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#my mom: it has longmire in it.
lestatslestits · 1 year
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Still recovering mentally, emotionally, and spiritually from a “came home from work to find my parents watching The Newsreader” event
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margotgrissom · 5 months
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Tagged: @cannibalspicnic
Last song: Not sure what song was on the radio in the car earlier. On my phone Elle King's "I told you I was mean".
Favourite colour: Black
Relationship Status: Single and unwilling to mingle.
Last Movie/Show: Thanksgiving (2023), Longmire
Sweet/Spicy/Savoury: Most often savoury but depends on the mood.
Last thing I searched: Toyota Aygo (to show my client the difference between the older model I drive and the newer model my Mom has)
Current obsession: Deadloch (the show), You are Good (the podcast), my cats, and trying to find some shelving or maybe an open cupboard to replace the weird spice rack situation I currently have in my kitchen.
Tagging: @xlittlerubyx @the-neurotic-zen-master @ceebee-eebee @doctoraliceharvey @trammelsb
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tuseriesdetv · 3 years
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Noticias de series de la semana
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Renovaciones
Comedy Central ha renovado South Park hasta su trigésima temporada. Además, Paramount+ ha encargado catorce películas.
Apple TV+ ha renovado Physical por una segunda temporada
Disney+ ha renovado The Mighty Ducks: Game Changers por una segunda temporada
Showtime ha renovado The Chi por una quinta temporada
Adult Swim ha renovado Tuca & Bertie por una segunda temporada
Roku podría producir una película de Zoey's Extraordinary Playlist y quizás más temporadas
Sky Comedy ha renovado Bloods por una segunda temporada
Disney+ ha renovado Star Wars: The Bad Batch por una segunda temporada
Cancelaciones
Apple TV+ ha cancelado Little Voice tras su primera temporada
Amazon ha cancelado Panic tras su primera temporada
HBO Max ha descartado Overlook. Se venderá a otra plataforma.
Noticias cortas
Britt Robertson (Cheyenne) y Michelle Forbes (Margaret) no estarán en la segunda temporada de Big Sky.
Matthew Willig (André the Giant) será regular en la segunda temporada de Young Rock.
Wyatt McClure (Billy) será regular en la quinta temporada de Young Sheldon.
Fichajes
Neil Patrick Harris (How I Met Your Mother, A Series of Unfortunate Events) protagonizará y producirá Uncoupled, en la que Michael pensaba que su vida era perfecta hasta que su marido se marcha tras diecisiete años.
Cobie Smulders (How I Met Your Mother, Stumptown) sustituye a Betty Gilpin en el papel de Ann Coulter en Impeachment: American Crime Story.
Ellen Burstyn (The Exorcist, Requiem for a Dream) volverá a interpretar a Bernie Stabler, la madre de Elliot (Chris Meloni), en la segunda temporada de Law & Order: Organized Crime.
Sam Waterston (Grace and Frankie, The Newsroom), Kurtwood Smith (That '70s Show, Resurrection), Anne Archer (Falcon Crest, Ghost Whisperer), Dylan Minnette (13 Reasons Why, Awake), Bashir Salahuddin (GLOW, Looking), Alan Ruck (Succession, The Exorcist), Mary Lynn Rajskub (24, The Girlfriend Experience), Hart Bochner (Too Old to Die Young, Die Hard), James Hiroyuki Liao (Unforgettable, Prison Break), Nicky Endres (One Day at a Time), Camryn Mi-Young Kim y Andrew Leeds (Zoey's Extraordinary Playlist, A Million Little Things) se unen a The Dropout. Interpretarán a George Schultz, secretario de Estado; David Boies, abogado representante de Elizabeth (Amanda Seyfried); Charlotte Schultz, esposa de George; Tyler Shultz, biólogo que trabaja en Theranos; Brendan Morris, ingeniero eléctrico de Theranos; Jay Rosan, miembro del equipo de innovación de la sede de Walgreens en Chicago; Lorraine Fuisz, esposa de Richard Fuisz (William H. Macy); Larry Ellison, millonario interesado en Theranos; Edmond Ku, jefe de ingeniería de Theranos; Ana Arriola, diseñadora de Apple reclutada por Elizabeth; Erika Cheung, graduada en Berkeley que empieza a trabajar en Theranos; y Roland, sabelotodo lameculos del CFO de Walgreen.
Ron Cephas Jones (This Is Us, Luke Cage) y Vinnie Jones (Galavant, Snatch) serán recurrentes en la segunda temporada de Law & Order: Organized Crime como Leon Kilbride, un congresista que sabe jugar sus cartas; y Albi Briscu, un gangster europeo.
Leslie Jones (Saturday Night Live, Ghostbusters) y Nat Faxon (Friends From College, Ben and Kate) se unen como recurrentes a Our Flag Means Death.
Sam Elliott (The Ranch, A Star Is Born) y los cantantes Tim McGraw (The Shack) y Faith Hill protagonizarán Y: 1883, la precuela de Yellowstone. Serán Shea Brennan, cowboy con un inmenso pesar que tiene la tarea de guiar a un grupo de Texas a Montana; y James y Margaret Dutton, patriarca y matriarca de la familia Dutton.
Luis Guzmán (Black Code, Oz) será Gomez, el padre de Wednesday (Jenna Ortega), en Wednesday.
Minka Kelly (Friday Night Lights, Titans), Dominic Fike y Demetrius "Lil Meech" Flenory Jr. (Black Mafia Family) se unen a la segunda temporada de Euphoria. Se desconocen detalles.
Michelle Forbes (The Killing, True Blood) será recurrente en la cuarta temporada de New Amsterdam como Veronica Fuentes, una fixer que tiene la tarea arreglar las cifras del hospital.
Kerry Bishé (Halt and Catch Fire, Narcos) será Austin Geidt, empleada número cuatro de Uber, en Super Pumped.
Ian Anthony Dale (Hawaii Five-0, Murder in the First) y Laurie Fortier (Hemlock Grove, Unsolved) se unen a la undécima y última temporada de The Walking Dead. Serán Tomi, miembro del grupo recientemente descubierto; y Agatha.
Keir Gilchrist (Atypical, United States of Tara), Elizabeth Marvel (Homeland, House of Cards) y Tom Pelphrey (Ozark, Iron Fist) se unen como regulares a Love and Death. Interpretarán al pastor Ron Adams, la pastora Jackie Ponder y Don Crowder.
Raza Jaffrey (Code Black, Smash) y Sennia Nanua serán Francois Guise y Rahima en The Serpent Queen.
Ella Rumpf (Grave, Freud) participará como invitada en la tercera temporada de Succession. Se desconocen detalles.
Julie Halston (Bitsy) estará en And Just Like That..., el revival de Sex and the City. Christopher Jackson (Hamilton, Bull) y LeRoy McClain (The Marvelous Mrs. Maisel, Respect) serán Herbert Wexley, exitoso banquero de Manhattan y esposo de Lisa Todd Wexley (Nicole Ari Parker); y Andre Rashad Wallace, exitoso músico y marido de Nya Wallace (Karen Pittman).
Poppy Liu (Hacks, Sunnyside) se une como regular a Dead Ringers. Será Greta, encargada del servicio en casa de Elliot y Beverly (Rachel Weisz).
Eiza González (From Dusk Till Dawn, I Care a Lot) está en negociaciones para unirse al reparto de The Three Body Problem.
Beth Lacke (High School Musical: The Musical: The Series), Stephen Louis Grush (Longmire) y Cass Buggé (Disjointed) se unen como recurrentes a Lightyears. Serán Chandra, antigua alumna de Irene (Sissy Spacek) insatisfecha con su trabajo en una residencia de ancianos y con la vida en general; Nick, un solitario sin habilidades sociales que lleva un negocio familiar de cortinas y tiene una inesperada conexión con Stella (Julieta Zylberberg); y Jeanine, esposa de Byron (Adam Bartley) recién llegada a Farnsworth y vecina de Irene y Franklin (J.K. Simmons).
Byron Bowers (The Chi) será Herman, un director de Hollywood que se encuentra en París promocionando su película, en Irma Vep. Tom Sturridge (Sweetbitter, The Hollow Crown) sustituye a Jerrod Carmichael en el papel de Eamonn, exnovio de Mira (Alicia Vikander).
Daniel Augustin (David Makes Man), Ashlei Sharpe Chestnut (Homeland, Cruel Summer), Amandla Jahava y Jaboukie Young-White (Awkwafina Is Nora from Queens) serán recurrentes en Rap Sh*t como Maurice, amigo y colega de Shawna (Aida Osman); Fatima, compañera de clase y amiga de Cliff (Devon Terrell); Jill, amiga de la universidad de Shawna que trabaja en Spotify en Nueva York; y Francois Boom, antiguo compañero de clase de Shawna y productor.
Richard Roundtree (Family Reunion, Being Mary Jane) y Terri J. Vaughn (Insecure, Greenleaf) se unen como recurrentes a la segunda temporada de Cherish the Day. Serán Mandeville "MV" St. James, exjuez y padre viudo de Sunday (Joy Bryant); y Anastasia, futura exmujer de Ellis (Henry Simmons).
Justice Leak (Raising Dion, Powers) será recurrente en The Staircase como Tom Maher, compañero de David Rudolf (Michael Stuhlbarg).
Martin Bobb-Semple (Pandora, Free Rein), Karim Diané (StartUp), Sara Thompson (The 100, Burden of Truth), George Ferrier (Dirty Laundry), Miles J. Harvey (American Vandal) y Zenia Marshall (Date My Dad) serán recurrentes en One of Us Is Lying como Evan Nieman, novio de Bronwyn (Marianly Tejada); Kris Greene, nuevo estudiante con lazos con Cooper (Chibuikem Uche) y Nate (Cooper van Grootel); Vanessa Clark, mejor amiga de Addy (Annalisa Cochrane); TJ Forrester, novio de Vanessa; Lucas Clay, hermano pequeño de Cooper; y Keely Moore, novia de Cooper.
Melissa Saint-Amaud (Ozark) será Claire Brockman en Long Slow Exhale.
Alfie Fuller (Little America) participará en la cuarta temporada de The Marvelous Mrs. Maisel. Se desconocen detalles.
Christie Clark (Carrie), Austin Peck (Austin), Thaao Penghlis (André), Leann Hunley (Anna), Greg Rikaart (Leo), Chandler Massey (Will), Zachary Atticus Tinker (Sonny) y Eileen Davidson, que ha interpretado a varios personajes; también estarán en Days of Our Lives: Beyond Salem.
Pósters
       Nuevas series
Hulu ha encargado Tell Me Lies, basada en la novela de Carola Lovering (2018), que sigue una relación agitada y tóxica durante ocho años. Lucy Albright (Grace Van Patten; Nine Perfect Strangers, Maniac) y Stephen DeMarco se conocen en la universidad, donde decisiones aparentemente mundanas tienen consecuencias irrevocables. Escrita y producida por Meaghan Oppenheimer (Queen America). Produce Emma Roberts (First Kill).
Hulu encarga la comedia This Fool, antes conocida como Punk Ass Bitch, en la que un macarra de Los Ángeles (Chris Estrada) vive aún en casa de sus padres, trabaja en una organización sin ánimo de lucro que ayuda a la rehabilitación de pandilleros y se esfuerza para ayudar a cualquiera menos a él mismo. Con Michelle Ortiz (Mr. Mom) y Frankie Quinones (The Dress Up Gang). Escrita y producida por Estrada junto a Jake Weisman, Matt Ingebretson y Pat Bishop, creadores de Corporate. Producen Fred Armisen (Portlandia, Forever) y Jonathan Groff (How I Met Your Mother, Black-ish).
Syfy encarga Reginald the Vampire, dramedia en la que el mundo está habitado por vampiros bellos, en forma y vanidosos. Reginald Baskin (Jacob Batalon; Spider-Man: Homecoming, 50 States of Fright) es un héroe improbable que tiene que lidiar con todo tipo de obstáculos: no puede estar con la chica que le gusta, tiene un jefe bully en el trabajo y el jefe de los vampiros lo quiere muerto. Adaptación de los libros 'Fat Vampire' de Johnny B. Truant. Escrita por Harley Peyton (Twin Peaks, Channel Zero).
Amazon encarga The Lake, su primera serie original canadiense. Es una comedia en la que Justin (Jordan Gavaris; Orphan Black, Take Two) vuelve a casa tras romper con su pareja, con quien vivió en el extranjero durante muchos años, con la esperanza de reconectar con su hija biológica (Madison Shamoun), a la que dio en adopción en la adolescencia, pero descubre que su padre dejó la idílica casa del lago en la que él pasó su niñez a su hermanastra Maisy-May (Julia Stiles; Riviera, Dexter). Completan el reparto Jon Dore (How to Live with Your Parents (For the Rest of Your Life)), Carolyn Scott, Natalie Lisinska (Orphan Black, Mary Kills People), Travis Nelson, Declan Whaley (Criminal Minds) y Terry Chen (The Expanse, Jessica Jones). Escrita y producida por Julian Doucet (Killjoys, Bomb Girls).
eOne adaptará The Turnout, la próxima novela de Megan Abbott (2021). Las hermanas Durant, dueñas de una escuela de ballet y con una historia familiar problemática, contratan a Derek, un contratista, para reformar el estudio. Una de ellas comienza una aventura con él que amenaza sus lazos familiares y expone secretos de la familia.
Aubrey Plaza (Parks and Recreation, Legion) y Ramón Rodríguez (Gang Related, Iron Fist) protagonizarán el piloto de Olga Dies Dreaming, adaptación de la novela de Xóchitl Gonzalez (2021), en Hulu. Trata sobre dos hermanos nuyorriqueños con una madre ausente y políticamente radical y una vida entre la élite de Nueva York tras el paso del huracán María. Olga (Plaza) es una wedding planner cuya fachada oculta un interior oscuro, su búsqueda de la perfección se ha convertido en un compulsivo mecanismo de supervivencia, cree que nadie la ve como una igual y que su éxito es una ilusión y trata de escapar de su pasado todo lo que pueda. Prieto (Rodríguez) es un congresista orgulloso de su origen puertorriqueño que creció con el papel de patriarca y mantiene esta fachada ante sus votantes y sus oponentes. Escrita por Gonzalez y dirigida por Alfonso Gómez-Rejón (Me and Earl and the Dying Girl, American Horror Story).
HBO Max desarrolla Sag Harbor, adaptación de la novela de Colson Whitehead (2009) en la que Benji Cooper, uno de los pocos estudiantes negros de una escuela de secundaria de élite de Manhattan en 1985, escapa de los Hamptons cada verano para ir a Sag Harbor, donde una pequeña comunidad de profesionales afroamericanos han construido su propio mundo. Escrita por Daniel "Koa" Beaty. Producen Beaty, Whitehead y Laurence Fishburne (Black-ish).
Fechas
Deceit se estrena en Channel 4 el 13 de agosto
La segunda temporada de Ladhood se estrena en BBC Three el 15 de agosto
La segunda temporada de Code 404 se estrena en Sky Comedy el 1 de septiembre
La sexta temporada de Queen Sugar se estrena en OWN el 7 de septiembre
Doogie Kameāloha, M.D. se estrena en Disney+ el 8 de septiembre
The Lost Symbol se estrena en Peacock el 16 de septiembre
La cuarta y última temporada de Dear White People llega a Netflix el 22 de septiembre
Dopesick se estrena en Hulu el 13 de octubre
La segunda temporada de The Great se estrena en Hulu el 19 de noviembre
The Lord of the Rings se estrena en Prime Video el 2 de septiembre de 2022
Otras imágenes
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Tráilers y promos
La casa de papel - Temporada 5
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Impeachment: American Crime Story
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Stranger Things - Temporada 4
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Dear White People - Temporada 4 y última
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The Great - Temporada 2
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Y: The Last Man
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Dopesick
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Truth Be Told - Temporada 2
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Queen Sugar - Temporada 6
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Yellowjackets
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Cobra Kai - Temporada 4
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Diary of a Future President - Temporada 2
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theliterateape · 3 years
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A Bad Landing Destroys the Entire Trip
by Don Hall
You're on a plane flying across the country. The security check-in was a breeze. You were in the mid-section but as you board the attendant moves you up to the third row. The in-flight movie is one you've been dying to see and the flight is almost completely devoid of turbulence. It's a wonderful flight.
As you descend to land, however, the turbulence gets kind of insane. At one point, the oxygen masks pop out and upon hitting the ground, the front tire of the landing gear snaps off and you screech to a long, terrifying halt in the middle of the runway.
The flight is remembered as one of the worst, most traumatic experiences of your life.
I was severely late to the Game of Thrones party. Everyone in the free world (which is actually how Twitter feels until you realize how small a percentage of sentient humans use the app) was into it. Podcasts about it. Constant raving about it. I finally caved in and decided to binge the whole thing once the ending was in sight.
I loved it. Until the landing. The last five or so episodes were so rushed, so poorly thought out, and so sloppily put together (a Starbucks cup on the set of one of the most expensive and immersive televisions shows in modern history?) that the result seems to be a wholesale rejection of everything enjoyed breathlessly for years.
The very instant Twitter discovered the tepid ending, the uprise was evident. A huge flare-up followed by...silence. These days, if I ask someone I know was a whole hog GoT fan about Westeros, I receive a shrug and the quick response of bringing up a bad break-up from a disappointing ex.
My mom and dad loved Longmire. Effectively a crime procedural set in rural Wyoming and centered on a sheriff who reminded me of nothing less than my dad if he were a sheriff in Cheyenne country. Mom and I frequently (as so many do) recommend television and film that we think the other will dig, so I bit and jumped into the first episode.
Dana didn't care for it; I thought it had some merit if for no other reasons than I love Katee Sackhoff and Lou Diamond Phillips and firmly believe neither get enough screen time. I've spent my pandemic watching long form, episodic shows so the "Crime/Investigate/Solve the Crime" in one hour format was a step backwards but I liked Walt Longmire and I especially enjoyed the themes around white people co-existing with Native Americans. I can't recall too many shows that explore Life on the Rez in too much detail so this was new and interesting.
I binged some with breaks for six seasons. The first three were produced by AMC, the show was canceled then picked up by Netflix for three more. All in all, I spent a truly enjoyable 60 hours with Walt, Vic, Henry, the Ferg, Jacob Nighthorse, and Hector. 
It was apparent that the writers knew the series was ending with Season Six, so they started wrapping things up in fairly tidy fashion. It felt a bit rushed but I was willing to go along with a lot of it until the last three episodes and then it took a shit. Like the writers all got high and told the interns to finish it up.
Now, despite digging 57 hours of the show, the last three hours prevent me from recommending it to anyone.
You decide to take your wife for a high-end meal at one of the super-swank restaurants on the Las Vegas Strip. It's beautiful and sexy inside. You are seated at a table with a view of the Bellagio Fountain.
You order and each course is better than the last. The liquor is top-shelf. The food is fresh and expertly prepared, each bite melting inside you mouth like nutritious gold.
The dessert comes and, unknown to you, the chef has left a solid chunk of dog turd in the center of it. You bite down on dogshit and instantly vomit into your wife's lap.
The dinner is remembered as the worst in your life. Your wife declares that she will never eat out again and you subsist on nothing but Ramen and canned soup for the rest of your life.
It is a fundamental truth that no matter how solid the ride is, if you can't stick the fucking landing, the landing is the only thing anyone remembers (except your mom because she loves you and will lie to you to make you not want to eat a bullet). 
Endings are almost more important than the rest of the journey.
We all loved Lost until we didn't. We all reveled in Dexter until it blew chunks. Stephen King managed to create one of the scariest creations in fiction with Pennywise then made him a giant spider who is defeated by people taunting him.
Granted, one man's shit ending may be another man's perfect ending. I've read that the conclusion of War of the Worlds (the aliens are done in by germs) is somewhat like the ending of Signs (water kills them so why hop over to a planet covered in fucking water) but for some reason I love the first and despise the second. Maybe it's Mel Gibson?
Lots of folks hated the ending of The Sopranos but I loved it.
Whatever the case, a bad landing blows the entire ride.
You have ten years of a great marriage. Lots of love, lots of sex, lots of vacations. Compromises and laughter. Fights and reconciliations.
But the last year, she has an affair with a mutual friend that she’s cast in a bunch of shows with you and it ends badly.
No matter how good the good years were, you're see that marriage as a failure.
The ending is essential to the journey.
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matriarchofthehhc · 4 years
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Ana
A Longmire fic by Charlotte Crema
Mathias didn’t know how the hell he got into this situation, but here he was. It was 3 in the morning, he was at the tribal police station, and there was a baby wrapped in an LL Bean flannel on his desk. “Why exactly is the kid on my desk of all places?” he asked, his right eye twitching slightly. “Because...it was the best option in the heat of the moment?” one of the deputies said, chewing at their bottom lip. He groaned and rubbed his temples, turning to the deputy. “Seriously?” he said, “You call me at 3 in the morning not for a robbery, not for a murder, but for this?!” “Somebody left it at the doorway. What else could we do?” another deputy said, “We couldn’t just leave it there!” “You could have called Cassie Singing Earth! That’s what you could’ve done!” Mathias snapped, “She’s a fucking midwife for fucks sake! She knows more about this than I do!” “Told you.” the first deputy said to the other, jabbing him in the arm. Mathias shot them both a dirty look. “Dial Cassie. NOW.” he growled. “YES SIR!” the two deputies cried, scrambling to their desks. Unfortunately, their shouting also woke the baby who began to cry. Mathias clenched his jaw, squeezing his eyes shut before letting out a sigh. He walked over to his desk and carefully picked up the wailing baby, cradling her close to his chest. “I know, I know.” he said, “My deputies are a bunch of morons. I know, sweetie.” The sound of Mathias’ voice and the warmth of his body seemed to calm the baby down immensely. Within minutes, she was fast asleep in his arms. “There we go.” he murmured, smiling.
By the time Cassie got to the station, Mathias was sitting at his desk, his feet propped up on the edge and the tiny baby cuddled safely against his chest. She could tell he was fast asleep because his head was tilted back and he was breathing slowly and deeply. She chuckled softly to herself before stepping up to the desk. “Matt?” “Yeah!” Mathias cried, his head jerking upwards at the sound of Cassie’s voice. He let out a groan as he felt a dull ache in the back of his neck from where it had been resting against the wood of the chair. “Sorry. Didn’t mean to wake ya.” she said, “Can you tell me what’s going on?” “My deputy didn’t tell you over the phone?” he asked, slowly sitting up so he wouldn’t wake the baby. She shook her head. “Fuckin’ ducky.” he muttered, letting out a sigh, “Anyway, so they called me down here at 3 in the morning and I find a baby wrapped in a flannel shirt on my desk. There wasn’t a note as far as I could tell. What I do know is someone left it here and I want to find the mother.” “That’s not an it, Mathias.” Cassie said, “Her name is Ana. She was born at my clinic two days ago.” “Well can you tell me where Ana’s mother might be?” Mathias asked. “No, I cannot.” Cassie said, “And it’s not because I don’t want to, it’s because I don’t know. The young girl who gave birth to Ana disappeared from her room last night and we haven’t been able to locate her since.” “Shit.” he muttered, biting his lip. “Yeah…” Cassie said, “How’s Ana, by the way? Did she give you much trouble?” Mathias shook his head. “She was an angel.” he replied, “She slept most of the time.” “That’s good.” Cassie said, “Doesn’t really seem like a troublemaker. Has she eaten?” Mathias shook his head again. “Mmh…we may need to wake her up so we can do that.” Cassie said, “I can get her some formula at the clinic.”
The maternity clinic was only a ten minute drive away from the tribal police station. Little Ana slept like an angel for the entire drive. Mathias actually felt kinda bad that they’d have to wake her up...but he knew she needed to be fed and he sure as hell wasn’t her mom. Cassie took them to her office, letting Mathias sit down in the big rocking chair near her desk as she went to go fix Ana a bottle of formula. Ana slowly began to stir in Mathias’ arms and let out a tiny whimper, alerting both him and Cassie. “Guess we won’t have to wake her up, then.” he said, chuckling a little. “It appears that way, yes.” Cassie replied, pouring the formula she had just warmed up into a bottle. She tested the temperature before walking over and handing the bottle to Mathias. “You know how to bottle feed, right?” she asked. Mathias nodded. “I used to babysit for a friend of mine sometimes while she was at work.” he replied. “That friend wouldn’t happen to be Andrea Soaring Hawk, would it?” He nodded, chewing at his lip. “Most of the time it was either Ryan or me taking care of Eric.” he said, “Andrea would be too busy trying her hardest to get better for her daughter.” Cassie nodded sadly. “I remember when she came into the clinic to have Eric. That was when my aunt was still running the place…” she murmured, “She was so beat up...so scared…” Mathias nodded, chewing at his bottom lip. Their train of thought was interrupted by a loud whimper and they both looked at Ana. “Sorry about that, sweetie.” Mathias said, giving Ana the bottle. As soon as he put the rubber nipple to her lips, she latched on, suckling happily as she cooed softly. Mathias tried to hide the tears that were beginning to glisten in the corners of his eyes but Cassie could see right through him. “Your heart just melted didn’t it?” she said. He nodded. “Big fucking puddle.” he said, trying not to cry. Cassie chuckled and rubbed his back. “Ah, it’s ok.” she said, “I always knew you weren’t as tough as you put on.” “Shut uuuuup! I’m having a moment!” Mathias whined. “It’s alright, Mathias.” Cassie said, gently ruffling Mathias’ hair a little and kissing him on the temple, chuckling. Mathias sniffled and let out a tiny chuckle. “Jeezis, I’m getting soft, aren’t I?” “That’s not a bad thing.” Cassie said, “I like the softer side of you.” Mathias  smiled. “I do too.”
Ana had just fallen asleep in Mathias’ arms after a rather leisurely lunch when all of a sudden the phone in Cassie’s office rang. Mathias did his best to cover Ana’s ears so she wouldn’t wake up but it was too little too late. Ana was already starting to whimper and fuss. Luckily Cassie picked up the phone before Ana could begin crying. “Cassie Singing Earth’s office.” she said while Mathias gently rocked Ana in his arms and hummed softly to soothe her. She nodded as she listened to the person on the other end of the line and then turned to Mathias. “It’s for you.” she said, “It’s Walt.” “How does he know I’m here?” he said, getting a bit tense. “He said he tried to call you at the station and one of your deputies told him.” Cassie replied. Mathias grit his teeth. “What’s he want?” he growled. Cassie bit her lip. “I think he may have found Ana’s mother.” she said.
The drive down to Walt’s station was nerve wracking. Even though Ana slept peacefully the whole way down, Mathias and Cassie were still on edge. What was gonna happen once they got there? What would happen to Ana? They were afraid to find out.
As soon as they got there, Walt was waiting for them right outside the station. As was- wait… HENRY?! “Why is Standing Bear with you?” Mathias asked, holding Ana close to his chest. “Because I found a young woman at my bar who was wearing a bracelet from Cassie’s clinic.” Henry replied. Fuck. Fuck fuck fuck fuck. Mathias bit his lip. He didn’t realize how tightly he’d been hugging Ana until he heard a tiny whimper from his chest. “Ah! Sorry sweetie.” he said, loosening his hold slightly so she could breathe and gently caressing her back. “Don’t get too attached, Mathias.” Walt said, “The mother may- OW!” Walt was slapped HARD upside the head by Cassie. “Shut up, Walt.” she said, “He’s been through a lot today.” He sighed. “Ok, ok, sorry.”
When they walked into Walt’s office Mathias could tell right away something wasn’t right. The young woman sitting on the couch looked very frightened, like she might bolt at any moment. She had dark rings under her eyes and he could clearly make out cigarette burns and bite marks on her arms. “Do we know why she was hiding in Henry’s bar in the first place?” he murmured softly to Walt. “Not really, but she kept saying something about some guy named Damon trying to find her.” Henry said, “I’m guessing that he was her boyfriend or possibly her husband.” Mathias felt his jaw tighten. “So he’s got a mistress, then.” he muttered. “You know him?” Walt asked, brow furrowing. Mathias nodded. “That’s Andrea Soaring Hawk’s husband.” he growled, “When did he get out?” “As far as I know, he’s still in jail.” Walt replied, “I think that young woman must have gotten pregnant before he was arrested again.” Mathias grit his teeth, his blood beginning to boil. “Do we know why she left her baby at my police station?” he asked. Walt shook his head. “She wouldn’t say...but then again, I don’t really think she’s altogether sane at the moment.” Mathias let out a soft sigh and handed Ana to Henry before walking over to the young woman. As soon as he sat beside her, she flinched. “I’m not gonna hurt you.” he said softly, “I just want to ask a few questions.” “I don’t want him finding her. I don’t.” The woman said, “Damon…Damon wanted me to get rid of it...I don’t want him near her.” Mathias nodded. “I can understand that, but why did you leave her with me?” “Because you could help!” she said, “You could find her a foster home.” That was true. Mathias would be able to find a suitable home for Ana. But...he wanted the mother to have a say in the fate of her baby. “If we put your baby in foster care…” he said, “Do you still want to be in contact with her?” She shook her head. “Can’t risk having him find her.” Again, very true. Mathias let out a soft sigh. “There’ll have some paperwork you have to sign and give to Cassie so she can submit it to social services.” he said, “That only takes a few minutes.” The woman nods. “Whatever’s necessary to make sure my daughter is safe.” she said.
After she’d signed the papers, Mathias stepped out of Walt’s office, motioning for Cassie to follow. “What’s up?” she asked, “You ok?” He nodded, taking a deep breath. “I want you to print out some adoption papers for me.” he said. Cassie blinked. “Does Henry want to-” “It’s not for Henry.” he said, “It’s for me.” He bit his lip and slowly shut his eyes. “I wanna adopt Ana.” There was a pause before Cassie spoke again. “Wait...you...” Mathias nodded, chewing at his lip. “Matty…raising a baby is a huge responsibility….even more so if you’re a single parent.” she said, “Are…..are you sure about this?” “Yes, Cassie, I’m sure!” he cried, “I’d rather try my hand at fatherhood than send that baby to an orphanage where she could be sent to foster home after foster home until someone finally adopts her, IF she ever gets adopted that is! Who knows! And god knows what may happen at those foster homes!” “Hey, hey, calm down.” Henry said, putting his hand on Mathias’ shoulder. “Stay out of this, Standing Bear!” Mathias retorted, “This isn’t your problem.” Henry sighed. “She was getting fussy and was looking for you.” he said, handing Ana to Mathias. Ana let out a squeak and nuzzled against his chest. Mathias gently stroked the top of Ana’s head with the pad of his thumb. “You want to adopt her, don’t you?” Henry asked softly. Mathias nodded, lowering his gaze towards the now sleeping baby in his arms. Henry smiled and wrapped his arm around Mathias’ shoulders. “That’s good.” he said softly, “I think you’ll be a great dad.” Mathias blushed. “Shut up, Henry…” he muttered, but inside he was grinning like an idiot. Cassie chuckled. “I’ll go get those papers for you.”
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dumbbitchenergy17 · 5 years
Text
I’m Sorry (Part 2)
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Summary- You are Michael’s vessel as you are dean’s kid and letting him use you instead of your dad
Dean x daughter!reader
Word count- 3,630
No One’s POV
“Is this...Are you real?” Jack questioned
Holding out his arms as if to gesture to himself “Always.”
“Sam said you're dead. He said Michael killed you.”
Lucifer shrugged “Yeah, I don't like to speak ill of people, but Sam is a big fat liar and he's a bad person and... like, freakishly tall, so,
“I-I don't understand?” Jack questioned
“No, Michael didn't...Sam was the one who left me behind.” Lucifer said acting innocent “What?” Jack said
“Yep.” Lucifer walks closer to Jack to face him “I mean, I think he thought I'd be trapped over there in "Giant Litter Box World" forever, 'cause that worked so well the first time. I don't blame him, though, okay? I mean...for everything that I've done to him, I think, uh, I had it coming, you know? But you know what? I'm moving on.” He explained
Jack responded, “But if the rift is closed, then how are you here?”
“Oh, no. Not ‘how.’ ‘Why.’ I'm here for you, Jack. Because, you know, even though the Three Amigos -- Sam, Dean, Castiel, and Dean’s little spawn -- won't admit it, you need me. You do, 'cause we're blood. And we're not human, no matter how much we pretend to be. See, humans are...limited and fragile. And I'll admit, they bring out the worst in me, I gotta say. It seems like, you know, no matter how much you try to do right around them, something always goes wrong. Follow?” Lucifer sighed
“I ...I know.” Jack frowned Y/n was his friend and she was gone.
Lucifer smiled “Right? And that's not their fault, or ours. It's just, us and humans, we're like oil and water. You know, sardines and strawberries. It's just a bad combination.”
“What do we do?” He pondered
“Leave,” He smiled Lucifer turns from Jack and looks towards the sky, “I mean...there's a whole universe out there, buddy. Planets. Stars. Galaxies. Why should we stay here on Earth when we can go anywhere else? Heck, everywhere else.”
Jack smiled “Like, um, like Star Wars?”
Lucifer turns to Jack excitedly “Exactly like Star Wars. You want a lightsaber? I can make you a lightsaber. Heck, I can make you a Wookiee.”
“But...no. Sam, Dean, and Castiel, they'll miss me.” he frowns
Lucifer placing his hand on Jack's shoulder “Yes, they will. They will. It'll be hard. But you have to live your life for you. Right? This is our second chance, kiddo. This is our opportunity to escape our past and our sins and start over. What do you say? Father, son. You up for an adventure, buddy?”
Jack nodded “I...I'd like that. But there's something you need to do first.”
Back at the Bunker 
“Talked to the other refugees. No one's got any idea who'd wanna hurt Y/n.” Bobby said scratching his beard
“Maybe it wasn't one of them. Maybe...there are monsters in this world that aren't monsters.” Mary said
Jack and Lucifer came down the stair “Jack! Hey --” she began
lucifer sent a small wave “Hey.”
“Kid, what the Sam Hell?” Bobby jaw dropped seeing Satan back
Jack held his hands up “It's all right, okay? He's here to help.”
“He is.” bobby said skeptically Lucifer walking with Jack past Bobby “You know it, Longmire.”
“Call Sam. Now.” Mary said to Bobby
Lucifer and Jack walk into the main room in the bunker. Y/n is lying on the map table. She has been cleaned up and is covered with a sheet up to her neck. Mary follows them into the room. “Hmm. So you're leaving dead bodies on tables now. Nice.” Lucifer smirked
“We were waiting, to give her a Hunter's funeral,” Mary said
“You won't have to. My father, he's gonna bring Y/n back to life.”
“I am?” he said shocked
Mary grabbed Jack’s arm “Jack, what are you doing?”
“What I have to. This...it's my second chance to prove to Dean I’m good.”
Lucifer clapped his hands ‘Yeah, uh, Jack, about this, uh, resurrection stuff -- It's not always a great idea because, uh... you know, people come back...different.”
“Well, Sam didn't,” Jack replied
“Right. Well, Sam's always been...sort of different. You know what I mean? Some would say ‘special.’, lucifer looked over at Mary “No offense.”
“You said you'd do anything.” Jack presses
Lucifer grudgingly walked over to Y/n “Fine. Fine.” He places a hand on Y/n's forehead
Mary leans over to Jack “Has he done something to you?”
“I heard that. Heard it.” Lucifer said annoyed
“Mary, everything's gonna be fine.” Jack placed a hand on her shoulder
“Okay,” Lucifer says Lucifer's eyes glow red. He pulls his hand away quickly and Y/n sits up, gasping. Sam, Dean, and Castiel come rushing through the door on the upper level.
“Jack? Jack!” Sam yells
Dean not caring for Jack staring at his daughter looking at him “y/n.” his voice cracking tears filling his eyes.
“Dad?” She said
----------------
Y/n’s POV
Uncle Sam, Dad, Castiel, Mary, and Bobby sat are around the map table in the bunker “How did Michael and Lucifer both get here? How did they open a rift?” Sam runs his hand through his hair
“You know what? It doesn't -- We -- we've gotta find Jack before Michael does whatever the hell he's gonna do, okay? I-I'll call Jody and everybody else.” Dean says grabbing his phone
Bobby grabbed his arm “You're gonna put out an APB on the Devil?”
“Yeah, I am.” Dean snaps back passing by you not giving you a single look
“I'll check angel radio,” Cas states to no one
“Sam, even if we find Lucifer, how we gonna stop him?” Mary asks
Hearing footsteps heading to you as you just stare at the wall “Y/n? Hey, sorry. You okay?” Sam asks grabbing your hand
“I'm alive, so... yes? One second I'm with my family and then everything dark and I’m in heaven.” You sighed
“Listen, I-I know this is weird -- so...weird -- but, um, before you...died, do you remember anything about the person that killed you?”
“Does it matter? Kinda seems like you have bigger, you know, Satan-y problems. and Michael here”
“Yeah, but -- but we're -- we're dealing with those. Mostly. Um...But yes, it does matter. It matters to me. and your dad.” Sam says rubbing his hand up and down your back
“I... I never saw his face, but, uh... I saw his eyes.” you said Sam nodded about to continue when your dad walks in “All right, Jody's lookin'. So far, Nada.” he frowns
Cas sits down as well “Yeah, angel radio is nothing but static, which is disturbing.” Dean sighs “Great. Well, we'll just add that to the list.”
“So what do we do now?” Mary asks A loud banging sound and the lights begin to flicker “What’s happening.” You ask your dad coming to your side.
Sam looks at the door to the outside world beginning to shake.
“oh god.”
“What the hell is that,” Bobby yells as the alarms blare
“Mom, Bobby take Y/n and get her out her go through the garage,” Sam says as the banging gets louder and the door shakes
Mary grabs your arm “We’ll buy you time.” Dean says 
“Dad no I won’t leave you!” You yell as mary begins to pull you with Bobby “Go Y/n.” Dean tells you “Dad no. no.” you yell out as you’re pulled out the room.
“Come Y/n we have to go.” mary tells you as tears stream down your face as you yell for your dad. 
Pulling your arm free from her you start sprinting towards your dad as Mary yells your name. Entering the room you see Cas thrown across the room and sam on the ground your dad in a chokehold in Michael's grip.
“Dad!” you yell getting everyone attention 
“Ah the youngest Winchester Y/n pleasure seeing you again.” Michael smirks tighten his grip on Dean
“let him go.” you yell at him 
“Y/n get out of here.” Your dad gasps for air struggling to free himself.
“Dean Winchester will be the first life that I take in this world, the first soul I save. Some would consider that an honor.” He smirks at you flicking his wrist sending you to hit the pole falling on the ground groaning in pain. “y/N! Y/N” Dean yells struggling in his grip
“Well, as Shakespeare once said, eat me, dickbag.” He growls out
Michael smiles and tightens his grip even more. Dean is struggling to breathe. Behind them, Sam is on his hands and knees “Jack, Jack. Jack, I don't know where you are, and I don't even know if you can hear this prayer, but we need you. We need you.”
----------------
“Could've done this quick, but I wanted to enjoy it, that moment when the soul leaves the body... ‭‬it's beautiful.‬” Michael grins seeing Dean slowly turn blue RIght before he passes out, he and Michael are hit with a shock wave and they fall to the floor. As they fall, Jack appears behind them. Behind Jack, Sam uses the wall behind him to push himself to a standing position. While you push yourself up by the table.
“Jack.” Sam breathes a sigh of relief
I heard your prayer.” Jack answered staring at Michael
“Yeah, it's me. Yay,” lucifer yelped, “Uh, we done, buddy? Buddy?”
As Michael starts to stand up. As he does, Jack's eyes glow and he raises his hand “You hurt my friends.” he growls Michael starts to yell in pain. Black liquid runs out of his eyes and ears. “You hurt my family!” Jack yells squeezing his fist and Michael goes to his knees, screaming in pain
“Whoa.” Lucifer gulped
“Lucifer, we -- we had a deal!” Michael screamed out ‘Deal’ you look over at Sam who was also confused
“Okay, game over,” Lucifer laughed, “Hey, buddy, let's, uh, let's, uh... split, okay?”
“What does he mean?” Jack questioned “I-I-I don't know. I didn't -- I didn't hear.” Lucifer stammered
“They had a deal. Lucifer gets you, and Michael gets everything else. He's gonna nuke our world, Jack, just like he did his.” Dean said walking over to us wrapping his arm around me pulling me closer to him.
Jack looked over at his father “Is that true?” he asked
“‭No! It's not.‬” he lied
“Is that why you wanted us to leave?” jack questioned, “Leave?” You called out looking at Jack with a frown.
“He said -- he said we'd go to the stars.” jack defended his dad
“What, and you're just gonna leave the rest of us here to burn?” Castiel accused Lucifer “Okay. Hold on a second. Let's slow down, 'cause I...I'm not currently the bad guy here.” he exclaimed
“Yeah, tell that to Y/n,” Sam said pointed towards you
“What about y/n?” jack asked about one his closest friends
“She saw the eyes of the person who killed her -- the glowing, red eyes,” Sam said
“You're gonna -- you're gonna believe this guy? Come on, man! Sam's a hater!” Lucifer sputtered
“Tell me,” Jack stated “He would say anything to get you on his side.” lucifer tried getting on jack’s side
Jack moved towards Lucifer, eyes glowing and hand outstretched “Tell me the truth!” He yelled
Lucifer’s eyes start to glow, his head tilts to the side and he starts speaking “She saw me when I was scouting out the bunker. She saw me and she screamed, and then...so I crushed her skull with my bare hands. And it was warm and wet, and I liked it.” Dean pulled you closer keeping far away from Lucifer
Lucifer's eyes return to normal and he looks confused “You're not my father. You're a monster.” Jack cries
Lucifer yells “Come on, man!” He bellows so forcibly that you, Sam and Dean cover their ears, his eyes glowing red “Okay. I tried with you. I really tried with you.”
“Everything you told me was a lie,” Jack replied
Lucifer threw his hands up “Because I told you what you wanted to hear, man. So what?! I killed the runt! Big deal! She's a -- she's a human!,” He points at you, “We need fewer Winchesters anyway She doesn't matter!”
“So am I!” Jack yells back
“Yeah? And that's your problem,” he points at Jack, “You're too much like your mother.” Lucifer steps closer
“Jack...” You say
“Stay back. I'll handle him.” Jack holds his hand up
Lucifer laughs “Will you? Oh, buddy. We could've been something, you and me. We could've remade the universe. It would've been great. We could've been better gods than Dad. And I really wanted that, pal. I wanted that. But now if I can't have it with you, I...I don't need ya. I just need your power.”
‭Lucifer produces an angel blade from his sleeve and cuts Jack on his neck
“Jack!” You cry trying to go to him your dad holding you back.
“No!” Castiel yells‬‬‬‬‬‬‬‬
Lucifer grabs Jack's jacket in his fist and sucks Jack's grace into his mouth. His eyes glow yellow as he touches Jack's neck, healing him. Jack looks as if he's going to collapse.
“Jack,” Dean calls to him
Cas yells “Jack!” Dean and Castiel rush forward to grab Jack. As Dean touches Jack, there is an explosion of light. Castiel is thrown down to the ground by the force of the explosion, while Dean is absorbed into it.
“Dean!” Sam yells
“Dad!” You cry out.
----------------
“What just happened?” Sam asked
“I don't know,” Cas answered equally confused
“The Devil won. That's what happened.” Michael says Your heart drops your dad was with a juiced-up Devil.
Dean’s POV
He lands on the floor in a church. He struggles to his knees. Lucifer is standing in front of him, holding Jack up by his coat collar
“Really, Dean? Hitching a ride? I mean, do you ever quit?” lucifer hisses
“Go to hell.” He spits back
“Hell, yeah.‬ Been there. Done that.‬” He smirks Lucifer drops Jack and turns to kick Dean, knocking him to the ground)
Y/n”s POV
“How do we stop him?” Sam asks
“You don't. After consuming the Nephilim's grace, Lucifer's juiced up. He's super-charged. He'll kill the boy, your brother. Hell, he could end the whole universe if he put his mind to it. And you thought I was bad.” Michael says shrugging his shoulders
“No. No, you beat him. I saw you.” You said pointing at him.
“When he was weaker, and I was stronger. Believe me, I'd love to rip my brother apart. But now in this banged up meat suit... not happening. This is the end, of everything.” Michael holding his arms up showing off his body
“No. What if...what if you had your sword?” You said looking at him Sam and Cas both looking at you shocked “I'm Dean Winchester’s daughter I the next best thing.” you said staring at him a grin forming his face
Dean’s POV
“You know... it's been really fun. I really had a great time with you, but I think we should see other people. What do you say?” Lucifer drops him, his eyes glow orange as he places a hand on his's chest. ‭‬‬‬‬He grimaces and grunts in pain. Behind him, Jack is getting to his feet, his face bloody.
“Stop!” Lucifer turns, dropping him
“Now, why should I listen to you?” He laughs at the now human
“Because...I'm your son,” Jack replies
“Oh, yeah.‬ ‬‬‬Well, you had a chance with that, but,” Lucifer punches Jack in the face, twice. Jack falls to his knees, “Now?‬‬‬” Lucifer punches Jack a third time and he falls to the ground completely. He is standing up behind him.
“As for kids...Ah, I can make more of those.”
He grabs Lucifer by the shoulder, turning him around. Lucifer punches him in the face and he falls to the floor
“Wow, Daddy Dean coming to the rescue. But your little Jackie, the nougat-loving boy that you had before, he's killed, people. He's got lots of blood on his hands.”
He stands up “I don't care. He's family.”
“Ha! What's family done for anybody? My dad left me. My brothers tried to kill me. A lot. Family blows. And I'm gonna prove it to you.” lucifer yells
“What, by killing me? Go ahead.” He sighs holding his hands out
“No, I'm not gonna kill you,” Lucifer points at Jack, “He is.” As Jack and he looked at each other, Lucifer pulls an angel blade from his sleeve and drops it to the floor between them
Y/n’s POV
“Y/n, no,” Cas says looking at you
“I am your sword.” You say
Flashback
“It's you. You're the Michael sword.‬” Zachariah says
“Your perfect vessel.” You looking at him
“Why do you think you are his vessel? Michael You were born to become his other vessel. Gabriel explained when you first meet
“With me, you'd be stronger than you've ever been.“ you state
“Oh, I know what you are,” Michael smirks
“If we work together, can we beat Lucifer?” You ask
“Y/n!” Sam tries to get your attention. ‭‬‬‬ 
“Can we?!” You yell.‬ “We'd have a chance.” He replies
“Y/n, you can't.” Cas grabs your arm
“Lucifer has Dad. He has Jack. Cas, I don't have a choice!” You decided “If we do this, it's a one-time deal. I'm in charge. You're the engine, but I'm behind the wheel. Understand?” You look at Michael both your uncle and Cas look at the interaction in fear.
Dean’s POV
“Now I could -- I probably should -- execute you. I mean, really, really use my imagination. But I'm feeling generous today. So one of you is gonna walk out that door, and the other one will be laying dead on the ground. You choose.” Lucifer smirks glancing at them both.
“No.” He says
“Or you could do that, and I can murder you both and end all life in the universe. Remake it in my image, better than Dad ever could. I'm thinkin'... mm... fire-breathing dragons, sassy talking robots. I might give humans another chance if they know their place and worship me, 'cause I've earned it. But hey, it'll probably take a few days to unravel the universe, Maybe, uh, 7, 10 days tops. So maybe, just maybe, one of you could stop me. Maybe. Well, let's see. Clock's ticking, guys.” Lucifer lists off
Dean picks up the blade. Jack looks at him questioningly. Dean hesitates for several seconds and turns the handle of the blade towards Jack
“Kill me,” he says
“What?” Jack chokes out “Kill me.‬‬‬‬ You can stop him, Jack.” Dean begs. Placing the blade in Jack's hands “You can get your power back.”
“No, I-I c-can't. I can't beat him. But you can.” Jack answers
“What?” DEan says confused‬
“I know you can.” Jack turns the blade to point at his stomach
“No, no, no, no, no. Jack. Don't! Jack!” Dean yells
“I love you. I love all of you.” Jack cries
“Jack, don't! Don't!” Dean yells Jack pushes the tip of the blade into his stomach and blood stains his shirt. A bright light glows from behind him and he turns to see Y/n, bathed in light, angel wings unfurling behind him. The light goes out and they all turn to face Y/n.
“Y/n” Dean whispers
“Hiya, Dad.
“You let my brother in,” Lucifer growls
“Well, it turns out, he and I have something in common. We both wanna gut your ass.” You snap back Lucifer runs towards Y/n. As he gets near Y/n kicks him in the chest, sending him flying across the church
Y/n goes after Lucifer with an angel blade and the fight, Lucifer eventually knocking the angel blade out of Y/ns hands. They separate, and then run towards each other, rising into the air as they grab each other's shoulders. They continue to fight several feet above the ground. Lucifer gains the upper hand and proceeds to punch Y/n in the face several times, to the point that Y/n can no longer fight back.
“Well...” ‭‬‬‬Lucifer continues to punch Y/n “Good try, Y/n I'll give you that, buddy.‬ I'm not just powerful now. I am in power.”
Dean rushes over to picks up the angel blade
“And I don't need a blade to end you, pal.” He smiles
“Y/n” Dean throws the angel blade into the air and Y/n catches it
“Bye-bye, runt.” Lucifer's eyes glow as he places his hand on Y/n's head. As white light emanates from Y/n's eyes and mouth, she stabs Lucifer with the angel blade. Lucifer lets go of Y/n and she falls to the ground. Lucifer screams as fire burns from his eyes. There's a flash of light and Lucifer falls to the ground.
----------------
Y/n’s POV
Lucifer lies on the church floor. His outstretched wings are charred and burning. Y/n, Dean and Jack approach him
“Is he...” Jack starts
“He... he's dead.” Dean states
“Holy crap.” You mumbled
Dean looks over at you “You did it.” 
“No. No, we did it. We did it.” You correct him
You, Dean, and Jack are smiling as they realize what they've done when you double over, grunting in pain “Y/n,” Dean asks grabbing your shoulders
“We had a deal!” You yell when you stop grunting and stands up, incredibly calm “Michael” Dean whispers
“Thanks for the suit,” Michael said before he disappears leaving Dean and jack alone. Dean lost his daughter again. In the bunker, Castiel is sitting on the stairs Sam pacing tears in his eyes. Mary and Bobby run up to him. As they look down, Castiel slowly shakes his head.
No One’s POV
As the rain pelted down on the street as people headed to there destination a woman dressed in a suit a large coat on and a newspaper boy hat rest on her hair. As she looks up grinning her eyes flashing a blue glow.
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bloodanddiscoballs · 5 years
Text
I was tagged by that absolutely beautiful and wonderful @honeydipped-crystaltipped
Here we go!
1.) are you named after someone?
No! But my name does have meaning; my mom had cervical and vaginal cancer and was told she would never have a baby. So, when she got pregnant with me, it was a bonafide miracle. She named me Desireé because she desired me so much and prayed for me day and night
2.) when was the last time you cried?
I'm kinda a softie so I cried when I watched Longmire tonight cause they were discussing some particular hard realities that surround the stealing of native children by white folks who deem our families unfit to raise them. My own family has seen how the corrupt child protective services fails the kids they say they're there to protect so it hit home.
3.) do you have kids?
No and I cannot because of the fusion of my pelvis and lower back. If I were to carry, it would paralyze me and the child would probably not make it.
4.) do you use sarcasm a lot?
I do! Because I deal with chronic pain 24/7 I use humor to deflect and to get me through each day. Sarcasm just kinda comes naturally.
5.) what is the first thing you notice about people?
Usually their teeth. I read lips cause it helps me focus in on the conversation so I naturally look at the person's mouth. Past that, it's hands. I get freaked out over veins so hands are kinda a thing for me.
6.) what is your eye color?
Super dark brown. Kinda chestnuty cause they have a redish hue to them. I've always had a hard time with people seeing my pupils cause my eyes are so dark.
7.) scary movies or happy endings?
Definitely happy endings. I don't like depressing stories or when the ending is 'too realistic’. I already have enough sad stuff in my life, I don't wanna be bombarded with sad stuff when I'm trying to be entertained.
8.) any special talents?
I can draw and write well. I like to think that I have a talent for articulating my thoughts even under pressure. Not always, but even when I'm mad I still feel like I can form the sentences that I need.
9.) where were you born?
In a little town called Mission Viejo. Been in the surrounding area all my life.
10.) what are your hobbies?
I love collecting crystals, stones, and fossils. I enjoy painting and drawing (outside of work) and writing (also outside of work). I like reading sci-fi and thriller novels. I listen to podcasts like Sawbones and MBMBAM and WTNV. I create playlists for fellow writers or artists. I spend time taking pictures of the local wildlife in the canyon by my house.
11.) have any pets?
I have a miniature dachshund named Twinkie and a Ragdoll cat named Castiel.
12.) how tall are you?
I am 5’4”!
13.) what sports do you play/have you played?
I spent 15 years in karate growing up. Now, I cannot participate because of my back.
14.) favorite school subject?
I always loved English and History. I did well in those classes probably cause it was mostly reading and writing.
15.) dream job?
To work on movies that celebrate diversity and include people who are often cast aside in favor of the same old same old.
I'm gonna taaaaag (no pressure though, it's just fun!) @idiotsavantscapades @soulholders @nmkfl @33heather @handsomejackass @illgiveyoumygavichal
💖💜💙
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itsaboutbooks · 5 years
Text
Book Club, the novel adaptation
THIS WAS AN EXPERIENCE LET ME TELL YOU. 
I roll on up at 6:55 for the 7pm book club. I walk in and there's an immediate flurry because my presence means we need another table. In point of fact, the new table added two seats and they were all filled by the in so whatever guys, you would have needed another table anyway. 
I sit down and everybody is passing around these treats. There's no escaping Ernie's cornbread. He's VERY serious about the cornbread. But it's good cornbread so it's fine. But I successfully refused salami, mozzarella, oreos, milanos, some sort of ritz mix, and some chocolate covered mini cookies. 
Mary comes in, wheeling in a book cart, upon which is a carafe of coffee, some paper cups and a pint of half and half. Another woman whose name I can't remember walks in right then and Mary pounces on her: 
"Did you get my email??"
"No...? What was it about?"
"About coming at 6:30 so you could learn how to make the coffee."
"Oh," glances meaningfully at the clock where it says it's 7:02.
"GIVE ME YOUR PHONE NUMBER."
So we know Mary is a person to watch.
We're settling in and the last woman comes and sits next to me. She says to the person next to her, who is the one who was supposed to come at 6:30 but didn't, "I wonder if we can have decaf next time, I can't have caffeine this late."
The other woman addresses Mary, at the far end of the table. "Mary, Annette wants to know if we can have decaf next time."
"I'm sorry, I can't really hear you."
The message is passed up to Mary. Mary: "I just opened this container of coffee."
Annette's representative: "Well maybe we can get decaf next time?"
Mary: "Is that ok with everyone else? *I* don't drink coffee," (gestures meaningfully to her water bottle "so it doesn't matter to me." 
Attention turns to the guy who leapt for the coffee as soon as it was wheeled in
Annette's representative: "I mean, we're all old. We shouldn't have caffeine this late anyway." 
Silence. 
Coffee guy: "I don't mind. I'll drink whatever's here." 
Mary: "Well, the library provides the coffee." 
Annette's representative: "But surely we could ask for decaf?"
Mary: "Except I think that they provide coffee for ALL the book clubs, so..."
Annette: "Oh, it doesn't matter, I can just bring my own drink." 
Annette's representative: "Maybe we should just bring our own coffee. Coffee isn't that expensive."
Ernie: "We could run it like a club and take dues." 
Mary: "Hahahahaha. Let's have the new people introduce themselves." 
I fear Mary. 
Anyway, it's me and another girl a little younger than me that are new. She moved her a year ago from San Jose. There were 16 people there, of which about 5 were in my general age demographic, another 3 were my parents age and the other 8 were my grandparent's age. 
Ernie goes first, so I go last. 
Ernie's book is about code breakers in WW2. This led to an amazeball side discussion between Ernie and Stan about their respective WW2 experiences (!) which took a long time for a book club that's supposed to be an hour and requires 16 people to give a book summary. 
Then DeNell goes, she's talking about a thriller that she's only partway through.
Then Stan's wife goes. This woman is a retired physics professor, which is pertinent because this review makes her sound like an idiot. She's also had a stroke and is hard to understand but she goes for it.
Stan's wife: "Do you know how the amazon on the computer lets you have a sample of a book so you can decide if you want to buy it?" everyone nods. "Well, I got a sample of this book called The Master Algorithm and I wanted to read it because Stan and I watch this show, I don't know if any of you have ever seen it, it's called Numbers. It's about these two brothers and one is an FBI agent and the other is a math genius and the one brother gets all the cases and the other brother solves the cases using algorithms, and I wanted to know what an algorithm really was because I never had that in my math classes in school. So I read this sample and what I realized was I should have read the second part of the title which was the search for the algorithm that will unlock learning so it was about looking for a special algorithm and not what an algorithm is. What I learned was that I did not need to buy this book."
Silence.
Someone: "Did you read another book, then?"
Stan's wife: "No. I looked up what an algorithm is and I wanted to tell you because that's what I learned this month and also maybe no one else knows what an algorithm is either. What it is, is a set of instructions you give a computer. The example that I saw that made the most sense to me was doing the laundry. Doing the laundry is an algorithm because you decide if something is a white or not, and if it's a white it goes to the whites, and if it's not it goes with the darks."
Silence.
Then Stan talked about his book, a murder mystery set in the Shetlands.
Mary finally started reading the Agatha Raisin books. But because I fear Mary I do not mention that they go downhill pretty fast from where she's at.
The next lady talks about a book about a woman who went to Syria before the war on a Fullbright to study the Koran, and this is the sequel she read, about her life in Jerusalem with her Syrian husband and their child.
Then Paige, the other new girl, talks about a book she read that was historical fiction set during the Irish Potato Famine. She says, "I had no idea the English were so culpable for that, refusing to provide aid."
I nod because I've read some of that history and that's right.
Stan: "But didn't the Irish refuse help from other countries?"
Silence.
Stan: "I know that England didn't help but other countries offered to help and Ireland refused, right?"
Paige: "I can't imagine why, when they had so many people starving to death."
Stan: "I'll look it up."
Me: side-eyes Stan. I choose not to remind him to cite his sources.
Lois: "I should probably pass because I read two books and then I decided which one I would talk about and I put the other one away, and then when I got ready today I couldn't find the one I wanted to bring, and I don't remember the title or the author. It was ok."
I almost DIED.
Her husband read this book about the guy who created the Ultima video games. He went on and on and wasn't interesting. 
The next guy is the coffee enthusiast, and he read a history of Scotland from 1700-2000, and he gives a ton of detail. Too much, because it's already past 8pm and there's 5 of us left.
The next guy read a book called "Hope Never Dies" an Obama/Biden murder mystery. I laughed out loud.
The next lady says, I should probably pass, I'm almost halfway through Lady Chatterley's Lover but I'll probably be done with it by next month.
And then there's an 8 minute discussion of it vs Bridges of Madison County and whether she should try to continue reading another book her mom gave her for Christmas.
The next woman is Annette's coffee advocate and she read a historical fiction book about an Iranian woman poet who had to live out her life in exile and there was some scandal about her romantic poems and between that more explicit than expected discussion and the conversation about Lady Chatterley's Lover, I have to tell you, I'm full up on my quota of minutes spent discussing sex with random octogenarians.
Then Annette goes and she talks about some random thriller she picked up and then says, "Sometimes I read more and sometimes I read less and lately I'm reading less so I'm also going to recommend a TV show that I've been watching. It's mysteries set in a modern day western setting, which I normally avoid westerns but it's very good, and it's based on a series of books, it's called Longmire. I haven't read the books and I don't want to because I like the show so much but I'm sure they're good."
Buddy: "They are!"
Annette: "And the library has the DVDs so you can get them here."
Stan: "They're streamable, too, I don't know if they're on Netflix or Prime but it's one of those."
Annette: "I don't do the streaming anymore, I only get the CDs because the streaming doesn't have enough old stuff but I like to get the TV shows from the library because you can get an entire season at a time instead of just one disc."
And then I went and it was over.
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heatherholty · 3 years
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We’ve been hanging hard with my Dad this week in Montana. Days filled with skiing, good eats, good long chats & stories, and late night episodes of Longmire. My Dad is a special man, and knowing too many close friends who no longer have their parents, I cherished our time in honor of all your Moms and Dads who’ve passed. I remind myself to be grateful, to be present and not distracted, and to ask tons of questions, learning more of my ancestors. . This digital nomadic life has been really wonderful. After a year of hardly seeing our folks, we’ve been able to spend quality time with Jake’s parents and my parents. All safe, all covid approved. . And, though my Pops left yesterday, just to show my Dad how much I love him, I got on a pair of skis 🎿 after 30 years of snowboarding 🏂 , just to ski with him!! Last time I was on a pair of skis I was 10 years old, ⛷ 👶 and having my Dad re-teaching me the skiing fundamentals after all these years, was such a blast! I Love you Pops. Thanks for teaching me to be bold. #dads #parents #mountainlife #daughters #snowboarderskiing #thebackroom #whitefishmontana #montanacoffeetraders (at Whitefish, Montana) https://www.instagram.com/p/CKrD9CxpTaX/?igshid=1cvylgr82n7ej
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typingtess · 7 years
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Tiptoeing through “The Silo” guest cast
Aaron D. Spears as FBI Special Agent Mark Monroe Currently playing Justin Barber in The Bold & The Beautiful, also appeared on the soaps Days of Our Lives as Lt. Raines, General Hospital as Officer Watkins and Sunset Beach as Officer Washington.
Was Mark Bradley in Being Mary Jane and had guest roles in episodes of Pacific Blue, The District, Crossing Jordan, Everybody Loves Raymond, The X-Files, CSI: Miami, A.U.S.A., Half & Half, Angel, Coupling (the US edition), The Division, Criminal Minds, Shark, Bones, Boston Legal, Lincoln Heights, Castle, This is Us and Greenleaf.
Played Marine Major Michael Strickland in the "Freedom" episode of NCIS in season eight.
Robert Curtis Brown as Air Force OSI Executive Director David Cole Was Ivan Ronan in Switched at Birth, Dr. Josiah Rosenthal in Perception and Commander Pryce in The Handmaid's Tale.  Plays a lot of officials/bosses/man in charge roles.
As a working actor since the 1980's, Brown has appeared in everything from Newhart to the original Will & Grace to Malcolm in the Middle to Mom and dramas from Matlock to Murder She Wrote to The X-Files (oddly, the same episode as Aaron Spears) to two of the CSI's (CSI and CSI: Miami) to the more recent Hawaii Five-0 and the TV version of Lethal Weapon.  
Played two different characters in JAG, Lt. Robert Klein MD in season one's "Hemlock" and a Commander in the field in "Coming Home" in season nine.  Was Gary Tolin in season eight's "Short Fuse" episode of NCIS.
Appeared in the soaps Search for Tomorrow, All My Children and General Hospital.
Amanda Clayton as Air Force Captain Anna Ross Plays Alex Montgomery in If Loving You Is Wrong and appeared in episodes of The Mentalist, Massholes, Rizzoli & Isles, Victorious, The Soul Man, Constantine, Major Crimes and Rosewood.
Was Eliza West, the daughter of a New Orleans murder victim whose killing was solved by Dwayne Pride in NCIS: New Orleans (things did not end well for Eliza).
Dustin Seavey as Air Force Captain Kevin Miller This is Seavey's second time on NCIS: Los Angeles but he is not returning as his previous character.  He was Petty Officer Third Class Doug Foster in the "Vengeance' episode in season three – he was the SEAL willing to confess to translator Powell's murder if it meant the SEAL team could go on their rescue mission.  Was also Seaman Marcus Leonard in NCIS's "A Man Walks into a Bar" and Petty Officer 2nd Class Corpsman Nolan Griffith in "No Man's Land" on NCIS: New Orleans.  
Played Teddy Lewis on Jericho and Deputy Roberts on Vegas.  He appeared in episodes of House, CSI and Longmire.    
Ellen Wroe as Tiffany Miller Was Alexa Anderson in Animal Kingdom.  Played a Petty Officer in season 11 finale of NCIS ("Honor Thy Father") and was Lt. Lindsey Garrett in the "Touched by the Sun" episode of NCIS: New Orleans.
Was in episodes of Gary Unmarried, I Didn't Know I Was Pregnant, Huge, Cassandra French's Finishing School for Boys, Southland, Weapon Wars, Masters of Sex, The Mentalist, Major Crimes, Baby Daddy, Chicago Med, Grey's Anatomy, Grimm and Rosewood.
Jason Downs as Professor Ted Holmes Appeared in some feature films and episodes of The Bold & The Beautiful and KC Undercover.
Joshua Elijah Reese as FBI Agent #1 Played Derzius in The Kill Point.  Guest roles include Three Rivers, Person of Interest, Low Winter Sun, Crazy Ex-Girlfriend, Dr. Ken and was "Suited Man" in the "Rogue" episode (season 14's premiere) of NCIS.
Sharon Battle as Air Force Office of Special Investigations Agent Appeared in episodes of Scandal, Ironside (2013 edition), Parks & Recreation, Parenthood, Grey's Anatomy, Rake, Pretty Little Liars, The Haunted Hathaways, Casual and Just Add Magic.
Mark Reininga as Air Force Lieutenant Gerald Zindower Was in episodes of Relationship Status, Pure Genius and plays Chris in Bro-Dum.
Akanimo Eyo as Air Force Launch Control Officer A few roles in independent projects.
Arley Ryder as Armed Air Force Airman Appeared in an episode of Burn Notice and a few short films.
Written by:  Frank Military who wrote/co-wrote “Little Angels”, “Deliverance”, “Lockup”, “The Job”, “Greed”, “Betrayal”, “Crimeleon”, “Vengeance”, “Out of the Past” Part One, “Rude Awakenings” Part Two, “Descent”, “Ascension”, “Allegiance”, “Spoils of War” (which he directed), “Black Budget”, SEAL Hunter”, “Rage” (which he directed), “Unspoken”, “Unlocked Mind”, “Revenge Deferred”, “The Seventh Child”, “Crazy Train” and "Uncaged" (which he directed).  
Directed by:  James Whitmore, Jr. directed NCIS‘s “Legend” part two which introduced the OSP team before directing “Identity”, “Found”, “Human Traffic”, “Empty Quiver”, “Plan B”, “Familia”, “Lone Wolf”, “Vengeance”, “Recruit”, "History" and "Battle Scars".  Whitmore also directed the second episode of NCIS this season ("Twofer").
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og-longerclaw · 7 years
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30 Questions
30 Questions
I was tagged by the lovely @jonerys-the-last-targaryens, thank you!
nickname:Pat
gender:Male
star sign: Sagittarius 
height: 6 foot even!
birthday: December 7th 1993
favorite bands: Wow this changes a lot. Right now i’m listening to a lot of: Alabama Shakes, Brand New, Circa Survive, and The Front Bottoms. And also Death Cab for Cutie
favorite solo artists: Shakey Graves (idk if this counts because h plays with a band sometimes?), Regina Spektor, Mitski, etc...
song stuck in my head: Shakey Grave’s entire NPR tiny desk concert set has had me fucked up for a minute now tbh.
last movie I watched: Oh god I don’t watch many movies at the moment. The Accountant the other night. Since it was on.
last show I watched: Longmire because my mom was watching it. It was not bad!
when did I start this blog: Christ... like in 2011? or 2010? idr.
what do I post: game of thrones, Jonerys, dank maymays
other blogs: Nope
do I get asks: Not really? i get messages though
followers: 328. like 30 of these are porn spam blogs that i’ve been too lazy to block
following: 734. A lot of these are probably deactivated but again im lazy
average sleep: This fluctuates a lot. sometimes like 3-4 hours a night. sometimes up to 6-7.
lucky number: I’ve never really put much thought into this. 7 I guess? feels like a generic lucky number.
dream job: I’m a student right now. My last full time Job I was a CNA in an MICU. I’ve seen some shit man.
food: I love a lot of different foods. RN im really craving Indian food. And some good sushi because it’s been a minute.
last book I read: The Magicians by Lev Grossman. Also one of my favorite TV shows!
what I’m wearing: Gray gym shorts and a white T shirt
favorite fandoms: Game of Thrones, The Magicians
I tag: @the-snow-of-winterfell, @jaamessirius, @got-addict
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shelbyhuesario · 7 years
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#CassidyFreeman  New #Longmire S6 BTS pics  (June 17- July 01, 2017) #Smallville
Full Gallery:  HERE
(@hatface: As our final season comes to a close, I better figure some stuff out #LongmireS6 #FinalDays #CadyLongmire @hatface: I just don't feel like he hears me #LongmireS6 #FinalDays #CadyLongmire #FatherDaughter @hatface: Sunset kinda days here in the #LongmireS6 #FinalDays @hatface: These last days are so bittersweet #LongmireS6 @hatface: Our brave faces for what was a beautiful and tough day. Last scene with my dad... working with this man has made me a better actor, a better listener and a better person. Love you #LongmireS6 @Adam_Bartley: Family Suppertime #longmire #longmireS6 @cassidyfreeman Robert Taylor @mamalou8: LOTS of fun moments on the last day of #longmire! @cassidyfreeman @Adam_Bartley @kateesackhoff @ucrosspop25 @BarrySloane @ZahnMcClarnon @mamalou8: Still reeling from amazing send off last night by cast and crew after my last scene on #Longmire @hatface: There's a reason that whenever I yell 'mom!' this woman comes to my rescue...although not my actual mom, she has sure taken care of me all my Longmire years...and I couldn't be more grateful for her friendship and her love @hatface: I just finished my final scene on Longmire. This trailer has been my temporary home for 6 seasons...I leave it today and I am so grateful for this time. I know I'll see this incredible crew and these incredible actors in jobs to come...the one I'll truly miss is Cady Longmire. Thanks for letting me bring you to life, Punk. #LongmireS6 @Adam_Bartley: My talented friend @BarrySloane shot his last #Longmire scene today. He's a damn good man that makes everyone shine a bit brighter @hatface: Last day feels #LongmireS6)
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thecorumtrail · 7 years
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Characters
At some point during the first week of being back in Knoxville, I made my way over to the North Knoxville branch library. I had not been inside the walls of the old library in over eight years. I guess I haven’t really been anywhere in Knoxville in over eight years. It is one thing to move to a new place where there isn't anything to match it up against, but it’s another thing to return to a place that you called home for over 20 years. It is the place where you were born and raised. I thought to myself three Christmases ago, while standing outside in the front yard of the home that I had spent my childhood days, that it was the last time that I would sleep under that roof. I think it’s natural to hate being wrong about things, but in this instance, I am glad that I was wrong about it: being the final night that I would lay my head down inside the walls of the old brown house on the hill. Being back inside of those walls has made my mind wander to things that I had long forgotten about. I suppose that we forget things over the years in order to make room for the new things. Just the other day I was at the top of the stairs, about to walk down to the basement to hop in the truck to go and grab some provisions, and could hear my brother say, “I can’t find my coat.” Obviously my brother, Kelly, wasn’t there, and his voice has deepened to a lower tone over the years - but it seemed so real. We would always hang our coats by the stairs in order to keep up with them, but needless to say: they didn’t always end up there. They would get carried back to a bedroom or left inside the car. I could not help but answer out loud to let Kelly know that his coat wasn’t here anymore.
Wikipedia describes “The Golden Hour” as the period shortly after sunrise or before sunset during which daylight is redder and softer than when the sun is higher in the sky. I have always associated “golden hour” more with the color gold and fond memories. It seems that, over 29 years of life, I find myself inside the North Knoxville Library just as the Golden Hour is approaching outside. The windows in the library sit just above the top of each book shelf that surround the indoor perimeter of the building. The final moments of sunlight creep through the windows to slumber inside the walls of the library, as if returning to its nighttime residence. I wouldn't blame the sunlight for wanting to stay here; it has always been a safe and inviting place.
When I was a kid, especially in the summer, I would load up on books about sharks and R. L. Stine's Goosebumps series. I would come out of the library carrying my weight in books. While we could not always convince Mom to take us to Blockbuster (the now-defunct video rental store), we could usually convince her on a trip to the library. I have not always been disciplined about reading, but I think that it is one of the most important things that you can spend your time doing. It is a really big deal that is often forgotten due to our “screen time” lives. I read to go places. I’ve traveled all over throughout the years to places that I have never been and might never see. I love characters. I think about the characters that I have interacted with in books over the years most days, if they left a lasting impression. Virgil Cole and Everett Hitch of the Appaloosa series by Robert B. Parker might as well be living in New Mexico currently. Anytime that I am out in Wyoming on The High Plains, I’m keeping an eye out for the high sheriff of Absaroka County, Walt Longmire. I figure that I owe the sheriff several Rainiers.
I’d ventured into the local branch to see if I could still get a library card. I was greeted by a familiar face at the desk: Tammy, a librarian, who's been at the branch for as far back as I can recall. She was kind and warm, just like I had remembered her to be. I assume that my question-asking tally exceeded its limit at some point over the years with her. I have requested some ancient western books and films over the years, but Tammy has never failed to come through for me on finding the material. What a big deal a librarian is: facilitators of great adventure and knowledge,  and possibly the most patient people walking the Earth. Tammy had a few questions for me and I explained to her that I'd moved back to Knoxville and wanted to activate a card again. She confirmed that my card was still active after all of these years. The way that we found record of it was the old address that was associated with it, the same address that I call home “again” now. I could not help but think on all of the books and films that would be on the history of that card. Various sharks, monsters, secret agents, and cowboys would make up most of it. I don’t think that Tammy recognized me, but I sure recognized her because she was important to me growing up, a character. She asked if I was looking for anything specifically, and I let her know that I was just going to browse the shelves and see if anything caught my eye.
After searching through the fiction section, I naturally landed on a western. I took the hardback book with several miles on it up to the front to check out, and another character from my past was there: Michael, the other librarian at the branch, had started while I was in high school. He was just getting settled into the job when I left for Middle Tennessee. I recall Michael making several classic film suggestions that were wonderful when I had slipped into a Golden Era film phase. After Michael had checked the book out and handed me the due back receipt he said, “It has been awhile since you have been in.” I was taken aback in the best way; he remembered me. Michael had no way of knowing how out of place I had felt that last week with the move and all. He didn’t know that it had been a bit of an emotional drive back through the old neighborhood on my way to the library. He didn’t know how nice it felt to be recognized inside of a place that you've loved so much over the years.
Michael and I spoke on the passing of time and how long it had been. We briefly talked about things that had happened in life, a quick version of the last eight years. Tammy came up after Michael had made the connection of them knowing me and reintroduced herself. It was like running into two old friends from the past. I’ve seen other people over the last two weeks that I’ve not seen for sometime here in Knoxville: characters. I think we never know what impact, if any, that we have on those around us. I’m thankful for those who have come in and out of my life. They are all characters, and it is big story.
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tuseriesdetv · 5 years
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Guía de series: Estrenos y regresos de septiembre 2019
Septiembre es el mes oficial de estrenos en las networks, además de los regresos de sus series veteranas. Todos sabemos que esto ya no es tan importante como solía ser, aunque hay varias propuestas interesantes, pero el resto de cadenas y especialmente Netflix, como vais a ver, nos están regalando una buena tanda de novedades que podría parecer su propio comienzo de temporada. ¿Preparados para un mes repleto de entretenimiento de calidad?
¡Feliz septiembre!
Leyenda:
Verde: series nuevas.
Rojo: series de las que haremos reviews semanales.
Negro: regresos de otras series.
Naranja: miniseries o series documentales.
Amarillo: tv movies, documentales, especiales o pilotos.
Morado: season finales.
Púrpura: midseason finales.
*
Calendario de series
2 de septiembre: 
Departure en Calle 13 
Untouchable en Hulu
A Confession (1T) en ITV
3 de septiembre: 
Mayans MC (2T) en FX
Greenleaf (4T) en OWN
The Capture (1T) en BBC One
4 de septiembre: 
The Reluctant Landlord (2T) en Sky One
Wu-Tang: An American Saga (1T completa) en Hulu
6 de septiembre: 
Titans (2T) en DC Universe
Elite (2T completa) y The Spy (1T completa) en Netflix
Scarborough (1T) en BBC One
Into the Dark (1T finale) en Hulu
9 de septiembre: 
The Deuce (3T y última) en HBO
Grand Hotel (1T finale) en ABC
10 de septiembre: Mr. Mercedes (3T) en Audience
12 de septiembre: 
The I-Land (1T completa) en Netflix
This Close (2T) en SundanceTV
Mr. Inbetween (2T) en FX
Mr. Mom (1T) en Vudu
13 de septiembre: 
Unbelievable (1T completa), Marianne (1T completa), Monarca (1T completa), Top Boy (3T completa), The Ranch (4aT) y Tall Girl en Netflix
Room 104 (3T) en HBO
Undone (1T completa) en Amazon
Temple (1T completa) en Sky One
18 de septiembre: American Horror Story: 1984 (9T) en FX
20 de septiembre: 
Criminal (1T completa), Disenchantment (2T completa) y Between Two Ferns en Netflix
Hot Date (2T) en Pop
This Close (2T finale) en SundanceTV
23 de septiembre: 
The Neighborhood (2T), Bob Hearts Abishola (1T), All Rise (1T) y Bull (4T) en CBS
Bluff City Law (1T) en NBC
9-1-1 (3T) y Prodigal Son (1T) en FOX
The Good Doctor (3T) en ABC
24 de septiembre: 
NCIS (17T), FBI (2T) y NCIS: New Orleans (6T) en CBS
This Is Us (4T) y New Amsterdam (2T) en NBC
Empire (6T y última) y The Resident (3T) en FOX
The Conners (2T), Bless This Mess (2T), Mixed-ish (1T), Black-ish (6T) y Emergence (1T) en ABC
25 de septiembre: 
Chicago Med (5T), Chicago Fire (8T) y Chicago PD (7T) en NBC
It's Always Sunny in Philadelphia (14T) en FXX
The Goldbergs (7T), Schooled (2T), Modern Family (11T y última), Single Parents (2T) y Stumptown (1T) en ABC
South Park (23T) en Comedy Central
26 de septiembre: 
Young Sheldon (3T), The Unicorn (1T), Mom (7T), Carol's Second Act (2T) y Evil (1T) en CBS
Superstore (5T), Perfect Harmony (1T), The Good Place (4T y última), Sunnyside (1T) y Law & Order: SVU (21T) en NBC
Grey's Anatomy (16T), A Million Little Things (2T) y How to Get Away with Murder (6T y última) en ABC
Creepshow (1T) en Shudder
27 de septiembre: 
The Politician (1T completa), Bard of Blood (1T completa), Skylines (1T completa) y In the Shadow of the Moon en Netflix
Hawaii Five-0 (10T), Magnum P.I. (2T) y Blue Bloods (10T) en CBS
American Housewife (4T) y Fresh Off the Boat (6T) en ABC
Transparent (series finale) en Amazon
29 de septiembre: 
God Friended Me (2T) y NCIS: LA (11T) en CBS
Bless the Harts (1T), The Simpsons (31T), Bob's Burgers (10T) y Family Guy (18T) en FOX
The Rookie (2T) en ABC
Godfather of Harlem (1T) en Epix
*
Estrenos de series
Departure (Calle 13)
Un avión de pasajeros ha desaparecido misteriosamente en el Atlántico. La investigadora Kendra Malley (Archie Panjabi; The Good Wife, Blindspot), recién enviudada, no duda en ayudar a su antiguo jefe y mentor Howard Lawson (Christopher Plummer; The Sound of Music, All the Money in the World) para descubrir qué ha ocurrido. Deberán localizar el avión y a sus posibles supervivientes, encontrar el motivo del accidente y a posibles sospechosos y evitar que vuelva a ocurrir sean cuales sean las causas. Completan el reparto Claire Forlani (Meet Joe Black, Hawaii Five-0), Kris Holden-Ried (Vikings, Lost Girl), Kristian Bruun (Orphan Black, Murdoch Mysteries), Rebecca Liddiard (Alias Grace, Frankie Drake Mysteries), Shazad Latif (Star Trek: Discovery, My Mad Fat Diary), Tamara Duarte (Longmire, Wynonna Earp), Peter Mensah (Agents of S.H.I.E.L.D., Spartacus: Blood and Sand), Allan Hawco (Republic of Doyle, Frontier), Dougray Scott (Snatch, Hemlock Grove), Sasha Roiz (Grimm, Suits), Mark Rendall (Versailles, 30 Days of Night), Dmitry Chepovetsky (Killjoys, Regenesis), Paris Jefferson (Xena: Warrior Princess) y Tyler Fayose. Creada por Vincent Shiao (Ransom, Aftermath), escrita por Malcolm MacRury (Saving Hope) y dirigida por T.J. Scott (Orphan Black, Star Trek: Discovery). Seis episodios. Se estrenó en julio en Reino Unido. Estreno: 2 de septiembre
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A Confession (ITV)
Basada en el libro del detective Steve Fulcher (2017), en el que cuenta un caso real ocurrido en 2011, nos trae a Fulcher (Martin Freeman; Sherlock, Fargo), que incumple deliberadamente el protocolo policial para atrapar a un asesino en serie, una decisión que le costará su carrera y su reputación. Le acompañan Imelda Staunton (Harry Potter, Pride), Siobhan Finneran (Happy Valley, Downton Abbey), Joe Absolom (Doc Martin, The Level), Daniel Betts (Gentleman Jack, The Crown), Jessica D'Arcy (Electric Dreams), Florence Howard, Lolly Jones, Darcy Vanhinsbergh, Faye McKeever (Trollied), Anna Wilson-Jones (Victoria, Harlots) o Dominic Tighe. Escrita por Jeff Pope (Philomena, The Widower) y dirigida por Paul Andrew Williams (Broadchurch, Strangers). Seis episodios. Estreno: 2 de septiembre
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The Capture (BBC One)
El soldado Shaun Emery (Callum Turner; War & Peace, Glue) es acusado injustamente de asesinato en Afganistán y la detective Rachel Carey (Holliday Grainger; Strike, The Borgias) descubre una conspiración con pruebas manipuladas mientras intenta limpiar su nombre. Con Ron Perlman (Hellboy, Hand of God), Famke Janssen (X-Men, How to Get Away with Murder), Laura Haddock (Guardians of the Galaxy, Da Vinci's Demons), Ben Miles (The Crown, Collateral), Lia Williams (The Crown, Kiri), Sophia Brown (Clique, Marcella), Paul Ritter (No Offence, Friday Night Dinner), Adelayo Adedayo (Origin, Timewasters) y Ralph Ineson (Game of Thrones, Absentia). Escrita por Ben Chanan (Cyberbully, Blackout). Seis episodios. Estreno: 3 de septiembre
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Wu-Tang: An American Saga (Hulu)
Hulu nos contará la historia real de la creación del grupo de rap y hip-hop Wu-Tang Clan, formado por jóvenes negros procedentes de malos ambientes, en Nueva York durante los años 90. Protagonizada por Ashton Sanders (Moonlight, The Equalizer 2), Dave East, Julian Elijah Martinez, Vinnie Pastore (The Sopranos, Hawaii Five-0), Shameik Moore (The Get Down, Spider-Man: Into the Spider-Verse), Siddiq Saunderson (Messiah), T.J. Atoms, Johnell Young, Marcus Callender (Power, Eye Candy), Zolee Griggs (Adam Ruins Everything) y Erika Alexander (Insecure, Black Lightning). Creada y escrita por The RZA, líder del grupo, y Alex Tse (Watchmen). Diez episodios. Estreno: 4 de septiembre
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The Spy (Netflix)
Limited series sobre el legendario espía Eli Cohen (Sacha Baron Cohen; Ali G Indahouse, Borat), que filtró información siria al ejército israelí en los años 60. Con Noah Emmerich (The Americans, Frequency), Alexander Siddig (Gotham, Game of Thrones), Hadar Ratzon Rotem (Homeland), Nassim Si Ahmed (Marseille), Yael Eitan (Hatufim) y Uri Gavriel (Fauda). Escrita y dirigida por Gideon Raff (Homeland, Tyrant). Seis episodios. Estreno: 6 de septiembre
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Scarborough (BBC One)
Comedia que sigue las vidas de unos cuantos habitantes de un pueblo costero de North Yorkshire que se encuentran cada noche en un karaoke local. Protagonizada por Jason Manford (Ordinary Lies), Catherine Tyldesley (Coronation Street), Stephanie Cole (Still Open All Hours, Coronation Street), Maggie Ollerenshaw (Last of the Summer Wine, Still Open All Hours), Steve Edge (Phoenix Nights, Benidorm), Claire Sweeney (Brookside), Harriet Webb (Edge of Heaven, White Gold) y Gina Fillingham (Kiri). Creada por Derren Litten (Benidorm). Seis episodios. Estreno: 6 de septiembre
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The I-Land (Netflix)
Diez personas se despiertan en una peligrosa isla sin recordar quiénes son o cómo han llegado allí. Cuando comienzan a registrar el lugar, descubren que la isla no es lo que parece. Deberán ser la mejor versión de ellos mismos o morirán enfrentándose a los retos psicológicos y físicos que se irán encontrando. El reparto está formado por Natalie Martinez (Under the Dome, Kingdom), Kate Bosworth (21, Superman Returns), Michelle Veintimilla (Gotham, Seven Seconds), Alex Pettyfer (I Am Number Four, Magic Mike), Sibylla Deen (Tyrant, The Last Ship), Kyle Schmid (Six, Copper), Ronald Peet, Kota Eberhardt (Dark Phoenix), Anthony Lee Medina (Flesh and Bone) y Gilles Geary (Spirit Warriors). Escrita y dirigida por Neil LaBute (Van Helsing, Full Circle). Siete episodios. Estreno: 12 de septiembre
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Mr. Mom (Vudu)
Adaptación/continuación de la película de 1983, protagonizada por Michael Keaton, en la que un padre se queda en casa cuando su mujer vuelve a trabajar. En la serie, la hija pequeña del matrimonio, Megan (Andrea Anders; Joey, Modern Family), es ya adulta y desea volver a trabajar y que su marido (Hayes MacArthur; Angie Tribeca, Go On) críe a sus hijos. Escrita por Leslie Rathe, Mike Culbert y Mike Pellettieri y dirigida por Lauren Palmigiano (Tacoma FD). Diez episodios. Estreno: 12 de septiembre
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Unbelievable (Netflix)
Basada en hechos reales e inspirada en un artículo ganador del Pulitzer, se centra en una adolescente que dice haber sido violada (Kaitlyn Dever; Last Man Standing, Booksmart) y las dos detectives que investigan el caso para descubrir la verdad. Con Toni Collette (Hereditary, United States of Tara), Merritt Wever (The Walking Dead, Nurse Jackie), Danielle Macdonald (Patti Cake$), Kai Lennox (Falling Water), Dale Dickey (Claws, Vice Principals), Austin Hébert (Detroit), Omar Maskati (Better Call Saul, Tyrant), Elizabeth Marvel (Homeland, House of Cards), Liza Lapira (Apartment 23, 9JKL) y Vanessa Bell Calloway (Shameless, Saints & Sinners). Escrita por Susannah Grant (Erin Brockovich) y dirigida por Lisa Cholodenko (Olive Kitteridge, The Kids Are All Right). Ocho episodios. Estreno: 13 de septiembre
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Marianne (Netflix)
Una novelista (Victoire Du Bois; Call Me by Your Name, Mal de pierres) se da cuenta de que sus historias de terror están cobrando vida, y vuelve a su ciudad natal para hacer frente a su pasado y descubrir cómo frenar a la bruja Marianne (Mireille Herbstmeyer), la protagonista de sus pesadillas cuando era niña. Con Lucie Boujenah (Edmond), Alban Lenoir (Le semeur, Les crevettes pailletées), Tiphaine Daviot (Zone Blanche, Demi soeurs), Ralph Amoussou (De bon matin; Aide-toi, le ciel t'aidera), Bellamine Abdelmalek (Roulez jeunesse), Mehdi Meskar (Les engagés, Dans la maison), Corinne Valancogne, Patrick d'Assumçao (L'inconnu du lac, Le secret des banquises) y Pierre Aussedat (Les visiteurs). Escrita y dirigida por Samuel Bodin (Lazy Company). Ocho episodios. Estreno: 13 de septiembre
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Monarca (Netflix)
Thriller sobre la corrupción, el escándalo y la violencia que rodean a las élites que se centra en una familia dueña de un imperio empresarial y la batalla que se forma cuando un miembro decide enfrentarse al sistema corrupto que su familia ayudó a crear. Protagonizada por Irene Azuela (El hotel de los secretos, Quemar las naves), Juan Manuel Bernal (Capadocia, La heredera) y Osvaldo Benavides (La bella y las bestias, A que no me dejas). Creada por Diego Gutiérrez (Without a Trace, From Dusk Till Dawn) y producida por Salma Hayek (Ugly Betty, Frida). Diez episodios. Estreno: 13 de septiembre
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Undone (Amazon)
Alma tiene una nueva relación con el tiempo a partir de un accidente de coche en el que casi pierde la vida, y tratará de usar su habilidad para averiguar la verdad sobre la muerte de su padre. Con las voces de Rosa Salazar (Maze Runner, Parenthood), Angelique Cabral (Life in Pieces), Bob Odenkirk (Better Call Saul, Breaking Bad), Constance Marie (Switched at Birth, George Lopez), Daveed Diggs (The Get Down, Black-ish), Siddharth Dhananjay, Tyler Posey (Teen Wolf, Now Apocalypse) o Jeanne Tripplehorn (Big Love, Criminal Minds). Creada por Raphael Bob-Waksberg y Kate Purdy, creador y guionista de BoJack Horseman respectivamente, es una dramedia de animación con rotoscopio y fondos pintados al óleo. Ocho episodios. Estreno: 13 de septiembre
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Temple (Sky One)
Thriller con tintes cómicos en el que Daniel (Mark Strong; Kingsman, The Imitation Game) trabaja como cirujano en una clínica ilegal en los túneles subterráneos de Londres. Conducido por una tragedia personal y con una moral cada vez más cuestionable, tratará a cualquier que esté dispuesto a pagar por ayuda médica fuera del sistema. Contará con la ayuda de Lee (Daniel Mays; Line of Duty, Atonement), un empleado de transportes descontento; y Anna (Carice van Houten; Game of Thrones, Valkyrie), una investigadora médica con sentimientos de culpa. Completan el reparto Catherine McCormack (Genius, 28 Weeks Later), Craig Parkinson (Line of Duty, Misfits), Marion Bailey (Vera Drake, Allied), Tobi King Bakare (Cursed), Lily Newmark (Sex Education, Cursed), Hiten Patel (Four Weddings and a Funeral, Unforgotten) y Chloe Pirrie (The Crown, The Victim). Adaptación de la noruega Valkyrien por Mark O'Rowe (Perrier's Bounty). Ocho episodios. Estreno: 13 de septiembre
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Criminal (Netflix)
Procedimental policíaca que se lleva a cabo exclusivamente dentro de una sala de interrogatorios. Tendrá doce episodios, tres de ellos ambientados en Reino Unido, tres en España, tres en Alemania y tres en Francia. En cuanto al reparto español, contaremos con Carmen Machi, Inma Cuesta, Eduard Fernández, Emma Suárez, Álvaro Cervantes, Jorge Bosch, José Ángel Egido, Nuria Mencía, Daniel Chamorro, María Morales, Javi Coll y Milo Taboada. Estos tres episodios estarán escritos por Alejandro Hernández (Caníbal, El autor) y Manuel Martín Cuenca (Caníbal, El autor) y dirigidos por Mariano Barroso (Lo mejor de Eva, Todas las mujeres). En los tres episodios ambientados en Reino Unido, escritos por George Kay (Killing Eve, Stag) y dirigidos por Jim Field Smith (Wrecked, The Wrong Mans), podremos disfrutar de David Tennant, Hayley Atwell, Youssef Kerkour, Clare-Hope Ashitey, Katherine Kelly, Lee Ingleby, Nicholas Pinnock, Mark Stanley, Rochenda Sandall y Shubham Saraf. Los ambientados en Francia los escribirán Fréderic Mermoud (Moka), Antonin Martin-Hilbert (Moka, Zone Blanche) y Mathieu Missoffe (Zone Blanche) y los dirigirá Mermoud (Moka). Los tres restantes, ambientados en Alemania, estarán escritos por Bernd Lange (Requiem, Blaumacher) y Sebastian Heeg (Blaumacher) y dirigidos por Oliver Hirschbiegel (Der Untergang, The Invasion). En ellos participan Nathalie Baye, Sara Girardeau, Jérémie Renier, Margot Bancilhon, Laurent Lucas, Stéphane Jobert, Anne Azoulay y Mhamed Arezki en los franceses y Peter Kurth, Christian Berkel, Deniz Arora, Nina Hoss o Eva Meckbach, entre otros, en los alemanes. Estreno: 20 de septiembre
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Bob Hearts Abishola (CBS)
Comedia multicámara sobre un vendedor de calcetines de Detroit (Billy Gardell; Mike & Molly, Young Sheldon) que sufre un ataque de corazón y se enamora de la enfermera nigeriana que le atiende (Folake Olowofoyeku, Transparent). Ella vive con sus tíos Olu (Shola Adewusi, Chewing Gum) y Tunde (Barry Shabaka Henley; The Terminal, Agents of S.H.I.E.L.D.) y su hijo adolescente Dele (Travis Wolfe Jr., Raven's Home). Él hará todo lo posible para que le conceda una oportunidad, desde sobornar a una enfermera para averiguar dónde está su casa hasta acosarla en la parada del autobús. Con Vernee Watson (The Fresh Prince of Bel-Air), Christine Ebersole (Royal Pains), Maribeth Monroe (Workaholics) y Matt Jones (Mom). Escrita por Chuck Lorre (The Big Bang Theory, Mom). Estreno: 23 de septiembre
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All Rise (CBS)
Dramedia legal descrita como una exploración del sistema judicial y del mundo de los tribunales y centrada en las caóticas y a veces absurdas vidas de los jueces, fiscales, abogados y policías de Los Ángeles. Al frente se encuentra la nueva juez Lola Carmichael (Simone Missick; Luke Cage, Altered Carbon), una ayudante del fiscal del distrito altamente valorada que no tiene ninguna intención de relajarse en su nuevo puesto, sino que desafiará los límites y las expectativas. El reparto incluye a Marg Helgenberger (CSI), Jessica Camacho (Taken), Wilson Bethel (Hart of Dixie, Daredevil), Lindsay Mendez, Ruthie Ann Miles (The Americans) y J. Alex Brinson (Travelers). Creada y escrita por Greg Spottiswood (King, Remedy). Estreno: 23 de septiembre
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Bluff City Law (NBC)
Drama legal que sigue al legendario Elijah Strait (Jimmy Smits; The West Wing, Sons of Anarchy) y a su brillante hija Sydney (Caitlin McGee; The Marvelous Mrs. Maisel, Shades of Blue), que lideran una firma en Memphis especializada en los casos de derechos civiles más controvertidos mientras lidian con su complicada relación familiar, inexistente durante años pero retomada tras la inesperada muerte de la madre de Sydney. Completan el reparto Scott Shepherd (True Detective, The Young Pope), Barry Sloane (Revenge, Six), Michael Luwoye (The Gifted, She's Gotta Have It), MaameYaa Boafo (Thru 25), Stony Blyden (Hunter Street) y Jayne Atkinson (House of Cards, Madam Secretary). Escrita y producida por Dean Georgaris (The Brave, The Baker and the Beauty). Estreno: 23 de septiembre
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Prodigal Son (FOX)
Malcolm Bright (Tom Payne, The Walking Dead) es el mejor psicólogo criminal porque sabe cómo piensan los asesinos, ya que su padre (Michael Sheen; Masters of Sex, Good Omens) fue uno de los mejores, un asesino en serie conocido como "el cirujano". Malcolm ayuda a la policía de Nueva York a resolver crímenes mientras lidia con unas neurosis constantes, una madre manipuladora (Bellamy Young, Scandal), una hermana demasiado normal (Halston Sage; The Orville, Crisis) y un padre homicida que aún busca conectar con él. Completan el reparto Lou Diamond Phillips (Longmire), Aurora Perrineau (Chasing Life, Into the Dark), Frank Harts (Billions, The Leftovers) y Keiko Agena (Gilmore Girls, 13 Reasons Why). Escrita y producida por Chris Fedak (Chuck, Legends of Tomorrow) y Sam Sklaver (Blunt Talk, Deception). Lee Toland Krieger (Riverdale, Chilling Adventures of Sabrina) dirigió el piloto. Producida por Greg Berlanti (Arrow, You). Estreno: 23 de septiembre
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Mixed-ish (ABC)
Creada de nuevo por Kenya Barris, es una precuela de Black-ish ambientada en los años 80 y protagonizada por una versión joven de Bow (Tracee Ellis Ross), interpretada por Arica Himmell (Thanksgiving), que nos mostrará cómo es crecer en una familia interracial y mudarse de una comuna hippie a los suburbios. Mark-Paul Gosselaar (Saved by the Bell, The Passage), Tika Sumpter (Gossip Girl, The Haves and the Have Nots), Gary Cole (Veep, The Good Fight), Ethan William Childress, Mykal-Michelle Harris (Big Little Lies) y Christina Anthony (Dog Moms, Key and Peele) serán el padre, la madre, el abuelo, los hermanos y la tía de Bow. El episodio de Black-ish que servía como presentación de esta serie se emitirá en su sexta temporada. Estreno: 24 de septiembre
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Emergence (ABC)
Thriller sobrenatural en el que una jefa de policía (Allison Tolman; Fargo, Downward Dog) acoge a una niña (Alexa Swinton, Billions) a la que encuentra en el lugar de un misterioso accidente y no recuerda qué ha ocurrido. La investigación les lleva a una conspiración más grande de lo que cabría imaginar relacionada con la identidad de la niña. Completan el reparto Donald Faison (Scrubs, The Exes), Clancy Brown (Carnivàle, Billions), Owain Yeoman (The Mentalist, Turn), Ashley Aufderheide (The Slap, Preacher), Robert Bailey Jr. (The Night Shift) y Zabryna Guevara (Gotham, New Amsterdam). Creada por Michele Fazekas y Tara Butters, creadoras de Kevin (Probably) Saves the World y guionistas de Agent Carter, y dirigida por Paul McGuigan (Lucky Number Slevin, Film Stars Don't Die in Liverpool). ABC encargó la serie la misma semana en que NBC descartó el piloto. Estreno: 24 de septiembre
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Stumptown (ABC)
Esta adaptación de la novela gráfica del mismo nombre nos muestra a la veterana del ejército Dex Parios (Cobie Smulders; How I Met Your Mother, Friends from College), que tiene una vida amorosa complicada, deudas de juego y un hermano del que ocuparse en Portland, Oregon. Sus brillantes habilidades militares contrastan con su vida personal y con su estilo, que le acaba poniendo siembre frente a los peores criminales, y no precisamente con la ayuda de la policía. Con Tantoo Cardinal (Frontier, Godless), Cole Sibus, Adrian Martinez (No Activity, The Blacklist: Redemption), Camryn Manheim (Ghost Whisperer, The Practice) y Michael Ealy (Secrets and Lies, Almost Human). Escrita por Jason Richman (Mercy Street, Detroit 187) y producida por los autores e ilustradores de la novela. James Griffiths (Episodes, Wrecked) dirigió el piloto. Estreno: 25 de septiembre
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The Unicorn (CBS)
Comedia monocámara (anteriormente iba a ser multicámara) producida y escrita por Bill Martin y Mike Schiff, creadores de Grounded for Life y guionistas de 3rd Rock from the Sun, que se centra en un viudo (Walton  Goggins; Justified, Vice Principals) que con la ayuda de sus amigos y su familia intenta superar el año más difícil de su vida, que incluye ser el padre soltero de sus dos hijas y volver al mundo de las citas, donde descubre que es un producto de alta demanda. Completan el elenco Michaela Watkins (Casual, Transparent), Rob Corddry (Ballers), Omar Benson Miller (Ballers, CSI: Miami), Maya Lynne Robinson (The Conners), Ruby Jay (Fancy Nancy, Holly Hobbie) y Makenzie Moss (Steve Jobs). Estreno: 26 de septiembre
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Carol's Second Act (CBS)
Comedia multicámara sobre una madre (Patricia Heaton; The Middle, Everybody Loves Raymond) que, después de criar a sus dos hijos y haber trabajado toda la vida como profesora, decide que ha llegado el momento de enfrentarse a un nuevo reto: convertirse en doctora. El reparto de la serie lo completan Kyle MacLachlan (Twin Peaks, Desperate Housewives), Jean-Luc Bilodeau (Baby Daddy, Kyle XY), Bonnie Dennison (The Guiding Light), Ito Aghayere (The Blacklist) y Sabrina Jalees (Transparent). Creada y escrita por Emily Halpern (Booksmart, Trophy Wife) y Sarah Haskins (Booksmart, Trophy Wife) y dirigida por Pamela Fryman (How I Met Your Mother, One Day at a Time). Estreno: 26 de septiembre
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Evil (CBS)
Drama procedimental de Michelle y Robert King, creadores de The Good Wife y The Good Fight, descrito por la cadena como la exploración de la batalla entre ciencia y religión. La trama sigue a un peculiar grupo formado por Kirsten Benoist (Katja Herbers; Westworld, Divorce), una psicóloga escéptica; David Dacosta (Mike Colter; Luke Cage, The Good Wife), un aspirante a cura; y Townsend (Michael Emerson, Person of Interest, Lost), un contratista corriente; que se alían para investigar posibles milagros, posesiones y demás sucesos paranormales o sin explicación lógica. Su objetivo será encontrar respuestas científicas o catalogar los eventos como sobrenaturales. Completan el reparto Aasif Mandvi (This Way Up, Shut Eye), Brooklyn Shuck (Rise) y Skylar Gray (Married; Me, Myself and I). Estreno: 26 de septiembre
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Perfect Harmony (NBC)
Un antiguo profesor de música de Princeton (Bradley Whitford; The West Wing, Studio 60) acaba en un coro de la iglesia de un pequeño pueblo y se encuentra con un grupo de cantantes que están fuera de tono en varios ámbitos de la vida pero puede que formen una mezcla perfecta para reinventarse y redescubrir la felicidad cuando más la necesitan. Con Anna Camp (Pitch Perfect, True Blood), Tymberlee Hill (Search Party, Grey's Anatomy), Rizwan Manji (The Magicians, Schitt's Creek), Will Greenberg (Wrecked, Halt and Catch Fire), Geno Segers (Banshee, Pair of Kings) y Spencer Allport. Escrita y producida por Lesley Wake Webster (Life in Pieces, Go On) y dirigida por Jason Winer (Life in Pieces, Modern Family). Estreno: 26 de septiembre
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Sunnyside (NBC)
Garrett Modi (Kal Penn; Designated Survivor, House M.D.) fue el concejal más joven de Nueva York. Se codeó con la élite política, acudió a las mejores fiestas y fue el orgullo de Queens, pero perdió su camino entre tanto poder y glamour y un escándalo acabó con su carrera. Ahora, un grupo de inmigrantes le contratan para que les ayude a conseguir la nacionalidad y le dan un nuevo sentido a su vida. Participan también Diana María Riva (Dead to Me, Telenovela), Joel Kim Booster (Shrill), Kiran Deol, Poppy Liu (Mercy Mistress), Moses Storm (Youth & Consequences, Arrested Development) y Samba Schutte. Escrita y producida por Penn y Matt Murray (Parks and Recreation, The Good Place). Producida también por Michael Schur (The Good Place, Parks and Recreation). Estreno: 26 de septiembre
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Creepshow (Shudder)
Antología inspirada en las películas que Stephen King y George A. Romero nos regalaron en 1982 y 1987. De las doce historias que nos contarán, solamente una es de King, y estará protagonizada por Giancarlo Esposito (Breaking Bad, Once Upon a Time), Tobin Bell (Saw) y Adrienne Barbeau (The Fog). También podremos ver a David Arquette (Scream, Never Been Kissed), Tricia Helfer (Battlestar Galactica, Lucifer), Dana Gould (Stan Against Evil, I'm Dying Up Here), Jeffrey Combs (The 4400), Bruce Davison (X-Men, The Fosters), Big Boi o Kid Cudi. Creada y producida por Greg Nicotero (The Walking Dead), que también dirigirá dos de las historias. Seis episodios. Estreno: 26 de septiembre
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The Politician (Netflix)
Comedia musical creada por Ryan Murphy (American Horror Story, Glee), junto a sus habituales Ian Brennan y Brad Falchuk, que nos traerá las aspiraciones políticas de un joven adinerado de Santa Barbara (Ben Platt; Dear Evan Hansen, Pitch Perfect), que tiene clarísimo desde pequeño que va a ser presidente de Estados Unidos aunque todavía esté en el instituto. Le acompañarán Jessica Lange (American Horror Story, Feud), Gwyneth Paltrow (Shakespeare in Love, Glee), Zoey Deutch (The Disaster Artist, Set It Up), Laura Dreyfuss (Glee, Dear Evan Hansen), Lucy Boynton (Gypsy, Sing Street), Bob Balaban (Condor, Gosford Park), Benjamin Barrett, David Corenswet, Laura Dreyfuss (Glee), Julia Schlaepfer, Rahne Jones, Dylan McDermott (American Horror Story, The Practice), January Jones (Mad Men, The Last Man on Earth), Judith Light (Ugly Betty, Transparent), Bette Midler (The First Wives Club, Hocus Pocus) y Theo Germaine (Work in Progress). Ocho episodios. Ya está renovada por una segunda temporada. Estreno: 27 de septiembre
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Bard of Blood (Netflix)
Thriller de espionaje, adaptación de la novela de Bilal Siddiqi (2015), sobre un antiguo espía de la RAW (Emraan Hashmi) que vuelve a una misión secreta, acompañado de una analista (Sobhita Dhulipala, Made in Heaven) y otro agente durmiente (Vineet Kumar Singh), para rescatar a otros cuatro agentes capturados en Baluchistán. Así, deberá enfrentarse a su pasado y salvar a la India y a un antiguo amor. Dirigida por Ribhu Dasgupta. Ocho episodios. Estreno: 27 de septiembre
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Skylines (Netflix)
Jinn (Edin Hasanovic) es un joven productor de hip-hop que firma con un sello discográfico de Frankfurt y se ve de pronto inmerso en el mundo del crimen organizado y obligado a colaborar con la policía para frenar al hermano mafioso (Erdal Yildiz) del dueño de la firma (Murathan Muslu). Creada y producida por Dennis Schanz. Seis episodios. Estreno: 27 de septiembre
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Bless the Harts (FOX)
Comedia de animación sobre un grupo de sureños que no están viviendo el sueño americano. No tienen estatus ni riqueza, pero se dan cuenta de que basta con la familia, los amigos y las risas para ser feliz. Con las voces de Kristen Wiig (Saturday Night Live, The Last Man on Earth), Maya Rudolph (Saturday Night Live, Big Mouth), Jillian Bell (Workaholics, SuperMansion), Ike Barinholtz (The Mindy Project, MADtv) y Fortune Feimster (The Mindy Project, Life in Pieces). Creada por Emily Spivey (Saturday Night Live, The Last Man on Earth) y producida por Chris Miller (The Last Man on Earth, How I Met Your Mother), Phil Lord (The Last Man on Earth, How I Met Your Mother) y Seth Cohen (The Last Man on Earth). Estreno: 29 de septiembre
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Godfather of Harlem (Epix)
Bumpy Johnson (Forest Whitaker; Empire, The Last King of Scotland) fue un jefe criminal que a principios de los años 60 volvió a Harlem tras pasar diez años en prisión y se alió con Malcolm X para derrocar a la mafia italiana que controlaba la zona. Con Vincent D'Onofrio (Daredevil, Law & Order: Criminal Intent), Ilfenesh Hadera (She's Gotta Have It, Show Me a Hero), Antoinette Crowe-Legacy, Nigél Thatch (Selma, Valor), Paul Sorvino (Goodfellas, Nixon), Giancarlo Esposito (Breaking Bad, Once Upon a Time), Rafi Gavron (A Star is Born, Counterpart), Kathrine Narducci (The Sopranos, Power), Kelvin Harrison Jr. (StartUp, Shots Fired), Lucy Fry (Wolf Creek, 22.11.63), Clifton Davis (Iron Fist, Madam Secretary) y Markuann Smith. Escrita por Chris Brancato (Narcos, Hannibal) y Paul Eckstein (Law & Order: Criminal Intent, First  Wave). Diez episodios. Estreno: 29 de septiembre
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Live blogging another life
Episode 1
SPOLIERS
There’s so much to unpack wtf. Firstly the acting is sooooo subpar but I already strapped in for the long haul cause Kat is my girl, loved her in longmire.
Pros:
A damn fine premise as a syfy buff myself it’s really cool to see what they have to offer for the vistor/ thing from another world angle.
The cast is so good so far but there’s so qualms I have about the acting.
They just jumped right in and I love a hit the ground running type of show so yay.
There new-ish sci-fi terms and I’m hear for it love so healthy changes to classics.
The mutiny was so left field but it’s a plus for drama
Zyan is so one I want to get to know.
Niko is a total mom from the get go, she like I don’t have time for you guys shit I here to save the earth and go home.
William is a total hottie with his fine ass.
Nikos a total savage and just iced Ian can he’s a sociopath like one more mutiny and he’d but a full psychopath for sure. He was coming for Nikos neck.
Cons:
Did you notice my pros where pretty lame, well fucking guess what these cons are overwhelming.
Firstly, everyone are literally that weird cult of 6 year olds at daycare that won’t play with you cause your new and they’ve got no real power structure just this asinine pack mentally.
The engineer is like literally a child.
The conflict is just high school bullying but in a super specific way. Like really specific. Custom bullshit.
Ian “when have i ever been rash” Yerxa can kiss my ass. They say that and totally drove home that homies literally permenant ezcema. Niko tried to break the ice and Ill say it, she is like 100 years old but like bruh she’s a seasoned veteran (I think that’s what they were trying to say) and she trying to keep these kids alive.
How old are you people. Ian’s like 30 or older maybe but the rest are like 20 something and I think the Latina (forgive me I didn’t here her name) said like 27 or younger cause again the engineers like 10. She sounds like my 4 year old.
Where this show going
Okay so like Ian’s a little bitch why corner this woman and basically turn her into a vegetable cause she said not his dumb ass plan. Ive watch sci-fi my whole life and hearing him say he has a this shortcut plan in episode one of all times is just a cluster fuck of deaths waiting to happen.
There’s just....Niko royally iced this man like....
Ian was bodied.
Like no cut cards bro was a total problem but Niko why you gotta be so...savage...
He deserved it but how’s she going to explain this shit.
Sorry.
I’m still watch this show.
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amaradangeli · 5 years
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I’ve got things to do, but I also want to watch this ep so... here we are. Longmire 2x03 “Death Cam in Like Thunder” observations...
I like the mail-order bride story line if only because it’s reminiscent of every single Western-themed thing I’ve ever consumed. 
And I sort of love the interaction with the match maker. He’s clearly not a fan of Vic. And the non-look on her face when Walt says he’s seeing someone...
I know Cady is going through a rough time, and the way she’s told about her mom’s death is just short of brutal, but this is the episode when I started disliking her. And save for a few redeeming moments from here on out, I continue to dislike her.
My first time through this episode was like a revelation. I felt like I finally had a sense of what happened in Denver. If I’d only known what was yet to come!
There are two things I like about the final scene. 1) When Henry takes the shot? No reaction whatsoever. So you’re thinking Henry’s a fucking bad ass or LDP isn’t that nuanced an actor (and we know the second isn’t true and that the first definitely is.) 2) When Walt takes the shot he has that little mouth pull that is so often overdone in shows to prove they’re drinking when they’re probably not. Which is proof positive that Robert Taylor is as nuanced an actor as we’d hope.
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