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redd956 · 1 year

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Writing Advice: Characterization

Writing characters can be really hard, and conveying personality to readers is just as difficult

I'm expert in this and I'm studying so take my word with a grain of salt

Here are some tips on writing characterization

Show don't tell of characterization

I'm sure my fellow writers are exhausted of hearing show don't tell, especially cause it's difficult to remember to do or master

And there's a lot of different ways to implement it, but I feel it means even more for characters because it gives you a chance to explore their personality

Sometimes it is better to tell, but many times showing grants you an upperhand take for example:

Character A was furious. Character B's voice was annoying them only further. They were ready to punch them in the face.

This can work, however it can easily bore the reader and goes little in the character or world themselves.

Character A glared at Character B, their arms tightly crossed, and leg impatiently tapping. All they could do was roll their eyes as Character B spoke. After all it got their mind off punching B in the face.

This is sentence shows more of the character. It shows that they have an attitude, and are more prone to punching people. I'm not good at explaining show don't tell, so I suggest looking into it, and remember that the rules aren't set in stone either.

Complexity

Character complexity helps aid the reader's suspension of disbelief and makes the characters feel more people-like. Not every character needs to be complex, and sometimes complexity isn't meant for one at all.

However it helps solidify a character, add more potential conflict to a story, and remove one-dimensionality.

Often times many stories start with one-dimensional characters and as installments and exploration increases, even the most silly characters become complex serious designs.

3 ways I prefer to show complexity

Show a character's thought process. Don't drown the reader in it, but dabble in character thoughts at moderate levels. Ig can help pacing anyway.

Give character groups opposing ideologies, beliefs, and ideas. Then show how these characters respond to them.

Give your characters bad traits and flaws. Don't stray towards hate-able personality, but understand that the world isn't black and white and neither shall your character be. The easiest way to do so and keep things complex is by extending already set positive traits. A character kind. Have them be too kind, let people go or trust people who shouldn't be trusted. Or they are kind to only certain groups of people, and need to learn to grow out of it.

Action

Actions, I'm not just talking about what your character does, although that is important too. Show me the character through how they do things, especially good to split up dialogue.

For example

Character A and B watched TV

This sentence works perfectly however if it is a moment where you're trying to characterize it can be utilized. For instance

The TV was playing a horror movie. Character A's eyes stayed glued to it, ignoring the fact that Character B was already clinging to them.

This tells you a lot more about the characters, and establishes a dynamic between the two as well.

Anyway that is all I can think off I hope this helps

#writing advice #writing advise #writing tips #writing hints #writing characters #characterization #writing #how to write characters #show dont tell #show don't tell #writing help #writing complexity

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yanderes-galore · 6 months

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Hello, May I request a Cod Cold War ask? Specifically for Weaver x reader who’s part of the zombies strike team? I can imagine that they’re quick to figure out things (as you need to be for the Easter eggs) yet tough as they need to be? If not, I guess can I request Bell x reader (Bell may be hard to write for since they’re a player created character but I figured you do something cool with it!)

-MsPlacedHero

Ps, Chase loved the cookie I gave to him saying it was from you!

I'll try Bell as I'm a bit more familiar with them! Happy he liked the cookie even if it was a long time ago. Hope you enjoy :) Bell is referred to as They/Them as you did not specify what kind of Bell you wanted.

This is mostly rambling and may be short but it was me giving my view on the character and their potential. I wanted to explore it a bit so there's no real plot.

Yandere! Bell Concept/Overview

Pairing: Romantic/Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Mentioned self-aware behavior but not focused, General Bell thoughts, Stalking, Brainwashing, General yandere behavior, Character death, Dubious companionship.

Bell can be both interesting yet difficult to write so I will try to keep this rather general.

Bell could be difficult since their character is primarily meant for the player to insert themselves into.

They're meant to be so the player can interact with the story and feel like a part of it.

This would be difficult to try and convey, however, it opens many different possibilities.

Bell would be like a customizable yandere.

In a story you can pick and choose how you'd want Bell to be.

Bell would work even better in a "Self-Aware" story since they'd act as a host for the player and are extremely player dependent.

Your little puppet.

A reflection of you.

Overall Bell could really have any sort of yandere personality traits due to being a blank canvas.

You could see Bell as soft or someone who follows their darling like a puppy.

Maybe you could see them as a worship yandere.

Maybe you could see them as cruel, perhaps even prior to the brainwashing?

As a result, the darling is just as customizable.

You could be a part of the CIA or know Bell prior to the brainwashing.

There's a lot of potential.

The things is, how to write Bell is you'd need to be specific.

That's why I'm mostly just looking over the character.

Honestly my favorite ideas may be the Self-Aware one and Bell with a fellow CIA agent.

The Self-Aware one is self explanatory, I mentioned it before.

But the CIA agent one could also be fun to explore.

You know you shouldn't get attached or involve yourself with Bell.

They've been brainwashed with MK-ULTRA to find out info on Perseus.

That's all, afterwards they may just be tossed away.

For now they just need to be alive until the mission is finished and over.

However, Bell appears to have some sort of adoration for you one way or another.

Maybe somewhere in their memories they seem to recall you being important to them.

It's most likely a fabricated memory to coax more information out of them, but it works.

How Bell deals with such information could vary.

They may follow you around, they may be overly protective/clingy, they could be possessive, they could be any number of things.

They don't understand why you never like being around them.

Truthfully you either don't care or don't want to be attached.

Either way, Bell would want to treat you more than a "comrade".

They either see you as a close friend they "fought alongside" or maybe even a lover.

They have no idea you and Adler just need them for information.

Bell may most likely be "gotten rid of" before they become too much of a problem for you due to their obsession.

If they are a softer and more docile yandere, it feels horrible to know Adler did them in.

If they are rougher and more intense, it may feel like a relief when they're gone.

Player created characters like Bell have potential to be interesting once you have traits decided.

Unfortunately as a result I can't really assign Bell any definitive yandere behavior for them.

They seem like a puppet, a husk, meant to follow orders due to all of the brainwashing.

Regardless... a blank slate character can still have endless potential if you have a plot to work with.

No two Bell stories would be the same, essentially.

Bell is a wild card when it comes to their darling.

Which can mean they're a dangerous yandere if you think about it.

#yandere call of duty #yandere call of duty cold war #yandere cod #yandere cod cold war #yandere cod bell

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fuh-saw-t · 2 years

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-How to Write Character Dialogue-

Part 2: Characterisation Boogaloo

One again beginning with the mandatory 'This is just my process with my writing style. I don't work on what is correct - I work on what I find is best in my opinion. You can take this advice, adapt it to your own style, stories and characters, etc'.

This post concerns the specifics of dialogue. The more open-ended advice can be found here, under the Macro-View.

The 'Micro-View'

Once again, I made that term up.

Every story, character, scene and method of presenting events, thoughts, feelings and expressions will inevitably be unique. Here, I'll explore different approaches, methods and considerations that you can take to heart whilst writing the dialogue of your characters.

Amount

In the writing of dialogue, your first consideration should be 'does this character need to say anything here?'

Oftentimes, I see dialogue which, if removed, has no change on ambience, the scene, character development, characterisation or any relevant interactions. Does your character need to input their opinion here? Not thinking of the usual 'who asked?' sort of way, but does it change, show or do anything? Do they need to exclaim "Woah!" or can that instead be described, or omitted entirely?

Too much useless character dialogue can sort of 'clog up' your page, if you get what I mean. What I'm referring to, however, in no means include things that you believe adds something to your character, a character relation, or the ambience and feel of the scene. I made a note of this in the previous post, but I felt this deserved an elaboration/secondary mention.

Emotions and Intensity

Dialogue in intense and emotional moments, especially in a dramatic scene, I think can do wonders. It serves to engage your reader and direct the scene, instead of just having people kick each other or cry. As dialogue should be separated through paragraphs at each person talking, it makes the scene move quickly - the reader reads it quickly, too. Kind of meta, isn't it?

Make use of syntax. Short sentences, pauses, ellipsis (the dots and omission kind), false starts, etc. All of these can show emotion and make your dialogue feel natural, without having to state it outright. E.g.

"I don't think this is working," he said. "It's not that I'm… ungrateful, that's just— that's not what I mean. We need to try something else, something new."

Not the best example I could give, but this post isn't exactly a Times Best Seller (as if that means anything).

Someone who is nervous ‐ for any reason, if they're in front of their crush, are experiencing fear, etc - may use a lot of these pauses and false starts. But it's good to remember not to overdo them. Read your text out loud. Seriously, it helps. Overusing pauses and false starts can really dampen their effect.

Also, people never stutter as much as you think they do, unless they have a speech impediment (which is perfectly valid, if that's a part of your character). Stuttering is fine, but don't overdo it nor use it in situations where it doesn't call for it, unless it's a recognised trait in your character. Even then, going "N-N-N-N-No" never looks good. Like, it genuinely doesn't look good on the page nor screen. Yes I do judge that.

Italics can also be used as emphasis to convey intensity. So can dashes. Use exclamation points wisely, punctuation marks can be easily overused.

As another note, please use description and character actions alongside emotive or intense dialogue. Dialogue is never separate to your descriptions nor your story. Think carefully about how you can use expressions, actions and descriptions of tones to further the feeling you're intending to show in your dialogue, or to change the meaning of what a character is saying in context.

Informal Speech and Accents

Popular character distinctions can involve the written display of slang, informal speech and accents. Personally, I adore these traits, as they can add character and insinuate things that do not have to be explicitly said; the use of informalities can really distinguish your character and make them memorable and unique.

But, as with everything, things can go horribly wrong (in my opinion).

Rule one of dialogue: don't get caught up trying to make your dialogue grammatically correct. It's not going to sound natural. Slang and general, everyday informalities may not be in many dictionaries nor will it be accepted by autocorrect or grammarly, but that doesn't mean it shouldn't be in your writing. Different characters' uses of colloquialisms (such as, 'Heyo!' 'How's it hangin?' 'Darn it.') can add a certain quirk to them, whether this means they use general popular slang or no slang at all. Don't ever think of removing colloquialisms from a characters' dialogue for the sake of having correct grammar. This also goes for traits of AAVE. Use it when you see fit, whether or not conventional grammar agrees with it. All variations of English are valid. Moreover, I adore it when fantasy or other-world stories make their own unique slang, informalities or alternative vocabulary. It can say so much about the world they live in, and what some groups' ideologies are.

However, make sure you don't overdo the use of slang or divergent grammar and syntax. It's good to make your characters talk differently and have styles of speech that are distinct from one another, but what's even more important is that your reader can understand what you're writing. If you're using so much that someone has to have Urban Dictionary open while they read your story, that's not a good sign. This also goes for accents; it's sometimes beneficial to diversify speech, but if the spelling differences and grammatical changes get so prominent a reader can't read it or has to re-read to understand, you have a bit of a problem to correct. If they can't understand the dialogue, they don't understand your story. I've had to put multiple written works (published books, even) down because the use of slang and how they write in accents was so proficient I couldn't figure out what characters were saying.

Overall, I'd say not to write out accents (changing spelling with how words would be said). It can really make the dialogue unreadable, and can often turn out sounding like an offensive caricature.

Education

A common character dialogue difference which I also love is the distinctions between those who are educated and those who are not. Of course, this is very diverse among characters and can go beyond that black-and-white summary. A character's status may be at play, their ego, or even how they are educated - a character who is educated by people who value different things or hate another group may speak differently to one who is educated in another way.

Common distinctions made to show educational or cultural differences between characters include contractions and vocabulary.

Contractions (such as 'don't' or 'I'll') are something I often see absent in characters of high status or education. This, though often functional, can be overdone. I'll touch more on my other approach to this later, but the complete absence of contractions can make someone sound like a robot. Urgent situations may make even the most high-status, educated character use ellipsis (in the omission way, as referenced in the last post), contractions and other forms of shortening.

Moreover, in relation to vocabulary, the character may not use long words at every interval. They may be more articulate and expressive in their word choices, but that doesn't equate to using lesser-known or complicated words. If you want to diversify your character's vocabulary, though, always take into account pragmatics and general use, and if it sounds natural in the context. Again repeating to read your dialogue out loud and get a proofreader. It can save your writing, seriously.

On a mirroring note, if you're dealing with highly uneducated characters, be careful with how you present them. Just because someone is uneducated, or doesn't have an expansive vocabulary or a solid grasp of grammar, doesn't mean they're any less intelligent or expressive. The character may articulate their feelings in a different way, but that is not a lesser way. Let the character be creative with their words and how they lay them out. Remember that a lack of education in a character does not, in any way, equal stupidity.

Related: Educated characters who overuse big words in weird contexts sound dumber than any uneducated character ever will. Facts, ykno.

Character Limitations

There are a lot of ways you can accidentally limit the range of your character's expression through the writing of their dialogue. Here's things to look out for. And yes, these are all things I've seen before.

To do with typography (fonts, font sizes, bold and italics), I heavily advise against giving a character a distinctive typographic style of speaking. For example, doing this:

"I AM HERE!"

"HELLO!"

"What's the matter?"

This, in a way, limits your character extensively. A character who is consistently written to speak in all-caps or bolded lettering will always sound like they're yelling, and will not have room to express themselves in a more sympathetic, emotive or calm way. This is unless you forfeit the style, which is a problem in itself. It creates inconsistency: a writer's biggest downfall, in some cases. In fact, this use at all is inconsistent, as not all characters will have their dialogue written with the same method of typography. Also, it just kind of looks ugly on the page and can cause accessibility problems with those who have dyslexia or sight issues.

In addition to this, there is what I mentioned before to do with the use of contractions. A character who always sounds articulate and in use of an extensive vocabulary doesn't always have to be this way. Of course, they shouldn't break character, but if they're in a heavily-emotive situation where they don't have time to properly think out what they're saying, they're not going to speak as if they're reciting the Bible. There's nothing wrong with posh, well-spoken characters. It's just a matter of knowing how to diversify their own speech and having the confidence to explore other sides to their character through their dialogue.

This also goes for other characterisation decisions. You have a quiet character who speaks little, in small utterances? I love those character types! But don't limit their expression and characterisation by seeing that as the only thing they can do. An excited, wonderous character who asks a lot of questions and uses exclamatives often can have their quiet moments. An angry, usually violent character can become soft-spoken.

In fact, I'd say these changes in dialogue can really uplevel stories and characters. When a character changes their usual dialogue quirks (when the plot/scene calls for it), it can mark an incredibly pivotal and key point in their development and personality.

E.g, a rich, high-status character having a meltdown, swearing and mixing up their words; a quiet character talking for a long time to console their best friend on something they relate to; the excited character finally losing their spark and becoming serious when upset; an angry, violent character becoming docile when interacting or confessing to their crush. Choices in dialogue styles for different characters, depending on scenes and situations, can change the game entirely.

Overall, my advice in creating realistic, engaging and in-character dialogue that shows your character's distinct personality and characteristics is to read the dialogue out loud, don't bother too much about grammar and more about readability and get a proofreader or friend that'll be honest in their opinions to look over your story.

Even more, I'd highly recommend experimenting. This goes for everything in writing, honestly. Practise writing dialogue by writing conversations between your different characters, even if said conversations won't appear in your story. Practice writing scenes. Experiment with your style and how different characters talk. Lay out your characters personalities and think about how you can implement details into their speech that subtly show who they are and what they think. Consider punctuation - it matters more than you'd expect it to.

Grow your style at your own pace. Listen to constructive feedback, and openly search for people to show their opinions and give advice on your work. Make sure you understand your characters, their values and their quirks.

And, most importantly, have fun!

#creative writing #writeblr #ask blog #writing #writing advice #writing prompt #letsdiscuss

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re-locative · 13 days

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Making an app feel like a place: real-time, persistence, pictures and words

The first room in Experiment 2.

I've always been fascinated with apps that convey a sense of things happening "in the same place." From Minecraft servers to shared Google documents, many virtual platforms seem to foster a sense of shared geography by virtue of their design.

Ever since the research survey, I feel like I'm approaching a sense of what makes a virtual platform feel like a place, and the most succinct way to state those insights thus far is that it's a combination of:

Real-time

Persistence

Pictures, and

Words.

To break this down a little: the platform should support a back and forth of interactions between users who are present at the same time. This makes up what some refer to as co-presence (Schroeder, 2002). It should also support scattered, accumulative interactions between users who are not present at the same time. Changes made by one person should alter the app's state for everyone else, but also remain in place for subsequent users to see and engage with.

As for what media actually gets sent/placed in an app like this, this varies massively across platforms with different aims, but for something to feel like a place, it seems that the minimum is a combination of both spatial (i.e. visual or positional) and precise (textual) communication. (While media types aren't the focus of this post, it's a curious hunch that I will explore later.)

All of these traits would ideally be woven together into a single continuous interaction experience (rather than separate texting, drawing and streaming features, for example). The user does the rest of the work: the feeling of place emerges from what they do with the platform.

And it largely cannot be forced. But when it happens, it can be exciting.

---

So, let's start designing a place-like app from first principles!

It's easy to take for granted all the design elements needed to project an app's capabilities. People don't automatically "buy into" the synchronicity and asynchronicity of an app: it must be built to telegraph these features. They must be made aware that:

There are others are "present" on the same platform,

Their actions are being broadcast to all concurrent users as they happen, and,

Their changes won't simply vanish after the browser is closed.

#3 seems complex to telegraph, but it is actually the easiest solved. New users should be introduced to the app via an instance (document, room, world, whatever) that is not blank. Ideally, it would already been altered in deliberate ways.

Oftentimes, having something already there is simply the natural result of a user bringing a friend into the experience, but if you're the one launching it, you might want to put something clearly hand-made in the very first instance you publish, an exemplar to "seed" the possibilities of the app. Approach it playfully.

Now for the pricklier part. We would like our place-like app to feel synchronous, so it should update in real time. What are some ways to do this?

While I don't want to bring too much jargon into this, we can't really discuss this in abstract without at least touching on what technologies are available to us.

Before the PhD, all my synchronous apps worked by polling a server. For lightweight apps without much of a userbase, it does the job. It's how my first PhD related web project, Two Map, works, actually. An app that tacitly plots movement on a map, it sends your location data back to a server and retrieves any updates since the last call.

(My supervisor called this a "stalker app," which isn't wrong! I figured that any location-based app I made would have to explicitly request consent from the user before starting, or give the option to pick a location. But that for another post.)

But polling a server becomes a problem if more people are using an app and too many simultaneous updates emerge as a real concern.

The most accessible solution for web development is websockets, and for ease I went with Pusher, which lets you set up a websocket server with a free plan + paid tiers scaling to number of messages a day. Most programming languages/libraries that interface with the internet support TCP or UDP sockets in some form and one can pick based on needs and resources.

Whatever the protocol used, these are low-overhead connections that are kept open between app instances to relay very short segments of data - enough, usually, for you to convey and update positioning, URL pointers, and text content, or to signal for an app to refresh.

Pretty cool! But beyond the technicalities, we also need to think about how to show users that this open connection exists. The easiest and perhaps most obvious is real-time visual updates. A user adds something to the page, that thing shows up on everyone's page.

But what happens for a user who's using the app at a time when no one else is online?

That seems little outside of one's control, but there actually is a way to telegraph synchronicity even then: by letting past concurrent users record their synchronous interactions in a clear, textual way.

From the first board in Experiment 3.

This is where the persistence of communicative features is paramount: if a user sees something pop up, they can react immediately with text or an image, and said reaction is preserved on the canvas. This demonstrates to fellow users, present and future, that the interaction happened as a back and forth!

Future users may not necessarily come to this conclusion from seeing past interactions, but it certainly doesn't hurt to support it.

Finally, there are more explicit ways to show that there are other people around, from user icons in a corner, to a "N users online" slug, to cursors or avatars on the page. These are often collectively called presence indicators in corporate speak.

I like to employ spatialised presence indicators (like cursors that show "where" other users' cursors are), but implementing realtime cursor indicators can be heavy on the TCP/UDP server, so since I am lacking a budget, I settle for an indicator that updates when the user makes a significant interaction (e.g. clicking the canvas to open a form).

As with everything else, this requires buy-in from the users. They need to want to play with it! There are ways to invite play, and that could be the subject of another post. But set up the platform right, and you're at least delivering an open invitation for such interactions.

That's all for today - thanks for reading! I'm excited to delve into each of the experiments in more detail next.

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falconearring · 1 year

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Im curious since Im also trying to making one, how do you come up with the dialogue?

I showed my friend mines and they said it was bland (feedback of course and I understand because writing is my biggest weakness) just for planning it out.

Also I love your Au comic and that’s the reason why I started to make my own <33

HEY I feel very honored that my work has gotten you excited about comic making ^_^ Hopefully what I have to share here is useful to you!!

Obligatory disclaimer; I am not all knowing, and what makes dialogue interesting is subjective. This is just what I think about when I write!

A lot of what I'm about to say pertains to character and voice, because for me it goes hand in hand with dialogue. Characters reveal themselves through every thing they say and do, intentionally or not.

When you write dialogue, it's very tempting to just have a character directly convey what you as the author are trying to get across. I think one of the most common ways dialogue comes off bland is when its written in its most standard form. People don't generally speak in perfect grammar, and it can sometimes feel jarring to read a perfectly constructed sentence coming from a character. People stutter, pause, double back, speak in run on sentences and often don't get directly to the point in one go.

A character's manner of speaking is always informed by their personality, and their background. Oftentimes they'll embellish with unique turns of phrase, slang, or even terminology that pertains to something they're passionate about. When I write dialogue for Skizzleman I use a casual tone but I highlight his amicable nature. I wouldn't have him greet someone by saying "Hello, how are you?" Instead it feels more like him to say "How's it going, buddy?" Subtle things make a world of difference. If a character is blunt, they're not going to preface a statement with a bunch of fluff to soften the blow. So on and so forth.

Something I really enjoy in writing is exploring character dynamics. When characters have an interesting relationship, dialogue kind of writes itself. By that I mean, the way people feel about one another informs the way they address each other, and consequently it also informs the flow of a conversation. Some people think dialogue that doesn't directly advance the plot is just fodder, but that isn't necessarily true. Time spent developing characters is never wasted time, so long as you're not drawing attention to things that have already been made clear over and over. A lot of my favorite parts of what I've drawn in the comic so far don't actually have much to do with the plot; it's the parts where Joel and Etho have a back and forth of some kind, even if it didn't lead anywhere particularly meaningful. It just comes down to how their personalities clash in some ways and mesh together in others.

In short, interesting dialogue is spawned from having a good understanding of the character. From there, the things the character says will be punctuated by their underlying traits, and it becomes more enjoyable to read. Every line doesn't have to be a perfect zinger, but once you start thinking carefully about each characters' individual voice and how they interact with one another it starts to come more naturally.

Thanks for taking the time to inbox me and good luck with your projects!!

#asks

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marinsawakening · 1 month

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I'm not a fan of this narrative in many autistic writing spaces that writing autistic characters is easy for autistic people, that we do it naturally, that we do it by accident and it requires no thought whatsoever. I think it's a gross oversimplification of what it means to write autistic characters well and promotes stagnation in your portrayal of autistic characters.

It's true that many autistic writers will accidentally make characters autistic/struggle to write non-autistic characters because our own autistic thought patterns are so ingrained to us. For many of us, writing autistic characters feels like second nature. What I resent is the assumption that a) this is true for all autistic writers, and b) this means you're automatically great at writing autistic characters.

First: this is not true for all autistic writers. I actively practiced writing autistic characters for years by creating isolated scenarios specifically about autism to explore what you'd have to do to write autistic characters, before I felt like I had the skill to write autistic characters in scenarios not specifically about autism. I am still practicing. I don't think I'll ever stop practicing. Incorporating autism into the narrative did not come naturally to me. I'm sure that I regularly incorporate autistic traits and patterns into characters intended to be neurotypical on accident, but to me, that is not the same as writing an autistic character and does not translate to writing autistic characters naturally. Stating 'autistic writers don't struggle to write autistic characters' as a universal truth is just wrong.

Second, even if you do feel like it comes naturally to you to write autistic characters, you should note that what you are writing is a reflection of yourself. You do not represent all or even the majority of autistic people. If you want to diversify your portrayal of autism by incorporating autistic traits that you do not have, you will likely have to practice. If you only rely on your personal experiences with autism to inform all of your autistic characters, you will create a one-dimensional portrayal of autism.

Third, something you will quickly notice if you seriously try to write different autistic characters is that the traditional narrative tools utilized in writing are often unsuited for autistic characters. An easy example: eye contact is often used in dialogue to signify importance. If a piece of dialogue is especially important, the author will often have the character 'turn to look at [protagonist]'/'look [protagonist] straight in the eye' to signal to the reader that they need to pay attention. If you have created a character who hates eye contact, do you still do this? Would your character be able to look someone in the eye, even if what they are saying is important? If not, how else do you signal to the reader that this piece of dialogue is important and they need to pay attention? What do you imply when eye contact is utilized as an important, foundational aspect of conversation?

That's an easy example that's pretty easy to solve if you give it a few seconds of thought. There are ones that are a lot harder. How do you write from the perspective of a non-verbal autistic person who does not think in words, in a medium relying entirely on words to convey thought? (That's something I still struggle with greatly and do not feel confident in writing, but hope to figure out through practice.) A lot of basic narrative structures and cheats that authors take for granted fall apart the moment you try to apply them to a character who is sufficiently removed from them. This can very much apply to autistic characters.

For me, the trick in writing autistic characters is less in making them stim or be socially awkward or whatever, and more in thinking about how them being autistic affects basic narrative structures. Autistic people often stim; in what ways can you use stims to your advantage in characterization? How do you show intimacy in characters who are touch-averse? How do you make it clear what your other characters are feeling when you're writing from the limited perspective of a character who cannot tell? Do you even want to, or would it be more effective if you didn't? Again, basic examples, but you get my point.

I believe that relying on a kind of 'natural instinct' when writing autistic characters often leads to rather boring portrayals of autism. I don't mean to discount it entirely; it can obviously be helpful, and there are many people for whom overcoming a reliance on writing clichés is much more natural than it is for me. But by taking your ability to write autistic characters for granted, you may be passing up the opportunity for much more diverse, creative portrayals of autism. It is worth thinking about the ways you write your characters, what kind of personality traits you often give them, and how you can make your character's voice more unique while writing. This advice is by no means limited to autistic characters or even minority characters; it's general writing advice.

And of course: utilizing neurotypical writing tools to write autistic characters will create flattened portrayals. Figuring out how and to what degree you wish to discard writing conventions is, in my opinion, integral for writing good autistic characters.

#my posts #writing wise #actuallyautistic #yeah i'll throw this in the main tag. I am passionate about this #i'm not gonna pretend like i'm some kind of flawless expert who's great at writing autistic characters of all kinds all the time #as i said specifically i still very much struggle with certain kinds of autistic characters #non-verbal characters are especially difficult for me because the way I view the world centers so heavily around language #and that's the point to me!#your own experience with autism is by no means representative of the whole of the autistic experience!#certain autistic characters can fit fairly easily into a neurotypical narrative. others absolutely cannot #i think it's worth practicing and experimenting with all kinds of autistic characters #rather than relying purely on your own experience

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nazuqi · 10 months

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— CHAPTER TWO: LEVERET, WHO ARE YOU?

“Hi! I’m Astelle Belrose, it’s nice to meet you, Lady Lambert!” I looked up at the Countess for approval. Wait- it wasn’t the lady?

“Oh my, it’s just my son today.” the Duchess laughed. "Many have mistaken him for his sister, but that's alright." Just like the Leveret in my novel, he hid behind his mother.

"Ah! I'm so sorry," I bowed on reflex. "It's nice to meet you, Young Master Lambert!"

He came out from behind his mother. Even though I’d written for it to happen, it was such a shame a shy child like him child grew up to be so ruthless.

"I'm Leveret…" he took my hand for a handshake.

Both the Duchess and Countess laughed, and they let us explore the house together while they caught up over tea. We walked around and I made lots of comments about how beautiful the house was, from the flowers to the architecture. We barely developed Astelle’s childhood character, but perhaps this is how she’d be.

I didn’t want to get close to Leveret, but something was wrong with him. He was far too guarded to be Leveret. By what we wrote, he opened up to Astelle easily at this age. Had something changed? I hadn’t heard about any news articles regarding the north as of late, and the Countess had told me a lot about him; nothing seemed out of character until now.

“I’m sorry… were you bothered by me coming here?” Perhaps it was better if I was direct in asking about it. At this age, Leveret was still a very honest kid. Even if I sounded a bit odd for the novel’s Astelle, I’d already shown a lot of traits that Astelle didn’t have, so I don’t have anything to lose. I’ve already changed who Astelle is to everyone else- except for me, though.

“Mhm-mhm” he shook his head. That was quite like Leveret at this age, a shy boy who had a hard time conveying his feelings because of the intense atmosphere in the North.

But if the answer was “no”, why was he trying so hard to avoid me? I can’t think of any possible reason, unless his mother had told him something about me he didn’t like.

“Hm…” I started out playfully. “Was I different than expected?”

I looked at him. Leveret looked flustered, as if he didn’t expect that question at all. He looked at me in the eyes, and I looked at him back. Was he trying to figure out my true intentions? I just wanted to figure out why Leveret was so different from what Nazuna and I had written. None of my peculiar behaviors should’ve affected his behavior; this was my first time meeting him.

“... Who are you?” he asked.

Who am I? I’m Astelle Belrose, of course. I introduced myself to him earlier today. Unless he knew that I really wasn’t Astelle- but how would he know? There have been no major changes in my attitude the entire time I’ve been Astelle- ever since her birth. Unless he knew that Astelle wasn’t supposed to be like this, my behavior shouldn’t be odd at all.

“I- I don’t know what you mean by that, young master.”

“You’ve been calling me ‘Leveret’ all day, why the change?” Since when was he so straightforward?

“But it’s not wrong. You are the young master of Lambert.”

“That’s true and untrue. I don’t have any power in Lambert. Nobody does until they’re the Duke.”

Nobody would dare to say that in this universe. They pledge complete loyalty to the Duke, although they can leave at any time. Despite being cold masters, the Dukes of Lambert always paid their servants well. That was how they brewed loyalty among the workers. It was always a clear job, and the job was high-paying. While rates of personal satisfaction were a bit low in the North, poverty rates were low and most people were fed.

If there’s a few things I’d said about the Lamberts in their early creation, it’s that “Leveret shouldn’t have any power in Lambert, not until he’s the Duke. Then, after he suffers the training, he tastes the sweet power and can’t get enough of it. That’s how he becomes the cold ruler of the North. How about that?”

Those were my words, Qian’s words.

“Who are you?” There was no way this kid was Leveret.

“I asked that first.” he grabbed me by the arm.

I hadn’t told anyone about where I’d come from. I’ll say my name. If this person recognized me, then perhaps I wasn’t alone. If they didn’t, I could make things up, use them to my advantage. If they were anyone but Nazuna, they wouldn’t know the story. I could use that as a bargaining chip.

I took a deep breath. “Qian.”

Tears swelled in Leveret’s eyes. His grip on me loosened, and he put his arms around me. He held me tight, tears flowing onto my dress. I held him back, the crybaby sounded a bit more like Leveret- but as far as I knew, Leveret was a lot louder when he was crying.

“I can’t believe you’re here…”

“Nazu..na?” Who else would react this way? “Mhm.” He kissed me. We stumbled over, our bodies were just kids.

#even if you become a stranger i will fall in love with you again; nazuqi

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seelestia · 2 years

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Good evening/morning/afternoon dear author ! :DD

it's been quite awhile hasn't it? Did ya miss my angsty ass?

Not to worry, I'm not here for a request but only for some idle chatter as I feel like I just bailed on u after requesting :'D

So! What's your favorite genre for a fic? this could either go for, as a reader, what kind of genre do you usually consume, or as an author, what genre do you think you write for more? or what genre do you think you can write more confidently? :D

personally, as you may have guessed with my previous request, I like angst- and a LOT of it :''D (hurt no comfort is a guilty pleasure)

Though I may not be an author, whenever I try to write something down, I think I'm more in tune to writing for something angsty (go figure)

But hey what do I know about writing anyway, bulleted headcanons are easier to write ngl - Ever so sincerely yours, anon 👹✨

anon, hello hello! <3 it has~ hehe, how have you been doing? your angsty self is definitely missed ;D and dw about checking in all the time! i know being an anon comes with the pressure of being consistent with your asks, but no need to worry about that with me. so, only drop by when you want to and not when you feel like you have to, alright? i'll still be here either way! >:)

but you don't need requirements to be able to call yourself a writer! you only need a spark of imagination, motivation and an outlet (be it a piece of paper or a screen to type on) — and you're good to go! being a writer doesn't mean you write well in the eyes of people, you just write and you're already a writer imo !! <3 and so true, hurt with no comfort is smth else. your request gave me a revelation fhejdkkskd and if you have more angst, feel free to share if you're comfy 👀

[ rambles about character studies ft. ayato and heizou why is it always these two under the cut !! ]

for your question! as a reader, i usually gravitate to character studies fics that deal with or highlight said character's personal struggles; like a fic about xiao feeling afraid that he's opening up to the reader (a sense of vulnerability which is something xiao dislikes canonically). it could be fluff or angst or hurt with or without comfort! i'm just an absolute sucker for character studies <//3

meanwhile as a writer, i prefer domestic headcanons/reactions because i can sneak hints of my characterizations in the way they respond to certain things. after all, there is always something uniquely minutiae to each character.

as an example, if you ask heizou and ayato for a kiss, both of them will share the same initial reaction which is amusement but then, the reactions differ. heizou will indulge in that feeling a bit more, jesting by leaning in and pulling away at the last second with the biggest chuckle (dw, he'll give you a proper kiss afterwards!). ayato also has the urge to tease, but he wastes not another second before indulging you whilst his thumb finds comfort in gently rubbing your knuckles along to a silent rhythm in his mind.

they are both known to have a penchant for teasing; but ayato only exudes this side more unrestrainedly around certain people he's comfortable with while heizou retains it regardless of those around him. despite how similar they seem at surface-level, they have their own backstories that lead to habits that differ them from each other, even by the smallest margin — and that's what i like! to explore that little corner of differences to bring out unique traits in each character i write.

OML. apologies if i babbled too much, anon! but i hope i managed to convey my point across amidst this messy rambles, hehe ty for the question, it was fun answering it and i'm wishing you a great day! stay safe and take care of yourself, alright??? ◟꒰◍ ´꒳` ◍꒱◞

#if i may ask: who are your fav characters and can i know why??? just for research purposes hehe 👀#mwah mwah mwah <3 wishing you the best day ever!#ask box! 📬#visitor: dearest 👹✨ anon!#musings of golden reverie! 🪶#heizou x reader #ayato x reader

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pompompurin1028 · 2 years

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Hi Kat, I hope you're doing well! This is my response to the reblog of telling the writer what you love about their writing :)

Something that I adore about your writing is that you really search for the character's depth, especially Dazai. One of my favorite fics you've written is the beautiful one. "What would you think of him for taking such a harmless compliment as an offense?" My mouth dropped when you wrote that because it felt very canon-dazai. One of the things I find beautiful about fanfiction is that it allows the fans to explore the characters and the world-building and I feel like you do that so well with Dazai. If anything, reading your Dazai fics and analyses helps me create a better understanding of him.

What I also love is the thought you put into your fics. I once asked you questions about Beneath a Sunshower & Curiosity Killed the Cat fics and I was amazed by the thought you put into them. I think it really showed your interest in analyzing and understanding characters. One of my favorite lines you must have written is: "To know something new means killing your old unknown self, there will be no going back to the person whom you once were."

The last thing I'll talk lmao is about the headcanons game! One of my asks was how Dazai would view their significant other and you answered that Dazai's s/o would be his inspiration to live. "To be someone's reason to live means to depend on someone else for your own happiness. But to become his inspiration to live means, for him, the will to live even in struggle, to encourage him to look at life in the way he denied for so long, that perhaps people can be kind and living can be beautiful, even for a little bit." That felt so true to his character and it was actually a nice life lesson as well :)

Ask Game: Something you like about my Writing/ feedback?

Michelle, thank you for the detailed response omg🥲🥲🥲

Firstly, about that one thought from Beautiful, I'm so glad it felt like him to you! This actually reminds me of this quote from NLH "The one thing I must avoid is becoming offensive in their eyes: I shall be nothing, the wind, the sky." (This doesn't quite have to do with the thought process, I was just reminded of it. Since I feel like Yozo and Dazai's thought processes are a bit different, but it feels like something Dazai would feel bad about with someone he loves). And yes I love that about fanfic too🥰 exploring the characters and how they might act hehe. And I'm glad you feel that it helps you understand him better🤧

And thank you, that makes me really happy to hear ahsjsk. Honestly sometimes it's hard to convey a character in a way that you know they are, you can express their traits in an analytical way, but writing it and conveying it... _(:3」∠ )_ that's a whole other territory.

And I'm glad you like that headcanon🥰 I feel like I've had that for a while, that that is how Dazai views his s/o? Personally, in my humble opinion, I don't quite like the portrayal of Dazai finding a reason to live in another person, even his s/o. I always prefer potraying instead, through his s/o's kindness or things that they show him, he finds something beautiful or at least endearing about life instead (maybe it's cheesy but yeah). I personally also feel that it fits his character, I feel like Dazai is a lot about a conflicting affection towards people and life, and it is a question that perhaps even Dazai himself doesn't understand.

#ty so much for this🥲❤#asks💌#Michelle💐

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edumystic · 19 days

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Pros and Cons of Being a Fashion Designer

When it involves the style enterprise, the work of a fashion designer is frequently romanticized, with images of glitzy catwalk displays and clients hailing from the world of celebrities. Nevertheless, the lifestyles of a style fashion designer is complete of both highs and lows backstage of the industry. As a fashion designer, you’ll have a journey that is not like every other. From the excitement of witnessing your designs come to life at the runway to the difficulties of navigating an enterprise that is extraordinarily aggressive, you’ll have that enjoyment. In this article, we can take a closer look at the advantages and drawbacks of pursuing a profession in fashion layout. Our aim is to offer a fair perspective at the realities of this innovative and interesting field.

Are you a style fanatic who’s just starting out and has aspirations of ascending to the pinnacle of the enterprise? Whether you intend to join a fashion design path or strive to grow to be an expert inside the art of high fashion, it is of the utmost importance for ambitious designers like yourself to have a comprehensive attention of the complexities that exist in the style enterprise. To get a better know-how of the chances and demanding situations that lie ahead for you on your journey, it’s far more important to acquire insights into the glitz and glamor of high-style displays in addition to the demanding situations of breaking into this aggressive area.

Consider this to be your manual to navigating the splendor and grit of the style industry as you embark for your adventure through the sector of style inside the future. Come with us as we check out what is surely a method to be a style dressmaker and find out the methods wherein one would possibly reap success in this discipline. We are excited to embark in this first rate journey collectively, whether or not you are looking for the best design colleges in Dubai to refine your capabilities or you are keen to delve headfirst into the sector of favor.

The Advantages of Working in the Fashion Industry

Unleash Your Creativity:

Fashion layout is a creative outlet not like any other, permitting designers to convey their mind to life via the use of fabric, shade, and silhouette. It is feasible that this component of the career can be quite fulfilling for people who have a sturdy interest in inventive expression.

Innovation and impact:

Fashion designers have the capacity to impact style on a worldwide scale and form traits in the fashion industry of the future. In the style region, designers have the ability to push limits, task traditions, and produce a power as a way to stay for a long time. This opportunity extends from high-end couture to streetwear.

Employment possibilities:

There are broad employment possibilities available to people who pursue a profession in style design. These opportunities encompass working in vending, styling, or style journalism, in addition to developing clothing and add-ons. As a result of the breadth of the industry, designers are able to explore a number of pathways and find their own niche.

Personal Satisfaction:

Observing your designs being introduced to life and being worn by using different human beings is a satisfying experience which could bring about a first-rate experience of private fulfillment. One of the most satisfying stories for plenty designers is the opportunity to provide something that is each stunning and vast.

Opportunities:

That Are Available Worldwide Because the style enterprise is an international zone, it offers designers the possibility to work with and cooperate with specialists from all around the world. Whether it is going to high school in a foreign country, taking part in fashion weeks held in other international locations, or developing a business that is regarded everywhere in the world, the opportunities are never-ending.

Contrary to Popular Belief, Being a Fashion Designer

Intense Competition:

The style industry is notoriously cutthroat, with a big wide variety of formidable designers competing for a restricted variety of possibilities. In order to distinguish oneself in an aggressive industry, one has to own talent, endurance, and a dedication to constantly innovate.

Meeting the Needs:

Despite the pull of repute and money, many style designers struggle to make ends meet, specially inside the early stages in their careers. This is mainly actual for individuals who are just beginning out in the fashion enterprise. The expenses associated with the manufacturing of collections, the purchase of investment, and the control of the commercial enterprise aspect of favor may be intimidating.

High Pressure:

Fashion design is not for individuals who are without problems discouraged due to the lengthy hours and high stress concerned. As a result of the giant strain they are below to increase collections that are both authentic and financially a success, designers often put in lengthy hours of labor below strict closing dates. The mentally and physically taxing nature of the task at times would possibly have a negative effect on one’s proper-being.

Critique and Rejection:

In the world of fashion, complaint and rejection are common and should not be taken as a strange occurrence. The potential to grow thick pores and skin and learn how to soak up remarks, regardless of whether it’s constructive or harsh, is critical for designers. The revel in being rejected can be miserable, but it also provides a risk for personal development and for building resilience.

Ethical and Environmental Concerns:

As the public will become extra aware about troubles relating ethical and sustainable fashion, designers are coming under growing grievance for the choices they make regarding their techniques. It is important to give careful consideration to sourcing, production approaches, and the impact that style has on each person and the surroundings for you to strike a balance among creativity and responsibility.

If you’re inquisitive about turning into a fashion designer, are you prepared to embark on an thrilling adventure into the ever-converting world of style? The journey of turning into a style dressmaker is a top notch adventure that is full of possibilities for private development, creativity, and innovation. Nevertheless, it’s far from the utmost significance to acknowledge that this course of motion is not without difficulties. In the style layout enterprise, the direction to fulfillment can be both worthwhile and tough due to the presence of things which include extreme opposition, risky monetary conditions, and moral issues.

Despite this, there’s the possibility for greatness hidden behind the intricacies and difficulties which might be present. For a style clothier to gain fulfillment, they need to possess a unique combination of skills, enthusiasm, resiliency, and adaptability. It is feasible for aspiring designers to carve out their personal precise route inside the ever-converting surroundings of the fashion enterprise if they may be willing to include each the highs and lows of the career and continue to be real to their innovative imaginative and prescient.

It is recommended that you inspect the best design colleges in Dubai if you are prepared to take the preliminary step in the direction of achieving your dreams within the style enterprise. Your skills may be nurtured and you will be guided closer to a successful profession in style layout while you join in one of the comprehensive programs and equipment that we offer right here at Edumystic Dubai known as “best design colleges in Dubai”. We invite you to accompany us in this amazing ride, and together we are able to open the door to your interesting destiny within the style enterprise.

Read More:- Pros and Cons of Being a Fashion Designer

#best design colleges in Dubai

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akshayroy123 · 3 months

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6 Limiting Leadership Behaviors That Hinder Your Ability To Effectively Lead

Leadership is a dynamic and multifaceted skill that plays a crucial role in the success of any organization. Effective leadership can inspire teams, drive innovation, and foster a positive work culture. However, certain behaviors can hinder a leader's ability to lead effectively. In this article, we will explore six limiting leadership behaviors that can undermine your leadership potential and provide insights on how to overcome them, one being proper Leadership And Management Skills Development.

1. Micromanagement

Micromanagement is a common limiting behavior that can stifle creativity, demotivate employees, and hinder productivity. When leaders excessively control and oversee every aspect of their team's work, it sends a message of distrust and can lead to employee frustration and disengagement.

To overcome this behavior, leaders should focus on delegation and trust-building. Assign tasks to team members based on their strengths and skills, and provide them with the autonomy to make decisions within their roles. Regular check-ins can help maintain communication and ensure that everyone is on the same page without suffocating employees with constant oversight.

2. Lack of Effective Communication

Communication is the cornerstone of effective leadership. Leaders who fail to communicate clearly and consistently can create confusion, misunderstandings, and a lack of direction within their teams. Poor communication can also lead to mistrust and frustration among employees.

To improve communication, leaders should actively listen to their team members, encourage open dialogue, and provide regular feedback. Transparency about organizational goals, expectations, and changes is essential to keep everyone aligned and informed. Effective leaders also recognize the importance of non-verbal communication, such as body language and tone, in conveying their messages. Providing proper Leadership Skills Development Training to the team is also essential as they are the future leaders.

3. Inflexibility

Inflexible leaders resist change and are often reluctant to adapt to new circumstances or ideas. This behavior can hinder an organization's ability to innovate and respond to evolving challenges. In today's fast-paced and ever-changing business environment, adaptability is a crucial leadership trait.

To overcome inflexibility, leaders should be open to new ideas and be willing to embrace change when necessary. Encourage innovation within your team, and be receptive to feedback and suggestions. Remember that being flexible does not mean abandoning your principles; it means finding creative ways to achieve your goals while remaining open to different approaches. Also, make a good Corporate Leadership Development Program available for your employees to upskill.

4. Lack of Empathy

Empathy is a fundamental quality for effective leadership. Leaders who lack empathy often struggle to connect with their team members on a personal level, which can lead to a disengaged workforce and low morale. Empathy involves understanding and considering the feelings and perspectives of others.

To develop empathy, leaders should actively listen to their team members' concerns, show understanding, and offer support when needed. Take the time to get to know your employees on a personal level and acknowledge their achievements and challenges. When employees feel heard valued, and empowered with Leadership Development eLearning they are more likely to be motivated and committed to their work.

5. Failure to Lead by Example

Leaders who fail to lead by example can lose the respect and trust of their team members. If a leader does not demonstrate the same dedication, work ethic, and values they expect from their team, it can create a sense of hypocrisy and resentment among employees.

To lead by example, leaders should set high standards for themselves and consistently uphold the organization's values and ethics. Be punctual, show integrity, and demonstrate a strong work ethic. When your team sees you practicing what you preach, they are more likely to follow suit.

6. Neglecting Personal Growth

Leaders who stop investing in their personal and professional growth can become stagnant and less effective over time. Leadership is a continuous journey that requires ongoing Leadership Skills Development Training and self-improvement. Neglecting personal growth can hinder a leader's ability to adapt to new challenges and inspire their team.

To overcome this behavior, leaders should prioritize their development. Seek out opportunities for learning and skill enhancement, whether through workshops, courses, or mentorship. Embrace feedback and be open to self-reflection, as these are essential tools for personal growth and leadership effectiveness.

Final Words

Effective leadership is a dynamic process that requires self-awareness, adaptability, and a commitment to continuous improvement. By recognizing and addressing limiting behaviors such as micromanagement, poor communication, inflexibility, lack of empathy, failure to lead by example, and neglecting personal growth, and making good Corporate Leadership Training Programs available for team members, leaders can enhance their ability to lead effectively and inspire their teams to achieve success. Leadership is not about perfection but about the willingness to learn, grow, and lead with integrity and authenticity.

#Leadership And Management Skills Development #Leadership Development eLearning #Corporate Leadership Training Programs

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khwabb · 4 months

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Make Him Feel Special: Unique Birthday Wishes for Your Friend's Son

Everyone loves a birthday - it's a day filled with joy, surprises, and, most importantly, the feeling of being loved and cherished. Birthday wishes hold a significance that sometimes even the grandest gifts may fail to convey. They have a way of reminding the recipient that they are dear to us. When the birthday boy happens to be your friend's son, your bond may extend beyond mere acquaintance, often resonating with familial affection. So, let's explore some thoughtful, 'Make Him Feel Special' pointers to compose unique birthday wishes for your friend's son.

1. Cherishing Shared Moments

"Happy Birthday, champ! I remember the day when your tiny toes first walked into our garden, and now you're growing up to be such a remarkable young man."

This wish cherishes those shared moments that add layers to your relationship with your friend's son. It highlights the journey of watching him grow and appreciating the person he's becoming.

2. Blessings for The Future

"Happy Birthday, buddy! I've always admired your enthusiasm. As you enter this new year, may success become a habit and every dream of yours come true."

This message offers blessings for his future. It is an emotional portrayal of premium wishes, which makes the young boy feel special and encouraged to chase his ambitions.

3. Bridging the Ages

"To a special young man, who continues to impress us with his knowledge and kindness, Happy Birthday! You’re a rare blend of maturity beyond your years and the exciting energy of youth."

This birthday wish bridges the age difference. It's a beautiful way to appreciate his maturity while preserving the vibrancy of his youth.

4. An Extension of Family

"Wishing a fantastic birthday to a boy who is much more than just a friend's son, you're like family. Enjoy your adventure-filled journey to becoming an amazing young man."

This message is ideal when your bond extends to the level of considering your friend's son as your own. It reinforces the familial bond and adds a personal touch to the birthday wish.

5. Personal Traits Appreciation

"Happy Birthday, junior philosopher! Your intelligent conversation, combined with your remarkable kindness, never fails to amaze me. Never let that curious spirit fade."

Appreciating the personal traits that make him unique can be a special way of crafting a memorable birthday message.

6. Simple but Meaningful

"A warm and joyous birthday to a talented young boy! Always remember how much you're loved by all of us."

This birthday wish might be simple, but it carries a profound message, reminding the young boy of the love surrounding him.

7. Echoing his Dreams

"Happy Birthday to our future astronaut! May you reach for the stars and land among them."

Knowing his dreams and aspirations, and then incorporating them into the birthday wish ignites a touch of personalization and motivation, making him feel special.

When crafting your unique birthday wishes for your friend's son, you need to 'Make Him Feel Special'. Reflecting on shared memories, his dreams and aspirations, or the person he is growing into, can guide you to create a meaningful message that he'll cherish. Keep it genuine, keep it from your heart, and the words will touch his heart just right.

#birthday #happy birthday #birthday wishes #wishes

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fashioneditswebsite · 6 months

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"The Power of Fashion: How College Students Use Style to Showcase Their Identity"

"Exploring the Different Ways Students Express Their Culture, Personality, Subcultures, Professional Goals, Social Beliefs, and Fashion Trends Through Fashion." Fashion and style allow us to express culture, music, emotions, and opinions. College students need to express themselves, but options are limited. Fashion is an outlet for their personality, mental health, and ideas. This article breaks down the various ways in which students use fashion to showcase different aspects of their identity, including their cultural heritage, personality traits, subcultures they identify with, professional goals, social beliefs, and fashion trends they follow. Culture & Tradition: College is where students are exposed to diverse cultures and people from different countries. Hence, they often use fashion to express their cultural heritage, traditions, and appreciation of their background. This doesn't have to be excessive, as minor details in accessories, tattoos, or hairstyles can convey their message. By knowing what's trendy in the academic world, students can also express their cultural identity while looking stylish. Personality: Style can say a lot about a student's personality. Different appearance elements such as colors, patterns, textures, clothing fitting, and symbols can emphasize their traits and give others a glimpse into who they are. Subcultures: Many students identify with specific subcultures, which are groups they support, enjoy the art they create, feel strongly about their ideology, and feel as if they belong to. These subcultures include environmental groups, music subcultures, social justice, gaming, LGBTQ+, and others. Style can help express this appreciation and feeling of belonging to these groups, whether as a form of support or a need to state their opinion loud and clear. Professional Goals: Students often dream of certain professions once they graduate from college. Their professional goals can be seen in their fashion choices, as they might adopt a particular style to feel closer to achieving their dreams. For example, law students may wear blouses, skirts, collared shirts, briefcases, and business dresses, while art students may adopt an eccentric or creatively expressive style that resembles some of the artists they admire. Social Statements: Many students hold strong beliefs about specific social issues and actively participate in volunteer work and community initiatives to address them. Some students might even adopt a fashion style to highlight their beliefs further. This expression of social beliefs through fashion is often achieved by incorporating logos, slogans, symbols, or colors into their clothing. However, research indicates that 63% of students express concerns about the negative social implications of this fashion trend. For instance, some students may wear second-hand, recycled, or up-cycled clothing to express their concerns about the adverse effects of fast fashion. Fashion Trends: Finally, some students love following fashion trends and staying updated on the latest styles. Fashion lovers usually wear the popular styles that season or something that always stays in style. You can see here the typical rules of looking fashionable on campus if that's something you're interested in. In conclusion, fashion and style are powerful tools that help students express themselves. Clothes, accessories, makeup, hairstyle, and all the other elements of one's look can help convey what someone wants to share with the world. However, it's important to remember that fashion is just one aspect of a person's identity, and we should not judge others solely on their appearance. If you want to know more about someone, approach them in person instead of making assumptions based on their style. Read the full article

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bcsautopaints1 · 6 months

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How Automotive Paint Can Enhance Your Car's Personality

Your car is not merely a means of transport to ferry you from one point to another. Instead, it is also a reflection of your personality and style quotient. A poorly-maintained and shabby-looking car will convey to others you might be of the same type. Therefore, you must care for your car and maintain it immaculately to ensure it leaves and helps you leave a good impression. One way to elevate your car's look and appeal is through automotive paints. Let's explore how auto paints help enhance your car's personality and why they are worth your money. Car paints

Automotive Paints - Enhancing Your Car's Personality

Here are a few ways automotive paints help enhance your car's personality.

1.) Convey your car’s personality

Your car's colour is a medium of expressing your personality and making a long-lasting impression. Different colours represent different traits. For example, blue is associated with strength, wisdom, and calmness; red is associated with passion and ambition; and green is associated with a balanced mind. Similarly, other colours reflect several other traits, such as power, elegance, etc. Automotive paints allow you to build a unique identity for your car and showcase your traits.

2.) Create a custom look for your car

Auto paints allow you to think outside the box and go beyond the usual and conventional factory colours to add character, completeness, and grandeur to your car. Customization shops offer several paint options, like metallic, pearl, and matte, in single or dual-done designs to further elevate your car's visual appeal and make it one of a kind.

3.) Enhance your car's resale value

Not only do automotive paints enhance your new car's personality, but they also add to your old car's value. Using automotive paints can help maintain your old car in pristine condition and make it stand out among buyers looking for used cars, ensuring it fetches a higher resale value.

4.) Prolong your car's lifespan

Not only do automotive paints enhance your car's aesthetic appeal and resale value, but they also act as a shield against environmental hazards, like UV rays, rain, and hail, ensuring little damage to the metal underneath. Some automotive paints also offer additional protection, ensuring your car stays in a shiny, lustrous, and pristine condition throughout its lifespan.

5.) Make your car stand out

With so many cars on the road, there is little chance of people noticing your car unless it genuinely stands out. Choosing a unique, distinguishing, and eye-catching automotive paint for your car ensures it draws attention, turns heads, and is the subject of every conversation. In a nutshell, by using automotive paints, you can make your car your pride and others' envy. Automotive Touch Up Paint

Conclusion

Automotive paint is an effective way to give your car a unique makeover and enhance its personality. BCS Auto Paints is a leading online supplier of automotive paints for vehicles of all makes and models throughout Australia. Their rich database of over one million paint codes ensures you get the right paint to match your vehicle's colour.

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deweydoesnoveltytees · 7 months

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Empowering Kids to Embrace Their Uniqueness Through Novelty T-Shirts

In today's world, where the celebration of individuality and self-expression knows no age, children are no exception to the desire to showcase their unique personalities. Novelty t-shirts designed for kids have risen as a powerful tool to empower children to express themselves boldly and stand out from the crowd. These imaginative and whimsical garments offer more than just a fashionable statement; they provide a platform for children to proudly display their interests, passions, and creativity. In this blog post, we'll embark on a journey into the realm of novelty t-shirts and explore how they empower kids to express their individuality, fostering confidence, nurturing creativity, and cultivating a sense of belonging.

1. Celebrating Individual Interests: Novelty t-shirts grant children a vibrant canvas to celebrate their individual interests. Whether it's a t-shirt showcasing their beloved cartoon character, a creature they hold dear, or a hobby that sets their heart ablaze, these garments serve as a visual representation of their unique personality traits and preferences. By adorning a novelty t-shirt that mirrors their interests, children send a powerful message to the world, signaling their pride in who they are and what brings them joy.

2. Encouraging Self-Expression: Children often possess a rich imagination and a natural affinity for creativity. Novelty t-shirts tap into this wellspring of creativity by offering an expressive outlet. Infused with vivid colors, captivating designs, and witty slogans, these t-shirts allow kids to express their personality and sense of humor. Whether it's a pun, a clever phrase, or an artistic illustration, children can utilize novelty t-shirts as a canvas to convey their thoughts, ideas, and emotions to the world.

3. Building Confidence: Wearing a novelty t-shirt that mirrors their personality can significantly boost a child's confidence. These unique garments instill in children a profound sense of ownership and pride in their individuality. By boldly expressing themselves through their clothing choices, kids can become more self-assured and comfortable in their own skin. The positive reactions they receive from peers and adults further solidify their confidence, encouraging them to embrace their quirks and stand tall.

4. Creating a Sense of Belonging: Novelty t-shirts wield a remarkable ability to foster a sense of belonging among kids. When children wear t-shirts that exhibit their interests or share common themes with others, it acts as an instant icebreaker and conversation starter. This paves the way for connections and friendships to flourish, as like-minded kids recognize and appreciate shared interests. These t-shirts foster camaraderie and enable children to feel part of a vibrant community, amplifying their social confidence and emotional well-being.

5. Encouraging Creativity and Imagination: Novelty t-shirts serve as sparks that ignite the flames of children's creativity and imagination. The imaginative designs, playful characters, and vibrant colors engage their young minds, encouraging them to venture beyond the confines of conventional thinking. By donning these visually stimulating t-shirts, kids are inspired to explore their own creative potential and embrace their unique perspectives. Furthermore, exposure to various artistic styles and concepts through novelty t-shirts can motivate children to embark on their own artistic journeys.

6. Promoting Acceptance and Inclusivity: Novelty t-shirts designed for kids promote an environment of acceptance and inclusivity. These garments celebrate diversity by offering a wide range of designs that cater to an array of interests, hobbies, and cultures. As children wear novelty t-shirts, they learn to appreciate and respect the differences in others. This fosters a sense of empathy, understanding, and open-mindedness, fostering a more inclusive society where everyone's uniqueness is cherished.

Novelty t-shirts have revolutionized the way children express themselves, offering them the tools to confidently showcase their individuality, passions, and creativity. These garments empower kids to celebrate their interests, communicate their thoughts, and build their self-confidence. By fostering a sense of belonging, encouraging creativity, and promoting acceptance, novelty t-shirts play a pivotal role in shaping children's self-expression and personal growth. Let's embrace these empowering garments as a means of nurturing and encouraging the young ones to be proud of who they are and to express themselves authentically.

#novelty tees collection

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