i have to say seeing how popular jem is now, knowing he hasn't always been, is SO reassuring and relieving. not because other characters aren't great or have good values, but because it means jem's standout qualities – things like kindness, compassion, gentleness, being thoughtful – are being appreciated and seen as more important and that's SUCH a good thing. especially knowing ya's history of pushing forward the toxic-cocky-mysterious bad boy agenda… we're finally putting qualities like kindness above that, which is a really positive step forward. i know it's more nuanced than this, and tsc's characters are far more nuanced (jem's sole trait isn't being kind, for instance) but he wasn't always appreciated this much and as a longtime jem fan i truly love to see it. i grew up reading books where the mc always went for the mysterious bad boy character – ruder, testy, provocative – and often these characters were more popular because being kind was seen as 'boring' or meant you could only ever be in the friendzone. jem was one of the first characters i read who had this really horrible backstory, but throughout everything was genuinely just kind. it's really wonderful to see so many people appreciating that :)
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"gifs = art" could you please elaborate on that besides the skill that goes into it?
🫥 i have no idea why people are looking to me to explain something that has been repeated by many gifmakers and content creators for *years* and should be common sense anyways but...
beyond the skill that goes into gifmaking (the time it takes, the practice required, etc.) the different colorings, typography, blending and other proccesses that some gifmakers use in their creations absolutely can and should be considered an artform. look no further than the gorgeous gifsets some of my very talented mutuals have made:
@yenvengerberg becca's colorful sets are art as far as i'm concerned! like just look at this. she transforms the media she gifs and makes it look completely unreal in terms of sheer beauty and creativity.
@sith-maul one of the best creators on this site. nik is just so so talented. everything she creates is so stunning; you can't look at a set like this, for example, and tell me that it isn't art.
@hoe-biwan again, everything that flo posts is beyond incredible. i don't even watch star wars and i still silently nod my head and gape in awe when one of her sw sets is on my dash. just scroll through the comic book-inspired sets flo's made!!! that's art <3
@buffysummers ok alexandra is such a talented creator and a HUGE inspiration for me when i started giffing years ago. her eye for coloring and scene picking is out of this world! this is a recent set of hers that i particularly adore.
these are just a few examples, but if you scroll through my own blog or the various edit tags for fandoms, you would see more of what i'm talking about. there are so many talented gifmakers and editors on this site who take time out of their busy lives to create for us, and it breaks my heart when their work is discredited or disregarded or underappreciated. for their work to be invalidated and not considered art when it very much is? not only is it rude, it further demotivates creators from contributing to the site and makes them feel like nothing they create is good enough - believe me, i know that feeling all too well.
i've made extremely detailed and color-specific sets before like these, and it took me 3-4 WEEKS. EACH. i'm not exaggerating in the slightest. and since posting them, they've already been reposted here on tumblr and on other sites like pinterest, twitter, instagram, etc. if you even have like a shred of empathy you can understand why that would anger and upset me.
i don't know why people assume that gifmakers copy and paste the same 5 settings on their gifs, export them, and call it a day - it's not that simple at all. so much more goes into making gifs, and the majority of people on this site continue to laugh in our faces, steal the edits we spent so much time and energy on, belittle our work and claim that it isn't art (and friendly reminder! we do this free of charge and ask for nothing in return beyond clicking the reblog button, and so many of you can't even do that much). i shouldn't have to sit here and validate any of that - the creations should speak for themselves. you consider fanvids, fanart and graphics "art" - so why not gifs, which make up the majority of the edits on this site and, in theory, help foster/sustain discussion and fandom?
reposters all run up and down claiming that gifmaking "isn't that difficult" with zero experience... yet if they tried it themselves, they would know that's so far from the truth. and they DO know that deep down, or they wouldn't steal our gifs from us in the first place if gifs were that easy to make 💀
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The way Boston visibly loses his confidence in the second half of ep 12 and never gets it back. Idk how that made me feel but it made me feel some way.
actually you know what it’s not lack of confidence exactly it’s. It's UNCERTAINTY (with a bit of guilt and hurt feelings mixed in.)
he’s left with questions. he's uncomfortable. he's at the end of one thing and the start of the next... he's had some self reflection. he's had some honest conversations with nick. he's offered to be better for his friends—or try to be. he's gone through the process of feeling awful about how he ruins things and treats people: unlike everyone else. it's a sad moment, but he is, essentially, at the beginning of a journey about growth? (echoed by Nick, who leaves in order to find himself again—to love himself and think more deeply about his choices.)
the whole ofts gang has been THROUGH it. lord knows Boston has been THROUGH it. and now he’s feeling the weight—and recognizing the weight— while everyone goes on to confidently ruin their lives again. (hi mix :D)
anyway I hope Ton and Nick succeed in moving forward.
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there's this thing my tumblr app does sometimes that i like to call getting stuck in a time loop, where i will be scrolling for a very long time on my dash and eventually i guess the app just fucking gives up on loading the older posts that i have reached and instead just seamlessly loads the newest posts, the ones that would be at the top of my dash if i were to refresh. and i don't always notice until i get to the "you've caught up" banner that comes right before the posts i had first started on. so despite being miles deep in my dash, i'm right where i first began. and i have to scroll scroll scroll so fucking far through all these same posts again to actually get it back to where the error occured, where this time it correctly loads the older posts that i haven't seen yet.
anyway it used to just happen every so often but recently it's been happening more and more (twice so far today) and it's really fucking annoying. i'm curious if anyone else has experienced this.
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Odd things in Shou's room. #1
Shou's room doesn't look anything out of your regular teenager, stray clothes, posters on the walls, gaming consoles and unorganized school books, with a touch of his hobbies here and there, painter tools, sketch books, large canvas frames, drawings on papers sticking out from between school notes and manga magazines, but never any art on the walls. A quick in and out wouldn't give you an impression of anything out of ordinary, but once one makes their place in Shou's life, once he allows them in, they get to notice relics he isn't exactly proud of, marks that Claw left, ironically.
Under his bed and out of sight, there is a bunch of notebooks, old worns out colorful notebooks, completely filled with notes collected from his last three years of work with Claw, his job as his father's "errands boy" paid off in the form of rich intel that he made sure to jot down to remember. His job technically involved keep an eye on the various Claw divisions, and since he was planning to tear down the whole thing to the ground, he made sure to get valuable information with each visit, ie; location of the bases, names of their scars and their division leaders, their powers, their sponsors, from where do they get supplies and where do they keep them, their various connections to businesses, contractors, black market dealers, and even state employees who were paid to look the other way while Claw did their things, and many many other things that even Claw's boss wasn't aware of.
The notes are difficult to make sense of for anyone who isn't Shou, scribbles in his terrible handwriting and 40% inaccurate kanji, there's no date of eneries to organize anything unless it's specifically important, and everything is rather ordered by themes and events related to each piece of information. There are also personal notes accumulated by times, alongside newspapers snippets for evidence and sacred files he got his hands on and attached them to the notebook accordingly. On the margins, doodles can be found, of his first hamster, of Fukuda, then Ootsuki, and then all three of them as Higashio joined on the latest of his notes. There are drawings from nature as well, miserable seagulls from a stormy day he spent at the beach, careful rabbits from a snowy day he spent on the mountains, the amount of personal art is actually embarrassing to him, he isn't comfortable showing his notes to anyone.
When Claw was dismantled and the government went on a spree of scoping up targets and victims, Shou spent the night before his interrogation with government agents in organizing his notes as much as he can, going through everything from start to finish, adding more details as he remembered, and highlighting what he recognized as anything the government would deem useful. After making sure his precious notes were ready, thoughtful and determined and tired, he started making a list of names, jotting down as many as he remembered, leaving it for a while because he was suffering meltdowns because holy shit a lot was happening, then coming back with more and more names, it didn't take long for the list to accommodate several papers.
These were the names of everyone who has stumbled into Claw by accident, or were kidnapped by force, anyone who wanted out and couldn't just simply leave, people just like himself, who would have happily helped annihilating Claw if they had a chance. Like his lackeys who actually helped, or brainwashed children like Mukai, or older people whom he knows had good intentions but little to no say in anything, acquaintances from whom he learnt miserable stories, people who wanted to live their lives and wake up from the Nightmare that was life with Claw. People who certainly didn't deserve to be put in jail after Claw was over.
Despite being repeatedly told that his interrogation wasn't one for negotiating, Shou refused to speak a word of anything valuable unless every single person in his list is confirmed to left alone and safe, the agents claimed such a thing wasn't plausible, and Shou wasn't having it, a lot of things weren't going his way lately, he certainly didn't have patience for yet another situation he can't control. He put his notebooks on the table, and after making sure the government became aware of how they really need such information (he made an example by giving them everything he knows about one of the divisions), he threatened to burn everything right then and there and claimed that they'd have to torture him if they wish to get anything, if they can defeat him at first, that is.
Shou might have failed to actively take down his dad, but that didn't stop him from doing everything in his power to save whoever he knew was innocent, at the end the government had no choice but to accept the trade, with the condition that Shou would be available to help identifying people, which he gladly agreed to.
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