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#leon klimovsky
ladamarossa · 27 days
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A Dragonfly for Each Corpse (1975)
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doe-eyedwerewolf · 7 months
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The Werewolf Versus The Vampire Woman (1971)
dir. by León Klimovsky
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gatutor · 9 months
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Carmen Sevilla-Gino Cervi "Los amantes del desierto" 1957, de Goffredo Alessandrini, Fernando Cerchio, Leon Klimovsky, Gianni Vernuccio.
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shiningwizard · 1 month
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A Dragonfly for Each Corpse (Leon Klimovsky, 1975)
Which sexually disfunctional, mother-hating psychopath going around killing temptingly deviant Milanese does Paul Naschy have to corner this time? A killer who leaves a dragonfly on each corpse, no less. Some of the most garish apartment interiors put on film, but all in all a humdrum giallo on rails.
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cleoenfaserum · 6 months
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El túnel (1952)Ernesto Sábato
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No a todo el mundo le gusta leer. Por eso existen otras opciones, como por ejemplo, convertir el libro en una película. Muchas veces el libro pasa desapercibida convertido simplemente en una película mas. La cuestión es que el libro tiene que transformarse en guion, y el guion en imágenes surgido de la imaginación del escritor plasmado a través de la imaginación del director de la película y el resultado final no lo conocería ni su propia madre. Recuerdo a una estudiante que tuve que odiaba leer hasta que le enseñe en dos clases de una hora como interpretar y visualizar lo que leía en imagines que inducia a la imaginación. El cambio fue casi dramático. También existe la opción de audio-libro, que es la opción que mas me gusta, y llevándolo a lo superlativo, leer el texto a la vez que lo escuchas. Toda estas divagaciones mías obedecen a una compulsión de escribir porque con ello me hablo a mi mismo creando historias como soñando despierto sin volverme loco, aunque a veces me he escuchado hablándome en voz alta, solo. ¡Que horror!
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El túnel es una película argentina película dramática en blanco y negro de 1952 dirigida por León Klimovsky sobre su propio guion escrito en colaboración con Ernesto Sabato, y basada en la novela homónima de Sabato. (Wikipedia)
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792-1 https://youtu.be/cc44RQi16fI (La soledad consume, la soledad absorbe. La soledad te completa y te hace sentir incompleto. El viaje dentro de este sentir impresiona y trastorna, vida y muerte no se dividen entre sí respiramos o no, se divide entre los que se sienten solos (muertos) y los que no (vivos). Video: Hassler Resillas Música: Mariano Martínez
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792-2 https://youtu.be/1oVhsGwV0HU
Director: León Klimovsky. Argentina. 1952. El guion fue escrito por el mismo Sabato. El túnel (1952) - IMDb valoración: 6.4
Sumergido en un lento proceso de locura, un joven pintor maquina la muerte de la mujer que ama y cuya infidelidad sospecha.
792-2 https://ok.ru/video/3184578923032
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AUDIO-LIBRO
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792-3 https://youtu.be/E1fzgw5KgFI
EL LIBRO EN PDF: El túnel- Ernesto Sábato.pdf - Google Drive
792 NOTAS
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Hay otra versión fílmica de la novela, El túnel (1988), producida en España y dirigida por Antonio Drove –quien rodó en 1987 en Buenos Aires y en Madrid–, la cual es protagonizada por Jane Seymour y Peter Weller y es hablada en inglés.
792-4 https://ok.ru/video/6087081855628
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petty-crush · 2 years
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Notes on the New Bev Horror a thon 2022
Once again, one of my favorite times of the year has arrived. Where I go into a theatre for 12 hours and coming out full of mirth and spookiness.
For the first time since COVID, the full six mystery horror films are back. It is a dizzying high.
But there is also a variant; instead of the usual 7pm-7am schedule, this year it was 2pm to 2am.
I personally loved this change. I could go and eat at a diner and talk the films with my friends and not feel half dead.
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The films were
1-Nightmare Beach (Umberto Kenzi, 1989)
2-The People who Own the Dark (Leon Klimovsky, 1976)
3-The Black Scorpion (Edward Ludwig, 1957)
4-I, Madman (Tibor Takacs 1989)
5-Hell of the Living Dead (Bruno Mattei, 1980)
6-Sorority Row (Stewart Handler, 2009)
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Of course there is a different vibe to watching these all in a row (with no idea what the film is before it unspools) then watching them individually
“Nightmare Beach”, for example, has a largely silent intro (with no film company credits) that bursts into a totally jarring girl power song. It had us all in disbelief, and was a great way to start the night.
“Sorority Row” now has the title of most recent film to be included (beating by one year last marathon’s excellent “Ruins” from 2008), and it was beyond strange to see trailers for 2000 remakes after all the 70s/80s grind house goodness.
Even the co presenter Phil noted “There is some discussion over this film. I’ll just say..it’s good!” (I agree)
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One of the great moments was when this trailer had praise for the film from Tobe Hooper ... but pronounced his name wrong!
There was a wave of disbelieving laughter, then a lusty smattering of boos (and a few “Fuck you!”’s)
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I really enjoyed “people who own the dark”. It was creepy and unnerving, and had scenes where I had no idea where it was going.
Spanish horror through and through
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In truth, “Nightmare Beach” and it were the two strongest films (to my palette) and the high point of the evening.
[The rest were mostly fine, but these two I will revisit and easily recommend]
Which was extra funny because, since the earlier start time, an associate of mine missed them both.
Oh well, so it goes.
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“Black scorpion” was marvelous in that it contained Willis O’Brien stop motion, and had a fun lead from the human villain of “Creature from the black lagoon”.
Something about watching that stop motion in dream flurry after two other films really made it stood out
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“I, Madman”...is a film about what is reality and what is fiction.
I always respect these kind of films more than I actually like them. “Wes Craven’s New Nightmare” also is like this to me, I just can’t absorb it, and it keeps me at a distance.
It’s clearly well made but passed through me with no effect
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“Hell of the living dead” had two purposes to me
The first to underline how fucking awesome “Dawn of the Dead” is.
Because this had a similar premise, even the same Goblin score, but had none of the impact to me.
The second was to make me grateful the marathon was not overnight, because I still fell asleep at times during this film. It just largely bored me.
Maybe it was the dubbing, because so much situational dialogue repeated in a super irritating way, with no personality.
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Honestly, if it was four film marathon, “madman” and “hell” would have been cut by me.
Others like them though, so I recognize my taste is my own.
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“Sorority Row” ended the night strong. The programmers have a thing for slashers and this one really held up. It was notable how it was the extras (not the meads) showing all the boobs though.
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As I left, I received a pin saying “I survived”
Despite some sleepy points, the experience was truly special. It had laughter with friends I’ve now known from that theatre for years and delicious food snacks (one of the regulars had their girlfriend make us all sourdough pesto grilled cheese, which was fucking delightful and really need 2/3s of the way through)
No film, let alone six, are all high points, and to go on this wild boat ride with ups and downs was something I look forward to every year for a reason, it’s just a blast.
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relampagos · 2 years
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‘Último deseo’.- Leon Klimovsky (1976). IMDb. Filmaffinity.
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weirdlookindog · 1 year
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La rebelión de las muertas (1973) - German poster
AKA Vengeance of the Zombies; Zombi V: Vengeance; Walk of the Dead; Vengeance of the Female Zombies; The Rebellion of the Dead Women; Revolt of the Dead Ones
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ladamarossa · 27 days
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Erika Blanc in A Dragonfly for Each Corpse (1975)
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atomic-chronoscaph · 3 years
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The Werewolf vs. The Vampire Woman (1971)
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The Dracula Saga | 1973
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roserosette · 5 years
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The Strange Love of the Vampires, 1975, Leon Klimovsky
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snowyoghurt · 7 years
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La noche de Walpurgis/ León Klimovsky/ 1971
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spectacletheater · 7 years
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Our May Naschy selection has the great Spanish genre shapeshifter in a characteristically uncharacteristic role: police investigator.
SATURDAY, MAY 13 – MIDNIGHT SATURDAY, MAY 27 – MIDNIGHT
Timeless poster design from Henri de Corinth, available on our etsy.
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weirdlookindog · 1 year
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Dr. Jekyll y el Hombre Lobo (1972) Spanish Poster
AKA Dr. Jekyll vs. the Werewolf, Dr. Jekyll vs. the Wolfman, Dr Jekyll and the Wolfman, Doctor Jekyll and the Werewolf
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movieposters · 7 years
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La rebelión de las muertas / Vengeance of the Zombies aka The Rebellion of the Dead Women (1973), León Klimovsky
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