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#beyond that he's the narrator
reginrokkr · 2 years
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Do you ever have something to say that would do well in your rules but it’s something that people tend to shy away from, so you don’t say it and instead apply it to your portrayal? That’s me with Dain, but I think that it’d be a good idea to at least make a small post about it. If you interact with him, he’s bound to know to some capacity about your muse. Regardless of whether you count what he says in the Travail trailer as canon (by this I mean besides what he says, which is becoming true) or not, it was confirmed that he counts with divination abilities at least in a middle-term way. If we’re to add the Travail trailer into the mix and how it’s been three canonical years in Genshin now, in view that we’re in Sumeru’s chapter, it’s safe to say that his divination capabilities go up to three years for now, always subject to increase in years until at least Snezhnaya’s chapter.
What I mean to say by this is that infomodding isn’t something generally liked and I tend to be careful with this, always keeping in mind the mun’s indications of what someone else can or can’t know about their muse depending on the circumstances they establish. So please keep this in mind!
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blackkatdraws2 · 10 days
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Stanley encounters them. [Blank Scripts AU]
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salty-an-disco · 2 months
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I disagree with Narrator in a very fundamental and philosophical level, but you know, even if I agreed 100% with his worldview and the reality he wants to bring about, I’d still think he’s wrong for taking matters into his own hands and changing THE VERY FABRIC OF REALITY affecting people in the entire universe, simply because HE thinks he knows what best for the world.
Like– that’s why I find him so fascinating, it’s not only the fear of death or disgust towards the very concept of change (tho that is very funny and interesting in its own right), but the utter arrogance to champion himself Savior of the World without EVER considering that maybe– just maybe, people might not agree with what he plans to do.
Like. Hubris indeed, and he even has the gall to say, “you can still do what you must and kill her” when we call him out on it. Like. Wow. I want to study this guy under a microscope.
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lamuliz · 1 year
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"I've made some changes to the skip button, Narry."
I'm working on an angsty comic with him and the narrator so here's a concept i might use
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parasocial-paradox · 4 months
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Average reaction to Black's uncanny valley presence:
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Ft. @blackkatdraws Black!!!
The only thing that can scare my sona is the unknown, and BOY has Black got a lot of unknown to share!
I keep on changing how I draw Black's hair but I might stay with this bc I like it
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jerichogender · 7 months
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thinking about the time they actually gave joey dialogue in the new teen titans: games…
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“He could be role-playing with us. Art represents civilization. Maybe he’s showing us his end game?”
this says sooo much about him: his deductive reasoning skills, his appreciation for art, his understanding of other people’s psychology. i need more stories where joey gets to play detective, especially in an art or music history context, and i NEED him to have proper dialogue
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bookshelf-in-progress · 2 months
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Daughter of the House of Dreams: A Fragment
Author's Note: This is the opening to a long-abandoned "Sleeping Beauty" retelling that I no longer plan to write, but I still like it as a piece of prose, and it sparked my enduring interest in second-person narration, so it feels relevant, and why should long-dead authors be the only ones who get to have their unfinished fragments published?
If you ever travel to Monetta City, be sure to visit Faraway Lane. Walk past the glittering new shops, and the shoppers in their bright silk dresses and top hats, and you'll find a cozy stone shop at the end of the street. This shop isn't grand and mighty like the other shops. It won't sniff and turn you away if your clothes aren't the latest fashion. It's a grandmotherly old shop that shakes its head at the prancing and preening of the younger shops, and invites you in instead. It holds no wares in its windows; it hardly has windows at all. But it has a warm and wide wooden door, with a shingle hanging above—Alessia Day, maker of dreams.
Don't ponder the sign's message too long—it means exactly what it says. Just slip inside, shut the door behind you, and look. Don't breathe too deeply, unless you want a week of crazy dreams, but allow yourself one gasp of astonishment. You won't be able to stop yourself. No living person has failed to feel awe toward the rows and rows of shelves, longer than streets and taller than palaces, filled to bursting with glass bottles in such bright colors that the dresses in the other shops' windows would weep in envy. Some bottles are the size of thumbnails. Most fit comfortably in the palm. Some are as large as breadboxes or steamer trunks or carriage horses, but the shelves manage to fit them all. And each bottle is filled to the brim with dreams.
If you don't understand, ask Alessia Day. You'll find her at a counter half a mile from the door, polishing bottles and humming a song you've heard but can't remember. She's an old woman now, and proud of it, but squint your eyes and start to daydream, and you'll see her as I remember her—a willow-wand girl with shining brown hair and eyes that sparkle with half-formed jokes.
Tell this girl how pretty she is (she'll laugh and call you crazy) and ask about her dreams. She'll tell you of her stock and sell you any dream you ask for—daydreams and pipe dreams, dreams of love, dreams of adventure, dreams of loved ones lost and loved ones found and people you've never met but wish you had. She'll show you dreams of lush and perfect islands, dreams where fishes fly through the air, and dreams where people swim the seas with fishes' tails. She'll pull down dreams that last a second but linger a lifetime, dreams that fill a month of stormy nights, dreams that fade on waking and dreams that drown out memories. If you let her, she'll talk of dreams until you drift off, and she'll bottle up your dream while you doze.
But if you're smart (I know you are) you'll step to the counter with a clear glass bottle, empty of everything but air, and ask for her story instead. She'd distill it in a dream for you, and be glad to do it—I once saw her whip it up in half a minute, and I'll bet she's even faster now. Buy the dream, but don't drink it right away. You won't be ready for it. Linger in the shop a while. Hear the story first from Alessia Day's lips, in that voice of hers that's sweeter than singing.
You won't believe half of it, but when you stagger from the shop and wander the empty, starlit streets, you'll ponder over passages until you stumble into bed at sunrise. And when you wake, the world will be different—you'll see tiny footprints on the windowsills, know things about the shadows on the walls, tip your hat to creatures in the corner of your eye, and realize there is another color no one else can see. You'll laugh and call it your imagination, but every second Tuesday, you'll start to wonder if the old woman was right, if the things she told you were true.
If you drink the dream she made, you'll know. I'll understand if you don't—some things are easier not to know. But if you do, and dream through her story, come to my house and ring the bell. My man will let you in—he'll know you by the wonder on your face. He'll bring you to my study, set you in my oldest, softest chair, and get us both settled with a steaming pot of tea. Then, once you've finished babbling, I'll close my eyes and tell you my part in the tale.
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darcyolsson · 3 months
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revisiting riverdale season 3 episode 4 "the midnight club" post-season 7 is insane because so many of the story elements that are constants in the different incarnations of the main cast (riverdale/50sdale) are also true for the parent characters. and they're portrayed by the same actors. do you understand? fred & hermione dated because archie & veronica did and alice & fp dated because betty & jughead did. in a sense they're just yet another alternate main cast, so even when portraying the parents these characters are still stuck in their own respective narratives because that's what riverdale is about
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drbtinglecannon · 2 years
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How Belos remembers Caleb back in the human realm:
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How Caleb actually was back in the human realm:
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This is such a good addition to the ways the story has shown us over and over that Philip is an intentionally unreliable narrator.
Now, Luz is also an unreliable narrator as we've seen a few times, but with Luz it's clearly unintentional and a side effect of RSD, where she takes on more guilt than is warranted. Philip on the other hand, rewrites the story to make himself look better and be absolved of all guilt each time.
First we see it in "Elsewhere and Elsewhen", when Philip is exposed for purposely fabricating the entries in his journal, which we were following since Luz discovered it back in "Through The Looking Glass Ruins". It was deliberate on his part to doctor his own personal journal that he later personally delivers to a library, all centuries before he ever became Belos. And it worked! Philip appeared much kinder and genuinely curious of the Boiling Isles, so much so both the audience and Luz had sympathy for him, yet it was all a lie on his journey of genocide. He set about fabricating sympathy for himself long before he had any power or chance of destroying the Isles, relaying how deeply manipulative he is.
Then we see it again in "Hollow Mind", with Belos having a fake mindscape full of fabricated propaganda of his reign that hid his real memories of his life and actions. His own subconscious greeted them in a purposely innocent persona to lower their guard, then revealed himself after he got what he wanted. The layers of manipulation and dishonesty it takes to create such cognitive dissonance just on the off change his mind is ever explored is something that cannot be understated. Even further than purposely fabricating his journal, he stripped away parts of his own memory and presented his Inner Belos as a child all to garner, again, more sympathy.
Now we see it again here, in "Thanks To Them", where the first time the show directly shows us Caleb in the human realm outside of Belos' memory of him, he looks miserable. He has heavy bags under his eyes, sunken in cheeks, and a truly despondent expression.
It's entirely possible Caleb hid his misery from Philip, being the older child and having to take on responsibility to protect his younger brother, and it's also possible Caleb did enjoy his childhood and was genuinely happy in those earlier memories. But as this new shot shows us, Caleb eventually stops appearing that way and grows depressed being in the human realm, yet conveniently there's no memory Philip has that shows this stage of Caleb.
We can even dig a little further into some of the mindscape memories to see more of the framework for this final reveal.
Here we have the last memory of Caleb before the Boiling Isles memories start:
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This is also the first memory where Philip isn't smiling. Caleb is smiling though, and this is the most in the light Caleb has appeared in a memory since the one of him carving that mask. Caleb slowly turned further away from the lighting throughout Belos' early memories, being shrouded in more and more darkness in each one, but this memory when Philip looks unhappy for the first time is when Caleb's finally turning back towards the light, and it's most likely the memory of when Caleb left the human realm.
Then here we have the first memory Caleb's eyes become visible:
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The moment they reunited is when Philip finally remembers Caleb's eyes. And boy does he look drastically different from the man in the mirror. He doesn't have eyebags, his cheeks are no longer sunken in, and he looks happy.
This moment is also when Philip decides to kill him.
Because he looked too happy here in this world Philip thinks is hell.
And he looked far happier there than he did back home.
So Philip wipes away those details from his memory. Like he does every other detail that makes him appear to be in the wrong.
And we finally have the proof of it. When Belos said "Out of all the grimwalkers, you looked the most like him" he meant it, even after he willingly rewrote his own memories of Caleb to reflect differently.
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essektheylyss · 1 year
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[banging my fists on the table]
WHERE'S OUR HONORED FRIEND?
WHERE'S OUR HONORED FRIEND?
WHERE'S OUR HONORED FRIEND?
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reasons why i just KNOW john richard papen is the pretty boi of the greek class and most probably all of hampden (spoilers, read at your own risk):
he's from california so he has that accent shut up.
he gets attention. now listen, we see him accompanying literally every single one of these nerds yet he's the one who gets recognized, every fucking time. he's literally been to a college party with camilla and judy but he was the one who got taken home while no one even tried to hit on judy and camilla (pretty sure because they were just getting all up and personal with each other so everyone kept their distance i'm allowed to dream shut up-).
he swoons over charles and francis too so... we've seen him call charles charming and he does end up with an older woman by the end of the book, BUT... he never got any attention from any one of their college friends, ik not appropriate but what in the living fuck is appropriate about this book anyway, he doesn't even get noticed by any girl at bunny's funeral... not even SOPHIE! but.. whatever i guess.
he's literally objectively prettier than bunny i don't need to justify that.
francis.. he's a redhead but that doesn't make him less pretty, actually that makes him prettier. people just find richard more objectively attractive. ik we all have this wrecked image of richard in our heads because that's how we decided to look at richard but just imagine richard's features being an absolutely stunning cross between achilles and remus lupin *sighs in gender envy*.
just the fact that he made it into the class.. hear me out. these nerds, including julian, are all about the aesthetic. and richard appearing outta nowhere could not be reason enough for them to just pull him in their "tight-knit circle" as we go about describing the greek class to be. the fact that richard's somewhat proficient at greek, is stupid AND pretty is reason enough? yeah (as i said, a cross between achilles and remus lupin).
julian calls him for dinner (i don't think i need to explain this i think we all know why he did that *ahem* *ahem* pulling the shit he must have pulled on henry to attract him *ahem* *ahem*) which is viable enough for my claims lmao.
i'm biased do what you will lol.
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themochimadeoftaro · 2 years
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Just a bunch of doodles of our fav duo :)
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i'm sick so they might not be the best JDSNJSFDNSFD
at first i was so indecisive about keeping the tar eldritch design for the narrator but i ended up liking it too much
i can't resist him, he looks so cool like a bunch of black goo lmao
when i'm feeling better i wanna make some cool stuff :eyes:
[ reblogs are much more appreciated with tags!! ]
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tai-janai · 1 month
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ive said it before but stp is just choosing between a toxic familial relationship (with the narrator) and a toxic romantic relationship (with the princess) and the best ending is where nobody gets what they want, which is the truest compromise
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queenburd · 10 months
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My good sir, you’re starting to act like Stanley when it comes to your sense of self preservation.
I’m not going anywhere with this idea but if it was an au of this fic idea it would be called Outer Science.
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hollowsart · 2 years
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Narrator: I generally have trouble reading human emotions--
Me, rewinding to hear that again: .....................Human...?
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rchtzr · 4 months
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wanting to listen to doctor sleep on audiobook because i just finished the shining only to see that the narrator is someone i do not like to listen to
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