#mark dugdale

[markdugdalespackage]

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[muscleaddictza]

Mark Dugdale

#mark dugdale

[muscletitanlover]

Mark Dugdale, USA IG: markdugdale IG: markdugdalearchive

#Mark Dugdale #USA #posing #flexing #IFBB #muscletitanlover

[wrestlehead]

Mark Dugdale

#mark dugdale

[longlaz1972]

Mark Dugdale

#mark dugdale #bodybuilder

[bulkvanderhuge42]

Mark Dugdale

#mark dugdale

[80shorrorfilmedits]

SLAUGHTER HIGH (1986) dir. Mark Ezra, George Dugdale, Peter Mackenzie Litten

#horroredit #horrorgifs #horrorfilmgifs #horrortvfilmsource #userhorroredits #junkfooddaily #classichorrorblog #societyclub #horrorwomensource #filmedit #filmgifs #moviegifs #tw blood #*mine #slaughter high #mark ezra #george dugdale #peter mackenzie litten

[pierppasolini]

Slaughter High (1986) // dir. George Dugdale, Mark Ezra, Peter Litten

#Slaughter High #George Dugdale #Mark Ezra #Peter Litten #my caps #my edits #*slaughterhigh

[astralbondpro]

Slaughter High (1986) // Dir. George Dugdale, Mark Ezra, and Peter Mackenzie Litten

#Slaughter High #Marty #Simon Scuddamore #George Dugdale #Mark Ezra #Peter Mackenzie Litten #B Movies #B Movie #Cult Movies #Low Budget Movies #Horror #B Movie Gifs #Gifs #Slaughter High Gifs #AVB #AVBGifs #AVSlaughterHigh #AVSlaughterHighGifs #AVBHorror

[gatutor]

Caroline Munro "El día de los inocentes" (Slaughter high) 1985, de George Dugdale, Mark Ezra, Peter Mackenzie Litten.

#Caroline Munro #George Dugdale #Mark Ezra #Peter Mackenzie Litten

[doubtfultaste]

Slaughter High (1986) dir. Mark Ezra, George Dugdale, Peter Mackenzie Litten

#Slaughter High #slasher #gif #film #uk #us? #jester #april fool's #80's #80's horror #comedy #horror #1986 #creepy

[markdugdalespackage]

Compare their bulges...

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[muscleaddictza]

Mark Dugdale

#mark dugdale

[dugdale100]

CBS is embracing the Piano Man.

Ahead the Super Bowl, the network announced it would stream Billy Joel’s 100th concert at Madison Square Garden on Sunday, April 14 at 9 pm ET/PT. The two hour special, titled The 100th: Billy Joel at Madison Square Garden — The Greatest Run Of All Time, marks the first time a Billy Joel concert will air on a broadcast network. It will be filmed at his March 28 show, and will also be available to stream live and on demand on Paramount+.

The news comes as Joel is set to end his MSG residency this July with his 150th career performance at the New York arena. His first came in late 1978, when Joel, who was touring on behalf of his 52nd Street album, headlined the venue for his first time. In early 2014, he began a monthly residency as MSG’s first “music franchise,” and has sold out every show since. He’s shrewdly changed up his set list from performance to performance, and recruited special guests like Tony Bennett, Bruce Springsteen and Olivia Rodrigo.

The final show of his residency is set for July. It will be his 104th show in the series, and his 150th performance there. “I’m kind of flabbergasted that it lasted as long as it did,” Joel said at a news conference last year. “My team tells me that we could continue to sell tickets, but 10 years, 150 shows — all right already!” All told, the record-setting residency is expected to gross more than $250 million, according to Pollstar. Joel has no plans to retire, however; in fact, he’s scheduled to criss-cross the country later this year, headlining baseball stadiums with opening acts like Stevie Nicks, Sting and Rod Stewart.

The televised concert announcement arrives a week after Joel premiered his new single, Turn the Lights Back On, live at the Grammy awards, also on CBS. The romantic ballad, produced by Freddy Wexler, was the 74-year-old singer’s first original song in 17 years. Sample line: “I’m late / But I’m here right now / And I’m trying to find the magic.” Despite prolific stage work, the last time Joel shared new music was way back in 2007, when he released the love song All My Life and protest tune, Christmas in Fallujah.

The CBS/Paramount concert special is a co-production of Sony Music Entertainment and Enliven Entertainment. Steve Cohen, Barry Ehrmann and Paul Dugdale will serve as executive producers, with Dugdale also set to direct. Sony Music Vision is the distributor. It follows other popular televised concert events, including those featuring Elton John, Adele and Taylor Swift.

#dugdale #billy joel

[mariacallous]

M. E. Sarotte, a leading expert on foreign policy, has won the annual Pushkin House Book Prize of £10,000 for Not One Inch: America, Russia, and The Making of Post-Cold War Stalemate (YALE UNIVERSITY PRESS).

Not One Inch: America, Russia, and the Making of Post-Cold War Stalemate is a revealing account of America’s relations with the new post-Cold War democracies of East and Central Europe, with its older European allies, and, in particular with Russia – a relationship that went so badly awry and sowed the seeds of the tensions that shape today's world. 

The judges praised all the shortlisted works and especially highly commended Maria Stepanova, author of In Memory of Memory, a beautifully written reflection on the Soviet experience of individual families, powerfully translated by Sasha Dugdale.

The tenth anniversary year of the Pushkin House Book Prize takes place at a time of seismic shifts that have changed attitudes in and towards Russia. The Prize was created to highlight, reward and encourage public understanding and intelligent writing about history, societal developments and culture within and beyond Russia. 

Pushkin House feels that it is our responsibility to support all thinkers and creatives who are able to contribute to our shared understanding of the world in which we have found ourselves after 24 February 2022. 

To mark the Prize this year, and recognising the importance of the valuable insights that research and academics offer to study Russia at this pivotal moment in history, the judges exceptionally shortlisted ten books rather than the usual six. The decision reflects on the importance of discussion around all the complexities and contradictions of Russia’s complicated history and culture. 

The 2022 shortlisted titles were: 

In Memory of Memory by Maria Stepanova, translated by Sasha Dugdale  

On the Edge: Life Along the Russia-China Border by Franck Billé and Caroline Humphrey 

Navalny: Putin’s Nemesis, Russia’s Future? by Jan Matti Dollbaum, Morvan Lallouet and Ben Noble 

Weak Strongman: The Limits of Power in Putin’s Russia by Timothy Frye 

Klimat: Russia in the Age of Climate Change by Thane Gustafson

Not One Inch: America, Russia, and the Making of Post-Cold War Stalemate by M. E. Sarotte

Stalin’s Architect: Power and Survival in Moscow by Deyan Sudjic

The Empress and the English Doctor: How Catherine the Great Defied a Deadly Virus by Lucy Ward 

Playing with Fire: The Story of Maria Yudina, Pianist in Stalin’s Russia by Elizabeth Wilson 

Collapse: The Fall of the Soviet Union by Vladislav Zubok

Ekaterina Schulmann, spokesperson for the 2022 judges, said: "Mary Sarotte's book presents an in-depth documentation and compelling narrative of East-West diplomacy and relationships. The story that she tells is at once historically significant and uncomfortably near. In 2022, it sometimes reads like one of those works that describe the events preceding World War I. Sarotte bravely underlines possible key historical figures and moments when history might have evolved towards another reality. The significance of Sarotte's voice and her careful analysis gives us, readers, an opportunity to at least begin to understand how we got to where we find ourselves now."

Marc Polonsky, managing trustee of The Polonsky Foundation, co-funder of the prize, said: “At this time, a deep understanding and proper analysis of Russia in all its complexity – both its past and present – are more crucial than ever. The Pushkin House Book Prize has again brought to the fore books that shed important light on this. Congratulations to the worthy winner selected from such a competitive field."

Douglas Smith, who with his wife Stephanie Ellis-Smith, helps fund the prize, said: “Mary Sarotte’s Not One Inch is not only the book for our turbulent times, but will be long read by everyone seeking to understand the origins of the post-Cold War world. It's irreplaceable work.”

Andrew Jack, founder of the prize, said “Never in the history of the prize has high quality writing to understand Russia been more important – or better supplied than in this year’s offerings.”

[longlaz1972]

Mark Dugdale

#mark dugdale