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#cause there's no point to fixing them because ultimately I'm gonna die alone and a failure anyways? so like ehfjgkg idk
zebratimw Β· 11 months
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Spirit animal SQH
#svsss#shang qinghua#but mainly I'm just here to vague post LMAO I don't like to vague post its not very effective in terms of venting but#but basically I guess I'm becoming hyperaware of my like... cognitive dissonance codependency and derealization ee#also my general laziness ig and where it overlaps into executive dysfunction or whatever like I may genuinely have some issues but#I am also a lazy son of a bitch jfjfkgkg and i need to figure out how to figure it out so I can work on both in more effective ways hhggg#oh yeah but basically the thing to remember for later is the silence in the call and the immediate unmute and chat activity once I left#I should remember this and stop interacting I think? I should try to give em space I think I'm being too clingy or something#or maybe my own silence is too awkward and dampens the call? I was kinda just spacing out and not doing anything so I get its kinda weird#LMAO so I should just like try not to be in call for those times mm#I just like being in call with my friends jdhfkg but I suppose its not very good either#I overindulge I suppose another friend pointed it out to me before too haha but fjfjjt its just easier than facing bouts of dread by myself#eehh and that's why I gotta do something about my Metnal Ailneses hfjfj but ngl I don't really know how to go about it...#I get embarrassed looking stuff up djfnfkg and half the time I don't even know what to look up I just draw ?s and I give up#I suppose I also have commitment issues too but that ones not new which is an issue of itself aaaaaaaa#man idk idk I just don't really get it I guess djdjfjf and I've got existential dreads and think maybe it doesn't really matter whats wrong#cause there's no point to fixing them because ultimately I'm gonna die alone and a failure anyways? so like ehfjgkg idk#its depressing and I know its like sabotage cause my brain is being a little silly a little goofy and its not a shared sentiment#with the better half of me and the entirety of my friends but yknow its just ee harder sometimes to believe in the optimism ig#and i can talk about it somewhat normally and without like having a ✨️break down#but yknow djfjgkg I'm very emotional a person ya? I think sqh is relatable for gods sake πŸ’€#irrationality sentimentality nihilism and existential dreads... wanting to die because living is too hard despite all my hopes for living...#just the ol regulars yknow?#and another thing... do I talk to my friends about these things? I vent them out here a lot but what do I really want?#I'm not strong enough to keep it to myself clearly but I'm also too proud to share these thoughts? I dump them out in the open and for what?#whenever someone reaches out with concern and care I don't respond in kind and refuse to elaborate?#so like what do I want with this? I guess I want someone to know I'm going insane half the time I'm awake? but not do anything about it?#that's pretty unfair I guess... and stupid I think I do want to share my thoughts with someone but I'm too scared of the ramifications#and that my pride can't stand the fact I might be looked differently by my friends even tho the image they have of me is already quite silly#man.... idk.... I'll come to conclusions myself and do nothing about them so I guess that'll happen again aah idk idk idk
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dogboyjackkennedy Β· 3 months
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i keep thinking about my Dsaf and Fnaf crossover. specifically, in regards to Charlotte Emily and how she’d react to the Dsaf cast.
like, my version of her has been through some shit. a Lot of shit.
she was murdered on her twelfth birthday by a man she considered her uncle. she was left in an alley, dying alone. she was forced to watch her friends die and not be able to do Anything to save them. she spent decades just trying to find a way to free them all and put them to rest.
she's gone through so much.
and i think that'd make her interactions with the Dsaf Cast very interesting:
i feel like she'd try and comfort Dee to the best of her ability. she knows, from experience, how horrible of a job that it is to basically be the guardian of the souls. mix that in with the fact that Dee is basically half her age...it saddens her, makes her concerned for what this poor child has been forced to witness. add onto to that, the fact that Charlie's only had to do that for eleven children, while Dee's been forced to do this for dozens upon dozens...what on Earth has this six-year-old witnessed?
she sees Jack doing what she's also been tasked with: save the souls, put them to rest. she sees a man with a tired look in his eyes, reminding her of Michael, and she can't help but feel sympathy for him. from what she saw with Dee...it seems the universe they came from was rather hectic. maybe she'd give him encouragement. she's seen an older brother, desperate to fix his mistakes and free his siblings, even if it would cost him his own life in the end. this is hard work, after all. she would know.
i feel like she'd get along with Dave. she sees a version of Uncle Will who was willing to fix his mistakes, like, legitimately trying. she's always sensed William's regret, but he'd never admit it. he'd rather have Cassidy kill him over and over than admit that he'd done anything wrong. it's almost...refreshing, in a sense, to see some version of him willing to fix things. she'd be a bit wary, obviously...but he's got...okay-ish vibes.
Henry, however, she despises with a passion. a man who shares her father's name, who's committed utter atrocities, slaughtering more people than William could've ever dreamed to. she'd either flat out refuse to even speak to him, or she'd attempt to kill him where he stands. because, fuck, even William had his restraints! he knew when to stop. he, at some point, knew that he had to stop killing kids. sure, after becoming Springtrap, he had much fewer Murder Restraints, but even then he could hold himself back. Henry Miller?
her main question is, if he even had restraints to begin with, when did he lose them? 'cause they clearly vanished at some point.
Peter, i think, she'd let him vent. she understands.
she understands what it's like to beat yourself up over not being able to save your loved ones.
everyone else, i'm not too sure of. i think she'd see some of Cassidy in Blackjack. she'd hear about Blackjack dragging Henry to the Void and immediately think about Cassidy. given. y'know. They Dragged William Into Ultimate Custom Night Hellβ„’.
i just like thinking about how (my versions of) the Fnaf Main Cast would react to the Dsaf Main Cast.
Charlie My Beloved <3
(another fun fact that's gonna be angsty as hell: Marionn, my version of the Fnaf Puppet, was basically built to be Charlie's Robot. she had a Big hand in their creation. she loved it. Dee's Puppet, however, as we know, was built to contain her soul, because henry didn't want to deal with the Consequences Of His Actions (Dee causing chaos because of her murder). do you think she'd be jealous? that Charlie's robot vessel was originally built with love in mind, while hers was built only to trap her further? just some fun food for thought for y'all :))
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appledotcodotuk Β· 3 years
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why the hive fckin suck at its job: a rant
spoilers for tgwdlm ahead!
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first of all, it's important to consider what exactly the hive's job is. my answer is... who the fuck knows. literally. what is the hive's aim. what do you want Paul? more like, what do you want hive? let's find out!
it kinda evolves, as the play progresses. the intial aim of the hive, and one that does actually remain consistent is the constant burning need to grow and devour and gain more and more (insert capitalism metaphor here).
however, this is distorted by the people it possess who influence that aim, as we'll see later.
also the fact it crashes into a theatre displaying Mamma Mia gives the hive the motive it need to fit the world around it to the structure of the musical. having no originality of its own, the hive instead just picks up what is given to it. kinda like an evil baby.
it wants uniformity, that is indeed its ultimate goal and desire, no duh. it thinks it can achieve that through musical theatre, shame that the hive is dead wrong. cause the hive fucking sucks at its own job / aim / ultimate purpose / one concrete goal that motivates all its actions.
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can't maintain control over its subjects
okay, so, the hive wants uniformity. it wants everyone to be dancing to the beat of its own tune. right? yeah. shame it literally can't keep its own possessed subjects in line at all. at the risk of sounding like the 10th doctor waxing lyrical abt humanity for the 50th time, humans are really difficult to control cause we're not really motivated by an altruistic allegiance to one primary good. we've got icky emotions that often move us to do stupid unpredictable stuff way more. it makes me wonder if the reason the hive wanted to use musical theatre to try and persuade ppl was cause it seems to think that is how theyll get emotive humans; through emotive songs. anyways. let's look at some examples shall weeeee?
Mr Davidson:
so, Mr Davidson. funnily enough, he's the guy whose in part acting as the hive trying to figure out what it wants through his interactions w/ Paul. every person it possess gives it just a bit more humanity and curiosity abt the world it is currently taking over. at least I think so. hence why as the musical develops u get character's like possessed!Alice wondering 'why does it hurt to love?' - the change in music and mood to something much more introspective really suggests to me that the hive is beginning to question the thoughts and emotions of its human hosts.
Mr Davidson is a family man through and through, he loves his wife Carol. she's his muse, his source of light. his feelings for her are not concrete or easy to explain and solve - hence why his sudden ahem demand of her is so hilarious and also jarring. it completely clashes with the 'I want song' which is simple, and often pushes forward a wider cause. not so with Mr Davidson, he just really loves his wife man. enough to break a frickin alien possession.
tbh I think its hilarious that (at least to me) the hive has to force him to forget and continue with the song, like, he straight up is just talking to his wife in that phone call, talking, not singing. so, no possession until he reverts back into song. ergo, the hive cannot maintain the uniformity it wants. even from the get go when theoretically its control should be stronger cause it has less ppl to co-ordinate. bad. at. its. job.
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Paul:
this one hurts folks. yes, I know it's generally agreed, though somewhat debated that the state of Paul by the end of the tgwdlm is not purely possessed. I agree. once again, the hive is unable to truly enforce uniformity.
at this point, the motives of Paul and the hive are kinda just mixed, neither fully human nor fully alien. hence the constant shifts between pleeing for her to get away, to hide, to stay safe: 'what if the only choice is you have to sing to survive' and just full on old style hive nastiness 'let me puke in your mouth and just open your food bin girl' (so romantic πŸ₯° /j).
the hive has gone away from its original aim, and become something... different. no longer stuck to just one type of genre or style of song, it's really clever to show the developing complexity of the hive by showing how it is now juggling lots of different motifs with references to all the old songs from before recontextualised in a new way - its learning. evil baby... no longer uniform.
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general miscommunication:
there are several instances of the hive not fully having uniform control over its subjects. for instance, right after not your seed with the three teens having to like... calibrate. they aren't just completely connected then?? also, this is a very small thing, but uhhhh at the end of inevitable when Paul is about to say the apotheosis is upon... the chorus interrupts him with USSSSSSS. interruptions??? not very in sync of u hive.
I think this inability to exert uniformity is also shown in the contrast between genre of musical theatre. my alien abomination cannot decide whether it wants to be the more modern edgy rock musical (join us (and die), not your seed ) or super happy go lucky old style musical theatre (lah dee dah dah day, and inevitable). it tries to do both, even while trying to encourage union, and sticking to one thing. hypocrite!!!!!
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2. aims are guided by the people it possess
so, I mentioned this a bit already, but the hive isn't only mutating the humans, the humans are mutating the hive right back. this is more an interesting observation than any actual analysis but let's goooo.
greenpeace girl:
I think it's very likely that greenpeace girl is one of the first to be possessed. This is probably easily debunkable but whatever this analysis is flying by the seat or its pants anywayyyyy. why? cause where else would it pick up that whole 'this planet needs fixing' thing? it's interesting too, cause it morphs from expressing the desire to join hands and sing together, unity and peace with no actual action behind it. this then goes right to the other end, with the hive going 'fine I'll do it myself' and trying to save things by enforcing a dictatorship on the world. it develops and changes, and strays from its original means of accomplishing its aims! speaking oooooof...
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3. inconsistent in means of accomplishing aims
okay, ur an evil hive mind. u think musicals are the way to win over these silly humans cause they're all weak and emotive and seem to respond to them. but, wait! schwoopsie! you haven't realised that for emotional depth and growth to mean anything, you need there to be established development and well... growth. otherwise the sentiments are as vague as the ones expressed in What Do You Want, Paul?
this show has genuine emotional moments, just not really during the musical numbers WITH EXCEPTIONS. any strife is smoothed over quickly, and so the development and change that would have to go into such growth is just gone. (see, You Tied Up My Heart) all so it can achieve its own desire to grow and grow and grow, maybe a metaphor for art being killed under late stage capitalism??
what actually matters is the impact the songs have afterwards, in causing a death - because we have a bond and care abt these characters. those short scenes between Paul and Emma are actually way more resonant than any song. except... inevitable, and also not your seed a bit. at this point the hive has learnt a thing or two, and can actually twist human emotion a little. but for it to do that, it has to reject the uniformity it prizes, and be adaptable. point towards being more human than it first thought? methinks so. and yet it's just not enough...
it's also why let it out, to me, feels really ingenuine. Paul has expressed himself in much better ways already. what they're doing is clearly paining him, and hurting the guy. he's terrified bless.
you can't force someone into being emotional vulnerable, man.
it's why all the deaths for the characters who are forced to express themselves are really violent, involving them being ripped open - literally forcing them to expose themselves from the 'inside out' as Alice reflects in Not Your Seed. you can't force genuine emotional connection, it has to be fostered, shown in the much more affecting relationship of Paul and Emma. the only reason the hive actually has power over our characters is because of these genuine emotional connections, which it tries and often fails to take advantage of, resulting in just resorting to brute violence. messy hive, very messy.
at the core, the musical's a kinda attack on that toxic positivity mindst: trying to force people to reach the sort of easy solutions by sharing feelings in a way that feels pretty invasive and deciding you are instantly fixed. the problems these characters face are jarringly not really what you'd expect a character in a musical to face, cheating, a lot of it, mid-life crisis. problems that are bland, or wayyyy too real. this is purposefully done, to reveal just how silly the hive's aim to use musical theatre to solve everyone's problem is. life is more complex than that smh.
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4. a human can write a much more expressive, and genuine song than they ever could lol
u know which song I'm talking abt. what more is there to say. so much for making persuasive songs to tempt people over.
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5. make me sad cause they took some perfectly nice ppl and funked them up 😭
this was a stupid point lol. basically I'm just bitter that this hive took a bunch of perfectly okay ppl and gave them hive brain. screw u hive. I swear I'm gonna watch Black Friday soon, cause I'm sure it's gonna completely destroy every thought I've had so far, but whateve,,, just take this as a look at tgwdlm like it's a stand-alone piece.
these guys are supposed to all be 'individuals' on one level, but also 'appendages of a much larger organism'. there's a little too much individualism and fracturing to be cohesive enough to do that I feel. the hive to me is not an infallible, unstoppable force, in fact, every human it takes over only brings it closer to understanding us. so that's maybe a slight positive note??? idk ?! I just have lots of thoughts and feelings abt this musical even if this doesn't make sense I'm proud i wrote it down hehe.
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ask-ivory Β· 4 years
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RWBY Random Rant #2!
What villain is the best? (Cinder vs Roman)
Second rant everyone! This one may be a bit longer than the first, so if you don't have time but find this interesting, then I suggest reading this later. If you have infinite time on your hands and your board, then this might help depending on your interests. So let's jump into today's rant!
So, the world of Remnant is a big place. There, you'll find friendly people, weird people, mean people, and people who are just flat out crazy. But today, we're looking at a certain group of people: Villains. Now before we jump in to the blender of craziness, this post is an analysis that can be used for predictions and plot lines. I may be wrong, but I'm writing this off of what I know.
Anyways... Let's start with the basic question, What IS a villain? A villain (or for the more technical term: antagonist) is a character who is trying to stop the hero (or protagonist) from accomplishing his or her goal. Either this, or they're trying to get something and the hero is trying to stop them because what the villain wants is wrong. This is the loosest definition, so you can imagine that this goes way deeper than you think.
There are some things that you need to ask and have answered before you confirm who is the villain in a story. Some of which includes the following:
Who is this guy? (Basic background)
Why is he or she interested in this scenario? (Could this benefit to their cause?)
Why are they doing this? (If so, then why?)
So if we take this and try and apply it to the "villain" we can tell if this is a VILLAIN. Another important thing to note is the quality of the character. What sort of events cause the villain to act like this, and why?
Well, when we're talking RWBY, then villains come in different shapes and sizes. Some villains are immature, and others have experienced enough pain and defeat to know exactly what will work to achieve their goal and/or stop the hero. Then you have the peeps in the middle who aren't as overwhelming as the big baddie, but have enough common sense to know what's going on, what needs to be done, and why they're doing it.
So I'mma gonna start at the bottom of the rainbow and work my way up to the best colors. I'll also be rating these characters on a scale of one to ten. I won't do everyone. Let's start with the entire fandom's LEAST favorite character.
Cinder Fall
Stars: 0/10
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Now if I was a writer for the show, I think the most interesting thing that could happen to Cinder is if she just dropped dead. That's how bad she. Literally. Now, what makes her so disgusting? There are two answers.
She did horrible things. Like hacking the communication towers (With help from Watts, of course), making the people at the Vytal Festival Tournament doubt the leaders of Vale, and, to top it off, KILLED Pyrrah and Ozpin.
But these are the actions a normal villain would do, so what really makes her Terrible? The second answer has the reason.
2. She's a poorly written character with a lack of depth are perception.
I have no idea what made the writers want to make Cinder a hated character, but whatever did worked really well. Honestly, it's like Roosterteeth did the opposite of what Disney did to Cinderella. But when I say she lacks depth, I mean there is nothing that makes her character any good. She's also one of the biggest mysteries in the show, and I don't mean that in a good way. Here are some of the questions that I often ask about her:
Why does she want power?
Does she want to rule the world?
Why does she wear an outfit that's guaranteed to help her freeze to death?
Does she want to kill Salem?
Why doesn't she learn from her mistakes?
WHY THE HECK DOES SHE EVEN EXIST?!?!?!
Well, after some examination, I found out something shocking. She is just a plot device. She may talk and act evil, but in reality, she's just there so that the characters have something to worry about. She has nothing that makes her good, or relatable. To add to that, she's like the Grimm, all she does is attack and kill and if she loses, she DOESN'T reflect on her actions, and she DOESN'T try to fix her mistakes. She just goes back into the fight with the same strategy as before. If the main protagonists studied Cinder's basic movement, then they would be able to take her down, no doubt.
Can Cinder be saved? The answer is no. I bet that, judging from the road she's going down, her strategy will be her ultimate end.
Hazel Rainheart
(I may have spelled his name wrong. Sorry.😁)
Stars: 2/10 β˜†β˜†
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Now Hazel is a bit more interesting. Unlike Cinder, he has a reason he's on the side he is now, but like everyone, he has his flaws. He lets his anger get the better of him, and he's quick to judge. But the real reason why he's not so good is because of his reasoning. His sister died on a training mission because SHE chose to become a huntress. But Hazel takes all of his anger out on Oscar and Ozpin just because he (Ozpin) was the headmaster of Beacon, and let her into the school in the first place.
And I gotta say, this reasoning is understandable, but it's still dumb.
But there is something that makes Hazel a huge threat to the heros: his semblance of pain nullification. This gives him the ability to block out pain. And I kinda get where it comes from.
When his sister died, he was broken. She was probably the only family Hazel had, and when she was killed, he wanted to block out the emptiness, the grief, the pain. Thus his semblance was unlocked and he could no longer feel pain. This ability is probably how his aura charges up so quickly. If pain can block aura from charging, then he has the tools to be a force to be reckoned with. The only downside is that just because he can't feel pain doesn't mean that he's not hurt.
Can Hazel be saved? Maybe. But if he goes on a redemption arch, then he will probably die. But that doesn't mean that he's a lost cause. There's still plenty of things that can be added to Hazel's character to make it better. But at the present, he could be better.
Adam Taurus
Stars 2/10 β˜†β˜†
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This character is relatively horrible. In fact, he's worse than Hazel!
But the thing is, he's like Hazel in a special way: he has a tragic past. Certain events that wreck a kid's childhood can scar them for life. Adam was discriminated for his faunus traits, and this set him on a path of revenge that would be his bitter end.
He was a threat, but small compared to the real one. His semblance made him very dangerous, but it also makes sense. To be more specific, his semblance is, what I like to call, absorption of impact (or for the EruptionFang version, moon slice). This gives him the ability to absorb any damage done by the enemy into his blade, then release it back at a more powerful rate. This can cause devastating damage to both the enemy and the environment. As for why he had this semblance is pretty basic once you think about it.
Adam desired to get back at those who mistreated him. He wanted them to feel his pain, but a lot more extreme. He wanted them to feel what he felt, but worse.
Adam had a lot of potential, but, well when you get stabbed in the back, it's not easy to get back at your enemies. Over all in terms of writing, the thing that would've made him better was a better understanding of what he went through.
Tyrian Callows
Stars 4/10 β˜†β˜†β˜†β˜†
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If Adam wasn't crazy enough for you, then Tyrian's your go to guy.
I think that Tyrian is insane enough to join Salem, but has enough sense to know how to kill. He's kinda tough to figure out, but thanks to some much needed information in Volume 7, we now know a bit about Tyrian's past.
Tyrian was a mad man killer on the continent of Anima but was captured. He was then rescued by Salem and her Grimm. Since he's mad he owed his life to her ever since.
He's mad, so there's no bad excuse. And to add to that, he is flat down dangerous. His semblance is the ability to cut through aura, making him a hard to beat.
Can Tyrian be saved? Not really. The only way to kill him is for someone to fall victim to him while another strikes the killing blow.
Doctor Aurthor Watts
Stars: 5/10 β˜†β˜†β˜†β˜†β˜†
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Alright. Here we go!
Watts is very interesting. That's saying alot. Now that we have more information on him, it's easier to see why he wants to screwer Ironwood.
He was an Atlasian scientist who went against Pietro in the effort to make something great for Atlas. While Watts helped write the Atlas security code, Pietro found that the best inspiration is found inside. That was were Penny was created. Watts was disgraced and faked his death. Then Salem found him and he joined her group to get both revenge on Ironwood and respect from Atlas. Though he is clearly unaware of what Salem's true plans are.
He is a wiz when it comes to technology. Besides that, I believe he has some experience with combat. His semblance could have something to do with technology, but we're still figuring that out.
Can Watts be saved? Writing wise, maybe we can get more details about Watts in the final episodes. He's not a lost cause when it comes being a more interesting villain.
Story wise though? He's a dead man.
Salem
Stars: 6/10 β˜†β˜†β˜†β˜†β˜†β˜†
Yes, I didn't save her for until the end.😼
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Now from the writer's point of view, Salem's backstory has been completely fleshed out. It's pretty complicated so I won't go into details. But from that alone, Salem's actons make sense. As a prisoner of life, she yearns to be free. She wants to die. And she believes that the only way to do this is to divide humanity and summon the gods in there darkest hour. Then the gods destroy the world and Salem is free. She doesn't care about the people she is hurting. She hates humanity and wants to destroy everything. But above all, she wants to get permanent revenge on her ex Ozma (or Ozpin or Oscar). She wants him to die and stay dead when millennia ago she made great sacrifices to try bringing him back from the dead.
Now she has nothing to show for it except endless years of war, hatred, and suffering. There is some relation that one can have with Salem. If anyone who is reading this tried to do something for someone you cared about, but got nothing to show for it in return, then that's what Salem would be feeling. And this has caused her to spiral into madness. She is the purest definition of crazy.
Can Salem be saved? It depends at this point. Story wise, most likely not.
Emerald and Mercury!
Stars for them both 7/10 β˜†β˜†β˜†β˜†β˜†β˜†β˜†
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These two are going to be paired in honor of their beloved ship: Emercury.
Both characters have tragic pasts, so that gives them some common ground, but both are looking for something different. Emerald is looking for love, the one thing that she never had in her entire life. Mercury is looking for a purpose in life, a way to make himself Worthy of greatness. He claims that Cinder recruiting him was just destiny.
Both of these peeps are incredibly good at what they do. Both can fight better than the members of team CFVY.
Emerald's semblance is Perception manipulation, which makes perfect sense in her case. In a very special case, her semblance is similar to Adam's. She wants others to see what she sees, Emerald wants people to see how alone she is, and just how much she needs family. Her semblance is an incarnation of her desire. And she uses it to make people see what she wants them to see.
Mercury's semblance is currently unknown at this time. But we do know that his semblance was stolen by his father. After killing him, Mercury probably got his semblance back, but lives under the illusion that it's still gone.
Mercury grew up in an abusive household, under the guard of a murderer. He was tortured everyday by his father.
Emerald grew up on the streets.
Basically, these characters are well written, and both have great potential as well. There's even some hope of a redemption Arch for these two, and possibly some romance.
Can Emerald and Mercury be saved? Writing wise, yes. More trauma and info can definitely help. Story wise? Hopefully, yes.
Roman Torchwick
Stars: 9/10 β˜†β˜†β˜†β˜†β˜†β˜†β˜†β˜†β˜†
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Time for the classics!
This charming young schemer has been the first character in the actual show. Fans everywhere love him, and will often mark him as the best villain. Honestly, I have nothing against it. But for the sake of this post, let's break down this lovely character and examine his awesomeness.
Roman's origin is currently unknown, but maybe we'll get some light cast on it with Neo's backstory as well. Many believe that he is somehow connected to Brunswick Farms, and it's still a possibility that has yet to be ruled out.
Roman is a good fighter and a master mind behind the underground crime rings of Vale. By himself, he is a relatively good fighter. Though his semblance has yet to be determined, he has his own Roman candle.
Another aspect of this character that won the hearts of fans is his charming personality. I mean, who can blame him? Though his death was sudden, and unfair, his handsome face will live on in the hearts of many.
Neo Politan
Stars: 10/10⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐
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The star of the show, folks!
Neo made her big enterence in Volume 2 episode 4 Painting the Town, and ever since has been one of the most popular characters in the entire show. If you break down Neo's character based on what we know, then it's actually really interesting. Let's scoop ice cream!
Neo's backstory is unknown, but we're hoping to have some light shed on the subject. Based off of the song "One Thing", we can tell that Neo's backstory is tragic in some way. She lost everything except for Roman. And she is willing to fight to protect Roman from the death. How do I know?
Her semblance is called illusions by many, but Unicorn of War calls it Mirrors, which I think is the most accurate. Her semblance gives her the ability to reflect her opponent's attacks upon themselves, and she can change her appearance right down to her hair and eye color.
What does any of this have to do with protecting Roman? She will use Any means necessary to protect what little she has left, and to her, that one thing is enough. She Will change her identity as many times as possible, and she often gets away with it. But she is so fierce in protecting that during a fight, any pain that the enemy can dish out to her dumdum would make her determined to kick her opponent's butt. She would give them a taste of their own medicine and literally reflect their attacks upon themselves.
She is a reflection of protection. And like that reflection she represents, she says not a word, but shows people how exactly they can hurt the one she loves.
After Roman's death, Neo Politan is determined to reflect her loves justice upon the true enemies. If you can't face yourself, then you can't face Neo.
So, there you have it, villains everywhere.
Be sure to reblog if you found this interesting!
If you have questions, then ask away!😁
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