#not really a country/city dynamic because its like... not that. but luffy is basically the east blue les stroud and thats so funny to me

[swordsmans]

i just really, really love the idea of zoro having no real "survival skills" because he had a much more traditional (if atypical) childhood/youth than most of the crew. bandit heritage aside, he was raised in a tight-knit and relatively peaceful community with (at best) agricultural outskirts. he doesn't leave until he's much older, at which point he becomes a bounty hunter as a way to make money (to pay for food, shelter, etc. presumably in villages, towns, and cities). we know from the non-canon johnny and yosaku backstories that he "hunted" for bounties in cities/towns, at least partially.

meanwhile luffy has been running around the wilderness since he was like seven years old, securing his own food, building fire and shelter, and just generally toughening up/learning how to live in nature. we know he had a pretty extensive knowledge of bugs and how to catch them, so with that + his childhood i don't think it's a stretch to assume he also has an understanding of edible plants and non-monstrous wildlife (even if its not all applicable outside the East Blue). he's survived on his own in the wilderness for years at a time at least twice in canon.

i think it's fun to think of them having... some sort of "zoro is lost in more ways than one" kinda vibe early on in their journey, especially since they're constantly broke pre-timeskip and we know that at least by little garden the crew has started hunting and foraging to supplement their stores. you could absolutely rope the rest of the east blue grew into this, but zoro is still sort of the outlier with his background.

i dunno. maybe i just like the image of luffy trying to teach zoro how to hunt or fish and both of them just having the dumbest time with it. luffy would be really earnest but impatient--and zoro would be stubborn about admitting he doesn't know shit but would still listen and absorb anyway.

luffy having no clue how to start small and work up to new skills, so they end up going after massive wild boars or something as a first or second lesson and zoro just rolls with it because sure, yeah, thats normal. what the hell does he know? (and also hes fucking. zoro. so.)

or luffy teaching zoro to fish normally but also like a bear fishes (standing knee-deep in the water and catching fish with his bare hands) because it looks more fun that way and he cant. and zoro just fucking up soooo bad but getting really competitive anyway, even though luffy is just, like, sitting on a nearby rock yelling (frankly terrible) directions at him or something. zoro catches nothing and luffy tells him he looks stupid getting angry at the river so of course zoro is going to master fucking. bare-handed fishing because the man's got one braincell and its 99% stubborn pride.

he fucking sucks at starting a fire, wouldnt even consider building proper shelter, and in general would not make it 0.2 seconds outside a populated environment without his captain--a guy raised by the jungle and ace, who was basically a wild animal himself.

idk. survival-competent luffy is very near and dear to my heart.

#not really a country/city dynamic because its like... not that. but luffy is basically the east blue les stroud and thats so funny to me #a bear grylls kinda guy #which is to say nothing of their differences in formal education #dunno if ill write another fic about it but its like... the other side of math/bilingual zoro headcanons to me #i think about this more often than i should tbh #zolu #gyro.txt

[kaizokuou-ni-naru]

The Voyage So Far: Alabasta (Part Two)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

crocodile is one of my favorite villains in one piece for a number of reasons, and one of them is because he’s such a threat, the first real one faced in the grand line and one of the toughest in all of paradise. the villains from the arcs before this, like wapol or the agents from little garden, could barely even land a hit on luffy in actual combat. so crocodile is introduced here as an absolute force of nature, a complete contrast to recent villains and a very tangible threat. 

it’s an impression he very much lives up to later in the arc by crushing luffy not once but twice, which only makes luffy’s ultimate hard-won triumph feel all the better. luffy closes a huge gap over the course of alabasta in order to be able to beat crocodile, and giving us a sense of just how strong he is from the very start gives luffy clawing his way up to that level a lot more weight. 

the successive reveals of luffy’s family never fail to absolutely delight me, because in any other series they would almost certainly feel contrived, but knowing luffy, it is absolutely unsurprising he just never happened to mention his relatives. nobody asked! luffy’s unique brand of honesty is one of my favorite character quirks, because he’s very straightforward and in fact can’t lie for shit, but his priorities are so completely off the wall that he winds up omitting highly relevant information completely by accident. 

ace’s scene in alabasta really does impress me. oda’s said in an sbs that he knew ace’s fate from his introduction, which i find absolutely unsurprising given the intricacy of his story planning. that means he needed ace’s introduction to make him both likable and memorable enough in the space of just a couple chapters that the audience would be engaged when he became the focus of the story a couple hundred chapters on despite barely appearing at all in the intervening time, and he really succeeded. 

kohza is one of my favorite minor characters in the whole series, and i think he’s a big part of why alabasta’s civil war plotline works so well and feels so real. nobody on either side of the war actually wants to fight, but everyone has been driven to such desperation that they feel they have no other choice in order to save their country; and kohza exemplifies that. he's a good person who loves his country a lot, and who genuinely likes and cares about the royal family and vivi especially, and the only option he can see to save alabasta is terrible, but there’s nothing else he can do. 

it’s just fun for me to think about the fact that if crocodile was literally anything other than a very skilled logia, vivi would have ended the whole entire arc right here. 

i really like civil war storylines when they’re well-done, and i think alabasta is one of the best ones i’ve seen in media. most of it is down to what i mentioned earlier, about how nobody on either side actually wants to fight but feels like they have no choice but to. nobody here is actually in the wrong except for crocodile, and so until crocodile is defeated, nothing can be fixed- which is what luffy, of all people, is the one to realize. 

sanji’s mr. prince gambit is probably my single favorite part of alabasta, and i think one of the reasons i like it so much is because he basically beats crocodile at his own game. crocodile is terrifying in battle, but before anything else he’s a manipulator. he’s always working from the shadows, always deceiving people doing what he wants, and sanji manages to turn the tables on him and do the exact same back to him, twice. 

also sanji looks great in glasses

smoker and tashigi both get kind of unfortunately sidelined after this saga, but they’re both really great characters in alabasta. (tashigi especially; i’ll get to her later.) much like the rebel army, they’re good people trying to do the right thing in the tangled mess of tension and politics and resentment that is alabasta- and when that means working with pirates, they’ll buckle down and do it, despite how much it might contradict their worldviews. 

i love when events align in one piece so that people who don’t particularly like the strawhats wind up working with them for some common goal (as seen most prominently in impel down), and smoker and tashigi in alabasta are the first and still one of the best examples of that. 

the entirety of luffy versus crocodile round one is so well done. we’re a hundred and fifty chapters in, and although luffy has struggled in fights before now and then, we get the sense he hasn’t ever really been pushed to the brink, and he’s certainly never lost.

and then he does, completely and absolutely, without ever even landing a hit on his opponent, and it hits like a punch. 

oda seems to be a fan of characters just barely missing each other- the similar panel of robin and olvia running past each other from robin’s flashback comes to mind.

i’ve always liked that of all the strawhats, it’s usopp who gets the first “luffy is going to be king of the pirates” moment. they’ve all said it by the current chapters in wano (with the sole exception of robin, i believe), but usopp said it first, and that feels significant to me. he’s always been the one who feels the least secure in his place on the crew, but even so, he has so much faith in luffy. 

nami’s fight with miss doublefinger is pretty silly in places and i think it gets frequently (understandably, it must be said) overshadowed by zoro’s fight with mr. 1 directly afterwards, but i really like it nonetheless. it’s nami’s first real solo fight in the whole series, and once she finds her feet she kicks ass, and i really like that. it feels like a very satisfying development for her, to stand up and risk her life in direct combat for vivi’s sake. 

we’re now almost a thousand chapters in and its my firm belief that zoro versus mr. 1 is still one of the best fights in the entire series. i definitely think it’s probably zoro’s best fight- only his match with kaku compares. the narrative build over the course of the fight, from zoro struggling just to match mr. 1 (and getting shredded to pieces in the process) to cutting him down in one final stroke, is incredibly cool and satisfying to watch. it feels like a very tangible step forward for zoro in terms of ability, like a massive obstacle has been surmounted and, as he himself says, he’s now stronger for it. 

its also very cool that this is, i believe, the first appearance of what is probably observation haki, though it isn’t named or recognized as such. i’m always endlessly impressed by all the little moments of internal consistency that oda manages to sprinkle into his story. 

there’s barely any dialogue on these entire two pages, from crocodile dropping vivi to luffy and pell swooping in- the story is briefly told entirely through visuals- and i love that. it gives the impression of a single tense, frozen moment as vivi falls, which is then broken in spectacular fashion when luffy catches her. 

i really, really like the progression that runs through all three of luffy’s fights with crocodile. the gap between them goes from being impossible, with luffy unable to even land a hit and crocodile basically toying with him; to surmountable but still huge, with luffy able to land some hits but still outclassed; to finally putting them on basically even ground. and every inch of that growth on luffy’s part is hard-fought and hard-won and well-deserved. 

crocodile’s confidence in his abilities isn’t misplaced- he genuinely is that powerful. but if there’s anything we know about luffy by now, it’s that he doesn’t ever give up. it’s very fun to watch crocodile’s dismissiveness turn into disbelief turn into rage and frustration when luffy just won’t die. 

luffy is, additionally, pretty clearly a better brawler than crocodile (which makes sense, crocodile is clearly used to devastating long-range attacks with his powers while luffy grew up fighting giant wildlife with his bare hands), which means that by the time of their last fight, where they’re just whaling on each other in the catacombs and crocodile is starting to get sloppy and desperate and lose control, if anything it’s luffy who has the upper hand. 

zoro and sanji’s dynamic is always a favorite of mine, and one of the things i like best about them is how perfectly in sync they always manage to be when it comes to things that actually matter, despite fighting like cats and dogs pretty much every other time. i’ll never understand people who think they genuinely aren’t friends. 

tashigi is really good in alabasta, okay. she essentially has her own entire character growth arc. she goes from her stance in loguetown, where she isn’t even tolerant of (fully legal!) bounty hunters, to here, where she’s forced to confront that the world isn’t nearly as black and white as she’s always believed it to be, that sometimes pirates are good and allies of the government are bad, and ultimately makes the right choice to help the strawhats even though it clearly pains and frustrates her that she can’t do anything more herself. 

i’ll be forever mad that her only really significant appearance after this in punk hazard didn’t really live up to what her character deserved. 

i really like how the countdown sequence is done. the tension is ratcheting up and up and up as the clock ticks down in the final seconds, panels cutting all over the city to show all the different characters, everyone who’s caught up in this conflict and everyone who’ll die if the cannon fires-

and then the clock hits zero, and we get this panel that’s just... quiet, after all the madness, as we see how vivi stopped the detonation. i think oda is very good at setting up his pages so they have a flow to them, so no matter how quickly you actually read sometimes things feel like they’re going very fast and all happening at once and then it slows down and gives the reader a chance to breathe, if only to speed up again later. i think oda is really good at pacing in general, really, both on a micro level like this and on a larger scale. 

luffy’s greatest strength isn’t really his strength. he’s strong, absolutely, but that’s not really why he wins the fights he shouldn’t win. he wins because he just doesn’t fucking stay down. his fight with katakuri is probably the best example of this, because katakuri has him beat in pretty much every category except sheer endurance, and there as here, it’s that endurance that winds up getting luffy the win in the end. 

i do love that it’s the rain that ends the war. not the explosion and pell’s sacrifice, not vivi’s pleading, not even luffy kicking crocodile into the stratosphere, but the rain, the thing alabasta’s been missing for too long, the thing crocodile stole, the only thing all these people are fighting over. 

it’s crocodile’s symbolic defeat- at the same moment his power is broken by luffy, the stranglehold of dehydration he’s been using to foment war and rebellion is all at once gone, and he’s left with nothing at all, and alabasta can finally find peace and start to heal again. 

i always love the little moments that show, usually without words, just how much the strawhats love each other, and all of them unanimously waiting until vivi is out of sight to collapse so that she won’t worry, won’t see how ragged they ran themselves for their sake, is definitely one of them. 

i adore vivi’s sendoff, because while its sad she has to go, the certainty that someday they’ll meet again and that even if not they’ll always be crew manages to make this scene endlessly hopeful instead (which, i think, is also a good summary of one piece’s tone as a whole, at least in its more serious moments). luffy never says goodbye, after all, and nobody ever really leaves the strawhat pirates. 

i’m really looking forward to vivi’s re-entry to the story. i really, really want to see her reunion with the strawhats. 

hey look, it’s the panel my profile picture is from! 

the mystery surrounding robin and her past is built up in little ways long before enies lobby, from her harsh reaction when confronted with by tashigi to her aversion to being called by her given name to this flashback, of her talking to cobra about her dream. of them, the latter is my favorite, because i think it’s probably the most sincere she is until enies lobby- which makes sense, given she thinks she’s about to die. 

like many things about robin in alabasta, this gets cast in a new light by her backstory. if she dies here, so too does the entire legacy of ohara- but she’s so beaten down and hopeless that she really doesn’t see any light ahead to strive for. there’s no hope left, for her, and the whole world against her. 

and then there’s luffy, who creates hope everywhere he goes, who makes her live anyways. 

this is a hell of a spread to hook us very effectively right into the sky island saga. it’s a perfect reminder of just how much we still don’t know about all the endless mysteries of the grand line, and just how many adventures are still yet to be had.

#the voyage so far #arc: alabasta #one piece #opmeta #not japanese #long post

[soulessrobot]

I spent a ridiculous amount of time yesterday thinking about Straw Hat Buddy Cop AUs and which one would be the most ridiculous partner dynamics. These can all be viewed as separate Aus or be forced into some big amalgamation of these ideas which would be the most dysfunctional police department in the world. 

Nami and Zoro: Alright not going to lie out of all of these this is probably one of my favorites and the one I spent the longest thinking about. I’m a sucker for Zoro-Nami interactions. This partnership is classic brains and brawn. Nami starts as a dirty cop that joined the force as part of the Arlong Gang. Nami hates the Arlong Gang but they have her home neighborhood completely under their thumb and if she wants to keep her people safe she has to compromise her morals. Nami has duped every partner since she joined the force and she thinks Zoro will be no different. Zoro has an incredible pain tolerance and discipline when he wants to be he can be a force of nature. His father Mihawk was the world’s best bounty hunter and Zoro learned his fighting prowess from him His sister, Perona, is a private detective who will sometimes help Zoro out by giving him tips. Zoro cannot read maps or operate the gps system. He by order of chief Garp is not allowed to drive the police cruiser because he can never get to crime scenes on time even when he turns his lights on. Somehow Zoro always seems to end up at crime scenes before they happen and prevent the crime though... Nami thinks Zoro is an idiot she’s not wrong, he constantly forgets his wallet places and she’s always covering his debts for him. They bicker almost constantly. Zoro is rather fond of it because it reminds him of Perona. Zoro saves Nami’s life in a shoot out. Zoro seems to know something is up with Nami even though everyone else missed it. After a particularly brutal case he tells her that she can tell him and he’ll find a way to help her. Nami declines but doesn’t know how to feel, she hasn’t had someone take care of her since before Arlong’s takeover. Zoro by accident ends up in the sights of the Arlong Gang and Nami has to make the choice of if she’s willing to sacrifice the one person who could actually help her. 

Franky and Robin: I’m torn on this one between making it a police au where they are actually partners or making it into a mob au where Robin is a FBI investigator trying to make a case against the Franky Family a group of robin hood con men. Either way Robin graduated top of her class and was recruited straight into the FBI from college. She’s worked with multiple sections in the FBI but her specialties are organized crime, forgery and profiling. She’s not usually in the field but as the targets of the Franky Family grow in notoriety she ends up going undercover to try and catch him. Franky is a con man whose running a Leverage-esque gig. He’s out for the little guy. His family would never screw him over they’re in it to steal the rich blind and give to the poor. Franky is an inventor who makes his own gadgets for their heist. Franky’s personality and ethics start to grow on Robin as she gets closer to her target she almost doesn’t want to catch him. Does she defect? Who knows?  

Sanji and Usopp: Sanji comes from a rich family with deep political connections in the city. He wants nothing to do with them. They’ve basically disowned him for joining the force.  Sanji has a serious weakness for ladies that has a tendency to get them into to trouble on their cases. He’s a real bleeding heart to the plight of women and kids. He has a serious vendetta about domestic abusers. Usopp has a keen eye for details and spots things that everyone else may have overlooked. At first Sanji is really disappointed he didn’t get paired with Robin or Nami but Usopp grows on him. Usopp wins Sanji over when they discover a shared love of supporting family owned restaurants all over the city.  Usopp sometimes catches ‘cantgetoutofthecruiseritis’ but its been getting less and less frequent with Sanji watching his back. 

Chopper and Brook: The weirdest team-up of the old man on the verge of retiring who the department loves and the wide eyed new recruit. Brook has a habit of telling Chopper things that are totally untrue about how the force used to run back in the day. Chopper is starting to get better at catching on to when Brook is trying to full a fast one on him. Chopper is still new but he tries his best everyday. He spends all of his free time studying first aid and non violent deescalation tactics. He visits a lot of people he helped to put away in jail and helps them find resources to turn their lives around. Brook has a lot of hope in what young people like Chopper will mean for the future police force. Brook has dozens of cassettes in his police cruiser with all different types of music on them. He has a rescue dog named Laboon who likes to howl along while Brook sings in the car. His cruiser is the oldest on the force.

Luffy and Usopp: Luffy in any police force AU is the maverick constantly on the verge of being fired. It’s not because he has some gritty vigilante code (though he does have a heart of gold!) but because he actually is dumb as rocks about processes and procedures but is like a blood hound with a ridiculously good instinct for tracking down the bad guys. Luffy doesn’t carry a gun and handles everything with his fists because that’s the way a man does it. His grandfather was one of the best cops in their country and everyone expects that from Luffy. Luffy does not care he’s here to kick the bad guys ass and help the little guy.  Usopp has always wanted to be a field officer because his father was a detective before he died on the job. On the force he’s been a beat cop and paper pusher in the office he’s absolutely terrified about doing undercover work. When he gets partnered with Luffy he’s so excited Their first ride together turns into a high speed police chase against kidnappers. Usopp is terrified and Luffy spends the whole ride laughing. Over time they develop a record case solving rate that no one at the department can figure out. The answer is they just bumble into it in a truly Psych-esque fashion. Now that I think about it Luffy and Usopp really do have Shawn-Gus vibes and a Psych AU could totally work for them. 

Luffy and Law: Lets be real this would literally be their canon relationship. Law has no idea what he’s getting into. He’s the lone wolf at the department and has no desire to be partnered with anyone let alone the grandson of the chief. Law’s sole motivation for life and for joining law enforcement is to take on Doflamingos criminal empire that killed his foster father and then got to walk. He’s spent years building a case against the man. Their first case starts as a robbery to a toy store and ends with them finding a multi-million blood diamond smuggling ring. Law still can’t answer how they got there but someone has to write the report and its definitely not Luffy. Law over time gets strapped with doing all of Luffy’s paperwork. Luffy is really excited to have Law as a partner and somehow worms the way into the other mans heart. They would both take a bullet for each other. 

Robin and Jimbei: Okay lets be real this would be the most serious partner team up. Robin and Jimbei would both be great detectives, they would follow the rules (or not get caught when they break them), catch the bad guys and one of them would end up as chief as police by the end. Robin might end up as a forensic investigator who makes morbid little jokes to watch all the newbies squirm. 

In summary none of the Straw Hats should be police officers except Robin but she’s way to good for it anyway. Please add your own thoughts about the hilarity of the Straw Hats in the force or use any of these weird headcanons/plot bunnies in anyway you want. I just had to get them out of my head. 

#one piece #straw hat crew #fanfic #plot bunny #Headcanon #law enforcement au #roronoa zoro #nami #luffy #trafalgar law #chopper #nico robin #one piece brook #one piece franky #sanji #jimbei #I spent way too much time thinking about this at midnight #Buddy Cop AU #and friends

[kaizokuou-ni-naru]

The Voyage So Far: Dressrosa (Part One)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

fujitora’s introduction is so memorable. we don’t even know he’s an admiral until a little while after this, but the way he’s introduced makes him both immediately intriguing and tentatively likable, and also shows he’s terrifyingly powerful. similar to wano, dressrosa is a very twisty arc with a lot of hidden identities and things and people that are not what they seem, and fujitora’s introduction establishes that right off the bat.

it’s no secret i really like law, and i think his relationships and dynamics with the strawhats are some of the reasons why. it’s very good. the way he usually interacts with them (read: suffering) contrasts against the very real respect and faith he develops for them, and for luffy in particular. he refuses to call luffy his subordinate, here, even though it would be basically a get-out-of-jail free card when it comes to dealing with fujitora, and it comes up again more than once later in this arc too (though never to the strawhats themselves).

genuinely the tournament subplot is one of my favorite parts of this entire arc, especially because it happens while the action in the rest of dressrosa is mostly still setting up. it’s so fun to watch luffy go completely ham with minimal consequences, especially because we know more or less from the beginning that he’s not really likely to face a challenge from anyone here. 

it allows the supporting cast to be built out as a pretty entertaining group in their own right, too, especially bartolomeo and cavendish, and sets up most of the future grand fleet without being too obvious about it. 

i may as well say now, because i’m sure i’ll be talking about it a lot: kyros is one of my favorite one piece parents, and his and rebecca’s relationship hits me in the fucking chest. i’m consistently upset that they got so much stolen from them, and very very glad that they got the happy ending they dearly deserved.

i really like rebecca. and i like her story, too. i know there are people who want her to be more of a fighter, more violent, but i think that’s missing the point. rebecca is someone who has been victimized and commodified and put on display to die in front of a country that hates her again and again and again, and she still stays gentle and good, and i think that makes her one of the strongest characters in this arc.

obviously in isolation ‘damsel in distress’ is not really a good trope (and i’ve complained about it before with regards to tashigi in punk hazard), but i also don’t think it’s really at play here. rebecca is someone who deserves to finally lay down her sword and rest and be happy and safe, and her father deserves the chance to give her the protection he hasn’t been able to. 

i really like when oda does things like this with paneling, i think it’s tremendously cool. there’s some similar examples with law’s powers in this arc and punk hazard as well, and it’s cool as hell every time. 

this is one of my favorite panels in all of dressrosa. 

kyros has a line a lot later on about ‘restoring the true dressrosa,’ and that’s what this scene makes me think of. this is the true dressrosa- the broken and forgotten and lost, down in the darkness beneath the city. and no matter what he may think of himself, riku is still their king. 

this panel also reminds me of the similar scene in udon in wano, where the prisoners kneel before momonosuke. which is, incidentally, another favorite of mine. i really like whenever one piece deals in themes of loyalty, i feel like it always hits very hard. 

[spoilers for recent wano chapters]

i think some parts of dressrosa line up very nicely with the recent reveal in wano that law’s new goal is uncovering the mystery of the will of d. it’s something that feels very natural and fitting for him, and i think this is one of the reasons why. 

of the Ds we’ve seen, law is the only one who’s been really shown to be actively aware of the name and the weight it holds (and thus, the only one to bother to keep it secret), and he even weaponizes it against doflamingo throughout dressrosa in order to throw him off balance, and succeeds. it feels like a very natural progression from that awareness to trying to understand its mystery, at least to me. 

barto is a great character because he’s introduced as being a completely unlikable shithead, and like, that’s not inaccurate, he totally is, but he also somehow winds up being likable anyways. part of that is his idolization of the strawhats (because, let’s be real, all of us can relate), but part of it is also that he’s kind of honorable in his own way, and i think him saving bellamy from dellinger despite having no stake in the situation just because they fought together is probably the best example of that.

i really like how the sabo reveal is handled. all the focus is placed on luffy and his reaction, and then we get our actual introduction to sabo as an adult slowly over the course of the next few chapters in how he acts and interacts with other characters throughout the tournament, culminating in his proper introduction after it’s over. 

the actual explanation of what happened to him, how he survived and the entirety of his reunion with luffy is saved for the end of the arc, and i think it’s good that it happens there, in a quiet time after the dust is settled, rather than being smacked in the middle of the rising action. 

of all the many many devil fruits that have appeared in one piece, i think sugar’s is the scariest, and also one of the ones i’ve probably thought the most about, if only in terms of its sheer inherent horror. the moment her spell is broken is, in my opinion, one of the most satisfying in the entire story. doflamingo’s hold over the entire country snaps, just like that.

the entire sequence of dressrosa’s great panic is one of my favorites in the whole series. i’m a really big fan of moments where the tides are all at once turned, and this is so very much one of those- sugar is knocked out; all the toys revert to human all at once, including kyros, who promptly decapitates (unfortunately not the real) doflamingo; sabo wins the tournament, eats the mera mera no mi, and obliterates the colosseum; and usopp becomes god. 

it’s really really good. 

even though this is a fake doflamingo it is very satisfying to see him get wrecked, and even though i love the outcome of the luffy and law versus mingo and trebol fight i do think kyros deserved to decapitate the real thing also.

usopp’s role and development in dressrosa is really great. it’s the most focus he’s gotten since water seven/enies lobby, and it comes at a time right when he’d been in the background for a rather long time. in dressrosa, he gets to be a proper hero- he indisputably saves the entire day not once but twice, and even doflamingo recognizes him as by far the biggest wrench in his plans- and more importantly, he gets to do it for the first time as himself, instead of having to hide behind a mask, as he did at both thriller bark and enies lobby. 

the way a lot of the fight panels with doflamingo specifically are drawn is very cool, i think. there’s a real sense of speed and danger to a lot of them, which makes sense, as doflamingo is a very dangerous opponent fully capable of slicing off limbs and heads with ease if his enemies make a wrong move, something both the characters and the audience are fully aware of by this point. 

to be continued in the next post with the rest of dressrosa!

#the voyage so far #one piece #opmeta #arc: dressrosa #long post #not japanese