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#brian douglas
graphicpolicy · 1 year
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It's a Unicorn vs. Vampires in Unicorn: Vampire Hunter!
It's a Unicorn vs. Vampires in Unicorn: Vampire Hunter! #comics #comicbooks
A young woman named Jezebel moves to a magical marsh to live with her uncle, Seamus the Wizard and his puppies that never grow old. One day, Jezebel wanders into the dark forest and almost falls victim to a vampire. Luckily, her life is saved by a unicorn, who gores the vampire with his horn, killing it. Jezebel and her uncle welcome the unicorn into their family, but things are about to get…
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myfavoritemaneuver · 5 months
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Brian Douglas - Untitled 004
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80smovies · 3 months
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davidhudson · 3 months
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Douglas Adams, March 11, 1952 – May 11, 2001.
1986 photo by Brian Griffin.
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theatrepup · 3 months
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"Then there was Brian Jones' hair, longer and thicker than anything we'd seen on a man before. The whispered words, 'He looks like a girl!' circulated around the audience, as if that were the worst possible insults."--Marty Clear, audience member at the Mike Douglas Show, 1964
(from https://brianjonesoftherollingstones.tumblr.com/)
(Mike Douglas appearance: https://www.youtube.com/watch?v=W-ycN9EOi8o)
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s0re-loser · 1 year
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Brian Pillman at ECW Big Ass Extreme Bash 1996
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The Alienist 1.4 (2018) Daniel Brühl as Dr. Laszlo Kreizler
Film stills from "These Bloody Thoughts".
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Round Two
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Thin Lizzy
Defeated opponents: The Human League
Formed in: 1969
Genres: Hard rock, heavy metal
Lineup: Phil Lynott- bass, vocals
Scott Gorham- guitar
Snowy White- guitar
Darren Wharton- keyboards, organ
Brian Downey- drums, percussion
Albums from the 80s:
Chinatown (1980)
Renegade (1981)
Thunder and Lightning (1983)
Propaganda: 
The Jesus and Mary Chain 
Defeated opponents: Simple Minds
Formed in: 1983
Genres: Noise pop, alt rock
Lineup: Jim Reid – vocals, guitar
William Reid – vocals, guitar
Douglas Hart – bass
Bobby Gillespie – drums
Albums from the 80s:
Psychocandy (1985)
Darklands (1987)
Automatic (1989)
Propaganda: 
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shannendoherty-fans · 22 days
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The young cast of the TV show "Beverly Hills, 90210" at the season 1 wrap party.
The last episode was aired on May 9, 1991.
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cantsayidont · 6 months
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April 1979, October 1979, and August 1980. These novels by Brian Daley were not the first STAR WARS tie-ins, but they were the best of the early phase, and a strong influence on later SW media. The creative success of these exciting, frequently very funny books, which chronicle three adventures of Han Solo and Chewbacca prior to the first movie, had a lot to do with Daley himself. According to Daley's friends and his partner, novelist Lucia St. Clair Robson, Daley was Han Solo, or close to it: a brash military veteran with no love of authority, a fondness for sports cars and motorcycles, and a notoriously sarcastic sense of humor that concealed a heart of gold. Ironically, Daley, who genuinely loved STAR WARS, would have preferred to explore the history of the Jedi, but Lucas declared that off-limits, and imposed many restrictions on what Daley could and couldn't use from the films. For that reason, the novels take place on the fringes of the Empire: The first two books are set in the Corporate Sector, a region administered semi-autonomously by corporate interests with their own ruthless Security Police (an idea that clearly inspired some of the plot of ANDOR), while the third is set in the Tion Hegemony, a remote principality.
HAN SOLO AT STARS' END has Han and Chewie roped into aiding a group of people whose relatives have been "disappeared" by the Corporate Sector Authority, which is quietly rounding up dissidents and sending them to a secret facility called Stars' End. After Chewbacca is captured by the Security Police, Han concocts an elaborate, harebrained scheme to rescue his friend and the other "lost ones" from the galaxy's most closely guarded high-tech prison. Naturally, things don't go quite as planned, leading to a spectacularly ludicrous finale. (Spoiler: Han accidentally launches the prison complex into space.) This novel was subsequent adapted for the STAR WARS newspaper strip by Archie Goodwin and Alfredo Alcala, although the adaptation unfortunately isn't a patch on the original.
HAN SOLO'S REVENGE finds Han and Chewbacca, desperate for cash, taking a job that turns out to involve transporting slaves. This is a line our heroes will not cross, so after dealing harshly with the slavers, Han agrees to help a Corporate Sector Authority auditor named Fiolla of Lorrd track down the ringleaders of the operation, one of whom is her once-trusted assistant, Magg. Meanwhile, Chewbacca is forced to contend with a stubborn skip-tracer called Spray, who is determined to repossess the Millennium Falcon over Han and Chewie's unpaid bills!
HAN SOLO AND THE LOST LEGACY has Han and Chewbacca agreeing to help Han's old buddy Badure, Badure's friend Hasti, and an academic named Skynx locate a legendary lost starship, the Queen of Ranroon, the fabled treasure ship of an ancient tyrant called Xim the Despot. (The skull on the cover is Xim's emblem.) Although this sounds like it was influenced by RAIDERS OF THE LOST ARK, the book was actually published almost a year before the premiere of RAIDERS.
Although the novels make clear that Han is not overly fond of droids, the books give Han and Chewbacca a pair of droid companions: a laconic old labor droid called Bollux, and a small, extremely sophisticated, disconcertingly enthusiastic computer probe called Blue Max, who "lives" within a compartment in Bollux's chest. Here's how Alfredo Alcala depicted them in the comic strip:
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Daley also includes some delightful aliens, including the skip-tracer Spray, who's a Tynnan — basically a sentient beaver with the dexterity of a raccoon — and the Ruurian academic Skynx, a sentient caterpillar who's determined to complete as much of his research as he can before entering the next phase of his life cycle and becoming a chroma-wing who'll have little memory of his former identity.
A useful companion for the first two books is Michael Allen Horne's HAN SOLO AND THE CORPORATE SECTOR SOURCEBOOK for the West End STAR WARS RPG, published in 1993:
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Aside from the inevitable game statistics and some quite decent illustrations of the novels' characters, the sourcebook fleshes out Daley's conception of the Corporate Sector Authority, explaining how the Corporate Sector functions and its relationship to the Empire. This is narrated in part by Han Solo himself, which is presented as excerpts of later interviews with an Alliance historian named Voren Na'al (a common conceit in the WEG game books that works especially well here). The sourcebook is best read after the novels, since it explains their plots in detail, but it's a worthwhile supplement. Unfortunately, a planned followup describing the Tion Hegemony was never published before West End Games lost the SW license.
Brian Daley's other major contribution to STAR WARS lore was scripting the NPR radio adaptations of the first three movies. STAR WARS originally aired in the spring of 1981, THE EMPIRE STRIKES BACK two years later. Daley also wrote the later adaptation of RETURN OF THE JEDI, but he died of cancer in early 1996, at the age of 49, so the final drafts were completed by John Whitman.
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psmith73 · 9 months
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Reunion time with the lovely Dougie Douglas Henshall. Crazy to think it’s been 25 years since we first met / worked together
(via Naoko Mori's IG)
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visitafghanistan · 3 months
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Douglas DC-6A, YA-DAO / 44260, Ariana Afghan Airlines
Airport: London - Gatwick (LGW / EGKK), UK - England Photographer: Brian Bickers Date Taken: 08/1967
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mariocki · 9 days
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Return of the Living Dead III (1993)
"What's going on, Curt, tell me what happened?"
"We had an accident."
"What kind of an accident?"
"On the bike."
"What happened?"
"You died."
"I what?"
#return of the living dead iii#return of the living dead 3#horror imagery#blood tw#gore tw#1993#brian yuzna#john penney#melinda clarke#j. trevor edmond#kent mccord#james t. callahan#sarah douglas#jill andre#abigail lenz#mike moroff#pía reyes#dana lee#basil wallace#sal lopez#ok whatever else I'm about to say about this film‚ whatever criticism i might level at it‚ i want to be clear that Melinda C absolutely#kills it here: she's absolutely brilliant and the whole film (for better and worse) has to hang on to her coat tails. the scene in which#she reveals her postmortem self body modification is... idk‚ it's THE scene of the film‚ a truly iconic sequence that marries dark#eroticism with body horror with female autonomy with cinematic exploitation. it's something. a hell of a moment. if only the rest of this#could live up to it... where RotLD 2 tried to go for more mass appeal with greater emphasis on splatstick and silly dialogue and family#units‚ this film over corrects and completely removes the comedy element that made the og film such a sneak hit. morbid 90s alt scene#aesthetics and teen nihilism take its place‚ and while the first film had that ingredient it was a little ironic.. here the emphasis is#pure angst and it isn't always to the film's strength (not on a cheapy b movie budget and a schlock horror script). the tragic romance#element did win me over by the end (surprised at how outraged i was by a late stage fakeout that would have denied the main relationship)#but this probably takes itself just a little too seriously for what it is: a goofy rubber fx splatter film. still‚ worth it for Clarke tbh
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80smovies · 9 months
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gatutor · 11 months
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Linda Cristal-Hugh O´Brian "The fiend who walked the west" 1958, de Gordon Douglas.
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“No more violence or surveillance: only ‘information,’ secret virulence, chain reaction, slow implosion, and simulacra of spaces in which the effect of the real again comes into play,” (Jean Baudrillard, Simulacra and Simulation). 
Captain Britain was created by Chris Claremont and Herb Trimpe. And, of course, reinvented by the Alans Davis and Moore.
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