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#i think i love you headers
pokeberry5 · 7 months
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if anyone's interested, i'm opening requests for comic panel redraws!
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httpiastri · 8 months
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the prettiest boy 🫶
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statementlou · 5 months
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So I see folks pointing out that Louis' circle A tattoo is more likely an aesthetic choice than an announcement of a political commitment to anarchism, and saying basically that that maybe makes him a bit of a poser and I mean- I GUESS. But I don't like to look at things that way and I don't think it's useful. As I see it the subversive sexiness of the symbols of resistance have ALWAYS been gateways for people who are drawn to the struggle in vague ways and that's GOOD. Aligning yourself with those values is good no matter the reason, in my book, especially given the wretched options available out there, but also the journey doesn't necessarily stop there. Gatekeeping queerness victimizes people who are just trying things out and starting to discover that it may run deeper than just trying on a new look who should instead be welcomed and helped along their path, and I fail to see how gatekeeping political affiliations is any different (plus how counterproductive to actual movement building is that?)
ANYWAY. What I really want to say about Louis is that while I KNOW that Louis is probably not secretly a theory reading anti-state communalist anarchist, I think that actually Louis' optimism and idealism (and his unwavering commitment to allying himself with the working class and embracing those roots) are a perfect fit for the philosophy and always have been. I know that anarchism is mostly understood as being about throwing molotov cocktails and fighting the state (and the allure of its symbols are that they signify this, a terrific aesthetic for him to choose to sign on with in my book), but that's honestly largely cartoonish stereotyping that comes directly from anti-anarchist state propaganda. That resistance is necessary in this hellscape of oppression we live in and is super important, but in its heart anarchism is only about the state in that the state and capitalism currently stands in the way of its goals. The whole point of anarchism is that it's NOT about the state! It's about being able to imagine something better than a state, it's about how we live and about how we SHOULD live, it's about HOPE and picturing something utopian and something free of the ways capitalism pits us against one another! What could be more Louis than that?
"I need you and you need me and I love that" is as beautiful a way of talking about the cornerstone of anarchism that is mutual aid as any long winded essay I've read (even if what he meant was contextually different), and I think when he talks again and again about how special the space fans have made around him is he is expressing an intuitive understanding of the importance of autonomous zones, places and moments outside of the shitty life imposed on us by the system (also a huge part of anarchist thought). Maybe I'm just being an optimist but I think that Louis DOES understand that caring for people and wanting self-determination and freedom for all and allying himself with the working class involves a certain amount of resistance to and positioning yourself in opposition to the state. Thinking the symbols of smashing that state are cool isn't meaningless; it's a CHOICE. There are other cool symbols out there and I just happen to think that feeling a resonance with certain ones is something in and of itself, even if at this moment he does not choose to start a fight with the media about it all.
#long version of this part maybe later… (orrr maybe here and now oops lol):#I believe we are all born natural anarchists with a desire to live in mutually supportive ways and in freedom#it only gets beaten out of people by the trauma of the system and being forced to struggle to survive#Louis shares with many privileged people a certain immaturity of not understanding those struggles#but I think that 'immaturity' can include- in smart and good people- not having lost sight of that utopianism#because they are able to conceptualize it because they live the way we all should be able to#free of so many of the survival struggles#(I think that in some areas maturity is code for 'beaten down to a good capitalist')#anyway and that's why autonomous zones are important:#because you HAVE to have the experience of freedom sometimes to be able to move towards it#you have to experience wins to be able to keep fighting#it's the candy crush theory of organizing lol like: people will simply give up and lose hope if everything is struggle and despair#and nothing is hope and success#you don't have to win the whole fight to get glimpses but you have to have moments#anyway a song I love that is about that is Saturday Night by the Coup it's a BOP go check her out she feels like winning#boots is a commie but that's okay he Gets It :P#anyway#anarchism#blah blah blah#I love being a louis apologist I should add that to my header what can I say: I love him#also look how many WORDS I can churn out when there's no show😂gotta fil the time somehow#send me questions I beg you we've got a long couple months ahead#comrade louis
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hersweetrevenge · 2 months
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Hi there! <3 I re-watched Halloween Ends yesterday because I was upset and I needed Corey to save me, lmfao, and I wanted to ask you something that I've been wondering about. So, I have no way of getting the novelisation of the movie anytime soon, and you're kinda my only frame of reference for it; so I hope you don't mind me asking you this. When Corey is on his revenge killing spree, he kills those bullies at the mechanic shop. And Ronald is there. And then Ronald comes out to help the kids because of Terry. And only because of that. So, that makes me wonder... Did Corey plan on killing Ronald after he was done with the kids? Is that something that was elaborated on in the novel? Because I keep wondering about that, since Corey pretty much killed everyone that ever wronged him during that night, and Ronald was right there; but Corey didn't kill him (or didn't get the chance to, at least). Terry shot him by accident. But Corey killed his mom, of course. So, it'd make sense if he had at least planned on going after Ronald as well; even though he never actively wronged Corey (only passively, if we look at the way he just sat and watched while Joan abused Corey right in front of him, for example). But more so for completion's sake, y'know? They were on generally good terms, after all. I mean, in your latest post about the novel, you quoted that Ronald is "the loveliest thing" in Corey's life, according to Rohan. So, that makes me wonder all the more. OH, and... I fought with myself to include this point, but anyway- Corey takes the mask off when Ronald comes to help the kids, so that Ronald can see his face and know it's him. And it clearly disarms Ronald immediately and is the reason why Terry accidentally shot him instead of Corey, because he shielded him instinctively. Thus, I keep wondering if Corey meant for that to happen or if he took the mask off in order to assure Ronald that he wasn't actually in danger... It's such a seemingly insignificant thing that I'm thinking about far too much, but it's been bothering me that I don't know, and I was curious if the novel said anything about that at all, or if they just brushed over it there, as well. If they did, I'll just make up my own mind, of course, hdsfdjkfsk Anyway, I'm very sorry for rambling on about this, gosh! I love your blog(s) and everything you have to say about Corey and Rohan, you're awesome!!! Thank you for your detailed posts all the time, they keep me going! Take care! <3
ahhh hi !! thank you so much for sending this ask !! i love talking about this sort of thing more than anything lol and i’m sorry this took a little longer than i expected to reply, i was double checking like every ronald scene in the novel and cross-referencing that with behind-the-scenes details from making of, and re-watching the movie (i didn’t have to do that last one but like you, i needed emotional support from corey too 💗)
WARNING for discussions about (canon-typical) violence, murder, child abuse, abusive households, mentions of suicide and self-harm, and spoilers for the novelisation.
TL;DR – the novelisation does not elaborate on corey's intentions in any huge amount of detail, but it does provide some insight into a few different possibilities for ronald and corey’s relationship and what that would mean for corey's intentions.
general relationship
the novelisation actually gives some really specific details about the cunningham-prevo backstory, but also leaves a lot of aspects vague too.
joan married ronald when corey was 15, and she made it clear to ronald that he would "remain firmly on the sidelines when it came to corey's upbringing" which ronald "gladly" agreed to. so from the very beginning, ronald accepts he isn't going to be an active parent to corey, which maybe means he didn't believe he would do a good job anyway, or maybe he agreed it wasn't his place to parent corey in the same way joan does.
also, corey was already a teenager, he didn't need parenting in the same way a younger child would, which is partly why i think joan waited until corey was older to get remarried, because although being a single parent is difficult, she wouldn't want someone else in the picture as a father-figure for corey.
i don't personally see corey and ronald having a super close relationship, but there are multiple instances that show they are at least comfortable and familiar with each other (in line with what rohan said).
corey had a job before working for ronald, so we know ronald didn't have to give him a job. i hc that corey really wanted to do something stimulating instead of call centre work, and ronald agreed despite joan's grievances over it.
ronald doesn't seem too angry at him for being late, even though it is a regular occurrence (third time in a month).would he be so lenient on anyone who wasn't his stepson?
the gifting of the motorbike is a huge moment of course. that's a big gesture which, in the novelisation, also comes with some stilted bonding when ronald reminiscences that he used to "get laid [...], if you can believe it".
they have their united front moment over dinner when joan is trying to work a reaction out of them and neither gives her what she wants.
a smaller but still significant gesture is that corey uses dumbbells and a pull-up bar in his room to workout, which ronald bought him for christmas. very much feels like an attempt to help corey rebuild his self-confidence.
honestly though, rohan's comment about ronald being the "loveliest" thing in corey's life is probably right, especially as corey's life has been incredibly insular. as the town pariah with an abusive mom, his stepdad being cool about him being late for work is probably one of the best parts of his day.
but then on the other hand, there are moments which do not characterise their relationship very well, including multiple instances of ronald "ignoring" joan's abusive behaviour and not intervening.
to reiterate a previous point: ronald very willingly obliges joan's wishes of not "interfering" with corey's upbringing. her unfounded criticism and distrust of doctors, the school system and anyone other than her taking care of corey should have been a huge red flag (if, of course, any of that behaviour could have been inferred prior to their marriage).
ronald's passivity at being side-lined by his wife, allowing her to continue an unhealthy and unbounded relationship with corey.
when joan is berating corey for "sneaking around" and seeing allyson (the slap/kiss scene), she questions ronald as to whether he knew about the motorcycle, to which ronald stays completely out of it and doesn't answer her, despite her being furious with corey.
however it is a really difficult family dynamic to navigate, with so much nuance. i'm reluctant to say if ronald is a "good" or "bad" stepdad, or whether their father-son relationship is "good" or "bad", simply because their circumstances are so trying and complex. yes, joan has abused corey for a long time, but that abuse also extends to ronald in many ways too, resulting in him allowing (or enabling) joan's abusive behaviour in a flawed attempt to maintain the (toxic) status quo of the household.
did corey intend to kill ronald?
like i mentioned, there isn't any elaboration about corey's intentions in the novel, either through narration or extra dialogue. the scene happens almost exactly as it does in the film, with a few alterations and added background details. it's the surrounding details and plot differences that change my opinion.
i think movie!corey would have killed ronald if he had to. he knew ronald would be at home or at the yard, both of which were places he intended to go (to kill momma and the bullies). i'm not sure he had the same desire to kill ronald as he does the others, especially if he sees ronald in a good light, but to tie up loose ends he might do what is "necessary". i do find it very interesting that he lets ronald see his face though, and i can't decide if that is as a reassurance (he wouldn't kill ronald and ronald should know that) or because it just didn't matter (he's going to kill ronald so even if he sees corey's face, he won't be a liability to worry about).
however, i don't think novel!corey intended to kill ronald. in the novel, despite all of the extensive set-up of joan being abusive and corey's repressed desires to hurt her (and arguably ronald), there's no suggestion that corey planned to go back home as part of his spree and kill joan. if he wasn't going to kill joan after everything she did, i really don't think he'd have plans to kill ronald.
that's not to say there aren't implication in the novel that corey would hurt ronald too. there's a scene after the slap/kiss where corey can hear joan and ronald arguing about him, and once they've gone to bed corey gets a knife and stands outside their room, but ultimately doesn't go in. it isn't specified whether he wants to hurts just joan, or ronald as well.
michael's mask
ahh so when i was re-reading the scrapyard massacre in the novel to try and answer whether corey letting ronald see that it is him was a way of corey saying "you don't have to be scared of me" or even "you should be scared of me", i've come to a different conclusion about the mask.
“Who did this to you?” [Ronald] asked. “Him,” Margo said, pointing across the street. Ronald turned to find Corey twenty feet away on the other side of the fence, pulling Michael’s mask over his head. "Corey?" he muttered in disbelief.
the way the novel reads, i think that when corey puts the mask on in front of ronald, it's the first time he puts the mask on at all. if that is the case, it adds a whole other level to the transition between corey's kills as himself (or as the scarecrow) and his kills "as michael".
earlier, billy's sees "corey's shape wearing his prevo jumpsuit". it's fair enough that billy would assume it's corey without seeing his face, because they know that corey is there, but there's no mention of the mask either.
then, the way it describes ronald seeing corey put on the mask doesn't really indicate that corey was making sure ronald saw it was him. he's already "pulling on the mask" by the time ronald looks over at him; he wasn't waiting for ronald to look he was already doing it.
alternatively, the movie shows corey very deliberately stood there, waiting for ronald to see him and recognise him before he puts the mask on. i'm leaning towards it not being a gesture of reassurance but more of a last show of humanity to someone corey cares about -- "it's me, and i appreciate that you always treated me well, but this is the monster they've made me into".
in both versions, ronald jumps up to stop terry shooting corey. whether he was intending to shield corey or was just getting up to try and talk terry down, i think it says a lot about ronald as a character. he has been very passive this whole time, especially in scenes that take place at home, but in this moment he takes an authorative position to try and diffuse the situation. there's a scared kid with a gun, and his own stepson who he's starting to think might have done something awful, but this doesn't have to continue -- they can talk about it and calm down and whatever it is that has happened can be worked out.
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shoshiwrites · 7 months
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Can I be basic and ask for #34 moon for Jo/Joe?
You 100% can be and I appreciate it very much:) Gif by the lovely @rebeccapearson ♡
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Bill's a noisy fucker when he sleeps.
It makes sense, Joe concedes. Won't shut up when he's awake. Won't shut up when he's asleep. Bill snores like he's got water in his engine. Mumbles too. The first time he started talking, Joe almost jumped out of his skin.
Guess it's good we only sleep one at a time. 
The moon is half-obscured by clouds, and still painfully bright. It smells like rain.
Joe doesn't let Bill forget it, the snoring. Or the mumbling. The way he says Frannie like he's trying to sound like Bing Fucking Crosby on the radio. 
Joe Toye, tryin' to tell me shit about singing, Bill says, looking only the slightest bit murderous. Joe doesn't mention everything he hears. Henry. His ma. 
Joe figures a muddy foxhole in Ville-sur-wherever-the-fuck isn't a worse place to see the moon than anywhere else. He never had a car for the drive-in theater, anyway. Moonlight meant the next shift wasn't far behind, meant dinner and passing out on the floor, face to a scrap-bin towel. Weekends meant beers or dates or both, cold autumn air and his jacket over a flowered dress, small shoulders. Wandering hands. Perfume.
He wonders if he'll go back to it, after the war. The mine. Somehow, something tells him he won't. 
Bill stirs next to him. Joe's elbow inches toward his friend's ribcage, as he squints into the patchy dark. There are things he'd rather hear than Bill, to put it politely. If he thinks about them too long he knows he'll be in trouble.
A bed, for starters. That damn moonlight. Her. 
When did he turn into a goddamn love song? 
Something rustles in the leaves above them, and he straightens up. Probably a bat. His eyes go back to the horizon, the Germans camped across the field. He can't see them, but they're there. Sometimes they sing. Bill tells him they're only a little worse than he is.
It's almost his turn to sleep. 
He tries to remember it, the sharp green smell of her perfume. Clean hair. How warm she is. Not like he is now, jaw tight in the rain and sweat. The way she'd sighed, all soft and quiet, when he kissed her. 
He prays he won't talk like Bill. Would be a hell of a time to start. He won't have to wonder; Bill would tell him. 
"Hey," he says, more than a little forcefully, and Bill startles awake. He can worry about the moonlight tomorrow, if they get that far. 
[100 Random Prompts]
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wondernus · 6 months
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going through memory lane and finding drafts, rejected drafts, and old published headers for fics and previously drafted fics I designed for friends & myself 🤧
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abcdeception · 11 months
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One take I’ve seen which sort of annoys me is this idea that if Jonathan really wanted to leave the show after Sebastian died, he could’ve just told Cam so & then he would’ve been free to live his life as he saw fit. Beyond the fact that we know he did tell Cameron he wanted to stop performing, or at least that he voiced some kind of protest about performing certain shows (from the final episode, Transposition), there’s the point that it’s really fucking difficult to say no to the people you care about.
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(^ from Transposition, ~38:54)
From this scene alone we know that Cam had to talk Johnny into continuing to perform after their father passed; it’s obvious that Johnny values his freedom, though, so why did he ever agree to it? Primarily, because his brother asked him to, and he loves Cameron more than he wants to be free (this is true, at least, at the beginning of the show). It’s not as simple as just saying “No”. If that’s the line of logic we’re following, then Jonathan can’t carry any blame for asking Dina to retrieve the files that the FBI were hiding — she simply could’ve refused, right? Cameron, at the very least (and I do mean very least, because their father treated him like shit), got to go out and connect with people as himself. Johnny only ever had Cameron, so to deny his brother anything must’ve seemed impossible. I don’t want to start speculating about how that conversation must’ve gone because it’s counterintuitive to the point I’m trying to make, but I just think this idea (that all Jonathan had to do is tell Cameron he didn’t want to perform) is reductive, and also does a massive disservice to the really complex character dynamics at play in the show
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reginrokkr · 4 months
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If you cover your monstrous part, then why so smexy? Wriothesley do not interact.
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Source!
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I apologize that this isn't a question/request but I just found your blog and would like you to know that I fell to the floor WHEEZING at "mmm big sparkly mothman"
I will never recover and I am ok with that💀💀🫡🐳🩷
*nods* good. excellent. i love making people laugh :)
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@juliet-hellhound-week​ Day 2: Graveyard
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lesbianlenas · 7 months
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went to see the aces yesterday which first of all they were amazing it was my first time going to a concert w lesbian music and it was very special to me (also the lead singer was so sexy btw js 😩) but ANYWAY. i asked my friend if she wanted to go w me & she had never listened to them before but she said she would and i sent her some of their music to listen to etc etc. so like we went to the concert it was great and afterwards she told me she thought it was boring and she didn’t like the music. which was kind of crazy to me bc it’s like indie pop/rock music and like as someone who does not enjoy the majority of indie music bc i find it boring their music is not boring 😭 so first of all i find that offensive. second of all she was like well if you find a concert from x artists then i would enjoy that and she listed like three artists to me one of which was taylor swift and i was like. yeah where am i gonna get taylor swift tickets lmfao. but the other artist she listed (i don’t remember the third one she said lol) i just looked up his music and i’m legit like 😭😭😭 first of all this man looks like he just finished hibernating for the winter and crawled out of the cave into the sun for the first time in months. second of all. that’s also what his music sounded like. my point being that going to this man’s concert while he strums a single guitar in a flannel shirt and jeans would be a million times more boring than watching women having fun on stage and singing abt lesbianism idk call me crazy………it’s like i would find it more understandable if it was at LEAST interesting music………
#michelle speaks#& i said to her well you prob would’ve enjoyed it more if u knew the songs#& she looked at me like i was legit crazy & was like i knew the lyrics they repeated them#i was like. just bc you get what’s being said doesn’t mean you know the song like that’s not what i mean…..#like i’m sure i’d enjoy a concert of that man if i knew his songs at least even if i didn’t really like them#at least somewhat even if it wasn’t the best time of my life#bc part of what makes a concert fun is being able to sing along…..like ur going to at least enjoy it more if u do#also she did not like violet by hole. how do you as a woman not enjoy violet by hole. omggggggggg#but like u know if she didn’t like the music that’s fine like w/e but she was making it so obvious to me that she didn’t#like i was like what did u think and she was like um. it was good. u know. and i was like oh so you didn’t like it#& she immediately was like i didn’t want to say but it was so boring and i was like. ok. u didn’t have to actually.#it did just annoy me bc it’s like i really enjoyed it and she like immediately took me out of it w that…..#like instantly lost my post concert glow 😔#anyway tho she was wrong it was actually great & someone threw a lesbian flag on stage at some point & she was holding it#while singing a love song abt another woman & it meant so much to me 💞 my friend simply cannot understand……#also if u think i’m joking abt this man i was so shocked when i saw his spotify header i legit said no fucking way out loud 😭
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ratbubos · 1 year
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🌹A Happier New Years <3
It was already past midnight but regardless, Lucie spent the last couple hours of the night happy :)
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leavingautumn13 · 5 months
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Hello hi hey I restarted emerald last night and remembered you have Camerupt in your header and so I would like you to know my last Champion team before new game is:
lvl 56 gardevoir
lvl 52 swampert
lvl 51 altaria
lvl 59 dusclops
lvl 50 camerupt
lvl 49 breloom
I think next game I will challenge myself to not use Swampert but I will be hard pressed not to spend an hour searching around for the early Ralts :'D
oh man, this is an awesome team. dusclops representation!! altaria and gardevoir are favorites of mine too; i don't blame you for searching for a ralts. the one i have to have every time is aggron, but it's a lot easier to find.
personally i always picked torchic as my starter. it performs really well up until the mossdeep gym, but kind of struggles after that at least until the elite four. (yes this means i had two fire types on my team in the "too much water" region lmao. i can't help it i love them both)
have you ever considered using a milotic? ik they're a lot of work to get, but gosh are they so worth it. super bulky.
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ushiromiya · 1 year
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reminiscing on the concept of pixel families this morning. I loved that people had a little page on their profiles dedicated to linking a bunch of their friends and mutuals, that was such a cute thing that I rarely see anymore
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orallech · 5 months
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I mean it I would straight up be giving up whatever to be with Ábramar. It’s very much not the point of that game I’m sorry…..but I wont him
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non-stop-imagines · 5 months
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Excited to see everyone’s requests come to life!!! - 🍮 anon
And I'm so glad I'm the one that gets to make everyone's requests come to life! And that I have many more request I get to bring to life and that everyone trusts me with their amazing ideas! 🥳💖🥳💖
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