Any chance you'd expand on the hank hill trans guy post? (Sorry, best indicator I could come up with.) The concept interests me as I decidedly know my maleness, yet don't feel impeded by for the most part, any male gendered norms/boxes. I am fairly masculine, though I rarely use those kinds terms to describe myself.
I have found I often do stray outside of what society pushed for me when I transitioned, yet I again do not feel it has taken from my right to maleness whatsoever. I am just me, who happens to be male. I have had friends try and suggest I am NB adjacent but I do not feel this way whatsoever. I feel more people are outliers to gender expectation than we care to admit and it's disappointing the way cis-people deny that.
Hope this wasn't too long winded, I value your writing and perspective, and wanted to hear more of your thoughts on this.
Yeah, well so many things all get conflated by gender labels, and it's all so personal, you know? Masculinity does not have to mean maleness, and a person's gender identity might be a reflection of some innate quality they experience themselves as having, or a general summary of their tendencies, or their desired presentation, or their sense of affinity with other people, or an interpersonal tool, or something they just go along with because it was given to them by society, or any other number of things.
I think my recent substack piece on detransition goes into this pretty well, and I have an upcoming piece of what @pastimperfection calls "bilateral dysphoria" that comes out next week that delves into it too.
I think I mostly saw taking on a male identity as a means to an end more than any kind of innate reflection of who I was, though I did feel an affinity with effeminate men for a lot of reasons. I think I also discounted how much I have in common with my fellow nonbinary people of all stripes, because that identity became so strongly associated with being an annoying type of queer person that everybody else just wrote off as ultimately being their assigned gender at birth anyway no matter how much they protested. it doesn't help that 'nonbinary' is a catchall term for literally thousands if not millions of very distinct experiences and desires.
transitioning gave me control over how i was perceived, finally, but hormones are a throttle that only go in one very specific direction, and you don't really have all that much control over which changes kick in at which times and what people will make of you once you do start registering to them as some identity other than what you were first saddled with. it's an incredible gift to be able to toggle that throttle. but it's limited, not because medical transition isn't incredible and needed for so many, but because there is no escaping the goddamned binary cissexist logic that influences everything about how people treat you, how you navigate institutions, who finds you desirable and what they want out of you, and so much else.
if you're able to cast a lot of the external societal bullshit aside and feel strong in your maleness, maybe you're stronger than me or maybe our orientation to these things is just different, i don't know. i was never all that sensitive to feedback that i was doing the whole being-a-woman-thing all that wrong. i reveled in violating those rules to an extent. succeeding at being a woman despite my best attempts was what felt super dysphoric. and now i guess im succeeding at being a man, insofar as im always read as one, and it feels just as uncomfortable and objectifying and false. i thought that with manhood i could probably just grit my teeth and deal with it, but i'm finding that i can't.
ive always been very open that for me, gender is a thing I Do, and i guess to those who know me well it wouldnt be surprising to hear that i have gotten tired of Doing Being a Man and dont feel like playing that particular gendered game anymore. I tend to get bored of things! and find the flaws in things. and find my comfort in being fault-finding and contrarian and not being a joiner. and thats okay. i learned a lot along the way. not having to try any more is a huge relief. i can just do whatever. and know actively that people will more often than not be wrong in what they make of me.
maybe it was natural feeling for you to decidely 'know' your maleness without a care for masculine standards because that is the right identity for you! and maybe i only feel secure in the "not knowing" realm and in letting go of what people think of me or finding any kind of tidy categorization for it because that's the right spot for me. for now. until i find a new interesting way to be unhappy and striving for more and different again. :) that's just part of being alive, for me.
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I've been wanting to do this forever so why not now
RATING SPYRO'S MODELS IN EACH GAME (these are the models themselves, not like his designs outside of the games in like promotional materials and stuff. That may be a later post idk yet)
Spyro 1
The classic Spyro design. The small line of blue scales. The little yellow gradient on his cheeks and snout in cutscenes. The brown horns and big, expressive eyes. Oh yeah, this is prime Spyro right here. Will take points because the wings are very small and awkwardly shaped, which to be fair it is 1998 playstation so like. What can you do.
9/10
Spyro 2/3
Now this? This is perfection here. Takes everything the Spyro 1 model does and does it better. Still has the little blue scales I love so much and the brown horns, but with much better wing shape and size. Top tier Spyro model. Might be my favorite of all of them, even.
10/10
Spyro: Enter the Dragonfly
I like how they decided to texture in more scales during the jump from ps1 to ps2. Sadly this may be the only thing i like about this model. It's not the worst thing i've ever seen, but it looks so... gummy? Some of the details look kind of odd to me, like the yellow claws and unevenly spaced lines along his chest. This also removed the blue scales lining around his underbelly and adds the yellow horns which I'm not crazy about. A few points for still trying to be mostly loyal to the ps1 designs shape wise.
5/10
Spyro: A Hero's Tail
Now this is a pretty good improvement from the enter the dragonfly model. I'm not crazy about the snout shape, looks a bit too round and i think the nostrils are a bit too high on his face, but overall a good spyro! the introduction of the purple eyes is cool too (personally im a red eyed spyro truther but still)
7/10
Spyro: Shadow Legacy
HAHAHAHHAHAHAHHAHA HOLY FUCK HAHAHHAHA. okay okay okay to be fair this one is a ds game and spyro himself is suuuuper small on the screen so like. of course he'd be low poly. does get some points for spyro having sharper and more mean features. though you probably wouldn't notice in the game
4/10
Legends Spyro New Beginning/Eternal Night
Might be nostalgia talking but I actually still really like this design. I like his snout shape and more lightning bolt shaped horns, and i find his head and back spikes kinda cool, even if i like the classic shape of them better, it works for this design. His horns are a tad bit more brownish (it's more visible in the game), which you know I love. This spyro is overall very cute!! Maybe a bit too cute, but I enjoy him
8/10
Legends Spyro Dawn of the Dragon
I don't. like him.
the back legs look fucked up, the wings are way too thick at the base by the shoulders and then they're so small but then get so long by the end. i like the little added scales along his underbelly. that's about it. you would think taking the previous model and making him older would be easy but i guess not. a point because you can tell he's older and if you only look at his head the model is nice. not the rest though. god.
2/10
Skylanders
This might be controversial but i dont care. i actually like the skylanders spyro design. he leans more into the cool factor than cute, which i can appreciate, and he kinda reminds me of a pug a little bit and i really like pugs. he's got kind of a beast/monster factor i really like. i love love love the horn shape and the big claws, and the yellow claws dont even look awkward here!! the red eyes really pop too! i think he's really fun
7/10
side note i also LOVE spyro's design in the skylanders show too ESPECIALLY HIS COLORING LOOK HOW NICE HE LOOKS it takes the best parts of the game model and improves it. i know this isn't from the game but it's too good not to include.
9/10
Spyro Reignited
I do really really really love this model, it's near perfect. perfectly balances the cute/coolness factor. the shapes are all good, the wings are small but not too small. love the darker scales across his body. his little thumbs are so fun too. honestly this is the best they could have done for a remodel of the first 3 games. only taking off a point because im not crazy about the colors, i prefer the darker purples and brown horns.
9/10
BONUS: CRASH ON THE RUN
Im so torn on this one because on one hand the cartoony stylization really works in these models. i love the bigger snout, i think it's fun, and i LOVE LOVE LOVE taking his head spikes and kind of splitting them up like hair. that's so fun! but on the negative end I HATE THE WAY HIS FEET LOOK SO MUCH OH MY GOD. they're like wretched lumps of clay with little claws jammed into them. granted this was for a mobile app BUT STILL. the feet really just fuck me up a lot
6/10
Okay that is all thanks for reading <3 maybe next time i'll rate spyro renders or something <3
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Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*
But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.
They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.
My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.
As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.
Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.
*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)
Anyway.
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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i think most people need to expand their idea of art so dipshits can stop saying ai art is actually good for physically disabled people who cant do art. what do you mean when you say art? can we ask that question? if you say that word and all you mean is a pretty portrait or an oil painting, then you need to open yourself up.
art at a base level is just something you made with some kind of strong emotion – some kind of passion – behind it. yes a hyper rendered portrait can still be art. a sketchy pen drawing is art. a mess of colors making shapes on a canvas is art. painting a huge canvas in paintstakingly light layers of a single color so that the end result is perfectly smooth is art.
a song on the speakers in a store is art. an underground indie song you love is art. singing a single sentence song with small children is art. voice acting is art. beading is art. jewlery is art. decorating your home is art. making a house or a person in the sims is art. making dumb ass tiktoks can be art. stuffed animals are art. resin crafting is art. sculpting is art. making little dioramas is art. collecting and cleaning dolls and figures is art. meticulously organizing your desktop and phone layouts is art. getting bored and spraypainting a shelf a new color is art. writing about your favorite show, whether theories or as a fanfiction, is art.
technology is art. engineering is art. architecture is art. science is art. sewing, modding, dress up games, hoke renovations, dancing, singing, fingerpainting, cooking, cross stitching, baking, making a blog or an essay about something you love, or hate, cmor care about, dearly, rearranging store shelves, crochet, making people laugh, icing a box mix cake, the way scientists talk about their field, literary analysis, printing shirts, personalizing your car, sex work, editing a picture to print, scrapbooking, getting really into planners, putting stickers on your things. its all art
when i say ai art isnt art, and it isnt a good tool for disabled people to make art. im not saying you have to be like me, who is physically disabled, and fingerpaint or that you have to learn to paint and draw with your mouth or toes or whatever. i mean art is something you are passionate about, and you need to find the kind of art that speaks to you and lets you express yourself. if that means you push your disabled (or abled) body to draw portraits of people like yours truly, then thats wonderful. if that just is not your art, thats wonderful too. theres so much out there to try.
you dont have to limit yourself to the first kind of art that pops in your head when you hear the word. and always remember. it doesnt have to be good or marketable. it just has to be yours
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