whom I wanna talk about.
Julian Bashir.
From his parents' pov he's "came out wrong but we got him help and he came back better" while from his own pov it's "came out 'insufficient', was destroyed for it, came back wrong and only later slowly came to terms with his new self tho never the process (justifiably so)" and it's heartbreaking because in a way, he's right! Jules Bashir died! His parents had an intellectually disabled child and decided to eugenics him! Julian is not the person he used to be and while I do love the person he is now, that doesn't bring back who he was! Part of me wishes we could've gotten to see Jules at least once and part of me hopes we never do because my heart would shatter.
This isn't a good comparison but nonetheless one I can't help drawing: it's giving similar vibes to anti-vaxxers. "I'd rather risk having a child who is dead than one who's autistic". Obviously this doesn't map over since Julian is still autistic and the procedure his parents subjected him to specifically targeted his intellectual disability and if any folks with id wanna comment on this I definitely recommend you listen to them over me, but it's a similarity I, as an autistic who has encountered anti-vaxxers again and again, can't help but point out. "Give me a normal child or give them death."
This may have been written about already but there needs to be stories about teenage Julian (after finding out and rediscovering who he was) practicing some good ol' recognition of the self through media. I need to hear about how he would encounter a story about someone who came back wrong (I'm gonna assume there's plenty of "wrong" pov stories floating around by the 24th century) and absolutely weep. I need to see Julian mourning Jules, taking years and years to process his feelings, experiencing guilt about how he, the imposter, didn't deserve to live Jules' life.
Came back wrong from the returned's pov but it wasn't an accident. It was done to you deliberately by the people who claim to love you. And now you are here, piloting the corpse of your predecessor.
Jules Bashir is dead. Long live Julian Bashir.
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GOD I can’t even imagine being alive to see Amok Time when it first aired like. Vulcan biology the biology of Vulcans. She’s lovely Spock who is she? My wife. Wrestling in the dirt. The smile. I would’ve screamed at the television. I would’ve lost my absolute shit. Imagine how horny that episode made people. Fucking christ.
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Still thinking about Tuvok and Vorik.
Like, I now really wish that the series had an episode where Tuvok seeks him out and tries to give him tips for how to keep your vulcan logic and emotional control in tact while being on a mostly human ship. And Vorik follows them to a T...only to completely mess up.
Like he just instantly gets into a fight with Belaana, accidentally insults Tom Paris, etc.
Eventually he concludes that nope, this is not helping, and he starts acting more himself again. (I headcanon that he's from a less traditional vulcan family and that's why both him and Taurik joined starfleet)
And he realizes how the humans actually respond better to him if he lets his emotional shields down. Which I can imagine might be exciting for younger vulcans who maybe don't really understand the importance of them yet? (Like how we see with child Tuvok in one episode, even though yk...vorik's clearly older than that.)
So throughout the series we get to watch Vorik slowly turn from your average cold vulcan into someone who's almost openly showing his feelings (as much as he's able to anyways)
I can imagine this would make things between Tuvok and him a lot more akward too since I believe Vorik would subconsciously still look up to him in a way, even if he doesn't feel the need to practice emotional suppression as much anymore.
So it'd probably come to scenes where Vorik's just chatting with a crew member and having a very slight smile on his face, only to turn 😐 again once he spots Tuvok walking past them.
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