#luke bradford | Explore Tumblr Posts and Blogs

fandom · 1 year

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Ships

If it's not canon, at least there's always fanfic.

Byler Will Byers & Mike Wheeler, Stranger Things

Steddie Steve Harrington & Eddie Munson, Stranger Things

Destiel -2 Dean Winchester & Castiel, Supernatural

Blackbonnet Blackbeard & Stede Bonnet, Our Flag Means Death

Ronance Robin Buckley & Nancy Wheeler, Stranger Things

Buddie +2 Evan Buckley & Edmundo Diaz, 9-1-1

Lumity -5 Luz Noceda & Amity Blight, The Owl House

Nandermo Nandor the Relentless & Guillermo de la Cruz, What We Do In The Shadows

Geraskier +11 Geralt of Rivia & Jaskier, The Witcher

Piltover's Finest Caitlyn Kiramman & Vi, Arcane

Hannigram -1 Hannibal Lecter & Will Graham, Hannibal

Supercorp -5 Kara Danvers & Lena Luthor, Supergirl

Ladynoir +10 Ladybug & Chat Noir, Miraculous: Tales of Ladybug & Cat Noir

Huntlow Hunter & Willow Park, The Owl House

Adrienette +15 Adrien Agreste & Marinette Dupain-Cheng, Miraculous: Tales of Ladybug & Cat Noir

Bakudeku -12 Bakugou Katsuki & Midoriya Izuku, Boku no Hero Academia

Wangxian -3 Lan Wangji & Wei Wuxian, Mo Dao Zu Shi

Ineffable Husbands +8 Aziraphale & Crowley, Good Omens

Symbrock +12 Venom (symbiote) & Eddie Brock, the Marvel universe

Dreamling Dream of the Endless & Hob Gadling, The Sandman

Daemon x Rhaenyra Daemon Targaryen & Rhaenyra Targaryen, House of the Dragon

Marichat +11 Marinette Dupain-Cheng & Chat Noir, Miraculous: Tales of Ladybug & Cat Noir

Tomgreg Tom Wambsgans & Greg Hirsch, Succession

Wolfstar -3 Remus Lupin & Sirius Black, the Harry Potter universe

Patpran Pat & Pran, Bad Buddy

Jayvik Jayce & Viktor, Arcane

Kathony Kate Sharma & Anthony Bridgerton, Bridgerton

Raeda +49 Raine Whispers & Eda Clawthorne, The Owl House

Merthur +7 Merlin & Arthur Pendragon, Merlin

Stucky -19 Steve Rogers & Bucky Barnes, the Marvel universe

Harringrove +37 Steve Harrington & Billy Hargrove, Stranger Things

Lumax Lucas Sinclair & Max Mayfield, Stranger Things

Narumitsu +9 Phoenix Wright & Miles Edgeworth, Ace Attorney

Drarry -12 Draco Malfoy & Harry Potter, the Harry Potter universe

Imodna Imogen Temult & Laudna, Critical Role

Jonmartin -18 Jonathan Sims & Martin Blackwood, The Magnus Archives

Twiyor Loid Forger & Yor Forger, SPY x FAMILY

Catradora -29 Catra & Adora, She-Ra and the Princesses of Power

Elmax Eleven & Max Mayfield, Stranger Things

Hualian +15 Hua Cheng & Xie Lian, Tian Guan Ci Fu

Percabeth +19 Percy Jackson & Annabeth Chase, the Percy Jackson universe

Cockles -15 Misha Collins & Jensen Ackles, actors

Jegulus James Potter & Regulus Black, the Harry Potter universe

Superbat Superman & Batman, the DC Universe

Villaneve Villanelle & Eve Polastri, Killing Eve

Nick x Charlie Nick Nelson & Charlie Spring, Heartstopper

Solangelo -6 Will Solace & Nico di Angelo, the Percy Jackson universe

Dreamnotfound -43 Dreamwastaken & GeorgeNotFound, streamers

Satosugu +41 Gojo Satoru & Geto Suguru, Jujutsu Kaisen

Thasmin Thirteenth Doctor & Yasmin Khan, Doctor Who

Drukkari Druig & Makkari, Eternals

Sasunaru +26 Uchiha Sasuke & Uzumaki Naruto, Naruto

Suselle Susie & Noelle, Deltarune

Eddissy Eddie Munson & Chrissy Cunningham, Stranger Things

Sterek -11 Stiles Stilinski & Derek Hale, Teen Wolf

Tarlos -18 TK Strand & Carlos Reyes, 9-1-1: Lone Star

Spirk +14 Spock & James Kirk, Star Trek

Fexi Fez & Lexi Howard, Euphoria

Jopper Joyce Byers & Jim Hopper, Stranger Things

Jikook -45 Park Jimin & Jeon Jungkook, BTS

Chenford +38 Lucy Chen & Tim Bradford, The Rookie

Sambucky -59 Sam Wilson & Bucky Barnes, the Marvel universe

Zukka -47 Zuko & Sokka, Avatar: The Last Airbender

Obikin +36 Obi-Wan Kenobi & Anakin Skywalker, the Star Wars universe

Ladrien +28 Ladybug & Adrien Agreste, Miraculous: Tales of Ladybug & Cat Noir

Dinluke -42 Din Djarin & Luke Skywalker, The Star Wars universe

Bumbleby -50 Yang Xiao Long & Blake Belladonna, RWBY

Shadowgast -33 Caleb Widogast & Essek Thelyss, Critical Role

Sonadow Sonic & Shadow, Sonic the Hedgehog

MileApo Mile Phakphum & Apo Nattawin, Actors

Klance -32 Keith & Lance, Voltron: Legendary Defender

Kanej -38 Kaz Brekker & Inej Ghafa, Shadow and Bone

Yennskier Yennefer of Vengerberg & Jaskier, The Witcher

Sashannarcy Sasha Waybright, Anne Boonchuy & Marcy Wu, Amphibia

Loustat Louis de Pointe du Lac & Lestat de Lioncourt, Interview with the Vampire

Batcat Batman & Catwoman, The Batman

Codywan +7 Commander Cody & Obi-Wan Kenobi, Star Wars: The Clone Wars

Jancy Jonathan Byers & Nancy Wheeler, Stranger Things

Kiribaku -54 Kirishima Eijirou & Bakugou Katsuki, Boku No Hero Academia

Harlivy -11 Harley Quinn & Poison Ivy, the DC Universe

Kinn x Porsche Kinn Theerapanyakul & Porsche Kittisawasd, KinnPorsche

Soukoku Nakahara Chuuya & Dazai Osamu, Bungou Stray Dogs

Jargyle Argyle & Jonathan Byers, Stranger Things

Korrasami -52 Korra & Asami Sato, The Legend of Korra

Stolitz Stolas & Blitzo, Helluva Boss

Damianya Damian Desmond & Anya Forger, SPY x FAMILY

Spideypool Spider-Man & Deadpool, the Marvel universe

Dramione -43 Draco Malfoy & Hermione Granger, the Harry Potter universe

Zutara -61 Zuko & Katara, Avatar: The Last Airbender

Mileven Mike Wheeler & Eleven, Stranger Things

Marcanne Marcy Wu & Anne Boonchuy, Amphibia

Zelink -55 Zelda & Link, The Legend of Zelda

Sasharcy Sasha Waybright & Marcy Wu, Amphibia

Griddlehark Gideon Nav & Harrowhark Nonagesimus, The Locked Tomb series

Tomdaya Tom Holland & Zendaya, actors

Johnlock -45 John Watson & Sherlock Holmes, Sherlock

Jily -9 James Potter & Lily Evans, the Harry Potter series

Calliette Calliope Burns & Juliette Fairmont, First Kill

Malex -19 Michael Guerin & Alex Manes, Roswell, New Mexico

Serirei Serizawa Katsuya & Reigen Arataka, Mob Psycho 100

The number in italics indicates how many spots a ship moved up or down from the previous year. The ones in bold weren’t on the list last year.

#year in review #ships #tumblr2022

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theguidesplayblog · 2 years

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The Guides 4.26

#the guides #the guides app #luke lisi #kevin bradford #gold #7304 #b-7304

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callsign-dexter · 2 months

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Love's Wake-Up Call

Request: GREAT NEWS !! Sooo then I'll be the first sending in an idea hehe 🤭🫣 as we all love some angsty shit, I'll think about where she's also a trainer and Tim and her are crushing but he ignores it as he wants to stay professional. But during one dangerous call, she gets there for support and saves his life by taking some bullets and Tim forgets everything professional immediately pleading her to not die until they have a at least one date. Later at the hospital he's there when you wake up and after he lectured you, he finally asks you out?

Pairings: Tim Bradford x Police Officer!Reader

Warnings: angst, fluff

Masterlist

For as long as you could remember you had been in love with Tim Bradford. You two went through the academy together and became great friends. With your friendship came along a major crush on your male friend. Tim would never admit it but he was in love with you too but he pushed his feelings down whereas you tried to hide yours but it was too much so they stayed surfaced. Everyone knew that you both had a crush on each other but Tim was just too stubborn to say anything and you didn't want to get rejected.

Your alarm is what woke you up early in the morning. You sighed and rolled over and turned it off. You laid there for a few minutes until you got the energy to get up. When you did you went into the bathroom and got in the shower and then brushed your teeth getting ready to start the long shift with Tim. Like him you were a training officer and you loved it and wouldn’t change it for the world. You loved the trainee that you had. He was smart, resourceful, loves the law and follows it, and is easy to get along with. His name was Luke Winters and he has a boyfriend but he is planning on proposing to him they also had a kid together.

When you had finished getting ready and packed a bag with extra clothing you set out to the kitchen and made yourself a cup of coffee, after it was done you put it in a thermos and you were off. You walked out of the house and turned back to lock the door. When you made sure it was locked and secure you walked over to your royal blue Jeep and got in and started it. Your Bluetooth automatically connected to the car and started playing music. You smiled and started your journey to work.

It didn’t take long for you to get to work and when you pulled in you saw Tim’s truck and parked next to it smiling. He must’ve just gotten there because he was getting out while you parked. You quickly killed the engine and got out as well. You grabbed your bag “Good morning.” Tim said as you rounded the front of your Jeep.

“Good morning, Tim.” You said and he smiled and you two walked towards the station.

“Have a good night?” He asked and you nodded.

“I did nothing special. How about you?” You asked

“It was ok. Have any plans for when you’re off?” He asked and you thought about saying something that involved him but refrained from doing so.

“Nope.” You said and he nodded and then he was opening the door for you and you smiled and walked in.

“Good morning, Officer Bradford and Officer Y/L/N.” The person at the front desk said and you smiled at her and then walked through the doors towards the locker rooms.

“You know I was thinking after shift maybe we could go and grab something to eat.” You said nervously and he didn’t reply but, on the inside, he was excited but he was at work so he had to keep it professional.

“We’ll see.” He said and then went into the locker room to change leaving you standing there and you frowned but did the same thing. You were quick to change and head into the briefing room. You saw him sitting there talking with Angela and Talia smiling and laughing and that made you smile but it quickly faded when he looked over at you. You turned your gaze away from him and quickly went and sat down next to Angela instead of next to him and he frowned but you didn’t see it. Sergeant Grey walked in and the day began. The Rookies quickly got with their TOs and then everyone was going to get their bags and guns.

“Are you ok?” Luke asked and you looked at him.

“Yea, I’m ok. Just didn’t have the best night last night.” You said and he nodded.

“It wasn’t the best for us either. Cody got sick in the middle of the night and it was just a huge mess.” Luke said

“Is he ok? Is Dakota staying with him?” You asked as he loaded the bags and guns into the trunk and then shutting it and then getting into the shop.

“Yes, he has a doctor’s appointment today. So, I hope it is alright that I’m on my phone.” He said looking a little nervous.

“Don’t worry about it. I understand. Family comes first.” You said and he smiled.

“Thank you.” He said and you smiled and nodded at him.

The morning was nothing interesting or eventful but you got all the calls that you needed Luke to get to get him to pass his training. Before you knew it, it was lunch time. You pulled into the usual hang out place for you guys. You had been coming here for as long as you could remember. You pulled up and killed the engine and then the both of you were getting out. “Hey, Officer Y/L/N!” Nolan said and you smiled.

“Good afternoon, Officer Nolan.” You said “You guys having a good morning?” You asked, he nodded.

“Yea, nothing too interesting. How about you both?” He asked and you nodded.

“Pretty much the same thing.” You said and then you all ordered and waited for your food and it was out in no time. You all grabbed yours and headed to the two tables that everyone sat at.

“Hey guys.” You said and they smiled. A collective of ‘hey’s were said.

“Hello Officer Y/L/N.” Tim said being professional and you smiled but a pang of sadness went through you but you didn’t let it show. Lunch was uneventful and nothing interesting was talked about. You really just wanted to get back out on the road. You weren’t really paying attention to the topic or what was being said just enough to put your input in. Your mind was mostly on Tim and how you would love to be with him but he doesn’t seem to act like he cares or likes you. A call came in and you answered it.

“Officer Winters! Let’s go!” You yelled out and Luke was up and out of this seat and heading towards you and the shop. You threw away your trash and so did he. What you didn’t see was Tim looking at you with eyes that only screamed love but you didn’t even give him a glance as you pulled out of the parking lot.

“You love her, don’t you?” Angela asked with a smirk and he looked over at her.

“No.” He said with a higher pitched voice.

“Oh, you do! You can’t deny it.” Talia said and he rolled his eyes and then a call came in and he was quick to jump to it and calling Lucy over and they were off.

“He is so in love.” Angela said and the girls nodded.

“Yes, he is and so is she.” Talia said and they nodded.

“We knew she was in love because she doesn’t hold it back and because we have a discussion about it. He just needs to come to his senses.” Angela said and Talia nodded.

“I have a feeling he will get that chance soon.” Talia said boy did they know she was right.

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

While your call was quick and simple you were now driving around looking for anything suspicious. Luke was multitasking looking out and on his phone. “Everything ok?” You asked him and he looked up sheepishly nodded.

“Cody has the flu and a double ear infection.” Luke said

“Oh no. Do you need to go home?” You asked and he shook his head.

“No, I asked Dakota and he said no and to finish up the shift.” He said and you smiled and nodded. It was silent for a few more minutes until the radio went off and it was Tim’s voice.

“7-Adam-19 requesting back up.” Tim said and you nodded at Luke who was looking at you.

“7- Adam-20 responding.” Luke said and you were off to their location. Your lights and sirens were flashing and that helped clear the road and you were there in no time. When Tim heard that you were responding his heart sank but he didn’t let it show he was keeping it professional.

You got there and quickly parked, shutting the sirens off and both you and Luke were jumping out and heading over to Lucy and Tim. “What’s going on?” You asked, trying not to show how happy you were with standing so close to him.

“We got here about 20 minutes ago due to a call of disturbance and at first everything was going smoothly and then he started to get agitated. He has not barricaded himself in his house and won’t come out.” Lucy said and you nodded.

“What is the plan?” You asked

“Initially we were going to just storm in there but he pulled out a gun and started to become a danger to himself and others around him.” Tim said and you nodded.

“Have you tried to talk to him again?” You asked and he shook his head.

“No, we figured he wouldn’t want to talk to us.” Lucy said and you nodded.

“Ok, we’ll go try. Maybe a new set of people will help.” You said and they nodded. You and Luke started your way up to the house. You and Luke got up to the door and knocked on the door “Mr. Duncan, I’m Officer Y/L/N and I have Officer Winters with me. Would you please come to the door and we can talk about this?” You asked.

“Are the other officers gone?” He asked and you looked at Luke and he nodded.

“Yes, they are.” You said, you hated lying but it was the only way to hopefully get him out. There was a sound of shouting and things being knocked over and then the door started to unlock and it slowly opened and you took a quick look back at Tim and saw him smile but it was small. “Good afternoon, Mr. Duncan. We were called here for a disturbance.” You said he walked outside “Can you come out further onto the grass?” You asked and he hesitated but nodded and did so.

“I don't know why you guys are here. I wasn’t even playing my music too loud and the screaming was from a movie.” He said and you nodded trying to keep him on his good side. Nothing seemed dangerous but you knew that could quickly change in a heartbeat. You looked him over and then noticed his bloody knuckles.

“Sir, are you ok? Is someone in the house with you?” You asked and he shook his head getting defensive.

“No, it’s just me. I got mad earlier and punched the wall.” He said but you noticed the scratches on his neck. Just then a woman came running out.

“Help me! He has kidnapped me!” She yelled and before she could get to you, he had grabbed her and brought out a gun putting it at her head. You drew your gun and so did the others. He slowly backed up and that gave you and Luke time to back up until you were with Tim and Lucy.

“What is your plan?” You asked

“Call for back-up.” Tim said and you nodded and then started for your radio in your car but the sound of a gun went off and you froze. You looked up and saw that Duncan had turned to point the gun at the 4 of you.

“Don’t you move!” He shouted and you brought your hands up in surrender. You needed to get to the radio. You slowly started to back up again and he sent a warning shot your way but it had grazed you and you hissed and that got Tim’s attention. “Don’t move!” He yelled out.

Tim looked over at you and noticed the blood “Are you ok?” He asked and you nodded.

“Yea, I’m good.” You said and then something clicked in Duncan’s mind and he started to shoot off bullets and that caused you to fire back. Gunfire was becoming more frequent and that was concerning. Shop doors were opened and everyone was ducking behind them. “Are you good?” You asked Tim and he didn’t respond but he stood up and shot off a shot and then ducked down again.

“Yea, I’m good. I’m gonna move to get better access.” He said and you nodded.

“I’m going with you.” You said and he looked at you.

“No.” He said and you looked at him.

“This is not up for discussion.” You said and he groaned but started the move. You kept an eye on Duncan and as you started to move, he saw you and aimed his gun at you and Tim, he was right in the crossfire and you couldn’t have him getting shot. “Tim!” You shouted when you saw Duncan pull the trigger and pushed him out of the way. The bullet connected with your neck and then another shot popped off and it had entered your chest right below your ribcage and you froze. Gun fire ceased and Duncan was taken down and the woman was saved but now you were standing there shell shocked. Tim had gotten up and his eyes widened.

“Y/N.” He said, stunned and you looked over at him and then your knees buckled. “No no no no.” He said and then moved to grab you as you slowly fell.

“Tim-” You started but he cut you off.

“Don’t try to talk. Save your energy.” He said and you coughed and some blood came up with it. He reached for his radio with his bloody hand “Shots fired; shots fired. Officer down, I repeat officer down.” He said into his radio. You felt your eyes start to close and he noticed this and put his hand back on the bleeding shoulder wound. “Hey hey keep those eyes open. You can’t die. I still need to take you on our first date.” He said and that would’ve surprised you if you weren’t losing blood and fighting for your life. Lucy and Luke had arrested the man and saved the woman.

By now more units were arriving and that meant Angela, Jackson, Taila, and Nolan were showing up. They rushed over to you and Tim “What can we do?” Nolan asked.

“Make room for the ambulance and get them over her fast.” Tim said looking at him, he nodded and was off and looked back down at you and noticed your eyes were closed. “Hey, Y/N. Open those eyes for me.” He said and got no response. He could feel your pulse on your neck but it was slow and that worried him. “You can’t do this to me.” He said.

The ambulance was quick to get there and made their way over to you and got you up on the stretcher and moved to the ambulance. He moved with them and got in and nobody argued with him. Once everyone was in, they were off heading to the hospital. He was beating himself up for hiding his feelings for you and not making them known earlier because now he was here with you as you were fighting for your life. They arrived at the hospital in no time and they were rushing you back and away from him. He went and sat in the waiting room to wait. He doesn’t know how long he was sitting there but Angela, Jackson, Talia, Nolan, Luke, and Lucy all showed up. “Any news?” Lucy asked and he shook his head.

“No.” He said looking down at his bloodied hands, bloodied with your blood.

“How long since they took her back?” Luke worried for his TO and his friend.

“30 minutes.” He said and they nodded and everyone sat down waiting for good news. 14 minutes and Grace was coming out with bloodied scrubs and Tim was the first one up. “How is she?” He asked not to hold back his emotions.

“She’s pulled through.” She said and everyone sighed in relief “However we did lose her 2 times on the operating table but got her back each time. I want to keep her under for a few days to let her rest.” She said and everyone nodded.

“Are we able to see her?” Angela asked and she nodded.

“Right this way.” She said and they followed her. When they got to your room, they could see all the wires connected to you and that you were sleeping. “Anything happens, let me know.” She said and they nodded. Tim was the first one to move and sit down next to you. Wade had also shown up at some point and walked into the room and his heart sank, you were like a daughter to him and you actually cared for him, he hated seeing you like this. Nothing was said between them and that was ok. Although the others wanted to stay, they knew they couldn’t and they went back to work but Tim protested and wasn’t going to leave your side. Wade wasn’t going to fight him on it so he allowed him to stay. When their shift was over Luke had come back with your bag and Tim’s bag. Tim thanked him and they sat there talking for a little bit about you and then Luke had to leave.

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

Tim hated waiting. You shouldn’t be lying there connected to all the wires fighting for your life. If he hadn’t moved then you wouldn’t be in this situation and he hated that. It was leading into day 6 and you had yet to wake up and it was driving him mad. He barely moved, he only moved when he needed to eat, sometimes he didn’t do that unless it was someone bringing it to him, and he only took a shower at the hospital and brushed his teeth there. Grace and Gio were in and out checking on you and your wounds, they had taken you off sedation and now it was up to you.

10 days and you were still asleep and it was driving Tim mad. He kept thinking about that it was all his fault for moving and not making you stay. He was thinking about how stupid it was that he didn’t tell you how he really felt about you. Really, he was just beating himself up. He needed you to wake up so he could tell you that he was in love with you and that he wanted to be with you and only you.

It was during the night and he was sleeping when you started to wake up. You first opened your eyes and the room was darkened so it was easy on your eyes and then you felt a warm hand in yours and you looked down and saw it was connected to the man you loved, then the pain hit and you tensed up. Tim must’ve felt you tense up because he was jolting awake and scooting his chair back. “Y/N.” He said your name and you were breathing through the pain. After it passed you opened your eyes and looked at him.

“Tim?” You said in a hoarse voice “What?” You said but couldn’t get anything else out.

“You were shot covering me. What were you thinking? I told you not and yet you still did. Do you know how stupid that was? You were shot twice and almost didn’t make it. You know how heartbroken I would’ve been if you hadn’t had made it? I was kneeling there watching the love of my life slowly slipping away from me. You’ve been here for 2 weeks and those 2 weeks have been so painful and nerve wracking for me. If it weren’t for the others bringing food or had brought our bags I wouldn’t have moved from that spot. I was so scared that you weren’t going to make it.” He said coming to the end of his speech. You just stared at him and a smile crept up to your face. “What are you smiling about?” He asked, trying to stay mad.

“You love me?” You asked and he rolled his eyes.

“All of that lecturing and that is what you take away from this?” He asked but an actual smile appeared on his face. “Yes, I love you. As soon as you're out of here and feeling up to it, would you like to go on a date with me?” He asked.

“Yes, I would love that.” You said and smiled and leaned down and kissed your forehead.

“Good.” He said when he pulled away “I’m going to go and get Grace and Gio.” He added and started to get up.

“Oh, and Tim?” You said and that had him stopping and looking at you with a raised eyebrow. “I love you too.” You said and that made him smile and walk back over and kissed you on the lips and you returned it. When he pulled away, he brought his hand gently up to your face and caressed it.

“I love you too. I’ll be right back.” He said and you nodded and he left. You brought your hand up to where his hand was and smiled. You both loved each other and this was going to be a wonderful start to a wonderful relationship and you couldn’t wait and neither could Tim. All it took was for you to get shot, of course that sucked but you got the man you loved and you couldn’t be any happier.

Tag list:

@kmc1989

@els-marvelvsp

@atarmychick007

@nyx2021

@grandstrangerphantom

@angenu01-blog

@talesofreading

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pranita2546z · 8 months

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#my art #my oc #วาดรูปการ์ตูน #วาดรูป #luke bradford

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rookieoneil · 6 months

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*lucy rambling*

Tim interrupting her: Will you marry me?

Lucy: what?

Tim: just looking for something to shut you up

Lucy:

Lucy: ask me for real

#the rookie #lucy chen #tim bradford #loralei gilmore #luke danes #java junkie #chenford #eric winter #melissa oneil #incorrect the rookie qoutes #tim x lucy #angela lopez #nyla harper #cuties #fluffy #nothing but fluff #lmao

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alonglistofbirds · 2 months

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First 25% Summary - Part 4 (a bunch of Passeriformes)

Sylviidae: Balearic warbler - Daniel López-Velasco Icteridae: Chestnut-headed oropendola - Carlos Sanchez Estrildidae: African firefinch - Nigel Voaden Turdidae: Bassian thrush - Felix Watson Corvidae: Bornean green magpie - Rick Bowers Artamidae: Australian magpie - Luke Seitz Paridae: Coal tit - Lukasz Haluch Sittidae: Beautiful nuthatch - Arpit Bansal Tyrannidae: Ash-throated flycatcher - Ted Bradford Furnariidae: Brown-billed scythebill - Richard Edden Thamnophilidae: Bicolored antbird - Tyler Wenzel Cotingidae: Andean cock-of-the-rock - Ben Lucking

#summary post #described #birds #Balearic warbler #Chestnut-headed oropendola #African firefinch #Bassian thrush #Bornean green magpie #Coal tit #Australian magpie #Ash-throated flycatcher #Brown-billed scythebill #Bicolored antbird #Andean cock-of-the-rock #beautiful nuthatch

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ojcobsessed · 3 months

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Few actors have endured as fraught a journey as Oliver Jackson-Cohen. Few actors are more in demand than the star of The Haunting of Hill House and Jackdaw

by Maeve Ryan

OLIVER JACKSON-COHEN HAS been doing this a while. He decided to act at the age of six. Joined a theatre troupe and began to climb. He continued until university but didn’t get into any drama schools. Throughout our conversation, he tells me there were no signs pointing him in this direction, no surefire chance at success. But he’s found it, and then some.

He rose to prominence with his highly acclaimed portrayal of Luke Crain in Mike Flanagan’s The Haunting of Hill House.

A character that battled a heroin addiction to cope with past traumas, though addiction was the least interesting thing about him. The show featured stars of the past, and launched new ones into the present, Oliver Jackson-Cohen being one of them. The role of Luke changed the course of his life – for more reasons than one.

It was the first time in his life he no longer had to hide, he tells me. “I could be as fragile as I felt.” He took his newfound Netflix fame and began to carve a path that finally aligned with who he was, not who the world wanted him to be.

Now, he takes centre stage in Jamie Dobb’s new film Jackdaw. When he read the script, he thought he was the last man for the job. When Dobb explained the hyper masculine lead needed someone to bring softness behind it, he signed on.

Jackson-Cohen’s career, and presence, proves that the strength of a man lies in his ability to go beyond society’s standards. He breaks the stereotypes like bread over a long conversation in Soho. We discuss his entrance into the industry, facing traumas, and finding a safe place to land.

sm: What was the first movie you ever saw that made you want to act?

o-jc: Home Alone. I remember seeing that film and saying, oh whoa, so a kid can do this? I remember telling my dad, ‘I think I want to do that.’ I was six or seven.

But it gets dark. So, my mum and dad’s house had a bay window that was on the street. And when I came home from school for a week, I just sat in the window thinking, any minute now, someone from Home Alone is going to walk past, and go, there’s a kid! Let’s get him! I was willingly wanting to get kidnapped. Which is so fucked. My dad came home and was like, ‘What are you doing?’ And then he was like, ‘Yeah, that’s not how that works.’

We found a theatre program – I started going there when I was eight. I was never the golden kid. In the drama clubs, I was always like the snake in the background. Or just the scenery. We used to put on terrible plays. I was such an insular kid. I found a safe place to feel where it’s real, but it’s not. So you can experience it all. I did that for three years, and then I was kicked out.

sm: What! Why?

oj-c: I had an attitude or something like that. I got suspended so many times. I genuinely was not looking for trouble. I was always the one to get caught. Like, I was the kid who someone handed the knife to, and I’d be standing above the dead body, and then the next thing I knew it was 20 years in prison. It was always stuff like that. But it was time to move on anyway.

I found this drama school at Riverside Studios. It was a small group, maybe eight or nine people. It was so interesting, because I’m going to do a gross name drop, but in the group was Carey Mulligan and Imogen Poots. It was incredible.

sm: Those were the kids that were just there? Did you have to audition?

oj-c: No, but I did a trial. It was a lot of devised stuff, like improv. A guy named Andrew Bradford ran it. He really supported kids. It was all day Saturday. We were all teenagers. It felt like another life. It grew and grew and by the time I left I was 17 or 18. It wasn’t one of those places that you were beaten down. No fake bullshit. It was a safe place to try stuff. We’d put on plays and we all got agents from that as kids.

sm: Is that the moment you look back on and think of as the beginning?

oj-c: I think so. But it was such a long period of time. Career wise, it was quite stagnant. I did one job when I was 15 that was some late night soap. Then I didn’t do anything until I was 18. I wasn’t like this is real until later. It started to snowball when I finished school. I went to get a French lit degree, hated it, dropped out, and applied to drama school. I didn’t get in anywhere.

In the meantime, there was a job at the BBC for a silly period drama. I did that, took the money, and went to do a foundation in New York at Strasberg.

sm: Tell me about the audition for drama school. You didn’t get in anywhere?

oj-c: Yes. I’m telling you there were no signs that pointed to me saying, yeah, you’re quite good at this. It felt like everyone was saying, ‘don’t do it.’ Which is a really interesting place to start from. If no one around me believes in me, how do I? And I just keep going? It was a mix of delusion and stupidity.

sm: Did you think about doing something else?

oj-c: When I was still in high school, I worked as a runner on productions, mainly at the BBC. I was revolving through that so when I finished school, that was kinda my job.. I got to see the inner workings of how sets worked, rehearsal periods. I got to see the writers and the actors, how they would construct a joke, and adjust things.

When I was 17, I started doing the European Music Awards. I would go and work in the costume department, I didn’t fucking know anything about how to sew on a bun but it was amazing. I got such a solid understanding of how a production office works, how a schedule works.

Tragically, you see a lot of how an actor is a small cog in this machine. Everyone is working so diligently. This whole idea of superiority that can go on, it was important for me to witness early on. Because when you go onto set and someone says five minutes, it actually means five minutes. But it was also hard because I was watching people do what I love. I didn’t get into school, so I said fuck it, I’m gonna do a foundation for a year and reapply to drama school from New York.

sm: Why choose the Strasberg program?

oj-c: Someone told me about it. I thought I needed to go do something that gives me a playground, a space in the meantime. But when I got there, I was with this small agency, and they started sending me out on auditions. The first or second one I went on, they flew me to LA to do a screen test and I got it. This was six weeks into the program. I was like: what do I do?

sm: What did you decide?

oj-c: There were three or four movies I got, but then the financial crash happened and it all fell apart. So I went back to New York to continue with the program. But meanwhile, I had been signed to WME and my agents were like, let’s go down the studio route because that’s going to be fun. I got an audition for this Drew Barrymore movie, got that, and then I dropped out. Then got another job that moved me to LA. I was there for a year shooting and doing the prep for that.

The whole idea was that I’d do that and reapply to drama school. Then I kept on booking. It’s only in the past couple years I was like, thank fuck I didn’t stop. There were moments that I thought I needed to stop and do three years of training.

sm: Did you feel like you were missing something that other people had?

oj-c: I felt like I was back-footed. Like I had no idea what I was doing, then I realised no one does. There is no arrival point where you’re like, ‘I know how to act!’ A lot of it was becoming comfortable with learning and making mistakes. Some will hurt and some don’t matter.

sm: So you start booking jobs, and then it just keeps going? No break?

oj-c: There’s obviously periods where you’re out of work. Or you really want a job and you do 50 auditions for it and you don’t get it. A lot of that went on. But I was 22. I ended up staying in New York until I was 28. I felt like a deer in the headlights. I was just so grateful that I was working and that people wanted to hire me that I never stopped to ask if it was actually fulfilling.

I listened to a lot of people early on. I needed guidance. I needed someone to say, do this job, this will lead to this, or it’s important you work with this person. Then I woke up one day and was like, is there anything here that I’m actually proud of?

That comes with experience and maybe a little bit of delusional confidence where you go, I think I want to try and do something here that is more aligned with me. It was a weird time to be in LA. I’m six foot three. I look a certain way. People wanted the product. I thought that was how I’d get there. I’ll pretend to be confident, I’ll be a version of what these people want. Keep my mouth shut and pretend. I reached a point where I was like, I cannot keep going this way.

sm: Did you feel that you’d abandoned yourself? Or was it a slow realisation?

oj-c: It became harder and harder to pretend to be this chill guy. I’m not chill. But when you’re handed something, you go, this is fun. Then the more you read and become accustomed to the environment you’re in, you start to feel entitled to have an opinion. To feel entitled enough to say: I actually don’t like this, I actually find this quite soul destroying. Having to make myself small, or block myself off and not be as vulnerable as I feel. To not show that.

It was an interesting time – in the late 2000s, men were men and what I was being asked to do was be an idea of what a tall, white, masculine man was that sort of never really sat. I actually feel really fragile. So I took a break for six months. I was like, I’m just going to say no now and try to re-shape the direction of what I want to do. Then The Haunting of Hill House came along.

sm: How did that audition happen?

oj-c: I’d done a film with the producer before. They sent me a conversation that happens in the show between Luke and his twin sister, it was him asking her to get him drugs. They asked me to read that and literally the following day, they called me and were like yep, you.

means something to people. It was an amazing thing to be a part of.

sm: Did you immediately recognise that Luke was the kind of character you were looking to play on the page?

oj-c: Sort of. If I’m honest, I did quite a lot with the role. Mike was very open to collaborating. I put a lot of stuff in there that wasn’t necessarily there originally.

All of the siblings were there but they were sort of blank canvases for anyone to put whatever they needed to put in it. We all came in and made bigger choices to create this family dynamic. They brought on this incredible writer, Scott Kosar, who wrote The Machinist, to tackle the Luke character because he was in recovery at the time.

sm: The writer was in recovery?

oj-c: Yes. He tackled all those monologues about staying clean and everything. That was him. You know, you’re talking about a family that lived in a haunted house, that’s sort of a silly premise but all the substitutions that everyone did, it was all about trauma. Living and being followed by things unless you face them.

sm: What did you bring to the Luke character that wouldn’t have been there if somebody else played it?

oj-c: Someone else would have brought something amazing to it. But Mike Flanagan had so many tapes come through of people playing the addiction, and you can’t play the addiction. When I first looked at Luke I was like, okay, he’s a heroin addict, but then I was like, actually, to put a label on that, to label him, does such a disservice.

So it became about what he was running from, and what was terrorising him. For me, it became about childhood sexual abuse. How do you escape this thing you don’t want to feel? And if you can’t keep it at bay, it will take over. It became about that struggle, not ‘I need my fix.’ It became about this terrorising thing that’s always present, which translates into the show. We all have things that follow us. It became about trying to humanise it and make it real by using that as a way in.

sm: You’ve been open on social media about the sexual abuse you faced as a child. How did you navigate acting something so close to home?

oj-c: I’m of the school of thought: use whatever is real for you. That’s why I do the job. A lot of us use our own personal experience, but we bring it to a safe space where it’s okay for us to experience it. In a way it calls for that, and it felt important to do for the show.

I come back to this idea of needing to stop and reassess what I wanted to do, where I wanted to go, and what I wanted to say in the work that I do. I felt like I couldn’t keep hiding. We’re all complicated, we’ve all had complicated upbringings. That’s just part of life. It’s unfortunate, but it’s sort of always going to be a mess. I needed to put everything that I felt into something. I do that all the time.

We use the parts of yourselves. Including the darker parts, and some of the stuff we don’t want to look at. I’ve never been one of those people to go half on something. You either do it or you don’t. There’s no middle ground. I’m not going to half step in, or pretend.

sm: Did you have any practices while filming to help you not carry the hurt from that world into your own?

oj-c: What was interesting was that all of that sadness was in there anyway. I wasn’t generating any of it, I was just opening it up. I didn’t whip myself up into a frenzy. It just felt like I didn’t have to hide, or pretend it wasn’t there.

sm: Would you say acting has been healing for you?

oj-c: I don’t think the word healing is correct. But it’s been incredibly helpful in helping me understand myself better. It’s probably not the healthiest but I’ve said this before, I feel like I need the job to lay out all my neuroses and vulnerability. I keep myself so closed off in real life. It’s an outlet that feels necessary. That’s why I go off to work every couple days.

sm: You are cast in a lot of thrillers and horrors. Why do you think you mesh well with that genre as an actor?

oj-c: You know, after I did Haunting of Hill House, it was sort of this big thing where the amount of horror scripts that came through was crazy. The amount of, ‘do you want to play a drug addict?’ It’s incredible how desperate people are to put us into boxes.

After Hill House, I did The Invisible Man. That was a horror but the messaging - we’re talking about gaslighting, we’re talking about toxic relationships to an extreme. It was so much more than a scary film. It felt like it had something to say. That’s the thing about horror. When it’s done well, it’s incredibly impactful.

sm: After Hill House, did you feel you had agency when choosing your roles?

oj-c: To a certain extent. But no matter where you’re at: the job you want, they don’t want you. You can be Julianne Moore, but they’d rather have someone else. It’s constant. But it did change quite a lot. In terms of becoming Netflix famous, which is the strangest, most intense thing ever because you’re the most famous person on the planet and then something else comes out. I felt like I was in a fortunate space where I could choose more, but there were films that I really wanted that I didn’t get.

sm: I heard that when you first read the Jackdaw script, you didn’t think you were right for the role?

oj-c: Yes. I called the director Jamie Childs and told him he was nuts. Because again, here’s this hyper masculine man that felt quite robotic on the page. I met Jamie on the set of Wilderness. He was telling me, ‘I’ve written this movie. I’d love to get your feedback on it.’ So I read it. It was still an early draft. Then he said, ‘Do you want to do it?’ I genuinely thought I wasn’t the right fit. I thought it was just out of convenience that he wanted me.

He said to me, ‘It needs someone to come in and make it human. To give it vulnerability.’ He said the film is about how this man readjusts his life following the death of his mum, and I was like, sold! You need some tears? I’ll bring you tears! I’m never leaving my sad boy era. It happened so quickly. We wrapped Wilderness, and then started filming three and a half weeks later. We were up north in January.

sm: You go swimming in the North Sea quite a bit in the film…

oj-c: Oh yeah. It got to like minus nine. It ended with me getting hypothermia. I think I’m a bit too delicate, that’s why. I had this amazing stunt guy called Jamie Dobbs who’s this gold motor-cross champion, and we had to shoot all this stuff of us in the night. They’d get me on a rig, and then they’d get Jamie and it got to minus 12. He got frostbite on his face. It was unbelievable. It was all night shoots. I am so surprised we all made it out alive.

sm: Had you ever cold plunged before?

oj-c: Not at all. I’m one of those people in August that’s like, I don’t know if I want to go in the sea, it looks a bit cold. We did three days on the water. Some of it was in a kayak. The underwater stuff, that’s where it got brutal. We were all eating every 25 minutes because we were so cold. There was a boat just for food. I couldn’t name one thing we ate. It was just fuel. We were going to work at 5pm, and then wrapping in the morning.

sm: Do you often try new things on film sets that you’d never do otherwise?

oj-c: Yes, all the time! That’s part of the allure of it. You get to learn all these weird things that you’d never do. You get to experience these amazing things. I’ve been doing this for so long, because I’m 150 years old, and someone will bring something up and I’ll be like, oh I’ve done that! But then I’m like wait no I didn’t, the character did.

sm: Was there anything else you learned on the set of Jackdaw? Motorcross?

oj-c: Yes! I fucking loved it. If I’m honest, a lot of it is me jumping on and starting up and then getting out of frame. Insurance-wise, I couldn’t do any of the jumps or anything. But it is so great. There is nothing quite like it.

sm: Do you ever think you’ll get into the writing side of film?

oj-c: I have. I just don’t know what I have to say yet. Everyone reaches a point where they think, I don’t want to forever be a product. It would be nice to be part of the creative. I have a lot of opinions.

You go into a job with the best intentions. This is what they’ve told us, this is what’s been sold and then you’ll see the final product and be like: that’s not at all what I thought it would be. The more you do it, the more you feel like you know what you actually like and what you want to be part of. I’ll get to it at some point.

Jackdaw is in cinemas now.

#oliver jackson-cohen #oliver jackson cohen #jackdaw #jackdaw film #jamie childs #2024 #interview #cw: csa #mike flanagan #haunting of hill house #luke crain #jack dawson #i have that home alone anecdote memorised by now 😭#he writes!

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