@onionjuggler told me about WIP Wednesdays so I'm gonna do that for my knitting and crocheting!
This is one of the most complicated patterns I've done and it's really fun. I've had to redo lots of things but I learned how to fix mistakes without tearing the whole row out! I have no idea if this is going to fit or not.
Oh, and I also got to break out the yarn ball winder I got as a present and it's a little annoying to use but it's SO NICE knitting from the yarn balls.
Pattern: Honeycomb Aran by Gayle Bunn
Yarn: Valley Yarns - Northampton
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I know a lot of people use these two images to show Viktor's character development into a (what we have yet to seen) antagonist, but I think it shows a more resolute—hardened Viktor.
In this shot, Viktor is stagnant. He looks lost, sad, even surprised. He only watches on as Jayce speaks for them, and Hextech, as a whole.
In this scene, he feels and looks utterly powerless.
But this Viktor?
He looks determined. Resolute and unrelenting. Shaped, now, by his own regrets. Instead of Jayce doing the talking, Viktor does.
This is a Viktor who looks like he's daring the council to fuck with him, frankly. A Viktor that is determined to set things right, to not lose their dream again, no matter what.
(And whether Jayce and Viktor succeed in this, we'll see)
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For the Royal AU Twinyard backstory... Maybe Andrew, as a second son, was sent away for study? He could have become an apprentice to a knight or a scholar when he was young, maybe even with the Spears, and that's where Bad Shit Happened. And then he could have returned when he became of age, or when their last parent dies and Aaron needs a familiar (ha!) face around
*excited* okay okay this has been brought up a few times now and every time I read it the idea grows on me more, you’re all so smart for it
(I was gonna put the art at the end but this got a lot longer and sadder than I anticipated so. Sometimes Andrew likes to do stuff like this when they’re stuck talking to important boring dignitaries)
(It’s the main reason Aaron develops an incredible poker face)
tws this time are all canon compliant
Honestly yeah! I do think this is great because I want the twins’ father to be around after birth and for a while, because the whole point of Andrew being sent elsewhere is probably so they can give that extra attention to Aaron and raise him as the heir to the throne. So it’s a perfect balance, in my mind, of a family that cares enough to get Andrew an education/proper upbringing and a father that doesn’t care enough to spend time on a second son.
In my head the Spears would be almost always overbearing, partly because Andrew is the prince and they Do Not want to disappoint the royal family and partly because Andrew is the prince and they immediately assume this little five year old they get on their doorstep is going to be a spoiled brat. Even though he isn’t. And, as you may guess, the only thing they turn a blind eye to is Drake. Drake, their own son, probably the real spoiled brat that gets his way in all things, even with the young prince. Faces no consequences, even when Andrew tries to tell someone. It’s probably his governess or nanny at first (either way, it’s not really important what the role is, just that she’s there). And this woman has been Andrew’s biggest advocate since he arrived, she genuinely cares about and is worried for the little prince with his bruises and fear. She cares enough to bring this up to Duke Spear - maybe he really is dumb enough to just be unaware, she hopes - and confront him about Andrew’s treatment. But of course the duke doesn’t do anything to discipline his son. Instead, the governess is fired and a new woman takes her place, a woman that isn’t as outspoken and won’t ever question the authority of the Spear family. Andrew learns soon enough that trying to tell someone or speak out only makes things worse for himself. Sometimes he still wonders where that first governess is, if she’s doing well.
Meanwhile at the castle, Aaron is going through his own rigorous training. A lot of the same stuff as Andrew is learning, honestly, with a few added duties and lessons and a lot more official meetings he attends with King Minyard. It’s a pretty average upbringing for an heir, I think.
Then maybe when Aaron is around the age of ten or so, King Minyard passes. This wouldn’t normally be a political issue, since it’s expected of the Queen to take over and divide the king’s half of the duties as she sees fit until either she remarries or has an heir become old enough to take the throne, at which time she may pass it to the child or continue to reign until she either passes or is deemed unfit. And, politically, this is exactly what happens. What most don’t see is how grief stricken she becomes and then remains. She can’t pull herself from her grieving, and instead of passing duties to more fitting people, Queen Tilda simply lets young Prince Aaron take on as many duties as he can without breaking down. (Though he has, before. Likely a few times. A kid being pushed past his limit again and again.) Aaron grows up so much faster than he ever should have. He’s thirteen now and sometimes he shakes with stress.
Then the queen finally gives into her grief and passes as well. If it weren’t for Katelyn, Abigail, and Betsy, Aaron might have been next to lose his mind, leaving the throne empty. As things are, Aaron swallows everything down just long enough have word sent to the Spear family. He wants his brother back. A familiar face and his quiet, desperate hope: someone to just help.
And return him they do. Andrew’s been perfectly competent with all his studies, they say, they’d even managed to break that stubborn streak. (They didn’t like he wouldn’t speak or shake hands when instructed. They didn’t like being told no.) And yes, it’s a familiar face. Aaron sees the carriage door open, sees his twin for the first time in eight years, but he isn’t sure he recognizes Andrew. Andrew isn’t supposed to have bags under his eyes like this. Andrew didn’t hold his jaw so tightly. And Andrew certainly didn’t answer questions like some kind of unthinking, unfeeling shell.
The first thing Andrew says to Aaron getting off that carriage is “No.” It’s quiet, but he does say it. Aaron is confused - he’d thought they’d still be allowed to hug each other, or shake hands at least - but he does step back and instead ask if Andrew wants to see his room. He can see Andrew relax.
It might hurt Aaron a little when he watches the Spear boy get a hug with no protest, or how Andrew quietly addresses the duke with more than a one word sentence. But he’s not going to ask about it for a while. He’s the stranger to Andrew here, after all.
(I think Andrew does let him ask. The most he tells Aaron about it - maybe as much as a year later - is that the younger Spear had been much worse at listening than Aaron ever is. It is much better here. At least you and Nicky understand the meaning of ‘no’. Leave it at that. And after that Aaron is even more supportive of Andrew’s wide bubble than he was before. He enforces it himself when he has to. And growing up together for longer, with no looming secrets or much reason for animosity between them - it isn’t Aaron’s fault King Minyard decided to hand Andrew off and the twins are both mature enough even at that age to know it - means the twins are much closer than in canon. I don’t think it would be a typically ‘fond’ relationship, because they’ve both still been through it. But they support each other in all things, no questions asked, and always get through problems together.
It doesn’t take much longer than that first year for Aaron to earn the right to touch Andrew, even if he does need to give or show warning before he does. Andrew never says it, but he’s grateful that Aaron is generous with his shoulder pats. It feels a little like the validation he never got anywhere else. And Aaron never says it, but he’s grateful that Andrew is always at his side to tell people ‘no’ when Aaron is technically not allowed to.)
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I had this realization a few days ago when reviewing what we know about Gaster while theorizing about the mysterious Valentine from the newsletter and idk if other people have pointed this out yet, but I haven't seen anyone else talk about it:
I don't think Gaster's disappearance has anything to do with Core.
The Core is only mentioned in relation to Gaster once, in this dialogue from one of the Gaster followers:
This dialogue is why most theories and fanon built around the idea that Gaster fell into the Core, which for reasons unknown to us erased him from existence. But I'm now pretty convinced that this is a red herring, because it doesn't actually say Gaster fell into the Core. It says he made the Core, and that he fell into his creation.
It does not say that this creation is the Core.
The dialogue is written in a way that leads you to assume the creation he fell into was the Core, but that doesn't really make much sense considering the rest of the dialogue.
The dialogue says "they say he created the Core," which implies this is second hand knowledge, but then says with certainty "One day, he fell into his creation." Why do they know for sure he fell into "his creation," but only knows he created the core from what others say?
If you talk to the follower again, they say "Will Alphys end up the same way?" Why would Alphys also fall into the Core? As far as we know, Alphys doesn't maintain the Core; if I remember correctly, a few monsters at Mettaton's hotel are stated to work in the Core, so wouldn't this follower be more concerned that those monsters will end up like Gaster and not Alphys?
And another question that I think fanon has just ignored due to the assumption it was something we don't yet know about, but I am now wondering about: Why would falling into the Core erase Gaster from time? When traveling through Hotland and viewing the Core in the distance, Alphys says this:
And while this dialogue may at first seem indicative that the Core is more mysterious than a normal geothermal power generator (and it is in some ways), remember: Alphys didn't build the Core. Alphys doesn't understand how the Core works, not because it has some unnatural property that could erase people from space time, but because she didn't build it. Not only does this mean that the Core is likely just a power generator that utilizes the lava in Hotland to produce geothermal energy and convert it to electricity, it also means that Alphys doesn't work on the Core, because she doesn't know how it works. So why would the Gaster follower worry about Alphys ending up like Gaster if she doesn't have any involvement with the Core?
Additionally, that Gaster follower is the only one to mention the Core in relation to Gaster. In fact, one of the other followers says something that could be interpreted as actively contradicting his erasure being caused by the Core:
This follower says "his experiments went wrong," and doesn't mention the Core. Why would Gaster be experimenting with the Core? And if he was, we don't know anything about it.
But you know what experiments we do know Gaster was working on, because it's literally one of the only pieces of dialogue we have from him?
And do you know what other creation was presumably made by Gaster, as Alphys is unfamiliar with it's operation? That is also a creation that was actively being used in experiments, which Alphys is continuing to perform herself? Experiments that are directly involved with something we already know can alter time and space? A creation that is located in one of the most mysterious areas in the game with several oddities in it that are straight up never explained, multiple fourth wall breaking moments, and a couple explicit references to things we believe are associated with Gaster? A creation that suspiciously resembles in appearance the form of a character who canonically can alter time and space, not to mention resembling the thing that's literally called a GASTER BLASTER???
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regarding posting extra fic content that is not fic, but being worried about notifications... i have no idea how user subscriptions for pseuds work on AO3, but would it be a viable option to post those extra things under a pseud and then you can make it a related work to the fic in question?
it doesn't work! :( anyone who's subscribed to my main 'snickerdoodlles' username will get notifications for everything i post on AO3 that isn't anonymous because the pseuds still tie back to it. which is actually really convenient for me in every other case, but ajkfdjh.
right now i'm mostly considering building up a queue of tumblr posts that i'd want to copy over to AO3, then making a specific story post that's in my anon collection as i move stuff over. i can link all the story stuff together in the fics themselves, then take them out of the anon collection after i've finished uploading everything so that it's just one email notification at the end. my only hesitation rn is that moving a bunch of stuff over sounds very boring and i'm procrastinating it lol, but that's the only method i can think of atm that won't drive me completely nuts? i also don't really want anyone getting AO3 notifications from me to become associated with "not fic" either oof, i will cry if that happens 😂
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