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#lorelai and jess gets along so well and realize they’re literally the same
emmafallsinlove · 1 year
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sometimes i’m thinking how much different the plot to s4-s7 could have been if jess and rory were endgame and im losing my mind over it
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mantra4ia · 3 years
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I vote to petition for Gilmore Girls: A Year in the Life Part 2 so that we can get a full circle companion piece to the Jam Hands / mom's group at the diner episodes where we can see Luke with Rory's baby or toddler purposefully spoiling the kid with treats — making sure their hands are sticky— and then handing them to people like Taylor Dosey without warning.
...
Jam Hands
[Next door at the soda shoppe: Dosey hands the kid back to Luke with a wholesome smile trying to hide how irked he is that there's a new abstract chocolate gelato masterpiece on his freshly washed windows. He'll have a field day in about 30 minutes when he realizes that the back of his white sweater was also the paint palette]
Luke: "I'll admit when I'm wrong, jam hands are immensely satisfying."
Lorelai: "I could have sworn you were going to say jam hands are handy."
Luke: "Give me some credit for creativity."
[They enter Luke's diner and have a seat at the counter as Luke bounces the tot on his knee and Lorelai takes and upon herself to serve them rather than interrupt play and gloat time.]
Lorelai: "Says the man who owns and regularly adorns standard issue flannel shirts older than my daughter."
Luke: "I guess I could retire one or two if, as you say, they're practically historic."
Lorelai: "Don't tease me if you don't mean it."
Luke: "I think they should stay in the family though."
Lorelai: "Especially since you haven't had them appraised yet. Mrs. Kim might offer you a pretty penny for vintage diner attire..."
Luke: "Hardly, that woman drives a mean bargain."
Lorelai: "Ha! It gives new meaning to the phrase 'she'll take the clothes right off your back.'"
Luke: "Maybe I'll send a few to Liz, she can make them into some patchwork kids blankets. Not that Rory hasn't already taken care of all that, but what's a few extra for the car or laundry day when every last blanket is in the hamper covered in spit and cereal..."
Lorelai: "Oh, Luke. That's so sweet. Rory will love it."
Luke: "You think so?"
Lorelai: "Absolutely. I take it back, the Danes family are the great creative masters of our time..."
Luke: "Stop it..."
Lorelai: "The modern Mozarts of munchkins. The Beethoven of blankets..."
Luke: "Hey, will you go to the back and tell Cesar to send me out a plate of applesauce?"
Lorelai: "Feeling peckish?"
Luke: "No, I'm going to teach Amelia the time- honored Danes tradition of finger painting with food, and then I'm siccing her on Kirk. He's been hogging that table for an hour and he's still nursing the same donut. Applesauce please?"
Lorelai: "Only if we can swing by the inn later. I get dibs on Michel next."
Luke: "Wow, that counter offer was too easy. You're no Mrs. Kim."
Lorelai: "To be fair, the woman has an unparalleled reputation which she will uphold until long after we're both senile in a nice home or having Rory and Jess keep us out of trouble."
Luke: "Deal. To Michel, not the old folks home. Although, the alternative of Jess keeping an eye on us in my golden curmudgeon years is equally horrifying."
Lorelai: "I like this for us."
Luke: "Then I'll let you break it to Rory that she may not see Amelia again until she graduates college."
Lorelai: "Well then mister, you better be willing to put some tuition where your mouth is!" She says in dramatic jest.
Luke: "It's taken care of," he says matter-of-factly like a stone cold sniper or a mafia don, in comical contrast to the funny faces he's pulling as Amelia tries flailingly to reach for his baseball cap.
[Lorelei stops mid stride with a plate of applesauce in one hand and a bib in the other, mouth agape]
Lorelai: "Luke, you didn't..."
Luke: "You should think about closing that tunnel before someone, I'm not saying who but someone, gets the bright idea to stick a vegetable in there, you petrify on that spot, and Taylor opens up a new Stars Hollow tourist attraction of the crazy caffeine lady with a severe allergy to chlorophyll."
Lorelai: "Lucas..."
Luke: "Lorelai, I opened up a savings fund the same day that Rory told me she was having a baby. You remember? The day I came home and switched all the coffee in your house to decaf, and you begrudgingly went along with it to show support even though you made 'Winter is Here' jokes for a whole month. It's settled."
[Lorelai sets the plate down wordlessly and Luke begins to hand-over-hand finger paint with Amelia]
Luke: "No snappy rebuttal?"
Lorelai: "You know I had a dream once, not in the great Martin Luther King way, a literal dream that you were a coffee thief in my kitchen, only Rory was me, or rather I was in Rory's shoes, and there was not one kid but rather a matching set, a two for one diner special, Sid and Nancy..."
Luke: "Is this a stream of consciousness or should what you're talking about make profound sense to me?"
Lorelai: "Not a clue." She wipes the shmear of applesauce from Luke's cheek, then thinks fast, presses it to his lip, and kisses him fiercely by surprise, watching his face turn cherry.
Luke: [at a momentary loss for words] "Well then. Maybe ask Rory if there's a Sid somewhere in her future."
Lorelai: "I'll have my lawyers at the Gilmore Group draw up the paperwork for co-custody."
Luke: "I thought the Gilmore Group handled insurance projections."
Lorelai: "It helps that I know a guy, who knows a gal, who knows the CEO. It'll probably be the most amicable custody case they've ever handled."
Luke: "Or the only one..."
Lorelai: "Kirk," Lorelai hoists a primed, jam hands Amelia off Luke's lap and marches across the diner with a sing-song voice, "I have an aspiring indi film fan in the making who is just insistent on your autograph. Practically in a fuss. I don't seem to have a pen, but I do have fruit sauce."
Luke: [watches her swagger from behind and considers offering her a pen as he has following a dozen diner jokes before, except he wouldn't miss Kirk squirm for all the world. ] "Yeah, I like this for us."
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sunsetcurveofficial · 4 years
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fics by yours truly
sometimes i write. you can find me on ao3 here. this is a list of all my most relevant fics. there are some ouat/cs and doctor who/tenrose ones to be found on my ao3 as well, though. 
Merlin/Merthur:
golden as i open my eyes
The Once and Future King shall unite the lands of Albion and bring magic back to the kingdom, they'd said. But then Arthur had died before any of that could come to pass and Merlin had to make the easy choice to bring him back by giving him half of his own remaining lifespan. Well, he might have miscalculated a bit. So there they were, on the verge of a golden age, and the possibilities suddenly seemed limitless. The story they were a part of had just taken a different turn.
Words: 16,404; Rating: M
Love, Merlin
Merlin and Arthur have been best friends since they were kids, but even though they’re inseparable, life always seems to be getting in their way, separating them against their will. Timing, fate, and life itself seem to have conspired against them and when it comes to love, there always seems to be someone else. Will they ever get their timing right and both realize that they were meant to be together since the beginning of time (quite literally), and that even across time and space, the bond they share can never be severed? A tale of magic, friendship, family, and a love that outlasts centuries.
(Love Rosie AU)
Words: 66,823; Rating: M
Dreams Don’t Turn To Dust
In a world where every person starts dreaming about their soulmate on the day of their 16th birthday, Prince Arthur is expected to be the soulmate of a beautiful princess. But when the big day finally rolls around, it turns out that his true soulmate is as far from a beautiful princess as one could get… a peasant boy with magic.
Words: 4221; Rating: T
Podfic read by me: [Podfic] Dreams Don't Turn To Dust
The Frog King
Arthur gets turned into a frog when he tries to protect Merlin from Morgana, and there’s only one way to reverse the spell.
Words: 3105; Rating: T
Sleepyhead
Merlin has a habit of falling asleep after sex and Arthur loves teasing him for it. That is, until a very sleepy Merlin accidentally proposes to him one night… or does he?
Words: 1874; Rating: M
Of Bumbling Fools and Awkward Nights
At the end of the day real life just wasn’t like the movies, and it wasn’t like fancy novels loved to describe it.
In which Merlin is clumsy, Arthur farts, and their first night together just isn’t quite like either of them expected.
Words: 2245; Rating: M
Worth It
Sometimes Merlin thought about that first night in the pub, when he’d been sure that putting up with Arthur Pendragon wasn’t worth any possible benefit that might come from it at all. Looking at the wide and shining smile in front of him now, he knew it had been worth it after all; all of it.
Words: 2921; Rating: T
With All My Heart And Soul
Arthur couldn’t believe that it had taken him an awful lot of alcohol on multiple occasions to finally get to this point. Well, that, and a firm kick in the arse by Gwaine, who probably had planned it all out all along and was smirking smugly to himself now.
Words: 8112; Rating: M
Nothing but the Truth
After almost eight years of being Arthur’s manservant and friend, Merlin was pretty certain that he’d seen almost everything and that nothing could truly surprise him anymore. Goblins, trolls, love spells, donkeys - he’d seen it all. But nothing could have prepared him for this: Arthur under the influence of a truth serum that showed them all just how much the king liked to keep to himself. Usually.
Words: 7363; Rating: T
Harry Potter/Drarry:
Antidote 
Harry and Draco are ex-bandmates, formerly the two most popular members of the world's most successful boyband of their time, Diagon Alley. What nobody knows? They are also ex-lovers, who haven't seen each other in 3 years, ever since Draco left the band. Unknowingly, they've been invited to the same event, where they inevitably run into each other and both realise that they're far from over that thing they had. Turns out that you can only run for so long until you run out of breath and that every secret has a habit of coming out eventually.
Words: about 37k when it’s complete; Rating: M
High on Our History
Sometimes a single decision can change your whole history. Sometimes a simple question and a little bit of insistence can make all the difference. Sometimes all you need is someone who thinks you deserve a second chance. 
Draco nearly crumbles under the weight of the Dark Mark and the task he has been given. It’s like a constant weight on his shoulders that just would not let him breathe, would not budge, no matter how hard he tries. But there is another constant during his horrendous sixth year at Hogwarts, always around a corner, always watching: Potter. And Potter seems hellbent on saving him.
Words: 72,736; Rating: M
Gilmore Girls/Literati: 
Nice Little Place in the Stars
“Oh my god,” Lorelai announced as she put down the new chapter of Rory’s manuscript. Rory frowned at her, eyebrows raised in question. “You’re still in love with him. You realize that, don't you, honey? You’re still in love with Jess.” Rory sunk back into her chair as the realisation dawned on her that Lorelai was right. She’d known, deep down, but having her mother confront her like that with the truth… 
“Oh my god!” She jumped up, her hands nervously rubbing over her growing belly as she started pacing. “Oh my god! I’m in love with Jess! I love Jess. I’m still in love with him.”
Words: 10,579; Rating: T
more to come and be added soon <3 
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lovelylogans · 4 years
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Can I ask for more Rory salt? Right after finishing the show I didn't realize why everyone was so upset about her but now that I've rewatched I kind of understand. I'd like to hear more about your opinions on her! (Mostly bc I have 2 braincells so stuff like that flies over my head lol)
okay, granted, a Fair amount of my salt comes from the perspective of a journalism student, ie who they’re trying to portray, and also like. someone at a similar Point in their life, so. here we go. rory Salt.
like i will say she isn’t like, bonafide the Worst Character of all time, but like...... okay. like. this tracks back to one of my original and largest gripes with gilmore girls, and also a large reason of why i like the earlier seasons better than the later ones.
this post explains it very well; the early seasons (and first episodes) of gilmore girls seem to promise healing, moving forward, bettering familial relationships. the actuality of gilmore girls is the repetition of mistakes and things continuing in cycles, and often getting worse.
so, like. rory. rory’s character is established as this sweet, innocent, naive kid, with a fairly decent work ethic and big dreams to aspire to journalism and a certain level of fame (like christine amanpour, i think was the journalist she mentioned in the first day at chilton ep?) she’s smart, quiet, beginning to establish a relationship with her parents, but still a bit uncomfortable within the realm of chilton/privilege—i think this is best exemplified within the debutante episode, in which she’s uncomfortable with the premise, but goes through with it for the sake of making emily happy. same with the golfing episode with richard—she has zero interest in golf, but she gets to spend a day with her grandfather, and she wants to establish that relationship with him.
but then there’s that thing kicking in, in which gilmore girls is essentially a cyclical tragedy; rory gradually becomes more confident in herself and her abilities (becoming valedictorian, going up against paris for the speech on cspan) and in her relationship with boys; she goes after jess, and, once he leaves, lets him go and eventually is like “you shouldn’t have left me. but i’m saying goodbye to you, on my terms.” i think that s3 is where her character is strongest; she’s still sweet and shy, but she has a bit of an edge. she’s caring toward her friends, she, sure, makes the occasional mistake, but she eventually rallies from them. that’s when i like rory’s character best.
rory starts her decline in season four. this dates back to the whole cyclical thing; she’s the one who goes to her grandparents for money, echoing the original premise of the show, and a cycle starts anew. she goes to another new, prestigious school (yale) where she’s pushed to new limits. 
but rory makes mistakes. she stands up for herself, yes, namely taylor when he pushes for her to be ice cream queen, but she also has a certain level of... entitlement, i suppose. like. let’s take “die, jerk.”
(i’m gonna go briefly into a journalistic tangent here, which is especially heaped by the fact i’ve been writing a lot of reviews lately. also, it applies.)
so, first of all, she takes her mom to her job. her mom. literally think about every other job in the world and, barring a “family day” at the office, please name a situation in which that’s acceptable. right? there’s basically no other situation in which that’s a thing you do when you’re being professional. (this is a repeated gripe, by the way; she often brings lorelai along. this could have been achieved with some phone calls where she hangs up and then does her job. but i digress. this goes into a whole rant on how women in journalism are portrayed in tv shows and other media, but seriously, i digress.)
then there’s the review itself. it’s mean.
“she has the grace of a drunken dock worker.” compared her to a hippo. “the roll around the bra strap,” the line about regretting how evolution had led man to stand on two feet because it led to this night. the ballerina comes to yell at her, which is wrong, but holy god, that never even should have been published. sure, it’s partially the fault of doyle, who as an editor should have stepped in, said, “rewrite the holy hell out of this,” and given her a talking-to on how reviewing should be about the performance and not body-shaming her, because yes you can give things a bad review but not to that level, but rory is the one who wrote it. and she only begins to seem apologetic when people start to react to it other than doyle; the ballerina, her mom, emily and richard. this happens a few times throughout—rory (and lorelai) never seem to realize how mean they can get until people start reacting to what they’re doing and saying. 
she’s willing to write those things, read them, have other people read them, and put them out into the public, and doesn’t even consider the potential ramifications that it could have had on not only the dancer, but the ballet performance (which gets shut down, in part due to rory’s review) the costumer, the crew, everyone involved. yes, bad reviews exist, and yes, they can be brutal, but they’re almost never so personally vindictive and mean. she says she’s writing her opinion. look at how harsh that opinion is.
that’s part of why my opinion of rory takes a decline; being mean. another part of it is a certain level of entitlement.
because the revival is on my brain lately, let’s talk revival stuff. making it as a freelance journalist is hard. it’s hard work. it isn’t for a lot of people. especially in new york city, where the industry is so competitive that finding a job in journalism is a whole Thing. rory has a piece in the new yorker (not bad!) and is writing a piece for gq (also not bad, not bad at all!) about people waiting in line for a certain event.
now. let’s take, like, season four/season five rory, who compiled like three separate PILES of research for a story that wasn’t even hers, worked hard enough at chilton, a highly academically competitive school, to get valedictorian. rory is portrayed as a hard worker. she does what’s necessary for the job and to improve.
revival? whoosh, out the window!
she falls asleep during an interview for the gq job. she continually jets off to london to go see logan. she’s completely unprepared for a job interview, having absolutely zero ideas for any stories, despite the fact that freelance journalists are almost always working multiple stories and coming up with new ideas so they can, y’know, get paid. chilton offers her a job as a teacher if she gets her masters, but she turns it down, which, on one hand, sure, follow your dreams, on the other, if you’re continually complaining that you’ll take a job, ANY job, and get a very good job handed to you on a silver platter with the potential for more growth post that job with the addition of your masters and DON’T TAKE IT?!?!?!
plus, in the job interview, when she doesn’t get it, UNDERSTANDABLY, she calls the interviewer angrily saying that the interviewer practically promised her the job, despite the fact that it was a PRELIMINARY JOB INTERVIEW and there are OTHER CANDIDATES who DEFINITELY AT LEAST HAD STORY IDEAS. no matter how impressive your resume is, you have to at least show that you’re trying, because the whole thing in journalism (esp for those breaking into a business) is that EVERYONE has an extensive resume. that’s part of why it’s so competitive.
and still complains that she’s broke, in addition to the trust fund that we know she received at 25, plus whatever money richard left her in his will. if she was broke, she’d be living entirely above her means—those continual trips to london, living in a sizeable one-bedroom apartment in NEW YORK CITY, going out to eat very often. 
and then just??? i could ramble more (the whole sleeping with a MARRIED DEAN thing, her partnership with logan, i could go back in and ramble about how the body-shaming is continual despite the fact that they frequently eat fattening foods and make fun of sports and are only so thin bc, well, tv magic, but also because they have Miraculous metabolisms, the way that they treat their friends, to some extent, but. yeah. here is some Rory Salt.)
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