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#denise sherwood
heavenboy09 · 8 months
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Happy Belated Birthday To A Very Esteemed & Dedicated British- Iranian Actress On Television 📺 Of Today's Cinema 🎥
She was born on 14 August 1968 in London to a Scottish father, Peter Bell, and an Iranian mother, Mina Ezzati. Peter was working as an architect under contract to an oil company in Iran; Mina had travelled to London to study nursing.
She was raised by her mother and maternal grandparents. The family eventually moved to California's San Fernando Valley where She was exposed to diverse influences. 
She is a British-American actress and model known for her roles as Lieutenant Colonel Sarah MacKenzie in the television series JAG from 1997 to 2005, Denise Sherwood in the series Army Wives from 2007 to 2013, and Cassandra "Cassie" Nightingale in Hallmark's The Good Witch films and television series from 2008 to 2021.
Please Wish This Remarkable British American Actress A Happy Belated Birthday 🎂
You May Know Her & If You Dont. You Will Learn To Love What She Does
The 1 & Only
MS. CATHERINE LISA BELL 🔔  AKA LIEUTENANT COLONEL SARAH MACKENZIE OF JAG AKA DENISE SHERWOOD OF THE ARMY WIVES AKA CASSANDRA  "CASSIE " NIGHTINGALE, THE GOOD WITCH 🧙‍♀️
HAPPY 55TH BELATED  BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU MS. BELL 🔔
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#CatherineBell #SarahMackenzie #DeniseSherwood #CassandraCassieNightingale #Jag #ArmyWives #TheGoodWitch
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mugiwara-lucy · 2 years
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Claudia Joy Holden is the saint patron of patience 😂🤣
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feetpiclovers · 2 months
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Catherine Bell is a British and American actress and model. She is known for her roles as Lieutenant Colonel Sarah MacKenzie in the television series JAG, Denise Sherwood in the series Army Wives, and Cassandra “Cassie” Nightingale in The Good Witch. Catherine Bell's feet pics are also famous on the internet and her fans search for them. Some of her fans are foot lovers and they can search Catherine Bell's feet pics.
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Continue talking about Catherine Bell's feet pics, life, and professional career.
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authordenisefyffe · 8 months
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World Champions: Usain Bolt, The Lightning Bolt of Athletics & Jamaica
World Champions: #Usain Bolt, The Lightning Bolt of Athletics & Jamaica
World Champions: Usain Bolt, The Lightning Bolt of Athletics & Jamaica by Denise N. Fyffe Usain St. Leo Bolt, a name that reverberates with lightning speed and unparalleled dominance in the world of track and field. Born on August 21, 1986, in Sherwood Content, Jamaica, Bolt has electrified stadiums and captivated hearts worldwide with his remarkable sprinting prowess and charismatic personality.…
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bryregrad703 · 2 years
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Denise Wilson, Karina Cootes, Alayne Mikahere-Hall, Juanita Sherwood, Kay Berryman & Debra Jackson (2020) Reflecting and learning: A grounded theory on reframing deficit views of young indigenous women and safety, Health Care for Women International, 41:6, 690-708, https://doi.org/10.1080/07399332.2019.1621316
This article explores the way young indigenous women keep themselves safe. Young Māori women in Aotearoa are at a higher risk of domestic abuse, and intergenerational consequences mean that these women often experience unsafe situations. This report details some of the situations survey participants found themselves in - often inappropriately underage for the party, drugs and alcohol scene. This report outlines the resourcefulness of these young women in the midst of unsafe situations. This analysis of wāhine Māori being resourceful in keeping themselves safe in unsafe situations is a link to Wilson’s 2022 report ‘E Tu Whanau, keeping safe in unsafe relationships’. These two articles provide a different perspective on the way women are responding to domestic abuse - actions which from the outside seem to make no sense, which are actually explainable when seen in conjunction with cultural background, protecting family and friends, and an inside knowledge of how an abuser will react to different things. 
‘Despite being overrepresented as victims of harm and homicide associated with family violence, health and social service responses to M aori (in general) are driven by negative stereotypes, deficit explanations and discrimination. What is apparent is that deficit framing of Maori women (younger and older) leads to blaming, victimization and unhelpful decision-making rather than considering the strengths and activities these young women undertake to keep themselves safe, and the contextual factors impacting their health and wellbeing.’
The purpose of this research, outlining the strategies Māori women use to keep themselves safe, is to create a rounded picture of Māori women, reframing negative stereotypes to instead see the strengths Māori women possess. It is these negative stereotypes, misunderstandings, and deficit views of Māori women which lead to discriminatory, unempathetic and unhelpful experiences with people working in the response services. 
‘Keeping safe occurred even though sometimes situations they lived in or encountered appeared unsafe. McIntosh (2006) indicates those people who are marginalized and sit on the peripheries of society, like Indigenous people, are familiar and at ease with their environments.’ (13)
Often what look like unsafe situations from the outside looking in are situations marginalised people can function in in a safe manner, because they have a better understanding of their situation, how to protect themselves within that situation, and a different threshold for unsafety. This is important to understand, because often decisions made by women in situations of domestic abuse are considered irresponsible, and the women therefore lose their credibility in the eyes of response service workers. These stories need to be fully heard out, these contexts need to be fully understood. 
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burlveneer-music · 3 years
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Denise Sherwood - This Road - I’m about a year late to this but it’s as good as you’d expect from someone who grew up in the On-U Sound household!
Making my album with my @onusound fam has been a special journey. I was a child watching and observing and admiring and was encouraged constantly to try singing and get involved but took me a long time to find my voice within it all. Holding our record is one of the most precious feelings and gives me such a great sense of achievement. 'This Road' is available on vinyl and cd and is a series of songs recorded over a seventeen year period from our family home and its worth a listen so grab a copy or stream it, but help keep it alive a while in the moment ♥ the support means a lot ♥
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Sarah ‘Mac’ Mackenzie - JAG (9x04 The One That Got Away)
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nicorobin-chan · 4 years
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My 3 #WCW (and every day): Catherine Bell, Alana de la Garza, and last but not least Eva LaRue!
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jungleindierock · 4 years
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Denise Sherwood (ft Lee "Scratch" Perry) - Music Shall Live
Nice animated video from Denise Sherwood, who is joined by the reggae genius that is Lee "Scratch" Perry for this track Music Shall Live. It’s the first single released from the upcoming album This Road coming on 2nd October 2020, produced by Adrian Sherwood (father of Denise) and Vital Elements. Visuals on this video was done by Evelyn Valentine.
Denise Sherwood  has sung with The Slits, Primal Scream and The Pogues. Her new album, This Road, which will be released via On-U Sound and features production by her father, plus contributions from Lee “Scratch” Perry, Mala, The Pop Group's Mark Stewart, and Tackhead's Skip McDonald and Doug Wimbish.
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jonna-thure-agnes · 2 years
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Denise Sherwood feat. Adrian Sherwood - Music Shall Live
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justanoutlawfic · 6 years
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E, S, D, R, A (for the letter character thing)
Thanks!
A: Alice 2.0 from Once Upon A Time
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D: Denise Sherwood from Army Wives
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E: Emma Swan from Once Upon A Time
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R: Regina Mills from Once Upon A Time
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S: Spencer Hastings from Pretty Little Liars
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Drop five letters of the alphabet in my ask box, and I’ll give my favorite characters whose name start with those letters.
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mugiwara-lucy · 2 years
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Something about these wives chilling and laughing just warms my Kokoro ☺️😊
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caramelcat · 3 years
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playlist: Double Bounce fill, Triple R FM, Sep 28, 2021
John Carroll Kirby - P64 By My Side Sam Gendel, Sam Wilkes - Greetings to Idris More Songs Emma-Jean Thackray - Mercury Nala Sinephro - Space 6 Walter Bishop, Jr - Soul Village Pastor T.L. Barrett - How Would You Like to have a Nice Hawaiian Punch? Pastor T.L. Barrett, Youth for Christ Choir - Nobody Knows Sharon Jones & the Dap-Kings - There Was a Time (live at the Apollo) Fatback Band - Spanish Hustle (Tom Moulton mix) Black Box Recorder - Uptown Top Ranking Vika & Linda - Raise Your Hand  Bobby Lee - Sacred Swimming Hole Pigram Brothers - Blue Bay Blues   Mikey Young - Blues   Ostraaly - Launceston  only leonie - Free   Commander Cody & his Lost Planet Airmen - Smoke That Cigarette Sonny & the Sunsets - Ride the Dark Trail Silver Jews - We Could Be Looking For the Same Thing Les Filles de Illighadad - Inssegh Inssegh Denise Sherwood - Ghost Heart Tirzah - Hive Mind Little Simz, Obongjayar - Point and Kill Gordon Koang - Asylum Seeker Moor Mother, Yatta - Tarot Space Afrika, Bianca Scout - Girl Scout Cookies Equiknoxx - MP Five Instrumental The Bug, Roger Robinson - The Missing Dean Blunt - VIGIL LOW - Don’t Walk Away Cindy Lee - The Limit Cindy - To Be True Mess Esque - Take it Outside  Warren Ellis, Nick Cave - Albuquerque  Springtime - Will to Power 
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ndtcjamaica · 2 years
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Part 1: In Tribute to Reggae Month
The use of reggae music by choreographers of the National Dance Theatre Company (NDTC) is as old as the music itself. The NDTC, which was founded in 1962 before the flowering of reggae, grew up with the music in its progress from ska to rock steady through to its present manifestation.
Back in 1972, Tommy Pinnock created Desperate Silences, a work which drew on the music of Burning Spear, largely to provide ambiance for the piece, which caught the anguish and dread reality of Kingston inner-city.
Original Dancers (Desperate Silences): Madge Broderick, Monica McGowan, Audley Butler, Tony Wilson, Thomas Pinnock
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Three years prior Pinnock’s experimentations, Rex Nettleford explored the riddim in his All God’s Children (1969) using it for the downtown characters.
Original Dancers (All God’s Children): Yvonne daCosta/Noelle Chutkan (Hostess), Dorothy Fraser, Bridget Casserley, Mavis Stoppi, Andrea Anderson, Barbara Requa, Barry Moncrieffe, Bert Rose, Audley Butler (Uptowners); Dorothy Sanguinetti, Jean Binns, Fredericka Byfield, Tommy Pinnock, Noel Hall, Jackie Guy (Downtowners); Beverly Kitson, Gertrude Sherwood Joyce Campbell Cheryl Ryman, Dennis Scott (Spirits of the Weed)
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By 1973, reggae was in full swing, and the NDTC adopted to the challenge. Rex Nettleford’s Street People (1973) mixed Desmond Dekker’s “Poor Me, Israelites” with Ernie Smith’s “Ben Dung”. The work portrays scenes from the life in the streets of urban Kingston.
Original Dancers (Street People): Jackie Guy (Sufferer); Yvonne Ffrench/Marylin Sanguinetti (Madam Bag-and Pan); Fitzroy Hunt (Bredda Man); Audley Butler (Mr, S-90); Bridget Spaulding, Pansy Hassan (Ladies of the Night); Jean Binns (The Unsaved Girl); Joyce Campbell (Madam Saviour)
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In 1974, Nettleford created Tribute to Cliff, a work dedicated to Jamaican composer and singer, Jimmy Cliff. The music which inspired the work were “Price of Peace”, “On My Life”, “Sitting in Limbo”, and “Many Rivers To Cross”.
Original Dancers (Tribute to Cliff): Bridget Spaulding, Pansy Hassan, Monica McGowan, Andrea Nash, Melanie Graham, Patsy Ricketts, Judith Pennant, Neil Summers, Noelle Chutkan, Bert Rose, Barry Moncrieffe, Jackie Guy, Tony Wilson
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Reggae artists who have provided much musical inspiration in the mid 1970′s included Bob Marley for the critically acclaimed Court of Jah (1975) choreographed by Rex Nettleford and Toots Hibbert‘s compositions for Backlash (1975) also created by Nettleford.
Marley’s “Rebel Music”, “No Woman No Cry” and “Suh Jah Seh” provided the score for Court of Jah. The work won critical acclaim when the NDTC appeared at City Center in New York and later when Clive Thompson Dance Company, based in Staten Island, performed the work at Lincoln Center, NY.
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Backlash utilised “What A Bam Bam” and Toots’ “Christmas Song”. The programme note read: 
The gaolers and the gaoled are really all prisoners together. So out of agony of repression and brutality come protest, violence even madness but also individual compassion and hope for redemption...
Original Dancers (Backlash): Rex Nettleford/Michael Richardson, Barry Moncrieffe, Bert Rose, Jackie Guy, Neil Summers, Fitzroy Hunte, Michael Binns, Calvin McDonald, Tony Wilson (as boy with the knife), Noelle Chutkan (Chief Visitor), Joyce Campbell, Barbara Requa, Pansy Hassan, Madge Broderick, Cheryl Ryman, Dorothy Sanguinetti, Gertrude Sherwood, Judy Cunningham, Yvonne Ffrench, Patsy Ricketts, Bridget Spaulding, Monica McGowan, Jean Binns, Melanie Graham, Sandra McLeod, Judith Pennant, Denise Francis, Alison Symes, Pauline Khan
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In 1981, Rex Nettleford turned to Marley’s music “Work” and “Redemption Song” for the dance-satire Rockstone Debate. The work appeared in four movements:
(i) Parliament
(ii) The Stonebreakers
(iii) Redemption
(iv) Hope
Original Dancers (Rockstone Debate): Joyce Campbell, Melanie Graham, Pansy Hassan, Monica McGowan, Sandra Minott, Arlene Richards, Alison Symes, Alaine Grant, Gabrielle Harban, Judith Pennant, Cheryl Ryman, Barry Moncrieffe, Jackie Guy, Samuel Bailey, Duran Hylton, Fitzroy Hunt, Oswald Blackwood, Carson Cumberbatch, Christopher Morrison, Glen Dhyll
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By 1984, Rex Nettleford’s Vibrations had gone full throttle in the rhythms, sounds, and sensibility of the reggae universe. The work drew on the music from Ya Ya — “Hold Fast”, R. Bromfield and Franklyn — “Namibia”, Gregory Isaac's — “Cool Down The Dub” and Papa Levi “Mi God Mi King”.
Original Dancers (Vibrations): Joyce Campbell, Melanie Graham, Judith Pennant, Monica McGowan, Alaine Grant, Sandra Minott, Jacquie Smith, Gabrielle Harban, Arlene Richards, Alison Symes, Denise Robinson, Judy Wedderburn, Carole Murdoch, Paula Monroe, Monica Potts-Lawrence, Sita Dixon, Tony Wilson, Adrian Fletcher, Fitroy Hunt, Christopher Morrison, Delroy Rose, Glenford Brown, Dwight Lee Eisenhower Williams, Monty Williams
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The next major dance-work by the National Dance Theatre Company (NDTC) that utilised reggae music was Children of Mosiah (1987). The work of Bob Marley and Jimmy Cliff dominated the piece, but the choreographer saw others like Burning Spear, Peter Tosh and Mutabaruka. Nettleford’s Children of Mosiah paid tribute to the Rt. Excellent Marcus Mosiah Garvey, and was presented on the Hundredth Anniversary of his birth.
Original Dancers (Children of Mosiah): Joyce Campbell, Monica McGowan, Melanie Graham, Judith Pennant, Alison Symes, Denise Robinson, Sandra Minott, Arlene Richards, Jacquie Smith, Judith Wedderburn, Alaine Grant, Carol Murdock, MoniKa Lawrence, Paula Monroe, Sita Littlewood, Barry Moncrieffe (Narrator), Tony Wilson, Adrian Fletcher, Christopher Morrison, Deroi Rose, Mark Ramsay, Eisenhower Williams, Glen Brown
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Cassie Nightingale - Good Witch (4x09 How to Make a Middleton Quilt)
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