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#speculation
lopposting · 2 days
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So, I noticed that people tend to notice P is not human, not from the way he looks, but from the way he sounds.
I can hear your springs even if you try to hide them. We musicians have a keen ear, you know. (White lady)
I hear the sound of springs inside you... You're a puppet too! (The Survivor)
[btw I'm going to be paraphrasing quotes and details from memory so I can get this out rather rapidly, so my apologies if they're somewhat incorrect]
Claudia and Lucio give no indication that they know about P not being human. Up until mid-game, they only really treat him as another stalker to con. The black rabbit brotherhood seem to know, but mainly because they know we're specifically "Geppetto's puppet."
I think that Claudia and Lucio find out because they either hear the brotherhood during the fight or Simon tells them as much, because Lucio calls us a "goddamn talking rag-doll" before he attacks us if you choose to fight.
The Black Rabbit Brotherhood and their connection to Carlo
And speaking of which - the brotherhood seems to know immediately that we are "Geppetto's puppet". Which makes me wonder... they seem to have known Carlo or known of Carlo while he was alive, which is probably how they put two and two together and guessed the obvious conclusion of how we came to be, which is the case with Antonia:
Oh, I knew you were Geppetto's puppet the moment I saw you (Antonia)
Is that Tenma's boy? > It can't be Tenma's boy. Holy cow, Tenma must have lost his mind (From Astro Boy 2009)
They also have Carlo's painting and the gravesite which is guessed to perhaps contain Carlo's empty grave has the mark of the black rabbit brotherhood on it. Geppetto also says he had no idea the BRB had stolen the painting.
A child who was a blessing to their family lies here. May he rest in peace. (Malum grave)
[Also I'm wildin now but korean pronouns are usually non-gender specific, so maybe it wasn't a "he" originally? this throws a whole bunch of other things into question though which I actually really don't like]
So, I thought of ways that ALL of these things could be true: That this IS carlo's grave in the malum district (which is strange because why would an aristocratic son be buried in Malum), the grave is empty because Carlo's body is still in the suitcase, the brb mark on his grave makes sense, AND the BRB having the painting is more than just a coincidence.
I have the most bizarre headcanon now. The BRB are a bunch of awful thugs for issuing "protection fees", but still, what IF:
They seem very hostile to us, particularly because we are a puppet, but maybe also because of our resemblance to Carlo - not because they resented him, but because Carlo was dear to them somehow. And the empty grave in the district was set up by them privately to commemorate his death when they heard what happened, (and the "family" they are referring to are themselves!). It's also worth noting that in the original story, The rabbits are aligned with the blue fairy (which would be Sophia in this iteration). [They're also associated with coffins and graves.]
I had no idea the black rabbit brotherhood had stolen it. (Geppetto on the painting)
The black rabbit brotherhood! I hate these guys. <- Gemini immediately remembers them. [They also appear very early on in the game, I guess to show they were watching us?]
So maybe their resentment and disgust for P comes from the fact that they know Geppetto has made an artificial replica of someone they knew into something they hated (puppets!), which they would see as repulsive. Perhaps there's an actual reason why the BRB has the painting. What exactly went down at the monad charity house?
...
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[The BRB knowing about Carlo doesn't mean they personally knew Carlo (since Geppetto must've been famous), but it's something. The thing is, both Eugenie and Venigni don't seem to recognize who we're "supposed" to be at all, even Venigni who is said to have been a close colleague to Geppetto. Maybe Eugenie and Venigni are just super polite and don't want to mention Carlo at all to us, but I kinda get the feeling that the public never really knew Carlo existed, Geppetto did dump him off at a boarding school early on after all]
[also also!! the golden stargazer next to the grave for DLC, Carlo being associated with ships, and the DLC showing a nautical theme?]
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sepublic · 3 hours
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Alright, let's talk about some details from the TOH pitch bible;
A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.
What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?
Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.
I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.
Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.
I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.
The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.
(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)
Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.
Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.
The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.
I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?
Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.
Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.
It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!
Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.
There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.
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sparring-spirals · 2 days
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I got to say I really liked the episode (despite only having watched exu calamity of the exu series) and I think maybe Matt needed a breather after so many fast paced, lore filled episodes.
however, I am kinda bummed that the fcg processing has been put on hold for (at least) two weeks now and that means that, despite them being great actors that truly merge with their characters at the table, their reactions will be much less raw and there’s a chance some of them will forget tidbits of information, emotions they felt when it happened because they (as role players) will have had time to process it out of the game and it might create a dissonance in the game. tbf I kind of felt the difference even between the end of ep 91 and the beginning of 92 but it made sense because technically they were still running and couldn’t afford to process. idk. I have hope that we’ll still see that raw emotion, but I fear it won’t be as impactful as it could’ve been, especially if they’ll have to put the “reporting for duty” hat on immediately when they get to the camp
I think being a little bummed about the sort of unexpected hiatus on the Bell's Hells/Post F.C.G processing is super understandable! As someone who also really did enjoy the Crownskeepers return (hello im still yelling about Opal internally), I'm kind of in the same camp of being kind of thrown/disappointed about not getting to really dig into/sit with the Bell's Hells post-F.C.G loss. Like, LOVED the Crownkeepers, fascinating second half, kind of meh on the specific timing.
I'm holding my reservations about whether they're going to have to keep running/moving once we return to their portion of the story, since hey, until it happens (or doesn't!), we don't know, so I don't feel like getting too in my head about it until then.
That said! I do think that in general the cast puts characterization and staying true to the emotions of the character/story as a very high priority within the campaign. I think you're right that it won't be the exact same as if they had done a big emotional blowup/goodbye/processing scene in the same ep where they lost F.C.G, or immediately after. I don't think that means it has to be less impactful, just that- yeah, they'll have had more time to actually think/process it.
But they're also all professional voice actors who have, IMO, thus far shown how much they think about the inner lives of their characters and enjoy really digging deep into the emotional/interpersonal aspects of roleplay.
My assumption (my hope?) is that with additional time to think about + process a devastating/deeply emotional loss for their character(s), they'd choose to lean into that more, and not less. It wont be the same as the immediate raw reactions, thats true! But i dont think that means it has to be less impactful, even if they (as people) have had more time to process, and will be choosing how their characters, fresh off the loss, react. I dont think thats a guarantee it will be less impactful/emotional (maybe the additional thinking would actually enhance the reactions being true/insightful to the characters vs gut reactions from cast), but it will be different.
But if the cast chooses to lean into the heartbreak/emotions, and the circumstances of the BH in the upcoming ep enable it, I'm sure they can still kick my ass (emotionally), timeskip or not.
In general, I'm cautiously optimistic about what could happen next! Even if I don't love the timing thus far. I think there's still plenty of ways for me to get what I'm hoping for wrt F.C.G/BH. :] There are plenty of ways for me to get let down too, probably, but until it happens, or doesn't, I'm opting to not get too doomery about it. We'll see.
I uh. Hope that helps? A bit? Being bummed about specific things you were hoping for being off the table is totally reasonable. just hoping to lend an alternate way of viewing it, if desired.
(i wrote the sentence: "don't be lamenting your chickens before they hatch" and then went "what the fuck" out loud. i spent 4 hours at work today just doing systems diagramming and my brain is fried. clearly. keeping this here for my own entertainment.)
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quibbs126 · 2 days
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Wait, just as I posted that last thing, there’s even more
Christ maybe I should just wait until they got it all out
Again under the cut
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So I don’t know what those first two things mean. I assume “Cloud Hatai Cookie” is a mistranslation that doesn’t quite make it to English. My best guess is Cloud Deity Cookie?
I definitely don’t know what the second thing is. Is it a costume or is it rereleasing Dark Cacao as an Epic? I have no clue. But I’m interested to see what is though
Note that I looked for more as writing, they say it’s a completely separate character, but I’m still very confused
Also the Beasts will be playable, starting with Mystic Flour. Yay
Okay I’m sorry, I know everyone wants them to be, and that they would be eventually, but I thought they’d wait a little longer. We don’t even have 2 Dragons yet
But the last thing I can definitely comment on, our Dark Cacao boys (I mean Carrow as well) are getting Magic Candies
Maybe this could even mean Dark Choco and/or Caramel Arrow shows up in the story? Like Black Raisin did when she got hers in the Golden Cheese update? Let me have this
I’m getting everything I want frankly
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darriness · 21 hours
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Buck has never felt so hungover. He doesn’t drink a lot and last night he drank…more than a lot. There had been karaoke, hadn’t there? Oh God, he hopes there isn’t video.
And now he has to tell his sister on her wedding day that they’ve lost her fiancé.
At least Eddie’s here beside him, looking just as worse for wear. Or maybe even more so. Buck’s not sure why he even bothered with the collar of his shirt.
Telling his sister goes just about as well as he thought it would. She and Hen immediately start pacing, reaching for phones, and calling numbers so fast Buck’s not even sure they let the line connect before they start another call.
And he and Eddie stand there awkwardly. Immobile with hangover. And honestly, Buck wishes his parents weren’t here at the moment. He doesn’t overly care what they think anymore (okay maybe he does but he’s working on it) but he sort of wanted to see them for the first time since they…found out…a little more presentable.
Maddie had asked him if he wanted her to tell them before the wedding. So they wouldn’t go all ‘Phillip and Margaret Buckley’ and make fools of themselves when he showed up at the wedding with Tommy. Who is probably waiting for me downstairs looking gorgeous, Buck thinks with an inaudible groan.
But now it’s HIM making the fool out of himself wearing a ridiculous outfit, destroyed within an inch of its life, and more hungover than he’s ever been.
His dad coughs to break the silence between the four people not currently pacing around the room.
“Um,” Phillip says with an awkward shuffle forward, “You, um, must be Buck’s date. We’ve heard…a lot about you. Nice to meet you.”
It’s almost in slow motion as Buck watches his dad extend a hand toward…Eddie. He thinks Eddie is Tommy. He thinks Eddie is Buck’s date. Buck’s not sure if he wants to laugh or cry or vomit.
His parents, in their own weird way, are trying. And while he can’t forgive and forget, a part of him heals a little more in this moment.
And then he glances over at Eddie. Eddie, who is vacillating between looking at Buck’s father’s hand and Buck himself, straightening his ruined suit jacket like that will make it look any less ruined.
A weird feeling fills Buck’s chest at the gesture. His eyebrows furrow as something almost…unfurls behind his ribcage. Between the insinuation and Eddie’s reaction to it, Buck can’t make heads or tails of the increased beat of his heart. What…is happening?
“Dad, that’s Eddie. You’ve met him before. He’s not Buck’s date. Tommy is.” Maddie huffs from near the window; phone still at her ear as she rolls her eyes.
Phillip apologizes immediately and Buck thinks he tries to make a joke to lighten the mood but Buck’s now focused on the new feeling in his chest. The feeling that popped up right after Maddie set their father straight.
Disappointment.
What the hell is happening?
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musicalnerd4ever · 3 days
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Necklace truthers!
New theory! In episode 2, Pen and Colin are planning to meet somewhere outside for one of their lessons. Now…this is when Colin is in the beginning stages of being attracted to Penelope.
Penelope is looking around at some market, or something. Waiting for Colin. She sees the necklace and admires it, but does not buy it. She keeps walking, but Colin saw her looking at it, so he decides to buy it for her!
Colin goes up to the seller and points out the necklace, and the seller says something like, “For the wife?” The seller assumes that Colin and Penelope are married, and…Colin says something like, “Umm…yes. Thank you.” Not denying it!
I think someone else MAY have come up with this theory. Maybe.
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dougielombax · 6 months
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I wonder what the largest shellfish is?
Edit: Okay this post is getting a LOT of traction. What is going on?
Edit: Fucking hell.
This post has set off a fucking MINEFIELD!!!
What have I DONE????!!!!!
I’ve lit the blue touch paper and found there’s nowhere to run to!
I’ve summoned a wolf only to unleash a tiger!!!!! Made of fire! And nails.
Probably….
Idk.
Edit 2: 5,000 Notes! Good god! What the HELL do you want from me. I’ve never had a post of mine take off like this until now.
Some got close like the one about homeowner associations (fucking powertripping middle aged mediocrities!) which got at least 1.5k notes but this is the most I’ve gotten on a single post so far.
Anyway.
AND this post has officially gone to hell. (6,666 notes)
Edit: 8,000 notes! Holy shit!
Edit: 9,000 notes!!!
Edit: 10,000 notes!!!!!!!!!
Edit: 15,000 notes!!!!!!!!!!!!!
Edit: 20,000 Notes!!!!!!!!!!!!!!!
WHO THE HELL TURNED OFF THE REPLY THREAD FOR THE REBLOGS?!
Okay never mind it’s back. For now at least.
Anyway.
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thecryptidzenith · 4 months
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Alright. So this episode was great, but in terms of themes & setting the stage for the rest of the story, this line really stands out:
"You feel something. You look, the Night Yorb twinkling. You've spent your whole summer chasing this. You know all the things you've missed. Your whole summer vacation, all of your friends. Some of you had birthdays on the road this adventure, and yeah, there's lots of adventure, but all of you feel a tiredness in your bones knowing that the reward for saving the world yet again will be going back to school and having another year of working just this hard forever."
This monologue from Brennan is the most thematically/foreshadowy thing we get in the episode, and it does set quite the stage. This is a story about exhaustion and the price of adventure. It's a story about what the hells these six people are going to do with the rest of their lives.
Fig releases something at the end of the episode. Some piece of magic that will certainly mean something later. This is how it's described:
"You've been holding onto a piece of magic for a long time... If you take me, you know what you would save. And you smell something sour and curdled."
"There is a flash of light, a kind of lemony yellow creamy light that flashes out over the hangvan."
Pay attention to that word choice. The magic is "sour" and "curdled" and "lemony yellow creamy." Is it reminiscent of anything?
Gilear's connection with yogurt is established pretty early on in Fantasy High, and yogurt in general serves as a symbol for everything that Gilear is. A sad, pathetic adult and A Normal Guy. Brennan is very insistent when reading out Gilear's stats for the first time that he's just a guy! Some people have to be normal!
But our Bad Kids aren't normal. That's the whole point of them. They've saved the world. Falling to Gilear's level is terrifying. It's literally Fabian's nightmare.
From that part of Pirate Brawl:
"You hear a voice behind you" [Gilear!Fabian] "say: 'It's all going to be all right... I know it seems very far off, but there is a way for you to be happy.'"
And of course, the yogurt, the symbol of mediocrity, is here too. "The yogurt curdles in your stomach." Curdles. The same word used to describe the magic coming out of Fig. The yogurt that Fig gives to Fabian while he's having his breakdown in Leviathan is lemon flavored too.
Of course the primary conflict seen in the trailer is about difficulty graduating. That's a normal problem. That's a normal concern for normal people.
The fear of mediocrity can be strong. Especially for people as exceptional as the Bad Kids. But the fear that you'd be happier taking the easier path, that the road less traveled isn't inherently better, that your hardship is for nothing... that's even worse.
The reasonable thing for Fig to be releasing would be the red growth seen on the minis in the trailer. But no. She releases something lemony and creamy and sour and curdled.
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angstmachine-rw · 3 months
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Can I talk about this image from Rivulet's ending for a second?
(edited to add a break because the post is very Long TM)
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If Five Pebbles knows that you are delivering the Rarefaction Cell, Moon pulls this message up alongside the dialogue;
"I cannot run away from my mistakes forever; Please understand." Five Pebbles, what have you done… I've been given so much already, and now you've given all you had left.
Based off of Moon's dialogue, this seems to be an inbox of some sort. We can assume that the orange symbol is basically Five Pebbles' profile picture. Which would mean that the pictures to the side are unread messages from other iterators, some more clear than others.
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Based on what we know of other iterators, it is probably safe to assume that the green diamonds are No Significant Harassment, while the red sun is, well, Seven Red Suns. We also see that Pebbles' message got greyed out when Moon opened it. Now, this is all well and good for understanding another aspect of how iterator communication works, that being that they can basically send emails to each other. However, that brings up a few questions; one, who the hell is this blue iterator?
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This iterator's symbol is a bit different from the rest, seeming to have the third and fourth karma symbol in their profile picture, alongside a diamond in between. There are three possibilities in my mind. I'll go from most likely to least likely:
This is Chasing/Grey Wind, trying to check up on Moon before or after her collapse. This would make sense, based on their dialogue in the pearls.
This is Unparalleled Innocence. Despite being a jerk to Pebbles, perhaps they checked on Moon at some point.
This is Looks to the Moon, sending a message to herself, perhaps in hopes of using the inbox as a secondary form of memory if she is able to access it. The inbox has at least lasted all this time, for as long as the broadcast networks have been down.
My second question would be; what is the content of the messages from Sig and Suns? I believe that, for Sig's messages, they're the broadcasts that we see him send to Moon before her collapse. However, they could also be Sig's attempts to get the slag reset keys to her without needing his messenger to do it.
As for Suns, they could be apologizing to Moon for what had happened. After all, they were indirectly responsible for her collapse.
I suppose my ultimate takeaway from all of this is; I like getting a glimpse at what iterators can do, and how they interface with each other and the world. I also enjoy speculating about trivial things, lol.
Anyways, thank you for reading my ramblings. It means a lot. Now, though, I must return to my work (aka calculus homework :P). Have a good night y'all!
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factorybought · 3 months
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My personal take on ancients based on the graffiti within the game itself! This is merely for fun really nothing too solid but I tried my best to stay grounded within possibility :) Hopefully the image quality is okay, Tumblr is very broken on my end xl.. also ignore any typos I’mmm too lazy to rly fix any of it since this was just for shits n giggles
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I never envisioned Ancients being too bigger than puppets, just slightly larger bc I think they'd be cocky enough to want to feel bigger/superior than their creation.
Here are some of the graffiti I referenced outside of the murals if you were curious
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Also that brace drawing I mentioned
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holmes-ja · 8 months
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oh no
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So because I am currently incapable of thinking of anything other than Good Omens, I'd just like to rub salt in the wound by pointing out something about this lovely scene.
See the nebula in the middle? That'd be the Pillars Of Creation, a little bit of the Eagle nebula, which sits in the Serpens constellation. How appropriate that Crowley should be the one to put it there.
It's one of the most famous nebulae out there, for good reason. Look at it. It's gorgeous.
But that makes me sad.
Cos, see... the thing about the Pillars Of Creation is that there's a good chance they aren't there any more. It's theorised that a (possible) shockwave from a nearby supernova wiped them out about 6000 years ago.
They're just too far away for the light of their destruction to have reached us yet.
So now I've got this feeling that they didn't just cast Crowley out of Heaven. They wiped his stars from the sky.
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It’s hilarious how Vaggie made herself a ‘sinner’.
How that linked her up with Charlie is such a weird, round about truthful way, even when she was lying by omission about it.
And how amazingly dumb it all makes Adam and Lute look.
Thousands of helpless souls killed by her, but she didn’t do anything ‘wrong’ until she wondered if what she was doing was right. The divine powers in her life only took her wings and condemned her to hell after she doubted their orders, their idea of justice, and quietly chose not to completely follow them.
“You fucked up” they tell her “your mistake” she “left the band” “tried for a solo career". It’s so pathetic. They're so butthurt over the idea of one of their own having a mind of her own.
It’s also so funny, because they spin her simple act of whispering “Go, run. Now!” to demon kid she’d been holding at spear point like it was big defiant move- which makes it into one- even though she never challenged them openly, or threatened them.
Hell, Lute’s “You always were weak” plus exorcist Vaggie always frowning while her murder sisters all grin with glee as they kill sinners- it paints a picture of Vaggie never having been as into exterminations as she ‘should’ have been. Too weak to be a proper exorcist no matter how good at killing she was, not just “the traitor” but also “the failure”.
And she was scared of that. She didn’t want anyone seeing her spare that child, whispered her words to them in a back alley, out of sight.
She was scared of what would happen and didn’t even fight it when Lute took her eye and wings- she was scared and no threat in any tangible way, but apparently refusing to do one single murder is enough to freak Adam and Lute the fuck out.
One woman. Doesn’t do exactly what she’s told. After who knows how many decades of being one of the “top girls” at murder, a “bad bitch” named after “the best thing ever”, and they still get spooked by that tiny moment when she wasn’t under their total control. Like it's such a betrayal to them, her daring to so much as think this level of violence isn’t justified actually, and for a split second act on that thought.
It’s an instant ticket to ousting her from the exorcists AND from heaven, while they fly the fuck off again.
“If angels can do whatever, and remain in the sky-”
and they do. After doing that to one of their own. They did that, to someone who was supposedly meant to be in heaven. They didn’t wait for divine justice- took it, and her eye, and her wings, and her halo, into their own hands and tore them away from her. Then happily, they spend the next three years up in heaven, slurping smoothies and doing more murder sprees.
until Vaggie comes strolling back with the princess of hell, there supporting her girlfriend and the idea that all the shit she did for so long really was and IS wrong.
oh and Adam and Lute are pisssssssed about it. They take her being there PERSONALLY, wanna solve it with VIOLENCE
She hurts them without even trying. Without even noticing they're there.
They're told to fix the princess of hell situation and they have no concept of forgiveness, of caring about sinners, so they guess (rightly) that Vaggie hasn't told Charlie about her past and bet (wrongly) that Charlie would never forgive her if she knew, and also assumed (rightly) that Vaggie would be terrified of that
But they don't get that she's scared of hurting Charlie. Of Charlie being hurt by her. It's a selfless thing. That's her whole PROBLEM.
Her running to hold Charlie after the reveal- her NOT breaking down when Charlie takes alone time in the aftermath, respecting that right up until she thinks Charlie's actively in danger- afraid FOR Charlie when the deal with Alastor is made, no crumbling that Charlie went to someone else for help, when being helpful to Charlie is basically her raison d'étre- agreeing to go alone to an overlord, after learning she can DIE and THIS OVERLORD knows how to do it- all this for the sake of Charlie's dream, their shared goal, their hotel. Their friends, resigned to despair in the hotel lobby, losing hope and maybe hours away from losing their lives
No shit she was never going to bow down to the blackmail?? It'd be like turning herself inside out. Charlie isn't just some "little hottie" or whatever, they're partners. They're in this together. Even when Charlie out loud doubts if that's true, it still is.
Lute and Adam don't GET what it means, that Charlie assumed Vaggie was a sinner already. That the thing she'd be hurt about was the lying, not the murder. She was scared of not really being loved by Vaggie- of everything else wonderful between them being a lie too, all that support and faith empty empty- she wasn't afraid of loving Vaggie, whoever Vaggie had been, she was afraid of who Vaggie might be now and that she'd never really believed in Charlie at all.
Charlie was angry at the thought that Vaggie didn't think she would've accepted her. The idea of not really being understood or trusted by Vaggie, that's what hurt.
And it goes against everything Lute and Adam are, Charlie actually caring about sinners while knowing what they've done- about an exorcist after finding out who they'd been- really trusting that people can change. Lute and Adam hear her say it and see her stand up for it and they just want her to shut up and die
again though, no shit she was going to stick with Vaggie after the truth came out, in the end. Once she had a moment to take a breath and step out of her head long enough for a reality check
Vaggie didn’t say to Charlie what she'd done or who she'd been. But she’s been and keeps doing what she can to follow that idea, unvoiced, from that day when she couldn’t kill a sinner- something Charlie didn't know about but now knows must have happened- A final death means no second chance and no worth as a person, but Vaggie didn’t think that, even before meeting Charlie she didn't think that.
She's always been on Charlie's side. They were on the same side before they ever set eyes on each other. All this time, for three whole years, and now she's off to go find a way to protect everything they've built together.
"-words are cheap, but actions, they speak the truth"
Charlie never really stopped trusting her. Maybe she wondered if she should, but even then, she had Vaggie go to Carmilla to find the key that might save them all.
"She killed an exorcist in the last extermination. She knows how they can be harmed."
"But… I- I didn't even know that was possible."
"If you did, would you have told me?"
So Charlie asked. A pretty painful thing to say- and she said it even as she sent an angel to go find out a way to hurt other angels.
She DID trust that Vaggie WOULD tell her.
The irony of all this happening thanks to Adam and Lute trying to keep it from happening, and all of it leading up to Vaggie getting back part of what they took from her, because now she doesn't need them or heaven to be an angel anymore.
Charlie has faith in her. Enough to send her off on an important mission even after Vaggie hurt her- and send her right to the person who end up helping Vaggie get back her wings.
“The rules are shades of gray when you don’t do as you say”
Vaggie’s new fucking wings are gray when Lute sees them. When Vaggie’s standing over her, sparing her life, her wings and that one, fucking unexplained stripe separating her from the other exorcists, all of it is GRAY.
That visual gut punch of, you’re. Fucking. Wrong. You’re wrong about sinners, you’re wrong about supposedly protecting heaven, you’re wrong thinking you can just DO this shit. That imagery of an angel who DIDN’T stay in the sky because she DIDN’T think being angel meant everything she did had to be right- who’s here in hell, trying to protect sinners from heaven’s slaughter-
And Lute wanted Vaggie to “correct” HER “mistake”? Vaggie’s???
That’s Lute, admitting that people in hell can get second chances and make up for what they did. Admitting that “Sinful filth” like Vaggie can be redeemed in some way, by following Lute’s version of what’s right.
But wasn’t her and Adam’s whole thing the idea of blowing your shot? Getting no other chance after it?  
Oh yeah. Vaggie doesn’t believe that though. Not for sinners like her, not for angels like her.
She let’s Lute live. She does it to make Lute suffer, but there are a lot of ways to make someone suffer- an eye for an eye for example- and Vaggie chooses the one that doesn’t hurt Lute more than it has to, that leaves her alive, and leaves Lute’s suffering to be something completely of Lute’s own making (a HELL of Lute's own making, if you will) (Lute choosing to tear her OWN arm off to continue the fight-).
She's totally dismissive of the woman who was just going after her remaining eye like a dog after a bone.
Why is it that nothing Adam and Lute to do her matters?
Why don’t THEY matter to her at all?
Walking right past them, being so done with them up in heaven, not caving to the blackmail, only being worried about Charlie afterwards, not letting that crack in their relationship stop her from doing what she can for their hotel, Lute threatening to take her other eye and BLIND her just making her snark- even the vague threat to Charlie only gives Vaggie the oomf she needed to defend herself.
“Pathetic” she calls Lute. She’s right- they’re so pathetic, both them, Adam and Lute. They’re so scared of being wrong. So pissy over the idea of being less than great and perfect.
It breaks them. Adam’s last words are him having a meltdown in the face of not actually being hot shit. Where’s his respect, he wails, they should all be worshiping him! But they’re not. One of his random decedents stabs him to death because he would’ve done the same to her, and one of the last things he hears is Vaggie- the fuck up, the traitor, his former grumpy top girl Vagina- whooping with glee as he dies.
And Lute lives knowing that could’ve been her, too.
If it wasn't for Vaggie.
Being not all that didn’t break Vaggie. Finding out she was wrong got her to stop and think and change, not run straight on blindly into a fight that ends up with her (with HIM) dead.
Why does she go from terrified of Lute and Adam, to dismissive and annoyed and just all around not caring about them at all?
They gave up all her respect for them when they demanded the death of a child.
The father of humanity wanted a child killed. A helpless, whimpering kid, sacrificed to his ego and bruised pride, and for shits and giggles. His first lieutenant saw failing to do so as a sin worthy of hell. All this over a child. How could she ever take them seriously after that.  
She came down from high and chased the child and held a blade over them on divine command.
Then, somehow, she saw the HORNS in her own shadow above them- even though she wasn’t WEARING her MASK, and she stopped.
She was her own messenger angel.
She chose to give the child mercy, and became the sacrifice herself.
Vaggie stuck it to the man. Didn’t steal that life. And, terrified of what would happen to her next, acted selflessly. The same thing that got her left behind in hell should have earned her place in heaven, according to Adam-
heaven was shit to her though. Made her into a soldier. Sent her to kill and kill and kill. Taught her trust on the battlefield- in heaven, of all fucking places-
Timeline wise we see her very first smile when she meets Charlie. When a stranger does- again- the bare minimum for someone else.
When she’s back up in heaven later she isn’t wistful, just angry, uncomfortable, annoyed. She isn’t happy there. It’s not home to her, like her and Charlie’s room back at the hotel is. Why should it be? What good did she ever find in herself up there?
Down here though, she's happy. Hell is where her heaven started. So I guess in the end, she did find what she’d earned after all. Or it, Charlie, found her.
When “The rules are shades of gray…”
Sometimes they’re wrong, and you have to break them.  
People like Lute and Adam would rather crack under the pressure and die instead, but not Vaggie. They're out for blood. She's out for love.
Sucks to be them~
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sepublic · 23 hours
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Another thought to add about the Source Dragon of Strength being Ras’ master; In addition to Ras’ preaching on strength and Strength’s dismissal towards Lloyd, I also want to point out that in DR S1, Cole mentions that it feels like the earth is ‘screaming’. We can presume the element of Earth comes from Strength, especially when we look at its symbol. So this could be connected to a Source Dragon going corrupt; All of the lands of the Sixteen Realms merged, maybe that had something to do with Strength’s dominion. Given the Source Dragons are implied to be connected to the Merge, it’d make sense if a villainous one masterminded such a catastrophic event.
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hisbucky · 20 days
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Buck: I like guys now. Just, you know, letting you know. Eddie: Oh. Um, wow. I'm proud of you, Buck. Buck, pulls Tommy: And this is my boyfriend. Eddie, blinking aggressively: ...What. Tommy: Well this is awkward.
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quibbs126 · 2 days
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CRKNews about the next Beast under the cut
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Guys I am over the moon about this
Granted, I’m not entirely sure yet if this is true or not, give it a while before people can confirm, but if it is I am so happy
First off, I said Eternal Sugar didn’t make sense to go next! Mystic Flour makes way more sense than Eternal Sugar. Though Sugar being after Flour I think would also make sense, just not Sugar after Milk/Elder Faerie
Second, we know that one of the twin dragons is there. This current update is about their backstory, and then in a couple updates we’re getting to see them in person. Us North and South Dragon fans are being fed good. And also with this, even more Dark Cacao content
The devs said “alright we’ve kept the Dark Cacao Kingdom fans waiting long enough, we’re just gonna give them everything”
Sorry I’m probably overreacting, I’ll be more rational later on
Oh but also as I was typing this, they gave us a new thing, featuring Mystic Flour’s eyes
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sevensoulmates · 20 days
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So you admit it, Tim? You purposely made Buck rehash the same dynamic he had with Eddie in his first episode with Tommy. Tommy, the man that kissed Buck at the end of this episode and helped Buck realize he was attracted to him the whole time. You're telling me that you did this on purpose only this time the queerness of it is textual and specifically meant to make the long-term audience remember when Buck acted like this with Eddie.
And we're not supposed to come to the conclusion that Buck was attracted to Eddie the first time they met and every day since then?
Timothy, idk who you think you're fooling but it certainly ain't me.
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